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Danny Silverman’s first novel reached #10 on the New York Times best-seller list, but that was 20 years ago. Now middle-aged, he and his partner, Martin, an African-American actor, are getting by on the residuals from Martin’s cancelled TV cop series when Danny gets an offer he can’t refuse: a speaking gig in a Minnesota bible college that will net him a small fortune. 

Why me? Silverman wonders, but he’ll take the money and run. What can happen? Only a record-breaking snowstorm that traps him under the same roof as the evangelical Christian faculty who see this Jewish homosexual writer from San Francisco as the incarnation of the anti-Christ. Forced to defend all he believes in—sexual equality, human rights, same-sex marriage; dancing! vodka! coffee!—Silverman finds himself on the front lines of the culture wars dividing the nation today.

Best known as a social historian, Theodore Roszak is also the author of cult-status novels such as Flicker, a Hollywood horror satire, and The Memoirs of Elizabeth Frankenstein, a sensual retelling of the gothic classic. 

Here Roszak brings us a hilarious novel of politics and ideas in which the battle for the moral heart of America is waged between a college full of scripture-spouting fundamentalists and one gay humanist who thinks they’re full of crap.

The Devil’s Dictionary (1906) is a work of satire by Ambrose Bierce. Although he is commonly remembered for his chilling short stories on the experiences of Civil War soldiers, Bierce was recognized in his day as a leading journalist and humorist who spent decades ruffling feathers and drawing laughter with his witty opinion columns, poems, and definitions. Toward the end of his career, he decided to compile these satirical definitions into a book, following in the footsteps of Samuel Johnson, Noah Webster, and Gustave Flaubert. Immensely popular upon publication, The Devil’s Dictionary inspired countless imitators, but remains one-of-a-kind. Reading Bierce’s definitions today, it’s not hard to imagine the controversy they must have caused, matched only by the laughs they must have roused, when published at the onset of the twentieth century. Written during a period of undaunted industrial growth, of immense wealth and promise in a nation recently torn apart by civil war, The Devil’s Dictionary preserves a tantalizing touch of irreverence and doubt which must remain funny to those who know humor when they sense it. “AIR, n. A nutritious substance supplied by a bountiful providence for the fattening of the poor.” “CONSERVATIVE, n. A statesman who is enamoured of existing evils, as distinguished from the Liberal, who wishes to replace them with others.” Crafted for the cynic, quoted by the misanthrope, Bierce’s definitions prove profoundly entertaining and frequently accurate—sort of—over a century after they were published. This edition of Ambrose Bierce’s The Devil’s Dictionary is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in serial form from 1922 - 1923 in Planter’s Punch, The Devil’s Mountain is a novel by Jamaican journalist, H.G. de Lisser.

When an American moving picture company comes to stay at the Myrtle Bank Hotel, Lawrence Beaman, a humble local man, is captivated by the beautiful leading actress, Marian Braeme. Also taking a liking to Marian is the widowed Lady Rosedale, who aims to take the girl under her wing and teach her in the ways of proper society. Not one to be deterred and at the encouragement of another hotel patron, Mr. Phipps, Lawrence continues in his pursuit of Marian, until one night, when he can no longer hold back his feelings, declares that he is in love.

“I know it,” she replies at last, “but I wish you hadn’t said it. It’s no use…it is impossible, you have no idea how impossible it is.”

When the conversation is over and the two go their separate ways, they awake the next morning to the news of a robbery at the Myrtle Bank Hotel, with Lady Rosedale’s jewels the thief’s prize. All at once, the patrons are thrown into chaos with Lawrence at the center of Lady Rosedale’s suspicions and a mystery unraveling before their very eyes.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In the midst of World War I, the son of a British aristocrat and daughter of an English colonel are roped into a treasonous plot. They must navigate secret agents and spies who are convinced of their guilt. A chance meeting between Catherine Abbeway and Julian Orden leads to an intricate tale of suspicion and government corruption. Catherine is the daughter of an English colonel and is targeted due to secret files in her possession. Julian obtains the documents for fear that they may incriminate Catherine and confirm her as a traitor. Julian and Catherine becomes part of a growing conspiracy fueled by both English and German powers. The Devil’s Paw is a gripping tale of romance and political intrigue. E. Phillips Oppenheim offers a compelling commentary on Europe during one of its most vulnerable times. He delivers a complex narrative driven by bold characters informed by historical events. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Devil’s Paw is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Two years after his wife’s death, Germain is encouraged to move on and find a new woman and home to accommodate his three growing children. He travels to visit a single woman who is eager to start a new family.

Following his daughter’s death, Père Maurice has provided constant support for his son-in-law Germain. But after two years, he pushes him to find a new wife. Germain is a young man with three children in need of a mother. Maurice sends him to visit the daughter of a friend, who is also widowed and interested in remarrying. Germain reluctantly agrees, taking his son and the teenager Mary, who is seeking employment. The trip proves to be an eye-opening experience for the duo who form an unexpected bond.

Similar to Sand’s previous work, Indiana, The Devil’s Pool examines the obligations of marriage. The story illustrates how duty and perception take priority over love and kindness. It’s a dichotomy that continues to present itself, regardless of one’s social or political status.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Devil’s Pool is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Devil-Tree of El Dorado (1897) is a novel by Frank Aubrey. Set in the colony of British Guiana, the novel falls into the lost world genre of science fiction made popular by such writers as H. Rider Haggard, Jules Verne, and Edgar Rice Burroughs. What he lacks in name-recognition alongside these titans of popular fiction, Aubrey makes up for with a keen storytelling ability and a talent for merging history and geography with unsettling visions of monsters and gods. A staunch imperialist, Aubrey’s novel exhibits troubling depictions of the author’s racist ideology, and remains a difficult yet essential example of the function of literature in upholding global white supremacy. “Beneath the verandah of a handsome, comfortable-looking residence near Georgetown, the principal town of British Guiana, a young man sat one morning early in the year 1890, attentively studying a volume that lay open on a small table before him.” As all adventurers know, fortune tends to favor the bold. While this maxim, of course, never ensures success, it does grant confidence to those bold enough—or crazy enough—to push themselves to extremes in search of adventure. With nothing to lose and everything to gain, a small expedition sets out through the jungle to find the lost city of El Dorado, confident their destination—the treacherous Mt. Roraima—could hide what remains of a once-vibrant civilization. Despite the odds, they make it to the top of the plateau, where they discover a terrible being. This edition of Frank Aubrey’s The Devil-Tree of El Dorado is a classic of British science fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A history of the modern world told through the multiple lives of rubber

Capital, as Marx once wrote, comes into the world “dripping from head to foot, from every pore, with blood and dirt.” He might well have been describing the long, grim history of rubber. From the early stages of primitive accumulation to the heights of the industrial revolution and beyond, rubber is one of a handful of commodities that has played a crucial role in shaping the modern world, and yet, as John Tully shows in this remarkable book, laboring people around the globe have every reason to regard it as “the devil’s milk.” All the advancements made possible by rubber—industrial machinery, telegraph technology, medical equipment, countless consumer goods—have occurred against a backdrop of seemingly endless exploitation, conquest, slavery, and war. But Tully is quick to remind us that the vast terrain of rubber production has always been a site of struggle, and that the oppressed who toil closest to “the devil’s milk” in all its forms have never accepted their immiseration without a fight.

This book, the product of exhaustive scholarship carried out in many countries and several continents, is destined to become a classic. Tully tells the story of humanity’s long encounter with rubber in a kaleidoscopic narrative that regards little as outside its range without losing sight of the commodity in question. With the skill of a master historian and the elegance of a novelist, he presents what amounts to a history of the modern world told through the multiple lives of rubber.

The ultimate companion cookbook to The Diabetes Code from the New York Times-bestselling author and pioneer of intermittent fasting, Dr. Jason Fung.

Dr. Jason Fung helped thousands of people lose weight with his breakout bestseller The Obesity Code.

Next, he helped prevent and reverse type 2 diabetes with his groundbreaking book The Diabetes Code.

Now, The Diabetes Code Cookbook makes it even easier to follow Dr. Fung’s proven advice for preventing and reversing type 2 diabetes through intermittent fasting and a low carb/high-fat diet.

