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The best-known literary achievement of Anglo-Saxon England, Beowulf is a poem concerned with monsters and heroes, treasure and transience, feuds and fidelity. Composed sometime between 500 and 1000 C.E. and surviving in a single manuscript, it is at once immediately accessible and forever mysterious. And in Craig Williamson's splendid new version, this often translated work may well have found its most compelling modern English interpreter.

Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.

Pain is the most frequent cause of disability in America. And pain specialists estimate that as many as thirty to sixty million Americans suffer from chronic pain. Chronic pain is a complex phenomenon—often extremely difficult to treat, and surprisingly difficult to define.

Just as medical literature in general neglects the experience of illness, so the clinical literature on pain neglects the experience of pain. "Camp Pain" takes an approach different from most studies of chronic pain, which are typically written from a medical or social perspective. Based on a year's fieldwork in a pain treatment center, this book focuses on patients' perspectives—on their experiences of pain, what these experiences mean to them, and how this meaning is socially constructed.

Jackson explores the psychological burden imposed on many sufferers when they are judged not to have "real" pain, and by harsh moral judgments that sufferers are weak, malingering, or responsible in some way for their pain. Jackson also looks at the ways in which severe pain erodes and destroys personal identity, studying in particular the role of language.

While keeping her focus on patients' experiences, Jackson explores Western concepts of disease, health, mind, and body; assumptions about cause and effect; and notions of shame, guilt, and stigma. "Camp Pain" does not attempt to resolve the uncertainties and misperceptions associated with pain but rather aims at enhancing our understanding of the wider implications of chronic pain by focusing on the sufferers themselves.

In a series of lengthy letters, the unsettled and unruly Ethel Sutherland writes to an initially unnamed and ungendered correspondent, and patiently discloses the troubled history of her past romantic attachments to both men and women. Not until the third letter does she reveal that her correspondent is Ernest, the man to whom she is engaged to be married. Wanting to make him understand how all of her past loves are included and sublimated in her love for him, she especially wants to explain how "women often love each other with as much fervor and excitement as they do men"; and although this love is curiously "freed from all the grosser elements of passion, as it exists between sexes," nevertheless it "retains its energy, its abandonment, its flush, its eagerness, its palpitation, and its rapture."

Margaret Jane Mussey Sweat (1823-1908), a native of Portland, Maine, and wife of a United States congressman, published Ethel's Love-Life in 1859. The book is sometimes credited as an early—even the first—"lesbian" American novel, but such a label, Christopher Looby observes in his Introduction, somewhat misrepresents what is distinctive and surprising about the book. Ethel's Love-Life confounds our received binary distinctions between the spiritual and the carnal and, indeed, between the sexual and the nonsexual—the boundaries between such categories being not nearly as well-policed at the time as they later became. It is here reprinted, along with Sweat's Verses (1890) and five of her published essays, on Charlotte Brontë, George Sand, the contemporary novel, and the friendships of women.

Reveals a complex new portrait of John Brown, radical abolitionist and leader of the 1859 raid on Harper's Ferry

John Brown is usually remembered as a terrorist whose unbridled hatred of slavery drove him to the ill-fated raid on Harper's Ferry, Virginia, in 1859. Tried and executed for seizing the arsenal and attempting to spur a liberation movement among the slaves, Brown was the ultimate cause celebre for a country on the brink of civil war.

“Fire from the Midst of You” situates Brown within the religious and social context of a nation steeped in racism, showing his roots in Puritan abolitionism. DeCaro explores Brown's unusual family heritage as well as his business and personal losses, retracing his path to the Southern gallows. In contrast to the popular image of Brown as a violent fanatic, DeCaro contextualizes Brown's actions, emphasizing the intensely religious nature of the antebellum US in which he lived. He articulates the nature of Brown's radical faith and shows that, when viewed in the context of his times, he was not the religious fanatic that many have understood him to be. DeCaro calls Brown a “Protestant saint”—an imperfect believer seeking to realize his own perceived calling in divine providence.

In line with the post-millennial theology of his day, Brown understood God as working through mankind and the church to renew and revive sinful humanity. He read the Bible not only as God's word, but as God's word to John Brown. DeCaro traces Brown's life and development to show how by forging faith as a radical weapon, Brown forced the entire nation to a point of crisis.

“Fire from the Midst of You” defies the standard narrative with a new reading of John Brown. Here is the man that the preeminent Black scholar W.E.B. Du Bois called a "mighty warning" and the one Malcolm X called “a real white liberal.”

In 1823, Sir Henry Bunbury discovered a badly bound volume of twelve Shakespeare plays in a closet of his manor house. Nearly all of the plays were first editions, but one stood out as extraordinary: a previously unknown text of Hamlet that predated all other versions. Suddenly, the world had to grapple with a radically new—or rather, old—Hamlet in which the characters, plot, and poetry of Shakespeare's most famous play were profoundly and strangely transformed.

Q1, as the text is known, has been declared a rough draft, a shorthand piracy, a memorial reconstruction, and a pre-Shakespearean "ur-Hamlet," among other things. Flickering between two historical moments—its publication in Shakespeare's early seventeenth century and its rediscovery in Bunbury's early nineteenth—Q1 is both the first and last Hamlet. Because this text became widely known only after the familiar version of the play had reached the pinnacle of English literature, its reception has entirely depended on this uncanny temporal oscillation; so too has its ongoing influence on twentieth- and twenty-first-century ideas of the play.

Zachary Lesser examines how the improbable discovery of Q1 has forced readers to reconsider accepted truths about Shakespeare as an author and about the nature of Shakespeare's texts. In telling the story of this mysterious quarto and tracing the debates in newspapers, London theaters, and scholarly journals that followed its discovery, Lesser offers brilliant new insights on what we think we mean when we talk about Hamlet.

Did you hear the one about the newlywed who rushes off for legal advice before the honeymoon is over? Or the husbands who arrange for an enormous tub in which to cure their sugary wives with a pinch of salt? How about a participatory processional toward marriage so sacrilegious that it puts Chaucer's pilgrimage to shame? And who could have imagined a medieval series of plays devoted to spouse-swapping? Jody Enders has heard and seen all this and more, and shares it in her second volume of performance-friendly translations of medieval French farces. Carefully culled from more than two hundred extant farces, and crafted with a wit and contemporary sensibility that make them playable half a millennium later, these dozen bawdy plays take on the hilariously depressing and depressingly hilarious state of holy wedlock.

