Wilfrid Laurier University Press

Drawing from History brings to life the remarkable story of Toronto’s Central Technical School Art Department, a vibrant hub that inspired generations of Canadian artists.

Weaving together personal insights, first-hand accounts from students and teachers, and rare archival treasures, this book traces the department’s journey from its 19th-century beginnings to its enduring impact today. Through captivating storytelling and meticulous scholarship, it reveals how this distinctive program fostered creativity, artistic excellence, and a sense of community while navigating cultural upheavals, global conflicts, changing policies, and the persistent challenge of maintaining arts education in public schools.

Insightful and thought-provoking, Drawing from History illuminates an overlooked cornerstone of Canada’s artistic heritage and prompts readers to consider what is lost when the arts are marginalized. More than a local history, this book serves as a testament to how art education shapes lives, strengthens communities, and helps define a nation’s cultural identity. It is essential reading for educators, students, historians, artists, policymakers, and anyone who believes in the power of the arts to transform lives and foster a more creative society.

Unequivocal Magic speaks to the “quiet power” of photographs and their hidden creativity, bringing readers into the author’s own journey into the history of a 1910 portrait of iconic French actress, Sarah Bernhardt. What begins as a quest to recognize the work of her once renowned photographer, Walter Barnett, becomes a story about the female performer in the West, whose use of image to innovate, protest, and survive public scrutiny can provide an enduring agency.

Alex Bertram has always found old photographs intriguing, an interest augmented by her work as a picture researcher for a publisher. On a visit to the Victoria and Albert Museum in London, she saw a 1910 portrait of Sarah Bernhardt, the famous French actress whose career by then had spanned half a century. Beset with questions about this unidealized representation of the actress in her older age, she wondered what the photograph could tell us about Bernhardt, its photographer, or the circumstances surrounding the making of the portrait.

Structured around the day Bernhardt had her picture taken in that London studio, Unequivocal Magic traces the travel of the portrait on its life journey, with Bertram returning again and again to this single day in 1910. Bertram’s narrative likewise embraces her own creative response upon seeing the portrait for the first time, enveloping that moment into her engagement with and close examination of the lives and work of both Barnett and Bernhardt.

Arab Techno for the People analyses electronic music soundscapes as a field site to explore the lived experiences of cosmopolitan, Arab individuals living in Toronto and Montreal, Canada. This book seeks to move readers—and Canadians more broadly—to a more nuanced understanding of the misinterpellation, discrimination, and racism faced by those perceived as Arab and/or Muslim in Canada.

Despite the expectation that they will confirm to unified and reductive definitions of Arab and Muslim identities, Arab house and techno musicians who are understood as (or understand themselves as) Arab in Montreal and Toronto use their musical participation to define themselves in diverse ways contingent on their ethnic, religious, gender, and sexual identities. This book proposes that the Arab diaspora in multicultural Canada can be “sounded” by unveiling the experience of memory and nostalgia, presence and absence, racism and (mis)interpellation, and the various subtle realities that Arabs must consider when ethically navigating such cultural complexities.

This ethnography is a reflection of musical practices beyond the dancefloor as coping methods with systemic racism. Fulton-Melanson’s whiteness is vital to the conversation and reflection of decolonial and anti-racist methodology. The objective is that readers will recognize their own racist assumptions in the text and actively redress them.

For some outdoor enthusiasts, the word “wilderness” means “free of people”. This book shows that many beloved stories of outdoor adventure forget that people have lived in and with the natural spaces of North America since long before Europeans arrived. When we read Western narratives in partnership with Indigenous authored narratives, a new paradigm of human-nature relations begins to emerge.

Divided into three sections, the book creates a conversation between texts by non-Indigenous and Indigenous writers. Nature adventure stories by non-Indigenous writers can re-colonize space and perceptions of space whereas narratives from Indigenous writers demonstrate that “nature” (or land) is neither empty nor ownable—not an object but rather a relation. The first section, “Growing,” delves into literature for children and young adults about adventures in outdoor spaces. “Moving” explores the joy and struggle of outdoor athleticism, and “Dwelling,” examines stories of “being in place” to seek out how relationship with land is defined.

As Cree writer Harold Johnson has pointed out, stories define our inner worlds and then also come to define the outer world around us. This book brings together two very different approaches to nature writing to initiate a dialogue between Western and Indigenous literary responses to experiencing land. Ultimately, Decolonizing Wilderness Adventure Narratives aims to reorient the stories of the land (including its peoples) from one of ownership to one of respectful relationship.

The Contemporary Leonard Cohen is an exciting new study that offers an original explanation of Leonard Cohen’s staying power and his various positions in music, literature, and art.

The death of Leonard Cohen received media attention across the globe, and this international star remains dear to the hearts of many fans. This book examines the diversity of Cohen’s art in the wake of his death, positioning him as a contemporary, multi-media artist whose career was framed by the twentieth-century and neoliberal contexts of its production. The authors borrow the idea of “the contemporary” especially from philosophy and art history, applying it to Cohen for the first time—not only to the drawings that he included in some of his books but also to his songs, poems, and novels. This idea helps us to understand Cohen’s techniques after his postmodern experiments with poems and novels in the 1960s and 1970s. It also helps us to see how his most recent songs, poems, and drawings developed out of that earlier material, including earlier connections to other writers and musicians.

Philosophically, “the contemporary” also sounds out the deep feelings that Cohen’s work still generates in readers and listeners. Whether these feelings are spiritual or secular, sincere or ironic, we get them partly from the sense of timeliness and the sense of timelessness in Cohen’s lyrics and images, which speak to our own lives and times, our own struggles and survival. From a set of international collaborators, The Contemporary Leonard Cohen delivers an appreciative but critical examination of one of our dark luminaries.

Salomania and the Representation of Race and Gender in Modern Erotic Dance situates the 1908 dance craze, which The New York Times called “Salomania,” as a crucial event and a turning point in the history of the modern business of erotic dance. Framing Salomania with reference to imperial ideologies of motherhood and race, it works toward better understanding the increasing value of the display of the undressed female body in the 19th and early 20th centuries.

This study turns critical attention to cultures of maternity in the late 19th century, primarily with reference to the ways in which women are defined in relation to their genitals as patriarchal property and space and are valued according to reproduction as their primary labour. Erotic dance as it takes shape in the modern representation of Salome insists both that the mother is and is not visible in the body of the dancer, a contradiction this study characterizes as reproductive fetishism.

Looking at a range of media, the study traces the modern figure of Salome through visual art, writing, early psychoanalysis and dance, from "hootchie kootch" to the performances dancer Maud Allan called “mimeo-dramatic” to mid-20th-century North American films such as Billy Wilder's Sunset Boulevard and Charles Lamont's Salome, Where She Danced to the 21st-century HBO series The Sopranos.

When Arthur Lipsett’s first film was nominated for an Academy Award in 1962, the event marked the arrival of an influential turn in cinema. The film’s dark humour and dancing rhythms had captured the spirit of his times. When Lipsett committed suicide in 1986, the humour and joy of his work was eclipsed by that sardonic darkness. It all came to feel like an omen.

Secret Museums is a study in the life and work of Canadian collage filmmaker Arthur Lipsett, whose struggles with mental illness have overshadowed his vital and innovative work. Author Stephen Broomer explores the spiritual themes and formal challenges posed by Lipsett’s films and the artist’s absurdist, comic, beatnik sensibility. As a critical biography, Secret Museums follows the trajectory of Lipsett’s life through his years as a filmmaker (1960-1975) and after, with new interpretations and analysis of his eight completed films.

In Secret Museums, Lipsett’s films are recognized as riotous comedies that reflect the artist’s resilience. It serves as a new interpretation of Lipsett and his films, positioning him as both a visionary force and a holy fool, illuminating fresh pathways through his work that reflect his understandings of his sources and his world.

The Weather and the Words: The Selected Letters of John Newlove, 1963-2003, gathers hundreds of never-before-seen letters from the poet John Newlove’s archives and sheds light on an author who was, to many Canadian writers, a literary master. Despite his stature during his lifetime, Newlove has been largely forgotten, and these letters remind readers of what an influential, compelling, and combative figure he was in Canadian literary history.

Newlove lived and wrote during a time when Canadian writers were well-funded, widely read, and members of thriving literary communities. By the time he died in 2003, that culturally prosperous era had ended. Something else had changed, too: the practice of letter writing began to disappear as email replaced mailed correspondence. Telling the story of Newlove’s life, The Weather and the Words pays tribute not just to this one remarkable poet, but also to a remarkable era in Canadian history and the lost art of letter writing, the medium through which writers, politicians, and other public figures fought, collaborated, conferred, and philosophized about art and culture throughout the twentieth century.

In Newlove’s correspondence readers will find a compelling story about the incredible difficulty of establishing a literary career and raising a family while struggling with poverty, addiction, and mental health issues. Through colourful letters Newlove exchanged with Canadian writers such as Margaret Atwood, Susan Musgrave, Michael Ondaatje, Al Purdy, and numerous others, The Weather and the Words gives readers a ground-level view of Newlove’s life and era. The book includes a foreword by Lorna Crozier, an introduction by editor J.A. Weingarten, and an afterword by Laura Cameron.

The Taking of Vimy Ridge explores the life and works of William Ivor Castle, a Canadian official First World War photographer known for staging and manipulating his photographs.

Castle shot more than 1000 photographs during his time as official photographer attached to the Canadian Corps, and his iconic (though sometimes manipulated) scenes of war created a sensation at London’s Grafton Galleries during the war. But the remainder of his wartime oeuvre, and Castle himself, are less well-remembered today.

The Taking of Vimy Ridge analyzes the unique relationship between Castle and the Canadian War Records Office and distinguishes several of Castle’s never-before-identified manipulated works as he attempted to illustrate the Battle of Vimy Ridge—one of Canada’s most mythologized First World War battles—to audiences around the world.

Drawing from Canadian and British archival records, as well as Castle’s complete body of work from the Battle of Vimy Ridge, this richly illustrated book offers a much more expansive understanding of Castle's contribution to both war photography and our understanding of portrayals of the First World War, including a close interpretation of the technical choices he made in framing his images, and the context in which this oeuvre developed.

Podcast Studies: Practice into Theory critically examines the emergent field of podcasting in academia, revealing its significant impact on scholarly communication and approaches to research and knowledge creation.

This collection presents in-depth analyses from scholars who have integrated podcasting into their academic pursuits. The book systematically explores the medium's implications for teaching, its effectiveness in reaching broader audiences, and its role in reshaping the dissemination of academic work. Covering a spectrum of disciplines, the contributors detail their engagement with podcasting, providing insight into its use as both a research tool and an object of analysis, thereby illuminating the multifaceted ways in which podcasting intersects with and influences academic life.

The volume provides substantive evidence of podcasting's transformative effect on academia, offering reflections on its potential to facilitate a more accessible and engaging form of scholarly output. By presenting case studies and empirical research, Podcast Studies: Practice into Theory underscores the originality of podcasting as an academic endeavor and its utility in expanding the reach and impact of scholarly work. It serves as a key resource for academics, researchers, and practitioners interested in the application and study of podcasting as a novel vector for knowledge creation and distribution.

“It’s a girl!” the Ontario press announced, as Canada’s first woman lawyer was called to the Ontario bar in February 1897. Quiet Rebels explores experiences of exclusion among the few women lawyers for the next six decades, and how their experiences continue to shape gender issues in the contemporary legal profession.

