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A debut poetry collection about reconciling with oneself and learning to love, through a youthful, queer diasporic Korean lens

Lotus flowers, youthful hunger, and other temporary beauties intertwine to tell this coming-of-age story, a set of pulsating poems that move toward a distant memory or a flaming future.

Kyo Lee's intimate debut poetry collection is simultaneously a vulnerable confession and a micro study of macro topics including lineage, family, war, and hope. i cut my tongue on a broken country explores the Asian American diaspora, queerness, girlhood, and the relationships between and within them, pushing and pulling on the boundaries of identity and language like a story trying to tell itself.

i cut my tongue on a broken country documents a search for love. It's a eulogy for the things we gave up to get here. It's an ode to tenderness. It blossoms and bleeds in your hands.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

A complex family drama with a Manhattan family court judge at its center.

I Don’t Know How to Tell You This focuses on Judge Rachel Sugarman and her life both inside and outside the courtroom. Rachel is part of a close Jewish family whose lives are marked by significant emotional challenges, including the painful recognition that her beloved husband is slowly being diminished by memory loss, and the past trauma of her mother-in-law, a prickly Holocaust survivor who, in old age, continues to struggle with her grief. 

Rachel’s career as a judge and the power she wields in her courtroom offer an intimate look at a woman navigating what is still, in the 21st century, a profession most often dominated by men. The novel explores the very topical issues of child and spousal abuse, which color the dark undercurrent of the courtroom scenes. And though it reflects serious issues, there is very clearly a pitch-black comic sensibility at work throughout the novel.  By turns sad and touching and quirkily humorous, I Don’t Know How To Tell You This is vintage Marian Thurm.  

Longtime Zen abbot shares the wisdom of his teacher, who brought Zen to the West and wrote the classic Zen Mind, Beginner's Mind

Les Kaye studied Zen with Shunryu Suzuki Roshi in the 1960s and is now abbot emeritus of Kannon Do Zendo in Mountain View, California (where Norman Fischer is acting abbot). Born and raised in Manhattan, Kaye moved to what is now Silicon Valley in his twenties to work for IBM. While working full-time in the corporate world, he practiced Zen sitting and mindfulness, became an ordained disciple of Suzuki Roshi and the head of practice at what became Kannon Do.

I Had a Good Teacher interweaves dharma talks with personal stories to reveal the subtleties of integrating Zen practice into a life of work and family. It includes fascinating memories of Suzuki Roshi and short writings about events at the zendo, including the time Steve Jobs visited Les for guidance integrating work and spiritual practice.

Compiled and edited by Les’s disciple Giuseppe Prisco, an Italian tech entrepreneur and Zen priest, I Had a Good Teacher is an introduction to Zen in daily life, a warm portrait of a great Zen teacher, and a reminder to meditators to return to basics, to keep their meditation real, and to practice awareness all day long.

• Empathy and connection with all living things
• Mindfulness and appreciation with the world around us
• That the forest is full of magical sounds—you just have to listen!

• How to engage with nature in fun and respectful ways
• Connection and empathy with living things
• Mindfulness, observation, and imagination

• How to engage with nature in fun and respectful ways
• Mindfulness and empathy with the world around us
• Positive and gentle play with younger siblings
• The ocean makes magical sounds—you just have to listen!

"Revealing and heart-wrenching" - The Times

Forewords by Murray Walker OBE
and Michael Schumacher

This is the ebook edition of Di Spires' unusual and revealing Formula 1 memoir. Di and her husband Stu travelled the world in Formula 1 for 30 years, running the team motorhome for a succession of different teams.
As well as Formula 1 people, she encountered personalities from every walk of life, from royalty to criminals on the run. Her stories range from the hilarious to the tragic and provide a unique perspective. This is a fast-paced read packed with surprising snippets and observations, with plenty of intimate insight into what the drivers are really like.
The author's Formula 1 roles included working for Lotus in the Senna era and Benetton in the Schumacher era. She worked with five World Champions and became 'Mum' to some of the biggest names in the pitlane.
An engaging read that's full of amusing stories from the Formula 1 paddock over the past 30 years. Very much a people book, it's packed with interest and insight into the whole cast of Formula 1, from World Champions to mechanics.
Ayrton Senna features large in her story she became close to the great Brazilian driver and his family. Other great drivers she worked with, and got to know well, include Michael Schumacher, Nelson Piquet and Elio de Angelis.
A motor racing memoir with a difference. Described as 'revealing and heart-wrenching' by The Times.

"The most insightful guide to getting moving I've ever read.” —Kelly McGonigal, author of The Joy of Movement

"If you've ever felt stuck on the sidelines of your own wellness journey, this might be the most validating, actionable, and life-giving book you pick up this year."—Kelly and Juliet Starrett, authors of Built to Move

Break down the common everyday mental blocks to moving your body, and turn your mind from an adversary into an ally in the quest to feel better in your body.