In fifteenth- and sixteenth-century comedy, love and marriage do not exactly go together like a horse and carriage. What with all the arranged matches of child brides to doddering geezers, the frustration, fear, anxiety, jealousy, disappointment, and despair are matched only by the eagerness with which everybody sings, dances, and cavorts in the pursuit of deception, trickery, and adultery. Easily recognizable stock characters come vividly to life, struggling to negotiate the limits of power, class, and gender, each embodying the distinctive blend of wit, social critique, and breathless boisterousness that is farce. Whether the antics play out on the fifteenth-century stage or the twenty-first-century screen, Enders notes, comedy revels in shining its brightest spotlight on the social and legal questions of what makes a family. Her volume defines and redefines love and marriage with a message that no passage of time can tear asunder: social change finds its start where comedy itself begins—at home.

"In the Days of Serfdom" and Other Stories, originally published in 1911, presents in miniature themes developed in Tolstoy's longer works War and Peace and Anna Karenina. The compelling stories in this collection have largely been ignored by contemporary scholars and teachers because of their general unavailability. Available once again, the stories reveal new thematic and stylisitic dimensions to Tolstoy's oeuvre.

While not all of the stories deal with actual serfdom, they all address the legacy of serfdom, of choicelessness, in Tolstoy's Russia. These stories are also thoroughly modern, concerned as they are with the market economy, changing values, and women's roles in society. Artistically and historically significant, they constitute ethical and spiritual questionings that deal with lives out of control, with characters making sense of the experience of living.

From the Introduction:

This book is . . . devoted to the first literature of North America, that of the American Indians, or Native Americans. The texts are from the North Pacific Coast, because that is where I am from, and those are the materials I know best. The purpose is general: All traditional American Indian verbal art requires attention of this kind if we are to comprehend what it is and says.

There is linguistics in this book, and that will put some people off. ''Too technical," they will say. Perhaps such people would be amused to know that many linguists will not regard the work as linguistics. "Not theoretical," they will say, meaning not part of a certain school of grammar. And many folklorists and anthropologists are likely to say, "too linguistic" and "too literary" both, whereas professors of literature are likely to say, "anthropological" or "folklore," not "literature" at all. But there is no help for it. As with Beowulf and The Tale of Genji, the material requires some understanding of a way of life. Within that way of life, it has in part a role that in English can only be called that of "literature." Within that way of life, and now, I hope, within others, it offers some of the rewards and joys of literature. And if linguistics is the study of language, not grammar alone, then the study of these materials adds to what is known about language.

The fascinating tale of how a bipartisan coalition worked successfully to lower the voting age

“Let Us Vote!” tells the story of the multifaceted endeavor to achieve youth voting rights in the United States. Over a thirty-year period starting during World War II, Americans, old and young, Democrat and Republican, in politics and culture, built a movement for the 26th Amendment to the US Constitution, which lowered the voting age from twenty-one to eighteen in 1971. This was the last time that the United States significantly expanded voting rights.

Jennifer Frost deftly illustrates how the political and social movements of the time brought together bipartisan groups to work tirelessly in pursuit of a lower voting age. In turn, she illuminates the process of achieving political change, with the convergence of “top-down” initiatives and “bottom-up” mobilization, coalition-building, and strategic flexibility. As she traces the progress toward achieving youth suffrage throughout the ’60s, Frost reveals how this movement built upon the social justice initiatives of the decade and was deeply indebted to the fight for African American civil and voting rights.

2021 marks the fiftieth anniversary of this important constitutional amendment and comes at a time when scrutiny of both voting age and voting rights has been renewed. As the national conversation around climate crisis, gun violence, and police brutality creates a new call for a lower voting age, “Let Us Vote!” provides an essential investigation of how this massive political change occurred, and how it could be brought about again.

In the years between the Revolution and the Civil War, as the question of black political rights was debated more and more vociferously, descriptions and pictorial representations of whites coupling with blacks proliferated in the North. Novelists, short-story writers, poets, journalists, and political cartoonists imagined that political equality would be followed by widespread inter-racial sex and marriage. Legally possible yet socially unthinkable, this "amalgamation" of the races would manifest itself in the perverse union of "whites" with "blacks," the latter figured as ugly, animal-like, and foul-smelling. In Miscegenation, Elise Lemire reads these literary and visual depictions for what they can tell us about the connection between the racialization of desire and the social construction of race.

Previous studies of the prohibition of interracial sex and marriage in the U.S. have focused on either the slave South or the post-Reconstruction period. Looking instead to the North, and to such texts as the Federalist poetry about Thomas Jefferson and Sally Hemings, James Fenimore Cooper's Last of the Mohicans, Edgar Allan Poe's "Murders in the Rue Morgue," and the 1863 pamphlet in which the word "miscegenation" was first used, Lemire examines the steps by which whiteness became a sexual category and same-race desire came to seem a biological imperative.

In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater.

Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The common­places of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive.

In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.

Composed in Germany in the early thirteenth century by Judah ben Samuel he-hasid, Sefer Hasidim, or "Book of the Pietists," is a compendium of religious instruction that portrays the everyday life of Jews as they lived together with and apart from Christians in towns such as Speyer, Worms, Mainz, and Regensburg. A charismatic religious teacher who recorded hundreds of original stories that mirrored situations in medieval social living, Judah's messages advocated praying slowly and avoiding honor, pleasure, wealth, and the lures of unmarried sex. Although he failed to enact his utopian vision of a pietist Jewish society, his collected writings would help shape the religious culture of Ashkenazic Judaism for centuries.

In "Sefer Hasidim" and the Ashkenazic Book in Medieval Europe, Ivan G. Marcus proposes a new paradigm for understanding how this particular book was composed. The work, he contends, was an open text written by a single author in hundreds of disjunctive, yet self-contained, segments, which were then combined into multiple alternative versions, each equally authoritative. While Sefer Hasidim offers the clearest example of this model of composition, Marcus argues that it was not unique: the production of Ashkenazic books in small and easily rearranged paragraphs is a literary and cultural phenomenon quite distinct from anything practiced by the Christian authors of northern Europe or the Sephardic Jews of the south. According to Marcus, Judah, in authoring Sefer Hasidim in this manner, not only resisted Greco-Roman influences on Ashkenazic literary form but also extended an earlier Byzantine rabbinic tradition of authorship into medieval European Jewish culture.

Sefer Yeṣirah, or "Book of Formation," is one of the most influential Jewish compositions of late antiquity. First attested to in the tenth century C.E. and attributed by some to the patriarch Abraham himself, Sefer Yeṣirah claims that the world was created by the powers of the decimal number system and the twenty-two letters of the Hebrew alphabet. This short, enigmatic treatise was considered canonical by Jewish philosophers and Kabbalists and has fascinated Western thinkers and writers as diverse as Leibnitz and Borges. Nonetheless, Sefer Yesirah is nearly impossible to contextualize, mainly owing to its unique style and the fact that it does not refer to, nor is it referenced by, any other source in late antiquity. After a century and a half of modern scholarship, the most fundamental questions regarding its origins remain contested: Who wrote Sefer Yeṣirah? Where and when was it written? What was its "original" version? What is the meaning of this treatise?