Mary Jane Mossman tells the stories of all 187 Ontario women lawyers called to the bar from 1897 to 1957, revealing the legal profession’s gendered patterns. Comprising a small handful of students—or even a single student—at the Law School, women were often ignored, and they faced discrimination in obtaining articling positions and legal employment. Most were Protestant, white, and middle-class, and a minority of Jewish, Catholic, Black, and immigrant women lawyers faced even greater challenges. The book also explores some changes, as well as continuities, for the much larger numbers of Ontario women lawyers in recent decades.

This longitudinal study of women lawyers’ gendered experiences in the profession during six decades of social, economic, and political change in early twentieth-century Ontario identifies factors that created—or foreclosed on—women lawyers’ professional success. The book’s final section explores how some current women lawyers, despite their increased numbers, must remain “quiet rebels” to succeed.

The Wyandot were born of two Wendat peoples encountered by the French in the first half of the seventeenth century—the otherwise named Petun and Huron—and their history is fragmented by their dispersal between Quebec, Michigan, Kansas, and Oklahoma. This book weaves these fragmented histories together, with a focus on the mid-eighteenth century.
Author John Steckley claims that the key to consolidating the stories of the scattered Wyandot lies in their clan structure. Beginning with the half century of their initial diaspora, as interpreted through the political strategies of five clan leaders, and continuing through the eighteenth century and their shared residency with Jesuit missionaries—notably, the distinct relationships different clans established with them—Steckley reveals the resilience of the Wyandot clan structure. He draws upon rich but previously ignored sources—including baptismal, marriage, and mortuary records, and a detailed house-to-house census compiled in 1747, featuring a list of male and female elders—to illustrate the social structure of the people, including a study of both male and female leadership patterns. A recording of the 1747 census as well as translated copies of letters sent between the Wyandot and the French is included in an appendix.

This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919–2012), György Kurtág (1926–), and Sándor Veress (1907–92). 

Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place.

In the first section, “Place and Displacement,” contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue.

Essays in the second section, “Perspectives on Reception, Analysis, and Interpretation,” look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be “naturally” embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production—he is one of the twentieth century’s most prolific composers of vocal music—involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists’ divergent cultural perspectives impinge on the interpretation of this work.

The final section, “The Presence of the Past and Memory in Contemporary Music,” examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.

Margaret Laurence Writes Africa and Canada is the first book to examine how Laurence addresses decolonization and nation building in 1950s Somalia and Ghana, and 1960s and 1970s English Canada.
Focusing on Laurence’s published works as well as her unpublished letters not yet discussed by critics, the book articulates how Laurence and her characters are poised between African colonies of occupation during decolonization and the settler-colony of English Canada during the implementation of Canadian multiculturalism. Laurence’s Canadian characters are often divided subjects who are not quite members of their ancestral “imperial” cultures, yet also not truly “native” to their nation. Margaret Laurence Writes Africa and Canada shows how Laurence and her characters negotiate complex tensions between “self” and “nation,” and argues that Laurence’s African and Canadian writing demonstrates a divided Canadian subject who holds significant implications for both the individual and the country of Canada.
Bringing together Laurence’s writing about Africa and Canada, Davis offers a unique contribution to the study of Canadian literature. The book is an original interpretation of Laurence’s work and reveals how she displaces the simple notion that Canada is a sum total of different cultures and conceives Canada as a mosaic that is in flux and constituted through continually changing social relations.

In Canadian universities in the early 1960s, no courses were offered on Hinduism, Buddhism, or Islam. Only the study of Christianity was available, usually in a theology program in a church college or seminary. Today almost every university in North America has a religious studies department that offers courses on Western and Eastern religions as well as religion in general. Harold Coward addresses this change in this memoir of his forty-five-year career in the development of religious studies as a new academic field in Canada. He also addresses the shift from theology classes in seminaries to non-sectarian religious studies faculties of arts and humanities; the birth and growth of departments across Canada from the 1960s to the present; the contribution of McMaster University to religious studies in Canada and Coward’s Ph.D. experience there; the Centre for Studies in Religion and Society at the University of Victoria; and the future of religious studies as a truly interdisciplinary enterprise.
Coward’s retrospective, while not a history as such, documents information from his varied experience and wide network of colleagues that is essential for a future formal history of the discipline. His story is both personally engaging and richly informative about the development of the field.

Drawing on themes from John MacKenzie’s Empires of Nature and the Nature of Empires (1997), this book explores, from Indigenous or Indigenous-influenced perspectives, the power of nature and the attempts by empires (United States, Canada, and Britain) to control it. It also examines contemporary threats to First Nations communities from ongoing political, environmental, and social issues, and the efforts to confront and eliminate these threats to peoples and the environment. It becomes apparent that empire, despite its manifestations of power, cannot control or discipline humans and nature. Essays suggest new ways of looking at the Great Lakes watershed and the peoples and empires contained within it.

Unpacking the Personal Library: The Public and Private Life of Books is an edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries.

Contributors explore libraries at particular moments in their history across a wide range of cases, and includes Alberto Manguel’s account of the Library of Alexandria as well as chapters on library collecting in the middle ages, the libraries of prime ministers and foreign embassies, protest libraries and the slow transformation of university libraries, and the stories of the personal libraries of Virginia Woolf, Robert Duncan, Sheila Watson, Al Purdy and others. The book shows how the history of the library is really a history of collection, consolidation, migration, dispersal, and integration, where each story negotiates private and public spaces.

Unpacking the Personal Library builds on and interrogates theories and approaches from library and archive studies, the history of the book, reading, authorship and publishing. Collectively, the chapters articulate a critical poetics of the personal library within its extended social, aesthetic and cultural contexts.

Multispecies Modernity: Disorderly Life in Postcolonial Literature considers relationships between animals and humans in the iconic spaces of postcolonial India: the wild, the body, the home, and the city. Navigating fiction, journalism, life writing, film, and visual art, this book argues that a uniquely Indian way of being modern is born in these spaces of disorderly multispecies living.

The zones of proximity traversed in Multispecies Modernity link animal-human relations to a politics of postcolonial identity by transgressing the logics of modernity imposed on the postcolonial nation. Disorderly multispecies living is a resistance to the hygiene of modernity and a powerful alliance between human and nonhuman subalterns.

In bringing an animal studies perspective to postcolonial writing and art, this book proposes an ethics of representation and an ethics of reading that have wider implications for the study of relationships between human and nonhuman animals in literature and in life.

What makes Waterloo Region unique? What defines a sense of place?
Seventy-five carefully chosen photographs depict the elements that collectively make Waterloo Region's urban landscape different from any other Ontario city, for example, the predominance of industrial architecture in the heart of the city, the Pennsylvania-German influences, and the Mid-Century Modernist buildings, which University of Waterloo Architecture Professor Rick Haldenby calls “the vernacular architecture of Waterloo Region.”
Sense of place has been defined as our relationship with places in terms of the emotions, personal experiences, stories they evoke. Elsworthy's photographs dramatically illustrate how the built form can attract or repel. He invites us into each of his photographs to experience and interpret each scene for ourselves. Over the course of the book, we come to see how community and sense of place are intrinsically and vitally connected.

The diary of David Watson, who rose through the officer ranks to command one of the four divisions in the Great War, is an exceptional document that details with candid insight the responsibilities of senior command and shows the talent required to rise through the CEF to divisional command.

The only published diary of a Canadian who held this rank in the last two (critical) years of the war, it focuses on the evolution of military leadership and associated challenges that Watson (and his peers) faced during the Great War. It recounts how he navigated not only the military battlefield in France and Belgium but also the political battlefield of the Canadian Expeditionary Force and larger British Expeditionary Force. The divisional commanders played a central role in the Corps’ transformation into a first-rate professional army, a transformation that coincided with Watson’s tenure at the 4th Division.

Major-General David Watson’s personal accounts offer valuable insights into the innermost workings of the Canadian Corps at various stages during the war and in particular its emergence as an elite fighting force and the pride of a nation

On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed.


Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances.


The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.

In Reliving the Trenches, three plays written by returned soldiers who served in the Great War with the Canadian Expeditionary Force in France and Belgium appear in print for the first time. With a critical introduction that references the authors' service files to establish the plays as memoirs, these plays are an important addition to Canadian literature of the Great War.


Important but overlooked war memoirs that relive trench life and warfare as experienced by combat veterans, the three plays include The P.B.I., written and staged in 1920 by recently returned veterans at the University of Toronto. Parts of this play appeared in print in serial form in 1922. Glory Hole, written in 1929 by William Stabler Atkinson, and Dawn in Heaven, written and staged in Winnipeg in 1934 by Simon Jauvoish, have never been published.


These plays impact Canadian literature and theatre history by revealing a body of previously unknown modernist writing, and they impact life writing studies by showing how memoirs can be concealed behind genre conventions. They offer fascinating details of the daily routines of the soldiers in the trenches by bringing them back to life in theatrical re-enactment.

The baby boomers and postwar suburbia remain a touchstone. For many, there is a belief that it has never been as good for youngsters and their families, as it was in the postwar years. Boom Kids explores the triumphs and challenges of childhood and adolescence in Calgary’s postwar suburbs.

The boomers’ impact on fifties and sixties Canadian life is unchallenged; social and cultural changes were made to meet their needs and desires. While time has passed, this era stands still in time—viewed as an idyllic period when great hopes and relative prosperity went hand in hand for all.

Boom Kids is organized thematically, with chapters focusing on: suburban spaces; the Cold War and its impact on young people; ethnicity, “race,” and work; the importance of play and recreation; children’s bodies, health and sexuality; and "the night," resistances and delinquency. Reinforced throughout this manuscript is the fact that children and adolescents were not only affected by their suburban experiences, but that they influenced the adult world in which they lived.

Oral histories from former community members and archival materials, including school-based publications, form the backbone for a study that demonstrates that suburban life was diverse and filled with rich experiences for youngsters.

A queer minister, politician and staunch activist for LGBTQ rights, Cheri DiNovo went from living on the streets as a teenager to performing the first legalized same-sex marriage registered in Canada in 2001. From rights for queer parents to banning conversion therapy, her story will inspire people (queer or ally) to not only resist the system—but change it.

In The Queer Evangelist, Rev. Dr. Cheri DiNovo (CM) shares her origins as a young socialist activist in the 1960s, and her rise to ordained minister in the ‘90s and New Democratic member of provincial parliament. During her tenure representing Parkdale-High Park in the Legislative Assembly of Ontario from 2006 to 2017, DiNovo passed more LGBTQ bills than anyone in Canadian history.

She describes the behind-the-scenes details of major changes to Canadian law, including Toby’s Law: the first Transgender Rights legislation in North America. She also passed bills banning conversion therapy, proclaiming parent equality for LGBTQ parents, and for enshrining Trans Day of Remembrance into Ontario law. Every year on November 20th in the legislature, the provincial government is mandated to observe a minute of silence while Trans murders and suicides are detailed.

Interspersed with her political work, DiNovo describes her conversion to religious life with radical intimacy, including her theological work and her ongoing struggle with the Christian Right. Cheri DiNovo's story shows how queer people can be both people of faith and critics of religion, illustrating how one can resist and change repressive systems from within.

“Living on the street, using drugs, abandoned by the adults in her life, all while identifying as ‘queer’ in a hostile world—any one of these things could have unravelled many of us. Cheri hauled herself up and not only survived but thrived. I love that this strong, brilliant, competent woman has told her story so honestly.” —Kathleen Wynne, former premier of Ontario

Moving Together: Dance and Pluralism in Canada explores how dance intersects with the shifting concerns of pluralism in a variety of racial and ethnic communities across Canada.