This cookbook features full-color photographs and includes:

• 100 simple and delicious recipes to help manage insulin and aid in weight loss
• Intermittent fasting schedules and plans (16, 24, 30, and 26-hour fasts)
• Grocery shopping lists
• A new intro from Dr. Fung with up-to-date information on insulin resistance and its connection to weight gain and type 2 diabetes

Readers will come away with knowledge of their health and an arsenal of mouthwatering meals—because eating for type 2 diabetes doesn’t have to be bland!

Although Karl Marx and Søren Kierkegaard are both major figures in nineteenth-century Western thought, they are rarely considered in the same conversation. Marx is the great radical economic theorist, the prophet of communist revolution who famously claimed religion was the "opiate of the masses." Kierkegaard is the renowned defender of Christian piety, a forerunner of existentialism, and a critic of mass politics who challenged us to become "the single individual." But by drawing out important themes bequeathed them by their shared predecessor G. W. F. Hegel, Jamie Aroosi shows how they were engaged in parallel projects of making sense of the modern, "dialectical" self, as it realizes itself through a process of social, economic, political, and religious emancipation.

In The Dialectical Self, Aroosi illustrates that what is traditionally viewed as opposition is actually a complementary one-sidedness, born of the fact that Marx and Kierkegaard differently imagined the impediments to the self's appropriation of freedom. Specifically, Kierkegaard's concern with the psychological and spiritual nature of the self reflected his belief that the primary impediments to freedom reside in subjectivity, such as in our willing conformity to social norms. Conversely, Marx's concern with the sociopolitical nature of the self reflected his belief that the primary impediments to freedom reside in the objective world, such as in the exploitation of the economic system. However, according to Aroosi, each thinker represents one half of a larger picture of freedom and selfhood, because the subjective and objective impediments to freedom serve to reinforce one another.

By synthesizing the writing of these two diametrically opposed figures, Aroosi demonstrates the importance of envisioning emancipation as a subjective, psychological, and spiritual process as well as an objective, sociopolitical, and economic one. The Dialectical Self attests to the importance and continued relevance of Marx and Kierkegaard for the modern imagination.

A foundational essay of class struggle published in English for the first time

Considered one of the most important intellectuals in Latin American social thought, Ruy Mauro Marini demonstrated that underdevelopment and development are the result of relations between economies in the world market, and the class relations they engender. In The Dialectics of Dependency, the Brazilian sociologist and revolutionary showed that, as Latin America came to specialize in the production of raw materials and foodstuffs while importing manufactured goods, a process of unequal exchange took shape that created a transfer of value to the imperialist centers. This encouraged capitalists in the periphery to resort to the superexploitation of workers – harsh working conditions where wages fall below what is needed to reproduce their labor power. In this way, the economies of Latin America, which played a fundamental role in facilitating a new phase of the industrial revolution in western Europe, passed from the colonial condition only to be rendered economically “dependent,” or subordinated to imperialist economies. This unbalanced relationship, which nonetheless allows capitalists of both imperialist and dependent regions to profit, has been reproduced in successive international divisions of labor of world economy, and continues to inform the day-to-day life of Latin American workers and their struggles.

Written during an upsurge of class struggle in the region in the 1970s, and published here in English for the first time, the revelations inscribed in this foundational essay are proving more relevant than ever. The Dialectics of Dependency is an internationalist contribution from one Latin American Marxist to dispossessed and oppressed people struggling the world over, and a gift to those who struggle from within the recesses of present-day imperialist centers—nourishing today’s efforts to think through the definition of “revolution” on a global scale.

Explores ecological socialism's potential against capitalist environmental degradation

Today the fate of the earth as a home for humanity is in question—and yet, contends John Bellamy Foster, the reunification of humanity and the earth remains possible if we are prepared to make revolutionary changes. As with his prior books, The Dialectics of Ecology is grounded in the contention that we are now faced with a concrete choice between ecological socialism and capitalist exterminism, and rooted in insights drawn from the classical historical materialist tradition. In this latest work, Foster explores the complex theoretical debates that have arisen historically with respect to the dialectics of nature and society. He then goes on to examine the current contradictions associated with the confrontation between capitalist extractivism and the financialization of nature, on the one hand, and the radical challenges to these represented by emergent visions of ecological civilization and planned degrowth, on the other.

The product of contemporary ecosocialist debates, The Dialectics of Ecology builds on earlier works by Foster, including Marx’s Ecology and The Return of Nature, aimed at the development of a dialectical naturalism and the formation of a path to sustainable human development.

The Diamond Master (1909) is a mystery novel by Jacques Futrelle. Published at the height of his career as a leading popular detective and science fiction writer, The Diamond Master was adapted for two silent films in 1921 and 1929. Celebrated for his brisk storytelling and mastery of suspense, Jacques Futrelle was lost at sea on April 15, 1912 while returning from Europe on the HMS Titanic. His wife, who survived the disaster, had his last book dedicated to “the heroes of the Titanic.” “A minute or more passed, a minute of wonder, admiration, allurement, but at last he ventured to lift the diamond from the box. It was perfect, so far as he could see; perfect in cutting and color and depth, prismatic, radiant, bewilderingly gorgeous. Its value? Even he could not offer an opinion...” An expert jeweler, even Harry Latham is forced to admit he has never in his life seen such a diamond. It arrived in an unmarked package with neither message nor return address, a rather casual presentation for such an invaluable object. Unable to appraise it, let alone uncover its origins, he seeks the advice of other experienced jewelers. Soon, it is determined that five flawless diamonds have been delivered to his colleagues across the United States, prompting confusion and fear as to the intentions of the anonymous sender. This edition of Jacques Futrelle’s The Diamond Master is a classic of American detective fiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Sixty years in the making and the capstone of a monumental literary career, The Diaries of Emilio Renzi: A Day in the Life is the final volume of the autobiographical trilogy from the author who is considered Borges’ heir and the vanguard of the Post-Boom generation of Latin American literature.

How could we define a perfect day? Maybe it would be better to say: how could I narrate a perfect day?

Is that why I write a diary? To capture—or reread—one of those days of unexpected happiness?

The final installment of Ricardo Piglia’s lifelong compilation of journals completes the seemingly impossible project of documenting the entire life of a writer. A Day in the Life picks up the thread of Piglia’s life in the 1980s until his death from ALS in 2017. Emilio Renzi, Piglia’s literary alter ego, navigates the tumultuous ups and downs of a post-Peronist Argentina filled with political unrest, economic instability, and a burgeoning literary scene ready to make its mark on the rest of the world and escape the shadows of legendary authors Jorge Luis Borges and Roberto Arlt.

Renzi’s peripatetic, drinking, philandering ways don’t abate as he grows older, and we’re exposed to the intrinsic insecurities that continually plague him even as fate tips in his favor and he goes on to win international literary prizes and becomes professor emeritus of Princeton University. His literary success is marred only by the disappointments and tragedies of his personal life as he deals with the death of friends and family, failed relationships, and the constant pecuniary struggles of a writer trying to live solely on his ability to produce art. The final sections of this ambitious project intimately trace the deterioration of Piglia’s body after his diagnosis: My right hand is heavy and uncooperative but I can still write. When I can no longer. . . . The crowning achievement of a prolific, internationally acclaimed author, this third volume cements Ricardo Piglia’s position as one of the most influential Latin American authors of the last century.

Praise for The Diaries of Emilio Renzi: A Day in the Life

“[A] posthumous autobiographical masterpiece. . . . [P]rofoundly moving. A meditation on both the accumulation and ephemerality of time, Piglia’s final work is a brilliant addition to world literature.”
—Publishers Weekly, Starred Review

“Filled with literary aperçus and fragments of history: an elegant, affecting close to a masterwork.”
—Kirkus Reviews, Starred Review

“Much of the fascinating material is to be found in his brief appreciations and observations, such as notes on authors and his reading, but the life-story—of someone who has dedicated himself entirely to literature—also comes across, and it is thoroughly engaging, over all three volumes of this larger work…. A fine conclusion to this diary-trilogy, and a fascinating companion piece to this author and his work.”
—M. A. Orthofer, The Complete Review

Praise for The Diaries of Emilio Renzi

“Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to ‘Emilio Renzi’: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life. Amid meeting redheads at bars, he dissects styles and structures with a surgeon’s precision, turning his gaze on a range of writers, from Plato to Dashiell Hammett, returning time and again to Pavese, Faulkner, Dostoyevsky, Arlt and Borges. Chock-full of lists of books and films he consumed in those voracious early years of call girls, carbon paper, amphetamines and Heidegger, this is an embarrassment of riches — by turns an inspiring master class in narrative analysis, an accounting of the pesos left in his pockets and a novel of Piglia’s grandfather (named Emilio, natch) with his archive of World War I materials pilfered from Italian corpses. . . . No previous familiarity with Piglia’s work is needed to appreciate these bibliophilic diaries, adroitly repurposed through a dexterous game of representation and masks that speaks volumes of the role of the artist in society, the artist in his time, the artist in his tradition.”
—Mara Faye Lethem, The New York Times Book Review

