University Of California Press

• Profiles of more than 80 countries and their botanical sources of honey
• The global history of honey production, from the earliest beekeepers to today’s harvest
• Text, illustrations and photos celebrating the exceptional range and diversity of honey
• The methods used by honey sommeliers to taste and evaluate honey

The first and only book to gather the voices and perspectives of Vietnamese diasporic authors from across the globe.
 
Edited by Isabelle Thuy Pelaud, Lan P. Duong, and Pulitzer Prize–winning author Viet Thanh Nguyen, The Cleaving brings together Vietnamese artists and writers from around the world in conversation about their craft and how their work has been shaped and received by mainstream culture and their own communities. This collection highlights how Vietnamese diasporic writers speak about having been cleaved—a condition in which they have been separated from, yet still hew to, the country that they have left behind.
 
Composed of eighteen dialogues among thirty-seven writers from France, Indonesia, Kyrgyzstan, Canada, Australia, Israel, and the United States, the book expands on the many lives that Vietnamese writers inhabit. The dialogues touch on family history, legacies of colonialism and militarism, and the writers' own artistic and literary achievements. Taken together, these conversations insist on a deeper reckoning with the conditions of displacement. 

Featured writers: Hoai Huong Aubert-Nguyen, Amy Quan Barry, Doan Bui, Thi Bui, Lan Cao, Cathy Linh Che, André Dao, Duy Đoàn, Lan P. Duong, Dương Vân Mai Elliott, Le Ly Hayslip, Matt Huynh, Violet Kupersmith, Thanhhà Lại, Vincent Lam, T.K. Lê, Tracey Lien, Marcelino Trương Lực , Nguyễn Phan Quế Mai, Anna Möi, Beth (Bich) Minh Nguyen, Diana Khoi Nguyen, Hieu Minh Nguyen, Hoa Nguyen, Philip Nguyễn, Thảo Nguyễn, Vaan Nguyen, Viet Thanh Nguyen, Isabelle Thuy Pelaud, Andrew X. Pham, Aimee Phan, Abbigail Nguyen Rosewood, Bao Phi, Dao Strom, Kim Thúy, Paul Tran, Monique Truong, Minh Huynh Vu, Ocean Vuong

Adam Grant’s “8 New Idea Books to Start Spring”
Next Big Idea Club's Must-Read Books for May 2024
"A wonderful litany of the myriad ways in which we can be deceived, and deceive ourselves."—The Guardian
"Entertaining, thorough and full of current examples. . . . It’s excellent." —The Wall Street Journal

How our biases cause us to fall for misinformation—and how to combat it.

Our lives are minefields of misinformation. It ripples through our social media feeds, our daily headlines, and the pronouncements of politicians, executives, and authors. Stories, statistics, and studies are everywhere, allowing people to find evidence to support whatever position they want. Many of these sources are flawed, yet by playing on our emotions and preying on our biases, they can gain widespread acceptance, warp our views, and distort our decisions.
 
In this eye-opening book, renowned economist Alex Edmans teaches us how to separate fact from fiction. Using colorful examples—from a wellness guru’s tragic but fabricated backstory to the blunders that led to the Deepwater Horizon disaster to the diet that ensnared millions yet hastened its founder’s death—Edmans highlights the biases that cause us to mistake statements for facts, facts for data, data for evidence, and evidence for proof.
 
Armed with the knowledge of what to guard against, he then provides a practical guide to combat this tide of misinformation. Going beyond simply checking the facts and explaining individual statistics, Edmans explores the relationships between statistics—the science of cause and effect—ultimately training us to think smarter, sharper, and more critically. May Contain Lies is an essential read for anyone who wants to make better sense of the world and better decisions.

"In its comprehensive sweep, deep probing and acute critical analysis, Finkelstein's study stands alone."—Noam Chomsky

"No one who ventures an opinion on Gaza . . . is entitled to do so without taking into account the evidence in this book."
—The Intercept

A literary mixtape of transformative dialogues on justice with a cast of visionary rebel activists, organizers, artists, culture workers, thought leaders, and movement builders.

Rebel Speak sounds the alarm for a global movement to end systemic injustice led by people doing the day-to-day rebel work in the prison capital of the world. Prison activist, artist, and scholar Bryonn Rolly Bain brings us transformative oral history ciphers, rooted in the tradition of call-and-response, to lay bare the struggle and sacrifice on the front lines of the fight to abolish the prison industrial complex.

Rebel Speak investigates the motives that inspire and sustain movements for visionary change. Sparked by a life-changing interview with working-class heroes Dolores Huerta and Harry Belafonte, Bryonn invites us to join conversations with change-makers whose diverse critical perspectives and firsthand accounts expose the crisis of prisons and policing in our communities. Through dialogues with activists including Albert Woodfox, founder of the first Black Panther Party prison chapter, and Susan Burton, founder of Los Angeles's A New Way of Life Reentry Project; a conversation with a warden pushing beyond traditions at Sing Sing Correctional Facility; and an intimate exchange with his brother returning from prison, Bryonn reveals countless unseen spaces of the movement to end human caging. Sampling his provocative sessions with influential artists and culture workers, like Public Enemy leader Chuck D and radical feminist MC Maya Jupiter, Bryonn opens up and guides discussions about the power of art and activism to build solidarity across disciplines and demand justice.

With raw insight and radical introspection, Rebel Speak embodies the growing call for "credible messengers" on prisons, policing, racial justice, abolitionist politics, and transformative organizing. Reimagining the role of the writer and scholar as a DJ and MC, Bryonn moves the crowd with this unforgettable mix of those working within the belly of the beast to change the world. This is a new century's sound of movement-building and Rebel Speak.

From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake.

• More than 1,000 maps, graphics, and photographs
• Contributions from more than 130 experts
• Detailed topographic maps of Yellowstone and Grand Teton National Parks
• Exploration of Yellowstone National Park’s influence over 150 years on conservation practice, park management, and American culture
• New, detailed visualizations of wildlife that take advantage of modern GPS technology to track individual animals and entire herds
• Place-name origins for Yellowstone and Grand Teton National Parks and the surrounding region

“A Native American rejoinder to Richard White and Jesse Amble White’s California Exposures.”—Kirkus Reviews
 
Rewriting the history of California as Indigenous.

Before there was such a thing as “California,” there were the People and the Land. Manifest Destiny, the Gold Rush, and settler colonial society drew maps, displaced Indigenous People, and reshaped the land, but they did not make California. Rather, the lives and legacies of the people native to the land shaped the creation of California. We Are the Land is the first and most comprehensive text of its kind, centering the long history of California around the lives and legacies of the Indigenous people who shaped it. Beginning with the ethnogenesis of California Indians, We Are the Land recounts the centrality of the Native presence from before European colonization through statehood—paying particularly close attention to the persistence and activism of California Indians in the late twentieth and early twenty-first centuries. The book deftly contextualizes the first encounters with Europeans, Spanish missions, Mexican secularization, the devastation of the Gold Rush and statehood, genocide, efforts to reclaim land, and the organization and activism for sovereignty that built today’s casino economy. A text designed to fill the glaring need for an accessible overview of California Indian history, We Are the Land will be a core resource in a variety of classroom settings, as well as for casual readers and policymakers interested in a history that centers the native experience.