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A careful reading of Book IV of Xenophon's Memorabilia and a demonstration of a Socratic education

It is well known that Socrates was executed by the city of Athens for not believing in the gods and for corrupting the youth. Despite this, it is not widely known what he really thought, or taught the youth to think, about philosophy, the gods, and political affairs. Of the few authors we rely on for firsthand knowledge of Socrates—Aristophanes, Xenophon, Plato, and Aristotle—only Xenophon, the least read of the four, lays out the whole Socratic education in systematic order.

In Xenophon's Socratic Education, through a careful reading of Book IV of Xenophon's Memorabilia, Dustin Sebell shows how Socrates ascended, with his students in tow, from opinions about morality or politics and religion to knowledge of such things. Besides revealing what it was that Socrates really thought—about everything from self-knowledge to happiness, natural theology to natural law, and rhetoric to dialectic—Sebell demonstrates how Socrates taught promising youths, like Xenophon or Plato, only indirectly: by jokingly teaching unpromising youths in their presence. Sebell ultimately shows how Socrates, the founder of moral and political philosophy, sought and found an answer to the all-important question: should we take our bearings in life from human reason, or revealed religion?

Emotions were central to the ways that slaveholders perpetuated slavery, as well as to the ways that enslaved people survived and challenged bondage and experienced freedom. Mastering Emotions examines the interactions between slaveholders and enslaved people, and between White people and free Black people, to expose how emotions such as love, terror, happiness, and trust functioned as social and economic capital for slaveholders and enslaved people alike.

The daily interactions that occurred between slaveholders and enslaved people around emotions, in conjunction with larger debates about race and freedom, form the backbone of what Erin Austin Dwyer calls the emotional politics of slavery. Race and status determined which emotions were permissible or punishable, which should be restrained, and by whom. As a result, mastering emotions, one's ability to control one's own feelings and those of others, was paramount for slaveholders and enslaved. The emotional politics of slavery were thus fashioned by enslaved people and slaveholders together through the crucible of slavery.

Emancipation was a seismic shift in the affective landscape of the antebellum South. Though the end of the Civil War rendered moot the debate over how to emotionally maintain slavery, the lingering conflict over whether the emotional strictures governing the South would be based on race or free status had serious repercussions, particularly for free Black people. The postwar rise of legal and extralegal attempts to affectively control free Black people underscored the commitment of elite White Southerners to preserving the power dynamics of the emotional politics of slavery, by any means necessary. Mastering Emotions concludes by detailing how the long-term legacy of those emotional politics reverberated through Reconstruction and the Jim Crow eras.

The definitive reference guide to artifacts representing 14,000 years of cultural evolution

Pennsylvania is geographically, ecologically, and culturally diverse. The state is situated at the crossroads of several geographic zones and drainage basins which resulted in a great deal of variation in Native American societies. The Archaeology of Native Americans in Pennsylvania is the definitive reference guide to rich artifacts that represent 14,000 years of cultural evolution. This authoritative work includes environmental studies, descriptions and illustrations of artifacts and features, settlement pattern studies, and recommendations for directions of further research.

Containing previously unpublished data and representing fifty years of collaborative findings gathered under historic preservation laws, the book is organized into five parts, reflecting five major time periods. Essential for anyone conducting archaeological research in Pennsylvania and surrounding regions, especially professionals conducting surveys and research in compliance with state and federal preservation laws, as well as professors and students engaging in research on specific regions or topics in Middle Atlantic archaeology.

How Black Protestants in Chicago created Ethiopianism, a transnational religious movement against Western imperialism

City of Black Souls uncovers the history of how, from the late nineteenth to the mid-twentieth century, Black Protestants in Chicago created a transnational religious movement that connected the Black struggle for freedom in the United States to the global Black fight against Western imperialism. This was a movement of Ethiopianism—meaning a movement for Black religious and political independence inspired by biblical references to “Ethiopia,” particularly Psalm 68:31, “Princes shall come out of Egypt; Ethiopia shall soon stretch out her hands unto God.”

Through Ethiopianism, Kai Parker argues, Black Chicago Protestants drew from Coptic and Ethiopian Orthodox Christian traditions and worked with West African Christians to imagine that Afrodiasporic Christian faith heralded the apocalyptic end of imperialism and white supremacy. Parker illuminates the apocalyptic Ethiopianism of famous Black Chicagoans such as Ida B. Wells and gospel musician Thomas Dorsey, and of lesser-known ones such as painter William Edouard Scott and Nigerian immigrant turned anticolonial missionary Samuel Wadiei Martin. When John C. Robinson, a Black Chicagoan, led Haile Selassie’s air force against Mussolini’s invasion of Ethiopia in 1935–1936, this was no coincidence, but rather an outgrowth of decades of Ethiopianism in Chicago.

City of Black Souls shows that Ethiopianism was a dynamic, heterogeneous, and modern movement through which Black migrants to Chicago engaged the industrial city and influenced the mid-twentieth-century anticolonial and civil rights movements. The book is especially important to Black religious and political studies in its demonstration of how apocalyptic Ethiopianism differed in its contributions to the Black freedom struggle from the canonical “prophetic” religion grounded in the Exodus notion of moving from slavery to freedom.

Links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty

Imperial Ventures links early modern English drama and empire studies, exploring how staged scenes of maritime peril created a new form of economic uncertainty around the turn of the seventeenth century, amid London’s explosion in commercial colonialism.

While the hazards of global maritime trade became increasingly apparent during the late sixteenth and early seventeenth centuries, the word “risk” did not enter English usage until around 1660. The prevailing scholarly narrative has linked uncertainty to concepts such as “chance,” “accident,” and “providence,” but this book reveals that these fragmentary concepts were reordered into an economic abstraction, and that the theater was a key site for that process. Playwrights reached for ways to represent this new uncertainty, and audiences watched perilous voyages set in colonial contexts and dramatized in increasingly typical forms. Imperial Ventures is organized by these forms, with five chapters examining scenes of shipwreck, pirates, enslavement, colonial subjection, and perilous news across a wide range of early modern plays.

Benjamin VanWagoner shows how maritime drama connected English venturing to economic vulnerability in increasingly systematic ways, helping to develop the economic logic that would come to be codified as risk. In revealing this process, Imperial Ventures establishes the unique protocolonial status of early modern England—in the theater and at sea—and demonstrates how risk became a perverse instrument for justifying Anglophone imperialism.

Cultivating Empire charts the connections between missionary work, capitalism, and Native politics to understand the making of the American empire in the late-eighteenth and early-nineteenth centuries. It presents American empire-building as a negotiated phenomenon that was built upon the foundations of earlier Atlantic empires, and it shows how U.S. territorial and economic development went hand-in-hand. Lori. J. Daggar explores how Native authority and diplomatic protocols encouraged the fledgling U.S. federal government to partner with missionaries in the realm of Indian affairs, and she charts how that partnership borrowed and deviated from earlier imperial-missionary partnerships.

Employing the terminology of speculative philanthropy to underscore the ways in which a desire to do good often coexisted with a desire to make profit, Cultivating Empire links eighteenth- and early-nineteenth-century U.S. Indian policy—often framed as benevolent by its crafters—with the emergence of racial capitalism in the United States. In the process, Daggar argues that Native peoples wielded ideas of philanthropy and civilization for their own purposes and that Indian Country played a critical role in the construction of the U.S. imperial state and its economy. Rather than understand civilizing missions simply as tools for assimilation, then, Cultivating Empire reveals that missions were hinges for U.S. economic and political development that could both devastate Indigenous communities and offer Native peoples additional means to negotiate for power and endure.

Between 1348 and 1350, Jews throughout Europe were accused of having caused the spread of the Black Death by poisoning the wells from which the entire population drank. Hundreds if not thousands were executed from Aragon and southern France into the eastern regions of the German-speaking lands. But if the well-poisoning accusations against the Jews during these plague years are the most frequently cited of such cases, they were not unique. The first major wave of accusations came in France and Aragon in 1321, and it was lepers, not Jews, who were the initial targets. Local authorities, and especially municipal councils, promoted these charges so as to be able to seize the property of the leprosaria, Tzafrir Barzilay contends. The allegations eventually expanded to describe an international conspiracy organized by Muslims, and only then, after months of persecution of the lepers, did some nobles of central France implicate the Jews, convincing the king to expel them from the realm.

In Poisoned Wells Barzilay explores the origins of these charges of well poisoning, asks how the fear took root and moved across Europe, which groups it targeted, why it held in certain areas and not others, and why it waned in the fifteenth century. He argues that many of the social, political, and environmental factors that fed the rise of the mass poisoning accusations had already appeared during the thirteenth century, a period of increased urbanization, of criminal poisoning charges, and of the proliferation of medical texts on toxins. In studying the narratives that were presented to convince officials that certain groups committed well poisoning and the legal and bureaucratic mechanisms that moved rumors into officially accepted and prosecutable crimes, Barzilay has written a crucial chapter in the long history of the persecution of European minorities.

The United States has been a space power since its founding, Gordon Fraser writes. The white stars on its flag reveal the dream of continental elites that the former colonies might constitute a "new constellation" in the firmament of nations. The streets and avenues of its capital city were mapped in reference to celestial observations. And as the nineteenth century unfolded, all efforts to colonize the North American continent depended upon the science of surveying, or mapping with reference to celestial movement. Through its built environment, cultural mythology, and exercise of military power, the United States has always treated the cosmos as a territory available for exploitation.

In Star Territory Fraser explores how from its beginning, agents of the state, including President John Adams, Admiral Charles Henry Davis, and astronomer Maria Mitchell, participated in large-scale efforts to map the nation onto cosmic space. Through almanacs, maps, and star charts, practical information and exceptionalist mythologies were transmitted to the nation's soldiers, scientists, and citizens.

This is, however, only one part of the story Fraser tells. From the country's first Black surveyors, seamen, and publishers to the elected officials of the Cherokee Nation and Hawaiian resistance leaders, other actors established alternative cosmic communities. These Black and indigenous astronomers, prophets, and printers offered ways of understanding the heavens that broke from the work of the U.S. officials for whom the universe was merely measurable and exploitable.

Today, NASA administrators advocate public-private partnerships for the development of space commerce while the military seeks to control strategic regions above the atmosphere. If observers imagine that these developments are the direct offshoots of a mid-twentieth-century space race, Fraser brilliantly demonstrates otherwise. The United States' efforts to exploit the cosmos, as well as the resistance to these efforts, have a history that starts nearly two centuries before the Gemini and Apollo missions of the 1960s.

How debt and speculation financed the suburban American dream and led to today’s inequalities

In the popular imagination, the suburbs are synonymous with the “American Dream” of upward mobility and economic security. After World War II, white families rushed into newly built suburbs, where they accumulated wealth through homeownership and enjoyed access to superior public schools. In this revelatory new account of postwar suburbanization, historian Michael R. Glass exposes the myth of uniform suburban prosperity. Focusing on the archetypal suburbs of Long Island, Cracked Foundations uncovers a hidden landscape of debt and speculation.

Glass shows how suburbanites were not guaranteed decent housing and high-quality education but instead had to obtain these necessities in the marketplace using home mortgages and municipal bonds. These debt instruments created financial strains for families, distributed resources unevenly across suburbs, and codified racial segregation. Most important, debt transformed housing and education into commodities, turning homes and schools into engines of capital accumulation. The resulting pressures made life increasingly precarious, even for those privileged suburbanites who resided in all-white communities. For people of color denied the same privileges, suburbs became places where predatory loans extracted wealth and credit rating agencies punished children in the poorest school districts. Long Islanders challenged these inequalities over several decades, demanding affordable housing, school desegregation, tax equity, and school-funding equalization. Yet the unequal circumstances created by the mortgages and bonds remain very much in place, even today.

Cracked Foundations not only transforms our understanding of housing, education, and inequality but also highlights how contemporary issues like the affordable housing crisis and school segregation have their origins in the postwar golden age of capitalism.

This book explores the question: How did the rabbis of the first two centuries CE approach bodies that are born with variant genitals—bodies that they could not identify as definitely male or female? The rabbis had constructed a system in which every behavior was governed by one’s sex/gender, posing a conundrum both for people who did not fit into that model and for the rabbinic enterprise itself. Despite this, their texts contain dozens of references to intersex.

And the Sages Did Not Know examines the rabbis’ legal texts and concludes that they had multiple approaches to intersex people. Sarra Lev analyzes seven different rabbinic responses to this conflict of their own making. Through their rulings on how intersex people should conduct themselves in multiple circumstances, the early rabbis treat intersex people as unidentifiable males or females, as indeterminate, as male, as non-gendered, as sui generis, as part-male/part-female, as a sustainable paradox, and, finally, as a way for them to think about gender, having nothing to do with intersex people themselves.

This is the first such work that concentrates primarily on the potential effects of these rabbinic texts on intersex persons themselves rather than focusing on what the texts offer readers whose interest is rabbinic approaches to sex and gender or gender diversity. Although the rabbinic texts do not include the voices of known intersex people, these materials do offer us a window into how one small group of people approached intersex bodies, and how those approaches were both similar to and different from those we recognize today.

If politics is about the state, can a stateless people be political? Until recently, scholars were fiercely divided regarding whether Jews engaged in politics, displayed political wisdom, or penned works of political thought over the two millennia when there was no Jewish state. But over the past few decades, the field of Jewish political thought has begun to examine the ways in which Jewish individuals and communal organizations behaved politically even in diaspora.

The King Is in the Field centers writing from leading scholars that serves as an introduction to this exciting field, providing critical resources for anyone interested in thinking about politics both within and beyond the state. From kabbalistic theology to economic philanthropy, from race and nationalism in the U.S. to Israeli legal discourse and feminist activism, this key study of Jewish political thought holds the promise to reorient the field of political thought as a whole by expanding conceptions of what counts as “political.”

In a world in which statelessness now applies to 100 million individuals, this volume illuminates ways to understand how diaspora Jewish political thought functioned in adopted homelands. This approach allows the book to offer questions and analysis that add depth and breadth to academic studies of Jewish politics while simultaneously offering a blueprint for future volumes interrogating political action through multiple diasporas.

Contributors: Samuel Hayim Brody, Lihi Ben Shitrit, Julie E. Cooper, Arye Edrei, Meirav Jones, Rebecca Kobrin, Vincent Lloyd, Menachem Lorberbaum, Shaul Magid, Assaf Tamari, Irene Tucker, Philipp Von Wussow, Michael Walzer.

Envisioned as a tribe of ruddy-faced, redheaded, red-bearded Jewish warriors, bedecked in red attire who purportedly resided in isolation at the fringes of the known world, the Red Jews are a legendary people who populated a shared Jewish-Christian imagination. But in fact the red variant of the Ten Lost Tribes of Israel is a singular invention of late medieval vernacular culture in Germany. This idiosyncratic figure, together with the peculiar term “Red Jews,” existed solely in German and Yiddish, the German-Jewish vernacular. These two language communities assessed the Red Jews differently and contested their significance, which is to say, they viewed them in different shades of red. The voyage of the Red Jews through the Jewish and Christian imagination, from their medieval Christian nascence, through early modern Old Yiddish literature, to modern Yiddish culture in Eastern Europe, Palestine, and America, is the story of this book.