“For the past few years, every Latin American novelist I know has been telling me how lavish, how grand, how transformative was the Argentinian novelist Ricardo Piglia’s final project, a fictional journal in three volumes, Los diarios de Emilio Renzi—Renzi being Piglia’s fictional alter ego. And now here at last is the first volume in English, The Diaries of Emilio Renzi: Formative Years, translated by Robert Croll. It’s something to be celebrated . . . [It] offer[s] one form of resistance to encroaching fascism: style.”
—Adam Thirlwell, BookForum, The Best Books of 2017

“[A] masterpiece. . . . everything written by Ricardo Piglia, which we read as intellectual fabrications and narrated theories, was partially or entirely lived by Emilio Renzi. The visible, cerebral chronicles hid a secret history that was flesh and bones.”
—Jorge Carrión, The New York Times

“A valediction from the noted Argentine writer, known for bringing the conventions of hard-boiled U.S. crime drama into Latin American literature . . . Fans of Cortázar, Donoso, and Gabriel García Márquez will find these to be eminently worthy last words from Piglia."
—Kirkus Reviews, Starred Review

“When young Ricardo Piglia wrote the first pages of his diaries, which he would work on until the last years of his life, did he have any inkling that they would become a lesson in literary genius and the culmination of one of the greatest works of Argentine literature?”
—Samanta Schweblin, author of Fever Dream

“Ricardo Piglia, who passed away earlier this year at age seventy-five, is celebrated as one of the giants of Argentine literature, a rightful heir to legends like Borges, Cortázar, Juan Jose Saer, and Roberto Arlt. The Diaries of Emilio Renzi is his life's work . . . An American equivalent might be if Philip Roth now began publishing a massive, multi-volume autobiography in the guise of Nathan Zuckerman . . . It is truly a great work . . . This is a fantastic, very rewarding read—it seems that Piglia has found a form that can admit everything he has to say about his life, and it is a true pleasure to take it in.”
—Veronica Esposito, BOMB Magazine

“In 1957, Argentinian writer Ricardo Piglia started to write what would become 327 notebooks filled with the thoughts of his alter ego, Emilio Renzi. Piglia’s final literary act before his death in January 2017 was to organize and publish these works as Renzi’s diaries. Formative Years, the first of three volumes, covers the years 1957 to 1967, detailing Renzi’s development into a central figure of Argentine literary culture. In epigrammatic diary entries filled with memorable observations, Piglia details Renzi’s political education, relationships, views on Argentinian politics, and experiences during this remarkably productive era of Latin American fiction. As a fictionalized autobiography, it is, like the work of Karl Ove Knausgaard, of My Struggle fame, part confession and part performance. Renzi meets and corresponds with literary luminaries like Borges, Cortázar, and Márquez, and offers insightful readings of Dostoevsky, Kafka, Faulkner, and Joyce. Ilan Stavans (Quixote: The Novel and the World, 2015) provides a wonderfully informative introduction. Fans of W.G. Sebald and Roberto Bolaño will find the first installment in Piglia’s trilogy to be a fascinating portrait of a writer’s life.”
—Alexander Moran, Booklist

"Here through the Boom and Bolaño breech storms Ricardo Piglia, not just a great Latin American writer but a great writer of the American continent. Composed across his entire career, The Diaries of Emilio Renzi is Piglia's secret story of his shadow self—a book of disquiet and love and literary obsession that blurs the distinctness of each and the other."
—Hal Hlavinka, Community Bookstore (Brooklyn, NY)

“In this fictionalized autobiography, Piglia’s ability to succinctly criticize and contextualize major writers from Kafka to Flannery O’Connor is astounding, and the scattering of those insights throughout this diary are a joy to read. This book is essential reading for writers.”
—Publishers Weekly

“The Diaries of Emilio Renzi is a rare glimpse into the heart of twentieth-century Latin American literature, with the inimitable Ricardo Piglia as tour guide. More than just a traditional diary, Renzi is an illuminating voyage into the hearts of books and writers and history. An inspiring work and an important achievement.”
—Mark Haber, Brazos Bookstore (Houston, TX)

“The great Argentine writer. . . . In a career that spanned four decades, during which he became one of Latin America’s most distinctive literary voices.”
—Alejandro Chacoff, The New Yorker

“The Diaries of Emilio Renzi continue to be a fascinating literary-autobiographical experiment . . . and, especially, a wonderful immersion in literature itself. Of particular interest in showing the transition of Latin American (and specifically Argentine) literature—no longer: ‘out of sync, behind, out of place’—Piglia's range extends far beyond that too. Yes, most of this is presumably mainly of interest to the similarly literature-obsessed—but Piglia makes it hard to imagine who wouldn't be.”
— M. A. Orthofer, The Complete Review

“Cognizant of his impending death, Piglia, the Argentine titan of letters who died of A.L.S. in January, prepared his 327 notebooks for publication in a trilogy…. Splendidly crafted and interspliced with essays and stories, this beguiling work is to a diary as Piglia is to “Emilio Renzi”: a lifelong alter ego, a highly self-conscious shadow volume that brings to bear all of Piglia’s prowess as it illuminates his process of critical reading and the inevitable tensions between art and life.” —Mara Faye Lethem, The New York Times Book Review

A giant of contemporary Latin American literature, Argentine novelist Ricardo Piglia’s secret magnum opus was a compilation of 327 notebooks that he composed over nearly six decades, in which he imagined himself as his literary alter ego, Emilio Renzi. A world-weary detective, Renzi stars in many of his creator's works, much like Philip Roth's Nathan Zuckerman. But the Renzi of these diaries is something more complex—a multilayered reconstruction of the self that is teased out over intricate, illuminating pages.

As Piglia/Renzi develops as a reader and writer, falls in love, and tussles with his tyrannical father, we get eye-opening perspectives on Latin America’s tumultuous twentieth century. Obsessed with literary giants—from Borges and Cortázar (both of whom he knew), to Kafka and Camus—The Diaries comprise a celebration of reading as a vital, existential activity.

When Piglia learned he had a fatal illness in 2011, he raced to complete his mysterious masterwork as rumors about the book intensified among his many fans. First released in Spanish as a trilogy to tremendous applause, The Diaries of Emilio Renzi cements Piglia’s place in the global canon.

The second installment of Argentine literary giant Ricardo Piglia’s acclaimed bibliophilic trilogy follows his alter ego, Emilio Renzi, as his literary career begins to take off in the tumultuous years 1968-1975—running a magazine, working as a publisher, and encountering the literary stars among whom he would soon take his place: Borges, Puig, Roa Bastos, Piñera.

“One writes,” Ricardo Piglia asserts, only “in order to know literature.” Spanning the years 1968 to 1975, The Diaries of Emilio Renzi: The Happy Years is a testament to Piglia’s intimate, lifelong love affair with the written word. This second installment of the Argentinian master’s diaries opens a window into a luminous literary community fertile with genius and ever-traipsing from bar to bar—as well as into a convulsing Argentina racked by the death of Perón, guerilla warfare, and a bloody military coup—and establishes itself as the definitive backbone of Piglia’s monumental career.

Delia is a confident young woman who works as a housekeeper for a small family. Every morning, she gets up before everyone else and makes breakfast for each family member, then starts on her cleaning tasks. Despite her close relationship with the family she works for, Delia feels that she has more potential and does not like working a housemaid. She feels disrespected by some members in the family, and wants to try to find another job. After meeting with her friend, Minnie, Delia decides that she will quit her job. She wakes up the next morning and refuses to make the breakfast as usual. Instead, she tells the family of her decision and asked for the wages she’s due. Even though the family protests, Delia gets her wages and goes off to live with Minnie. However, Delia soon learns that the world is not kind to working women, and she struggles to find a well-paying job. Poor and unsure what to do, Delia remains optimistic and fights to find the best place for her.