Focusing on the twentieth and twenty-first centuries, contributors examine a broad range of dance styles used to promote diversity and intercultural collaborations. Examples include Fijian dance in Vancouver; Japanese dance in Lethbridge; Danish, Chinese, Kathak, and Flamenco dance in Toronto; African and European contemporary dance styles in Montréal; and Ukrainian dance in Cape Breton. Interviews with Indigenous and Middle Eastern dance artists along with an artist statement by a Bharata Natyam and contemporary dance choreographer provide valuable artist perspectives. Contributors offer strategies to decolonize dance education and also challenge longstanding critiques of multiculturalism.

Moving Together demonstrates that dance is at the cutting edge of rethinking the contours of race and ethnicity in Canada and is necessary reading for scholars, students, dance artists and audiences, and everyone interested in thinking about the future of racial and ethnic pluralism in Canada.

The image of the dusty, undisturbed archive has been swept away in response to growing interest across disciplines in the materials they house and the desire to find and make meaning through an engagement with those materials. Archival studies scholars and archivists are developing related theoretical frameworks and practices that recognize that the archives are anything but static. Archival deposits are proliferating, and the architects, practitioners, and scholars engaged with them are scarcely able to keep abreast of them. Archives, archival theory, and archival practice are on the move.

But what of the archives that were once safely housed and have since been lost, or are under threat? What of the urgency that underscores the appeals made on behalf of these archives? As scholars in this volume argue, archives—their materialization, their preservation, and the research produced about them—are moving in a different way: they are involved in an emotionally engaged and charged process, one that acts equally upon archival subjects and those engaged with them. So too do archives at once represent members of various communities and the fields of study drawn to them.

Moving Archives grounds itself in the critical trajectory related to what Sara Ahmed calls “affective economies” to offer fresh insights about the process of archiving and approaching literary materials. These economies are not necessarily determined by ethical impulses, although many scholars have called out for such impulses to underwrite current archival practices; rather, they form the crucial affective contexts for the legitimization of archival caches in the present moment and for future use.

Timothy Findley (1930-2002) was one of Canada’s foremost writers—an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s.

During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us.

Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley’s life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hutt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley’s life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley’s generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man’s Daughter (1995).

Sonja Boon’s heritage is complicated. Although she has lived in Canada for more than 30 years, she was born in the UK to a Surinamese mother and a Dutch father. An invitation to join a family tree project inspired a journey to the heart of the histories that have shaped her identity, as she sought to answer two questions that have dogged her over the years: Where does she belong? And who does she belong to?

Boon’s archival research—in Suriname, the Netherlands, the UK, and Canada—brings her opportunities to reflect on the possibilities and limitations of the archives themselves, the tangliness of oceanic migration, histories, the meaning of legacy, music, love, freedom, memory, ruin, and imagination. Ultimately, she reflected on the relevance of our past to understanding our present.

Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging, and history through an interrogation of race, ethnicity, gender, archives and memory. More importantly, it addresses the relevance of our past to understanding our present. It shows the multiplicity of identities and origins that can shape the way we understand our histories and our own selves.

Gorgeous War argues that the Nazis used the swastika as part of a visually sophisticated propaganda program that was not only modernist but also the forerunner of contemporary brand identity. When the United States military tried to answer Nazi displays of graphic power, it failed. In the end the best graphic response to the Nazis was produced by the Walt Disney Company.

Using numerous examples of US and Nazi military heraldry, Gorgeous War compares the way the American and German militaries developed their graphic and textile design in the interwar period. The book shows how social and cultural design movements like modernism altered and were altered by both militaries. It also explores how nascent corporate culture and war production united to turn national brands like IBM, Coca-Cola, and Disney into multinational corporations that had learned lessons on propaganda and branding that were being tested during the Second World War.

What is the legacy of apparently toxic signs like the swastika?

The answer may not be what we hoped. Inheritors of the post-Second World War world increasingly struggle to find an escape from an intensely branded environment—to find a place in their lives that is free of advertising and propaganda. This book suggests that we look again at how it is our culture makes that struggle into an appealing Gorgeous War.

This original and insightful book establishes a reciprocal relationship between Ludwig Wittgenstein’s notion of ethics and the experience of war. It puts forth an interpretation of Wittgenstein’s early moral philosophy that relates it to the philosopher’s own war experience and applies Wittgenstein’s ethics of silence to analyze the ethical dimension of literary and artistic representations of the Great War.

In a compelling book-length essay, the author contends that the emphasis on “unsayability” in Wittgenstein’s concept of ethics is a valuable tool for studying the ethical silences embedded in key cultural works reflecting on the Great War produced by Mary Borden, Ellen N. La Motte, Georges Duhamel, Leonhard Frank, Ernst Friedrich, and Joe Sacco. Exploring their works through the lens of Wittgenstein’s moral philosophy, this book pays particular attention to their suggestion of an ethics of war and peace by indirect means, such as prose poetry, spatial form, collage, symbolism, and expressionism.

This cultural study reveals new connections between Wittgenstein’s philosophy, his experience during the First World War, and the cultural artifacts produced in its aftermath. By intertwining ethical reflection and textual analysis, Wittgenstein’s Ethics and Modern Warfare aspires to place Wittgenstein’s moral philosophy at the centre of discussions on war, literature, and the arts.

At the heart of fame is the tricky business of image management. Over the last 115 years, the celebrity autobiography has emerged as a popular and useful tool for that project. In Limelight, Katja Lee examines the memoirs of famous Canadian women like L. M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience.
Arguing that the celebrity autobiography is always negotiating historically specific conditions, Lee charts a history of celebrity in English Canada and the conditions that shape the way women access and experience fame. These contexts shed light on the stories women tell about their lives and the public images they cultivate in their autobiographies. As strategies of self-representation change and the pressure to represent the private life escalates, the celebrity autobiography undergoes distinct shifts—in form, function, and content—during the period examined in this study.
Limelight: Canadian Women and the Rise of Celebrity Autobiography is the first book to explore the history and development of the celebrity autobiography and offers compelling evidence of the critical role of gender and nation in the way fame is experienced and represented.

This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest.

This book claims that hoaxes, far from being merely lies meant to deceive or wound, may exert a positive influence. Through their insistent disobedience, they assist viewers and readers in re-examining unquestioned institutional trust, habituated cultural hierarchies, and the deeply inscribed racism and sexism of Canada’s settler-colonial history.

Through its attentive look at hoaxical works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré, this book celebrates the surprising ways hoaxes call attention to human capacities for flexibility, adaptation, and resilience in a cultural moment when radical empathy and imagination is critically needed.

What happens next?

That was the question asked of early-twentieth-century authors Nellie L. McClung, L. M. Montgomery, and Mazo de la Roche, whose stories and novels appeared serially and kept readers and publishers in a state of anticipation. Each author answered through the writing and dissemination of further instalments. McClung’s Pearlie Watson trilogy (1908–1921), Montgomery’s Anne of Green Gables books (1908–1939), and de la Roche’s Jalna novels (1927–1960) were read avidly not just as sequels but as serials in popular and literary newspapers and magazines. A number of the books were also adapted to stage, film, and television.

The Next Instalment argues that these three Canadian women writers, all born in the same decade of the late nineteenth century, were influenced by early-twentieth-century publication, marketing, and reading practices to become heavily invested in the cultural phenomenon of the continuing story. A close look at their serials, sequels, and adaptations reveals that, rather than existing as separate cultural productions, each is part of a cultural and material continuum that encourages repeated consumption through development and extension of the originary story. This work considers the effects that each mode of dissemination of a narrative has on the other.

A Township at War is the story of one community, the southern Ontario township of East Flamborough, during the First World War. It takes the reader from rural Canadian field and farm to the slopes of Vimy Ridge and the mud of Passchendaele, and shows how a tightly knit community was consumed and transformed by the trauma of war.

In 1914, East Flamborough was like a thousand other rural townships in Canada, broadly representative in its wartime experience. A Township at War draws from rich narrative sources to reveal what rural people were like a century ago – how they saw the world, what they valued, and how they lived their lives. We see them coming to terms with global events that took their loved ones to distant battlefields, and dealing with the prosaic challenges of everyday life. Fall fairs, recruiting meetings, church services, school concerts – all are re-imagined to understand how rural Canadians coped with war, modernism, and a world that was changing more quickly than they were.

This is a story of resilience and idealism, of violence and small-mindedness, of a world that has long disappeared and one that remains with us to this day.

It was only at the onset of the Tokugawa period (1602-1868) that formal political thought emerged in Japan. Prior to that time Japanese scholars had concentrated, rather, on questions of legitimacy and authority in historical writing., producing a stream of works. Brownlee’s illuminating study describes twenty of these important historical works commencing with Kojiki (712) and Nihon Shoki (720) and ending with Tokushi Yoron (1712) by Arai Hakuseki. Historical writing would cease to be the sole vehicle for political discussion in Japan in the eighteenth century as Chinese Confucian thought became dominant.
The author illustrates how the first works conceptualized history as imperial history and that subsequent scholars were unable to devise alternative schemes or patterns for history until Arai Hakuseki. Following the first histories, the central concern became the question of the relation of the Emperors to the new powers that arose. Brownlee examines the genre of Historical Tales and how it treated the Fujiwara Regents, the War Tales dealing with warriors at large, and specific works of historical argument depicting the Bakufu in relation to the Emperors. By interposing the works of Gukanshø (1219) by Jien, Jinnø Shøtøki (1339) by Kitabatake Chikafusa and Tokushi Yoron by Arai Hakuseki a clear pattern, demonstrating the sequential development of complexity and sophistication in handling the question, is revealed. Japanese political thought thus developed independently towards rationalism and secularism in early modern times.

Where do children travel when they read a story? In this collection, scholars and authors explore the imaginative geography of a wide range of places, from those of Indigenous myth to the fantasy worlds of Middle-earth, Earthsea, or Pacificus, from the semi-fantastic Wild Wood to real-world places like Canada’s North, Chicago’s World Fair, or the modern urban garden.


What happens to young protagonists who explore new worlds, whether fantastic or realistic? What happens when Old World and New World myths collide? How do Indigenous myth and sense of place figure in books for the young? How do environmental or post-colonial concerns, history, memory, or even the unconscious affect an author's creation of place? How are steampunk and science fiction mythically re-enchanting for children?


Imaginative geography means imaged earth writing: it creates what readers see when they enter the world of fiction. Exploring diverse genres for children, including picture books, fantasy, steampunk, and realistic novels as well as plays from Canada, the United States, the United Kingdom, and Ireland from the early nineteenth century to the present, Children’s Literature and Imaginative Geography provides new geographical perspectives on children’s literature.

The United Church of Canada has a rich and complex history of theological development. This volume, written for the general reader as well as students and scholars, provides a comprehensive overview of that development, together with an analysis of this unique denomination’s core statements of faith and its contemporary theological landscape.

When the Methodist, Congregational, and Local Union Churches in Canada, as well as most of the Presbyterians, came together as The United Church of Canada, the theological commonalities between them were significant. Over the succeeding decades, this made-in-Canada denomination has continued to define its convictions through consensus-building and large-scale studies. This volume, written by leading scholars, outlines key faith perspectives in areas such as creation, the Trinity, Jesus Christ, the Holy Spirit, the Bible, sin, mission, and sacraments.