By studying this vernacular icon, Rebekka Voß contributes to our understanding of the formation of minority awareness and the construction of Ashkenazic Jewish identity through visual cultural encounters. She also spotlights the vitality of vernacular culture by demonstrating how the premodern motif of the Red Jews informed modern Yiddish literature, and how the stereotype of Jewish red hair found its way into Jewish social critiques, political thought, and arts through the present day.

Sons of Saviors is a story about power: the Yiddish reappropriation of the Red Jews subverted the Christian color symbolism by adjusting the focus on redness from a negative stereotype into a proud badge of self-assertion. The book also includes in an appendix the full text of a significant Yiddish tale featuring the Red Jews.

In 1290, Jews were expelled from England and subsequently largely expunged from English historical memory. Yet for two centuries they occupied important roles in medieval English society. England’s Jews revisits this neglected chapter of English history—one whose remembrance is more important than ever today, as antisemitism and other forms of racism are on the rise.

Historian John Tolan tells the story of the thousands of Jews who lived in medieval England. Protected by the Crown and granted the exclusive right to loan money with interest, Jews financed building projects, provided loans to students, and bought and rented out housing. Historical texts show that they shared meals and beer, celebrated at weddings, and sometimes even ended up in bed with Christians.

Yet Church authorities feared the consequences of Jewish contact with Christians and tried to limit it, though to little avail. Royal protection also proved to be a double-edged sword: when revolts broke out against the unpopular king Henry III, some of the rebels, in debt to Jewish creditors, killed Jews and destroyed loan records. Vicious rumors circulated that Jews secretly plotted against Christians and crucified Christian children. All of these factors led Edward I to expel the Jews from England in 1290. Paradoxically, Tolan shows, thirteenth-century England was both the theatre of fruitful interreligious exchange and a crucible of European antisemitism.

In early modern England, wood scarcity was a widespread concern. Royal officials, artisans, and common people expressed their fears in laws, petitions, and pamphlets, in which they debated the severity of the problem, speculated on its origins, and proposed solutions to it. No Wood, No Kingdom explores these conflicting attempts to understand the problem of scarcity and demonstrates how these ideas shaped land use, forestry, and the economic vision of England's earliest colonies.

Popular accounts have often suggested that deforestation served as a "push" for English colonial expansion. Keith Pluymers shows that wood scarcity in England, rather than a problem of absolute supply and demand, resulted from social conflict over the right to define and regulate resources, difficulties obtaining accurate information, and competing visions for trade, forestry, and the English landscape. Domestic scarcity claims did encourage schemes to develop wood-dependent enterprises in the colonies, but in practice colonies competed with domestic enterprises rather than supplanting them. Moreover, close studies of colonial governments and the actions of individual landholders in Ireland, Virginia, Bermuda, and Barbados demonstrate that colonists experimented with different, often competing approaches to colonial woods and trees, including efforts to manage them as long-term resources, albeit ones that nonetheless brought significant transformations to the land.

No Wood, No Kingdom explores the efforts to knot together woods around the Atlantic basin as resources for an English empire and the deep underlying conflicts and confusion that largely frustrated those plans. It speaks to historians of early modern Europe, early America, and the Atlantic World but also offers key insights on early modern resource politics, forest management, and political ecology of interest to readers in the environmental humanities and social sciences as well as those interested in colonialism or economic history.

Illusions of Empire adopts a multinational view of North American borderlands, examining the ways in which Mexico's North overlapped with the U.S. Southwest in the context of diplomacy, politics, economics, and military operations during the Civil War era.

William S. Kiser examines a fascinating series of events in which a disparate group of historical actors vied for power and control along the U.S.-Mexico border: from Union and Confederate generals and presidents, to Indigenous groups, diplomatic officials, bandits, and revolutionaries, to a Mexican president, a Mexican monarch, and a French king. Their unconventional approaches to foreign relations demonstrate the complex ways that individuals influence the course of global affairs and reveal that borderlands simultaneously enable and stifle the growth of empires.

This is the first study to treat antebellum U.S. foreign policy, Civil War campaigning, the French Intervention in Mexico, Southwestern Indian Wars, South Texas Bandit Wars, and U.S. Reconstruction in a single volume, balancing U.S. and Mexican source materials to tell an important story of borderlands conflict with ramifications that are still felt in the region today.

Just as the Reformation was a movement of intertwined theological and political aims, many individual authors of the time shifted back and forth between biblical interpretation and political writing. Two foundational figures in the history of the Renaissance Bible, Desiderius Erasmus and William Tyndale, are cases in point, one writing in Latin, the other in the vernacular. Erasmus undertook the project of retranslating and annotating the New Testament at the same time that he developed rhetorical approaches for addressing princes in his Education of a Christian Prince (1516); Tyndale was occupied with biblically inflected works such as his Obedience of a Christian Man (1528) while translating and annotating the first printed English Bibles.

In The Book of Books, Thomas Fulton charts the process of recovery, interpretation, and reuse of scripture in early modern England, exploring the uses of the Bible as a supremely authoritative text that was continually transformed for political purposes. In a series of case studies linked to biblical translation, polemical tracts, and works of imaginative literature produced during the reigns of successive English rulers, he investigates the commerce between biblical interpretation, readership, and literary culture. Whereas scholars have often drawn exclusively on modern editions of the King James Version, Fulton turns our attention toward the specific Bibles that writers used and the specific manner in which they used them. In doing so, he argues that Spenser, Shakespeare, Milton, and others were in conversation not just with the biblical text itself, but with the rich interpretive and paratextual structures that accompanied it, revolving around sites of social controversy as well as the larger, often dynastically oriented conditions under which particular Bibles were created.

In the fourth century, clerics began to distinguish themselves from members of the laity by virtue of their augmented claims to holiness. Because clerical celibacy was key to this distinction, religious authorities of all stripes—patristic authors, popes, theologians, canonists, monastic founders, and commentators—became progressively sensitive to sexual scandals that involved the clergy and developed sophisticated tactics for concealing or dispelling embarrassing lapses. According to Dyan Elliott, the fear of scandal dictated certain lines of action and inaction, the consequences of which are painfully apparent today. In The Corrupter of Boys, she demonstrates how, in conjunction with the requirement of clerical celibacy, scandal-averse policies at every conceivable level of the ecclesiastical hierarchy have enabled the widespread sexual abuse of boys and male adolescents within the Church.

Elliott examines more than a millennium's worth of doctrine and practice to uncover the origins of a culture of secrecy and concealment of sin. She charts the continuities and changes, from late antiquity into the high Middle Ages, in the use of boys as sexual objects before focusing on four specific milieus in which boys and adolescents would have been especially at risk in the high and later Middle Ages: the monastery, the choir, the schools, and the episcopal court.

The Corrupter of Boys is a work of stunning breadth and discomforting resonance, as Elliott concludes that the same clerical prerogatives and privileges that were formulated in late antiquity and the medieval era—and the same strategies to cover up the abuses they enable—remain very much in place.

"Do not think of the Pennsylvania Railroad as a business enterprise," Forbes magazine informed its readers in May 1936. "Think of it as a nation." At the end of the nineteenth century, the Pennsylvania Railroad was the largest privately owned business corporation in the world. In 1914, the PRR employed more than two hundred thousand people—more than double the number of soldiers in the United States Army. As the self-proclaimed "Standard Railroad of the World," this colossal corporate body underwrote American industrial expansion and shaped the economic, political, and social environment of the United States. In turn, the PRR was fundamentally shaped by the American landscape, adapting to geography as well as shifts in competitive economics and public policy. Albert J. Churella's masterful account, certain to become the authoritative history of the Pennsylvania Railroad, illuminates broad themes in American history, from the development of managerial practices and labor relations to the relationship between business and government to advances in technology and transportation.

Churella situates exhaustive archival research on the Pennsylvania Railroad within the social, economic, and technological changes of nineteenth- and twentieth-century America, chronicling the epic history of the PRR intertwined with that of a developing nation. This first volume opens with the development of the Main Line of Public Works, devised by Pennsylvanians in the 1820s to compete with the Erie Canal. Though a public rather than a private enterprise, the Main Line foreshadowed the establishment of the Pennsylvania Railroad in 1846. Over the next decades, as the nation weathered the Civil War, industrial expansion, and labor unrest, the PRR expanded despite competition with rival railroads and disputes with such figures as Andrew Carnegie and John D. Rockefeller. The dawn of the twentieth century brought a measure of stability to the railroad industry, enabling the creation of such architectural monuments as Pennsylvania Station in New York City. The volume closes at the threshold of American involvement in World War I, as the strategies that PRR executives had perfected in previous decades proved less effective at guiding the company through increasingly tumultuous economic and political waters.

How Turkish poetry became the preferred mode for communicating, debating, and shaping political and social experience in the early Ottoman Empire

Occasions for Poetry is a history of how Turkish poetry became the preferred mode for communicating, debating, and shaping political and social experience in the early Ottoman Empire. After the conquest of Constantinople in 1453, Ottoman elites at the imperial court turned to poetry to craft distinctive modes of expression in order to articulate their own place within the Ottoman sultanate.

Placing Ottoman court poetry in its social and historical context, Oscar Aguirre-Mandujano argues that poetry functioned as a political act. Aguirre-Mandujano examines the occasions that compelled the Ottomans to compose poetry, to present it to their superiors, to share it with their peers, and to spend considerable efforts and time to make poetry often and to make it well. He explores how scholars and bureaucrats interacted with each other through poetic imagery, revealing how literary language affected bureaucratic practice. Poetry was not only an artistic activity, but also a means to advance or save one’s own political or bureaucratic career.

For the Ottoman elite, poetry was more than a creative activity or a flattering description of Ottoman power and expansion; it was a vehicle to shape and mold their social reality. The language and genres created and used by these early modern Ottomans would define both a literary tradition and the shape of imperial politics and power for almost six centuries, until the end of the empire in the twentieth century.

How Muslims integrated themselves into the Kingdom of Jerusalem, founded in the wake of the First Crusade

In Plain Sight draws from a wide array of interdisciplinary sources to show how Muslims, seemingly hostile to the entire crusading enterprise, integrated themselves into the kingdom founded in the wake of the First Crusade. The book examines how Muslims, whether Sunni or Shi‘a or Druze, fit into society in the crusader Kingdom of Jerusalem, uncovering the daily reality of their experience. Exploring how and to what extent Muslims interacted with the Frankish ruling elite, historian Ann E. Zimo presents a new vantage point from which to reconsider the popularly accepted notion that the crusades, and by extension the crusader states, were a locus of a monolithic clash between West and East or between Christianity and Islam. By untangling the relations between the Muslim communities and their rulers, Zimo offers a more fully realized image of a society too multifaceted to be reasonably reduced to a black-and-white binary opposition.

Zimo not only re-reads the well-known Frankish sources, including narrative chronicles, letters, charters, and legal treatises, but combines them with an investigation of the Arabic documentary base, including chronicles, biographies, fatwa literature, pilgrimage guides, and treaties which are not translated and largely inaccessible to most historians of the crusades. She also draws from the enormous and growing body of scholarship generated by archaeologists whose work can often provide insights into the aspects of the past not recorded in the historical record. By casting such a wide evidentiary net, In Plain Sight sheds new light on Frankish society and how Muslims fit into it, offering major revisions to the current conception of population distribution within the kingdom and the nature of the Frankish polity itself.

Explores the information and communication practices of the Portuguese empire in sixteenth- and seventeenth-century India

Empire of Contingency explores the information and communication practices of the Portuguese empire in late sixteenth- and seventeenth-century India—a period during which Portuguese imperial ambitions were struggling for survival, while the Mughal empire was at the height of its power and influence. Jorge Flores uncovers the tenuous but ingenious apparatuses of intelligence through which the Estado da Índia (the “State of the Indies,” the name given to the Portuguese political administrative unit in the region between the Cape of Good Hope and East Asia) endeavored to survive in a vast Indo-Persian world shaped by the influence and power of the Mughal empire.

Detailing the complex relations that the officials of the Portuguese empire, particularly in Goa, the capital of the Estado da Índia, maintained with the Mughal empire as well as the sultanates of Ahmadnagar and Bijapur in the Deccan region—through information gathering, record-keeping, interpreting, and diplomatic correspondence—the book demonstrates how the Portuguese territories along the western coast of India were substantially incorporated into the vast Persianate cultural sphere spanning from Iran to Southeast Asia. The process of empire-building on the fringes of the Persianate world and the prolonged interaction with the Mughal empire, Ahmadnagar, and Bijapur, Flores argues, led to the irregular, non-linear, and incomplete assimilation of the Portuguese empire into Persianate India.

Overturning teleological narratives that portray the workings of (European) empire as the unilateral imposition of power dynamics by a dominant, omniscient actor, Flores reveals how Portuguese imperial administrators were vulnerable participants in a network of relations involving multiple political powers—relations that required enormous bureaucratic and diplomatic effort to understand and successfully navigate. Showing how a European empire was drawn into the political practices and rituals of the Indo-Persian world, Flores decenters the lenses conventionally used to observe the Portuguese empire in Asia and helps us rethink its nature while questioning the boundaries of the Indo-Persian world.

In Coterie Poetics and the Beginnings of the English Literary Tradition, R. D. Perry reveals how poetic coteries formed and maintained the English literary tradition. Perry shows that, from Geoffrey Chaucer to Edmund Spenser, the poets who bridged the medieval and early modern periods created a profusion of coterie forms as they sought to navigate their relationships with their contemporaries and to the vernacular literary traditions that preceded them.

Rather than defining coteries solely as historical communities of individuals sharing work, Perry reframes them as products of authors signaling associations with one another across time and space, in life and on the page. From Geoffrey Chaucer’s associations with both his fellow writers in London and with his geographically distant French contemporaries, to Thomas Hoccleve’s emphatic insistence that he was “aqweyntid” with Chaucer even after Chaucer’s death, to John Lydgate’s formations of “virtual coteries” of a wide range of individuals alive and dead who can only truly come together on the page, the book traces how writers formed the English literary tradition by signaling social connections.

By forming coteries, both real and virtual, based on shared appreciation of a literary tradition, these authors redefine what should be valued in that tradition, shaping and reshaping it accordingly. Perry shows how our notion of the English literary tradition came to be and how it could be imagined otherwise.

In Only a Few Blocks to Cuba, Mauricio Castro shows how the U.S. government came to view Cuban migration to Miami as a strategic asset during the Cold War, in the process investing heavily in the city’s development and shaping its future as a global metropolis.

When Cuban refugees fleeing Communist revolution began to arrive in Miami in 1959, the city was faced with a humanitarian crisis it was ill-equipped to handle and sought to have the federal government solve what local politicians clearly viewed as a Cold War geopolitical problem. In response, the Eisenhower and Kennedy administrations, and their successors, provided an unprecedented level of federal largesse and freedom of transit to these refugees. The changes to the city this investment wrought were as impactful and permanent as they were unintended. What was meant to be a short-term geopolitical stratagem instead became a new reality in South Florida. A growing and increasingly powerful Cuban community contested their place in Miami and navigated challenges like bilingualism, internal political disputes, socioeconomic polarization, and ongoing struggles and negotiations with Washington and Havana in the decades that followed. This contested process, argues Mauricio Castro, not only transformed South Florida, but American foreign policy and the calculus of national politics.