Set in the early 1900s, The Diary of Delia is an intimate account of life as a poor working woman. Featuring detailed descriptions of landscapes, customs and dialects, The Diary of Delia acts a valuable and entertaining historical source. With animate and memorable characters, Onoto Watanna creates a historical narrative that still feels fresh and compelling to a modern audience.

First published in 1907, Onoto Watanna’s The Diary of Delia is rarely found in print. This special edition features a stunning cover design and is printed in an easy-to-read font. With these accommodations, this edition of The Diary of Delia caters to contemporary readers by restoring the novel to modern standards while preserving the original intimacy of Onoto Watanna’s work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The journal of Philadelphia Quaker Elizabeth Sandwith Drinker (1735-1807) is perhaps the single most significant personal record of eighteenth-century life in America from a woman's perspective. Drinker wrote in her diary nearly continuously between 1758 and 1807, from two years before her marriage to the night before her last illness. The extraordinary span and sustained quality of the journal make it a rewarding document for a multitude of historical purposes. One of the most prolific early American diarists—her journal runs to thirty-six manuscript volumes—Elizabeth Drinker saw English colonies evolve into the American nation while Drinker herself changed from a young unmarried woman into a wife, mother, and grandmother. Her journal entries touch on every contemporary subject political, personal, and familial.

Focusing on different stages of Drinker's personal development within the domestic context, this abridged edition highlights four critical phases of her life cycle: youth and courtship, wife and mother, middle age in years of crisis, and grandmother and family elder. There is little that escaped Elizabeth Drinker's quill, and her diary is a delight not only for the information it contains but also for the way in which she conveys her world across the centuries.

The Didache is one of the earliest Christian writings, earlier than most of the documents that make up the New Testament.

It provides practical instructions on how a Christian community should function, and offers unique insights into the way the earliest Christians lived and worshipped.

In this highly readable introduction, Thomas O'Loughlin tells the intriguing story of the Didache, from its discovery in the late nineteenth century to the present. He then provides an illuminating commentary on the entire text, highlighting areas of special interest to Christians today, and ends with a fresh translation of the text itself.

Since its inception in 2012, the hugely successful online introduction to modern poetry known as ModPo has engaged some 415,000 readers, listeners, teachers, and poets with its focus on a modern and contemporary American tradition that runs from Walt Whitman and Emily Dickinson up to some of today's freshest and most experimental written and spoken verse. In The Difference Is Spreading, ModPo's Al Filreis and Anna Strong Safford have handed the microphone over to the poets themselves, by inviting fifty of them to select and comment upon a poem by another writer.

The approaches taken are various, confirming that there are as many ways for a poet to write about someone else's poem as there are poet-poem matches in this volume. Yet a straight-through reading of the fifty poems anthologized here, along with the fifty responses to them, emphatically demonstrates the importance to poetry of community, of socioaesthetic networks and lines of connection, and of expressions of affection and honor due to one's innovative colleagues and predecessors. Through the curation of these selections, Filreis and Safford express their belief that the poems that are most challenging and most dynamic are those that are open—the writings, that is, that ask their readers to participate in making their meaning. Poetry happens when a reader and a poet come in contact with one another, when the reader, whether celebrated poet or novice, is invited to do interpretive work—for without that convergence, poetry is inert.

The Difficult Art of Giving rethinks standard economic histories of the literary marketplace. Traditionally, American literary histories maintain that the post-Civil War period marked the transition from a system of elite patronage and genteel amateurism to what is described as the free literary market and an era of self-supporting professionalism. These histories assert that the market helped to democratize literary production and consumption, enabling writers to sustain themselves without the need for private sponsorship. By contrast, Francesca Sawaya demonstrates the continuing importance of patronage and the new significance of corporate-based philanthropy for cultural production in the United States in the postbellum and modern periods.

Focusing on Henry James, William Dean Howells, Mark Twain, Charles Chesnutt, and Theodore Dreiser, Sawaya explores the notions of a free market in cultural goods and the autonomy of the author. Building on debates in the history of the emotions, the history and sociology of philanthropy, feminist theory, and the new economic criticism, Sawaya examines these major writers' careers as well as their rich and complex representations of the economic world. Their work, she argues, demonstrates that patronage and corporate-based philanthropy helped construct the putatively free market in literature. The book thereby highlights the social and economic interventions that shape markets, challenging old and contemporary forms of free market fundamentalism.

When Justinian became sole ruler of the Byzantine Empire in A.D. 527, he ordered the preparation of three compilations of Roman law that together formed the Corpus Juris Civilis. These works have become known individually as the Code, which collected the legal pronouncements of the Roman emperors, the Institutes, an elementary student's textbook, and the Digest, by far the largest and most highly prized of the three compilations. The Digest was assembled by a team of sixteen academic lawyers commissioned by Justinian in 533 to cull everything of value from earlier Roman law. It was for centuries the focal point of legal education in the West and remains today an unprecedented collection of the commentaries of Roman jurists on the civil law.

Commissioned by the Commonwealth Fund in 1978, Alan Watson assembled a team of thirty specialists to produce this magisterial translation, which was first completed and published in 1985 with Theodor Mommsen's Latin text of 1878 on facing pages. This paperback edition presents a corrected English-language text alone, with an introduction by Alan Watson.

Links to the three other volumes in the set: Volume 2 [Books 16-29]Volume 3 [Books 30-40]Volume 4 [Books 41-50]

When Justinian became sole ruler of the Byzantine Empire in A.D. 527, he ordered the preparation of three compilations of Roman law that together formed the Corpus Juris Civilis. These works have become known individually as the Code, which collected the legal pronouncements of the Roman emperors, the Institutes, an elementary student's textbook, and the Digest, by far the largest and most highly prized of the three compilations. The Digest was assembled by a team of sixteen academic lawyers commissioned by Justinian in 533 to cull everything of value from earlier Roman law. It was for centuries the focal point of legal education in the West and remains today an unprecedented collection of the commentaries of Roman jurists on the civil law.

Commissioned by the Commonwealth Fund in 1978, Alan Watson assembled a team of thirty specialists to produce this magisterial translation, which was first completed and published in 1985 with Theodor Mommsen's Latin text of 1878 on facing pages. This paperback edition presents a corrected English-language text alone, with an introduction by Alan Watson.

Links to the three other volumes in the set: Volume 1 [Books 1-15]Volume 3 [Books 30-40]Volume 4 [Books 41-50]

When Justinian became sole ruler of the Byzantine Empire in A.D. 527, he ordered the preparation of three compilations of Roman law that together formed the Corpus Juris Civilis. These works have become known individually as the Code, which collected the legal pronouncements of the Roman emperors, the Institutes, an elementary student's textbook, and the Digest, by far the largest and most highly prized of the three compilations. The Digest was assembled by a team of sixteen academic lawyers commissioned by Justinian in 533 to cull everything of value from earlier Roman law. It was for centuries the focal point of legal education in the West and remains today an unprecedented collection of the commentaries of Roman jurists on the civil law.

Commissioned by the Commonwealth Fund in 1978, Alan Watson assembled a team of thirty specialists to produce this magisterial translation, which was first completed and published in 1985 with Theodor Mommsen's Latin text of 1878 on facing pages. This paperback edition presents a corrected English-language text alone, with an introduction by Alan Watson.

Links to the three other volumes in the set: Volume 1 [Books 1-15]Volume 2 [Books 16-29]Volume 4 [Books 41-50]

When Justinian became sole ruler of the Byzantine Empire in A.D. 527, he ordered the preparation of three compilations of Roman law that together formed the Corpus Juris Civilis. These works have become known individually as the Code, which collected the legal pronouncements of the Roman emperors, the Institutes, an elementary student's textbook, and the Digest, by far the largest and most highly prized of the three compilations. The Digest was assembled by a team of sixteen academic lawyers commissioned by Justinian in 533 to cull everything of value from earlier Roman law. It was for centuries the focal point of legal education in the West and remains today an unprecedented collection of the commentaries of Roman jurists on the civil law.

Commissioned by the Commonwealth Fund in 1978, Alan Watson assembled a team of thirty specialists to produce this magisterial translation, which was first completed and published in 1985 with Theodor Mommsen's Latin text of 1878 on facing pages. This paperback edition presents a corrected English-language text alone, with an introduction by Alan Watson.

Links to the three other volumes in the set: Volume 1 [Books 1-15]Volume 2 [Books 16-29]Volume 3 [Books 30-40]

How do digital technologies shape the experiences and meanings of migration?

As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics.

What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility?

Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities.

This is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.

Shows how digital media connects people to their lived environments

Every day, millions of people turn to small handheld screens to search for their destinations and to seek recommendations for places to visit. They may share texts or images of themselves and these places en route or after their journey is complete. We don’t consciously reflect on these activities and probably don’t associate these practices with constructing a sense of place. Critics have argued that digital media alienates users from space and place, but this book argues that the exact opposite is true: that we habitually use digital technologies to re-embed ourselves within urban environments.

The Digital City advocates for the need to rethink our everyday interactions with digital infrastructures, navigation technologies, and social media as we move through the world. Drawing on five case studies from global and mid-sized cities to illustrate the concept of “re-placeing,” Germaine R. Halegoua shows how different populations employ urban broadband networks, social and locative media platforms, digital navigation, smart cities, and creative placemaking initiatives to turn urban spaces into places with deep meanings and emotional attachments. Through timely narratives of everyday urban life, Halegoua argues that people use digital media to create a unique sense of place within rapidly changing urban environments and that a sense of place is integral to understanding contemporary relationships with digital media.

A fascinating exploration of the social meaning of digital death

From blogs written by terminally ill authors to online notes left by those considering suicide, technology has become a medium for the dead and the dying to cope with the anxiety of death. Services like artificial intelligence chatbots, mind-uploading, and postmortem blog posts offer individuals the ability to cultivate their legacies in a bid for digital immortality. The Digital Departed explores the posthumous internet world from the perspective of both the living and the dead.

Timothy Recuber traces how communication beyond death evolved over time. Historically, the methods of mourning have been characterized by unequal access to power and privilege. However, the internet offers more agency to the dead, allowing users accessibility and creativity in curating how they want to be remembered.

Based on hundreds of blog posts, suicide notes, Twitter hashtags, and videos, Recuber examines the ways we die online, and the digital texts we leave behind. Combining these data with interviews, surveys, analysis of news coverage, and a historical overview of the relationship between death and communication technology going back to pre-history, The Digital Departed explains what it means to live and die on the internet today. In this thought-provoking and uniquely troubling work, Recuber shows that although we might pass away, our digital souls live on, online, in a kind of purgatory of their own.

How black and Latino youth learn, create, and collaborate online

The Digital Edge examines how the digital and social-media lives of low-income youth, especially youth of color, have evolved amidst rapid social and technological change. While notions of the digital divide between the “technology rich” and the “technology poor” have largely focused on access to new media technologies, the contours of the digital divide have grown increasingly complex. Analyzing data from a year‐long ethnographic study at Freeway High School, the authors investigate how the digital media ecologies and practices of black and Latino youth have adapted as a result of the wider diffusion of the internet all around us--in homes, at school, and in the palm of our hands. Their eager adoption of different technologies forge new possibilities for learning and creating that recognize the collective power of youth: peer networks, inventive uses of technology, and impassioned interests that are remaking the digital world.

Relying on nearly three hundred in-depth interviews with students, teachers, and parents, and hundreds of hours of observation in technology classes and after school programs, The Digital Edge carefully documents some of the emergent challenges for creating a more equitable digital and educational future. Focusing on the complex interactions between race, class, gender, geography and social inequality, the book explores the educational perils and possibilities of the expansion of digital media into the lives and learning environments of low-income youth. Ultimately, the book addresses how schools can support the ability of students to develop the social, technological, and educational skills required to navigate twenty-first century life.

How black and Latino youth learn, create, and collaborate online

The Digital Edge examines how the digital and social-media lives of low-income youth, especially youth of color, have evolved amidst rapid social and technological change. While notions of the digital divide between the “technology rich” and the “technology poor” have largely focused on access to new media technologies, the contours of the digital divide have grown increasingly complex. Analyzing data from a year‐long ethnographic study at Freeway High School, the authors investigate how the digital media ecologies and practices of black and Latino youth have adapted as a result of the wider diffusion of the internet all around us--in homes, at school, and in the palm of our hands. Their eager adoption of different technologies forge new possibilities for learning and creating that recognize the collective power of youth: peer networks, inventive uses of technology, and impassioned interests that are remaking the digital world.

Relying on nearly three hundred in-depth interviews with students, teachers, and parents, and hundreds of hours of observation in technology classes and after school programs, The Digital Edge carefully documents some of the emergent challenges for creating a more equitable digital and educational future. Focusing on the complex interactions between race, class, gender, geography and social inequality, the book explores the educational perils and possibilities of the expansion of digital media into the lives and learning environments of low-income youth. Ultimately, the book addresses how schools can support the ability of students to develop the social, technological, and educational skills required to navigate twenty-first century life.

The pressure to "be digital" has never been greater, but you can meet the challenge.

The digital revolution is here, changing how work gets done, how industries are structured, and how people from all walks of life work, behave, and relate to each other. To thrive in a world driven by data and powered by algorithms, we must learn to see, think, and act in new ways. We need to develop a digital mindset.

But what does that mean? Some fear it means that we all need to become technologists who master the intricacies of coding, algorithms, AI, machine learning, robotics, and who-knows-what's-next.

That's not the case. You can develop a digital mindset, and this book shows you how. It introduces three approaches—Collaboration, Computation, and Change—and the perspectives and actions within each approach that will enable you to develop the digital skills you need. With a digital mindset, you'll ask the right questions, make smart decisions, and appreciate new possibilities for a digital future. Leaders who adopt these approaches will be able to develop their organization's talent and prepare their company for successful and continued digital transformation.

Award-winning researchers and professors Paul Leonardi and Tsedal Neeley will show you how to do it and let you in on the surprising and welcome secret: developing a digital mindset isn't as hard as you think. Most people can become digitally savvy if they follow the "30 percent rule"—the minimum threshold that gives us enough digital literacy to understand and take advantage of the digital threads woven into the fabric of our world.

A digital mindset will future-proof you, your career, and your organization. Learn how to develop one here.

A startling account of personal data dossiers and the newest grave threat to privacy

Seven days a week, twenty-four hours a day, electronic databases are compiling information about you. As you surf the Internet, an unprecedented amount of your personal information is being recorded and preserved forever in the digital minds of computers. For each individual, these databases create a profile of activities, interests, and preferences used to investigate backgrounds, check credit, market products, and make a wide variety of decisions affecting our lives. The creation and use of these databases—which Daniel J. Solove calls “digital dossiers”—has thus far gone largely unchecked. In this startling account of new technologies for gathering and using personal data, Solove explains why digital dossiers pose a grave threat to our privacy.

The Digital Person sets forth a new understanding of what privacy is, one that is appropriate for the new challenges of the Information Age. Solove recommends how the law can be reformed to simultaneously protect our privacy and allow us to enjoy the benefits of our increasingly digital world.

This is the first volume in the series EX MACHINA: LAW, TECHNOLOGY, AND SOCIETY.

Presenting more than seventy documents from Spanish archives that provide a rare glimpse into Benjamin Franklin’s connection to Spain.

Although Benjamin Franklin never set foot in Spain, from 1774 until his death in 1790 he maintained contact and correspondence with a wide range of Spanish officials and intellectuals. As a diplomat, Franklin carried papers to Paris naming him minister to Spain, yet he remained in the French capital where he dealt with Spain’s ambassador to France, the formidable Count of Aranda. Beginning with Franklin’s exchange of gifts with the Don Felipe Bourbon, the King of Spain’s third son, and ending with his induction into Spain’s Royal Academy of History, The Diplomacy of Independence explores a facet of Franklin’s life previously overlooked yet documented in the archives of Spain.

This book makes available more than seventy Franklin-related documents housed in various Spanish archives. The majority of documents are in Spanish or French, while a few are in original English. Some are in Franklin’s hand, while others relate meetings in which Franklin participated, or as in one case, the actual minutes in which Franklin was inducted into the Royal Academy. All documents are presented in their original language, as well as in an English translation. Annotations provide contextual information, each document has an introduction that relays pertinent information relative to their archival locale, so that historians and the curious will be able to locate the original with little effort. 

The Diplomacy of Independence not only contributes to the already extensive knowledge of Benjamin Franklin but also highlights Franklin’s and his colleagues’ efforts in assuring Spain’s key aid and involvement in the American Revolutionary war.

Contributors: Russ Davidson, Genoveva Enríquez, Patricia Kurz, and Celia López-Chávez.

