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"[An] empathetic study of the meanings of cross-racial adoption to adoptees."—Law and Politics Book Review

Can White parents teach their Black children African American culture and history? Can they impart to them the survival skills necessary to survive in the racially stratified United States? Concerns over racial identity have been at the center of controversies over transracial adoption since the 1970s, as questions continually arise about whether White parents are capable of instilling a positive sense of African American identity in their Black children.

Through in-depth interviews with adult transracial adoptees, as well as with social workers in adoption agencies, Sandra Patton, herself an adoptee, explores the social construction of race, identity, gender, and family and the ways in which these interact with public policy about adoption. Patton offers a compelling overview of the issues at stake in transracial adoption. She discusses recent changes in adoption and social welfare policy which prohibit consideration of race in the placement of children, as well as public policy definitions of "bad mothers" which can foster coerced aspects of adoption, to show how the lives of transracial adoptees have been shaped by the policies of the U.S. child welfare system.

Neither an argument for nor against the practice of transracial adoption, BirthMarks seeks to counter the dominant public view of this practice as a panacea to the so-called "epidemic" of illegitimacy and the misfortune of infertility among the middle class with a more nuanced view that gives voice to those directly involved, shedding light on the ways in which Black and multiracial adoptees articulate their own identity experiences.

Birthright (1922) is a novel by T.S. Stribling. Originally serialized in Century Magazine, the novel marked a major departure for Stribling, whose previous works had avoided serious themes altogether. Birthright was praised by black and white critics upon publication, and allowed Stribling to move his career away from genre fiction and into the pressing historical and social questions of his time. Peter is a young man with a powerful vision. After graduating from Harvard, he returns to his hometown of Hooker’s Bend, Tennessee, where he gains a new understanding of the prejudices and laws that shaped his upbringing. Born into a family of mixed racial heritage, Peter has long understood the necessity of passing, which allows him to avoid violence and to further his personal interests. Back in the South, however, he realizes that his experiences as a student have granted him an opportunity to change his community for the better. As he attempts to educate members of the local black and white communities, his hope for the future soon turns to doubt and disillusionment. Birthright, a triumphant and tragic story of race in America, was adapted by pioneering director Oscar Micheaux into a 1924 silent film and a 1939 talkie of the same name. This edition of T.S. Stribling’s Birthright is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Winner of the Jake Adam York Prize, a tender, yearning collection of poems that pieces together identity with the different shapes absence can take. 

“Blurry eyes mean a longing for home,” writes Bo Hee Moon in her prize-winning collection, “but we’re unsure what home means.” A South Korean adoptee raised in the United States, the poet reaches for language to confront the complex, myriad emotions that accompany understanding identity and belonging after transnational, cross-cultural adoption. 

Through verse both innocent and wise, the speaker searches for the memory of a birth mother who passed before they could reunite, aided only by “my birth chart” and “this tiny, / careful body you gave me.” To reimagine reunion, she creates a reality in which she can look into the “fragile depth” of her birth mother’s eyes, envision her parents meeting among spring azaleas and rice paddies, and gently cleanse her mother’s dying body. Transcending boundaries between generations, between life and death, she learns how to transform, how to forge an identity of her own, declaring, “I am changing, completely, / behind a rice paper door.” 

With poems that serve as our speaker’s “loyal companion // in the burnt / pine and dawn,” Birthstones in the Province of Mercy illuminates the language that nourishes the delicate and vital connection between an adoptee and her origins. 

In der fünften Lieferung des 3. Bandes der Athanasius Werke wird die Herausgabe der Dokumente zur Geschichte des arianischen Streites weitergeführt, die Hans-Georg Opitz in den Jahren 1934 und 1935 begonnen hatte. Die Lieferung enthält die Dokumente aus den Jahren 362–380, die den Prozess der Distanzierung sowohl der Anhängern des Nicaenums als auch der Homöusianer von den Beschlüssen der Reichssynode von Rimini/Seleucia deutlich machen, sowie die Enstehung des Neunizänismus und einer eigenen anhomöischen Kirche. Außerdem zeigen die überlieferten Dokumente, dass auch die Gruppen der Homöer und Homöusianer sich weiter konsolidieren, was dann zu eigenen Kirchenbildungen führt. Ein wichtiges Thema der Dokumente ist außerdem das antiochenische Schisma unter den Anhängern des Nicaenums und die Stellung der abendländischen Kirche zu den theologischen Entwicklungen im Osten.

Alle Dokumente sind mit einer deutschen Übersetzung versehen. Der Lieferung sind eine Bibliographie und Register beigegeben.

The third fascicle of the first part of volume 3 of Athanasius’ Works continues the publication of documents relating to the history of the Arian conflict, carrying on the work started by Hans-Georg Opitz in 1934 and 1935.
The fascicle contains inter alia the texts from the Synods of Antioch 326/27, Jerusalem 335, Rome and Antioch 338-341 and the Ekthesis makrostichos; it is accompanied by a detailed introduction on the chronology of the beginnings of the Arian heresy, a German translation of the documents already published, and a bibliography and reference index.

They don't seem an obvious match. Joanne is spiky, defensive, a survivor; Paul is quiet, considered – and hiding profound grief for his father. But the pleasure he takes in cooking – and the astonishing food he prepares – creates a bond between them.

When the hotel where they both work closes and they start to spiral into poverty, it throws everything up in the air – first their plans for a cookbook and a restaurant, and, eventually, even their dreams of a future together...

Gareth Farr's play Biscuits for Breakfast is a tender, heartfelt drama about families – the ones we inherit and the ones we create – and the struggle to survive when times get tough. It opened at Hampstead Theatre, London, in May 2023, directed by Tessa Walker.

The subject of bisexuality continues to divide the lesbian and gay community. At pride marches, in films such as Go Fish, at academic conferences, the role and status of bisexuals is hotly contested.
Within lesbian communities, formed to support lesbians in a patriarchal and heterosexist society, bisexual women are often perceived as a threat or as a political weakness. Bisexual women feel that they are regarded with suspicion and distrust, if not openly scorned. Drawing on her research with over 400 bisexual and lesbian women, surveying the treatment of bisexuality in the lesbian and gay press, and examining the recent growth of a self-consciously political bisexual movement, Paula Rust addresses a range of questions pertaining to the political and social relationships between lesbians and bisexual women.
By tracing the roots of the controversy over bisexuality among lesbians back to the early lesbian feminist debates of the 1970s, Rust argues that those debates created the circumstances in which bisexuality became an inevitable challenge to lesbian politics. She also traces it forward, predicting the future of sexual politics.

For years bisexuality was considered merely a transitional stage between a person's presumed heterosexuality and "true" homosexuality, or vice versa, and was thereby regarded with suspicion by the lesbian and gay community and contempt by the "straight" world. The study and understanding of bisexuality has surpassed the stereotyped representations of previous eras (e.g., Basic Instinct), but few books attempt to seriously engage the subject as a whole. Paula Rust at last rectifies this absence in the literature by presenting the first interdisciplinary and comprehensive review of social scientific research and theory about bisexuality.

With contributions by sociologists, psychologists, historians, political theorists, and others, the book yields an overall picture of what we know, and what we don't know, about the subject. The book provides a wealth of information about the lives and experiences of bisexual people. Articles cover early research in which bisexuality was conceptualized as "situational homosexuality," pioneering research on bisexuality as an authentic sexual orientation, scholarship on bisexuality in the context of AIDS research, the phenomena of "bisexual chic" and biphobia, queer theory, and the contemporary relationship between academia and political activism. Selections include theoretical and empirical studies from social science perspectives as well as popular writings about the growth of the bisexual movement in the 1980s and 1990s.

In this pioneering ethnographic study of identity and integration, author Philipp Schröder explores urban change in Kyrgyzstan’s capital Bishkek from the vantage point of the male youth living in one neighbourhood. Touching on topics including authority, violence, social and imaginary geographies, interethnic relations, friendship, and competing notions of belonging to the city, Bishkek Boys offers unique insights into how post-Socialist economic liberalization, rural-urban migration and ethnic nationalism have reshaped social relations among young males who come of age in this Central Asian urban environment.

Ecumenical examination of immigration issues drawn from engaging, first-person narratives.

A group of bishops (Catholic, Episcopal, Lutheran, and United Methodist), all based along the US-Mexico border, found common ground to jointly address some key immigration issues, especially those being played out in the state of Arizona. The bishops worked together on behalf of local immigrant populations to address theological and pastoral concerns—and prayed for those whose lives were being directly affected. This book grows out of their shared work and the relationships that developed among them.