In "Sefer Yeṣirah" and Its Contexts, Tzahi Weiss explores anew the history of this enigmatic work. Through careful scrutiny of the text's evolution, he traces its origins to the seventh century C.E., to Jews who lived far from rabbinic circles and were familiar with the teachings of Syriac Christianity. In addition, he examines the reception of Sefer Yeṣirah by anonymous commentators and laypeople who, as early as the twelfth century C.E., regarded Sefer Yeṣirah as a mystical, mythical, or magical treatise, thus significantly differing from the common rabbinic view in that period of the text as a philosophical and scientific work. Examined against the backdrop of this newly sketched historical context, Sefer Yeṣirah provides a unique and surprising aperture to little-known Jewish intellectual traditions of late antiquity and the early Middle Ages which, despite their distance from the rabbinic canon, played a vital role in the development of medieval Jewish learning and culture.

"The service of social work is directed primarily to freeing and helping individuals to find and fulfill themselves—their own unique selves—within the society of which they are a part."

This emphasis on "respect for individual personality, for the significance of the individual as such and in his own right" is the keynote of these writings of the late Dean of the Pennsylvania School of Social Work.

Chosen for the most part from the work of the last decade, the writings collected here stress his interest in public welfare and penology, the two fields in which his contributions have been most extensive and consistent.

The volume is divided into four parts:

I. Earlier Formulations of the Philosophy Underlying Social Work Practice
II. Public Welfare
Ill. Penology
IV. Final Statement of the Philosophy Underlying Social Work Practice

This sharing of the wisdom and understanding of a lifetime dedicated to professional service in the field of social work will prove helpful and stimulating to administrators, teachers, and social workers everywhere.

Since its publication in 1561, an anonymous tale of love, friendship, and chivalry has captivated readers in Spain and across Europe. "The Abencerraje" tells of the Moorish knight Abindarráez, whose plans to wed are interrupted when he is taken prisoner by Christian knights. His captor, a Spanish governor, befriends and admires the Moorish knight, ultimately releasing him to marry his beloved. Their enormously popular tale was repeated or imitated in numerous ballads and novels; when the character Don Quixote is wounded in his first sortie, he imagines himself as Abindarráez on the field.

Several decades later, in the tense years leading up to the expulsion of the Moriscos from Spain, Mateo Alemán reprised themes from this romance in his novel Guzmán de Alfarache. In his version, the Moorish lady Daraja is captured by the Catholic monarchs Ferdinand and Isabel; she and her lover Ozmín are forced to engage in a variety of ruses to protect their union until they are converted to Christianity and married. Though "Ozmín and Daraja" is more elaborate in execution than "The Abencerraje," both tales show deep sympathy for their Moorish characters.

Faithfully translated into modern, accessible English, these finely wrought literary artifacts offer rich imaginings of life on the Christian-Muslim frontier. Contextualized with a detailed introduction, along with contemporary legal documents, polemics, and ballads, "The Abencerraje" and "Ozmín and Daraja" reveals early modern Spain's profound fascination with the Moorish culture that was officially denounced and persecuted. By recalling the intimate and sympathetic bonds that often connected Christians to the heritage of Al-Andalus, these tales of romance and companionship offer a nuanced view of relationships across a religious divide.

Best known today as the author of Don Quixote—one of the most beloved and widely read novels in the Western tradition—Miguel de Cervantes Saavedra (1547-1616) was a poet and a playwright as well. After some early successes on the Madrid stage in the 1580s, his theatrical career was interrupted by other literary efforts. Yet, eager to prove himself as a playwright, shortly before his death he published a collection of his later plays before they were ever performed.

With their depiction of captives in North Africa and at the Ottoman court, two of these, "The Bagnios of Algiers" and "The Great Sultana," draw heavily on Cervantes's own experiences as a captive, and echo important episodes in Don Quixote. They are set in a Mediterranean world where Spain and its Muslim neighbors clashed repeatedly while still remaining in close contact, with merchants, exiles, captives, soldiers, and renegades frequently crossing between the two sides. The plays provide revealing insights into Spain's complex perception of the world of Mediterranean Islam.

Despite their considerable literary and historical interest, these two plays have never before been translated into English. This edition presents them along with an introductory essay that places them in the context of Cervantes's drama, the early modern stage, and the political and cultural relations between Christianity and Islam in the early modern period.

Was there more to medieval and Renaissance comedy than Chaucer and Shakespeare? Bien sûr. For a real taste of saucy early European humor, one must cross the Channel to France. There, in the fifteenth and early sixteenth centuries, the sophisticated met the scatological in popular performances presented by roving troupes in public squares that skewered sex, politics, and religion. For centuries, the scripts for these outrageous, anonymously written shows were available only in French editions gathered from scattered print and manuscript sources. Now prize-winning theater historian Jody Enders brings twelve of the funniest of these farces to contemporary English-speaking audiences in "The Farce of the Fart" and Other Ribaldries. Enders's translation captures the full richness of the colorful characters, irreverent humor, and over-the-top plotlines, all in a refreshingly uncensored American vernacular.

Those who have never heard the one about the Cobbler, the Monk, the Wife, and the Gatekeeper should prepare to be shocked and entertained. "The Farce of the Fart" and Other Ribaldries is populated by hilarious characters high and low. For medievalists, theater practitioners, and classic comedy lovers alike, Enders provides a wealth of information about the plays and their history. Helpful details abound for each play about plot, character development, sets, staging, costumes, and props. This performance-friendly collection offers in-depth guidance to actors, directors, dramaturges, teachers, and their students.

"The Farce of the Fart" and Other Ribaldries puts fifteenth-century French farce in its rightful place alongside Chaucer, Shakespeare, commedia dell'arte, and Molière—not to mention Monty Python. Vive la Farce!

"Perhaps it is no coincidence that the nineteenth century—the century when, it has been said, sexuality as such (and various taxonomized sexual identities) were invented—is the period when American short stories were invented, and when they were the queerest."—Christopher Looby, from the Introduction

A man in small-town America wears the clothing of his wife and sisters; satisfied at last that he has "a perfect suit of garments appropriate for my sex," he commits suicide, asking only that he be buried dressed as a woman. A country maid has a passionate summer relationship with an heiress, the memory of which sustains her for the next forty years. A girl is carried by a strong wind to a place where she discovers that everything is made of candy, including the "queer people," whom she licks and eats. If these are not the kinds of stories we expect to find in nineteenth-century American literature, it is perhaps because we have been looking in the wrong places.

The stories gathered here are written by a diverse assortment of writers—women and men, obscure and famous: Herman Melville, Willa Cather, and Louisa May Alcott, among others. Exploring the vagaries of gender identity, erotic desire, and affectional attachments that do not map easily onto present categories of sex and gender, they celebrate, mourn, and question the different modes of embodiment and forgotten styles of pleasure of nineteenth-century America.

