University of California EBooks

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In the 1990s, Los Angeles was home to numerous radical social and environmental eruptions. In the face of several major earthquakes and floods, riots and economic insecurity, police brutality and mass incarceration, some young black Angelenos turned to holy hip hop—a movement merging Christianity and hip hop culture—to “save” themselves and the city. Converting street corners to open-air churches and gangsta rap beats into anthems of praise, holy hip hoppers used gospel rap to navigate complicated social and spiritual realities and to transform the Southland’s fractured terrains into musical Zions. Armed with beats, rhymes, and bibles, they journeyed through black Lutheran congregations, prison ministries, African churches, reggae dancehalls, hip hop clubs, Nation of Islam meetings, and Black Lives Matter marches. Zanfagna’s fascinating ethnography provides a contemporary and unique view of black LA, offering a much-needed perspective on how music and religion intertwine in people's everyday experiences.

This new series, co-sponsored with The Center for Black Music Research of Columbia College, seeks to increase our understanding of black music genres and their importance to the cultures of the Atlantic world, including their influence on African musical styles. Books in the series will examine the wide-ranging music of the African diaspora—including the folk-derived musical styles of the Americas as well as European-influenced concert hall music of the entire black Atlantic world—by analyzing issues critical to our interpretation of the music itself and exploring the relationships between music and the other black expressive arts.

Focusing on blues, jazz, gospel, rhythm and blues, and soul music, California Soul is one of the first books to explore the rich musical heritage of African Americans in California. The contributors describe in detail the individual artists, locales, groups, musical styles, and regional qualities, and the result is an important book that lays the groundwork for a whole new field of study. The essays draw from oral histories, music recordings, newspaper articles and advertisements, as well as population statistics to provide insightful discussions of topics like the California urban milieu's influence on gospel music, the development of the West Coast blues style, and the significance of Los Angeles's Central Avenue in the early days of jazz. Other essays offer perspectives on how individual musicians have been shaped by their African American heritage, and on the role of the record industry and radio in the making of music. In addition to the diverse range of essays, the book includes the most comprehensive bibliography now available on African American music and culture in California.

Translated in full for the first time, this first volume immerses readers in the power and drama of the electrifying classic Chinese novel. 

Deep inside the Zhou royal palace, an ancient curse is released, and darkness spreads across the land. An incompetent king’s mad passion for a teenaged slave leads to the country being torn apart by civil war. As the situation unravels, will anyone attempt to stand against the forces of chaos?
 
One of the great works of Chinese literature, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of the country in 221 B.C.E. under the rule of the legendary First Emperor. Writing some fourteen hundred years later, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China was forged.

Detailing the stories of unforgettable characters who defined and shaped the times in which they lived, the complete edition of Kingdoms in Peril is a vital resource for those seeking a comprehensive overview of China’s ancient past and the political machinations that led to its unification. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

This elegantly written book is a bold attempt to reinterpret the nature of sexual violence and to imagine the possibility of overcoming it. Lawrence Kramer traces today's sexual identities to their nineteenth-century sources, drawing on the music, literature, and thought of the period to show how normal identity both promotes and rationalizes violence against women.

To make his case, Kramer uses operatic lovedeaths, Beethoven's "Kreutzer Sonata" and the Tolstoy novella named after it; the writings of Walt Whitman and Alfred Lord Tennyson, psychoanalysis, and the logic of dreams. In formal and informal reflections, he explores the self-contradictions of masculinity, the shifting alignments of femininity, authority, and desire, and the interdependency of hetero- and homosexuality. At the same time, he imagines alternatives that could allow gender to be freed from the existing system of polarities that inevitably promote sexual violence.

Kramer's writing avoids the conventional dress of intellectual authority and moves between music and literature in a style that is both intimate and effective. He combines informed scholarship with candid personal utterance and makes clear what is at stake in this crucial debate. After the Lovedeath will have a profound impact on anyone interested in new ways to think about gender.

At the close of the twentieth century the United States was, by all accounts, among the most religious of modern Western nations. Pillars of Faith describes the diversity of tradition and the commonality of organizational strategy that characterize the more than 300,000 congregations in the United States, arguing that they provide the social bonds, spiritual traditions, and community connections that are vital to an increasingly diverse society.

Nancy Tatom Ammerman follows several traditions—Mainline Protestant, Conservative Protestant, African American Protestant, Catholic and Orthodox, Jewish, Sectarian, and other religions—as they establish discernible patterns of congregational life that fit their own history, tradition, and relationship to American society. Her methodologically sophisticated study balances survey research with interviews conducted with people from ninety-one different religious traditions and ethnographic observations that yield new information on many dimensions of American congregational life. Her book is the first to depict the complex resource base supporting American congregations, the enormous web of partners with whom congregations work, and the range of institutional patterns they exhibit.

Contrary to many gloomy forecasts, Pillars of Faith: American Congregations and Their Partners argues that organized religion in the United States is robust and vigorous—and that it can handle the increasing demands of escalating diversity and mobility the future is sure to bring.