The late antique and the early medieval periods witnessed the flourishing of bishops in the West as the main articulators of social life. This influential position exposed them to several threats, both political and religious. Researchers have generally addressed violence, rebellions or conflicts to study the dynamics related to secular powers during these periods. They haven’t paid similar attention, however, to those analogous contexts that had bishops as protagonists. This book proposes an approach to bishops as threatened subjects in the late antique and early medieval West. In particular, the volume pursues three main goals. Firstly, it aims to identify the different types of threats that bishops had to deal with. Then it sets out to frame these situations of adversity in their own contexts. Finally, it will address the episcopal strategies deployed to deal with such contexts of adversity. In sum, we aim to underline the impact that these contexts had as a dynamiting factor of episcopal action. Thus the episcopal threats may become a useful approach to study the bishops’ relationships with other agents of power, the motivations behind their actions and – last but not least – for understanding the episcopal rising power

The Middle East and the Prairie West meet--deliciously--in this cookbook of over 100 recipes developed by Canada's foremost expert in Arab cuisine.
Habeeb Salloum spent his childhood on the Saskatchewan prairies, the son of Syrian homesteaders who thrived during the depression and drought of the 1930s by growing the dryland crops of their homeland. In this cookbook, Salloum returns not only to his childhood home, but to the historical sustainer of life on the prairies--the bison.

Originally designed as an educational supplement for the renowned Stanford courses Computer Science 106A and 106B, Bit by Bit is a comic-style resource that uses fractal grids, custom-drawn characters, and fun graphics as a visually immersive introduction to the key concepts of beginner coding, learning pedagogy, education, and visual thinking.

Bit by Bit takes readers on a journey that encompasses the full scope of both courses; beginning with the chief elements and fundamentals of programming such as functions, variables, and integers; carrying readers through the basics of Python and C++ into the conceptual world of efficiency and recursion; and walking them through collections of linked data structures. Throughout each section, course and Stanford alum Ecy Femi King is there to guide, cajole, and assist, simultaneously providing useful tips to encourage maximum knowledge absorption and engaging commentary for readers at every level. In short, this book is more than just a cohesive "study buddy" for introductory Stanford courses. Rather, it delivers a far-reaching guide of both pedagogical interest and practical use to students, educators, and researchers worldwide.

If the stories they tell about themselves are to be believed, all of the tech giants—Apple, Google, Microsoft, Facebook, and Amazon—were built from the ground up through hard work, a few good ideas, and the entrepreneurial daring to seize an opportunity when it presented itself.

With searing wit and blistering commentary Bit Tyrants provides an urgent corrective to this froth of board room marketing copy that is so often passed off as analysis. For fans of corporate fairy-tales there are no shortage of official histories that celebrate the innovative genius of Steve Jobs, liberal commentators who fall over themselves to laude Bill Gates's selfless philanthropy, or politicians who will tell us to listen to Mark Zuckerberg for advice on how to protect our democracy from foreign influence.

In this highly unauthorized account of the Big Five's origins, Rob Larson sets the record straight, and in the process shreds every focus-grouped bromide about corporate benevolence he could get his hands on. Those readers unwilling to smile and nod as every day we become more dependent on our phones and apps to do our chores, our jobs, and our socializing can take heart as Larson provides us with maps to all the shallow graves, skeleton filled closets, and invective laced emails Big Tech left behind on its ascent to power. His withering analysis will help readers crack the code of the economic dynamics that allowed these companies to become near-monopolies very early on, and, with a little bit of luck, his calls for digital socialism might just inspire a viral movement for online revolution.

What do blockchain, bitcoin and cryptocurrencies mean for your financial future? Are cryptocurrencies just high-technology scams, or are they potentially lucrative sources of income? What are the implications of these cutting-edge technologies for your job, career, and prosperity? 

 Blockchain and Cryptocurrencies can be immensely profitable, but you have to understand these technologies. In this book, Cecil (CJ) John introduces you to this new digital era in a simple, reader-friendly way. This enjoyable and authoritative guide will help you unravel the mysteries of this fast-growing new economy, including about this mysterious but ever more influential part of the economy, including answers to questions like these: 

• What is Cryptocurrency? 
• What are the best Cryptocurrencies for investing? 
• What are the most effective ways to invest in Cryptocurrencies? 
• What are the career opportunities in Blockchain and Cryptocurrency? 
• What are the business opportunities in Blockchain and Cryptocurrency? 
• What are the fundamentals of Blockchain? 
• What is decentralized finance, and how can you profit from it? 
• What are NFTS, and how can you create one? • What is Web 3.0 and why is it important? 
• What is the metaverse and what’s Blockchain got to do with it? 
• Will the government regulate Blockchain and Cryptocurrency? 
• What is the relationship between digital money and morality?

There’s even more. This book shows how these revolutionary new technologies and digital currencies can transform society and economics, giving people more financial security and more say in creating and distributing money. 

Cecil (CJ) John is a chartered architect, computer scientist, and author. He is the chief executive officer of virtualdeveloper.com, LLC, an information technology firm that has worked with some of the largest organizations in the world.

The definitive guide to the game-theoretic and probabilistic underpinning for Bitcoin’s security model. The book begins with an overview of probability and game theory. Nakamoto Consensus is discussed in both practical and theoretical terms.

This volume:

• Describes attacks and exploits with mathematical justifications, including selfish mining.
• Identifies common assumptions such as the Market Fragility Hypothesis, establishing a framework for analyzing incentives to attack.
• Outlines the block reward schedule and economics of ASIC mining.
• Discusses how adoption by institutions would fundamentally change the security model.
• Analyzes incentives for double-spend and sabotage attacks via stock-flow models.
• Overviews coalitional game theory with applications to majority takeover attacks
• Presents Nash bargaining with application to unregulated environments

This book is intended for students or researchers wanting to engage in a serious conversation about the future viability of Bitcoin as a decentralized, censorship-resistant, peer-to-peer electronic cash system. 　

The food system is broken, but there is a revolution underway to fix it. Bite Back presents an urgent call to action and a vision for disrupting corporate power in the food system, a vision shared with countless organizers and advocates worldwide. In this provocative and inspiring new book, editors Saru Jayaraman and Kathryn De Master bring together leading experts and activists who are challenging corporate power by addressing injustices in our food system, from wage inequality to environmental destruction to corporate bullying.

In paired chapters, authors present a problem arising from corporate control of the food system and then recount how an organizing campaign successfully tackled it. This unique solutions-oriented book allows readers to explore the core contemporary challenges embedded in our food system and learn how we can push back against corporate greed to benefit workers and consumers everywhere.

This is a second edition of Ann Hill Beuf's admirable book about the social situation of hospitalized children in twentieth-century America.

The author includes details and examples drawn from the day-to-day life of children in hospitals to show their responses to this frightening experience and to examine as well the frustrating mission of the people who care for them. She suggests ways parents and medical professionals can better answer the needs and respect the right of hospitalized children.

Short, accessible meditations and photography to guide you through the season

Author Russ Levenson invites readers to slow down, “toward that stillness that, in a particular way, reveals not only the nature of God but our own nature and God’s calling to us.” These and other thoughtful insights seem most appropriate during the summer season. Bits of Heaven provides devotional readings that are companions to the sunlight, opportunities for relaxation, and growth that surround us during the summer.

Forty meditations, reflections for contemplation, and prayers fill this volume designed to accompany and encourage readers throughout the season. This thoughtful book is part of a series by this well-known author.

What are the future prospects for literary knowledge now that literary texts—and the material remains of authorship, publishing, and reading—are reduced to bitstreams, strings of digital ones and zeros? What are the opportunities and obligations for book history, textual criticism, and bibliography when literary texts are distributed across digital platforms, devices, formats, and networks? Indeed, what is textual scholarship when the "text" of our everyday speech is a verb as often as it is a noun?

These are the questions that motivate Matthew G. Kirschenbaum in Bitstreams, a distillation of twenty years of thinking about the intersection of digital media, textual studies, and literary archives. With an intimate narrative style that belies the cold technics of computing, Kirschenbaum takes the reader into the library where all access to Toni Morrison's "papers" is mediated by digital technology; to the bitmapped fonts of Kamau Brathwaite's Macintosh; to the process of recovering and restoring fourteen lost "HyperPoems" by the noted poet William Dickey; and finally, into the offices of Melcher Media, a small boutique design studio reimagining the future of the codex.

A persistent theme is that bits—the ubiquitous ones and zeros of computing—are never self-identical, but always inflected by the material realities of particular systems, platforms, and protocols. These materialities are not liabilities: they are the very bulwark on which we stake the enterprise for preserving the future of literary heritage.