"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."—from the Introduction

The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are fully edited and documented.

Celebrated landscape architect Gilles Clément may be best known for his public parks in Paris, including the Parc André Citroën and the garden of the Musée du Quai Branly, but he describes himself as a gardener. To care for and cultivate a plot of land, a capable gardener must observe in order to act and work with, rather than against, the natural ecosystem of the garden. In this sense, he suggests, we should think of the entire planet as a garden, and ourselves as its keepers, responsible for the care of its complexity and diversity of life.

"The Planetary Garden" is an environmental manifesto that outlines Clément's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.

The global context of a feminist movement

The #MeToo movement is most famous for the US celebrities it took to task for sexual crimes—Harvey Weinstein, Bill Cosby, and Matt Lauer, to name a few. Mainstream representations of #MeToo frame it as a global feminist campaign that originated in the US and focused on high-profile American actors and executives. But the debates about gender-based violence that #MeToo catalyzed were felt worldwide. Despite the global uptick of the movement, there are very few feminist accounts of the transnational politics of #MeToo.

This anthology frames #MeToo as a movement with uneven itineraries, goals, and outcomes. The essays in this volume take a transnational and comparative feminist approach to #MeToo, focusing on the multiple ways that feminist voices from Argentina, Egypt, India, Pakistan, South Korea, the US, and the UK have pushed the boundaries of what counts as politics, justice, solidarity, violence, precarity, and vulnerability. In doing so, this volume shows how an engagement with #MeToo allows us to extend and sharpen the empirical, theoretical, and methodological parameters of transnational feminist thought. A blend of global activist and academic work, #MeToo and the Politics of Transnational Feminism offers a necessary transnational framing of the #MeToo movement.

The fourth volume in the Amheida series, ‘Ain el-Gedida: 2006-2008 Excavations of a Late Antique Site in Egypt's Western Desert (Amheida IV) presents the systematic record and interpretation of the archaeological evidence from the excavations at ‘Ain el-Gedida, a fourth-century rural settlement in Egypt's Dakleh Oasis uniquely important for the study of early Egyptian Christianity and previously known only from written sources.

Nicola Aravecchia (Washington University), the Deputy Field Director of NYU's Amheida Excavations, offers a history of the site and its excavations, followed by an integrated topographical and archaeological interpretation of the site and its significance for the history of Christianity in Egypt. In the second half of the volume a team of international experts presents catalogs and interpretations of the archaeological finds, including ceramics (Delphine Dixneuf, CRNS), coins (David M. Ratzan, NYU), ostraca and graffiti (Roger S. Bagnall, NYU and Dorota Dzierzbicka, University of Warsaw), small finds (Dorota Dzierzbicka, University of Warsaw), and zooarcheological remains (Pamela J. Crabtree, NYU and Douglas Campana).

Upton Sinclair’s novel, 100%: The Story of a Patriot, follows young Peter Gudge, a poor and uneducated man living in America during the first World War. After being in the wrong place at the wrong time, Peter falls victim to false allegations of domestic terrorism. As a result, Peter must abandon his old ignorance to political issues. While becoming involved in politics and the government, Peter is swept into a plot to spy on the Socialist Party, who are suspected of the domestic bombing. Though his world has been flipped upside down, Peter uses his new awareness to become a businessman. As Peter’s job exposes poor working conditions, including unsafe business practice, low wages, and unfair expectations, issues of class are apparent. While the upper class exploits the lower-class citizens, Peter’s job reveals the struggles of workers without labor laws, invoking an empathetic desire for change. Famous for politically charged novels exposing American society and the ways its institutions harmed the American people, Upton Sinclair’s 100%: The Story of a Patriot provides a compelling narrative that advocates for the working class. Through Peter, the prolific author, Upton Sinclair, exposes big business practices—demonstrating the exploitation of the poor and disadvantaged for capital gain. Sinclair lived through World War One and experienced firsthand how it affected Americans. Though fictional, 100%: The Story of a Patriot holds historical significance, as it focuses on the unique perspective of American citizens on the home front of the first World War, rather than the actual battlefield. This thrilling tale highlights the class wars in America as well as the effects the Red Scare had on American people. With a relatable protagonist and gripping prose, 100%: The Story of a Patriot depicts a journey that is very applicable to the political atmosphere of today. This edition of Upton Sinclair’s 100%: The Story of a Patriot features a stunning new cover design and is printed in a modern font to appeal to contemporary readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

• 36 new hikes, including jaunts on the South Powell Divide (northern Sunshine Coast) and Owl-Tenquille Traverse (Líl̓wat Nation territory), in Tetrahedron Park (southern Sunshine Coast) and Sooke Hills Wilderness Regional Park (near Victoria)
• All-new four-color photos throughout as well as 43 new topographic maps
• A foreword by Stó:lō Elder and cultural advisor Sonny McHalsie
• Tips on staying healthy and safe in the backcountry by North Shore Search and Rescue members Kayla Brolly and Douglas Pope
• Tips on taking care of nature and preserving biodiversity by the Canadian Parks and Wilderness Society’s landscape conservationist Tori Ball
• Lists of best hikes on rainy days, with dogs and for overnight trips

A fully updated edition of the Lower Mainland’s bestselling walking guidebook, featuring a wider range of trails than ever before.

Since its first edition in 1976, 109 Walks has guided more than 100,000 locals and visitors alike to the best viewpoints, urban forests, and coastal headlands of British Columbia’s stunning Lower Mainland. This latest edition continues and builds on the legacy of its beloved predecessor with more than twenty completely new trails, a striking selection of photographs, and updated directions that include GPS coordinates for easier route-finding. True to its origins, the book includes clearly written, carefully detailed route descriptions for each walk, along with helpful personal notes about points of natural and historical interest to visit along the way. This edition also features more options in the Sea-to-Sky Corridor, Surrey, and the Fraser Valley—as well as walks that take less than three hours to complete—making it more accessible and expansive than ever before.

Still accurate, authoritative, and highly affordable, 109 Walks is an indispensable insider’s guide for exploring British Columbia’s Lower Mainland in all seasons.

THE DEFINITIVE GUIDE TO WINNING AN ARGUMENT WITH A LIBERAL.

"Antifa leftists may still burn this book, but more than a few center-left individuals will read 13 1/2 Reasons Why NOT to Be a Liberal and develop a new respectful understanding of conservatism.” — Dinesh D’Souza

Although conservatives outnumber liberals in 44 out of 50 states, it’s a situation conservatives know very well in today’s contentious political environment: Conservatives often find themselves in discussions with liberals who relentlessly hammer conservatives with insults, accusations, and unfounded assumptions about conservatism.

The question is: What is a proud and informed conservative to do?!