Castro uses extensive archival research in local and national sources to demonstrate that the Cuban diaspora and Cold War refugee policy made South Florida a key space to understanding the shifting landscape of the late twentieth century. In this way, Miami serves as an example of both the lived effects of defense spending in urban spaces and of how local communities can shape national politics and international relations. American politics, foreign relations, immigration policy, and urban development all intersected on the streets of Miami.

The Renaissance, scholars have long argued, was a period beset by the loss of philosophical certainty. In Possible Knowledge, Debapriya Sarkar argues for the pivotal role of literature—what early moderns termed poesie—in the dynamic intellectual culture of this era of profound incertitude. Revealing how problems of epistemology are inextricable from questions of literary form, Sarkar offers a defense of poiesis, or literary making, as a vital philosophical endeavor.

Working across a range of genres, Sarkar theorizes “possible knowledge” as an intellectual paradigm crafted in and through literary form. Sixteenth- and seventeenth-century writers such as Spenser, Bacon, Shakespeare, Cavendish, and Milton marshalled the capacious concept of the “possible,” defined by Philip Sidney as what “may be and should be,” to construct new theories of physical and metaphysical reality. These early modern thinkers mobilized the imaginative habits of thought constitutive to major genres of literary writing—including epic, tragedy, romance, lyric, and utopia—in order to produce knowledge divorced from historical truth and empirical fact by envisioning states of being untethered from “nature” or reality.

Approaching imaginative modes such as hypothesis, conjecture, prediction, and counterfactuals as instruments of possible knowledge, Sarkar exposes how the speculative allure of the “possible” lurks within scientific experiment, induction, and theories of probability. In showing how early modern literary writing sought to grapple with the challenge of forging knowledge in an uncertain, perhaps even incomprehensible world, Possible Knowledge also highlights its most audacious intellectual ambition: its claim that while natural philosophy, or what we today term science, might explain the physical world, literature could remake reality. Enacting a history of ideas that centers literary studies, Possible Knowledge suggests that what we have termed a history of science might ultimately be a history of the imagination.

Living with the Law explores the marital disputes of Jews in medieval Islamic Egypt (1000–1250), relating medieval gossip, marital woes, and the voices of men and women of a world long gone. Probing the rich documents of the Cairo Geniza, a unique repository of discarded paper discovered in a Cairo synagogue, the book recovers the life stories of Jewish women and men working through their marital problems at home, with their families, in the streets of old Cairo, and in Jewish and Muslim courts. Despite a voluminous literature on Jewish law, the everyday practice of Jewish courts has only recently begun to be investigated systematically. The experiences of those at a legal, social, and cultural disadvantage allow us to go beyond the image propagated by legal institutions and offer a view “from below” of Jewish communal life and Jewish law as it was lived.

Examining the interactions between gender and law in medieval Jewish communities under Islamic rule, Oded Zinger considers how women experienced Jewish courts and the pressure they faced to relinquish their monetary rights. The tactics with which women countered this pressure—ranging from exploiting family ties to appealing to Muslim courts—expose the complex relationship between individual agency, gendered expectations, and communal authority. Zinger concludes that, more than money, education, or lineage, it was the maintenance of a supportive network of social relations with men that protected women at different stages of their lives.

Hospital City, Health Care Nation recasts the story of the U.S. health care system by emphasizing its economic, social, and medical importance in American communities. Focusing on urban hospitals and academic medical centers, the book argues that the country’s high level of health care spending has allowed such institutions to become vital, if often problematic, economic anchors for communities. Yet that spending has also constrained possibilities for comprehensive health care reform over many decades, even after the passage of the Affordable Care Act in 2010. At the same time, the role of hospitals in urban renewal, in community health provision, and as employers of low-wage workers has contributed directly to racial health disparities.

Guian A. McKee explores these issues through a detailed historical case study of Baltimore’s Johns Hopkins Hospital while also tracing their connections across governmental scales—local, state, and federal. He shows that health care spending and its consequences, rather than insurance coverage alone, are core issues in the decades-long struggle over the American health care system. In particular, Hospital City, Health Care Nation points to the increased role of financial capital after the 1960s in shaping not only hospital growth but also the underlying character of these vital institutions. The book shows how hospitals’ quest for capital has interacted with structural racism and inequality to shape and constrain the U.S. health care system. Building on this reassessment of the hospital system, its politics, and its financing, Hospital City, Health Care Nation offers ideas for the next steps in health care reform.

William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ.

In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention.

Although the Enlightenment had seemed to bring an end to the widely held belief that Jews murdered Christian children for ritual purposes, charges of the so-called blood libel were surprisingly widespread in central and eastern Europe on either side of the turn to the twentieth century. Well over one hundred accusations were made against Jews in this period, and prosecutors and government officials in Germany, Austria-Hungary, and Russia broke with long established precedent to bring six of these cases forward in sensational public trials. In Blood Inscriptions Hillel J. Kieval examines four cases—the prosecutions that took place at Tiszaeszlár in Hungary (1882-83), Xanten in Germany (1891-92), Polná in Austrian Bohemia (1899-1900), and Konitz, then Germany, now in Poland (1900-1902)—to consider the means by which discredited beliefs came to seem once again plausible.

Kieval explores how educated elites took up the accusations of Jewish ritual murder and considers the roles played by government bureaucracies, the journalistic establishment, forensic medicine, and advanced legal practices in structuring the investigations and trials. The prosecutors, judges, forensic scientists, criminologists, and academic scholars of Judaism and other expert witnesses all worked hard to establish their epistemological authority as rationalists, Kieval contends. Far from being a throwback to the Middle Ages, these ritual murder trials were in all respects a product of post-Enlightenment politics and culture. Harnessed to and disciplined by the rhetoric of modernity, they were able to proceed precisely because they were framed by the idioms of scientific discourse and rationality.

In July 2013, Detroit became the largest city in U.S. history to declare bankruptcy. The underlying causes were decades of deindustrialization, white flight, and financial mismanagement. More recently it has been heralded a comeback city as wealthy white residents resettle there. Yet, as Kyle T. Mays argues, we cannot understand the current state of Detroit without also understanding the longer history of Native American and African American dispossession that has defined the city since its founding.

How has dispossession impacted the development of modern U.S. cities? And how does comparing the historical experiences of Native Americans and African Americans in an urban context help us comprehend histories of race, sovereignty, and colonialism? Using archives, oral and family histories, and community documents, City of Dispossessions is a cultural, intellectual, and social history that argues that physical and symbolic forms of dispossession of Native Americans and African Americans, and their reactions to dispossession, have been central to Detroit's modern development.

The book begins with the first settlement by the Frenchman Cadillac in 1701 and chronicles how the logic of dispossession has continued into the present, through a wide range of forms that include memorialization of the "disappearing Indian," the physical dispossession of African Americans through urban renewal, and gentrification. Mays also chronicles the wide-ranging forms of expression through which Black and Indigenous Detroiters have contested dispossession, such as the Red and Black Power movements and culturally relevant education.

Through lively, accessible prose as well as historical and contemporary examples, City of Dispossessions will be of interest to readers of urban studies, Indigenous Studies, and critical ethnic studies.

How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual."

Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics.

The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder.

In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.

How universities have become increasingly contentious since the Sixties, from the viewpoint of a former Princeton provost and Harvard president

From his days at Princeton University as a member of the faculty, dean, and provost, and his time as a faculty member and president at Harvard University, Neil L. Rudenstine has been uniquely positioned to observe the changes that have occurred in higher education over the past few decades. In this book, he draws on his various roles to present an educator’s inside account of the modern university. More than that, Our Contentious Universities is a personal history of how our current campus climate of antagonism evolved, beginning with the late 1960s and up to our contemporary moment.

Starting with his perceptions of the anti-Vietnam War events at Columbia, Princeton, and Berkeley, as well as descriptions of what occurred at Harvard, Michigan, and other institutions, Rudenstine identifies a pattern that was characterized by students protesting against institutions because of purported university support for the Vietnam War. Not surprisingly, once the Vietnam War ended, the protests ceased. In contrast, Rudenstine reveals how contemporary campus conflicts essentially differ in nature from the Sixties protests. Since the issues that spark these present protests—such as climate change, conservative judicial opinions, lack of gun control legislation, the Hamas-Israeli war—are clearly not readily soluble problems, there can be no easily defined end to the action. Rudenstine also depicts how universities themselves have changed substantially over the past few decades. The institutions have not only evolved into a collection of decentralized quasi-autonomous departments in competition with other centers and initiatives for resources but also nurtured a highly diverse population of faculty and students with a variety of backgrounds and perspectives already at odds before they even encounter each other on campus.

Combining an analysis of how universities transformed with an examination of how protests changed, the book argues that, opposed to the external causes of student protest in the Sixties, it is actually the internal sources of division and conflict that now characterize our universities that are at the root of their contentious campus environments.

The first book to shed light on what caused corporate executives to pursue a pro-globalization agenda over the last eight decades

Crusading for Globalization tells the story of an extraordinarily influential group of business executives at the helms of the largest US multinational corporations and their quest to drive globalization forward over the last eight decades. Janick Marina Schaufelbuehl argues that the spectacular expansion of international investment, trade, and production after 1945 cannot be understood without considering the role played by these corporate globalizers and the organization they created, the US Council (today’s United States Council for International Business). By shaping governmental policy through their congressional lobbying and close connections to successive presidential administrations, US Council members, including executives from General Electric, Coca Cola, and IBM, among others, consistently fought for ever more market deregulation, culminating in the creation of the World Trade Organization in 1995.

Crusading for Globalization is also a book about those who opposed the growing might of multinationals. In the years immediately after World War II, resistance came from business protectionists, before labor and policymakers from the Global South joined the effort in the early 1970s. Schaufelbuehl breaks new ground by offering a panorama of this early anti-globalization movement, and by showing how the leaders of multinationals organized to limit its political influence. She also examines continuities between this early movement and the opposition to globalization that emerged at the beginning of the twenty-first century from the left and the populist right and discusses how business responded by promoting corporate social responsibility and voluntary guidelines.

The first book to shed light on what caused corporate executives to pursue a pro-globalization agenda and to examine their methods for dealing with their opponents, Crusading for Globalization reveals the historical roots of today’s disparities in wealth and income distribution.

The final volume of Jonathan Sumption’s epic and prize-winning history of the Hundred Years War

Triumph and Illusion is the final volume of Jonathan Sumption’s epic history of the Hundred Years War. It tells the story of the collapse of the English dream of conquest from the opening years of the reign of Henry VI, when the battles of Cravant and Verneuil consolidated their control of most of northern France, until the loss of all their continental dominions except Calais thirty years later.

This sudden reversal of fortune was a seminal event in the history of two of the principal nation-states of western Europe. It brought an end to four centuries of the English dynasty’s presence in France, separating two countries whose fortunes had once been closely intertwined. It created a new sense of national identity in both countries. The legacy of these events would influence their divergent fortunes for centuries to come.

Behind the clash of arms stood some of the most remarkable personalities of the age: the Duke of Bedford, the English Regent who ruled much of France from Paris and Rouen; Charles VII of France, underrated in both countries, who patiently rebuilt his kingdom after the disasters of his early years; the captains who populate the pages of Shakespeare—Fastolf, Montagu, Talbot, Dunois; and, above all, the extraordinary figure of Joan of Arc who changed the course of the war in a few weeks at the age of seventeen.

What early modern and Shakespeare studies have to offer contemporary thinking about the future

What do early modern and Shakespeare studies have to offer contemporary thinking about the future? Joining a series of urgent conversations about “the future” as an object of analysis and theorization in early modern history, art history, literature, science, theology, and law, Histories of the Future addresses this question directly. This volume brings together essays that draw on early modern modes of “thinking ahead” to reconsider the ways in which the teaching and reading of Shakespeare help shape how one imagines the future from the vantage point of today.

By stressing the importance of understanding how future-oriented thinking in the past informs perceptions of possibility in the present—with special attention to contemporary issues of climate change, economic inequality, race and indigeneity, queer lives, physical and mental health crises, academic precarity, conditions of scholarly labor, and the ongoing disastrous effects of settler colonialism—Histories of the Future contributes to a rich and expanding field of scholarship on temporality in pre- and early modern literatures and cultures. In the process, it also engages with key insights of twenty-first-century critical and cultural theory in reexamining historical issues ranging from the imagined inevitability of progress or apocalypse to fraught conditions of succession, chronology, catastrophe, influence, prophecy, and risk.

With essays by J. K. Barret, Urvashi Chakravarty, Drew Daniel, John Garrison, Margreta de Grazia, Jean E. Howard, Jeffrey Masten, Marissa Nicosia, Vimala Pasupathi, Kathryn Vomero Santos, and Scott Manning Stevens, Histories of the Future explores the possibilities and limits of early modern futures for “thinking ahead” today.

Argues that the foundation of Israel was a trauma that destabilized the kibbutz’s conceptual grounding

State of Shock decodes one of the most iconic images of Zionism and Israel: the kibbutz. Lior Libman offers original theoretical and historiographical insights into the imagery and the history of the kibbutz, and, through them, of Hebrew literature and Israeli culture more broadly. Arguing that the establishment of the State of Israel was a rupture that destabilized the kibbutz’s deepest conceptual ground and shifted its history, the book uncovers the seemingly surprising Hasidic resonances in the identity of the kibbutz and its self-perception as fulfilling the metaphysical in the physical.

By interrogating the changes and upheavals brought about by Jewish sovereignty, their impact on the kibbutz, and its response to them, Libman defines the kibbutz’s transition into Israeli statehood as a cultural trauma which robbed it of its familiar frames for interpreting historical experience. Disoriented, the kibbutz reacted in shock: it was unable to reimagine itself in the new conditions. Libman charts how the demise of the kibbutz, originally avant-garde—a political and aesthetic form that acts in history—began in 1948. Turning from its origin as a breakaway human-creation engaged in a constant process of becoming—of history-making—the kibbutz, Libman shows, transformed into a fetish in the early years of the State of Israel: a sanctified, substitutional, fossilized political and aesthetic object of compulsive metaphysical longing, frozen in time and detached from history.

Today the history of ancient Egypt is known around the world, recognisable in precious museum collections and countless retellings from popular culture. Yet for hundreds of years, from the late Roman Empire to the 19th century, the wonders of this ancient civilisation were frozen in time, locked in artefacts that could not be understood due to the loss of the ancient Egyptian language. In 1799 the discovery of the Rosetta Stone, a slab inscribed in three scripts, hieroglyphs, demotic and Greek, changed the course of history, unlocking thousands of years of ancient culture and eventually becoming one of the world’s most famous museum artefacts.

Hieroglyphs: Unlocking Ancient Egypt tells the story of the Rosetta Stone and of countless other objects that were central to efforts to decode the hieroglyphs dating back to the Islamic Golden Age. Featuring fascinating objects from the British Museum and international lenders, the book shows how the presence of a written language was crucial to understanding life in ancient Egypt, from everyday business affairs to the sacred secrets of the afterlife. Interweaving the story of decipherment with colonial history, the book takes readers up to the present day, revealing what researchers are doing now to tell us more about one of the world’s longest surviving civilizations through the understanding of their writing.

Published to coincide with the bicentenary of Jean-François Champollion’s breakthrough in decipherment, this beautifully illustrated book shows how an unassuming grey stone was the key to the secrets of ancient Egypt and led to one of the most significant code breaking moments in history.