No book like this has appeared in over seventy years, and readers will find insight here that is unparalleled in its scope. In creative tension with each individual member’s freedom of conscience, the United Church as a whole has continued to express its commonly held faith in dialogue, continuity, and critical interaction with the faith of the worldwide, historic Christian community.

For Canadians, the First World War was a dynamic period of literary activity. Almost every poet wrote about the war, critics made bold predictions about the legacy of the period’s poetry, and booksellers were told it was their duty to stock shelves with war poetry. Readers bought thousands of volumes of poetry. Twenty years later, by the time Canada went to war again, no one remembered any of it.

Battle Lines traces the rise and disappearance of Canadian First World War poetry, and offers a striking and comprehensive account of its varied and vexing poetic gestures. As eagerly as Canadians took to the streets to express their support for the war, poets turned to their notebooks, and shared their interpretations of the global conflict, repeating and reshaping popular notions of, among others, national obligation, gendered responsibility, aesthetic power, and deathly presence.

The book focuses on the poetic interpretations of the Canadian soldier. He emerges as a contentious poetic subject, a figure of battle romance, and an emblem of modernist fragmentation and fractiousness. Centring the work of five exemplary Canadian war poets (Helena Coleman, John McCrae, Robert Service, Frank Prewett, and W.W.E. Ross), the book reveals their latent faith in collective action as well as conflicting recognition of modernist subjectivities. Battle Lines identifies the Great War as a long-overlooked period of poetic ferment, experimentation, reluctance, and challenge.

This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes.

The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jürgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema.

The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.

There could be no truer witness to the enormity of the First World War and its terrible cost in lives than the memorials and war cemeteries along the old Western Front. In Canada, no less than in the other dominions of the British Empire, the war left a conflicting legacy of pride and sorrow that endures to this day.
The soaring Vimy Memorial, the Brooding Soldier, and the monuments honouring Canada’s significant contribution to the Allied victory symbolize the spirit of shared sacrifice and nationhood that emerged from the crucible of the war. But alongside this official commemoration there exists a poignant, strangely overlooked, record of the grief and search for consolation among the Canadian populace in the years after the Armistice. This has come down in the personal inscriptions which the Imperial War Graves Commission invited next of kin to have engraved on the headstones of the fallen. Simple, heartfelt, often gems of compression, these farewells preserve the voice of Canada’s bereaved, the parents, the wives, the children, who were left to mourn and to seek meaning and comfort in their loss.

This book offers an anthology of epitaphs drawn from the war cemeteries where Canadian soldiers lie buried in Flanders and France. Photographs and war art transport readers to the sites, and each chapter reviews the sources and themes of the epitaphs to establish their place in the national memory of the First World War.

Can literary criticism help transform entrenched Settler Canadian understandings of history and place? How are nationalist historiographies, insular regionalisms, established knowledge systems, state borders, and narrow definitions continuing to hinder the transfer of information across epistemological divides in the twenty-first century? What might nation-to-nation literary relations look like?

Through readings of a wide range of northeastern texts – including Puritan captivity narratives, Wabanaki wampum belts, and contemporary Innu poetry – Rachel Bryant explores how colonized and Indigenous environments occupy the same given geographical coordinates even while existing in distinct epistemological worlds. Her analyses call for a vital and unprecedented process of listening to the stories that Indigenous peoples have been telling about this continent for centuries. At the same time, she performs this process herself, creating a model for listening and for incorporating those stories throughout.

This commitment to listening is analogous to homing – the sophisticated skill that turtles, insects, lobsters, birds, and countless other beings use to return to sites of familiarity. Bryant adopts the homing process as a reading strategy that continuously seeks to transcend the distortions and distractions that were intentionally built into Settler Canadian culture across centuries.

Cubism and futurism were related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these issues passed back and forth between the two. Cubism and Futurism shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow.

The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality.

Cubism and Futurism shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.

Loyal Gunners uniquely encapsulates the experience of Canadian militia gunners and their units into a single compelling narrative that centres on the artillery units of New Brunswick. The story of those units is a profoundly Canadian story: one of dedication and sacrifice in service of great guns and of Canada.
The 3rd Field Regiment (The Loyal Company), Royal Canadian Artillery, is Canada’s oldest artillery unit, dating to the founding of the Loyal Company in Saint John in 1793. Since its centennial in 1893, 3rd Field—in various permutations of medium, coastal, and anti-aircraft artillery—has formed the core of New Brunswick’s militia artillery, and it has endured into the twenty-first century as the last remaining artillery unit in the province.
This book is the first modern assessment of the development of Canadian heavy artillery in the Great War, the first look at the development of artillery in general in both world wars, and the first exploration of the development and operational deployment of anti-tank artillery in the Second World War. It also tells a universal story of survival as it chronicles the fortunes of New Brunswick militia units through the darkest days of the Cold War, when conventional armed forces were entirely out of favour. In 1950 New Brunswick had four and a half regiments of artillery; by 1970 it had one—3rd Field.
Loyal Gunners traces the rise and fall of artillery batteries in New Brunswick as the nature of modern war evolved. From the Great War to Afghanistan it provides the most comprehensive account to date of Canada’s gunners.

The 19th Battalion was an infantry unit that fought in many of the deadliest battles of the First World War. Hailing from Hamilton, Toronto, and other communities in southern Ontario and beyond, its members were ordinary men facing extraordinary challenges at the Somme, Vimy Ridge, Passchendaele, Amiens, and other battlefields on Europe’s Western Front.
Through his examination of official records and personal accounts, the author presents vivid descriptions and assessments of the rigours of training, the strains of trench warfare, the horrors of battle, and the camaraderie of life behind the front lines. From mobilization in 1914 to the return home in 1919, Campbell reveals the unique experiences of the battalion’s officers and men and situates their service within the broader context of the battalion’s parent formations—the 4th Infantry Brigade and the 2nd Division of the Canadian Corps. Readers will gain a fuller appreciation of the internal dynamics of an infantry battalion and how it functioned within the larger picture of Canadian operations.

Translation and Translating in German Studies is a collection of essays in honour of Professor Raleigh Whitinger, a well-loved scholar of German literature, an inspiring teacher, and an exceptional editor and translator. Its twenty chapters, written by Canadian and international experts explore new perspectives on translation and German studies as they inform processes of identity formation, gendered representations, visual and textual mediations, and teaching and learning practices.
Translation (as a product) and translating (as a process) function both as analytical categories and as objects of analysis in literature, film, dance, architecture, history, second-language education, and study-abroad experiences. The volume arches from theory and genres more traditionally associated with translation (i.e., literature, philosophy) to new media (dance, film) and experiential education, and identifies pressing issues and themes that are increasingly discussed and examined in the context of translation.
This study will be invaluable to university and college faculty working in the disciplines in German studies as well as in translation, cultural studies, and second-language education. Its combination of theoretical and practical explorations will allow readers to view cultural texts anew and invite educators to revisit long-forgotten or banished practices, such as translation in (auto)biographical writing and in the German language classroom.

Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky’s stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky's chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevsky’s characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevsky’s texts, including The Double, Notes from Underground, and The Brothers Karamazov. Archetypes inform these works and others, bringing vitality to Dostoevsky’s major characters and themes.
This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevsky’s work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the author’s ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.

This sixth volume in the Collected Works of Florence Nightingale reports Nightingale’s considerable accomplishments in the development of a public health care system based on health promotion and disease prevention. It follows directly from her understanding of social science and broader social reform activities, which were related in Society and Politics (Volume 5). Public Health Care includes a critical edition of Notes on Nursing for the Labouring Classes, papers on mortality in aboriginal schools and hospitals, and on rural health. It reports much unknown material on Nightingale’s signal contribution of bringing professional nursing into the dreaded workhouse infirmaries. This collection presents letters and notes on a wide range of issues from specific diseases to germ theory, and relates some of her own extensive work as a nurse practitioner, which included organizing referrals to doctors and providing related care.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Florence Nightingale began working on hospital reform even before she founded her famous school of nursing; hospitals were dangerous places for nurses as well as patients, and they urgently needed fundamental reform. She continued to work on safer hospital design, location, and materials to the end of her working life, advising on plans for children’s, general, military, and convalescent hospitals and workhouse infirmaries.
Florence Nightingale and Hospital Reform, the final volume in the Collected Works of Florence Nightingale, includes her influential Notes on Hospitals, with its much-quoted musing on the need of a Hippocratic oath for hospitals—namely, that first they should do the sick no harm. Nightingale’s anonymous articles on hospital design are printed here also, as are later encyclopedia entries on hospitals.
Correspondence with architects, engineers, doctors, philanthropists, local notables, and politicians is included. The results of these letters, some with detailed critiques of hospital plans, can be seen initially in the great British examples of the new “pavilion” design—at St. Thomas’, London (a civil hospital), at the Herbert Hospital (military), and later at many hospitals throughout the UK and internationally. Nightingale’s insistence on keeping good statistics to track rates of mortality and hospital stays, and on using them to compare hospitals, can be seen as good advice for today, given the new versions of “hospital-acquired infections” she combatted.

Florence Nightingale’s Suggestions for Thought has intrigued readers from feminist-philosopher J.S. Mill (who used it in his The Subjection of Women) to the latest generation of women’s activists. Although selections from this long work have been published, Lynn McDonald is the first editor to work through the numerous surviving drafts of Nightingale’s writing and present it as a complete volume. Suggestions for Thought contains two early attempted novels, draft sermons, and a lengthy fictional dialogue featuring St. Ignatius, founder of the Jesuits, the American evangelical Jacob Abbott, and British agnostic Harriet Martineau (with cameo appearances by Protestant reformer John Calvin and the poet Shelley) all against an unnamed “M.S.”
The most famous section of Suggestions for Thought is the essay Cassandra, famous as a rant against the family for stifling womens aspirations. Here the printed text is shown with the original novel draft alongside. McDonald’s introductions to each section provide historical context and Nightingales later views of the work.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Florence Nightingale on Society and Politics, Philosophy, Science, Education and Literature, Volume 5 in the Collected Works of Florence Nightingale, is the main source of Nightingale’s work on the methodology of social science and her views on social reform. Here we see how she took her “call to service” into practice: by first learning how the laws of God’s world operate, one can then determine how to intervene for good. There is material on medical statistics, the census, pauperism and Poor Law reform, the need for income security measures and better housing, on crime, gender and the family. Her comments on a new edition of The Dialogues of Plato are given, with their impact on the revision of the next edition. We see Nightingale’s condemnation of Plato’s “community of wives,” with her stirring approval of love (even outside marriage!), marriage and the family. In this volume also her views on natural science, education and literature are reported.
Nightingale was an astute behind-the-scenes political activist. Society and Politics publishes (much of it for the first time) her correspondence with such leading political figures as Queen Victoria, W.E. Gladstone and J.S. Mill. There are notes and essays on public administration and personal observations on various members of royalty, prime ministers and ministers, and Indian viceroys. Nightingale’s support of the vote for women (contrary to much in the secondary literature) is here shown. Correspondence and notes on British general elections from 1834 to 1900 is reported, with letters to and for (Liberal) political candidates and fierce condemnations of Conservatives.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Volume 15 of the Collected Works of Florence Nightingale, Wars and the War Office, picks up on the previous volume’s recounting of Nightingale’s famous work during the Crimean War and the comprehensive analysis she did on its high death rates. This volume moves on to the implementation of the recommendations that emerged from that research and to her work to reduce deaths in the next wars, beginning with the American Civil War.
Nightingale’s writings describe the creation of the Army Medical School, the vast improvements made in the statistical tracking of disease, and new measures for soldiers’ welfare. Her role in the formulation of the first Geneva Convention in 1864 is related, along with her concern that voluntary relief efforts through the Red Cross not make war “cheap.”
Nightingale was decorated by both sides for her work in the Franco-Prussian War. While much of her work concerned the mundane sending out of supplies, we see also in her writing her emerging interest in militarism as the cause of war. Her opposition to the Afghan War (of her time) and her work to provide nursing for the Egyptian campaigns, the Zulu War, and the start of the Boer War are also included.