Signed into law in July 1990, the Americans with Disabilities Act (ADA) became effective two years later, and court decisions about the law began to multiply in the middle of the decade. In The Disability Pendulum, Ruth Colker presents the first legislative history of the enactment of the ADA in Congress and analyzes the first decade of judicial decisions under the act. She assesses the success and failure of the first ten years of litigation under the ADA, focusing on its three major titles: employment, public entities, and public accommodations.
The Disability Pendulum argues that despite an initial atmosphere of bipartisan support with the expectation that the ADA would make a significant difference in the lives of individuals with disabilities, judicial decisions have not been consistent with Congress’ intentions. The courts have operated like a pendulum, at times swinging to a pro-disabled plaintiff and then back again to a pro-defendant stance. Colker, whose work on the ADA has been cited by the Supreme Court, offers insightful and practical suggestions on where to amend the act to make it more effective in defending disability rights, and also explains judicial hostility toward enforcing the act.

Elizabeth and Henry Drinker of Philadelphia were no friends of the American Revolution. Yet neither were they its enemies. The Drinkers were a merchant family who, being Quakers and pacifists, shunned commitments to both the Revolutionaries and the British. They strove to endure the war uninvolved and unscathed. They failed. In 1777, the war came to Philadelphia when the city was taken and occupied by the British army.

Aaron Sullivan explores the British occupation of Philadelphia, chronicling the experiences of a group of people who were pursued, pressured, and at times persecuted, not because they chose the wrong side of the Revolution but because they tried not to choose a side at all. For these people, the war was neither a glorious cause to be won nor an unnatural rebellion to be suppressed, but a dangerous and costly calamity to be navigated with care. Both the Patriots and the British referred to this group as "the disaffected," perceiving correctly that their defining feature was less loyalty to than a lack of support for either side in the dispute, and denounced them as opportunistic, apathetic, or even treasonous. Sullivan shows how Revolutionary authorities embraced desperate measures in their quest to secure their own legitimacy, suppressing speech, controlling commerce, and mandating military service. In 1778, without the Patriots firing a shot, the king's army abandoned Philadelphia and the perceived threat from neutrals began to decline—as did the coercive and intolerant practices of the Revolutionary regime.

By highlighting the perspectives of those wearied by and withdrawn from the conflict, The Disaffected reveals the consequences of a Revolutionary ideology that assumed the nation's people to be a united and homogenous front.

Language is integral to our
social being. But what is the status of those who stand outside of language?
The mentally disabled, “wild” children, people with autism and other
neurological disorders, as well as animals, infants, angels, and artificial
intelligences, have all engaged with language from a position at its borders.
In the intricate verbal constructions of modern literature, the
‘disarticulate’—those at the edges of language—have, paradoxically, played
essential, defining roles.

Drawing on the disarticulate figures in
modern fictional works such as Billy Budd, The Sound and the Fury,
Nightwood, White Noise, and The Echo Maker, among others,
James Berger shows in this intellectually bracing study how these characters
mark sites at which aesthetic, philosophical, ethical, political, medical, and
scientific discourses converge. It is also the place of the greatest ethical
tension, as society confronts the needs and desires of “the least of its
brothers.” Berger argues that the disarticulate is that which is unaccountable
in the discourses of modernity and thus stands as an alternative to the
prevailing social order. Using literary history and theory, as well as
disability and trauma theory, he examines how these disarticulate figures
reveal modernity’s anxieties in terms of how it constructs its others.

In the wake of 9/11 and Hurricane Katrina, many are asking what, if anything, can be done to prevent large-scale disasters. How is it that we know more about the hazards of modern American life than ever before, yet the nation faces ever-increasing losses from such events? History shows that disasters are not simply random acts. Where is the logic in creating an elaborate set of fire codes for buildings, and then allowing structures like the Twin Towers—tall, impressive, and risky—to go up as design experiments? Why prepare for terrorist attacks above all else when floods, fires, and earthquakes pose far more consistent threats to American life and prosperity?

The Disaster Experts takes on these questions, offering historical context for understanding who the experts are that influence these decisions, how they became powerful, and why they are only slightly closer today than a decade ago to protecting the public from disasters. Tracing the intertwined development of disaster expertise, public policy, and urbanization over the past century, historian Scott Gabriel Knowles tells the fascinating story of how this diverse collection of professionals—insurance inspectors, engineers, scientists, journalists, public officials, civil defense planners, and emergency managers—emerged as the authorities on risk and disaster and, in the process, shaped modern America.

Hurricanes. Tornadoes. Floods. Pandemics. Wildfires. Earthquakes. Droughts. Landslides. Trillions of dollars in damages. Billions of people affected. Worldwide shutdowns. Terrorist attacks. Gas explosions. Bridge collapses. Car, train, and plane crashes. These sudden and unexpected events make it feel as if chaos rules the world, but expecting the unexpected can mitigate the damage and loss to you and your loved ones. It pays to be prepared—and to know how to react and respond when disaster does strike.

When catastrophe strikes, no matter how big or small, being ready and knowing what to do can be the difference between the loss of life and survival. The Disaster Survival Guide: How to Prepare For and Surviving Floods, Fires, Earthquakes and More shows how to prepare and respond to any crisis, man-made or natural, wherever it might occur and however small or large it might be. Using what has been learned from previous disasters, this indispensable book illustrates how others survived past crises. Critical decisions faced during an emergency are considered: whether to stay or to go, where to go, how to stay informed, and more.

Covering the basics needs from food, water and first aid to shelter, security, and self-defense, this informative guide walks readers through the steps it takes to create their own personal emergency action plan. It provides a catalog of the skills, tools, and items needed to endure and overcome a variety of situations and circumstances. It pinpoints hazards unique to different terrains, locations, situations, and settings, too, and it helps identify and understand possible threats.

Just as important as learning how to survive the worst is learning how to survive everyday emergencies ranging from bee stings, snakebites, and allergic reactions to house fires, gas explosions, and more. It’s all important, and it’s all in The Disaster Survival Guide. Truly essential, this fact-filled book takes a clear-eyed look at what to do should the worst happen.

In these moving and meditative poems, Adam Kirsch shows how the experiences and recognitions of early life continue to shape us into adulthood. Richly evoking a 1980s childhood in Los Angeles, Kirsch uses Gen X landmarks—from Devo to Atari to the Challenger disaster—to tell a story of emotional and artistic coming of age, exploring universal questions of meaning, mortality, and how we become who we are.

If Christ is our Lord, then we are his servants, and if he is our teacher, then we are his pupils.

Following Christ is a multi-faceted responsibility. We should remember:

* Every true disciple is a listener
* We are both rational and emotional
* We can discern God's call and will

Love is the first fruit of the Spirit, a core ingredient of discipleship.

In The Discipline of Teams, Jon Katzenbach and Douglas Smith explore the often counter-intuitive features that make up high-performing teams—such as selecting team members for skill, not compatibility—and explain how managers can set specific goals to foster team development. The result is improved productivity and teams that can be counted on to deliver more than just the sum of their parts. Since 1922, Harvard Business Review has been a leading source of breakthrough ideas in management practice. The Harvard Business Review Classics series now offers you the opportunity to make these seminal pieces a part of your permanent management library. Each highly readable volume contains a groundbreaking idea that continues to shape best practices and inspire countless managers around the world.

Wide-ranging essays on Moroccan history, Sufism, and religious life

Al-Hasan al-Yusi was arguably the most influential and well-known Moroccan intellectual figure of his generation. In 1084/1685, at the age of roughly fifty-four, and after a long and distinguished career, this Amazigh scholar from the Middle Atlas began writing a collection of short essays on a wide variety of subjects. Completed three years later and gathered together under the title Discourses on Language and Literature (al-Muhadarat fi l-adab wa-l-lughah), they offer rich insight into the varied intellectual interests of an ambitious and gifted Moroccan scholar, covering subjects as diverse as genealogy, theology, Sufism, history, and social mores.

In addition to representing the author’s intellectual interests, The Discourses also includes numerous autobiographical anecdotes, which offer valuable insight into the history of Morocco, including the transition from the Saadian to the Alaouite dynasty, which occurred during al-Yusi’s lifetime. Translated into English for the first time, The Discourses offers readers access to the intellectual landscape of the early modern Muslim world through an author who speaks openly and frankly about his personal life and his relationships with his country’s rulers, scholars, and commoners.

A bilingual Arabic-English edition.