The answer is: 13 1/2 Reasons Why NOT to be a Liberal: And How To Enlighten Others, the conservative playbook to persuasive facts and arguments that detail the policies, accomplishments, and often-ignored compassionate nature of the conservative philosophy.

Presented in an easy-to-access format, Judd Dunning’s ideological treatise will empower readers not only to hold their own in an argument with a liberal, but also to change hearts and minds, or at worst, preserve a few more mutually respectful relationships with more ease, clarity, and dignity.

Both a current and timeless conservative philosophical and argumentative manifesto made for conservative, right-leaning, independent, libertarian or “on the fence” Americans who are both passionate about politics and love being Americans.

If you can't achieve a win-win civil discussion with a liberal, at least you can use 13 1/2 Reasons Why NOT to be a Liberal to land some clear, intelligent blows. You will no longer serve as a liberal's doormat. You can maintain your pride and then move on to someone who really wants to both talk and listen. A "Freethinker"… probably a conservative!

As military campaigns go, the War of 1812 was a disaster. By the time it ended in 1815, Washington, D.C., had been burned to the ground, the national debt had nearly tripled, and territorial gains were negligible. Yet the war gained so much popular support that it ushered in what is known as the "era of good feelings," a period of relative partisan harmony and strengthened national identity. Historian Nicole Eustace's cultural history of the war tells the story of how an expensive, unproductive campaign won over a young nation—largely by appealing to the heart.

1812 looks at the way each major event of the war became an opportunity to capture the American imagination: from the first attempt at invading Canada, intended as the grand opening of the war; to the battle of Lake Erie, where Oliver Perry hoisted the flag famously inscribed with "Don't Give Up the Ship"; to the burning of the Capitol by the British. Presidential speeches and political cartoons, tavern songs and treatises appealed to the emotions, painting war as an adventure that could expand the land and improve opportunities for American families. The general population, mostly shielded from the worst elements of the war, could imagine themselves participants in a great national movement without much sacrifice. Bolstered with compelling images of heroic fighting men and the loyal women who bore children for the nation, war supporters played on romantic notions of familial love to espouse population expansion and territorial aggression while maintaining limitations on citizenship. 1812 demonstrates the significance of this conflict in American history: the war that inspired "The Star-Spangled Banner" laid the groundwork for a patriotism that still reverberates today.

Dr. Gary Small and Gigi Vorgan’s 2 Weeks To A Younger Brain translates the latest brain science into practical strategies and exercises that yield quick and long- lasting benefits.

Misplacing your keys, forgetting someone’s name at a party, or coming home from the market without the most important item — these are just some of the many common memory slips we all experience from time to time. But such cognitive lapses don’t just plague middle-agers and seniors; UCLA studies indicate that forgetfulness begins much earlier in life. Scientists can detect subtle changes in the brain that coincide with mental decline by the time we reach age 40, and our findings show that people as young as 20 already have memory problems.

2 Weeks to a Younger Brain will not only improve your memory, but will also strengthen your physical health by reducing your risk for diabetes, heart disease, and stroke. The latest research confirms that there is a lot we can do to boost our memory and keep our brains young. After three decades of helping thousands of patients improve their memory and mental acuity, Dr. Small and Gorgan are convinced that our daily lifestyle habits are directly linked to our brain health. This book will show that it only takes two weeks to form new habits that bolster cognitive abilities and help stave off, or even reverse, brain aging.

If you commit only 14 days to 2 Weeks To A Younger Brain, you will reap noticeable results. During that brief period, you will have learned the secrets to keeping your brain young for the rest of your life.

This authoritative “go-to” publication aims to educate women on how to express their rights within Islam. Perfect for enabling activists to integrate an egalitarian Islamic belief system into their movements.  

The most effective means of improving Muslim women's lives is connecting them to their deeply held beliefs that affirm human dignity and gender equality at the core of the Islamic faith. But Muslim women lack this information that enlightens and vouches for their sacred rights, and they have no accessible tools that encourage faith-based activism consistent with the Islamic faith. To protect them from being misrepresented by or outside their communities, there is a need to provide pre-packaged, easy-to-understand literacy tools to women so they can lead lives of choice, dignity, and opportunity. 30 Rights of Muslim Women aims to fill this gap.

Explores Jackie Robinson’s compelling and complicated legacy

Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him.

Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

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The strategy is to build multiple streams of income that don't require you to work 8 to 5 in a company where you have little control of your time and compensation.

The core money parts — Keep More Money, Make More Money, and Grow More Money — focus on ways to tighten your finances, increase your income, and develop passive investment strategies. The goal is to build regular, independent cash flow until they match your standard of living. Then you’re no longer captive. Your independent income is enough to sustain you — to free you.

The Personal Freedom chapters are Purpose, Choice, Productivity, Simplicity, Adventure, Peace, and Generosity — ways to live your life to the fullest. In Power UP! you Strengthen Your Mindset, Build Your Inner Circle, Fortify Your Habits, and Amplify Your Energy — tools to support and realize your new goals.

In Push the Boundaries, Nik Halik shares his remarkable journey and challenges you to achieve your own 5 Day Weekend®. New York Times bestselling author, Garrett B. Gunderson, offers his savvy financial expertise.

In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects.

Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game." He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today.

813 (1910) is a novel by Maurice Leblanc. Blending crime fiction, fantasy, and mystery, Leblanc crafts original and entertaining tales of adventure starring one of the greatest literary characters of all time—Arsène Lupin, gentleman thief. Partly based on the life of French anarchist Marius Jacob, Lupin first appeared in print in 1905 as an answer to Sir Arthur Conan Doyle’s Sherlock Holmes.

Arsène Lupin is the world’s greatest thief, an unmatched force for good whose exploits threaten the wealth and standing of France’s most wicked men. In this installment of Leblanc’s beloved series, Lupin uses his remarkable wit and chameleon-like ability to move undetected through aristocratic society in order to steal, trick, and cheat his way through life. Despite his criminal nature, he operates under a strict moral code, only taking from those who have taken from the poor all their lives. In this novel, Lupin targets Mr. Kesselbach, a man known as the King of Diamonds whose immense fortune surpasses twenty-million-pound sterling. Finding him at the extravagant Palace Hotel, Lupin executes his plan brilliantly—but when Kesselbach is found murdered, the thief is implicated in the crime. Sent to prison, he is forced to cooperate with the police in order to catch the killer and clear his own name. The ensuing mystery involves some of Europe’s most powerful leaders, both past and present. 813 is a story of romance, mystery, and crime that continues to astound over a century after it was published.

This edition of Maurice Leblanc’s 813 is a classic of French literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

"I need an audience—-so watch out!" With these James T. Farrell announced his intention of becoming a writer. He was to realize this ambition in manifold ways through his prolificacy, versatility, and his achieved recognition as a formidable figure in American literature. The material contained in this book grew out of initial research for a critical study which disclosed the chaotic state of Farrell's literary affairs and the urgent need for a bibliography. The task was not to be an easy one, for many of Farrell's writings were printed in obscure publications both in the United States and abroad. Edgar M. Branch has ferreted out, producing his compilation with enthusiasm and accuracy.