Contributors: Susanne Beck, Monica Berti, Willy Clarysse, Fayza Haikal, Cary Martin, Franziska Naether, Richard Parkinson, Daniela Picchi, John Taylor, Patricia Usick, Pascal Vernus.

Hasidism, Haskalah, Zionism reveals how political and literary dialogues and conflicts between the Hebrew literature of the Hasidism, the Jewish Enlightenment, and Zionism interacted with each other in the nineteenth century. Hannan Hever uses postcolonial theories and theories of nationality to analyze how Jews used literature to make sense of hostility directed toward Jews from their European “host” countries and to set forth their own ideas and preferences regarding their status, control, and treatment. In doing so, Hever theorizes the Enlightenment’s intellectual aims and cultural influences, tracking how the models of integration crucial to Haskalah gave way to Jewish nationalism in the twentieth century.

The readings in this book are theoretically informed, setting forward novel claims based on detailed textual analyses of hasidic tales, Haskalah satires, and Zionist narratives. Thus, this book tackles a major interpretative problem visible at the core of modern Hebrew literature—its radical difficulty in distinguishing between the theological components of modern Jewish discourse and its national identity.

On March 23, 1849, Henry Brown climbed into a large wooden postal crate and was mailed from slavery in Richmond, Virginia, to freedom in Philadelphia, Pennsylvania. “Box Brown,” as he came to be known after this astounding feat, went on to carve out a career as an abolitionist speaker, actor, magician, hypnotist, and even faith healer, traveling the United States, the United Kingdom, and Canada until his death in 1897.

The Many Resurrections of Henry Box Brown is the first book to show how subversive performances were woven into Brown’s entire life, from his early days practicing magic in Virginia while enslaved, to his last shows in Canada and England in the 1890s. It recovers forgotten elements of Brown’s history to illustrate the ways he made himself a spectacle on abolitionist lecture circuits via outlandish performances, and then fell off these circuits and went on to reinvent himself again and again. Brown’s stunts included creating a moving panoramic picture show about his escape; parading through the streets dressed as a “Savage Indian” or “African Prince”; convincing hypnotized individuals that they were sheep who would gobble down raw cabbage; performing magic, dark séances, and ventriloquism; and even climbing back into his “original” box to jump out of it on stage.

In this study, Martha J. Cutter analyzes contemporary resurrections of Brown’s persona by leading poets, writers, and visual artists. Both in Brown’s time and in ours, stories were created, invented, and embellished about Brown, continuing to recreate his intriguing, albeit fragmentary and elusive, story. The Many Resurrections of Henry Box Brown fosters a new understanding not only of Brown’s life but of modern Black performance art that provocatively dramatizes the unfinished work of African American freedom.

In the Gospel of Truth, a second-century text associated with the Christian Platonist Valentinus, a crucified Jesus is depicted as wrapped in a scroll and reading aloud the contents of his heart as he dies. This is just one of many strange appearances of the physical book in this text and in the surviving fragments of Valentinus. Through its representations of the written word, Anne Kreps argues, the Gospel of Truth promoted a living document perspective on the holy book, encouraging the generation of religious books as new sources of revelatory authority.

The Crucified Book locates the Gospel of Truth in a broader ancient debate about books and their attendant authority. Roman and Jewish texts exhibit similar efforts to equate holy persons with holy texts, while Christian heresiologists exhibit awareness of the phenomenon even as they condemn it. Although the Gospel of Truth is often set apart from mainstream Christianity in scholarship, its ideas about the nature of authoritative writing engaged with Greco-Roman culture and cohered with Jewish and Christian ideas about books in antiquity. Valentinus' views about the relationship between the oral and the written dovetailed with thinking on the nature of the sacred book that gradually became the trademark of Rabbinic Judaism, Kreps contends. Ultimately, because the Gospel of Truth reflects a mind that was at the center of the discursive debates that formed Judaism and Christianity, her book demonstrates the usefulness of so-called heretical texts for discussions on the parting of the ways between the two traditions.

Asylum Ways of Seeing is a cultural and intellectual history of people with mental illnesses in the twentieth-century United States. While acknowledging the fraught, and often violent, histories of American psychiatric hospitals, Heather Murray also suggests that it is in these hospitals that patients became more intense observers: they gave more conscious consideration to institutional and broader kinds of citizenship, to the nature and needs of communities versus those of individuals, to scientific modernity, and to human rights and solidarities among the suffering. All of these ideas have animated twentieth-century America, and, as Murray shows, have not just flowed into psychiatric hospitals but outward from them as well. These themes are especially clear within patients' intimate, creative, and political correspondence, writings, and drawings, as well as in hospital publications and films.

This way of thinking and imagining contrasts with more common images of the patient—as passive, resigned, and absented from the world in the cloistered setting of the hospital—that have animated psychiatry over the course of the twentieth century. Asylum Ways of Seeing traces how it is that patient resignation went from being interpreted as wisdom in the early twentieth century, to being understood as a capitulation in scientific and political sources by mid-century, to being seen as a profound violation of selfhood and individual rights by the century's end. In so doing, it makes a call to reconsider the philosophical possibilities within resignation.

After their expulsion from Spain in 1492, Sephardi Jews such as Isaac Abravanel, Abraham Saba, and Isaac Arama wrote biblical commentaries that stressed the significance of land. They interpreted Judaism as a tradition whose best expression and ultimate fulfillment took place away from cities and in rural settings. Iberian-Jewish authors rooted their moral teachings in an ethical treatment of the natural world, elucidating ancient agricultural laws and scrutinizing the physical context and built environments of Bible stories. The Land Is Mine asks what inspired this and suggests that the answer lies not in timeless exegetical or theological trends, but in the material realities of late medieval and early modern Iberia, during a period of drastic changes in land use.

The book uses a highly traditional source base in a decidedly untraditional way. In Jewish Studies, Andrew D. Berns observes, biblical commentary is typically studied as an intramural activity. Though scholars have conceded that Jewish scriptural exegesis welcomes material and ideas from other fields and traditions, little to no work treats premodern Hebrew Bible commentary as also drawing upon Classical and Christian sources as well as contemporary writings on land management and political economy. Abravanel, Saba, and Arama were engaged with questions that had broad resonance during their lives: the proper way to treat the land, the best occupations to pursue, and the ideal setting for human community. Scriptural commentary was the forum in which they addressed these problems and posed solutions to them.

A work of intellectual history,The Land Is Mine demonstrates that it is impossible to understand Jewish culture without considering the physical realities on which it depended.

The Black Death that arrived in the spring of 1348 eventually killed nearly half of England's population. In its long aftermath, wages in London rose in response to labor shortages, many survivors moved into larger quarters in the depopulated city, and people in general spent more money on food, clothing, and household furnishings than they had before. Household Goods and Good Households in Late Medieval London looks at how this increased consumption reconfigured long-held gender roles and changed the domestic lives of London's merchants and artisans for years to come.

Grounding her analysis in both the study of surviving household artifacts and extensive archival research, Katherine L. French examines the accommodations that Londoners made to their bigger houses and the increasing number of possessions these contained. The changes in material circumstance reshaped domestic hierarchies and produced new routines and expectations. Recognizing that the greater number of possessions required a different kind of management and care, French puts housework and gender at the center of her study. Historically, the task of managing bodies and things and the dirt and chaos they create has been unproblematically defined as women's work. Housework, however, is neither timeless nor ahistorical, and French traces a major shift in women's household responsibilities to the arrival and gendering of new possessions and the creation of new household spaces in the decades after the plague.

Engineering Expansion examines the U.S. Army's role in U.S. economic development from the nation's founding to the eve of the Civil War. William D. Adler starts with a simple question: if the federal government was weak in its early years, how could the economy and the nation have grown so rapidly?

Adler answers this question by focusing on the strongest part of the early American state, the U.S. Army. The Army shaped the American economy through its coercive actions in conquering territory, expanding the nation's borders, and maintaining public order and the rule of law. It built roads, bridges, and railroads while Army engineers and ordnance officers developed new technologies, constructed forts that encouraged western settlement and nurtured nascent communities, cleared rivers, and created manufacturing innovations that spread throughout the private sector. Politicians fought for control of the Army, but War Department bureaucracies also contributed to their own development by shaping the preferences of elected officials.

Engineering Expansion synthesizes a wide range of historical material and will be of interest to those interested in early America, military history, and politics in the early United States.

A cultural history of speech in medieval Italy

The Unruly Tongue, a cultural history of speech in medieval Italy, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, historian Melissa Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe.

The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom. Speech-making was the means for speaking the republic itself into existence against the opposition of aristocracy, empire, and papacy. But because words had power, they could also be deployed as weapons. Speech contained the potential for violence and presented a threat to political and social order, and thus needed to be controlled. Vise shows how the laws that governed and curtailed speech in medieval Italy represented broader cultural understandings of human susceptibility to speech. Tracing anthropologies of speech from religious to political discourse, from civic courts to ecclesiastical courts, from medical texts to the works of Dante and Boccaccio, The Unruly Tongue demonstrates that the thirteenth century marked a major shift in how people perceived the power, and the threat, of speech: a change in thinking about “what words do.”

How a lower patrician Venetian family strove for status and wealth over the course of the fourteenth and early fifteenth centuries

The House of Condulmer tells the story of a lower patrician Venetian family in the wake of the Black Death, as they strove for status and wealth over the course of the fourteenth and early fifteenth centuries. The Condulmers experienced mixed fortunes in their efforts at social mobility. Exiled after their participation in a failed revolt against the Venetian state, they nevertheless managed to accrue a great deal of wealth in the period before the Black Death. In the aftermath of the plague, which ravaged Venice and wiped out many lines of the family, the fortune of the Condulmers was concentrated in two main branches, whose members are the subject of this book.

Through original research drawing on hundreds of unpublished archival sources, Alan M. Stahl traces the careers and changing personal circumstances of five members of the Condulmer family: Jacobello, who used his civic participation and donations to achieve noble status for himself and his descendants but impoverished himself and his family in the process; Vielmo, a moneychanger who paraded around in the trappings of wealth, attempting to imitate the appearance of his noble cousins; Franceschina, who used her power over dowries to get noble husbands for her daughters and stepdaughters; Simoneto, who achieved great wealth through Mediterranean commerce but lost it in the crash of the bank in which he was a partner; and Gabriele, who would eventually become one of the most consequential and reviled popes of the Renaissance, Eugene IV.

The House of Condulmer brings readers into the world of intrigue, finance, religion, and plague in medieval Venice, capturing the vicissitudes of life in the one of the wealthiest cities of the world on the eve of the Renaissance.

In this groundbreaking book, Tehseen Thaver offers a fundamental reevaluation of how one should think about the relationship between the Qur’an, Shi‘ism, and religious identity. Beyond Sectarianism focuses on the literary Arabic Qur’an exegesis of the highly influential yet less studied poet, historian, and exegete al-Sharif al-Radi (d. 1015). Al-Radi’s fascinating interpretations sought to resolve Qur’anic ambiguities or mutashabihat. Through a philologically layered and historically attuned analysis, Thaver argues that al-Radi’s efforts at resolving Qur’anic ambiguities were interlocked with the project of the canonization of the Arabic language.

Although he was marked as a Shi‘i scholar, the interpretive and political horizons that informed al-Radi’s scholarly endeavors could not be reduced to predetermined templates of sectarian identity. Rather, Thaver argues, al-Radi was an active participant and beneficiary of critical intellectual currents and debates that animated the wider Muslim humanities during his life, especially on questions of language, poetry, and theology. Thaver thus leads her readers to reconsider their assumptions about the interaction of sectarian identity and scriptural interpretation in the study of Islam and religion.

Though centered on the context of late tenth- and eleventh-century Baghdad under the Buyid dynasty, Beyond Sectarianism raises and addresses crucial questions of religious thought and identity with major ramifications for how we imagine the narrative of Islam and the place of sectarianism in it today.

In Won in Translation Roger Chartier, one of the world's leading historians of books, publishing, and reading, considers the mobility of the early modern text and the plurality of circulating versions of the same work. The agent for both is translation, for through their lexical, aesthetic, and cultural decisions, translators always assign new meaning or new status to what they translate.

Won in Translation proceeds by way of four case studies, three dedicated to works originally in Spanish, the fourth to a Portuguese dramatic adaptation of Don Quixote. Bartolomé de Las Casas' Brevísima relación de la destrucción de las Indias, first printed in 1552, was a powerful instrument for the construction of what was later called the "black legend" of Spanish monarchy. Baltasar Gracián's Oráculo Manual, published in 1647, became the most famous courtier's manual in Europe. Both traveled more widely and were translated more often than any other books of their era. For Chartier they illustrate the great power of translation, which allowed Las Casas' account to be placed in multiple and successive contexts and enabled Gracián's book to take on a range of meanings it had not originally had. Chartier's next two chapters are devoted to plays, one by Lope de Vega, the other by Antônio José da Silva. In the case of Lope's Fuente Ovejuna, the "translation" was one from historical chronicle to dramatic performance. In Antônio José da Silva's Vida do Grande D. Quixote, the textual migration is twofold, as Cervantes' hero moves from Spanish to Portuguese and from novel to play.

In an Epilogue, Chartier moves three centuries forward to consider the paradox that it is the absolute immobility of the text, "reinvented" word for word, that creates its mobility in Jorge Luis Borges' fiction "Pierre Menard, Author of the Quixote." Works are transformed through changes of genre or language, to be sure; but even when the texts remain fixed, their readers give them different or inverted meaning.

As England entered the Renaissance and as humanism, with its focus on classical literature and philosophy, informed the educational system, English intellectuals engaged in a concerted effort to remake the culture, language, manners—indeed, the whole national style—through adapting the classics. But how could English literature, art, and culture, become "classical," not only in imitating the ancients, but in the sense subsequently applied to music: "classical" as opposed to popular, as formal, serious, and therefore as good?

For several decades in the sixteenth and early seventeenth centuries, Stephen Orgel writes, the return to the classics held out the promise of refinement and civility. Poetry was to be modeled on Greek and Roman examples rather than on the great English medieval works, which though admirable, lacked "correctness." More than poetry was at stake, however, and the transition would not be easy. Classical rules seemed the wave of the future, rescuing England from what was seen as the crudeness and the sheer popularity of its native traditions, but advocacy was tempered with a good deal of ambivalence: classical manners and morals were often at variance with Christian principles, and the classicism of the age would need to be deeply revisionist. "Christian humanism" was never untroubled, Orgel writes, always an unstable or even paradoxical amalgam.

In Wit's Treasury, one of our foremost interpreters of Renaissance literature and culture charts how this ambivalence yielded the rich creative tension out of which emerged an unprecedented flowering of drama, lyric, and the arts. Orgel has here written a book that will appeal to anyone interested in English Renaissance art and literature, and particularly in the cultural ferment that produced Shakespeare, Marlowe, Spenser, Jonson, and Milton.

From Eusebius of Caesarea, who first compiled a collection of martyr narratives around 300, to Thierry Ruinart, whose Acta primorum martyrum sincera et selecta was published in 1689, the selection and study of early hagiographic narratives has been founded on an assumption that there existed documents written at the time of martyrdom, or very close to it. As a result, a search for authenticity has been and continues to be central, even in the context of today's secular scholarship. But, as Éric Rebillard contends, the alternative approach, to set aside entirely the question of the historical reliability of martyr narratives, is not satisfactory either. Instead, he argues that martyr narratives should be consider as fluid "living texts," written anonymously and received by audiences not as precise historical reports but as versions of the story. In other words, the form these texts took, between fact and fiction, made it possible for audiences to readily accept the historicity of the martyr while at the same time not expect to hear or read a truthful account.