Wide-ranging essays on Moroccan history, Sufism, and religious life

Al-Ḥasan al-Yūsī was arguably the most influential and well-known Moroccan intellectual figure of his generation. In 1084/1685, at the age of roughly fifty-four, and after a long and distinguished career, this Amazigh scholar from the Middle Atlas began writing a collection of short essays on a wide variety of subjects. Completed three years later and gathered together under the title Discourses on Language and Literature (al-Muhadarat fi l-adab wa-l-lughah), they offer rich insight into the varied intellectual interests of an ambitious and gifted Moroccan scholar, covering subjects as diverse as genealogy, theology, Sufism, history, and social mores.

In addition to representing the author’s intellectual interests, The Discourses also includes numerous autobiographical anecdotes, which offer valuable insight into the history of Morocco, including the transition from the Saadian to the Alaouite dynasty, which occurred during al-Yūsī’s lifetime. Translated into English for the first time, The Discourses offers readers access to the intellectual landscape of the early modern Muslim world through an author who speaks openly and frankly about his personal life and his relationships with his country’s rulers, scholars, and commoners.

An English-only edition.

Starting in the 15th century, a fear of witchcraft and alternative practices grew into a hysteria. Because witches were suspected to be devil worshippers, they were considered heretics to the Christian church. Consequently, the Christians launched a crusade against these women and men. Matthew Hopkins was not only among the greatest supporters of this crusade, but also one of the most active participants. In just over a year, Matthew Hopkins, a self-proclaimed “Witchfinder General”, killed over one hundred people. While the witch hunt hysteria infected much of the 17th century society in England, there were still those who opposed the accusations and discrimination against witches. After being criticized for his work, Hopkins decided to publish a guide to witch hunting, including methods to discover a witch, how to torture them into a confession, and how to prosecute them. Along with outlines of torture methods, such as sleep deprivation and forced physical activity, The Discovery of Witches also addressed the questions and concerns raised by those who did not support Hopkins. Under the guise of being a man of God, Hopkins claimed to have been sent on a divine mission to manipulate other religious groups into joining his cause. As Hopkin’s practices brought him lucrative success, he rose to a short-lived power, but his published doctrine spread his influence for years after his death.

The Discovery of Witches by Matthew Hopkins is a short text of immeasurable insight. Though now recognized as zealot propaganda, The Discovery of Witches depicts a chilling perspective of a heinous time in history, including the concerns of those who opposed it. While Hopkin’s work immortalizes a fascinating yet repulsive historical movement, it also invites readers to reflect on the ways the spirit of his manipulation is still present in modern society.

This edition of The Discovery of Witches by Matthew Hopkins features an eye-catching cover deign and is printed in an easy-to-read font, making it both readable and modern.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Disruption of Evangelicalism is the first comprehensive account of the evangelical tradition across the English-speaking world from the end of the nineteenth to the mid-twentieth century.

It offers fresh perspectives on conversionism and the life of faith, biblical and theological perspectives, social engagement, and mission. Tracing these trajectories through a period of great turbulence in world history, we see the deepening of an evangelical diversity. And as events unfold, we notice the spectrum of evangelicalism fragments in varied and often competing strands.

Dividing the era into two phases-before 1914 and after 1918-draws out the impact of the Great War of 1914-18 as evangelicals renegotiated their identity in the modern world. By accenting his account with the careers of selected key figures, Geoffrey Treloar illustrates the very different responses of evangelicals to the demands of a critical and transitional period. The Disruption of Evangelicalism sets out a case that deserves the attention of both professional and arm-chair historians.

The definitive books on one of the most influential business ideas of our time, disruptive innovation.

His work is cited by the world's best-known thought leaders, from Steve Jobs to Malcolm Gladwell. In these classic bestsellers, innovation expert Clayton Christensen shows how even the most outstanding companies can do everything right—yet still lost market leadership. In The Innovator's Dilemma, Christensen presents his theory of disruptive innovation and explains that, no matter the industry, a successful company with established products will get pushed aside unless managers know how and when to abandon traditional business practices. In The Innovator's Solution, Christensen and his coauthor, Michael Raynor, expand on the idea of disruption, showing how companies can and should become disruptors themselves. Sharp, cogent, and provocative, these are the two books that no manager, leader, or entrepreneur should be without.

An urgent and compelling graphic memoir about a Pakistani investigative journalist at odds with his fundamentalist family and the Pakistani military that attempts to kidnap him

In Islamabad in 2018, Pakistani investigative journalist Taha Siddiqui is kidnapped at gunpoint and barely escapes being killed. He flees the country on the first plane to France with questions left unanswered: What motivated the attack? Was the tyrannical Pakistani military involved?

The Dissident Club is an action-packed graphic memoir about Islamic politics, complex family dynamics, and one man's dedication to truth and principle. With illustrator Hubert Maury, Siddiqui, winner of the prestigious journalism award Prix Albert Londres, tells the story of his intriguing life and career, beginning with his childhood in Saudi Arabia and Pakistan under the stern gaze of a fundamentalist Islamic father. Siddiqui rebels against his religion, but his personal freedom is constrained by strict Islam, especially after his father joins a jihadi mosque.

Following the Gulf War and then the shock caused by 9/11, Siddiqui enters university and begins his personal emancipation. He becomes a journalist, but as he reveals the crimes of the Pakistani military, he learns the hard way that journalists are moving targets. Once in Paris, he opens the Dissident Club, a bar dedicated to helping political dissidents from around the world.

An expansive Pakistani coming-of-age story, The Dissident Club documents Siddiqui's experiences as a young man fighting for truth and justice against the harsh backdrop of Islamic fundamentalism and corruption.

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The Disturbing Charm (1919) is a romance novel by Berta Ruck. After a decade of publishing stories in literary magazines, Ruck began releasing romance novels to popular acclaim. The Disturbing Charm is a satirical tale of love, fantasy, and modern life that continues to entertain over a century after it was written. “Half the trouble in that world arises from the fact that human beings are continually falling in Love ... with the wrong people.” While cleaning her uncle’s office, Olwen Howel-Jones, a young Welsh beauty, discovers this message written on a mysterious note. Investigating further, she finds instructions for the use of a powerful charm, which must remain hidden in order to work. When used, it renders the wearer irresistibly attractive, allowing them to bend the will of whomever they wish to romance. Unable to resist such a promise, Olwen secretly removes the charm from her uncle’s desk. As she goes about her daily life, she soon discovers that although the charm truly works, to be the constant object of anyone and everyone’s affections is a tiresome way to live. The Disturbing Charm is a comedy of social life and romance from one of the twentieth century’s most prolific authors. This edition of Berta Ruck’s The Disturbing Charm is a classic of British romance literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A revealing look at the identity and mission of the Black church

What is the true nature and mission of the church? Is its proper Christian purpose to save souls, or to transform the social order? This question is especially fraught when the church is one built by an enslaved people and formed, from its beginning, at the center of an oppressed community’s fight for personhood and freedom. Such is the central tension in the identity and mission of the Black church in the United States.

For decades the Black church and Black theology have held each other at arm’s length. Black theology has emphasized the role of Christian faith in addressing racism and other forms of oppression, arguing that Jesus urged his disciples to seek the freedom of all peoples. Meanwhile, the Black church, even when focused on social concerns, has often emphasized personal piety rather than social protest. With the rising influence of white evangelicalism, biblical fundamentalism, and the prosperity gospel, the divide has become even more pronounced.

In The Divided Mind of the Black Church, Raphael G. Warnock, Senior Pastor of the historic Ebenezer Baptist Church, the spiritual home of the Rev. Dr. Martin Luther King, Jr., traces the historical significance of the rise and development of Black theology as an important conversation partner for the Black church. Calling for honest dialogue between Black and womanist theologians and Black pastors, this fresh theological treatment demands a new look at the church’s essential mission.

The Divine Comedy (1320) is a narrative poem by Dante Alighieri. Begun in 1308 while Dante was exiled from his native Florence, The Divine Comedy—a long poem divided into three books of 33 cantos each—presents the author’s spiritual journey from sinfulness and despair to salvation and self-understanding. Written in the Tuscan vernacular, the poem was influential in establishing a standardized Italian language.