When chaos descends and ancient forces awaken, only one woman can stop the world from unraveling...

Sonja Michaelson’s perfect date takes a terrifying turn when she wakes up with a savage bite mark on her neck, her body undergoing bizarre and uncontrollable changes. Her attacker, a mysterious figure, vanishes, leaving behind a cryptic note: Meet me in Montana.

Her senses are spiraling out of control—heightened hearing, incredible strength, and an overwhelming urge she can’t explain. Desperate for answers, she follows the trail to the rugged wilderness, but instead of the monster who changed her, she finds Tyler Viðarrson, a dangerously seductive man with a chilling secret.

Tyler reveals that Sonja is no ordinary woman—she’s been bitten into a legacy of werewolves descended from an ancient pack of Viking warriors. The world of the supernatural is real—and it’s deadly.

Now, Sonja is caught in a deadly race against time. Several rival packs want her to join them, each offering power and protection. But there’s a catch: if she doesn’t master the wolf inside her by the full moon, she risks losing her mind—or worse, her humanity.

Can Sonja survive the battle within herself and the ruthless enemies closing in, or will the ancient evil set loose on Earth be her undoing?

Prepare for a heart-pounding supernatural thriller, packed with romance, danger, and secrets that could unravel the fabric of reality itself. Perfect for fans of werewolves, Viking mythology, and pulse-racing fantasy!

He’s not human, but he’s always felt like home.

Alex

They say we know our mates the moment we see them. I knew she was mine the night we danced. One moment—then I let her go. Too young. Too human. Too innocent for a Born Immortal vampire like me.
But now she’s back: older, shattered, and still the only thing I crave.
I let her walk away once. Never again.

Julia
Fifteen years ago, I thought Alex Staithes was just a man. Handsome, sexy, but way too old for me.
Now I’m grieving, divorced, and carrying pain no mother should know. The last thing I expected was him—watching, waiting, caring for me in my hour of need.
When I take a job at his company, I find out what he really is.
Vampire. Monster. Mine.
His touch burns. His bite ruins. And I’m not sure I want to be saved.

Bitten and Bound is book one in the Night Movers Vampire Series—perfect for fans of brooding immortals, fated mates, spicy paranormal romance, small-town tension, and second-chance love that bites.

___________________________________________________________________

Praise for The Night Movers Vampire Series:

★ ★ ★ ★ ★ A vampire love story that sinks its teeth into your heart.

★ ★ ★ ★ ★ Vampires, fated mates, and second chances—this book has it all.

★ ★ ★ ★ ★ Heart-warming, sizzling, and impossible to put down.

★ ★ ★ ★ ★ Twilight meets Fifty Shades.

★ ★ ★ ★ ★  Steamy vampire romance with a twist—can’t wait to read more.

The final installment in Peter Church's Dark Web Trilogy

“A fast-paced and gripping thriller—expect several twists along the way.” —Cosmopolitan

Amid rumors of bartenders paid to spike drinks and then deliver drugged college women to paying, eager patrons, University of Cape Town (UCT) authorities move quickly to limit the damage—but the police don’t want to believe there is a problem. A world away in Seattle, Carlos De Palma, the shadowy operator behind Dark Video, is plotting his survival strategy in the ever-changing Internet landscape. With his wealthy clientele clamoring for heightened thrills, Carlos begins tapping into a new service that blurs the boundaries between the real and virtual worlds. Meanwhile, UCT student Robbie is sent into a sinister underground world where no price is too high to pay to deliver every fantasy—no matter how twisted.

Bitter Pill, part of Church’s dark web trilogy, is a gripping thriller that sweeps through the intoxicating haunts of Cape Town’s nightlife to explode in an adrenaline-laced sprint through the violent landscape of stalking, sexual deviation, and murder.

For fans of Hannah Whitten and Ava Reid comes a thrilling new fantasy by the author of Spit Back the Bones.

In a village plagued by mysterious deaths, Adelaide Thorn wonders if she is truly touched by the Devil.

The villagers of Rixton—including Adelaide’s father, the vicar—believe her to be the monster responsible for all the town’s tragedies, spurred on by the strange visions and blackouts caused by her chronic illness. Kept locked away except for funerals, even Addie herself begins to wonder if she is the one with blood on her hands.

But when she discovers a peculiar bell nestled in a riverbed, Addie realizes the truth behind her strange visions—they are actually the ghosts of the village’s dead searching for rest. With the bell’s strange power allowing her to see the lost souls and open a doorway to the Rowan Wood where they are trapped, she strikes a deal with the ghost of Bram Avery and the young lord Ransom Black to venture into the hellish purgatory.

As the three make their way deeper into the Wood, each motivated by their own desperate desires, trust turns to betrayal and flawless facades begin to flicker. It may be that the ones Addie has so longed to reunite are those who have been lying to her her entire life.

Bittering the Wound by Jacqui Germain, selected by Douglas Kearney as the winner of the 2021 CAAP Book Prize is a firsthand account of the 2014 Ferguson uprising that challenges how we document and report on political unrest.

Part documentation, part conjuring, this debut collection works to share the narrative of the event with more complexity, audacity, care, and specificity than public media accounts typically allow. Throughout the book, Germain also grapples with navigating the impacts of sustained protest-related trauma on mental health as it relates to activism and organizing. The book also takes occasional aim at the media that sensationalized these scenes into a spectacle and at the faceless public that witnessed them.

 Bittering the Wound challenges the way we discuss, write about, and document political unrest. It offers fresh language and perspective on a historic period that reverberated around the world. Germain takes the reader through poems that depict a range of scenes—from mid-protest to post-protest—and personifies St. Louis with a keen and loving eye.

Bivocational: Returning to the Roots of Ministry offers one answer to the pressing question of the future of congregational life in the mainline Protestant Church. The contention of the book is that the model of professional ministry we have received from the past century of congregational life is imposing unsustainable costs on most congregations and parishes. In consequence, these faith communities face stark choices for which there are no self-evident answers. Shall we close? Shall we merge with another congregation—a decision shaped by a primary value on maintaining a full-time professional in the role of ordained minister? Can we find someone who will do the job part-time? What will it mean for them—and for us?

Bivocational explores the impact on the ministry, on congregations, and on denominational polities of encouraging a way forward—one in which bivocational ordained professionals, ministers working simultaneously in the church and in secular life, come to leadership positions in the church. It explores the different sorts of gifts and preparation such ordained ministers need, and how a bivocational ethos looks when it characterizes not only the ordained minister, but all ministers of the congregation—lay and ordained alike.

Why do businesses continue to use Microsoft’s BizTalk Server as the backbone to integrate line-of-business applications with their trading partners and how do recent changes make it even more effective? With the advent of Azure, we have a unique opportunity to enhance BizTalk functionality including reducing the cost of operations and maintenance. This book offers three solutions for the reader on ways to leverage BizTalk to get more from existing deployments or find ways to modernize the deployment via Azure. Microsoft partners are playing a significant role in enhancing the capabilities of BizTalk and this book includes sections that provide an in-depth review of BizTalk 360 © and the WPC HIPAA DB Toolkit ©. Over the recent past, Web 3.0 has also introduced many new concepts and open source technologies and this book covers ways to leverage these to enhance your BizTalk deployment.

The authors start with a survey of the existing BizTalk Server – its history, patterns, and state of affairs –and go on to provide an in-depth elaboration of three messaging patterns that customers use for BizTalk; the advantages of updating to SQL Server 2016; a review of partner solutions that enhance BizTalk; and BizTalk with Web 3.0 for custom solutions. The book concludes with a comparison of the three viable BizTalk Azure application solutions that will enable you to make the best choice for your business.

Many people crave a creative outlet, but more often than not, don't know where to start. In Black, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the most enigmatic colour of all, black.

Black is a special colour: rich, glossy and elegant on the one hand; strict, sensible and solemn on the other. Throughout the book,Valentina and Francesca provide creative and fun prompts - many based on famous works of art - which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Francisco Goya, Jackson Pollock, Rembrandt and more, you will discover the many meanings of black and just some of the ways it can be used to express your creative passion.

Black is a short course in unlocking your creative self - perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.

Encourage diversity in outdoor wilderness areas by reading interviews with 20 people of color who have active roles in nature.

During his travels around the country as a wildlife photographer, Dudley Edmondson made a concerning observation: he was the only person of color in many of the wilderness locations he visited. He began asking himself some important questions:

• “Why am I not seeing many people of color in the parks?”
• “Where are the voices of African Americans when it comes to decisions about wild spaces?”
• “Shouldn’t everyone care about the involvement of all Americans in these issues?”

