University of Pennsylvania Press Inc.

Diana Mayo is young, beautiful, wealthy—and independent. Bored by the eligible bachelors and endless parties of the English aristocracy, she arranges for a horseback trek through the Algerian desert. Two days into her adventure, Diana is kidnapped by the powerful Sheik Ahmed Ben Hassan, who forces her into submission. Diana tries desperately to resist but finds herself falling in love with this dark and handsome stranger. Only when a rival chieftain steals Diana away does the Sheik realize that what he feels for her is more than mere passion. He has been conquered—and risks everything to get her back. The power of love reaches across the desert sands, leading to the thrilling and unexpected conclusion.

One of the most widely read novels of the 1920s, and forever fixed in the popular imagination in the film version starring the irresistible Rudolph Valentino, The Sheik is recognized as the immediate precursor to the modern romance novel. When first published there was nothing like it: To readers the story was scandalous, exotic, and all-consuming; to such critics as the New York Times the book was "shocking," although written with "a high degree of literary skill." In the author's native England, the bestselling book was labeled "poisonously salacious" by the Literary Review and banned from some communities. But the public kept reading.

The influence of The Sheik on romance writers and readers continues to resonate. Despite controversy over its portrayal of sexual exploitation as a means to love, The Sheik remains a popular classic for its representation of the social order of its time, capturing contemporary attitudes toward colonialism as well as female power and independence that still strike a chord with readers today.

Though most widely known for the novella The Great Gatsby, F. Scott Fitzgerald gained a major source of income as a professional writer from the sale of short stories. Over the course of his career, Fitzgerald published more than 160 stories in the period's most popular magazines. His second short fiction collection, Tales of the Jazz Age (1922), includes two masterpieces as well as several other stories from his earlier career. One, "May Day," depicts a party at a popular club in New York that becomes a night of revelry during which former soldiers and an affluent group of young people start an anti-Bolshevik demonstration that results in an attack on a leftist newspaper office. "The Diamond as Big as the Ritz" is a fantastic satire of the selfishness endemic to the wealthy and their undying pursuit to preserve that way of life.

All of these stories, like his best novels, meld Fitzgerald's fascination with wealth with an awareness of a larger world, creating a subtle social critique. With his discerning eye, Fitzgerald elucidates the interactions of the young people of post-World War I America who, cut off from traditions, sought their place in the modern world amid the general hysteria of the period that inaugurated the age of jazz.

This new edition reproduces in full the original collection, stories that represent a clear movement in theme and character development toward what would become The Great Gatsby. In introducing each story, Fitzgerald offers accounts of its textual history, revealing decisions about which stories to include.

Originally appearing at the same time as the pacifist novel All Quiet on the Western Front, this powerful collection provides a glimpse into the hearts and minds of an enemy that had been thoroughly demonized by the Allied press. Composed by German students who had left their university studies in order to participate in World War I, these letters reveal the struggles and hardships that all soldiers face.

The stark brutality and surrealism of war are revealed as young men from Germany describe their bitter combat and occasional camaraderie with soldiers from many nations, including France, Great Britain, and Russia. Like its companion volume, War Letters of Fallen Englishmen, these letters were carefully selected for their depth of perception, the intensity of their descriptions, and their messages to future generations. "Should these letters help towards the establishment of justice and better understanding between nations," the editor reflects in his introduction, "their deaths will not have been in vain." This edition contains a new foreword by the distinguished World War I historian Jay Winter.