Social Change in India shows the shift of focus that occurred during Florence Nightingale’s more than forty years of work on public health in India. While the focus in the preceding volume, Health in India, was top-down reform, notably in the Royal Commission on the Sanitary State of the Army in India, this book documents concrete proposals for self-government, especially at the municipal level, and the encouragement of leading Indian nationals themselves. Famine and related epidemics continue to be issues, demonstrating the need for public works like irrigation and for greater self-help measures like “health missioners” and self-government.
The book includes sections on village and town sanitation, the condition and status of women, land tenure, rent reform, and education and political evolution toward self-rule. Nightingale’s publications on these subjects appeared increasingly in Indian journals.
Correspondence shows Nightingale continuing to work behind the scenes, pressing viceroys, governors, and Cabinet ministers to take up the cause of sanitary reform. Her collaboration with Lord Ripon, viceroy 1880-84, was crucial, for he was a great promoter of Indian self-government.
Social Change in India features much new material, including a substantial number of long-missing letters to Lady Dufferin, wife of the viceroy 1884-88, on the provision of medical care for women in India, health education, and the promotion of women doctors. Biographical sketches of major collaborators, a glossary of Indian terms, and a list of Indian place names are also provided.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Florence Nightingale (1820-1910) is widely known as the heroine of the Crimean War and the founder of the modern profession of nursing. She was also a scholar and political activist who wrote and worked assiduously on many reform causes for more than forty years.
This series will confirm Nightingale as an important and significant nineteenth-century scholar and illustrate how she integrated her scholarship with political activism. Indispensable to scholars, and accessible and revealing to the general reader, it will show there is much more to know about Florence Nightingale than the “lady with the lamp.”
Although a life-long member of the Church of England, Nightingale has been described as both a Unitarian and a significan nineteenth-century mystic. Volume 2 begins with an introduction to the beliefs, influences and practices of this complex person. The second and largest part of this volume consists of Nightingale’s biblical annotations, made at various stages of her life (some dated, some not). The third part of volume 2 contains her journal notes, including her diary for 1877, which is published here for the first time. Much of this material is highly personal, even confessional in nature. Some of it is profoundly moving and will serve to show the complexity and power of Nightingale’s faith.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Although Florence Nightingale is famous as a nurse, her lifetime’s writing on nursing is scarcely known in the profession. Nursing professors tend to “look to the future, not to the past,” and often ignore her or rely on faulty secondary sources.
Nightingale’s work on nursing is now available to scholars and general readers alike through the publication of volumes 12 and 13 in the Collected Works of Florence Nightingale. Volume 12, The Nightingale School, relates the founding of her school at St Thomas’ Hospital and her guidance of its teaching for the rest of her life. Volume 13, Extending Nursing, relates the introduction of professional training and standards outside St Thomas’, beginning with London hospitals and others in Britain, followed by hospitals in Europe, America, Australia and Canada.
As medical knowledge progressed, nursing practice changed and Nightingale with it. Her evolving views on nursing, and on germ theory (typically misrepresented in the literature), are revealed.
In this volume, editor Lynn McDonald brings to light much unknown material on the early years of the school. The crisis of its near breakdown in the early 1870s is covered, followed by the measures Nightingale brought in to improve instruction, including her mentoring relationships with emerging nursing leaders. Nursing historians may be surprised to learn that Nightingale was keeping up on best operating theatre practices in 1898. Struggles with cost-conscious hospital administrators are part of the story, as is the challenge to keep nurses safe at a time when hospitals were dangerous places.

This third volume in the Collected Works of Florence Nightingale reports her controversial theological essays (only two of which have been previously published) and a great array of correspondence, from such Roman Catholics as Cardinal Manning and the Reverend Mother of the Sisters of Mercy of Bermondsey to the liberal Protestant Benjamin Jowett, evangelicals and missionaries. Nightingale’s recommendations for a revision of the Bible for schoolchildren and excerpts from her devotional reading are given.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.
The Series
In the Collected Works of Florence Nightingale all the surviving writing of Florence Nightingale will be published, much of it for the first time. Known as the heroine of the Crimean War and the major founder of the modern profession of nursing, Florence Nightingale (1820-1910) will be revealed also as a scholar, theorist and social reformer of enormous scope and importance.
Original material has been obtained from over 150 archives and private collections worldwide. This abundance of material will be reflected in the series, revealing a significant amount of new material on her philosophy, theology and personal spiritual journey, as well as on her vision of a public health care system, her activism to achieve the difficult early steps of nursing for the sick poor in workhouse infirmaries and her views on health promotion and women’s control over midwifery. Nightingale’s more than forty years of work for public health in India, particularly in famine prevention and for broader social reform, will be reported in detail.
The Collected Works of Florence Nightingale demonstrates Nightingale’s astute use of the political process and reports on her extensive correspondence with royalty, viceroys, cabinet ministers and international leaders, including such notables as Queen Victoria and W.E. Gladstone. Much new material on Nightingale’s family is reported, including some that will challenge her standard portrayal in the secondary literature.
Sixteen printed volumes are scheduled and will record her enormous and largely unpublished correspondence, previously published books, articles and pamphlets, many of which have long been out of print.
There will be full publication in electronic form, permitting readers to easily pursue their particular interests. Extensive databases, notably a chronology and a names index, will also be published in electronic form, again permitting convenient access to persons interested not only in Nightingale but in other figures of the time.

Mysticism and Eastern Religions, the fourth volume in the Collected Works and the third on Nightingale’s religion, begins with the publication for the first time of Florence Nightingale’s Notes on Devotional Authors of the Middle Ages, translations from and comments on the medieval (and some later) mystics who nourished her own life of faith. Next come her annotations of and comments on the Imitation of Christ, a book to which she turned in times of distress. The largest part of the volume consists of her Letters from Egypt, written 1849-50, a significant period in her own intellectual and spiritual development. Here we provide (for the first time) complete publication and include (also for the first time) material preparatory for the trip and reflections on it over the later years. The last section reports Nightingale’s correspondence and journal notes on Eastern religions, mainly Hinduism.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

Most activities in our lives involve electricity. Yet, how often do we recall that even the simple act of turning on a light is supported by a long history of debates over group vs. individual rights, environmental impact, political agendas and technological innovations?

Using the image of cross-currents as the organizing metaphor, this book details the many and often turbulent interactions and interconnections that occurred among the various people and events during the building of the northeastern Ontario hydroelectric system. Special focus is on Native and non-Native interests; southern business and political elites; northern natural resources and the interactions between technology and the environment.

Manore concentrates on the co-operation that existed among the various interest groups during periods of expansion and amalgamation. In today’s environment of limited energy resources, respect for the rights of First Nations and ecological concerns, this book is a reminder that co-operation rather than conquest is a more realistic approach to development.

Although Florence Nightingale is famous as a nurse, her lifetime’s writing on nursing and to nurses is scarcely known in the profession. Nursing professors tend to “look to the future, not to the past,” and often ignore her or rely on faulty secondary sources.
Volume 12 related the founding of her school at St Thomas’ Hospital and her guidance of its teaching for the rest of her life. Volume 13, Extending Nursing, relates the introduction of professional training and standards outside St Thomas’, beginning with London hospitals and others in Britain, followed by hospitals in Europe, America, Australia and Canada. Also presented is material on work in India, Japan and China. The challenge of raising standards in the tough workhouse infirmaries is reported, as is Nightingale’s fostering of district nursing. A chronology in this volume provides a convenient overview of Nightingales work on nursing from 1860 to 1900. Both volumes give biographical sketches of key nursing leaders.

Florence Nightingale is famous as the “lady with the lamp” in the Crimean War, 1854—56. There is a massive amount of literature on this work, but, as editor Lynn McDonald shows, it is often erroneous, and films and press reporting on it have been even less accurate. The Crimean War reports on Nightingale’s correspondence from the war hospitals and on the staggering amount of work she did post-war to ensure that the appalling death rate from disease (higher than that from bullets) did not recur.
This volume contains much on Nightingale’s efforts to achieve real reforms. Her well-known, and relatively “sanitized”, evidence to the royal commission on the war is compared with her confidential, much franker, and very thorough Notes on the Health of the British Army, where the full horrors of disease and neglect are laid out, with the names of those responsible.

Florence Nightingale: An Introduction to Her Life and Family introduces the Collected Works by giving an overview of Nightingale’s life and the faith that guided it and by outlining the main social reform concerns on which she worked from her “call to service’’ at age sixteen to old age. This volume reports correspondence (selected from the thousands of surviving letters) with her mother, father and sister and a wide extended family. There is material on Nightingale’s “domestic arrangements,’’ from recipes, cat care and relations with servants to her contributions to charities, church and social reform causes. Much new and original material comes to light, and a remarkably different portrait of Nightingale, one with a more nuanced view of her family relationships, emerges.
The Series
In the Collected Works of Florence Nightingale all the surviving writing of Florence Nightingale will be published, much of it for the first time. Known as the heroine of the Crimean War and the major founder of the modern profession of nursing, Florence Nightingale (1820-1910) will be revealed also as a scholar, theorist and social reformer of enormous scope and importance.
Original material has been obtained from over 150 archives and private collections worldwide. This abundance of material will be reflected in the series, revealing a significant amount of new material on her philosophy, theology and personal spiritual journey, as well as on her vision of a public health care system, her activism to achieve the difficult early steps of nursing for the sick poor in workhouse infirmaries and her views on health promotion and women’s control over midwifery. Nightingale’s more than forty years of work for public health in India, particularly in famine prevention and for broader social reform, will be reported in detail.
The Collected Works of Florence Nightingale demonstrates Nightingale’s astute use of the political process and reports on her extensive correspondence with royalty, viceroys, cabinet ministers and international leaders, including such notables as Queen Victoria and W. E. Gladstone. Much new material on Nightingale’s family is reported, including some that will challenge her standard portrayal in the secondary literature. Sixteen printed volumes are scheduled and will record her enormous and largely unpublished correspondence, previously published books, articles and pamphlets, many of which have long been out of print.
There will be full publication in electronic form, permitting readers to easily pursue their particular interests. Extensive databases, notably a chronology and a names index, will also be published in electronic form, again permitting convenient access to persons interested not only in Nightingale but in other figures of the time.

Ornithologies of Desire develops ecocritical reading strategies that engage scientific texts, field guides, and observation. Focusing on poetry about birds and birdwatching, this book argues that attending to specific details about the physical world when reading environmentally conscious poetry invites a critical humility in the face of environmental crises and evolutionary history.
The poetry and poetics of Don McKay provide Ornithologies of Desire with its primary subject matter, which is predicated on attention to ornithological knowledge and avian metaphors. This focus on birds enables a consideration of more broadly ecological relations and concerns, since an awareness of birds in their habitats insists on awareness of plants, insects, mammals, rocks, and all else that constitutes place. The book’s chapters are organized according to: apparatus (that is, science as ecocritical tool), flight, and song.
Reading McKay’s work alongside ecology and ornithology, through flight and birdsong, both challenges assumptions regarding humans’ place in the earth system and celebrates the sheer virtuosity of lyric poetry rich with associative as well as scientific details. The resulting chapters, interchapter, and concordance of birds that appear in McKay’s poetry encourage amateurs and specialists, birdwatchers and poetry readers, to reconsider birds in English literature on the page and in the field.