This book is a definitive guide to Farrell's writings published in newspapers, magazines, pamphlets, and books, from the time of his high­school days through 1957. It includes both the fiction (novels, short stories, one poem, and one play) and the nonfiction (essays, articles, statements, manifestoes, newspaper columns, etc.), and in many cases descriptions of these writing are appended when deemed necessary. As a further aid to students and researchers, Branch has listed many reprints and dates of writing for the individual short stories and has provided two appendices giving foreign editions of books and tape recordings of unpublished speeches. This detailed bibliography, the first on Farrell ever printed, is supplemented by a preface by Farrell and a foreword by the author.

Edgar Branch has directed his attention to the more inaccessible of Farrell's writings and to the clarification of the voluminous abundance of written material that Farrell has produced. Through this book it is possible to trace Farrell's fluctuating status as a writer, his shifting position among editors, critics, and readers. The data included other clues to the evolution and growth of his ideas and relationships with his contemporaries, providing insight into his changing political affiliations and the motivation and development of his fiction.

A Bibliography of ]ames T. Farrell's Writings will be a valuable practical aid to scholars and students of literature and Americana, for it makes available a scholarly compilation of the extensive list of writings by one of America's most distinguished and controversial contemporary writers.

This work is an analytic bibliography of the writings of Jonathan Swift, containing a listing of every known edition or issue of Swift's work down to the year 1814 (except for the section "Biography and Criticism" which extends from 1709 to 1895). In this revised edition, Herman Teerink has added full collations of the works referred to. In addition, the titles of many 18th century mutations or parodies of Swift have been included together with works which allude to Swift or his writings.

Arthur H. Scouten, a University of Pennsylvania professor of English and author of many bibliographical articles on Swift, who has carried on Dr. Teerink's work and prepared this volume for press, has consulted 18th century scholars and bibliographers. With their advice, he has kept the original Teerink numbers, since they are the common reference numbers among Swift scholars and are listed in dealers' catalogues. Because the new material and arrangement put these numbers out of order, they have been listed in a table at the beginning of the book with all the pages they appear on.

So that they will not have to be sought throughout the entire volume, all the Faulkner editions have been placed together and all the printings of Gulliver's Travels have been collected in one section, where they are arranged chronologically by country. A full physical description of all important books and pamphlets, including those discovered since 1937 (the first edition), has been provided. The work has been brought up-to-date with the bibliographical findings of Swift scholarship of the past twenty-five years. A number of pieces apocryphally attributed to Swift have been deleted or placed in the "Doubtful" section. Finally, entries of books and pamphlets containing contemporary comment on a work by Swift have been placed where Swift's work itself is entered.

This book is especially rich in its listings of translations of Swift's works into foreign languages. Also, since the first edition (A Bibliography of the Writings in Prose and Verse of Jonathan Swift, D.D.) has long been out of print, this volume will be invaluable to book dealers, bibliophiles, and scholars, teachers, and students of English literature.

A Boy’s Will (1913) is a collection of poems by American poet Robert Frost. Published in London and dedicated to the poet’s wife, Elinor, A Boy’s Will, which received enthusiastic early reviews from both Ezra Pound and W.B. Yeats, launched Frost’s career as America’s leading poet of the early-twentieth century. Invoking such figures as Henry Wadsworth Longfellow, Emily Dickinson, and Thomas Hardy, Frost ties himself to tradition while establishing his own poetic legacy, grounded in an intuitive sense of rural New England life and the subtleties of the soul.

“Into My Own,” the collection’s opening poem, reveals the poet’s strange wish to “steal away” into “those dark trees, / So old and firm they scarcely show the breeze.” Without fear, he welcomes uncertainty, ventures into it willingly, knowing it is the only way to live. In “Ghost House,” the poet enters a realm of shades and spirits, an underworld of memory where “a lonely house” has left “no trace but the cellar walls.” As he moves through this twilight landscape, encountering the “mute folk…Who share the unlit place” with him, the poet meditates on life and death, their proximity and distance, and his own sense of self within both. “Mowing” envisions the poet’s work through the prism of rural labor. “There was never a sound beside the wood but one / And that was my long scythe whispering to the ground. / What was it it whispered?” The speaker does not know, but continues his task, hypnotized by its rhythm and music.

This edition of Robert Frost’s A Boy’s Will is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Investigates how Lebanese activists work through failure to keep the possibility of political change alive

A Break in the Future considers how activists keep hope alive and work toward future change when social movements fall apart and protests fail. Anthropologist Fuad Musallam investigates the endurance of political possibility in Beirut, Lebanon, between the Arab uprisings of 2010–11 and the Lebanese uprising of October 2019. Despite a regional collapse of political hope and a local inability to effect change in the context of political stasis, postponed elections, and the degradation of civil infrastructure, between every protest cycle a sizable number of people remained engaged and built toward future political opportunities. Through an analysis of activist strategies, Musallam explores the ways in which we grasp different phases of political (dis)engagement together. The book is motivated by a desire to better understand how to keep political possibility alive.

To make sense of how possibility endures, this book looks at the ebb and flow of political engagement together, that is, not only at the peaks of recent mobilizations but also at the times in between when, at first glance, little seems to be happening on the ground. Musallam explores how activists cultivated and maintained their political subjectivity—the active and engaged sense of self that motivates political action—across the decade’s high and low points. He finds this political subjectivity to be the product of heartbreak and defeat as much as victory, as it underlies several movements at any one time and can sustain activists through multiple setbacks.

Musallam discovers that when political change seems most unlikely, a moment of rupture—or a “break in the future”—becomes central to Lebanese activists’ belief that their actions can and will transform their world. A Break in the Future ultimately argues that the experience of moments of rupture radically transforms what seems possible, and that the cultivation of these experiences keeps movements going even when things appear to fall apart.