The matter was far too important to let go. Instead, Dudley turned it into a project, seeking out people of color who thrive in the outdoors and asking them about their experiences, passions, and hopes for the future. He met with policymakers, park rangers, outdoor sports enthusiasts, and others with nature-centered careers. The compilation of his interviews became the groundbreaking book Black & Brown Faces in America’s Wild Places.

In these interviews, Dudley gets at the heart of what drew each individual to the outdoors, how they first became involved with nature, why they value those experiences, and why they believe people of color are underrepresented in this country’s natural landscape. He explores the connection between this topic and issues like social justice, racial prejudice, personal safety, economics, and cultural traditions.

“I am honored to let the insightful individuals that I interviewed during the course of writing this book explain how all of these subjects come together in this complex social problem,” says Dudley.

This 20th Anniversary Edition of Black & Brown Faces in America’s Wild Places features 20 personal stories from across the USA, told by African Americans with strong connections to the natural world. There is a bit of American history—and personal history—in every account. Each takes you on a fascinating journey through the life of a stranger. The portraits are insightful, revealing, and entertaining. They provide a foundation for discussion about the future of our wild places and hopefully encourage people of color to take up the torch of conservation and carry it forward on behalf of all future generations of Americans.

Black & White & Noir explores America's pulp modernism through penetrating readings of the noir sensibility lurking in an eclectic array of media: Office of War Information photography, women's experimental films, and African-American novels, among others. It traces the dark edges of cultural detritus blowing across the postwar landscape, finding in pulp a political theory that helps explain America's fascination with lurid spectacles of crime.

We are accustomed to thinking of noir as a film form popularized in movies like The Maltese Falcon, The Big Sleep, and, more recently, Quentin Tarantino's Pulp Fiction. But it is also, Paula Rabinowitz argues, an avenue of social and political expression. This book offers an unparalleled historical and theoretical overview of the noir shadows cast when the media's glare is focused on the unseen and the unseemly in our culture. Through far-ranging discussions of the Starr Report, movies such as Double Indemnity and The Big Heat, and figures as various as Barbara Stanwyck, Kenneth Fearing, and Richard Wright, Rabinowitz finds in film noir the representation of modern America's attempt to submerge and mask its violent history of racial and class anatagonisms. Black & White & Noir also explores the theory and practice of stilettos, the ways in which girls in the 1950s viewed film noir as a secret language about their mothers' pasts, the extraordinary tone-setting photographs of Esther Bubley, and the smutty aspect of social workers' case studies, among other unexpected twists and provocative turns.

HONORABLE MENTION, HARRY SHAW AND KATRINA HAZZARD-DONALD AWARD FOR OUTSTANDING WORK IN AFRICAN-AMERICAN POPULAR CULTURE STUDIES, GIVEN BY THE POP CULTURE ASSOCIATION

A view of transatlantic slavery’s afterlife and modern Blackness through the lens of age

Although more than fifty years apart, the murders of Emmett Till and Trayvon Martin share a commonality: Black children are not seen as children. Time and time again, excuses for police brutality and aggression—particularly against Black children— concern the victim “appearing” as a threat. But why and how is the perceived “appearance” of Black persons so completely separated from common perceptions of age and time?

Black Age: Oceanic Lifespans and the Time of Black Life posits age, life stages, and lifespans as a central lens through which to view Blackness, particularly with regard to the history of transatlantic slavery. Focusing on Black literary culture of the late twentieth and early twenty-first centuries, Habiba Ibrahim examines how the history of transatlantic slavery and the constitution of modern Blackness has been reimagined through the embodiment of age. She argues that Black age—through nearly four centuries of subjugation— has become contingent, malleable, and suited for the needs of enslavement. As a result, rather than the number of years lived or a developmental life stage, Black age came to signify exchange value, historical under-development, timelessness, and other fantasies borne out of Black exclusion from the human.

Ibrahim asks: What constitutes a normative timeline of maturation for Black girls when “all the women”—all the canonically feminized adults—“are white”? How does a “slave” become a “man” when adulthood is foreclosed to Black subjects of any gender? Black Age tracks the struggle between the abuses of Black exclusion from Western humanism and the reclamation of non-normative Black life, arguing that, if some of us are brave, it is because we dare to live lives considered incomprehensible within a schema of “human time.”

The story of an Aboriginal woman who worked as a police officer and fought for justice both within and beyond the Australian police force.

Black and Blue is a memoir of remarkable fortitude and resilience, told with wit, wisdom, and great heart.

A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of pride and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia.

In her ten years in the force, she witnessed appalling institutional racism and sexism, and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.

With a great gift for storytelling and a wicked sense of humor, Gorrie frankly and movingly explores the impact of racism on her family and her life, the impact of intergenerational trauma resulting from cultural dispossession, and the inevitable difficulties of making her way as an Aboriginal woman in the white-and-male-dominated workplace of the police force.

Honorable Mention for 2005 Gustavus Myers Outstanding Book Award

Brings to light the lives of Black Americans living along the Mexican border during and immediately after the Mexican Revolution

The Mexican Revolution was a defining moment in the history of race relations, impacting both Mexican and African Americans. For Black Westerners, 1910–1920 did not represent the clear-cut promise of populist power, but a reordering of the complex social hierarchy which had, since the nineteenth century, granted them greater freedom in the borderlands than in the rest of the United States.

Despite its lasting significance, the story of Black Americans along the Mexican border has been sorely underreported in the annals of U.S. history. Gerald Horne brings the tale to life in Black and Brown. Drawing on archives on both sides of the border, a host of cutting-edge studies and oral histories, Horne chronicles the political currents which created and then undermined the Mexican border as a relative safe haven for African Americans. His account addresses Black people's role as “Indian fighters,” the relationship between African Americans and immigrants, and the U.S. government's growing fear of Black disloyalty. He also considers how the heavy reliance of the U.S. on Black soldiers along the border placed white supremacy and national security on a collision course that was ultimately resolved in favor of the latter.

Mining a forgotten chapter in American history, Black and Brown offers tremendous insight into the past and future of race relations along the Mexican border.

A personal story of the struggle for authentic inclusion in the church.

From a strong voice in the dialogue about what Black lives matter means in relation to faith, a powerful lament and a hopeful message about the future. Historically, to be Episcopal/Anglican, as it was to be American, was to be white. Assimilation to whiteness has been a measure of success and acceptance, yet, assimilation requires that people of color give up something of themselves and deny parts of their heritage including religious practices that sustained their ancestors.

Despite the fact that Blackness is on display on Black History Month for example, and Black/African heritage is given primacy in the liturgy, music, and preaching during that time, at other times this doesn't seem to be the case. The author argues that whiteness is embedded in every aspect of religious life, from seminary to Christian education to last rites. Is it possible to be Black and Episcopalian and not feel alien, she asks. In her words we learn that inclusivity, above all, must be authentic.

America is currently in the midst of a major racial and ethnic demographic shift. By the twenty-first century, the population of Hispanics and Asians will increase significantly, while the black population is expected to remain relatively stable. Non-Hispanic Whites will decrease to just over half of the nation's population. How will the changing ethnic and racial composition of American society affect the long struggle for black political power and inclusion? To what extent will these racial and ethnic shifts affect the already tenuous nature of racial politics in American society?
Using the literature on black politics as an analytical springboard, Black and Multiracial Politics in America brings together a broad demography of scholars from various racial and ethnic groups to assess how urban political institutions, political coalitions, group identity, media portrayal of minorities, racial consciousness, support for affirmative action policy, political behavior, partisanship, and other crucial issues are impacted by America's multiracial landscape.
Contributors include Dianne Pinderhughes, M. Margaret Conway, Pei-te Lein, Susan Howell, Mack Jones, Brigitte L. Nacos, Natasha Hritzuk, Marion Orr, Michael Jones-Correa, A.B. Assensoh, Joseph McCormick, Sekou Franklin, Jose Cruz, Erroll Henderson, Mamie Locke, Reuel Rogers, James Endersby, Charles Menifield and Lawrence J. Hanks.

An inside look at Black LGBTQ college students and their experiences

Black and Queer on Campus offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Michael P. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus at both predominantly white institutions and historically black colleges and universities. Many report that in predominantly white queer social spaces, they feel unwelcome and pressured to temper their criticisms of racism amongst their white peers. Conversely, in predominantly straight Black social spaces, they feel ignored or pressured to minimize their queer identity in order to be accepted. This fraught dynamic has an impact on Black LGBTQ students in higher education, as they experience different forms of marginalization at the intersection of their race, gender, and sexuality.