"I know I should move my body more, but...

• I’m on my feet all day for work and I’m exhausted!"
• I’m addicted to my phone."
• I’m great at starting movement programs, just lousy at sticking with them."
• My body jiggles and embarrasses me in public."
• Movement is sooooo boring!"

Sound familiar? If not, it probably means you have another perfectly good excuse of your own. We all have our reasons for not getting the physical activity we know is good for us—reasons which stubbornly defy the same old tired prescriptive advice about hours of weekly cardio or numbers of steps. Adding insult to injury, these same excuses contribute to you feeling bad or guilty when you fail to move as much as you know you “should.”

That’s why Diana Hill and Katy Bowman have put together this simple guide to changing the way you think to change how much you move.

Diana is a modern psychologist, expert in Acceptance and Commitment Therapy (ACT), and host of the Wise Effort podcast. Her mission is to help her clients and readers grow the psychological flexibility needed to get moving in directions that matter to them. Katy is a biomechanist, author, and trailblazing movement teacher who has spent a career helping people integrate more movement into their lives. In I Know I Should Exercise, But…, the two join forces to help you challenge your barriers to movement in a new way. Katy translates her understanding of the obstacles that keep people sedentary—including dozens of real-world examples from readers and clients—into 44 essential impediments to movement. Diana responds to those common barriers, while introducing you to acceptance and commitment therapy (ACT), behavioral psychology, and self-compassion: evidence-based-approaches for cultivating flexibility and aligning actions with values.

Whether your internal barrier is born of fear, malaise, inertia, embarrassment, or difficulty managing competing priorities, you will learn how to disempower it by applying effective science-based tools for changing the way you think.

You’ll learn to identify your resistance—whether it’s an unhelpful thought, a misplaced motivation, or a contextual barrier—and respond wisely and effectively, using tools and techniques that can be applied to other areas of your life as well, including:

• urge surfing
• motivational interviewing
• behavioral stretching
• strengthening your acceptance muscle

This is a must-have book for anyone struggling with the mental barriers to moving more and an essential resource for personal trainers, fitness instructors, and mental health professionals wanting to better connect with their clients.

Stretch your mind, connect with what is truly important to you, and stop talking yourself out of the movement you need!

This book contains a fantastic selection of cross stitch patterns with special messages for every occasion, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

This book contains a fantastic selection of cross stitch alphabet patterns, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

This book contains a fantastic selection of cross stitch patterns for advent calendars, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

This book contains a fantastic selection of cross stitch patterns for dragons & unicorns, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

This book contains a fantastic selection of cross stitch patterns for friends & family, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

This book contains a fantastic selection of cross stitch patterns for wizards & sprites, from leading designers and authors. It features strong designs across a range of styles, with clear, full-color cross stitch charts and easy-to-follow sewing instructions for each project--perfect for beginners.

From a celebrated Native journalist, an electrifying memoir of travel, love, friendships, and connection across cultures.

Growing up on the Torres Martinez Reservation in Southern California, Terria Smith longed for adventure. She became a journalist, hitting the road and reporting on the rich lives of Native people around the United States. As her hunger for travel grew, so did her understanding of community, and what it means to be a world citizen today. I Love You So Many—named after a favorite expression of her Spanish-speaking relatives—follows Smith from her ancestral homelands to Cuba, Iceland, Guyana, and back again. With exuberant, laugh-out-loud style she tells stories about forging profound friendships, falling in and out of love, and celebrating the determination that carried her through hard and heady times alike. She brings a fresh sensibility to travel writing, building enduring relationships with the people and cultures she visits. For Smith, travel is deeply rooted in Native traditions: It’s about sharing, reciprocity, risk-taking, and the valuable (and sometimes awkward) work of bridging and holding differences. As fun as it is poignant, I Love You So Many is an irresistible tribute to getting out and living a life in full.

Saul doesn't get why he's misunderstood. At his high-tech day job, he hides in the bathroom writing a novel about his dead grandfather and wonders why his boss wants to fire him. He tells his almost ex-wife about a blind date and wonders why she slams the door in his face. He aches with worry for his seven-year-old son, who seems happier living with his mom and her new man.

When the blind date becomes a complicated relationship, and Saul’s blunders at work threaten the survival of the company, Saul has to wake up and confront his fears.

I Only Cry with Emoticons is a quirky comedy that reveals the cost of being disconnected—even when we're using a dozen apps on our devices to communicate—and an awkward man's search for real connections, on and offline.

I Remember is a first-hand account of the world of black American music told by a man who has been part of that world for eighty years. Clyde E. B. Bernhardt worked with a number of bands, including King Oliver, Marion Hard, Cecil Scott, the Bascomb Brothers, and Joe Garland. He started his own band, the Blue Blazers, in 1946 and formed the Harlem Blues and Jazz Band in 1972.