In The Early Martyr Narratives, Rebillard considers only accounts of Christian martyrs supposed to have been executed before 260, and only those whose existence is attested in sources that can be dated to before 300. The resulting small corpus contains no texts in the form of legal protocols, traditionally viewed as the earliest, most official and authentic records, nor does it include any that can be dated to a period during which persecution of Christians is known to have taken place. Rather than deduce from this that they are forgeries written for the sake of polemic or apologetic, Rebillard demonstrates how the literariness of the narratives creates a fictional complicity that challenges and complicates any claims of these narratives to be truthful.

Although lowland Britain in 300 CE had been as Roman as any province in the empire, in the generations on either side of 400, urban life, the money economy, and the functioning state collapsed. Many of the most quotidian and fundamental elements of Roman-style material culture ceased to be manufactured. Skills related to iron and copper smelting, wooden board and plank making, stone quarrying, commercial butchery, horticulture, and tanning largely disappeared, as did the knowledge standing behind the production of wheel-thrown, kiln-fired pottery and building in stone. No other period in Britain's prehistory or history witnessed the loss of so many classes of once-common skills and objects. While the reasons for this breakdown remain unclear, it is indisputable the collapse was foundational in the making of a new world we characterize as early medieval.

The standard explanation for the emergence of the new-style material culture found in lowland Britain by the last quarter of the fifth century is that foreign objects were brought in by "Anglo-Saxon" settlers. Marshalling a wealth of archaeological evidence, Robin Fleming argues instead that not only Continental immigrants, but also the people whose ancestors had long lived in Britain built this new material world together from the ashes of the old, forging an identity that their descendants would eventually come to think of as English. As with most identities, she cautions, this was one rooted in neither birth nor blood, but historically constructed, and advanced and maintained over the generations by the shared material culture and practices that developed during and after Rome's withdrawal from Britain.

Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land.

While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals.

Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.

Architectural historian Roger W. Moss and photographer Tom Crane set out to celebrate the surviving accessible historic architecture of Philadelphia, envisioning a series of books that would provide much more than the snapshots found in guidebooks. They began with Historic Houses of Philadelphia, bringing the region's most impressive museum homes to life. Historic Sacred Places of Philadelphia followed, an exclusive tour of fifty hallowed sites. In Historic Landmarks of Philadelphia, Moss and Crane feature prominent, memorable structures that reflect stages in Philadelphia's growth.

There are sixty-five National Historic Landmarks in Philadelphia, structures that have been identified as being "nationally significant" and having "meaning to all Americans." This newest addition to Moss and Crane's trilogy includes a wide array of historic sites, ranging from concert halls to prisons, train stations to museums, banks to libraries. The buildings are arranged chronologically rather than geographically, to emphasize Philadelphia's evolution from modest mercantile outpost of a colonial power, to capital of a proud new nation, to a robust world-renowned cosmopolitan city.

Historic Landmarks of Philadelphia presents such notable attractions as Fort Mifflin, Independence Hall, the Fairmount Water Works, the Athenaeum of Philadelphia, Boathouse Row, Laurel Hill Cemetery, Eastern State Penitentiary, the Academy of Music, the Union League of Philadelphia, Memorial Hall, the Pennsylvania Academy of Fine Arts, the Masonic Temple, and the sights that line the Benjamin Franklin Parkway, including the Philadelphia Museum of Art, the Free Library of Philadelphia, and the Rodin Museum, in more than two hundred color illustrations. It celebrates master builders and their influence on the course of American architecture while identifying the distinctive qualities that embody Philadelphia's history and spirit.

A Barra Foundation Book

How German Jews used photographs to document their experiences in the face of National Socialism

Still Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews’ reactions to the changing landscapes of post-1933 Germany. Here, the authors claim that these reactions complement, complicate, and, sometimes, undermine the contents of contemporaneous written sources.

Still Lives develops a new methodology for historians to use while reading and analyzing photographs, and shows how one can highlight an image’s role in a narrative that comments on, and assigns meaning to, the reality it documents. In times of radical uncertainty, numerous German Jews used photography to communicate their intricate, confused, and conflicting expectations, fears, and beliefs. Through careful analysis of these photographs, this book lays the foundations for a new history of the German-Jewish experience during the National Socialist years.

A corrective to conventional accounts of the reign of Queen Sancha and King Fernando I in medieval Iberia

Acclaimed historians Bernard F. Reilly and Simon R. Doubleday tell the story of the reign of Queen Sancha and King Fernando I, who together ruled the territories of León and Galicia between 1038 and 1065—often regarded as a period in which Christian kings and their vassals asserted themselves more successfully in the face of external rivals, both Viking and Muslim. The reality was more complex. The Iberian Peninsula remained a space of multiple, intertwined forms of power and surprisingly nuanced relationships between—and among—the diverse configurations of Christian and Muslim authority. Some of these complexities would be obscured by later generations of medieval chroniclers, whose narratives focused on the singular authority of the king and expressed a more binary view of interreligious relations.

Through their account of the key events and turning points of Sancha and Fernando’s reign, Reilly and Doubleday propose a revised understanding of its political culture, offering a corrective to accounts that have emphasized a stark opposition between Christian and Muslim powers, a supposedly steady growth and centralization of royal government, and the individual figure of the monarch.

Exploring the interplay of crown and elites, underscoring the role of royal women, and rejecting the Reconquista paradigm, León and Galicia Under Queen Sancha and King Fernando I reenvisions medieval Iberia at a pivotal stage in European history.

Mass movements and social protest forced mid-century Republicans to articulate their own form of liberalism

As poor and working people organized themselves on the job, in the streets, and at the polls during the mid-twentieth century, they forced Republicans to reckon with new demands for political and social citizenship in big cities across the Northeast, Midwest, and Pacific Coast. While rightwing Republicans mobilized to crush those movements, Making Republicans Liberal explores how another wing of the party responded to intensifying mass movement pressure. Beginning in the 1930s, Republican governors such as Earl Warren of California, George Romney of Michigan, and Nelson Rockefeller of New York spent the next four decades articulating their own vision of liberalism. These Republican liberals believed that strategically they could not win elections and govern in places where unions, civil rights groups, and other social movements organized voters.

What may have begun as an opportunistic strategy soon mutated into an ideological commitment to use state power to realize working people’s demands for a greater say, and stake, in the decisions governing their lives. Republican liberals accepted labor’s right to organize, legislated antidiscrimination laws, and legalized abortion. Yet at the same time, each of those policies proved weaker than the alternatives supported by organized labor or mainline civil rights groups and paled in comparison to what people on strike and on the march really wanted. Kristoffer Smemo shows how this was the contradiction of Republican liberalism as a policy program and as an ideology. The reforms it ushered in at once asked too much from core, conservative Republican constituencies and offered too little to the movements struggling for change. As the movements making Republicans compromise fragmented and collapsed in the late twentieth century, so too did the material foundation for Republican liberalism.

In Trump, White Evangelical Christians, and American Politics, political scientists Anand Edward Sokhey and Paul A. Djupe bring together a wide range of scholars and writers to examine the relationship between former President Donald Trump and white American evangelical Christians. They argue that, while this relationship—which saw evangelicals supporting a famously unfaithful, materialistic, and irreligious candidate despite self-defining in opposition to these characteristics—prompted many to wonder if Trump himself transformed American evangelical religion in politics, this alliance reflected both change and the outcome of dynamics that were in place or building for decades.

Contributors contextualize the Trump presidency within the story of religious demographic change, the growth of politicized religion, nationalistic religious expression, and the ways religion and politics in the United States are enmeshed in the politics of race. These investigations find that the idea of religious “transformation” is not accurate. Instead, the years 2015 to 2022 saw mainly minor changes to the ways religion appeared in public life—but these changes ultimately complemented and advanced an existing white evangelical strategy to increase political and social power as they became a demographic minority in the United States. Taken together, this collection reveals new insights for readers seeking to understand the religious dimensions of Trump’s rise, the reasons evangelicals become political activists, and the multifaceted alliances between secular politicians and conservative religious subcultures.

Contributors: Abraham Barranca, Ruth Braunstein, Ryan P. Burge, David E. Campbell, Jeremiah J. Castle, Paul A. Djupe, John C. Green, Sarah Heise, Geoffrey C. Layman, Andrew R. Lewis, Gerardo Martí, Eric L. McDaniel, Napp Nazworth, Shayla F. Olson, Enrique Quezada-Llanes, Kaylynn Sims, Anand Edward Sokhey, Hilde Løvdal Stephens, Kyla K. Stepp, Allan Tellis.

Japan is a place where powerful earthquakes have occurred more frequently and have caused more harm in the modern era than they have in all but a handful of other locations on the planet. In the twentieth century alone, earthquake disasters in Japan took almost as many lives as they had in all of the country’s recorded history up to that point. Predicting Disasters is the first English-language book to explore how scientists convinced policy makers and the public in postwar Japan that catastrophic earthquakes were coming, and the first to show why earthquake prediction has played such a central role in Japan’s efforts to prepare for a dangerous future ever since.

Kerry Smith shows how, in the twentieth century, scientists struggled to make large-scale earthquake disasters legible to the public and to policy makers as significant threats to Japan’s future and as phenomena that could be anticipated and prepared for. Smith also explains why understanding those struggles matters. Disasters, Smith contends, belong alongside more familiar topics of analysis in modern Japanese history—such as economic growth and its impacts, political crises and popular protest, and even the legacies of the war—for the work they do in helping us better understand how the past has influenced beliefs about Japan’s possible futures, and how beliefs about the future shape the present.

Predicting Disasters makes relevant elements of Japan’s past more accessible to readers interested in the histories of disaster and scientific communities, as well as to those who want to gain a better understanding of the risk and uncertainty surrounding natural phenomena.

In Community Benefits, Jovanna P. Rosen explores a new pattern in urban development: local residents and community representatives leveraging large-scale development projects for agreements that promise dedicated local benefits, such as parks and jobs. In general, such development projects have not produced impactful benefits for local residents, and often have contributed to significant community harm, including gentrification and displacement. In response, community activists have launched a fight to control development, using benefits-sharing agreements to ensure that projects produced better outcomes for local residents. While such agreements now exist across the nation, the process of negotiating and enforcing them remains challenging. This book dives deep into four case studies—in Los Angeles, Atlanta, Seattle, and Milwaukee—to answer the following questions: Who ultimately benefits from both the agreements and the projects in question? How do benefits get delivered, and who controls this process? What works for these agreements to successfully produce community outcomes?

Rosen shows that, without agreements that promote accountability, developers and other project proponents can walk away from the negotiating table once the agreement is signed and the development moves forward. This disregard for community benefits and priorities can leave community residents solely responsible for benefits delivery during implementation, but with few viable avenues to ensure that outcomes materialize. The cases reveal specific elements that agreements require to achieve success during implementation: community participation, managerial connections, effective partnerships, responsiveness, and vigorous oversight with accountability mechanisms. Although creating these conditions is difficult, sometimes impossible, and contingent on fragile processes, Rosen concludes the book with recommendations for both the agreement negotiation and implementation phases to ensure success.

Nation’s Metropolis describes how the national capital region functions as a metropolitan political economy. Its authors distinguish aspects of the Washington region that reflect its characteristics as a national capital from those common to most other metropolitan regions and to other capitals. To do so, they employ an interdisciplinary approach that draws from economics, political science, sociology, geography, and history.

Royce Hanson and Harold Wolman focus on four major themes: the federal government as the region’s basic industry and its role in economic, physical, and political development; race as a core force in the development of the metropolis; the mismatch of the governance and economy of the national capital region; and the conundrum of achieving fully democratic governance for Washington, DC. Critical regional issues and policy problems are analyzed in the context of these themes, including poverty, inequality, education, housing, transportation, water supply, and governance.

The authors conclude that the institutions and practices that accrued over the nineteenth and twentieth centuries are inadequate for dealing effectively with the issues confronting the city and the region in the twenty-first. The accumulation of problems arising from the unique role of the federal government and the persistent problem of racial inequality has been compounded by failure to resolve the conundrum of governance for the District of Columbia. They recommend rethinking the governance of the entire region.

While many books are concerned with the city of Washington, DC, Nation’s Metropolis is the only book focused on the development and political economy of the metropolitan region as a whole. It will engage readers interested in the national capital, metropolitan development more generally, and the growing comparative literature on national capitals.

Capitalism and the Senses is the first edited volume to explore how the forces of capitalism are entangled with everyday sensory experience. If the senses have a history, as Karl Marx wrote, then that history is inseparable from the development of capitalism, which has both taken advantage of the senses and influenced how sensory experience has changed over time.

This pioneering collection shows how seeing, hearing, tasting, smelling, and touching have both shaped and been shaped by commercial interests from the turn of the twentieth century to our own time. From the manipulation of taste and texture in the food industry to the careful engineering of the feel of artificial fabrics, capitalist enterprises have worked to commodify the senses in a wide variety of ways. Drawing on history, anthropology, geography, and other fields, the volume’s essays analyze not only where this effort has succeeded but also where the senses have resisted control and the logic of markets. The result is an innovative ensemble that demonstrates how the drive to exploit sensorial experience for profit became a defining feature of capitalist modernity and establishes the senses as an important dimension of the history of capitalism.

Contributors: Nicholas Anderman, Regina Lee Blaszczyk, Jessica P. Clark, Ai Hisano, Lisa Jacobson, Sven Kube, Grace Lees-Maffei, Ingemar Pettersson, David Suisman, Ana María Ulloa, Nicole Welk-Joerger.

Secrecy and Esoteric Writing in Kabbalistic Literature examines the strategies of esoteric writing that Kabbalists have used to conceal secrets in their writings, such that casual readers will only understand the surface meaning of their texts while those with greater insight will grasp the internal meaning. In addition to a broad description of esoteric writing throughout the long literary history of Kabbalah, this work analyzes kabbalistic secrecy in light of contemporary theories of secrecy. It also presents case studies of esoteric writing in the work of four of the first kabbalistic authors—Abraham ben David, Isaac the Blind, Ezra ben Solomon, and Asher ben David—and thereby helps recast our understanding of the earliest stages of kabbalistic literary history.

The book will interest scholars in Jewish mysticism and Jewish philosophy, as well as those working in medieval Jewish history. Throughout, Jonathan V. Dauber has endeavored to write an accessible work that does not require extensive prior knowledge of kabbalistic thought. Accordingly, it finds points of contact between scholars of various religious traditions.

It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in which our understanding of the relationship between history and photography can be theorized and reoriented.

Morris-Reich here turns to five twentieth-century cases in which photography and Jewish history intersect: Albert Kahn’s utopian attempt to establish a photographic archive in Paris in order to advance world peace; the spectacular failed project of Helmar Lerski, the most prominent photographer in British Mandate Jewish Palestine; photography in the long career of Eugen Fischer, a Nazi professor of genetics; the street photography of Robert Frank; and the first attempt to introduce photography into the study of Russian Jewry prior to World War I, as seen from the post-Holocaust perspective of the early twenty-first century. Illustrated with nearly 100 images, Photography and Jewish History moves beyond a focus on Jewish photographers or the photographic representation of Jews or Jewish visibility to plumb the deeper and more significant registers of twentieth-century Jewish political history.