In the first book, Inferno, Dante is led by the Roman poet Virgil into Hell. There, he comes to terms with his own sinfulness while observing the horrors and tortures suffered by those condemned to eternity in its circles. Along the way, Dante encounters historical figures, acquaintances, and other individuals whose violence, fraud, treachery, and betrayal led their spirits to terrible suffering. This technique, which incorporates dialogue with detailed description, is used throughout The Divine Comedy to provide context on historical, theological, and political subjects while simultaneously situating the poet as narrator and interlocutor in his own work. In this way, the physical and spiritual journey portrayed in the poem becomes a journey for Dante himself, a way of transcending the despair he describes at its beginning. In Purgatorio, Dante follows Virgil on an ascent of the Mountain of Purgatory, where he encounters the souls of sinners who must atone for their actions in life before entering Heaven. Leaving Virgil behind, Dante, in Paradiso, follows a divine Beatrice through the celestial spheres of Heaven. As he approaches God and his own salvation, changed by a newfound sense of “the Love which moves the sun and the other stars,” Dante ascends to the heights of world literature, uniting the created soul and the artist’s creation as no other poet has done before or since.

This edition of Dante Alighieri’s The Divine Comedy is a classic of Italian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Trinity is the central doctrine of Christianity, but it is still widely considered a mystery we won't ever fully understand. Should we still try to understand it, even so? If we could, how would it transform our relationship with God?

In this stimulating and thought-provoking book, internationally recognised teacher Richard Rohr explores the nature of God and the paradoxical idea of the Holy Trinity as both three and one. With clear, surefooted wisdom, he encourages us to build on the early Christian understanding of the relationship between Father, Son and Spirit as a flow and dance - a Divine Dance - that we are invited to join in.

An engaging, accessible look at the nature of God, The Divine Dance will challenge the way you think about the Trinity and give you a much fuller understanding of the triune relationship that is at the heart of Christian doctrine. It will leave you with a faith that is renewed and strengthened, and show you how you can engage more deeply in your relationship with God and the world through the Trinity.

"A Dante/Beckett reduction of human struggle to its lowest common denominator."—Michael Mirolla, author of The Formal Logic of Emotion and Berlin

"One of the most original and thought-provoking stories I have ever read...true literary art...Not a word is wasted in this masterpiece. Yes, I call it that. I have read many classics, and I can tell you that The Divine Farce should be counted among them; the finest in American literature."—Geekscribe

Three strangers are condemned to live together in darkness, crushed together in a concrete stall so small that they can never sit down. Liquid food drips down from above. Waste drains through a grid on the floor. So begins one of the strangest, most surreal comments on the human experience, on love and hatred and the human ability to find good in any situation, no matter how difficult. Michael S. A. Graziano delights in the macabre and surreal, yet it is his optimism that lifts this little novel. Like The Love Song of Monkey, this book is deeply thought provoking, horrifying, and funny.

Praise for The Love Song of Monkey:

"Imaginative, intelligent narrative. Twin ideas of forgiveness and mercy twist through this strange, moving, patiently wrought novel."—Publishers Weekly

"Fabulously imagined, seriously considered, and very funny. A kind of fairytale antithesis on the meaning of existence. . . . Fantastic."—Spirituality and Health Books

"Strange but wonderful . . . like nothing I’ve read before. A very short book, but the scope is epic in detail. . . . I enjoyed the heck out of this book."—Geekscribe

"Should be required reading in the writing grad schools. . . . There’s nary a word wasted. What’s left is comedy, retrospection, betrayal, tenderness, meditations on loneliness, a love story that survives all attempts to suppress it . . . not bad within 149 pages."—Barnstable Patriot

Nautilus Book Awards 2022 Silver Award Winner in Religion/Spirituality of Western Thought

“In The Divine Heart, Colette Lafia invites us to enter the vastness and intimacy of God’s love, offering seven simple yet powerful ways to deepen our awareness and open our hearts. This small book with a big heart shows us how to live in the flow of Divine love.” — Richard Rohr, author of The Universal Christ, founder of the Center for Action and Contemplation

“During these turbulent times, we need the steadying voice of feminine wisdom more urgently than ever. In this luminous book, spiritual guide Colette Lafia offers the fruits of her tenderly cultivated inner life to feed people of all genders who thirst for a direct encounter with the embodiment of love, which she recognizes as our own true nature.” — Mirabai Starr, translator of John of the Cross and Teresa of Avila, author of Wild Mercy

In The Divine Heart, spiritual director Colette Lafia shows how we can live in an ever-flowing love relationship with God, realizing that God is in us and we are in God. Beautifully expressed, sharing examples of her own journey, The Divine Heart offers seven “invitations” that can awaken us to this abundant flow of love at the core of our being.

Weaving prayers and practices, along with relevant contemporary and mystical teachings, Colette Lafia invites us to explore how connecting to Divine love helps us trust our own spiritual experiences and inspires us toward hope, healing, and wholeness.

The Divine Heart is a timely offering, outlining ways we can integrate loss and pain, and renew ourselves in the power and presence of love.

The so-called New Atheists receive much publicity, but their demand to be provided with incontrovertible evidence for the existence of God, and that such evidence must come from a scientific examination of the physical world, is the wrong approach.

As many theologians and philosophers have claimed, the search for God begins by looking inwards into oneself.

But what does that mean?

Surely looking inwards we find nothing but the contents of one's own mind. Where does God come in? It is by the examination of the contents of the mind and trying to understand how they got there that one seeks clues about God's influence on the mind. Our consciousness bears a resemblance to that Consciousness from which it is directly derived. It bears his imprint. It is from the characteristics of that imprint we get to know what kind of God we are dealing with. Only then can we be open to realising how that other creation of his, the physical world, also bears his imprint.

A Sufi scholar’s philosophical interpretation of the names of God

The Divine Names is a philosophically sophisticated commentary on the names of God. Penned by the seventh-/thirteenth-century North African scholar and Sufi poet ʿAfīf al-Dīn al-Tilimsānī, The Divine Names expounds upon the one hundred and forty-six names of God that appear in the Qurʾan, including The All-Merciful, The Powerful, The First, and The Last. In his treatment of each divine name, al-Tilimsānī synthesizes and compares the views of three influential earlier authors, al-Bayhaqī, al-Ghazālī, and Ibn Barrajān.

Al-Tilimsānī famously described his two teachers Ibn al-ʿArabī and al-Qūnawī as a “philosophizing mystic” and a “mysticizing philosopher,” respectively. Picking up their mantle, al-Tilimsānī merges mysticism and philosophy, combining the tenets of Akbarī Sufism with the technical language of Aristotelian, Neoplatonic, and Avicennan philosophy as he explains his logic in a rigorous and concise way. Unlike Ibn al-ʿArabī, his overarching concern is not to examine the names as correspondences between God and creation, but to demonstrate how the names overlap at every level of cosmic existence. The Divine Names shows how a broad range of competing theological and philosophical interpretations can all contain elements of the truth.

An English-only edition.

A Sufi scholar’s philosophical interpretation of the names of God

The Divine Names is a philosophically sophisticated commentary on the names of God. Penned by the seventh-/thirteenth-century North African scholar and Sufi poet ʿAfīf al-Dīn al-Tilimsānī, The Divine Names expounds upon the one hundred and forty-six names of God that appear in the Qurʾan, including The All-Merciful, The Powerful, The First, and The Last. In his treatment of each divine name, al-Tilimsānī synthesizes and compares the views of three influential earlier authors, al-Bayhaqī, al-Ghazālī, and Ibn Barrajān.

Al-Tilimsānī famously described his two teachers Ibn al-ʿArabī and al-Qūnawī as a “philosophizing mystic” and a “mysticizing philosopher,” respectively. Picking up their mantle, al-Tilimsānī merges mysticism and philosophy, combining the tenets of Akbarī Sufism with the technical language of Aristotelian, Neoplatonic, and Avicennan philosophy as he explains his logic in a rigorous and concise way. Unlike Ibn al-ʿArabī, his overarching concern is not to examine the names as correspondences between God and creation, but to demonstrate how the names overlap at every level of cosmic existence. The Divine Names shows how a broad range of competing theological and philosophical interpretations can all contain elements of the truth.

A bilingual Arabic-English edition.

A book-length poem that brilliantly reinvents narrative poetry, The Diviners is a single poem divided into five chapters, each a different decade. McDowell relates the most crucial developments in each decade spanning from the 1950s through 1990s, of the shared lives of Al, Eleanor, and their son, Tom. The Diviners records in blank verse the family’s beginnings, their growth, their problems, their separation, and their ultimate reunion. The events that follow the intertwined lives of the characters illustrate the endless capacity for human empathy.