Wiener Schiller Productions Inc.

Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.

In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.

As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”

Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.

At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look. 

“Photographer Lawrence Schiller’s images of the icons of Sixties America conjure a time and a place of incomparable cool.” —The Times Magazine, London

During the transformative 1960s, Lawrence Schiller captured the nation’s political and cultural front lines: whenever a headline-making event occurred, he was there.

From Marilyn Monroe in the nude to Muhammad Ali in the boxing ring, Schiller's work features legendary moments, including Paul Newman and Robert Redford playing ping-pong, and a haunting image of Lee Harvey Oswald after the assassination of John F. Kennedy. He documents the powerful advocacy of Martin Luther King Jr. and Robert Kennedy, alongside the private world of LSD experimentation.

Drawing from Schiller's vast archive of portraiture and photojournalism, this book includes 67 of his most iconic photographs, presenting more than just a collection of images; it offers an eclectic and intimate portrait of an era that defined modern America.

Printed in Italy on archival, acid-free paper.

Ideal for photography lovers, history enthusiasts, and anyone fascinated by the cultural icons of the 1960s, this book is a must-have for your collection.

The personalities featured include:

• Muhammad Ali
• Clint Eastwood
• Bette Davis
• Tippi Hedren
• Alfred Hitchcock
• Dennis Hopper
• James Earl Jones
• Buster Keaton
• Robert Kennedy
• Martin Luther King, Jr.
• Sophia Loren
• Dean Martin
• Paul Newman
• Robert Redford
• Barbra Streisand

“Photographer Lawrence Schiller’s images of the icons of Sixties America conjure a time and a place of incomparable cool.” —The Times Magazine, London

During the transformative 1960s, Lawrence Schiller captured the nation’s political and cultural front lines: whenever a headline-making event occurred, he was there.

From Marilyn Monroe in the nude to Muhammad Ali in the boxing ring, Schiller's work features legendary moments, including Paul Newman and Robert Redford playing ping-pong, and a haunting image of Lee Harvey Oswald after the assassination of John F. Kennedy. He documents the powerful advocacy of Martin Luther King Jr. and Robert Kennedy, alongside the private world of LSD experimentation.

Drawing from Schiller's vast archive of portraiture and photojournalism, this book includes 67 of his most iconic photographs, presenting more than just a collection of images; it offers an eclectic and intimate portrait of an era that defined modern America.

Printed in Italy on archival, acid-free paper, this premium hardcover edition is bound in linen and features a tip-in photograph of Tippi Hedren and Alfred Hitchcock taken during the filming of The Birds.

Ideal for photography lovers, history enthusiasts, and anyone fascinated by the cultural icons of the 1960s, this book is a must-have for your collection.

The personalities featured include:

• Muhammad Ali
• Clint Eastwood
• Bette Davis
• Tippi Hedren
• Alfred Hitchcock
• Dennis Hopper
• James Earl Jones
• Buster Keaton
• Robert Kennedy
• Martin Luther King, Jr.
• Sophia Loren
• Dean Martin
• Paul Newman
• Robert Redford
• Barbra Streisand

Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.

In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.

As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”

Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.

At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look. 

“My heart was in a cage. My life was a long struggle to find happiness, to overcome fear, and to find love I had lost. I did not give up, and that is what my story is about.” — Dr. Ichak K. Adizes

Seeing every challenge as an opportunity for growth, Dr. Ichak Adizes moved beyond a childhood marked by imprisonment in a Nazi concentration camp and immigration to an unfamiliar country to discover the benefits of opening his heart. 

Rejecting isolation and fear, he became a renowned thought leader who advises companies and governments worldwide on structuring thriving organizations around a culture of trust and respect.

Dr. Adizes’s personal story is more than a string of external events that propelled him through adversity after adversity to become the insightful, compassionate person he is today. It is also a map of his journey into a heart which, like the accordion that he played to earn a living and put himself through school, ultimately expanded and opened up to the universal truths that connect us all in our humanity.

The Accordion Player is a compelling account of a remarkable life—an unvarnished view of a man whose decision to recognize the value of change and creative conflict allowed him to love. His story reveals the enduring human ability to turn possibility into reality.

No issue in America in the 1960s was more vital than civil rights, and no two public figures were more crucial in the drama of race relations in this era than Martin Luther King, Jr. and Robert F. Kennedy.