For years, Alfred, the eldest son of the Bligh family, has traveled the world like a vagabond. However, since he is a poor communicator, his whereabouts and activities are often left to his family’s imagination. One morning, as the Bligh family gather around their breakfast table, they are no longer left to wonder. Having only sent a letter after his voyage across the ocean, Alfred writes his family a letter to warn them of his arrival, and tells them of an even bigger surprise. While on an Australian adventure, Alfred met the love of his life, Gladys, and promptly married her. Now, the newlywed couple were back in Alfred’s home country of England, and ready to meet the family for the first time. Though Alfred acknowledges that he understands the shock the news might cause, he promises his family that they will love Gladys. However, it is apparent that the young man has overestimated his family’s affection when Alfred and Gladys arrive. Disliking even her name, the Bligh family are unapologetically British, and are convinced that Australians are barbarians. As Gladys tries to fit in and overcome the family’s prejudices, she quickly recognizes faults and hypocrisies in the Bligh's’ distain for her nationality. Partially inspired by E.W Hornung’s own travels to Australia, A Bride from the Bush is a descriptive and comedic tale that exposes the flaws in 19th century British culture through the perspective of an Australian native. With themes of identity and prejudice, A Bride from the Bush remains to be a fresh and relatable dramatic comedy. This edition of author E.W Hornung’s debut novel, A Bride from the Bush, features a new, eye-catching cover design and is reprinted in a modern and readable font. With these accommodations, contemporary readers are encouraged to revisit this classic comedy.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Prolific, award-winning translator of classical and modern Japanese poetry Hiroaki Sato recorded his thoughts on American society in mainly two columns across 30-plus years, collected here for the first time.

This anthology of over 60 of Sato’s commentaries reflect the writer’s wide-ranging erudition and his unsentimental views of both his native Japan and his adopted American homeland. Broadly he looks at the Pacific War and its aftermath and at war (and our love of it) in general, at the quirks and curiosities of the natural world exhibited by birds and other creatures, at friends and mentors who surprised and inspired, and finally at other writers and their works, many of them familiar—the Beats and John Ashbery, for example, and Mishima—but many others whose introduction is welcome.

Sato is neither cheerleader nor angry expatriate. Remarkably clear-eyed and engaged with American culture, he is in the business of critical appraisal and translation, of taking words seriously, and of observing how well others write and speak to convey their own truths and ambitions.

Financial crises happen time and again in post-industrial economies—and they are extraordinarily damaging. Building on insights gleaned from many years of work in the banking industry and drawing on a vast trove of data, Richard Vague argues that such crises follow a pattern that makes them both predictable and avoidable.

A Brief History of Doom examines a series of major crises over the past 200 years in the United States, Great Britain, Germany, France, Japan, and China—including the Great Depression and the economic meltdown of 2008. Vague demonstrates that the over-accumulation of private debt does a better job than any other variable of explaining and predicting financial crises. In a series of clear and gripping chapters, he shows that in each case the rapid growth of loans produced widespread overcapacity, which then led to the spread of bad loans and bank failures. This cycle, according to Vague, is the essence of financial crises and the script they invariably follow.

The story of financial crisis is fundamentally the story of private debt and runaway lending. Convinced that we have it within our power to break the cycle, Vague provides the tools to enable politicians, bankers, and private citizens to recognize and respond to the danger signs before it begins again.

Baltimore is key to understanding the trajectory of civil rights in the late nineteenth and early twentieth century

In A Brotherhood of Liberty, Dennis Patrick Halpin shifts the focus of the black freedom struggle from the Deep South to argue that Baltimore is key to understanding the trajectory of civil rights in the late nineteenth and early twentieth centuries. In the 1870s and early 1880s, a dynamic group of black political leaders migrated to Baltimore from rural Virginia and Maryland. These activists, mostly former slaves who subsequently trained in the ministry, pushed Baltimore to fulfill Reconstruction's promise of racial equality. In doing so, they were part of a larger effort among African Americans to create new forms of black politics by founding churches, starting businesses, establishing community centers, and creating newspapers. Black Baltimoreans successfully challenged Jim Crow regulations on public transit, in the courts, in the voting booth, and on the streets of residential neighborhoods. They formed some of the nation's earliest civil rights organizations, including the United Mutual Brotherhood of Liberty, to define their own freedom in the period after the Civil War.

Halpin shows how black Baltimoreans' successes prompted segregationists to reformulate their tactics. He examines how segregationists countered activists' victories by using Progressive Era concerns over urban order and corruption to criminalize and disenfranchise African Americans. Indeed, he argues the Progressive Era was crucial in establishing the racialized carceral state of the twentieth-century United States. Tracing the civil rights victories scored by black Baltimoreans that inspired activists throughout the nation and subsequent generations, A Brotherhood of Liberty highlights the strategies that can continue to be useful today, as well as the challenges that may be faced.

There are people dedicated to improving the way we eat, and people dedicated to improving the way we give birth. A Bun in the Oven is the first comparison of these two social movements. The food movement has seemingly exploded, but little has changed in the diet of most Americans. And while there’s talk of improving the childbirth experience, most births happen in large hospitals, about a third result in C-sections, and the US does not fare well in infant or maternal outcomes.
In A Bun in the Oven Barbara Katz Rothman traces the food and the birth movements through three major phases over the course of the 20th century in the United States: from the early 20th century era of scientific management; through to the consumerism of Post World War II with its ‘turn to the French’ in making things gracious; to the late 20th century counter-culture midwives and counter-cuisine cooks. The book explores the tension throughout all of these eras between the industrial demands of mass-management and profit-making, and the social movements—composed largely of women coming together from very different feminist sensibilities—which are working to expose the harmful consequences of industrialization, and make birth and food both meaningful and healthy.
Katz Rothman, an internationally recognized sociologist named ‘midwife to the movement’ by the Midwives Alliance of North America, turns her attention to the lessons to be learned from the food movement, and the parallel forces shaping both of these consumer-based social movements. In both movements, issues of the natural, the authentic, and the importance of ‘meaningful’ and ‘personal’ experiences get balanced against discussions of what is sensible, convenient and safe. And both movements operate in a context of commercial and corporate interests, which places profit and efficiency above individual experiences and outcomes. A Bun in the Oven brings new insight into the relationship between our most intimate, personal experiences, the industries that control them, and the social movements that resist the industrialization of life and seek to birth change.

As its sister title, A Californian's Guide to the Trees Among Us, did for arboreal varieties, this new guidebook introduces casual birders to 120 of California's most easily seen bird species—native and exotic alike—as found in a mix of urban, suburban, and traditionally natural habitats.

Full-color images and clear, direct descriptions make identification easy, and author Charles Hood supplements the essential information with surprising facts and trivia, including endangered-species recovery stories and the world record for grasshoppers eaten by one flycatcher in a single day. In sections addressing which gear to buy, where to go birdwatching, and how to read a birdsong transcription, Hood encourages readers to take ownership of their experiences, no matter their level of ornithological expertise. This accurate, lively, and even quotable guide will inspire people to notice nature more closely and find joy in interacting with the astounding diversity of avian life in California.

Now expanded and updated: Californians’ favorite reference book to trees in our everyday lives.

"Anyone who is curious about trees is sure to find education and inspiration in these pages."—David Allen Sibley, author of The Sibley Guide to Trees and The Sibley Guide to Birds

For more than ten years, A Californian’s Guide to the Trees among Us has taught Californians the what, why, and how of trees in our cities and towns. This edition has been updated by the author to reflect new trends in urban forestry, with a revised introduction, updated taxonomy and nomenclature, and more than ten additional species featured.