The book is a primary document that provides information about a part of the history of American music for which there is little documentation.

EVER THOUGHT LIFE ISN'T TURNING OUT QUITE AS YOU EXPECTED?

Growing up, Katharine Welby-Roberts imagined that being an adult was one big party. But depression, anxiety and crippling self-doubt led her to alienate herself from others. To replay events and encounters as nightmares. Occasionally, to be unable to leave the house.

Aware of the cacophony of voices in her head, Katharine invites us to join her as she journeys to the depths of her soul. Here, with instinctive honesty and humour, she confronts the parts of her story that hinder her most.

As she charts a course that offers ways of coping with everyday issues, we are encouraged to embrace our own self-worth. To recognize the value of our existence. To let ourselves be loved. Exactly as we are.

With each chapter drawing on personal experience and featuring an original illustration, the topics include:

- taking responsibility (the need to accept failure)

- your crap/my crap (the boundaries between caring and taking on others' worries and stresses)

- what sort of special? (what it means to be unique in a sea of unique people)

- comparisons (the destructiveness of comparing ourselves to other people)

- affirmation (the healthy and unhealthy need)

- inner conflict (believing we can do anything/nothing at all)

- numbers (the power of social media)

- never chosen (finding our value in who we are in each situation, not in the people around us)

- major crisis in a minor moment (keeping things in proportion)

- regret (spending less time evaluating ourselves and more time just being ourselves)

Candid but powerfully reassuring, the book reminds us that we are each made - fearfully and wonderfully - in the image of God, our true source of confidence, comfort and joy.

'Brilliantly honest, often funny and wonderfully readable'
Martin Saunders, Youthscape

'Wholly authentic in the face of suffering and struggle'
Will van der Hart, The Mind and Soul Foundation

I wait for fireflies / I wait as if for someone / who will never return

The first work in English devoted entirely to the modern haiku master, Momoko Kuroda, with 100 poems plus commentary on the poet's life, social context, form, and technique.

Momoko Kuroda (1938–2023) was a giant of haiku poetry in Japan and a woman of remarkable independence and spirit. She received multiple awards for her poetry including the prestigious Dakotsu prize.

The one hundred poems here—her first collection in English—show her evolution as a poet, her acute lyricism, and her engagement as a writer in issues central to modern Japan: postwar identity, nuclear politics, and Fukushima. Abigail Friedman's introduction and textual commentaries provide important background and superb insight into poetic themes and craft.

An existential manual for tragic optimists, can-do pessimists, and compassionate doomers

WITH GLOBAL WARMING projected to rocket past the 1.5°C limit, lifelong activist Andrew Boyd is thrown into a crisis of hope, and off on a quest to learn how to live with the "impossible news" of our climate doom.

He searches out eight leading climate thinkers — from collapse-psychologist Jamey Hecht to grassroots strategist adrienne maree brown, eco-philosopher Joanna Macy, and Indigenous botanist Robin Wall Kimmerer — asking them: "Is it really the end of the world? and if so, now what?"

With gallows humor and a broken heart, Boyd steers readers through their climate angst as he walks his own. From storm-battered coastlines to pipeline blockades and "hopelessness workshops," he maps out our existential options, and tackles some familiar dilemmas: "Should I bring kids into such a world?" "Can I lose hope when others can't afford to?" and "Why the fuck am I recycling?"

He finds answers that will surprise, inspire, and maybe even make you laugh in this insightful and irreverent guide for achieving a "better catastrophe."

AWARDS

• BRONZE | 2023 Living Now Book Awards: Social Activism / Charity

ACCESSIBLITY NOTES

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book contains various accessibility features such as alternative texts for images, table of contents, landmarks, reading order, page list, Structural Navigation, and semantic structure. Blank pages have been removed from this EPUB.

Here, Malcolm Duncan uses his poem, God Gazer, to entreat us to stop and look into God and to let Him look into us. This is a call to return to our primary calling: to seek and discover God. We see that to be world changers we must learn to gaze into God; that we can have an impact, but only as we look into Him and let ourselves be changed. Once we have seen Him, our passion becomes that others will see Him, connect to the Source, and see their own lives transformed. 

Reflective, engaging and inspiring, this book will help readers connect with the beauty, mystery and wonder of God.

Thirteen true stories about xenophobia and belonging in Johannesburg

Generations of people from across Africa, Europe and Asia have turned metal from the depths of the earth into Africa’s wealthiest, most dynamic and most diverse urban centre, a mega-city where post-apartheid South Africa is being made. Yet for newcomers as well as locals, the golden possibilities of Gauteng are tinged with dangers and difficulties.