A Nation of Veterans examines how the United States created the world’s most generous system of veterans’ benefits. Though we often see former service members as an especially deserving group, the book shows that veterans had to wage a fierce political battle to obtain and then defend their advantages against criticism from liberals and conservatives alike. They succeeded in securing their privileged status in public policy only by rallying behind powerful interest groups, including the Veterans of Foreign Wars, the Disabled American Veterans, and the American Legion. In the process, veterans formed one of the most powerful movements of the early and mid-twentieth century, though one that we still know comparatively little about.

In examining how the veterans’ movement inscribed martial citizenship onto American law, politics, and culture, A Nation of Veterans offers a new history of the U.S. welfare state that highlights its longstanding connection with warfare. It shows how a predominantly white and male group such as military veterans was at the center of social policy debates in the interwar and postwar period and how women and veterans of color were often discriminated against or denied access to their benefits. It moves beyond the traditional focus on the 1944 G.I. Bill to examine other important benefits like pensions, civil service preference, and hospitals. The book also examines multiple generations of veterans, by shedding light on how former service members from both world wars as well as Korea and the Cold War interacted with each other.

This more complete picture of veterans’ politics helps us understand the deep roots of the military welfare state in the United States today.

One of the first books to examine the earliest indigenous slave trade in the Spanish Caribbean

Captives of Conquest is one of the first books to examine the earliest indigenous slave trade in the Spanish Caribbean. Erin Woodruff Stone shows that the indigenous population of the region did not simply collapse from disease or warfare. Rather, upwards of 250,000 people were removed through slavery, a lucrative business sustained over centuries that formed the foundation of economic, legal, and religious policies in the Spanish colonies. The enslavement of and trade in indigenous peoples was central to the processes of conquest, as the search for new sources of Indian slaves propelled much of the early Spanish exploration into Central and South America.

Once captured, some indigenous slaves were shipped to various islands, or as far away as Spain, to be sold for immediate profit. Others became military auxiliaries, guides, miners, pearl divers, servants, or, in the case of women, unwilling sexual partners. In all these roles indigenous slaves helped mold the greater Spanish Caribbean.

Even as the number of African slaves grew in the Americas, enslaved Indians did not disappear. On the contrary, African and Indian slaves worked side by side, the methods and practices of both types of slavery influencing one another throughout the centuries. Together the two forms of slavery helped create the greater Spanish Caribbean, a space and economy founded upon the bondage and coerced labor of both indigenous and African peoples.

For a world mired in catastrophe, nothing could be more urgent than the question of survival. In this theoretically and methodologically groundbreaking book, Adam Y. Stern calls for a critical reevaluation of survival as a contemporary regime of representation.

In Survival, Stern asks what texts, what institutions, and what traditions have made survival a recognizable element of our current political vocabulary. The book begins by suggesting that the interpretive key lies in the discursive prominence of "Jewish survival." Yet the Jewish example, he argues, is less a marker of Jewish history than an index of Christianity's impact on the modern, secular, political imagination. With this inversion, the book repositions Jewish survival as the supplemental effect and mask of a more capacious political theology of Christian survival.

The argument proceeds by taking major moments in twentieth-century philosophy, theology, and political theory as occasions for collecting the scattered elements of survival's theological-political archive. Through readings of canonical texts by secular and Jewish thinkers—Hannah Arendt, Walter Benjamin, Franz Rosenzweig, and Sigmund Freud—Stern shows that survival belongs to a history of debates about the sovereignty and subjection of Christ's body. Interrogating survival as a rhetorical formation, the book intervenes in discussions about biopolitics, secularism, political theology, and the philosophy of religion.

In 1822, the Mary departed Philadelphia and sailed in the direction of the Spanish colony of Puerto Rico. Like most vessels that navigated the Caribbean, the Mary brought together men who had served under a dozen different flags over the years. Unlike most crews, those aboard the Mary were in a different line of commerce: they exported revolution. In addition to rifles and pistols, the Mary transported a box filled with proclamations announcing the creation of the "Republic of Boricua." This imagined republic rested on one principle: equal rights for all, regardless of birthplace, race, or religion. The leaders of the expedition had never set foot in Puerto Rico. And they never would.

When we think of the Age of Revolutions, George Washington, Robespierre, Toussaint Louverture, or Simón Bolívar might come to mind. But Rogue Revolutionaries recovers the interconnected stories of now-forgotten "foreigners of desperate fortune" who dreamt of overthrowing colonial monarchy and creating their own countries. They were not members of the political and economic elite; rather, they were ship captains, military veterans, and enslaved soldiers. As a history of ideas and geopolitics grounded in the narratives of extraordinary lives, Rogue Revolutionaries shows how these men of different nationalities and ethnicities claimed revolution as a universal right and reimagined notions of sovereignty, liberty, and decolonization.

In the midst of wars and upheavals, the question of who had the legitimacy to launch a revolution and to start a new country was open to debate. Behind the growing power of nation-states, Mongey uncovers a lost world of radical cosmopolitanism grounded in the pursuit of material interests and personal prestige. In demonstrating that these would-be revolutionaries and their fleeting republics were critical to the creation of a new international order, Mongey reminds us of the importance of attending to failures, dead ends, and the unpredictable nature of history.

Beginning with its establishment in the early 1830s, the American Anti-Slavery Society (AASS) recognized the need to reach and consolidate a diverse and increasingly segmented audience. To do so, it produced a wide array of print, material, and visual media: almanacs and slave narratives, pincushions and gift books, broadsides and panoramas. Building on the distinctive practices of British antislavery and evangelical reform movements, the AASS utilized innovative business strategies to market its productions and developed a centralized distribution system to circulate them widely. In Selling Antislavery, Teresa A. Goddu shows how the AASS operated at the forefront of a new culture industry and, by framing its media as cultural commodities, made antislavery sentiments an integral part of an emerging middle-class identity. She contends that, although the AASS's dominance waned after 1840 as the organization splintered, it nevertheless created one of the first national mass markets.

Goddu maps this extensive media culture, focusing in particular on the material produced by AASS in the decade of the 1830s. She considers how the dissemination of its texts, objects, and tactics was facilitated by the quasi-corporate and centralized character of the organization during this period and demonstrates how its institutional presence remained important to the progress of the larger movement. Exploring antislavery's vast archive and explicating its messages, she emphasizes both the discursive and material aspects of antislavery's appeal, providing a richly textured history of the movement through its artifacts and the modes of circulation it put into place.

Featuring more than seventy-five illustrations, Selling Antislavery offers a thorough case study of the role of reform movements in the rise of mass media and argues for abolition's central importance to the shaping of antebellum middle-class culture.

The two-state solution is doomed; the one-state reality is here to stay

Why have Israelis and Palestinians failed to achieve a two-state solution to the conflict that has cost so much and lasted so long? In Paradigm Lost, Ian S. Lustick brings fifty years as an analyst of the Arab-Israeli dispute to bear on this question and offers a provocative explanation of why continued attempts to divide the land will have no more success than would negotiations to establish a one-state solution.

Basing his argument on the decisiveness of unanticipated consequences, Lustick shows how the combination of Zionism's partially successful Iron Wall strategy for dealing with Arabs, an Israeli political culture saturated with what the author calls "Holocaustia," and the Israel lobby's dominant influence on American policy toward the Arab-Israeli conflict scuttled efforts to establish a Palestinian state alongside Israel. Yet, he demonstrates, it has also unintentionally set the stage for new struggles and "better problems" for both Israel and the Palestinians. Drawing on the history of scientific ideas that once seemed certain but were ultimately discarded, Lustick encourages shifting attention from two-state blueprints that provide no map for realistic action to the democratizing competition that arises when different subgroups, forced to be part of the same polity, redefine their interests and form new alliances to pursue them.

Paradigm Lost argues that negotiations for a two-state solution between the Mediterranean Sea and the Jordan River are doomed and counterproductive. Israeli Jews and Palestinian Arabs can enjoy the democracy they deserve but only after decades of struggle amid the unintended but powerful consequences of today's one-state reality.

An original and eclectic view of cookbooks as political acts

Cookbooks are not political in conventional ways. They neither proclaim, as do manifestos, nor do they forbid, as do laws. They do not command agreement, as do arguments, and their stipulations often lack specificity — cook "until browned." Yet, as repositories of human taste, cookbooks transmit specific blends of flavor, texture, and nutrition across space and time. Cookbooks both form and reflect who we are. In Cookbook Politics, Kennan Ferguson explores the sensual and political implications of these repositories, demonstrating how they create nations, establish ideologies, shape international relations, and structure communities.

Cookbook Politics argues that cookbooks highlight aspects of our lives we rarely recognize as political—taste, production, domesticity, collectivity, and imagination—and considers the ways in which cookbooks have or do politics, from the most overt to the most subtle. Cookbooks turn regional diversity into national unity, as Pellegrino Artusi's Science in the Kitchen and the Art of Eating Well did for Italy in 1891. Politically affiliated organizations compile and sell cookbooks—for example, the early United Nations published The World's Favorite Recipes. From the First Baptist Church of Midland, Tennessee's community cookbook, to Julia Child's Mastering the Art of French Cooking, to the Italian Futurists' proto-fascist guide to food preparation, Ferguson demonstrates how cookbooks mark desires and reveal social commitments: your table becomes a representation of who you are.

Authoritative, yet flexible; collective, yet individualized; cooperative, yet personal—cookbooks invite participation, editing, and transformation. Created to convey flavor and taste across generations, communities, and nations, they enact the continuities and changes of social lives. Their functioning in the name of creativity and preparation—with readers happily consuming them in similar ways—makes cookbooks an exemplary model for democratic politics.

A comprehensive study of Pennsylvania German redware and a celebration of this vibrant folk art tradition

Americana Insights 2025 is the third volume in an annual series that presents the latest research and discoveries on traditional Americana, folk art, and material culture. In this volume the authors explore a beloved aspect of American folk art—Pennsylvania German redware. Focusing on redware’s production, use, and collecting in southeastern Pennsylvania from the mid-eighteenth to early twentieth century, the authors provide fresh insights into renowned potters such as Georg Hubener and Samuel Troxel as well as lesser-known figures. Other essays delve into the work of twentieth-century potters like Jacob Medinger, considered the last of the traditional Pennsylvania German potters, and Mildred Keyser, a pioneering revivalist potter. The authors also explore broader themes, including the use of political imagery and hunting iconography, and redware’s role in cultural exchange between Anglo-Americans and Pennsylvania Germans. A celebration of this vibrant folk art tradition and a vital scholarly contribution, Americana Insights 2025 represents the most comprehensive study of Pennsylvania German redware in more than a century.

Contributors: Johanna Brown, Laini Farrare, R. Erich Hess, Christopher Malone, Lisa Minardi, Karl Pass, Candace Perry, Jeffrey Pressman, Jean Renshaw, Justin Thomas, Adam Zayas.

Explores how the widespread circulation of pictures reshaped a nineteenth-century US culture that was accustomed to printed and spoken words

When and how did pictures start to permeate everyday lives in the United States? What happened to those daily lives when they did? And what happened to pictures in the process? In this full-color, heavily illustrated book, Michael Leja traces the beginnings of a transformation in cultural life in the United States: when the widespread circulation of pictures reshaped a culture accustomed to printed and spoken words.

In the three decades before the Civil War, the ordinary experiences of a large segment of the population came to include pictures of many kinds, including illustrations in books, pamphlets, and newspapers; photographs on cards; full-sheet printed pictures collected in scrapbooks or albums or hung on walls; posters and broadsheets; spectacular paintings displayed in theatrical venues; and more. Pictures supplemented verbal texts—and in some cases overshadowed them—for conveying news and information; portraying people, places, and events; focusing public discourse; selling things; educating and instructing; generating excitement and aesthetic gratification; promoting and disguising political agendas; shaping social identities; and building and undermining social bonds.

A Flood of Pictures recovers a time before successful pictorial formulas for mass appeal were established, before an audience habituated to consumption of pictures existed, and before pictures had become thoroughly commodified. Through its exploration of these nineteenth-century developments, the book reveals the foundations of our picture-saturated twenty-first century.

The writings of three early modern Jewish historians highlight the divided allegiances of a Jewish diaspora living in and between the Spanish and Ottoman empires

In 1492, the year that marked the start of Spain’s transatlantic expansion, the Spanish monarchs expelled their Jewish subjects and triggered a mass Jewish migration to the lands of the Ottoman Empire. But while the rise of these rival empires had tremendous impact on the Jewish population’s geography, the historical accounts of contemporary Jews have remained peripheral to the study of early modern imperialism.

In Empire from the Margins, Martin Jacobs seeks to understand how the history of empires appears through the lens of marginalized communities and to explore how Jews responded to Spanish and Ottoman imperial expansion. He approaches this history through the Hebrew chronicles of three sixteenth- and seventeenth-century Jewish authors. Elijah Capsali of Crete, Joseph ha-Kohen of Genoa, and Joseph Sambari of Cairo all lived in early modern hubs with global connections, and—in unusual detail for premodern Jewish historians—they described how the Spanish and Ottoman empires redrew the political, cultural, and religious map of the Mediterranean region while simultaneously transforming the transatlantic world.

As Jews, these writers belonged to an ethno-religious minority within the Mediterranean basin where the Spanish and Ottoman empires were centered, and from here they expressed marginalized views on the Spanish and Ottoman regimes. At the same time, these Jewish authors belonged to Jewish networks that transcended imperial boundaries, and they voiced conflicting loyalties between different authorities and cultures. And Jacobs shows that, in writing about the Spanish and Ottoman expansion, these authors also grappled with the Jews’ precarious position in their host societies and their own multilayered identities. Their shifting positionalities illuminate the divided allegiances of a Jewish diaspora living in and between competing empires.

The first collection of essays published on trailblazing nineteenth-century Black feminist, activist, journal, and educator, Mary Ann Shadd Cary

Mary Ann Shadd Cary (1823–1893) was a trailblazing Black feminist, activist, journalist, and educator whose achievements can be traced across Canada and the United States. Born in a border state in the antebellum era, Shadd Cary taught in schools in New York, New Jersey, and Pennsylvania before becoming a strong advocate for immigration to Canada in her early adulthood. Once she moved to Ontario in the mid-1850s, she dove headfirst into early Black Canadian debates. She fought to integrate schools in the States and Canada and became, as the editor of the Provincial Freeman, the first Black woman to edit a newspaper in North America.

Despite her achievements and impact on Black life in North America, Shadd Cary is a relatively little-known figure outside of the continent. Insensible of Boundaries is the first collection of essays published on this thinker. With this volume, editor Kristin Moriah brings together eleven essays from a broad range of perspectives, including historical, literary, gender, ecological, bibliographical, visual, sound, and performance studies, on nineteenth-century Black feminist inquiry in North America.

The volume focuses particularly on three main topics: Shadd Cary’s relationship to immigration, nation, and colonization; the Black creative and nation-building work that Shadd Cary has inspired; and contemporary research methodologies like digital humanities as they can be used to better understand Shadd Cary’s moment, impacts, and life. Through a multi- and interdisciplinary lens, the collection celebrates Shadd Cary’s cultural significance and intellectual contributions, as well as their reverberations in her time and in ours.