Matt Ritter introduces us to over 160 of California’s most commonly grown urban trees in this expanded edition of his best-selling book. Whether native or cultivated, these are the trees that muffle noise, create wildlife habitats, mitigate pollution, conserve energy, and make urban living healthier and more peaceful. Used as a field guide or read with pleasure for the liveliness of the prose, this book will allow readers to learn the stories behind the trees that shade our parks, grace our yards, and line our streets. Rich in photographs and illustrations, overflowing with anecdote and information, A Californian’s Guide to the Trees among Us opens our eyes to a world of beauty just outside our front doors.

This integration of earlier and new scholarship reconceptualizes the origins of civilization, challenging the received view that the ancient Near East spawned the spread of civilization outward from Mesopotamia to all other neighboring cultures. Central Asia is here shown to have been a major player in the development of cities.

Skillfully documenting the different phases of both Soviet and earlier Western external analyses along with recent excavation results, this new interpretation reveals Central Asia's role in the socioeconomic and political processes linked to both the Iranian Plateau and the Indus Valley, showing how it contributed substantively to the origins of urbanism in the Old World. Hiebert's research at Anau and his focus on the Chalcolithic levels provide an essential starting point for understanding both the nature of village life and the historical trajectories that resulted in Bronze Age urbanism.

University Museum Monograph, 116

A Century of Dishonor (1884) is a work of nonfiction by Helen Hunt Jackson. Inspired by a speech given by Ponca chief Standing Bear in Boston, A Century of Dishonor attempts to reckon with the genocide and displacement of Native Americans and the passage of Indian Appropriations Act of 1871. At her own expense, Hunt Jackson sent copies of the book to every member of Congress, hoping to convince them to amend official government policies and to end the mistreatment of indigenous peoples across the country. Largely dismissed upon publication, the book managed to galvanize a minority of white Americans in solidarity with Native people nationwide and led to some minor government reforms. After meeting Standing Bear in 1879, Hunt Jackson spent months at Manhattan’s Astor Library to compile research on the treatment of Native Americans. Using government reports and personal testimonies, she weaves a story of seven tribes whose treaties with the United States were broken, who were removed from their ancestral lands, and whose people were massacred by settlers and military forces. She provides background on the histories and cultures of the Delaware, Cheyenne, Nez Perce, Sioux, Ponca, Winnebago, and Cherokee peoples, arguing that their way of life had a vital impact on the formation of the United States. Crucially, she cites statistics directly from the War Department and the Department of Interior which show that the government openly pursued a campaign of violence against Native Americans. She argues: “It makes little difference, however, where one opens the record of the history of the Indians; every page and every year has its dark stain.” Providing the incontrovertible facts of the nation’s actions, its dishonorable conduct, she demands not just answers, but change. That her activism was largely ignored remains tragic. This edition of Helen Hunt Jackson’s A Century of Dishonor is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Child of Sorrow (1921) is a novel by Zoilo Galang. The novel, Galang’s debut, has been recognized as the first work of published Filipino fiction written in English. Modeled after popular nineteenth century romances written in Spanish and Tagalog, A Child of Sorrow is a classic coming of age tale engaged with themes of friendship, desire, and the loss of innocence. Simple and heartfelt, A Child of Sorrow remains a groundbreaking work of literature from an author who dedicated his career to education and the arts.

“In one of the rural and sequestered plains of Central Luzon, called the Fertile Valley, where the rice fields yielded the cup of joy to the industrious farmers, and where the harvest filled aplenty the barns of the poor, there lived simple, homely people, free from the rush and stir of city life.” In this idyllic setting, Lucio and Camilo discuss their plans for summer vacation. While Lucio, a dreamer “who painted brilliant lives on the nice canvas of memory,” wants to immerse himself in his collection of books, Camilo wants his friend to join him in the world beyond words. Together, they take a trip into town, hoping for adventure and camaraderie—and, if possible, to meet a young woman to fall in love with. Despite Camilo’s encouragement, however, Lucio longs to write poetry, to commune with the natural world with nothing but his own thoughts to keep him company. One bright morning, he runs into Rosa returning home with a pitcher of water. Before he can collect himself, Lucio confesses his undying love.

This edition of Zoilo Galang’s A Child of Sorrow is a classic work of Filipino literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Old Jago is tucked away in the East End of London, conveniently placed so the wealthy and the fortunate can forget all about it and its unlucky residents. Dicky Perott does not have the luxury of forgetting about the ugly truth of Old Jago, because he and his family barely can afford the single-room home they live in, fighting off robbers, fleas, and the cold. Though he is just a young boy, Dicky already dreams of the day he can leave the slum forever, but first, he has to find out how. Roaming the streets daily, Dicky begs and steals to survive, and is always looking for an opportunity to improve himself. As a riveting narration paints a portrait of life in Old Jago, Dicky comes of age while believing that if he works hard and hopes even harder, he will make it out of Old Jago alive. First published in 1896, A Child of the Jago earned Arthur Morrison considerable fame and commercial success. Quickly becoming a bestseller, this 19th century drama is now considered to be Arthur Morrison’s best work. Often praised for the authenticity in his portrayal of London’s working class, Arthur Morrison provides a devastating portrayal of life in a London slum in A Child of the Jago. Through an incredibly visceral depiction of the setting and characters, A Child of the Jago is unapologetically honest and gripping. With themes of class, coming-of-age, and societal injustice, Morrison offers modern readers a rare portrayal of the poorest class in 19th century London, without omitting a single detail. With relatable characters that demand empathy and a setting that steals attention, A Child of the Jago remains on the mind long after the novel’s conclusion. This edition of A Child of the Jago by Arthur Morrison now features an eye-catching new cover design and is printed in a font that is both modern and readable. With these accommodations, this edition of A Child of the Jago creates an accessible and pleasant reading experience for modern audiences while restoring the original wit and intrigue of Arthur Morrison’s work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Never out of print since its initial appearance in 1843, A Christmas Carol has been adapted countless times to the stage, radio, television, film and opera. The selfish miser Scrooge’s name has become synonymous with greed and indifference to the welfare of others. His immortal Christmas eve visitations by the Ghosts of Christmas Past, Present and Yet to Come have become a cultural fixture and a fundamental part of the Christmas Holidays around the world.

A Christmas Carol was conceived by the author with the deliberate intent of shaking his audience with an emotional tale designed to inspire compassion and charity toward the disadvantaged, especially children. Scrooge’s surreal, spellbinding journey into the meaning of Christmas, with its climactic insistence that a life lived without love and charity is no life at all, provides readers with one of literature’s finest, most unforgettable entertainments while celebrating the good in humanity and providing the world with the most cherished Christmas story ever written.

With an eye-catching new cover, and professionally typeset manuscript, this edition of A Christmas Carol is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.