When Pier Giorgio Di Cicco first appeared on the Canadian literary scene in the early 1980s, he was immediately recognized as one of the most compelling voices of his generation. The Last Effort of Dreams is the first critical collection on Pier Giorgio Di Cicco and traces the steps of his career from different perspectives. The contributors, fellow poets and academics alike, ponder Di Cicco’s poetry in diverse ways: through reminiscence, by taking stock, and by focusing on individual texts and specific themes. What emerges is an intriguing composite picture of Di Cicco’s complex and unique identikit. The volume includes both scholarly analysis and testimonials by individuals who lived the literary history of which Di Cicco is a part. The inclusion of a bibliography of Di Cicco’s publications and of those about him makes this book a valuable tool for anyone approaching his works for the first time and anyone interested in contemporary North American minority literatures or contemporary Canadian literature.

In this innovative and comprehensive collection of essays Jack Lightstone and Frederick Bird document and interpret ritual practice among contemporary Canadian Jews. They particularly focus on the character and meaning of the public performance of the Sabbath liturgy in six urban Canadian synagogues, ranging from Orthodox to Reform, and from large congregations to a small house synagogue-yeshiva (rabbinic academy). Their examination of synagogue ritual is complemented with accounts of the ritual life of contemporary Canadian Jews outside the synagogue — amongst their families, within their homes and beyond.
In contrast with other studies of Jewish observance, Lightstone and Bird document not simply which rituals are practised and how often; rather they stress the meaning, including the social meaning, of these rituals and treat them as complex symbolic systems. Their multidisciplinary approach together with their openness to include a wide variety of phenomena in their study (for example, the organization of the physical setting of the Sabbath, dress codes and patterns of greeting and handshaking) place this work at the very forefront of current research.
Ritual and Ethnic Identity will be of great value to historians and sociologists of religion, anthropologists and all those concerned with religion, ritual and Canadian Jewish and ethnic studies.

From Logos to Christos is a collection of essays in Christology written by friends and colleagues in memory of Joanne McWilliam. McWilliam was a pioneer woman in the academic study of theology, specializing in Patristic studies and internationally recognized for her work on Augustine. For countless students she was a teacher, a mentor, an inspiration. These fourteen essays are a fitting tribute to her memory.
Written by recognized North American scholars, the essays explore various aspects of Christology, inviting the reader to probe the meaning and significance of Jesus Christ for today. They address a broad range of issues, including the Christology of the Acts of Thomas, Hooker on divinization, and Christ figures in contemporary Canadian culture.
Teachers of theology and religious studies, pastors, and informed general readers will find the essays stimulating and instructive. They present the readers with considered, mature, and current scholarship. These are the questions that engaged Joanne McWilliam throughout her life, and she was happy to know that the critical dialogue would continue in this volume as friends and colleagues wrestled with Christological questions. For her, “In Jesus we come to know the compassion, the power, the wisdom, the love, and the faithfulness of God”.

Depicting Canada’s Children is a critical analysis of the visual representation of Canadian children from the seventeenth century to the present. Recognizing the importance of methodological diversity, these essays discuss understandings of children and childhood derived from depictions across a wide range of media and contexts. But rather than simply examine images in formal settings, the authors take into account the components of the images and the role of image-making in everyday life. The contributors provide a close study of the evolution of the figure of the child and shed light on the defining role children have played in the history of Canada and our assumptions about them. Rather than offer comprehensive historical coverage, this collection is a catalyst for further study through case studies that endorse innovative scholarship. This book will be of interest to scholars in art history, Canadian history, visual culture, Canadian studies, and the history of children.

The Diplomacy of Impartiality is an analysis of a major decade in Canadian–Israeli relations, dealing with significant events that led to the Six-Day War of 1967 and its aftermath. Using primary documentation from the National Archives of Canada and the Israeli State Archives, Zachariah Kay shows that although Canada was committed to Israel’s existence, its foreign policy was governed by the scrupulous impartiality that had become a principle guideline when dealing with Israel and the Middle East.
The first section of the book deals with the Progressive Conservative government headed by John Diefenbaker in the first part of the decade and his Israeli counterpart, David Ben Gurion. The second section considers the latter part of the decade, with reference to Lester Pearson’s Liberal government and the Israeli prime minister Levi Eshkol. The book shows that in spite of political differences between the leaders and their parties, the Canadian bureaucracy maintained a policy of impartiality, following the lines of non-commitment and prudence practiced prior to the re-establishment of Jewish sovereignty in Palestine with the State of Israel. Issues such as the Arab–Israeli conflict, nuclear power, governments and parliaments, and the pre- and post-Six-Day War are dealt with in detail. The assessed evidence proves that impartiality as a quasi-bureaucratic ordinance kept Canada on the path it maintained in subsequent decades into the twenty-first century.
The Diplomacy of Impartiality provides an essential understanding of events surrounding today’s Canadian relationship with Israel and the Arab–Israeli conflict.

In early Christianity, many people were inspired to write gospels, treatises, letters, and stories celebrating the new faith, but not all of these writings are found in the New Testament. One such story from an unknown author is the Coptic, gnostic Apocalypse of Paul, a tale of the apostle Paul’s ascent to the heavens that was lost for millennia and rediscovered at Nag Hammadi in 1945. In Flora Tells a Story, Michael Kaler discusses the Apocalypse of Paul and how it was shaped by its literary environment.
The book takes a behind the scenes look at early Christian literary production, analyzing the ways in which various literary traditions—such as apocalyptic writings, gnostic thought, and understandings of Paul—influenced the author of the Apocalypse of Paul and helped to shape the text. It also includes a new annotated English translation of the Apocalypse of Paul and a fictional account of how it might have come to be written.
This work is the most in-depth study of the Apocalypse of Paul to date and the only full-length discussion of it in English. It provides a detailed but accessible account of the literary environment in which its author worked and integrates this little-known work into the broader stream of early Christian writings. This book will be of interest to specialists in Nag Hammadi and gnostic studies and early Christian literature, but will also appeal to the general reader interested in Christianity, mysticism, and gnosticism.

The First Nations who have lived in the Great Lakes watershed have been strongly influenced by the imposition of colonial and national boundaries there. The essays in Lines Drawn upon the Water examine the impact of the Canadian—American border on communities, with reference to national efforts to enforce the boundary and the determination of local groups to pursue their interests and define themselves. Although both governments regard the border as clearly defined, local communities continue to contest the artificial divisions imposed by the international boundary and define spatial and human relationships in the borderlands in their own terms.
The debate is often cast in terms of Canada’s failure to recognize the 1794 Jay Treaty’s confirmation of Native rights to transport goods into Canada, but ultimately the issue concerns the larger struggle of First Nations to force recognition of their people’s rights to move freely across the border in search of economic and social independence.

This multi-volume series in seven parts is the first English-language translation of Der Weltkrieg, the German official history of the First World War. Originally produced between 1925 and 1944 using classified archival records that were destroyed in the aftermath of the Second World War, Der Weltkrieg is the untold story of Germany’s experience on the Western front, in the words of its official historians, making it vital to the study of the war and official memory in Weimar and Nazi Germany. Although exciting new sources have recently been uncovered in former Soviet archives, this work remains the basis of future scholarship. It is essential reading for any scholar, graduate student, or enthusiast of the Great War.

This volume, the first of the series to appear in print, focuses on 1915, the first year of trench warfare. For the first time in the history of warfare, poison gas was used against French and Canadian troops at Ypres. Meanwhile, conflict raged in the German High Command over the political and military direction of the war. The year 1915 also set the stage for the bloodbath at Verdun and sealed the fate of the German Supreme Commander, Erich von Falkenhayn. This is the official version of that story.

Foreword by Hew Strachan

Co-published with the Laurier Centre for Military, Strategic and Disarmament Studies

Reinhold Niebuhr was a twentieth-century American theologian who was known for his commentary on public affairs. One of his most influential ideas was the relating of his Christian faith to realism rather than idealism in foreign affairs. His perspective influenced many liberals and is enjoying a resurgence today; most recently Barack Obama has acknowledged Niebuhr’s importance to his own thinking.
In this book, Kenneth Hamilton makes a claim that no other work on Niebuhr has made—that Niebuhr’s chief and abiding preoccupation throughout his long career was the nature of humankind. Hamilton engages in a close reading of Niebuhr’s entire oeuvre through this lens. He argues that this preoccupation remained consistent throughout Niebuhr’s writings, and that through his doctrine of humankind one gets a full sense of Niebuhr the theologian. Hamilton exposes not only the internal consistency of Niebuhr’s project but also its aporia. Although Niebuhr’s influence perhaps peaked in the mid-twentieth century, enthusiasm for his approach to religion and politics has never waned from the North American public theology, and this work remains relevant today.
Although Hamilton wrote this thesis in the mid-1960s it is published here for the first time. Jane Barter Moulaison, in her editorial gloss and introduction, demonstrates the abiding significance of Hamilton’s work to the study of Niebuhr by bringing it into conversation with subsequent writings on Niebuhr, particularly as he is re-appropriated by twenty-first-century American theology.

This book uncovers an early collection of sayings, called N, that are ascribed to Jesus and are similar to those found in the Gospel of Thomas and in Q, a document believed to be a common source, with Mark, for Matthew and Luke. In the process, the book sheds light on the literary methods of Mark and Thomas. A literary comparison of the texts of the sayings of Jesus that appear in both Mark and Thomas shows that each adapted an earlier collection for his own purpose. Neither Mark nor Thomas consistently gives the original or earliest form of the shared sayings; hence, Horman states, each used and adapted an earlier source. Close verbal parallels between the versions in Mark and Thomas show that the source was written in Greek. Horman’s conclusion is that this common source is N.
This proposal is new, and has implications for life of Jesus research. Previous research on sayings attributed to Jesus has treated Thomas in one of two ways: either as an independent stream of Jesus sayings written without knowledge of the New Testament Gospels and or as a later piece of pseudo-Scripture that uses the New Testament as source. This book rejects both views.

The Wartime Letters of Leslie and Cecil Frost, 1915–1919 brings to light the correspondence between two officer brothers and their family at home from 1915 to 1919. Despite wartime censorship, Leslie and Cecil wrote frank and forthright letters that show how the young men viewed the war, as well as what they observed both during training and from the trenches in some of the war’s bloodiest battles. The letters also deal with the war’s political context, including conscription and the Union government, as well as social issues such as the emerging role of women, the role of the growing middle class, nativism, and the use of liquor overseas.

R.B. Fleming, the collection’s editor, contends that Leslie Frost’s military experiences and hospitalization affected his policies as premier of Ontario (1949–1961), especially those related to medicare and liquor control laws. Frost’s government was the first to pass laws providing penalties for racial, ethnic, and gender discrimination on private property, creating a movement that led to the Ontario Human Rights Code.

The Wartime Letters of Leslie and Cecil Frost, 1915–1919 makes a significant contribution to military history and social history. Fleming places the letters in context and shows the value of their commentary. This book will be of interest to the general reader as well as scholars of military history and social history.