Fifty years after they were both murdered, noted journalist David Margolick explores the untold story of the complex and ever-evolving relationship between these two American icons. Assassinated only sixty-two days apart in 1968, King and Kennedy changed the United States forever, and their deaths profoundly altered the country’s trajectory.

In The Promise and the Dream, Margolick examines their unique bond and the complicated mix of mutual assistance, impatience, wariness, awkwardness, antagonism, and admiration that existed between the two, documented with original interviews, oral histories, FBI files, and previously untapped contemporaneous accounts.

At a turning point in social history, MLK and RFK embarked on distinct but converging paths toward lasting change. Even when they weren’t interacting directly, they monitored and learned from, one another. Their joint story, a story each man took some pains to hide and which began to come into focus only with their murders, is not just gripping history but a window into contemporary America and the challenges we continue to face.

Complemented by award-winning historian Douglas Brinkley’s foreword and more than eighty revealing photos by the foremost photojournalists of the period, The Promise and the Dream offers a compelling look at one of the most consequential but misunderstood relationships in our nation’s history.

“My heart was in a cage. My life was a long struggle to find happiness, to overcome fear, and to find love I had lost. I did not give up, and that is what my story is about.” — Dr. Ichak K. Adizes

Seeing every challenge as an opportunity for growth, Dr. Ichak Adizes moved beyond a childhood marked by imprisonment in a Nazi concentration camp and immigration to an unfamiliar country to discover the benefits of opening his heart. 

Rejecting isolation and fear, he became a renowned thought leader who advises companies and governments worldwide on structuring thriving organizations around a culture of trust and respect.

Dr. Adizes’s personal story is more than a string of external events that propelled him through adversity after adversity to become the insightful, compassionate person he is today. It is also a map of his journey into a heart which, like the accordion that he played to earn a living and put himself through school, ultimately expanded and opened up to the universal truths that connect us all in our humanity.

The Accordion Player is a compelling account of a remarkable life—an unvarnished view of a man whose decision to recognize the value of change and creative conflict allowed him to love. His story reveals the enduring human ability to turn possibility into reality.

Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.

In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.

As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”

Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.

At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look. 

"It's an art book...photos are great, they really show the quality of the work...and you got Ray Bradbury. This will be a collectible for sure, definitely a book to have in every collection..." —Paul Booth

All of Me Is Illustrated is the first book to feature Ray Bradbury's treasured stories "The Illustrated Man" and "The Illustrated Woman" together alongside the most stunning tattooed bodies of today.

Bradbury's prose reminds us so wonderfully—and at times violently and humorously—how foolish it is to assume the origins and meanings behind a person's tattoos. Just as with Bradbury's characters, the motivations of the featured collectors and artists to ink (or be inked) vary. What is undeniable is that their illustrated bodies are a source of pride, wonder, titillation, and beauty, whether depicting the grotesque or the mundane. With an introduction by tattoo collector and scholar Anna Felicity Friedman, the result is a book that showcases masters of their craft.

• Hardcover, 272 pages, 9.7 X 11.9 in., 127 photographs
• Stories by Ray Bradbury
• Tattoos by Today's Leading Artists, including Paul Booth, Steve Butcher, Ryan Ashley Malarkey, Jessa Bigelow, Yomico Moreno, Andy Pho, TeeJ Poole, Duke Riley, DJ Tambe, Tatu Baby, Carlos Torres, Dmitry Troshin, Jess Yen, Popo Zhang

The idea of America, and the American identity, has been central to this country’s cultural conversation and debate since its inception. America — past, present, and future — is an ongoing experiment in free will and liberty for all who reach its welcoming shores, plow its fertile soil, and raise their children to achieve that great promise of the American Dream. In The American Experiment, photographer Brandon Ralph presents an exploration of the patriotic symbols, the vast and varied landscape, and the tapestry of humanity that poses the question anew: What makes an American?

The result is a finely wrought collection of moments and Americans captured in time, separated by decades and by state lines, by events of national significance and by the invisible routines of day-to-day life. In Ralph’s starkly beautiful and unwaveringly sensitive images, there is a sense of timelessness that speaks to our collective nostalgia, our unflagging optimism, and our unending pursuit of freedom for all people.