Drawing on interviews with students from over a dozen colleges, Jeffries provides a new, much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that despite the gains of the LGBTQ rights movement, many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. The traditional narrative of “coming out” does not fit most of these students, rather, Jeffries describes a more gradual transition to queer acceptance and pride.

Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It also highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students and fuel their imagination.

Self-Acceptance, Anti-Racism, and Affirmations for Teens

#1 New Release in Teen & Young Adult Social Activist Biographies

“M.J. Fievre is the best friend, the confidante everyone yearns for.”—Mike, the Poet, author of Dear Woman and The Boyfriend Book

From the bestselling author of Badass Black Girl comes a much-needed space for Black teens and kids to say “I am enough.” In this self-acceptance guidebook for teen boys, be empowered by 52 weeks of Black self-love and anti-racism lessons, affirmations for positive thinking, and prompts for Black Boy Joy.

A Black male handbook for self-care. Black & Resilient includes prompts for teens to reflect and divulge what they're feeling on a deeper level. It comes with mind-strengthening affirmations for teens, stories of truth and power, and practices to teach Black teen boys how to stay empowered despite what life throws at them. This Black confidence book is a catalyst for change and healing to enter the heart and spirit of Black teens everywhere.

Part of the Bold & Black series for Black self-love and antiracism. The Bold & Black series is specifically designed to help Black teens create a safe space to be themselves. The world often forgets that Black boys also need affirmations and words of empowerment to get through the day. Black & Resilient seeks to give Black teens the space to heal, find Black Boy Joy, and become empowered to walk boldly in their everyday lives.

Inside, you’ll find: 

• Instruction for gaining perspective, freedom, and power in the face of macro- and microaggressions
• A safe place to acknowledge how racism affects you and create coping strategies to combat it
• Encouragement for living your best life as a BIPOC person with self-acceptance and confidence

If you liked Black confidence and anti-racism books for boys like This Book is Anti-Racist Journal, Cry Like a Man, or 39 Lessons for Black Boys & Girls, you’ll be empowered by Black & Resilient.

Black and White is a book of 32 evocative images of political conflict and confrontations in the streets taken by Howard Epstein when he was a photographer for Liberation News Service.

The collection of images is a visceral flashback to the political turmoil of the late 1960s and early 1970s. Epstein’s photographs will resonate both for people who lived through those struggles and those organizing and protesting today.

Both inspirational and practical, Black and White Graphics showcases the appealing impact of using monochrome color schemes in the field of graphic design, and it presents an international collection of work that makes clear the capabilities of black, white, and gray. The posters, publications, labels, corporate communications, and other projects selected show that this achromatic combination can, at the same time as keeping a project’s budget to a minimum, elevate the value of graphic design, facilitate communication, and enhance the project’s dramatic effect by limiting design elements to those which are absolutely necessary. For black is not simply black, and white is not only white. There are endless possibilities that lie between the two, within the infinite palette of grays. In fact, black and white make for a timeless combination of colors that has been a popular choice for graphic designers for years. Simple, vintage, and sometimes elegant, black and white are the colors that capture viewers’ attention by simply reducing colors to the basics and therefore leading the focus back to the visual message that a graphic design tries to express.

Black and White Tangled Threads (1920) is a novel by African American author Zara Wright. Published at the beginning of the Harlem Renaissance, Wright’s novel earned nationwide praise as a “realistic portrayal of individuals and events [that] lifts one to the heights of earthly ambitions.” Despite this critical success, Wright does not appear to have written more than Black and White Tangled Threads and its sequel, Kenneth, which were published together in 1920. Although recent scholars have made attempts to return her name to its rightful place on the pantheon of pioneering African American writers, mystery still clouds her life and career to this day. Like many of her contemporaries, Wright took interest in the sociopolitical realities of life as a Black or mixed-race person in the early twentieth century. In this novel, she explores the consequences of passing, interracial marriage, and class on the lives of individuals in the United States and Europe. Black and White Tangled Threads is a story of love, family, and faith from a forgotten writer of the Harlem Renaissance. This edition of Zara Wright’s Black White and Tangled Threads is a classic work of African American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In the late 1960s and early 1970s, prominent figures in the Black Arts Movement (BAM) converted to Islam and took new names. Poets such as Amiri Baraka, Sonia Sanchez, Askia Muhammad Touré, and Marvin X incorporated Islamic words and expressions, references to the Qur’an, and Arabic script, as well as symbols like the crescent star and depictions of Islamic architecture and clothing. They connected places like Harlem, Chicago, Newark, and Oakland to locales in the Muslim world such as Timbuktu, Songhai, and Mecca. These artists also played a pivotal role in developing Black studies and creating alternatives to the Eurocentrism of the American educational system.

Ellen McLarney explores how BAM writers identified with Islam as integral to the African American cultural, spiritual, and intellectual heritage. Examining poetry, visual art, music, drama, and mixed-media collaborations, she traces the emergence of a new kind of Islamic art rooted in the African American experience. Their works protested scientific racism, police brutality, colonial domination, and economic oppression while resurrecting a suppressed Islamic past and sharing spiritual visions of a new kind of future. Based on interviews, fieldwork, archival research, and close analysis of key works, this book reveals how BAM redefined Black art, Islamic poetics, and Black Muslim aesthetics in the struggle for racial justice.

A cursed warrior. A reckless healer. A chance to save the world—or condemn it.

Like the rest of the winged eresh keyel, warrior Asaru has spent his life fighting the remnants of a long-dead enemy. When his brother’s squadron disappears from a border keep, Asaru travels into the human realm to investigate, only to become ensnared by a fatal—and unbreakable—curse that could wipe out his people.

When he inadvertently commits a terrible crime, Asaru is thrown into the path of Wren, an emotionally tortured former healer playing with dangerous magic. Bound to one another by a spell gone wrong, and on the run from freelance killers, they set out to find the Chronicler, keeper of the eresh keyel’s history who could bring them answers, redemption, and the cure to Asaru’s curse. But the truths they uncover about the past have the power to break the world into pieces, ending human civilization and settling its remnants into something entirely new.

From Nigerian Canadian author U. M. Agoawike, Black as Diamond is a fresh, dark, and thrilling debut that untangles questions of queer identity, history, and power, illuminating a society crushed by the lingering actions of a few.

Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity.

Jennifer Goett's ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescendant. Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.

Special Agent Gavin Gregory returns in this spine-chilling sequel to Wrath Child!

The Bogeyman begins murdering young women in Miami, and Gavin Gregory, the elite FBI profiler who ended The Smith's reign of terror in Manhattan, catches the case. Try as he might, Agent Gregory can't wrap his rational mind around the crimes after he discovers each victim has mutilated herself before delivering the killing blow.

Offering to help, Adeline d'Clara claims to be part of a secret government program designed to indoctrinate, cultivate, and train psychic assassins. What's more, she claims to know The Bogeyman comes from a small group of psionic men who can control other people remotely. When Gavin tries to validate her story, he finds only more mystery--there is no record Adeline d'Clara has ever existed.

Can Agent Gregory navigate the web of lies and stop the Bogeyman before kills again?

Black Bartholomew's Day explores the religious, political and cultural implications of a collision of highly-charged polemic prompted by the mass ejection of Puritan ministers from the Church of England in 1662.

It is the first in-depth study of this heated exchange, centres centring on the departing ministers' farewell sermons. Many of these valedictions, delivered by hundreds of dissenting preachers in the weeks before Bartholomew's Day, would be illegally printed and widely distributed, provoking a furious response from government officials, magistrates and bishops. Black Bartholomew's Day re-interprets the political significance of ostensibly moderate Puritan clergy, arguing that their preaching posed a credible threat to the restored political order

This book is aimed at readers interested in historicism, religion, nonconformity, print culture and the political potential of preaching in Restoration England.

A fascinating profile of one of the most colorful, controversial and celebrated religious figures of our time, Malcolm Boyd—best-selling author, civil rights activist, gay cleric, and spiritual director.

Through unparalleled access to the personal recollections, writings, and archival records of Malcolm Boyd, Michael Battle provides profound insight into one of America’s most celebrated—and reviled—public religious figures. In the dialogue between Battle, a younger, black heterosexual Christian, the reader comes to view this older, white, gay Christian’s life of activism and ministry with a fresh perspective.

“The most influential anticruelty novel of all time.”-Bernard Unti

Black Beauty (1877), the only novel from Anna Sewell, was the first book ever written from the singular viewpoint of an animal. The fictional narrative, told by Black Beauty, a genial thoroughbred, was initially written by the author “to induce kindness, sympathy, and an understanding treatment of horses.” Over time the book has become a classic book for children, despite its initial adult readership. The book is considered the advent of the Anthropomorphic literary genre.

