Young Adult Nonfiction

In Pork Belly Tacos with a Side of Anxiety, Yvonne Castañeda shares vibrant stories of her childhood growing up in Miami as the daughter of humble immigrants from Mexico and Cuba . . . and how she came to develop an unhealthy relationship with food.

To help ease her mami’s nervios, Yvonne becomes a perfectionist from a young age, achieving high grades at school and mastering the piano. But as her Cuban family members openly make comments about her awkward desarrollo, or puberty, Yvonne enters a new phase of self-consciousness that begins her obsession with weight.

She abandons the piano for the high school cheerleading team, and reinvents herself, becoming both skinny and popular. However, as a first-generation adolescent born in the United States, Yvonne wrestles with the conflict between the cultural norms of her Hispanic/Latino heritage and American societal expectations.

Plagued by doubt and low self-esteem, Yvonne begins a vicious cycle of weight gain and loss, as she battles Bulimia Nervosa. Beleaguered by feelings of guilt, shame, and inferiority, she develops anxiety, depression, and a reliance on dangerous coping mechanisms.

Ultimately, sage advice from her dear abuela in Guadalajara, Mexico, guides Yvonne to a realization that shifts her perspective of herself and the purpose of her life, providing a foundation for inner peace, and la solución to her past struggles.

In Pork Belly Tacos with a Side of Anxiety, Yvonne Castañeda shares vibrant stories of her childhood growing up in Miami as the daughter of humble immigrants from Mexico and Cuba . . . and how she came to develop an unhealthy relationship with food.

To help ease her mami’s nervios, Yvonne becomes a perfectionist from a young age, achieving high grades at school and mastering the piano. But as her Cuban family members openly make comments about her awkward desarrollo, or puberty, Yvonne enters a new phase of self-consciousness that begins her obsession with weight.

She abandons the piano for the high school cheerleading team, and reinvents herself, becoming both skinny and popular. However, as a first-generation adolescent born in the United States, Yvonne wrestles with the conflict between the cultural norms of her Hispanic/Latino heritage and American societal expectations.

Plagued by doubt and low self-esteem, Yvonne begins a vicious cycle of weight gain and loss, as she battles Bulimia Nervosa. Beleaguered by feelings of guilt, shame, and inferiority, she develops anxiety, depression, and a reliance on dangerous coping mechanisms.

Ultimately, sage advice from her dear abuela in Guadalajara, Mexico, guides Yvonne to a realization that shifts her perspective of herself and the purpose of her life, providing a foundation for inner peace, and la solución to her past struggles.

Amy Chan Zhou’s searing memoir about growing up in rural Communist China features descriptions of pastoral beauty and tales of the simple joys of raising farm animals or catching fish in a local river. However, her childhood is scarred by the primitive conditions, her family’s everyday struggle to obtain food, and the horror of witnessing relatives being tortured on a stage during “public denouncing” meetings.

As the Communists take control of China in 1949, we follow the harrowing experiences of Chan Zhou’s great-grandparents, grandparents, father, and mother during the 1950s, ’60s, and ’70s when landlords, business owners, artists, and scholars were branded as “bad elements” and “class enemies.” As a teenager in the 1970s, while selling vegetables on the black market, Chan Zhou is accused of being a “little capitalist trader.”

The death of Mao ultimately saves Chan Zhou from being sent to a detention center, and her family’s destiny is forever altered by Deng Xiaoping’s reform that allows her family to reunite in Hong Kong, and subsequently emigrate to the United States.

A blend of Wild Swans and The Red Scarf Girl, Flowing with the Pearl River is a vividly accurate portrayal of one family’s painful experiences during Communism and the Cultural Revolution in China, and their eventual escape to freedom.

Amy Chan Zhou’s searing memoir about growing up in rural Communist China features descriptions of pastoral beauty and tales of the simple joys of raising farm animals or catching fish in a local river. However, her childhood is scarred by the primitive conditions, her family’s everyday struggle to obtain food, and the horror of witnessing relatives being tortured on a stage during “public denouncing” meetings.

As the Communists take control of China in 1949, we follow the harrowing experiences of Chan Zhou’s great-grandparents, grandparents, father, and mother during the 1950s, ’60s, and ’70s when landlords, business owners, artists, and scholars were branded as “bad elements” and “class enemies.” As a teenager in the 1970s, while selling vegetables on the black market, Chan Zhou is accused of being a “little capitalist trader.”

The death of Mao ultimately saves Chan Zhou from being sent to a detention center, and her family’s destiny is forever altered by Deng Xiaoping’s reform that allows her family to reunite in Hong Kong, and subsequently emigrate to the United States.

A blend of Wild Swans and The Red Scarf Girl, Flowing with the Pearl River is a vividly accurate portrayal of one family’s painful experiences during Communism and the Cultural Revolution in China, and their eventual escape to freedom.