Travel and Religion in Antiquity considers the importance of issues relating to travel for our understanding of religious and cultural life among Jews, Christians, and others in the ancient world, particularly during the Hellenistic and Roman eras. The volume is organized around five overlapping areas where religion and travel intersect: travel related to honouring deities, including travel to festivals, oracles, and healing sanctuaries; travel to communicate the efficacy of a god or the superiority of a way of life, including the diffusion of cults or movements; travel to explore and encounter foreign peoples or cultures, including descriptions of these cultures in ancient ethnographic materials; migration; and travel to engage in an occupation or vocation.
With interdisciplinary contributions that cover a range of literary, epigraphic, and archeological materials, the volume sheds light on the importance of movement in connection with religious life among Greeks, Romans, Nabateans, and others, including Judeans and followers of Jesus.

China Interrupted is the story of the richly interwoven lives of Canadian missionaries and their China-born children (mishkids), whose lives and mission were irreversibly altered by their internment as “enemy aliens” of Japan from 1941 to 1945.
Over three hundred Canadians were among the 13,000 civilians interned by the Japanese in China. China Interrupted explores the experiences of a small community of Canadian missionaries who worked in Japanese-occupied China and were profoundly affected by Canada’s entry into the Pacific War. It critically examines the fading years of the missionary movement, beginning with the perspective of Betty Gale and other mishkid nurses whose childhood socialization in China, decision to return during wartime, choice to stay in occupied regions against consular advice, and response to four years of internment reflect the resilience, fragility, and eventual demise of the China missions as a whole.
China Interrupted provides insight into the many ways in which health care efforts in wartime China extended out of the tight-knit missionary community that had been established there decades earlier. Urging readers past a thesis of missions as a tool of imperialism, it offers a more nuanced way of thinking about the relationships among people, institutions, and nations during one of the most important intercultural experiments in Canada’s history.

Eagle Minds—a selection from the correspondence between the Canadian composer and scholar Istvan Anhalt and his American counterpart George Rochberg—is a splendid chronicle and a penetrating analysis of the swerving socio-cultural movements of a volatile half-century as observed by two highly gifted individuals.

Beginning in 1961 and spanning forty-four years, their conversation embraces not only music but other forms of contemporary art, as well as politics, philosophy, religion, and mysticism. The letters chronicle the deepening of their friendship over the years, and the openness, honesty, and genuine warmth between them provide the reader with an intimate look at their personalities. A fascinating intellectual tension emerges between the two men as they record their individual responses to musical modernism, to changing political and social realities, and to their Jewish heritage and sense of place, one as a son of Ukrainian immigrants to the United States, the other as a refugee from war-torn Hungary.

Allowing us a privileged glimpse into the private lives and thoughts of these fascinating men, Eagle Minds is a valuable tool for scholars interested in North American composers in the late twentieth century and essential reading for anyone interested in the cultural and social history of that era.

Beyond Bylines: Media Workers and Women’s Rights in Canada explores the ways in which several of Canada’s women journalists, broadcasters, and other media workers reached well beyond the glory of their personal bylines to advocate for the most controversial women’s rights of their eras. To do so, some of them adopted conventional feminine identities, while others refused to conform altogether, openly and defiantly challenging the gender expectations of their day.
The book consists of a series of case studies of the women in question as they grappled with the concerns close to their hearts: higher education for women, healthy dress reforms, the vote, equal opportunities at work, abortion, lesbianism, and Aboriginal women’s rights. Their media reflected their respective eras: intellectual magazines, daily and weekly newspapers, radio, feminist public relations, alternative women’s periodicals, and documentary film made for television.
Barbara Freeman takes an interdisciplinary approach, combining biography, history, and communication studies to demonstrate how their use of different media both enabled and limited these women in their ability to be daring advocates for gender equality. She shows how a number of these women were linked through the generations by their memberships in activist women’s organizations.

The essays in Canadian Cultural Exchange / Échanges culturels au Canada provide a nuanced view of Canadian transcultural experience. Rather than considering Canada as a bicultural dichotomy of colonizer/colonized, this book examines a field of many cultures and the creative interactions among them. This study discusses, from various perspectives, Canadian cultural space as being in process of continual translation of both the other and oneself.
Les articles réunis dans Canadian Cultural Exchange / Échanges culturels au Canada donnent de l’expérience transculturelle canadienne une image nuancée. Plutôt que dans les termes d’une dichotomie biculturelle entre colonisateur et colonisé, le Canada y est vu comme champ où plusieurs cultures interagissent de manière créative. Cette étude présente sous de multiples aspects le processus continu de traduction d’autrui et de soi-même auquel l’espace culturel canadien sert de théâtre.

The result of a dialogue between poets and scholars on the meaning and making of the sacred, this book endeavours to determine how the sacred emerges in sacred script as well as in poetic discourse. It ranges through scholarship in areas as apparently disparate as postmodernism and Buddhism. The perspectives developed are various and without closure, locating the sacred in modes as diverse as patristic traditions, feminist retranslations of biblical texts, and oral and written versions of documents from the world’s religions. The essays cohere in their preoccupation with the crucial role language plays in the creation of the sacred, particularly in the relation that language bears to silence. In their interplay, language does not silence silence by, rather, calls the other as sacred into articulate existence.

First comprehensive study of John Weinzweig (1913–2006), the pre-eminent Canadian composer of his generation, with essays by composers, theorists, and musicologists. Includes a CD of extracts.

Influenced by European modernists such as Stravinsky, Berg, and Webern, Weinzweig was the first Canadian composer to employ serialism, thereby bringing a spirit of innovation to mid-twentieth-century Canadian music. A forceful advocate for modern Canadian composition, Weinzweig played a key role in the founding of the Canadian League of Composers and the Canadian Music Centre during a buoyant and expansive period for the arts in Canada. He was an influential force as a teacher of composition, first with the Royal Conservatory of Music and later with the University of Toronto’s music faculty.


This first comprehensive study of Weinzweig since his death consists of new essays by composers, theorists, and musicologists. It deals with biographical aspects (the social context of early-twentieth-century Toronto, his activism, his teaching, his early scores for CBC Radio dramas), analyzes his compositional processes and his output (his approach to serialism, his instrumental practice, the presence of jazz elements, the vocal works, the divertimenti), and examines various evaluations of his music (his own – in letters, interviews, talks, and writings – plus those of critics and scholars, of listeners, and of performers). The essays are framed by the co-editors’ portrait/assessment of Weinzweig and a brief personal memoir. Much of the content draws on new research in the extensive Weinzweig Fonds at Library and Archives Canada in Ottawa.


Included at the end of the book are a List of Works by John Weinzweig by Kathleen McMorrow and a Discography by David Olds. Supplementing the volume is an audio CD of extracts (some in their first public release), ranging from a 1937 student work to a song cycle of 1994.

Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism.
Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music.
The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.

George Lindbeck once characterized postliberalism, which received its initial structure from his book The Nature of Doctrine, as an attempt to recover pre-modern scriptural interpretation in contemporary form. In Lord, Giver of Life: Toward a Pneumatological Complement to George Lindbeck’s Theory of Doctrine, Jane Barter Moulaison explores the success of that effort through a close examination of Lindbeck’s own theological contributions. Taking seriously the ecumenical promises of Lindbeck’s writing (he was instrumental in advancing Lutheran and Roman Catholic dialogue throughout the 1960s, ’70s, and ’80s), this book brings Lindbeck’s famous cultural-linguistic model of religion into dialogue with Christianity’s theological forbearers: specifically, the Eastern progenitors of orthodox confession.
This constellation of theological voices—Lindbeck, his supporters and detractors, along with patristic theologians—is meant not only to test the viability of a religious model but, more importantly, to advance Lindbeck’s project in ways that have not yet been pursued. Among the critical questions engaged are: to what degree can the excesses of modern theology be overcome by a return to premodern sources? What are the implications of a constructive pneumatology to the cultural-linguistic model? Does this complement address the critiques of postliberalism, particularly those that consider the role of human agency, rationality, and autonomy?
While Lindbeck recovers significant and forgotten elements of pre-modern biblical interpretation, the very formalism of his project sometimes obscures the theological underpinnings of premodern insights and practices. Through specific attention to Eastern Trinitarian theologies of the fourth century, this book exposes a rather persistent oversight within Lindbeck’s recovery: namely, that alongside the regulative function of canon and doctrine, early biblical interpretation recognizes the role of the Holy Spirit in the appropriation of scripture, in the mission of the church, and in the defence of the gospel within the context of an unbelieving world. This book attends to these insights from the early churchs doctrine of the Holy Spirit in appreciative service to the cultural-linguistic model of religion.

How did a privileged Victorian matron, newly widowed and newly impoverished, manage to raise and educate her six young children and restore her family to social prominence?
Mary Baker McQuesten’s personal letters, 155 of which were carefully selected by Mary J. Anderson, tell the story. In her uninhibited style, in letters mostly to her children, Mary Baker McQuesten chronicles her financial struggles and her expectations. The letters reveal her forthright opinions on a broad range of topics — politics, religion, literature, social sciences, and even local gossip. We learn how Mary assessed each of her children’s strengths and weaknesses, and directed each of their lives for the good of the family. For example, she sent her daughter Ruby out to teach, so she could send her earnings home to educate Thomas, the son Mary felt was most likely to succeed. And succeed he did, as a lawyer and mpp, helping to build many of Hamilton’s and Ontario’s highways, bridges, parks, and heritage sites, and in doing so, bringing the family back to social prominence.
Mary Baker McQuesten was also president of the Women’s Missionary Society. The appearance, manner, and eloquence of various ministers and politicians all come under her uninhibited scrutiny, providing lively insights into the Victorian moral and social motivations of both men and women and about the gender conflicts that occurred both at home and abroad.
This book will satisfy many readers. Those interested in the drama of Victorian society will enjoy the images of the stern Presbyterian matriarch, the sacrificed female, family mental illness, the unresolved death of a husband, and the dangers of social stigma. Scholars looking for research material will find an abundance in the letters, well annotated with details of the surrounding political, social, and current events of the times.

Doing Ethics in a Pluralistic World is an apt title for this collection of essays in honour of Roger C. Hutchinson who, over many decades, has encouraged and participated in shaping a Canadian contextual social ethics. His abiding interest in social ethics and in religious engagement with public issues is reflected in his life’s work — seeking the consensus and self-knowledge required to achieve cooperation in the search for a just, participatory, and sustainable society.
One of Roger Hutchinson’s many notable accomplishments is his development of a method of dialogue for ethical clarification in situations of diversity. Some of the essays collected here apply this method to specific issues, while others discuss how religious persons and organizations can and do co-operate in a pluralistic world to achieve social and ecological well-being. All essays are of keen interest to those concerned with the role and function of ethics at the matrix of religious conviction and social transformation.
For nearly three decades Roger Hutchinson has been based at Victoria University in Toronto, first in religious studies, then at Emmanuel College, where he completed his teaching career as professor of church and society while serving as principal from 1996 to 2001.