Black Beauty, the gentle horse and narrator of the story, begins with recollection of an idyllic youth with his mother and other kind horses. When Black Beauty is four years old, his owner sells him to Squire Gordon, who provides a caring home among other horses. One of the squire’s other horses, a headstrong chestnut named Ginger, becomes Black Beauty’s best friend. When the squire’s wife becomes seriously ill, the couple are forced to sell their horses; in a heartbreaking turn of events, Black Beauty is sold in a succession of transactions where he is mistreated, overworked, and separated from Ginger. Although scarred, Black Beauty is resilient and eventually is returned to a life of kindness and care. This deeply moving story aimed towards the awareness of animal welfare was influential reforms in the laws regarding the treatment of horses; yet, its enduring legacy is the massage of compassion that has touched readers for more than 200 years.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

As the serial disasters of capitalism’s current crisis—economic, political, environmental—continue to batter the world, Black Box: A Record of the Catastrophe is a device for recording, analyzing, and transmitting events as they happen. But it offers neither dire predictions nor false hopes. Instead, it embraces the mystery of what might transpire. The word “catastrophe” has not always signified “disaster”; during the sixteenth century, especially in theater, it came to mean “a reversal of what is expected.” Black Box is ultimately a documentary project, a record of the catastrophe, but it’s an open question where the inquiry will take us. It may be a record of the disastrous end. Or it may be a record of the turning.

The first volume contains an eclectic but accessible collection of reportage, interviews, letters, fragments, and theoretical responses from some of the brightest minds in critical theory. Its authors have sent dispatches from American prison yards, the shipping graveyards of India, fatal overseas drone strikes, roads crisscrossing the Mississippi Delta, childhoods in revolutionary Zimbabwe, and kitchens where undocumented workers wash dishes. By taking a broad geographical and aesthetic stance, Black Box will be a constellation of ideas and information that points toward the future—whatever it may hold.

Contributors to Black Box include scholars (Nina Power, Silvia Federici, Sami Khatib, Chris O’Kane, Tanya Erzen), cultural critics (Richard Dyer, Charles Mudede), authors (Ursula K. Le Guin, Miranda Mellis), poets (Emily Abendroth, Cathy Wagner, Alli Warren), and many others.

Black Boys by Saga Collectif (Virgilia Griffith, Stephen Jackman-Torkoff, Tawiah M’Carthy, Thomas Antony Olajide, and Jonathan Seinen) uncovers the complex dynamics of the queer Black experience. Text, movement, and design portray the rhythm and vulnerability of three very different Black individuals who seek a deeper understanding of themselves, each other, and of how they encounter the world. As they explore their unique identities, their performances rigorously interrogate and playfully subvert the ways in which gender, sexuality, and race are read and performed.

Theatrical and intimate, Black Boys weaves together the ensemble’s own personal stories in search of an integrated self and a radical imagination while shining a light on new possibilities for young Black queer people.

This book of matrices with Black boys as the main character is designed to help gifted and talented education teachers leverage Black boys’ identities to inform and shape how they plan and deliver curriculum and instruction and manage the multicultural, democratic, and culturally responsive classroom. Ford and colleagues (2005) spoke to the notion of and need for ‘self-reflective instruction.’ We argue that all teachers must want to and learn how to legitimize the “everyday” experiences that are learned and cultivated in the homes and communities of Black boys, and how these experiences shape their self-identities and contribute to agency (Wright, Counsell, & Tate 2015). We, therefore, advocate for the rethinking of literacies by repositioning White-centered texts that often reflect and represent power and privilege toward centering the brilliance of Black identities of Black children in general, Black boys in particular.

Black boys (of all ages) want to and need to physically see positive images of themselves in books reflected at them. This representation, we argue, has the potential to become an example of a compelling counter-narrative to the history of the “all-White world” (Larrick, 1965) of children’s books that only presented Black characters as “objects of ridicule and generally inferior beings” (Sims Bishop 2012, p. 6). When Black boys see themselves portrayed visually, textually, and realistically in children’s books, vital messages of recognition, value, affirmation, and validation are conveyed. Recognition of the sociocultural contexts in which they live is celebrated.

Books for and about Black boys must be rigorous, authentic, multicultural, and developmentally appropriate to allow them to synthesize what they have read, heard, and seen during literacy instruction in authentic and meaningful ways. Multicultural books must introduce children to information about the values of justice, fairness, and equity. Developmentally appropriate books should vary with and adapt to the age, experience, and interests of gifted and talented Black boys to allow them the opportunity to demonstrate critical thinking, textual analysis skills and convey conceptual knowledge. These stories must expose Black boys to culturally relevant counter stories -- stories that counteract the dominant discourse that has primarily depicted Black boys as “at risk” versus placed at risk; “without hope” versus hopeful; or “out of control and dangerous” (Tatum, 2005, p. 28) versus developing self-control like all other children (Wright et al., 2018).

Weird fiction icon and award-winning author Michael Cisco's Black Brane, begins with the physical pain of a bad foot and later voyages into absurdity, mad science, occultism, and existential dread.

A man lying in a bed of pain flees from physical torment into his own memories, and into speculations about life and reality. He was, once, employed by the Temporary Institute for the Study of Holes, a think tank pursuing research that ranges from occult studies to advanced physics, including black holes—or, as they are known in string theory, black branes.

He meets and interacts with the various other members of the institute. Its founder, Dr. Marilyn Shitansky, a formerly homeless woman who claims to have a thinking hole in her brain; its resident occultist, the chain-smoking Daladara with his magic abacus; Ernie Allegre the engineer, who designed and built a decoherence reactor to power the institute; Dr. Liu, the string theorist; the linguist Dr. Corngholm, who can't sit still; and Dr. Shitansky's secretary, Renbrui, who seems to carry a mystery with her wherever she goes.

In memory, the speaker finds them again, in a story of physical and emotional pain, of social and quantum entanglement, that turns comic, speculative, and nightmarish. Echoing the work of Blake Crouch and Thomas Ligotti, Michael Cisco shows in Black Brane why he’s beloved by weird fiction and horror readers.

A Girl Power Coloring Book for Teens, Tweens, and Black Young Ladies

The cool companion to MJ Fievre’s life guide Badass Black Girl is finally here. Black Brave Beautiful is a coloring book for girls jam-packed with intricate designs and empowering quotes from notable Black figures.

We all know Black girls rock—but they also relax. Coloring books for teens are a great way to get inspired, relieve stress, and now—unleash your inner badass In this unique coloring book, teen girls can relax by coloring soothing images of some of their favorite things, like mandalas, animals, flowers, sweets, and more. A girl's coloring book like no other, Black Brave Beautiful provides stress relief alongside words of encouragement to make the perfect addition to any collection of young adult and girl power coloring books.  

Quotes for black women and girls to unleash creativity. With this coloring book, black girls can finally color and shade in a palette of their own choosing. A twist on traditional  teen coloring books, Black Brave Beautiful urges girls and women to gain self-confidence through inspirational quotes from notable and visionary Black women while colorfully guiding them in the direction of their dreams.  Inside, young girls will find excerpts from inspirational books and quotes by badass Black women like:

• Chimamanda Ngozi Adichie
• Gabby Douglas
• Oprah Winfrey
• Maya Angelou
• And more!

If you’re looking for a quotes book for women tailored to young girls, or enjoy African-American coloring books or teen coloring books for girls—like Color My Fro, An Inspiration Coloring Book for Everyone, or An African American Coloring Book for Girls—then you’ll love, Black Brave Beautiful.

Finalist, Award for Excellence in the Study of Religion, Constructive-Reflective Studies, given by the American Academy of Religion

Explores how Black Buddhist Teachers and Practitioners interpret Western Buddhism in unique spiritual and communal ways

In Black Buddhists and the Black Radical Tradition, Rima Vesely-Flad examines the distinctive features of Black-identifying Buddhist practitioners, arguing that Black Buddhists interpret Buddhist teachings in ways that are congruent with Black radical thought. Indeed, the volume makes the case that given their experiences with racism—both in the larger society and also within largely white-oriented Buddhist organizations—Black cultural frameworks are necessary for illuminating the Buddha’s wisdom.

Drawing on interviews with forty Black Buddhist teachers and practitioners, Vesely-Flad argues that Buddhist teachings, through their focus on healing intergenerational trauma, provide a vitally important foundation for achieving Black liberation. She shows that Buddhist teachings as practiced by Black Americans emphasize different aspects of the religion than do those in white convert Buddhist communities, focusing more on devotional practices to ancestors and community uplift.