Contributors: R. J. Boutelle , Jim Casey, Rosalyn Green, Lauren Klein, Kirsten Lee, Brandi Locke, Demetra McBrayer, A. T. Moffett, Kristin Moriah, Dianna Ruberto, Lynnette Young Overby, Eunice Toh, Rinaldo Walcott, Marlas Yvonne Whitley, Jewon Woo.

A critique of the discourse of language revival in modern Hebrew literature

On Revival is a critique of one of the most important tenets of Zionist thinking: “Hebrew revival,” or the idea that Hebrew—a largely unspoken language before the twentieth century—was revitalized as part of a broader national “revival” which ultimately led to the establishment of the Israeli nation-state. This story of language revival has been commemorated in Israeli popular memory and in Jewish historiography as a triumphant transformation narrative that marks the success of the Zionist revolution. But a closer look at the work of early twentieth-century Hebrew writers reveals different sentiments.

Roni Henig explores the loaded, figurative discourse of revival in the work of Hebrew authors and thinkers working roughly between 1890 and 1920. For these authors, the language once known as “the holy tongue” became a vernacular in the making. Rather than embracing “revival” as a neutral, descriptive term, Henig takes a critical approach, employing close readings of canonical texts to analyze the primary tropes used to articulate this aesthetic and political project of “reviving” Hebrew. She shows that for many writers, the national mission of language revival was entwined with a sense of mourning and loss. These writers perceived—and simultaneously produced—the language as neither dead nor fully alive. Henig argues that it is this figure of the living-dead that lies at the heart of the revival discourse and which is constitutive of Jewish nationalism.

On Revival contributes to current debates in comparative literary studies by addressing the limitations of the national language paradigm and thinking beyond concepts of origin, nativity, and possession in language. Informed by critical literary theory, including feminist and postcolonial critiques, the book challenges Zionism’s monolingual lens and the auto-Orientalism involved in the project of revival, questioning charged ideological concepts such as “native speaker” and “mother tongue.”

Between the Bridge and the Barricade explores how translations of non-Jewish texts into Jewish languages impacted Jewish culture, literature, and history from the sixteenth century into modern times. Offering a comprehensive view of early modern Jewish translation, Iris Idelson-Shein charts major paths of textual migration from non-Jewish to Jewish literatures, analyzes translators’ motives, and identifies the translational norms distinctive to Jewish translation. Through an analysis of translations hosted in the Jewish Translation and Cultural Transfer (JEWTACT) database, Idelson-Shein reveals for the first time the liberal translational norms that allowed for early modern Jewish translators to make intensely creative and radical departures from the source texts—from “Judaizing” names, places, motifs, and language to mistranslating and omitting material both deliberately and accidently. Through this process of translation, Jewish translators created a new library of works that closely corresponded with the surrounding majority cultures yet was uniquely Jewish in character.

As a site of intense negotiation between different cultures, communities, religions, readers, genres, and languages, these translations become an ideal entry point into the complex relationships between early modern Christians and Jews. At the same time, they also pose a significant challenge for modern-day scholars. But, for the careful reader, who can navigate the labyrinth of unacknowledged translations of non-Jewish sources into Jewish languages, there awaits a terrain of surprising intercultural encounters between Jews and Christians. Between the Bridge and the Barricade uncovers the hitherto hidden non-Jewish corpus that, Idelson-Shein contends, played a decisive role in shaping early modern Jewish culture.

In Rhetoric, Poetics, and Literary Historiography, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Uhlig turns to the decades around 1800 in Europe to reveal that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study—rhetoric teaching, theories of poetry, and literary history—emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric and poetics thwarted criticism, to different ends, while literary historiography proved institutionally reassuring yet less useful as a tool for textual understanding.

Uhlig details how Scottish writers like Adam Smith and Hugh Blair taught rhetoric as a form self-expression, while Anglophone and German theorists of poetry like William Wordsworth, Friedrich Schlegel, and Johann Wolfgang von Goethe both engaged with and resented critics. At the same time, varying opinions on the practice of literary history emerged, with Immanuel Kant and Thomas De Quincey arguing for the independence of literature from historical forces while writers like Matthew Arnold approached literature as a means of narrating cultural archives instead of drawing on close reading and analysis. Rhetoric, Poetics, and Literary Historiography traces current debates in literary studies back to this formative moment, serving as a guide to past and present controversies in the field.

Among urban designers and municipal officials, the term encroachment is defined as a deviation from the official master plan. But in cities today, such informal modifications to the urban fabric are deeply enmeshed with formal planning procedures. Master Plans and Encroachments examines informality in the high-modernist city of Islamabad as a strategic conformity to official schemes and regulations rather than as a deviation from them.

For the new administrative capital of Pakistan designed in 1959 by Greek architect and planner Constantinos A. Doxiadis, Islamabad’s master plan offers a clear template of formal urban design within which informal spaces and processes have been articulated. Drawing on deep archival research, wide-ranging interviews, and an array of visual material, including photographs, maps, and architectural drawings, Faiza Moatasim shows how Islamabad’s master plan is not simply a blueprint that guides future urban development or makes its violations apparent; it is used by both city officials and citizens to develop informal spaces that accommodate unfulfilled needs and desires of those living and working in the city.

Master Plans and Encroachments is the first book that examines the informal practices of both the privileged and the underprivileged. The book highlights how low-, middle-, and upper-income people do not randomly build informal spaces; they strategically use architectural techniques to support their informal claims to space, which are often met with the government’s tacit approval. By focusing on those spaces in Islamabad’s urban fabric that are not part of its official master plan, the book demonstrates how planning actually works in complex ways.

China turned majority urban only in the recent decade, a dramatic leap given that less than 20 percent of its population lived in cities before 1980. This book situates China’s urbanization in the interconnected forces of historical legacies, contemporary state interventions, and human and ecological conditions. It captures the complexity of the phenomenon of urbanization in its historical and regional variations, and explores its impact on the country’s socioeconomic welfare, environment and resources, urban form and lifestyle, and population and health. It is also a book about China, in which the contributors provide new perspectives to understand the transitions underway and the gravity of the progress, particularly in the context of demographic shifts and climate change.

The chapters in China Urbanizing, written by American and Chinese scholars, achieve three interconnected aims. The first is to explore how the process of urbanization has shaped and been influenced by the social, economic, and physical interactions that take place in and beyond cities, and the state interventions intended to regulate such interactions. The second is to examine the shifts and evolutions emerging in urban China, such as the economic slowdown, population aging and low fertility rates, and how cities interact with the environment and planet given China’s rising role in the global discourse on climate change. The third is to explore new sources of information for conducting research on urban China, such as satellite and street-level imagery data and online listings, to account for the complexity and heterogeneity that characterize contemporary Chinese urbanization.

Contributors: Juan Chen, Dean Curran, Deborah Davis, Peilei Fan, Qin Gao, Pierre F. Landry, Shi Li, Shiqi Ma, Justin Remais, Alan Smart, Shin Bin Tan, Jeremy Wallace, Sarah Williams, Binbin Wu, Weiping Wu, Guibin Xiong, Wenfei Xu.

Contracting Freedom is the first relational study of the origins of twentieth-century U.S. guestworker programs from Mexico and the Caribbean, focusing on their shared origins. It investigates these government-sponsored programs as the unexplored consequence of the history of enslaved labor, Japanese American incarceration, the New Deal, the long civil rights movement, and Caribbean decolonization.

In the World War II era, U.S. lawmakers and activists alike celebrated guestworker agreements with Mexico and the Caribbean as hallmarks of anti-imperialism and worker freedom. A New Deal-based conception of racial liberalism inspired many of these government officials and labor advocates to demand a turn toward state-sponsored labor contracts across the hemisphere to protect migrant workers' welfare and treatment in the postwar world. Their view of liberalism emphasized the value of formal labor contracts, bilateral agreements between nation-states, state power, and equal rights, all of which they described as advances beyond older labor arrangements forged under colonialism and slavery. Eighty years later, their conceptions of guestworker programs continue to shape political understandings of the immigration debate, as these programs are often considered a solution to offset the deportation regime, and as a response to increasingly rigid racist measures to close U.S. borders to migrants.

Maria Quintana's compelling history shifts the focus on guestworker programs to the arena of political conflict, revealing how fierce debates over the bracero program and Caribbean contract labor programs extended and legitimated U.S. racial and imperial domination into the present era. It also unearths contract workers' emerging visions of social justice that challenged this reproduction of race and empire, giving freedom new meanings that must be contemplated.

Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs.

In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens.

Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment.

Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.

A collection of essays that considers the editorial and interpretive strategies for dealing with complex Shakespearean texts

In his own time, Shakespeare was not a monument, but a man of the theater whose plays were less finished artifacts than works in process. In contrast to a book, a thing we have come to think of as final and achieved, a play is a work for performance, with each performance based only in part on a text we call a script. That script may well have had imperfections that the actors may or may not have noticed as they turned it into a performance. There were multiple versions of the scripts and never a "final" one. Every revival of a play—indeed, every subsequent performance—was and always will be different. Nevertheless, when we study Shakespeare, we are likely to come to him via printed texts that are scripts masquerading as books, and the impulse is to turn them into finished artifacts worthy of their author's dignity.

In The Invention of Shakespeare, and Other Essays Stephen Orgel brings together twelve essays that consider the complex nature of Shakespearean texts, which often include errors or confusions, and the editorial and interpretive strategies for dealing with them in commentary or performance. "There is always some underlying claim that we are getting back to 'what Shakespeare actually wrote,'" Orgel writes, "but obviously that is not true: we clarify, we modernize, we undo muddles, we correct or explain (or explain away) errors, all in the interests of getting a clear, readable, unproblematic text. In short, we produce the text that we want him to, or think he must have written. But one thing we really do know about Shakespeare's original text is that it was hard to read."

What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa.

As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.

Embodying the Soul explores the possibilities and limitations of human intervention in the body's health across the ninth-century Carolingian Empire. Early medieval medicine has long been cast as a superstitious, degraded remnant of a vigorous, rational Greco-Roman tradition. Against such assumptions, Meg Leja argues that Carolingian scholars engaged in an active debate regarding the value of Hippocratic knowledge, a debate framed by the efforts to define Christian orthodoxy that were central to the reforms of Charlemagne and his successors.

From a subject with pagan origins that had suspicious links with magic, medical knowledge gradually came to be classified as a sacred art. This development coincided with an intensifying belief that body and soul, the two components of individual identity, cultivated virtue not by waging combat against one another but by working together harmoniously. The book demonstrates that new discussions regarding the legitimacy of medical learning and the merits of good health encouraged a style of self-governance that left an enduring mark on medieval conceptions of individual responsibility. The chapters tackle questions about the soul's material occupation of the body, the spiritual meaning of illness, and the difficulty of diagnosing the ills of the internal bodily cavity.

Combating the silence on "dark-age" medicine, Embodying the Soul uncovers new understandings of the physician, the popularity of preventative regimens, and the theological importance attached to dietary regulation and bloodletting. In presenting a cultural history of the body, the book considers a broad range of evidence: theological and pastoral treatises, monastic rules, court poetry, capitularies, hagiographies, biographies, and biblical exegesis. Most important, it offers a dynamic reinterpretation of the large numbers of medical manuscripts that survive from the ninth century but have rarely been the focus of historical study.

Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention.

Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual.

In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

We do not have many definitions of Christianity from late antiquity, but among the few extant is the brief statement of Gregory of Nyssa (335-395 CE) that it is "mimesis of the divine nature." The sentence is both a historical gem and theologically puzzling. Gregory was the first Christian to make the infinity of God central to his theological program, but how could he intend for humans to imitate the infinite? If the aim of the Christian life is "never to stop growing towards what is better and never to place any limit on perfection," how could mimesis function within this endless pursuit?

In Imitations of Infinity, Michael A. Motia situates Gregory among Platonist philosophers, rhetorical teachers, and early Christian leaders to demonstrate how much of late ancient life was governed by notions of imitation. Questions both intimate and immense, of education, childcare, or cosmology, all found form in a relationship of archetype and image. It is no wonder that these debates demanded the attention of people at every level of the Roman Empire, including the Christians looking to form new social habits and norms. Whatever else the late ancient transformation of the empire affected, it changed the names, spaces, and characters that filled the imagination and common sense of its citizens, and it changed how they thought of their imitations.

Like religion, imitation was a way to organize the world and a way to reach toward new possibilities, Motia argues, and two earlier conceptions of mimesis—one centering on ontological participation, the other on aesthetic representation—merged in late antiquity. As philosophers and religious leaders pondered how linking oneself to reality depended on practices of representation, their theoretical debates accompanied practical concerns about what kinds of objects would best guide practitioners toward the divine. Motia places Gregory within a broader landscape of figures who retheorized the role of mimesis in search of perfection. No longer was imitation a marker of inauthenticity or immaturity. Mimesis became a way of life.

The history of the ultraconservative movement, its national network, and its influence on Republican Party politics

Donald Trump shocked the nation in 2016 by winning the presidency through an ultraconservative, anti-immigrant platform, but, despite the electoral surprise, Trump's far-right views were not an aberration, nor even a recent phenomenon. In Far-Right Vanguard, John Huntington shows how, for almost a century, the far right has forced so-called "respectable" conservatives to grapple with their concerns, thereby intensifying right-wing thought and forecasting the trajectory of American politics. Ultraconservatives of the twentieth century were the vanguard of modern conservatism as it exists in the Republican Party of today.

Far-Right Vanguard chronicles the history of the ultraconservative movement, its national network, its influence on Republican Party politics, and its centrality to America's rightward turn during the second half of the twentieth century. Often marginalized as outliers, the far right grew out of the same ideological seedbed that nourished mainstream conservatism. Ultraconservatives were true reactionaries, dissenters seeking to peel back the advance of the liberal state, hoping to turn one of the major parties, if not a third party, into a bastion of true conservatism.

In the process, ultraconservatives left a deep imprint upon the cultural and philosophical bedrock of American politics. Far-right leaders built their movement through grassroots institutions, like the John Birch Society and Christian Crusade, each one a critical node in the ultraconservative network, a point of convergence for activists, politicians, and businessmen. This vibrant, interconnected web formed the movement's connective tissue and pushed far-right ideas into the political mainstream. Conspiracy theories, nativism, white supremacy, and radical libertarianism permeated far-right organizations, producing an uncompromising mindset and a hyper-partisanship that consumed conservatism and, eventually, the Republican Party.

Ultimately, the far right's politics of dissent—against racial progress, federal power, and political moderation—laid the groundwork for the aggrieved, vitriolic conservatism of the twenty-first century.

Prague's magnificent synagogues and Old Jewish Cemetery attract millions of visitors each year, and travelers who venture beyond the capital find physical evidence of once vibrant Jewish communities in towns and villages throughout today's Czech Republic. For those seeking to learn more about the people who once lived and died at those sites, however, there has until now been no comprehensive account in English of the region's Jews.