Chichi is a hairdresser from Nigeria who left for South Africa after a love affair went bad. Azam arrived from Pakistan with a modest wad of cash and a dream. Estiphanos trekked the continent escaping political persecution in Ethiopia, only to become the target of the May 2008 xenophobic attacks.

Nombuyiselo is the mother of 14-year-old Simphiwe Mahori, shot dead in 2015 by a Somalian shopkeeper in Snake Park, sparking a further wave of anti-foreigner violence. After fighting white oppression for decades, Ntombi has turned her anger towards African foreigners, who, she says are taking jobs away from South Africans and fuelling crime. Papi, a freedom fighter and activist in Katlehong, now dedicates his life to teaching the youth in his community that tolerance is the only way forward.

These are some of the thirteen stories that make up this collection. They are the stories of South Africans, some Gauteng-born, others from neighbouring provinces, striving to realise the promises of democracy. They are also the stories of newcomers, from neighbouring countries and from as far afield as Pakistan and Rwanda, seeking a secure future in those very promises.

The narratives, collected by researchers, journalists and writers, reflect the many facets of South Africa’s post-apartheid decades. Taken together they give voice to the emotions and relations emanating from a paradoxical place of outrage and hope, violence and solidarity. They speak of intersections between people and their pasts, and of how, in the making of selves and the other they are also shaping South Africa. Underlying these accounts is a nostalgia for an imagined future that can never be realised. These are stories of forever seeking a place called ‘home’.

In this collection, Caballero imagines how memory frames and reshapes the present, how memory illuminates and limits the stories of ourselves, and how, despite the passage of time, primal moments in the past are the ghosts and echoes of our present. These poems interweave an early childhood lived in another country and in another language with experiences of immigration and family histories in the United States. They create connections between a child’s naïve perspective of dictatorship and an adult perspective informed by bodily illness and political knowledge. Ultimately, Caballero traces a lineage of memory, exploring how present moments unearth the past that ripples through them. This collection does not reconcile the past and the present. Instead, these poems remind us that how we ask questions about ourselves, our histories, and our bodies is what creates our identities, our traumas, and our future hopes and possibilities.

"Caballero bears unflinching witness to the emotional trauma inherited from war-ravaged Chile to the exiled plains of Oklahoma. As though to witness is to love. These poems negotiate the transitions of language, memory, country, her battle with cancer, counterbalancing the violence from which she fled with a transformative devotion to details."—Richard Blanco, fifth Presidential Inaugural Poet

Overthinking simple actions leads to overwhelming poems about what one can lean on if promised help doesn’t help

I Will Get Up Off Of is a book about trying to leave a chair. How does anyone ever leave a chair? There are so many muscles involved – so many tarot cards, coats, meds, McNuggets, and memes. In this book, poems are attempts and failures at movement as the speaker navigates her anxiety and depression in whatever way she can, looking for hope from social workers on Zoom, wellness influencers, and psychics alike. Eventually, the poems explode in frustration, splintering into various art forms as attempts at expression become more and more desperate. What is there to lean on when avenues promising help don’t help? I Will Get Up Off Of explores the role art plays in survival and the hope that underlies any creative impulse.

"The voice of these poems moves like a magical fish trapped in a small square bowl, dazzlingly alive inside an almost annihilating constriction. These poems play a serious game in a tight space, caught in the looping limbo between intention — “I will…”, “I will…”, “I will…”— and action. Simina Banu’s skill and humour animate every line and gesture within this inventive drama that begins “(I will get up off of) this monobloc but I’ve been sentenced….” Sentenced to form and to language, Banu gives us a mind thinking its way toward freedom." – Damian Rogers, author of Dear Leader

When the author learns of the death of her brother overseas, she embarks on a journey to bring him home. Through memories and dreams of all they shared together and through her Dene traditions, she finds comfort and strength.

The lyrical art and story leave readers with a universal message of hope and love.

Kim Dower’s poetry has been described by the Los Angeles Times as “sensual and evocative . . . seamlessly combining humor and heartache,” and by O Magazine as “unexpected and sublime.” Acclaimed for combining the accessible and profound, her poems about motherhood are some of her most moving and disarmingly candid.  I Wore This Dress Today for You, Mom is an anthology of her poems on being a mother—childbirth to empty nest—as well as being a daughter with all the teenaged messiness, drama and conflict, to finally caring for one's mother suffering from dementia. Culled from her four collections as well as a selection of new work, these poems, heartbreaking, funny, surprising, and touching, explore the quirky, unexpected observations, and bittersweet moments mothers and daughters share. These evocative poems do not glorify mothers, but rather look under the hood of motherhood and explore the deep crevices and emotions of these impenetrable relationships: the love, despair, joy, humor and gratitude that fills our lives.

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children’s books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging.

Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fierce and fearless writing ‘truth to power’. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty. <br>
These essays bring to life many facets of Magona’s personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona’s engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering direct and insightful responses to the conditions that inspired them.

Through her essays Magona offers a reimagining of a broken society and the role literature can play in casting new light on old wounds.

'Based on real questions from real people in the real world. I would recommend this book to anyone investigating what Christianity is all about, and, as ever from Michael Green, it's brilliant stuff!' Andy Hawthorne, Director of The Message Trust

'Religious people are too intolerant.'
'You can't trust what is in the Bible.'
'Science has disproved Christianity.'
'There's too much suffering in the world.'
'Something 2,000 years ago can't be relevant to me today.'

Michael Green has responded to each of these statements in a direct and informal way, giving his Christian perspective on the opinions expressed. His easy style engages readers and shows how the Bible and Christian beliefs can provide a real faith for life.

This book may even help you believe in spite of your buts...

A rich uncle announces he has a terminal illness and plans to leave his estate to one of his sister’s children but under one condition. The family scrambles to accommodate his needs and meet the requirements of the inheritance. Mrs. Dermott is a widow and mother of five adult children—Oliver, Evangeline, Sylvia, Bobbie and Joyce. They live together in a large country house that they can no longer afford. The children are stagnant with no careers or future aspirations. Desperate, Mrs. Dermott turns to her brother Daniel for help. Once he arrives, Uncle Daniel declares he’s gravely ill and plans to leave his fortune to one of his sister’s children. He will bequeath a lucrative inheritance to the niece or nephew who is able to make the most of their life. In an effort to gain his favor, each child embarks on a different career path becoming successful in their own right. This leads to a startling revelation about Uncle Daniel, his wealth and mysterious illness.I’ll Leave It to You is a three-act play that’s both clever and entertaining. It’s one of Noël Coward’s earliest and most memorable works. It was written at age 19 and produced the following year in Manchester and London’s West End. With an eye-catching new cover, and professionally typeset manuscript, this edition of I’ll Leave It to You is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The stories in I’m Here dramatize life in the Alaskan interior, describing the difficult lives of people in Fairbanks, Alaska as they move through the long, brilliant days of summer into the deep winter months. These are characters living on the tenuous edge of things—on the economic edge caused by poverty and disillusion, on the dividing line between outsider and insider, and on the literal edge of the Alaskan wilderness. The stories in this collection move from beauty to danger and back again with decisive grace, although the lingering effect is not shock, but empathy toward people simultaneously alien and oddly familiar.

Become a more effective and powerful communicator in today's highly polarized and polluted public square

The most pressing problem we face today is not climate change. It is pollution in the public square, where a toxic smog of adversarial rhetoric, propaganda, and polarization stifles discussion and debate, creating resistance to change and thwarting our ability to solve our collective problems.

In this second edition of I'm Right and You're an Idiot, James Hoggan grapples with this critical issue, through interviews with outstanding thinkers and drawing on wisdom from highly regarded public figures. Featuring a new, radically revised prologue, afterword, and a new chapter addressing the changes in the public discourse since the 2016 United States election, his comprehensive analysis explores:

• How political will is manipulated
• How tribalism shuts down open-minded thinking, undermines trust, and helps misinformation thrive
• Why facts alone fail and how language is manipulated and dissent silenced
• The importance of dialogue, empathy, and pluralistic narrative reframing arguments to create compelling narratives and spur action.

Our species' greatest survival strategy has always been foresight and the ability to leverage intelligence to overcome adversity. For too long now this capacity has been threatened by the sorry state of public discourse. Focusing on proven techniques to foster more powerful and effective communication, I'm Right and You're an Idiot will appeal to readers looking for deep insights and practical advice in these troubling times.

What is it really like to be a college professor in an American classroom today? An award-winning teacher with over twenty years of experience answers this question by offering an enlightening and entertaining behind-the-scenes view of a typical semester in his American history course. The unique result—part diary, part sustained reflection—recreates both the unstudied realities and intensely satisfying challenges that teachers encounter in university lecture halls.

From the initial selection of reading materials through the assignment of final grades to each student, Patrick Allitt reports with keen insight and humor on the rewards and frustrations of teaching students who often are unable to draw a distinction between the words "novel" and "book." Readers get to know members of the class, many of whom thrive while others struggle with assignments, plead for better grades, and weep over failures. Although Allitt finds much to admire in today's students, he laments their frequent lack of preparedness—students who arrive in his classroom without basic writing skills, unpracticed with reading assignments.

With sharp wit, a critical eye, and steady sympathy for both educators and students, I'm the Teacher, You're the Student examines issues both large and small, from the ethics of student-teacher relationships to how best to evaluate class participation and grade writing assignments. It offers invaluable guidance to those concerned with the state of higher education today, to young faculty facing the classroom for the first time, and to parents whose children are heading off to college.