Can archaeological remains be made to “speak” when brought into conjunction with texts? Can written remains, on stone or papyrus, shed light on the parables of Jesus, or on the Jewish view of afterlife? What are the limits to the use of artifactual data, and when is the value overstated? Text and Artifact addresses the complex and intriguing issue of how primary religious texts from the ancient Mediterranean world are illuminated by, and in turn illuminate, the ever-increasing amount of artifactual evidence available from the surrounding world.
The book honours Peter Richardson, and the first two chapters offer appreciations of this scholarship and teaching. The remaining chapters focus on early Christianity, late-antique Judaism and topics germane to the Roman world at large. Many of the essays relate to features of Jewish life — the epigraphic evidence for gentile converts to Judaism or for Jewish defectors, ancient accounts of the Essenes or of the siege of Masada, and the material context of the first great rabbinic work, the Mishnah. Other essays connect early Christian texts with the social and cultural realia of their day — modes of travel, notions of gender, patronage and benefaction, the relation of tenants and owners — or reflect on the aesthetics of Christian architecture and the relation between building and ritual in Constantinian churches. One study relates the writing of the famous novelist Apuleius to a household mithraeum in Ostia, while another explores the changing appropriation of religious realia as the Roman world became Christian.
These wide-ranging and original studies demonstrate clearly that texts and artifacts can be mutually supportive. Equally, they point to ways in which artifacts, no less than texts, are inherently ambiguous and teach us to be cautious in our conclusions.

Using the journals of W. Norman Rudolf (1835-1886), a Victorian merchant, Evangelical Balance Sheet: Character, Family, and Business in Mid-Victorian Nova Scotia explores the important role of character ideals and evangelicalism in mid-Victorian culture. 

Rudolf’s diary, with its daily weather observations, its account of family matters, of social and business happenings, and of his own experiences, as well as occasional literary or naturalistic forays, attempts to follow a disciplined regime of writing, but also has elements of a Bildungsroman. The diary reveals an obvious and significant tension between his inner, spiritual search for meaning in his life (evangelical inwardness) and his outward stewardship duties. Rudolf’s concept of character, then, involved a type of balance sheet of his evangelical service record, to his God, his family, his business, and his community. Needing God’s help to transform his will and to interpret the world in a constructive, rational manner, the underlying intent of his daily journal writing was to keep his commitment to an ethic of benevolence and of the affirmation of the goodness of human beings.

Wood elucidates the cultivation of civic-minded masculinity in the context of Victorian Maritime Canada, analyzing the multiple facets of the character ideal and emphasizing its important role in Victorians’ understanding of their life experiences. In the process Wood reveals many underlying assumptions about social change and about civic discourse. The book also describes how the tremendous economic upheavals experienced by many entrepreneurs in the late 1860s to 1880s tempered their evangelical zeal and made it increasingly difficult for them to achieve a balanced and humane perspective on their own lives.

Evangelical Balance Sheet will appeal to a broad audience interested in social history, imperial studies, gender studies (especially changing ideas of masculinity and manhood), Atlantic Canada studies, and local history of the Pictou region.

Canadian Methodist women, like women of all religious traditions, have expressed their faith in accordance with their denominational heritage. Canadian Methodist Women, 1766-1925: Marys, Marthas, Mothers in Israel analyzes the spiritual life and the varied activities of women whose faith helped shape the life of the Methodist Church and of Canadian society from the latter half of the eighteenth century until church union in 1925.
Based on extensive readings of periodicals, biographies, autobiographies, and the records of many women’s groups across Canada, as well as early histories of Methodism, Marilyn Färdig Whiteley tells the story of ordinary women who provided hospitality for itinerant preachers, taught Sunday school, played the melodeon, selected and supported women missionaries, and taught sewing to immigrant girls, thus expressing their faith according to their opportunities. In performing these tasks they sometimes expanded women’s roles well beyond their initial boundaries.
Focusing on religious practices, Canadian Methodist Women, 1766-1925 provides a broad perspective on the Methodist movement that helped shape nineteenth- and early-twentieth-century Canadian society. The use and interpretation of many new or little-used sources will interest those wishing to learn more about the history of women in religion and in Canadian society.

The essays in Writing between the Lines explore the lives of twelve of Canada’s most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada.
Through individual portraits, this book traces the events and life experiences that have led W.H. Blake, John Glassco, Philip Stratford, Joyce Marshall, Patricia Claxton, Doug Jones, Sheila Fischman, Ray Ellenwood, Barbara Godard, Susanne de Lotbinire-Harwood, John Van Burek, and Linda Gaboriau into the complex world of literary translation. Each essay-portrait examines why they chose to translate and what linguistic and cultural challenges they have faced in the practice of their art. Following their relationships with authors and publishers, the translators also reveal how they have defined the goals and the process of literary translation.
Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process, and the diverse roles of the translator as social agent. The first text on Canadian translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.

The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.”
The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades.
The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

A history of Chinese immigrants encounter with Canadian Protestant missionaries, “His Dominion” and the “Yellow Peril”: Protestant Missions to Chinese Immigrants in Canada, 1859-1967, analyzes the evangelizing activities of missionaries and the role of religion in helping Chinese immigrants affirm their ethnic identity in a climate of cultural conflict.
Jiwu Wang argues that, by working toward a vision of Canada that espoused Anglo-Saxon Protestant values, missionaries inevitably reinforced popular cultural stereotypes about the Chinese and widened the gap between Chinese and Canadian communities. Those immigrants who did embrace the Christian faith felt isolated from their community and their old way of life, but they were still not accepted by mainstream society. Although the missionaries’ goal was to assimilate the Chinese into Anglo-Saxon Protestant culture, it was Chinese religion and cultural values that helped the immigrants maintain their identity and served to protect them from the intrusion of the Protestant missions.
Wang documents the methods used by the missionaries and the responses from the Chinese community, noting the shift in approach that took place in the 1920s, when the clergy began to preach respect for Chinese ways and sought to welcome them into Protestant-Canadian life. Although in the early days of the missions, Chinese Canadians rejected the evangelizing to take what education they could from the missionaries, as time went on and prejudice lessened, they embraced the Christian faith as a way to gain acceptance as Canadians.

Robert Markle (1936–1990) was an infamous figure on the Canadian cultural scene for almost three decades. His paintings and drawings celebrating the female nude were deemed obscene by Ontario courts in 1965, and Markle defended them on national television, emphasizing what he considered a crucial distinction between eroticism and pornography. Although Markle was a Mohawk who employed Native symbolism in his later work, he refused to identify himself as a Native painter.

Blazing Figures chronicles Markle’s boyhood in Hamilton, Ontario, his early exposure to the worlds of burlesque and jazz, and, following his expulsion from the Ontario College of Art, his immersion in the Toronto world of painting and music. It recounts his emergence as a controversial expressionist painter of the figure and a beloved teacher of his craft. After his abandonment of urban life for small-town Ontario, Markle, in the last twenty years of his life, produced his greatest works and formed close friendships with his fellow painters and with public figures Patrick Watson and Gordon Lightfoot, both of whom were interviewed at length for this book. The book also takes a frank look at Markle’s complex relationship with his wife and muse that survived his affairs with other women.

The only full-length work written about Robert Markle’s life and career, Blazing Figures is based on Markle’s copious personal notes and numerous interviews with his family, friends, colleagues, and former students. This snapshot of Canadian cultural history will be of interest to scholars of art history, Aboriginal studies, and Canadian studies as well as the general reader.

Religious Rivalries in the Early Roman Empire and the Rise of Christianity discusses the diverse cultural destinies of early Christianity, early Judaism, and other ancient religious groups as a question of social rivalry.
The book is divided into three main sections. The first section debates the degree to which the category of rivalry adequately names the issue(s) that must be addressed when comparing and contrasting the social “success” of different religious groups in antiquity. The second is a critical assessment of the common modern category of “mission” to describe the inner dynamic of such a process; it discusses the early Christian apostle Paul, the early Jewish historian Josephus, and ancient Mithraism. The third section of the book is devoted to “the rise of Christianity,” primarily in response to the similarly titled work of the American sociologist of religion Rodney Stark.
While it is not clear that any of these groups imagined its own success necessarily entailing the elimination of others, it does seem that early Christianity had certain habits, both of speech and practice, which made it particularly apt to succeed (in) the Roman Empire.

All of us, as Canadians, are touched throughout our lives by some aspect of social welfare, either as recipients, donors, or taxpayers. But despite the importance of the social network in our country, there has been no single source of information about this critical component of our society. Even professionals in the field of social work or social services have not had a comprehensive volume addressing the myriad features of this critical societal structure. The Encyclopedia of Canadian Social Work fills this need.
Over five hundred topics important to Canadian social work are covered, written by a highly diverse group of social workers covering all aspects of the field and all areas of the country. Practitioners, policy makers, academics, social advocates, researchers, students, and administrators present a rich overview of the complexity and diversity of social work and social welfare as it exists in Canada.
The principal finding from this project underscores the long-held perception that there is a Canadian model of social work that is unique and stands as a useful model to other countries. The Encyclopedia of Canadian Social Work will be an important source of information, both to Canadians and to interested groups around the world.
The Encyclopedia of Canadian Social Work is available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

One of the most widely read German authors in the world, Hermann Hesse (1877-1962) won the Nobel Prize for Literature in 1946. After his death, his novels enjoyed a revival of popularity, becoming a staple of popular religion and spirituality in Europe and North America.
Veneration and Revolt: Hermann Hesse and Swabian Pietism is the first comprehensive study of the impact of German Pietism (the religion of Hesse’s family and native Swabia) on Hesse’s life and literature. Hesse’s literature bears witness to a lifelong conversation with his religious heritage despite that in adolescence he rejected his family’s expectation that he become a theologian, cleric, and missionary.
Hesse’s Pietist upbringing and broader Swabian heritage contributed to his moral and political views, his pacifism and internationalism, the confessional and autobiographical style of his literature, his romantic mysticism, his suspicion of bourgeois culture, his ecumenical outlook, and, in an era scarred by two world wars, his hopes for the future. Veneration and Revolt offers a unique perspective on the life and works of one of the twentieth century’s most influential writers.

No Insignificant Part: The Rhodesia Native Regiment and the East Africa Campaign of the First World War is the first history of the only primarily African military unit from Zimbabwe to fight in the First World War. Recruited from the migrant labour network, most African soldiers in the RNR were originally miners or farm workers from what are now Zimbabwe, Zambia, Mozambique, and Malawi. Like others across the world, they joined the army for a variety of reason, chief among them a desire to escape low pay and horrible working conditions.
The RNR participated in some of the key engagements of the German East Africa campaign’s later phase, subsisting on extremely meager rations and suffering from tropical diseases and exhaustion. Because they were commanded by a small group of European officers, most of whom were seconded from the Native Affairs Department and the British South Africa Police, the regiment was dominated by racism. It was not unusual for black soldiers, but never white ones, to be publicly flogged for alleged theft or insubordination. Although it remained in the field longer than all-white units and some of its members received some of Britain’s highest decorations, the Rhodesia Native Regiment was quickly disbanded after the war and conveniently forgotten by the colonial establishment. Southern Rhodesias white settler minority, partly on the strength of its wartime sacrifice, was given political control of the territory through a racially exclusive form of self-government, but black RNR veterans received little support or recognition.
No Insignificant Part takes a new look at an old campaign and will appeal to scholars of African or military history interested in the First World War.

Colin Starnes radical interpretation of the long-recognized affinity of Thomas More’s Utopia and Plato’s Republic confirms the intrinsic links between the two works. Through commentary on More’s own introduction to Book I, the author shows the Republic is everywhere present as the model of the “best commonwealth,” which More must first discredit as the root cause of the dreadful evils in the collapsing political situation of sixteenth-century Europe. Starnes demonstrates how More, once having shorn the Republic of what was applicable to a society that had for a thousand years accepted and been moved by the Christian revelation, then “Christianized” it to arrive at one of the earliest and most coherent accounts of the ideal modern state: the description of Utopia in Book II.
Knowing this radically new view of a long-recognized position may be questioned, the author has included a criticism and appreciation of the other major lines of interpretation concerning More’s Utopia.