The book includes discussions of the Black Power movement, the Black feminist movement, and the Black prophetic tradition. It also offers a nuanced discussion of how the Black body, which has historically been reviled, is claimed as a vehicle for liberation. In so doing, the book explores how the experiences of non-binary, gender non-conforming, and transgender practitioners of African descent are validated within the tradition. The book also uplifts the voices of lesbian, gay, bisexual, and queer Black Buddhists. This unique volume shows the importance of Black Buddhist teachers’ insights into Buddhist wisdom, and how they align Buddhism with Black radical teachings, helping to pull Buddhism away from dominant white cultural norms.

In this powerful and deeply personal essay collection, Gloria Blizzard, in an international diasporic quest, moves up and down an urban subway line; between Canada and Trinidad; to and from a hospital emergency room; back and forth in time — and as a descendent of Africa living in the Americas, negotiates the complexities of culture, geography, race, and language. Through food, music, dance, and family history, Blizzard explores the art of belonging — to a family, a neighbourhood, a group, or a country. Using traditional narrative and the tools of poetry, Blizzard’s essays hover at the crossroads, in the spaces where art, science, and spirit collide. The intimate becomes universal, the questions are all relevant, and the answers of our times require a sleight of hand — the holding of simultaneous and overlapping worlds.

In the early-20th century, strikes and union battles were common in industrial centers throughout the US. But nothing compared to the class warfare of the West Virginia Mine Wars. The origins of this protracted rebellion were in the dictatorial rule of the coal companies over the proud, multi-racial, immigrant and native-born miners of Appalachia.

Our illustrated history begins with Mary Harris “Mother” Jones's arrival at the turn of the century. White-haired, matronly, and fiercely socialist, Jones became known as the “miners’ angel,” and helped turn the fledgling United Mine Workers into the nation’s most powerful labor union. “Pray for the dead and fight like hell for the living,” was her famous battle cry.

In 1912, miners led by stubborn Frank Keeney struck against harsh conditions in the work camps of Paint and Cabin Creeks. Coal operators responded by enlisting violent Baldwin-Felts guards. The ensuing battles and murderous events caused the governor to declare and execute martial law on a scale unprecedented in the US.

On May 19, 1920, in response to evictions by coal company agents, gunshots rang through the streets of a small-town in “Bloody Mingo” county. In an event soon known as the “Matewan Massacre”; the pro-union, quick-draw chief of police Smilin’ Sid Hatfield became an unexpected celebrity—but also a marked man.

Events climax with the dramatic Battle of Blair Mountain that pitched the spontaneous Red Neck Army of 10,000 armed strikers against a paid army of gun thugs in the largest labor uprising in US history and the largest armed uprising since the American Civil War.

This graphic interpretation of people’s history features unforgettable main characters while also displaying the diverse rank and file workers who stood in solidarity during this struggle.

In the last three decades, a brand of black conservatism espoused by a controversial group of African American intellectuals has become a fixture in the nation's political landscape, its proponents having shaped policy debates over some of the most pressing matters that confront contemporary American society. Their ideas, though, have been neglected by scholars of the African American experience—and much of the responsibility for explaining black conservatism's historical and contemporary significance has fallen to highly partisan journalists. Typically, those pundits have addressed black conservatives as an undifferentiated mass, proclaiming them good or bad, right or wrong, color-blind visionaries or Uncle Toms.

In Black Conservative Intellectuals in Modern America, Michael L. Ondaatje delves deeply into the historical archive to chronicle the origins of black conservatism in the United States from the early 1980s to the present. Focusing on three significant policy issues—affirmative action, welfare, and education—Ondaatje critically engages with the ideas of nine of the most influential black conservatives. He further documents how their ideas were received, both by white conservatives eager to capitalize on black support for their ideas and by activists on the left who too often sought to impugn the motives of black conservatives instead of challenging the merits of their claims. While Ondaatje's investigation uncovers the themes and issues that link these voices together, he debunks the myth of a monolithic black conservatism. Figures such as Supreme Court Justice Clarence Thomas, the Hoover Institution's Thomas Sowell and Shelby Steele, and cultural theorist John McWhorter emerge as individuals with their own distinct understandings of and relationships to the conservative political tradition.

What are the perceived differences among African Americans, West Indians, and Afro Latin Americans? What are the hierarchies implicit in those perceptions, and when and how did these develop? For Ifeoma Kiddoe Nwankwo the turning point came in the wake of the Haitian Revolution of 1804. The uprising was significant because it not only brought into being the first Black republic in the Americas but also encouraged new visions of the interrelatedness of peoples of the African Diaspora. Black Cosmopolitanism looks to the aftermath of this historical moment to examine the disparities and similarities between the approaches to identity articulated by people of African descent in the United States, Cuba, and the British West Indies during the nineteenth century.

In Black Cosmopolitanism, Nwankwo contends that whites' fears of the Haitian Revolution and its potentially contagious nature virtually forced people of African descent throughout the Americas who were in the public eye to articulate their stance toward the event. While some U.S. writers, like William Wells Brown, chose not to mention the existence of people of African heritage in other countries, others, like David Walker, embraced the Haitian Revolution and the message that it sent. Particularly in print, people of African descent had to decide where to position themselves and whether to emphasize their national or cosmopolitan, transnational identities.

Through readings of slave narratives, fiction, poetry, nonfiction, newspaper editorials, and government documents that include texts by Frederick Douglass, the freed West Indian slave Mary Prince, and the Cuban poets Plácido and Juan Francisco Manzano, Nwankwo explicates this growing self-consciousness about publicly engaging other peoples of African descent. Ultimately, she contends, these writers configured their identities specifically to counter not only the Atlantic power structure's negation of their potential for transnational identity but also its simultaneous denial of their humanity and worthiness for national citizenship.

Black Creek Pioneer Village: Toronto's Living History Village is a recreation of a typical crossroads community found in Southern Ontario during the 1800s. Nestled on 56 acres of tranquility, the village is a step-back-in-time, a respite from the towering buildings and bustling traffic of the 21st century. Here, visitors discover the joys and daily realities of living in early Ontario. Here at the village, the sights, sounds and smells are tangible reminders of our past. Meet the blacksmith, the tinsmith, the weaver, the miller, the printer .... Meet the people who "live" at Black Creek and bring our yesteryears to life.

Black Crip Modern uncovers how early twentieth-century Black writers, artists, and activists laid the groundwork for modern disability consciousness. Under Jim Crow, Black disabled citizens were excluded from social services and medical reforms, even as racist violence, carceral surveillance, eugenic logic, and exploitative labor conditions deepened disabling experiences. Through literature, film, photography, and personal testimony, Black modernists registered these compounded injustices and articulated new ways of thinking about illness, impairment, and care.

Engaging the work of figures such as Zora Neale Hurston, Claude McKay, Wallace Thurman, Pauli Murray, Langston Hughes and Marita Bonner, Jess Waggoner traces how Black cultural production challenged both white supremacy and ableist ideals of progress. In their writing, Waggoner finds an early “Black crip modern” consciousness—one that rejected eugenic reform, critiqued racialized caregiving hierarchies, and envisioned collective care grounded in feminist and anti-carceral principles.

In conversation with contemporary disability justice movements, Black Crip Modern reveals how Black thinkers and artists forged a disability politics before it was formally named. By assembling these overlooked histories of Black ill and disabled life, Waggoner reframes the foundations of disability studies and insists that Black cultural production has always been central to the struggle for bodily autonomy, access, and justice.

In antebellum America, Black children, even those of tax-paying Blacks in most states could not attend White public schools or in some states any schools. Nevertheless, with the signing of the Emancipation Proclamation in 1863, Blacks assumed they would receive all inalienable rights granted to them as American freedmen. For most, the right to a proper public education for their children was paramount. Nevertheless, White educators often neglected or poorly implemented Black schools, especially secondary schools. With their reluctance to provide schools for Blacks, African American communities organized and petitioned school districts to develop Black schools on par with those for Whites. In the book, Black Cultural Capital: Activism that Spurred African American High Schools, authors describe the role of the Black community in the development of high schools. Their narratives reveal White educators’ unwillingness to implement state laws requiring the education of all children. Their lack of engagement galvanized Blacks to petition boards to adhere to the law. Additionally, they forced school districts to hire Black teachers and provide facilities for Black children equal to those of White children. The fruits of their labor enabled Black children to attend suitable facilities, as well as learn from Black teachers who attended outstanding White and Black colleges and universities. Furthermore, stories of the high schools illustrate how communities sprouted up around them during their heydays as well as, for some, their demise as laws and court decisions eradicated Jim Crow and enabled all Americans to live and learn where they desired.

A surprising and fascinating look at how Black culture has been leveraged by corporate America.

Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Culture, Inc., Patricia A. Banks interrogates the notion that such giving is completely altruistic, and argues for a deeper understanding of the hidden transactions being conducted that render corporate America dependent on Black culture.

Drawing on a range of sources, such as public relations and advertising texts on corporate cultural patronage and observations at sponsored cultural events, Banks argues that Black cultural patronage profits firms by signaling that they value diversity, equity, and inclusion. By functioning in this manner, support of Black cultural initiatives affords these companies something called "diversity capital," an increasingly valuable commodity in today's business landscape. While this does not necessarily detract from the social good that cultural patronage does, it reveals its secret cost: ethnic community support may serve to obscure an otherwise poor track record with social justice.

Banks deftly weaves innovative theory with detailed observations and a discerning critical gaze at the various agendas infiltrating memorials, museums, and music festivals meant to celebrate Black culture. At a time when accusations of discriminatory practices are met with immediate legal and social condemnation, the insights offered here are urgent and necessary.

A secret buried beneath the chapel. A killer who’s waited decades to strike.

DCI Brendan Moran shouldn’t be back on duty. The Irish detective is barely holding it together after a crash that nearly killed him—when a body is discovered in the chapel at Charnford Abbey.

The monks won’t talk. A centuries-old relic has vanished. And when another man turns up dead, it’s clear someone will kill to keep the past hidden.

But Moran has problems of his own. A new sergeant who might be a spy. A brother spiraling into alcoholism under his roof. Narcoleptic blackouts that could end his career—or his life. And a troubled past that won’t stay buried, forged in the shadows of 1970s Ireland.

As winter closes in and the abbey’s past comes violently to light, Moran must reckon with the cost of truth—and how much he’s willing to lose to uncover it.

Because this case might do what the crash couldn’t—finish him.

Black December is the gripping first entry in The Irish Detective: DCI Brendan Moran series—perfect for fans of atmospheric British detective fiction, flawed heroes, and crime stories that cut deep.
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Praise for The Irish Detective: DCI Brendan Moran series:

★ ★ ★ ★ ★ So many twists and turns that I could hardly put it down.

★ ★ ★ ★ ★ Gripped by the grizzled Irish detective.

★ ★ ★ ★ ★ Well-written, tight plotting and pacing, snappy dialogue, well-developed, likeable characters, and a cracking good mystery.

★ ★ ★ ★ ★ Great British Mystery!

★ ★ ★ ★ ★ He’s honest and upstanding… He has a line he won't cross, even though he comes close from time to time.

★ ★ ★ ★ ★ Vivid descriptions and clever plotting. Crisp dialogue.

★ ★ ★ ★ ★ A really great read in a genre I love—the atmospheric British murder mystery!

“A monumental contribution to international literature.” —BLOOMSBURY REVIEW

Vietnam—the very word raises many associations for Westerners. Yet while the country has been ravaged by a modern history of colonialism and war, its ancient culture is rich and multilayered, and within it poetry has long had a special place.

In this groundbreaking anthology, coeditors and translators Nguyen Do and Paul Hoover present a revelatory portrait of contemporary Vietnamese poetry. What emerges from this conversation of outsiders and insiders, Vietnamese and American voices, is a worldly sensibility descended from the geographical and historical crossroads of Vietnam in the modern era. Reflecting influences as diverse as traditional folk stories and American Modernism, the twenty-one poets included in Black Dog, Black Night, many of whom have never before been published in English, introduce readers to a fresh, uncensored, and utterly unique poetic vision.

A sinister plot echoes the Opium Wars, as a weaponized drug threatens to bring America to its knees.

Adam Drake's honeymoon bliss is shattered when he uncovers the Chinese Communist Party's ruthless scheme. Leaving his new wife behind, Drake embarks on a perilous mission to stop the CCP's new war on America.

Plunged into a treacherous world where human life is cheap, Drake becomes a target for those who will stop at nothing to protect their deadly trade. As the body count rises and the stakes skyrocket, Drake races against time to track down the billionaire mastermind behind the supply chain.

With everything on the line, Drake must risk it all in a final, desperate gambit to bring down the criminal empire and save countless American lives.

A fast-paced, action-packed thriller with a plot that could be tomorrow's headline.
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Praise for the Adam Drake series:

5.0 out of 5 stars Nonstop action

5.0 out of 5 stars Just What I Needed This Week

5.0 out of 5 stars This will make you think about the future of America.

5.0 out of 5 stars A Chilling and Realistic Story

5.0 out of 5 stars Excellent Political/Terrorist Thriller

5.0 out of 5 stars A Series Born to Be Read

What would happen if Marcus Garvey had achieved his dreams by force? Satirizing one of the most influential figures of twentieth century Black America, George S. Schuyler’s Black Empire is a remarkable look into the complicated politics of race and class.

After witnessing a murder in Harlem, the promising young Black journalist, Carl Slater, is kidnapped by the incredibly charismatic but deranged Dr. Belsidus. Having secretly formed a Black Internationale, the doctor has plans to upset alliances between Europe and the United States when the time is right. As Carl slowly discovers the depth of the doctor’s insanity and witnesses the fallout from the ensuing revolution, he watches as the dream of an Africa for Africans is fully realized but questions the cost.

Professionally typeset with a beautifully designed cover, this edition of Black Empire reimagines a classic of satire and Black speculative fiction for the modern reader.

PROSE Award- Music and Performing Arts Category Winner

A framework for understanding the deep archive of Black performance in the digital era

In an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.

While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital.

Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.

• Inside tips on admissions
• Profiles of 100 top colleges
• Hundreds of scholarship sources

• In-depth profiles of the top 100 colleges for African American students
• Black Excel's exclusive list of hundreds of scholarships
• The "Get-the-Money Guide"
• Extraordinary sample essays
• Invaluable Internet resources

Black Experiences in Higher Education: Faculty, Staff, and Students illuminates the narratives of Black faculty, staff, and students and how they navigate their professional experiences, confront the hidden curriculum and work to transform academia. As we think about the context of Black Lives Matter, intersections of race and gender, and what it means to be Black in America, there is a new consciousness and attention to the uniqueness of Black experiences in the world. This book calls attention to how Black folks are navigating their experiences within higher education.

The book will present an overarching aim to delve into Black voices and experiences in higher education. Contributing authors hold varying roles of faculty, staff, and students, all sharing their experiences in higher education in the USA. In particular these scholars reflect on the challenges and opportunities within the three themes of mental health and wellness, mentorship and creating supportive spaces, and career experiences, trajectories and pathways. The aim of the variety of contributing authors creates a space to reveal unique Black experiences and voices, therefore contributing to the scholarly discourse on race in America, and in higher education, in particular.

Black Faculty Do It All: A Moment in The Life of a Blackademic is a work that creates space for Black academics or Blackademics to share their experiences navigating workspaces within higher education and their experiences as Black professionals. The primary goal of this book is to provide insight into Black faculty experiences told by Black faculty. While frequently, Black faculty can feel silenced within the academy, this book offers a platform for all Black faculty’s voices to be heard loud and clear.

Contributing authors share advantages and challenges they experience as Blackademics and the impact these experiences have on their well-being and career trajectory. Moreover, the authors provide insight and advice on how current and potential Blackademics can succeed and thrive, even with all the barriers or obstacles they face. Contributing Blackacdemics collective has a wealth of knowledge and disciplines represented, expertise, position full-time and part-time, and years of experience in higher education. Additionally, authors also come from all over the United States. With this range of expertise and knowledge, authors also provide advice, strategies, and ways of being for institutions to support their Black faculty and for Black faculty to support themselves.

Despite all the efforts with diversity, equity, inclusion, and anti-racist initiatives, Black faculty is still not okay (Tomlin, 2022). While many Black faculty have challenges in the profession, we are not suggesting that all Black faculty face the same issues. In fact, 'the idea that all Black faculty would share the same experiences is a fallacy, and the insinuation is as dangerous as assuming that all Black people are the same' (Allen & Steward, 2022, p. 2). Moreover, this book serves as a space for contributing authors not to speak for all Black faculty but themselves.

As editor and a Blackademic myself, I encouraged and pushed all contributing authors to stand in their Blackness unapologetically. This book is the outcome of Black faculty loving and supporting Black faculty. Higher education institutions, colleagues, and other stakeholders can learn a great deal from the narratives and experiences shared to look at the intentional recruitment, retention, and psychological well-being of Black faculty. Thus, Black Faculty Do It All: A Moment in The Life of a Blackademic is positioned to be a must-read for all higher education professionals, institutions, and stakeholders looking for strategies to do right back for Black faculty.