Prague and Beyond presents a new and accessible history of the Jews of the Bohemian Lands written by an international team of scholars. It offers a multifaceted account of the Jewish people in a region that has been, over the centuries, a part of the Holy Roman Empire and the Habsburg Monarchy, was constituted as the democratic Czechoslovakia in the years following the First World War, became the Nazi Protectorate of Bohemia and Moravia and later a postwar Communist state, and is today's Czech Republic. This ever-changing landscape provides the backdrop for a historical reinterpretation that emphasizes the rootedness of Jews in the Bohemian Lands, the intricate variety of their social, economic, and cultural relationships, their negotiations with state power, the connections that existed among Jewish communities, and the close, if often conflictual, ties between Jews and their non-Jewish neighbors.

Prague and Beyond is written in a narrative style with a focus on several unifying themes across the periods. These include migration and mobility; the shape of social networks; religious life and education; civic rights, citizenship, and Jewish autonomy; gender and the family; popular culture; and memory and commemorative practices. Collectively these perspectives work to revise conventional understandings of Central Europe's Jewish past and present, and more fully capture the diversity and multivalence of life in the Bohemian Lands.

The Return of the Absent Father offers a new reading of a chain of seven stories from tractate Ketubot in the Babylonian Talmud, in which sages abandon their homes, wives, and families and go away to the study house for long periods. Earlier interpretations have emphasized the tension between conjugal and scholarly desire as the key driving force in these stories. Haim Weiss and Shira Stav here reveal an additional layer of meaning to the father figure's role within the family structure. By shifting the spotlight from the couple to the drama of the father's relationship with his sons and daughters, they present a more complex tension between mundane domesticity and the sphere of spiritual learning represented by the study house.

This coauthored book presents a dialogic encounter between Weiss, a scholar of rabbinic literature, and Stav, a scholar of modern Hebrew literary studies. Working together, they have produced a book resonant in its melding of the scholarly norms of rabbinics with a literary interpretation based in feminist and psychoanalytic theory.

A comprehensive presentation and examination of a popular seventeenth-century genre: the English broadside ballad

In its seventeenth-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive.

In this magisterial and long-awaited volume, Fumerton presents a rich display of the fruits of this work. She tracks the fragmentary assembling and disassembling of two unique extant editions of one broadside ballad and examines the loose network of seventeenth-century ballad collectors who archived what were essentially ephemeral productions. She pays particular attention to Samuel Pepys, who collected and bound into five volumes more than 1,800 ballads, and whose preoccupations with black-letter print, gender, and politics are reflected in and extend beyond his collecting practices. Offering an extensive and expansive reading of an extremely popular and sensational ballad that was printed at least 37 times before 1701, Fumerton highlights the ballad genre's ability to move audiences across time and space. In a concluding chapter, she looks to Shakespeare's The Winter's Tale to analyze the performative potential ballads have in comparison with staged drama.

A broadside ballad cannot be "read" without reading it in relation to its images and its tune, Fumerton argues. To that end, The Broadside Ballad in Early Modern England features more than 80 illustrations and directs its readers to a specially constructed online archive where they can easily access 48 audio files of ballad music.

The overwhelming majority of Jews who laid the foundations of the Israeli state during the first half of the twentieth century came from the Polish lands and the Russian Empire. This is a fact widely known, yet its implications for the history of Israel and the Middle East and, reciprocally, for the history of what was once the demographic heartland of the Jewish diaspora remain surprisingly ill-understood.

Through fine-grained analyses of people, texts, movements, and worldviews in motion, the scholars assembled in From Europe's East to the Middle East—hailing from Europe, Israel, Japan, and the United States—rediscover a single transnational Jewish history of surprising connections, ideological cacophony, and entangled fates. Against the view of Israel as an outpost of the West, whether as a beacon of democracy or a creation of colonialism, this volume reveals how profoundly Zionism and Israel were shaped by the assumptions of Polish nationalism, Russian radicalism, and Soviet Communism; the unique ethos of the East European intelligentsia; and the political legacies of civil and national strife in the East European "shatter-zone." Against the view that Zionism effected a complete break from the diaspora that had birthed it, the book sheds new light on the East European sources of phenomena as diverse as Zionist military culture, kibbutz socialism, and ultra-Orthodox education for girls. Finally, it reshapes our understanding of East European Jewish life, from the Tsarist Empire, to independent Poland, to the late Soviet Union. Looking past siloed histories of both Zionism and its opponents in Eastern Europe, the authors reconstruct Zionism's transnational character, charting unexpected continuities across East European and Israeli Jewish life, and revealing how Jews in Eastern Europe grew ever more entangled with the changing realities of Jewish society in Palestine.

A study of the life and work of 'the Maggid"—a major figure in the mystical thought of early Hasidism

Enshrined in Jewish memory simply as "the Maggid" (preacher), Rabbi Dov Ber Friedman of Mezritsh (1704-1772) played a critical role in the formation of Hasidism, the movement of mystical renewal that became one of the most important and successful forces in modern Jewish life. In Speaking Infinities, Ariel Evan Mayse turns to the homilies of the Maggid to explore the place of words in mystical experience. He argues that the Maggid's theory of language is the key to unpacking his abstract mystical theology as well as his teachings on the devotional life and religious practice.

Mayse shows how Dov Ber's vision of language emerges from his encounters with Ba'al Shem Tov (the BeSHT), the founder of Hasidic Judaism, whose teaching put forward a vision of radical divine immanence. Taking the BeSHT's notion of God's immanence as a kind of linguistic vitality echoing in the cosmos, Dov Ber developed a theory of language in which all human tongues, even in their mundane forms, have the potential to become sacred when returned to their divine source.

Analyzing homilies and theological meditations on language, Mayse demonstrates that Dov Ber was an innovative thinker and contends that, in many respects, it was Dov Ber, rather than the BeSHT, who was the true founder of Hasidism as it took root, and the foremost shaper of its early theology. Speaking Infinities offers an exploration of this introspective mystic's life, gleaned from scattered anecdotes, legends, and historical sources, distinguishing the historical personage from the figure that emerges from the composite array of textual and oral traditions that have shaped the memory of the Maggid and his legacy.

Art and religion are both well-attested and much-studied aspects of ancient Greek life, yet their relationship is not perfectly understood. Religion in the Art of Archaic and Classical Greece presents an important rethinking of these two categories. The book examines not only how and where religious activity is presented visually at particular moments and in certain forms, but also what objects and images can tell us about the experiences and impressions of Greek religion. Through an exploration of portable or relatively small-scale art forms—vases, figurines, gems, plaques—Tyler Jo Smith focuses on the visual and material evidence for religious life and customs in Archaic and Classical Greece (sixth to fourth centuries BC).

The book introduces its readers to categories of religious practice (e.g., sacrifices, votive offerings, funerals), to the pertinent artistic evidence for them, and to a range of scholarly approaches. Smith combines the study of iconography and the examination of material objects with theoretical perspectives on ritual and performance. When given visual form, religion holds much in common with other ancient Greek modes of artistic expression, including dance and drama. Religion is viewed here as a dynamic performative act, as an expression of connectivity, and as a mechanism of communication.

While the complexities of Greek religion cannot be discerned through the visual or material record alone, Religion in the Art of Archaic and Classical Greece frames a more nuanced reading of the artistic evidence than has been previously available. Richly illustrated with 216 halftones and sixteen color plates of mostly small-scale objects, the book is much more than a gathering of images and information in a single place. Taken as a whole, it argues for a visual and material tradition that is intended to express the ritualized practices and shared attitudes of religious life, a story that large public works alone are simply never going to tell.

According to accepted historical wisdom, the goal of the African Colonization Society (ACS), founded in 1816 to return freed slaves to Africa, was borne of desperation and illustrated just how intractable the problems of race and slavery had become in the nineteenth-century United States. But for Brandon Mills, the ACS was part of a much wider pattern of national and international expansion. Similar efforts on the part of the young nation to create, in Thomas Jefferson's words, an "empire of liberty," spanned Native removal, the annexation of Texas and California, filibustering campaigns in Latin America, and American missionary efforts in Hawaii, as well as the founding of Liberia in 1821. Mills contends that these diverse currents of U.S. expansionism were ideologically linked and together comprised a capacious colonization movement that both reflected and shaped a wide range of debates over race, settlement, citizenship, and empire in the early republic.

The World Colonization Made chronicles the rise and fall of the colonization movement as a political force within the United States—from its roots in the crises of the Revolutionary era, to its peak with the creation of the ACS, to its ultimate decline with emancipation and the Civil War. The book interrogates broader issues of U.S. expansion, including the progression of federal Indian policy, the foundations and effects of the Monroe Doctrine and Manifest Destiny, and the growth of U.S. commercial and military power throughout the Western hemisphere. By contextualizing the colonization movement in this way, Mills shows how it enabled Americans to envision a world of self-governing republics that harmonized with racial politics at home.

Historians commonly designate the High Middle Ages as the era of the "papal monarchy," when the popes of Rome vied with secular rulers for spiritual and temporal supremacy. Indeed, in many ways the story of the papal monarchy encapsulates that of medieval Europe as often remembered: a time before the modern age, when religious authorities openly clashed with emperors, kings, and princes for political mastery of their world, claiming sovereignty over Christendom, the universal community of Christian kingdoms, churches, and peoples.

At no point was this conflict more widespread and dramatic than during the papacies of Gregory IX (1227-1241) and Innocent IV (1243-1254). Their struggles with the Hohenstaufen Emperor Frederick II (1212-1250) echoed in the corridors of power and the court of public opinion, ranging from the battlefields of Italy to the streets of Jerusalem. In The Two Powers, Brett Edward Whalen has written a new history of this combative relationship between the thirteenth-century papacy and empire. Countering the dominant trend of modern historiography, which focuses on Frederick instead of the popes, he redirects our attention to the papal side of the historical equation. By doing so, Whalen highlights the ways in which Gregory and Innocent acted politically and publicly, realizing their priestly sovereignty through the networks of communication, performance, and documentary culture that lay at the unique disposal of the Apostolic See.

Covering pivotal decades that included the last major crusades, the birth of the Inquisition, and the unexpected invasion of the Mongols, The Two Powers shows how Gregory and Innocent's battles with Frederick shaped the historical destiny of the thirteenth-century papacy and its role in the public realm of medieval Christendom.

Composed in Germany in the early thirteenth century by Judah ben Samuel he-hasid, Sefer Hasidim, or "Book of the Pietists," is a compendium of religious instruction that portrays the everyday life of Jews as they lived together with and apart from Christians in towns such as Speyer, Worms, Mainz, and Regensburg. A charismatic religious teacher who recorded hundreds of original stories that mirrored situations in medieval social living, Judah's messages advocated praying slowly and avoiding honor, pleasure, wealth, and the lures of unmarried sex. Although he failed to enact his utopian vision of a pietist Jewish society, his collected writings would help shape the religious culture of Ashkenazic Judaism for centuries.

In "Sefer Hasidim" and the Ashkenazic Book in Medieval Europe, Ivan G. Marcus proposes a new paradigm for understanding how this particular book was composed. The work, he contends, was an open text written by a single author in hundreds of disjunctive, yet self-contained, segments, which were then combined into multiple alternative versions, each equally authoritative. While Sefer Hasidim offers the clearest example of this model of composition, Marcus argues that it was not unique: the production of Ashkenazic books in small and easily rearranged paragraphs is a literary and cultural phenomenon quite distinct from anything practiced by the Christian authors of northern Europe or the Sephardic Jews of the south. According to Marcus, Judah, in authoring Sefer Hasidim in this manner, not only resisted Greco-Roman influences on Ashkenazic literary form but also extended an earlier Byzantine rabbinic tradition of authorship into medieval European Jewish culture.

From the riddling song of a bawdy onion that moves between kitchen and bedroom to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, from the heart-rending lament of a lone castaway to the embodied speech of the cross upon which Christ was crucified, from the anxiety of Eve, who carries "a sumptuous secret in her hands / And a tempting truth hidden in her heart," to the trust of Noah who builds "a sea-floater, a wave-walking / Ocean-home with rooms for all creatures," the world of the Anglo-Saxon poets is a place of harshness, beauty, and wonder.

Now for the first time, the entire Old English poetic corpus—including poems and fragments discovered only within the past fifty years—is rendered into modern strong-stress, alliterative verse in a masterful translation by Craig Williamson.

Accompanied by an introduction by noted medievalist Tom Shippey on the literary scope and vision of these timeless poems and Williamson's own introductions to the individual works and his essay on translating Old English poetry, the texts transport us back to the medieval scriptorium or ancient mead-hall, to share a herdsman's recounting of the story of the world's creation or a people's sorrow at the death of a beloved king, to be present at the clash of battle or to puzzle over the sacred and profane answers to riddles posed over a thousand years ago. This is poetry as stunning in its vitality as it is true to its sources. Were Williamson's idiom not so modern, we might think that the Anglo-Saxon poets had taken up the lyre again and begun to sing once more.

Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles.

Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard.

Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

Tenacious activism by Quakers, African Americans, and antislavery evangelicals made antislavery central to the American Revolution

In Let the Oppressed Go Free, Nicholas P. Wood presents the opponents of slavery who sustained and expanded the antislavery movement during the American Revolution in the face of widespread hostility. These early abolitionists were inspired by antislavery theology: the view that slavery was a sinful form of oppression that would provoke God’s wrath against slaveholding societies. These principles were first advanced by a handful of Quakers and Puritans as early as the 1600s, but they did not become widespread until the second half of the eighteenth century. Quakers embraced antislavery theology during the French and Indian War, which they interpreted as divine chastisement for the sin of colonial slavery. Citing the prophet Isaiah, they pledged to please the Lord by letting the oppressed go free.

Antislavery theology became even more prominent during the American Revolution. When Parliament provoked an imperial crisis in the 1760s, abolitionists argued it was further evidence of God’s anger over slavery. The outbreak of war in 1775 made these arguments increasingly persuasive. Let the Oppressed Go Free demonstrates that antislavery activism during the Revolution by Quakers, African Americans, and evangelical patriots was more sophisticated and influential than historians have recognized. The northern states that began abolishing slavery during the Revolution did so in response to tenacious agitation and generally described their actions as designed to earn God’s blessing.

Let the Oppressed Go Free challenges many common assumptions about abolitionism and the American Revolution. Wood demonstrates that religion remained central to abolitionism rather than being displaced by “secular” arguments about natural rights. And whereas some have argued that the Revolutionary War hindered antislavery progress and fueled racism, Wood shows that the war accelerated reform.

How Black youth in Detroit made claims for political equality over and against the new order of community policing

The criminalization of Black youth was central to policing in urban America during the civil rights era and continued in Detroit even after the rise of Black political control in the 1970s. Wildcat of the Streets documents how the “community policing” approach of Mayor Coleman Young (1974–1993)—including neighborhood police stations, affirmative action hiring policies, and public participation in law enforcement initiatives—transformed Detroit, long considered the nation’s symbol of racial inequality and urban crisis, into a crucial site of experimentation in policing while continuing to subject many Black Detroiters to police brutality and repression.

In response, young people in the 1970s and 1980s drew on the city’s storied history of labor radicalism as well as contemporary shopfloor struggles to wage a “wildcat of the streets,” consisting of street disturbances, decentralized gang activity, and complex organizations of the informal economy. In this revelatory new history of the social life of cities, Michael Stauch mines a series of evocative interviews conducted with the participants to trace how Black youth made claims for political equality over and against the new order of community policing.

Centering the perspective of criminalized and crime-committing young people, Wildcat of the Streets is an original interpretation of police reform, the long struggle for Black liberation, and the politics of cities in the age of community policing.