• Rhyming lyrics are easy to read and memorize and fun for the whole family.
• Perfect for kids aged 3 to 8 who love dancing, singing, and the ocean.
• The history of this famous ballad is explored in vivid illustrations!

• Sheet music so budding musicians can play along. 
• A note from illustrator Lauren Soloy about the fascinating history of “I’s the B’y,” its distinctive words and phrases, and life in modern-day Newfoundland.

Perhaps no other symbol has more resonance in African American history than that of "40 acres and a mule"—the lost promise of Black reparations for slavery after the Civil War. In I've Been Here All the While, we meet the Black people who actually received this mythic 40 acres, the American settlers who coveted this land, and the Native Americans whose holdings it originated from.

In nineteenth-century Indian Territory (modern-day Oklahoma), a story unfolds that ties African American and Native American history tightly together, revealing a western theatre of Civil War and Reconstruction, in which Cherokee, Choctaw, Chickasaw, Creek, and Seminole Indians, their Black slaves, and African Americans and whites from the eastern United States fought military and rhetorical battles to lay claim to land that had been taken from others.

Through chapters that chart cycles of dispossession, land seizure, and settlement in Indian Territory, Alaina E. Roberts draws on archival research and family history to upend the traditional story of Reconstruction. She connects debates about Black freedom and Native American citizenship to westward expansion onto Native land. As Black, white, and Native people constructed ideas of race, belonging, and national identity, this part of the West became, for a short time, the last place where Black people could escape Jim Crow, finding land and exercising political rights, until Oklahoma statehood in 1907.

The famous bi-sexual libertine who would be more at home on Tinder than at a Roman Cathedral, gallivants through the streets like brush strokes to become a Baroque 16th century icon.

The year is 1604 and Michelangelo Merisi da Caravaggio is a superstar, his blockbuster paintings packing the pews of Rome. Caravaggio should be reveling in prosperity, but the artistic trailblazer and nefarious street-brawler is his own worst enemy. While the genius paints masterpieces, the ruffian in him can’t stay out of jail. Caravaggio is a man at existential odds with himself until falling in love with Lena Antognetti, the prostitute modeling his newest Virgin pictures. Caravaggio paints Lena into a life of wealth and celebrity, but the power couple’s provocative fame earns them a horde of resentful and jealous enemies.

 I, Caravaggio dramatizes the superstar’s psychological unraveling under the sexual and political pressures of the Catholic Reformation.

For readers of Sapiens and Homo Deus and viewers of The Social Dilemma, psychologist Tomas Chamorro-Premuzic tackles one of the biggest questions facing our species: Will we use artificial intelligence to improve the way we work and live, or will we allow it to alienate us?

It's no secret that AI is changing the way we live, work, love, and entertain ourselves. Dating apps are using AI to pick our potential partners. Retailers are using AI to predict our behavior and desires. Rogue actors are using AI to persuade us with bots and misinformation. Companies are using AI to hire us—or not.

In I, Human psychologist Tomas Chamorro-Premuzic takes readers on an enthralling and eye-opening journey across the AI landscape. Though AI has the potential to change our lives for the better, he argues, AI is also worsening our bad tendencies, making us more distracted, selfish, biased, narcissistic, entitled, predictable, and impatient.

It doesn't have to be this way. Filled with fascinating insights about human behavior and our complicated relationship with technology, I, Human will help us stand out and thrive when many of our decisions are being made for us. To do so, we'll need to double down on our curiosity, adaptability, and emotional intelligence while relying on the lost virtues of empathy, humility, and self-control.

This is just the beginning. As AI becomes smarter and more humanlike, our societies, our economies, and our humanity will undergo the most dramatic changes we've seen since the Industrial Revolution. Some of these changes will enhance our species. Others may dehumanize us and make us more machinelike in our interactions with people. It's up to us to adapt and determine how we want to live and work.

The choice is ours.
What will we decide?

An entertaining, scientifically rigorous exploration of the social and biological effects of our wireless world

The way we use i-technology is affecting our health and happiness. While programs, devices, information, and constant connectivity can offer us ease, liberation, and efficiency, they can also rewire our brains to feel restless, disconnected, unable to sleep, anxious, and depressed, with new illnesses like FOMO (fear of missing out), and electro sensitivities appearing.

Engaging and entertaining yet scientifically rigorous, this fully revised and updated second edition of i-Minds comprehensively explores an era of screen-based technology's assimilation into our lives, pondering it as both godsend and plague. Addressing theory, popular media, and industry hype, i-Minds demonstrates:

• How constant connectivity is changing our brains
• The dangers of unchecked connectivity
• Positive steps to embrace new technologies while protecting our well-being and steering our future in a more human direction.

i-Minds is a must-read for anyone interested in fostering health and happiness, or who is struggling with the role of screened technology in our lives.

To Christians the Iberian Peninsula was Hispania, to Muslims al-Andalus, and to Jews Sefarad. As much as these were all names given to the same real place, the names also constituted ideas, and like all ideas, they have histories of their own. To some, al-Andalus and Sefarad were the subjects of conventional expressions of attachment to and pride in homeland of the universal sort displayed in other Islamic lands and Jewish communities; but other Muslim and Jewish political, literary, and religious actors variously developed the notion that al-Andalus or Sefarad, its inhabitants, and their culture were exceptional and destined to play a central role in the history of their peoples.

In Iberian Moorings Ross Brann traces how al-Andalus and Sefarad were invested with special political, cultural, and historical significance across the Middle Ages. This is the first work to analyze the tropes of Andalusi and Sefardi exceptionalism in comparative perspective. Brann focuses on the social power of these tropes in Andalusi Islamic and Sefardi Jewish cultures from the tenth through the twelfth century and reflects on their enduring influence and its expressions in scholarship, literature, and film down to the present day.

The most up-to-date two-way Icelandic dictionary available, from the author of popular textbook Beginner’s Icelandic!

Icelandic is a North-Germanic language related to Norwegian, Danish and Swedish. The language can be traced back to Old Norse brought by settlers from Norway in the 9th and 10th centuries. Old Norse is the language of the Icelandic Sagas and these works from the Middle ages can be read by Icelandic speakers today with little difficulty as the written language has not changed drastically over the centuries.

Ideal for businesspeople, travelers, and students, this dictionary features:

• Over 18,000 word-to-word entries, including common words as well as technical, legal, business and locally-specific terms (such as cities, foods, and cultural terms)
• Guides to the Icelandic alphabet and pronunciation
• Practical usage guide which outlines the parts of speech

Due in large part to Iceland’s isolation and remote location, the linguistic changes that occurred in other Scandinavian languages are not seen in Icelandic, which still has complicated grammar systems such as four cases for nouns and three genders (male, female, and neuter). The Icelandic literary tradition is a large part of the nation’s culture and understanding the language is a necessity to learning more about Iceland.

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.

In the history of planning, the design of an entire community prior to its construction is among the oldest traditions. Iconic Planned Communities and the Challenge of Change explores the twenty-first-century fortunes of planned communities around the world. Drawing on interdisciplinary perspectives, the editors and contributors examine what happened to planned communities after their glory days had passed and they became vulnerable to pressures of growth, change, and even decline.

Beginning with Robert Owen's industrial village in Scotland and concluding with Robert Davis's neotraditional resort haven in Florida, this book documents the effort to translate optimal design into sustaining a common life that works for changing circumstances and new generations of residents. Basing their approach on historical research and practical, on-the-ground considerations, the essayists argue that preservation efforts succeed best when they build upon foundational planning principles, address landscape, architecture, and social engineering together, and respect the spirit of place.

Presenting twenty-three case studies located in six continents, each contributor considers how to preserve the spirit of the community and its key design elements, and the ways in which those elements can be adapted to contemporary circumstances and changing demographics. Iconic Planned Communities and the Challenge of Change espouses strategies to achieve critical resilience and emphasizes the vital connection between heritage preservation, equitable sharing of the benefits of living in these carefully designed places, and sustainable development.

Communities: Bat'ovany-Partizánske, Cité Frugès, Colonel Light Gardens, Den-en Chôfu, Garbatella, Greenbelt, Hampstead Garden Suburb, Jardim América, Letchworth Garden City, Menteng, New Lanark, Pacaembú, Radburn, Riverside, Römerstadt, Sabaudia, Seaside, Soweto, Sunnyside Gardens, Tapiola, The Uplands, Welwyn Garden City, Wythenshawe.

Contributors: Arnold R. Alanen, Carlos Roberto Monteiro de Andrade, Sandra Annunziata, Robert Freestone, Christine Garnaut, Isabelle Gournay, Michael Hebbert, Susan R. Henderson, James Hopkins, Steven W. Hurtt, Alena Kubova-Gauché, Jean-François Lejeune, Maria Cristina a Silva Leme, Larry McCann, Mervyn Miller, John Minnery, Angel David Nieves, John J. Pittari, Jr., Gilles Ragot, David Schuyler, Mary Corbin Sies, Christopher Silver, André Sorensen, R. Bruce Stephenson, Shun-ichi J. Watanabe.

In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia.

Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin.

Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions.

Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.

Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia’s affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. This edition of Eliza Haywood’s Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Europeans may be said to have first encountered the Chinese garden in Marco Polo's narrative of his travels through the Mongol Empire and his years at the court of Kublai Khan. His account of a man-made lake abundant with fish, a verdant green hill lush with trees, raised walkways, and a plethora of beasts and birds took root in the European imagination as the description of a kind of Eden. Beginning in the sixteenth century, permanent interaction between Europe and China took form, and Jesuit missionaries and travelers recorded in letters and memoirs their admiration of Chinese gardens for their seeming naturalness. In the eighteenth century, European taste for chinoiserie reached its height, and informed observers of the Far East discovered that sophisticated and codified design principles lay behind the apparent simplicity of the Chinese garden. The widespread appreciation of the eighteenth century gave way to rejection in the nineteenth, a result of tensions over practical concerns such as trade imbalances and symbolized by the destruction of the imperial park of Yuanming yuan by a joint Anglo-French military expedition.

In Ideas of Chinese Gardens, Bianca Maria Rinaldi has gathered an unparalleled collection of westerners' accounts, many freshly translated and all expertly annotated, as well as images that would have accompanied the texts as they circulated in Europe. Representing a great diversity of materials and literary genres, Rinaldi's book includes more than thirty-five sources that span centuries, countries, languages, occupational biases, and political aims. By providing unmediated firsthand accounts of the testimony of these travelers and expatriates, Rinaldi illustrates how the Chinese garden was progressively lifted out of the realm of fantasy into something that could be compared with, and have an impact on, European traditions.

Ideas of Good and Evil (1903) is a collection of wide-ranging essays by Irish poet W.B. Yeats. Writing on such subjects as the art of poetry, politics, and the occult, Yeats proves himself to be not only a master of verse and drama, but an immensely talented essayist and thorough scholar.

“What is ‘Popular Poetry’?” reflects on a changing Irish literary landscape which has, over the course of Yeats’ career, established its own place in world literature apart from, and perhaps surpassing, its English counterpart. Juxtaposing “the poetry of the coteries, which presupposes the written tradition” and “the true poetry of the people, which presupposes the unwritten tradition,” Yeats argues that the spirit of Irish poetry depends on its unfaltering connection to the itinerant bards and storytellers whose gift for musicality and memory kept language alive for a widely illiterate people. In “Magic,” Yeats, a longtime member of the Hermetic Order of the Golden Dawn, discusses his belief in the occult. Musing on the power of symbol to evoke memories, as well as the revelation of his past lives, Yeats provides personal anecdotes and secondhand accounts of magical occurrences and experiences, exposing a world secrets and hidden meaning for believers and the uninitiated alike. “The Philosophy of Shelley’s Poetry” is an academic essay in which Yeats argues that Shelley’s poems far surpass the radical ideologies of such figures as William Godwin. Ideas of Good and Evil showcases the diverse intellectual and spiritual interests of W.B. Yeats, an icon of Irish literature and one of the twentieth century’s leading poetic voices.

This edition of W.B. Yeats’s Ideas of Good and Evil is a classic of Irish literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In water-limited environments, productivity is directly related to crop evapotranspiration: increased grain yield requires increased inputs of water, whether through rainfall, irrigation or removal of stored soil moisture. The supply of water to the shoot depends on the growth, development and function of the root system. This chapter will review advances in understanding the genetic control of root systems, and how this information could be used in crop improvement programmes for drought-prone areas.

This chapter reviews the photosynthetic response of plants to drought stress. It first describes the indicators for photosynthetic traits, then goes on to discuss the different factors that can affect photosynthetic efficiency. The chapter also considers how drought stress can affect photosynthetic assimilation efficiency and examines the photosynthetic metabolic pathways of photosynthesis associated with drought tolerence in crops. The chapter also looks at how maintaining photosynthetic rate under drought stress can contribute to crop drought tolerance. A section on how the engineering of C4 traits into C3 plants could improve crop drought tolerance is also provided, followed by an overview of drought tolerance genes related to photosynthesis. The chapter examines the use of quantitative trait loci (QTL) mapping for photosynthetic traits, considers how the stay-green phenotype can lead to increased crop yield under drought conditions and reviews how introducing this stay-green trait can enhance photosynthesis under drought stress. A case study on the enhancement of sorghum tolerance to post-flowering drought stress using stay-green QTL is also included.

Abiotic stress strongly affects yield-related traits in durum wheat. In particular drought is one of the main environmental factors reducing grain yield. Hundreds of quantitative trait loci (QTL) have been identified for yield-related traits across different genetic backgrounds and environments. Meta-QTL (MQTL) analysis is a useful approach to combine data sets and for creating consensus positions for QTL detected in individual studies. MQTL analysis makes it possible to dissect the genetic architecture of complex traits, provide a higher mapping resolution and allow the identification of putative molecular markers useful for marker assisted selection (MAS). This chapter provides an overview of the use of MQTL analysis in identification of genomic regions associated with grain-yield related traits in durum wheat under different water regimes.