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Winner of France's most prestigious literary award, the Prix Goncourt.

A haunting work, reminiscent of Albert Camus, that portrays with exquisite psychological detail the emotional crisis in the life of Jean Calmet, a young Swiss schoolteacher. As we watch the father's cremation in the opening chapter, we sense that, even though his father's body has been reduced to ashes, his spirit survives to haunt Jean. His father's prodigious vitality and virility had crushed his family and ruined his son's childhood. Even after his father's death, Jean cannot be free. The parental ogre's actions continue to suck Jean into a vortex of despair.

‘First published in France in 1973, this unbearably sad novel from Swiss author Chessex, the first non-French writer to win the Prix Goncourt, charts a man’s slow but steady path toward tragedy.Chessex perfectly captures the juxtaposition of the profound and the banal in a surreal scene where a mortuary representative hawks different models of urns to hold cremated remains. Jean’s burden of guilt only grows heavier with time, and the denouement will strike many as pathetically inevitable.’ Publishers Weekly

Jacques Chessex, a giant of Swiss literature, won the Grand Prix de la langue française and was awarded the Grand Prix Jean Giono for his entire work. Bitter Lemon Press published his novels The Vampire of Ropraz and A Jew Must Die to high acclaim. He died in 2009 at age seventy-five.

“Silky prose in this harrowing account of crime and punishment.”—Kirkus Reviews

“Using spare, effective prose, Chessex brilliantly renders both the inhospitable winter landscape of the mountains and the harshness of a society that makes monsters of its victims.’—London Review of Books

“A superb novel, hard as a winter in these landscapes of dark forests, where an atmosphere of prejudice and violence envelops the reader.”—L’Express

“It’s beautiful; it’s pure, like a blue sky over a black forest. Giono without garlic and olives.”—Le Point

“Far from just telling us a simple story Chessex has had the intelligence to integrate a dose of poetry, of the aesthetics of sin, and of the metaphysics of the monster.”—Lire

Jacques Chessex, winner of the prestigious Goncourt prize, takes a true story and weaves it into a lyrical tale of fear and cruelty.

1903, Ropraz, a small village near the Jura Mountains of Switzerland. On a howling December day, a lone walker discovers a recently opened tomb, the body of a young woman violated, her left hand cut off, genitals mutilated, and heart carved out. There is horror in the nearby villages: the return of atavistic superstitions and mutual suspicions. Then two more bodies are violated. A suspect must be found. Favez, a stableboy with bloodshot eyes, is arrested and placed in psychiatric care. He escapes, enlists in the Foreign Legion as the First World War begins, and is sent into battle in the trenches of the Somme.

Jacques Chessex, born in 1934, won the Prix Goncourt, France’s most prestigious literary prize for his novel A Father’s Love. He is considered one of Switzerland’s greatest living authors. He lives in Ropraz.

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After Joel Dicker, here is the latest literary sensation from Switzerland: brilliant twenty-five-year-old novelist Quentin Mouron with his first mystery novel, which garnered ecstatic reviews in the French-speaking world. This is the first time his work is available in English.

Three Drops of Blood and a Cloud of Cocaine is a darkly humorous literary and psychological mystery set in a Boston still suffering from the consequences of the financial crisis.

Written with the pace and controlled violence of the very best Tarantino film

When old Jimmy Henderson is found murdered in his Ford pick-up truck in a suburb of Boston, Sheriff Paul McCarthy takes charge of the investigation. Soon, Franck, a young private detective visiting from New York, also takes an interest in the case.

Breaking the conventions of the genre, the novel holds a satirical mirror to our society by entering the minds of two men right on the edge of sanity. Sheriff McCarthy, a church-going man, desperately trying to keep a boundary between the sordidness of his investigations and his private life. And Franck, a violent, decadent dandy, always rushing to the bathroom for another line of coke, revealing the darker workings of the case with a blood curdling laugh. When the two men finally meet the entire existence of the sheriff as a righteous family man – and probably as a police officer -- will be turned on its head.


“Mouron is a revelation. He juggles characters with ease in a seamy world perfectly evoked, and all of it is done in a taut high-tempo style. “ HuffPost

“Three Drops follows the US tradition of the searing social novel, literary, troubling, to be read in one sitting. It leaves a bitter and vivid after-taste, like the morning after a sleepless night.” Le Temps

“It’s a fine example of the craft of detective writing in a period which some regard as the golden age of crime fiction.”—The Sunday Telegraph

The death of a traveling salesman appears to be an open and shut case. Studer is confronted with an obvious suspect and a confession to the murder. But nothing is what it seems. Envy, hatred, and the corrosive power of money lie just beneath the surface. Studer’s investigation soon splinters the glassy façade of Switzerland’s tidy villages and manicured forests.

Diagnosed a schizophrenic, addicted to morphine and opium, Friedrich Glauser spent the greater part of his life in psychiatric wards, insane asylums and prison. His acute observations conjure up a world of those at the margins of society.

"An agile novel written in a language perfectly pitched for the subject matter, a ruthless dissection of a fast decaying society"—José Saramago, Nobel Prize winner

The English translation of hit novel Las Viudas de Los Jueves!

“Piñeiro’s clever U.S. debut.. . illuminates the hypocrisies of the country's upper classes after 9/11.”—Publishers Weekly

“Piñeiro is particularly skilful at exposing the social forces undermining Argentine society, and the fragility of personal relationships. We learn the surprising truth of the three men’s death in the final chapter; the build-up to it is riveting.”—The Times (London)

"Piñeiro builds up tension through banal, domestic details and the accretion of despair in everyday marital and professional struggles. There may be bloody murder at the centre of this novel, but the dystopia portrayed is an indictment not solely of an assassin but of Argentina’s class structure and the willful blindness of its petty bourgeoisie."—Times Literary Supplement

“A razor-sharp psychological and social portrait not only of Argentina, but of the afluent Western world as a whole.”—Rosa Montero

Three bodies lie at the bottom of a swimming pool in a gated country estate near Buenos Aires. It's Thursday night at the magnificent Scaglia house. Behind the locked gates, shielded from the crime, poverty, and filth of the people on the streets, the Scaglias and their friends hide lives of infidelity, alcoholism, and abusive marriage. Claudia Piñeiro's novel eerily foreshadowed a criminal case that generated a scandal in the Argentine media. But this is more than a story about crime. The suspense is a byproduct of Piñeiro's hand at crafting a psychological portrait of a professional class that lives beyond its means and leads secret lives of deadly stress and despair. It takes place during the post-9/11 economic meltdown in Argentina, but it is a universal story that will resonate among credit-crunched readers of today.

The film of Thursday Night Widows, by Argentine New Wave and award-winning director Marcelo Piñeyro is coming soon with trailers available online.

Claudia Piñeiro was a journalist, playwright, and television scriptwriter and in 1992 won the prestigious Pléyade Annual Journalism Award. She has more recently turned to fiction and is the author of literary crime novels that are all bestsellers in Latin America and have been translated into four languages. This novel won the Clarin Prize for fiction and is her first title to be available in English.

FOURTH IN THE MARTIN BORA SERIES.

SPELLBINDING MULTI-LAYERED CRIME NOVEL SET IN UKRAINE AS THE GERMANS REGROUP AFTER THE DISASTER OF STALINGRAD.

FOR FANS OF PHILLIP KERR (BERNIE GUNTHER SERIES), ALAN FURST (SPIES OF THE BALKANS).

THE HERO, MAJOR MARTIN BORA, IS AN ARISTOCRATIC GERMAN OFFICER OF THE ILK OF CLAUS VON STAUFFENBERG, TORN BETWEEN HIS DUTY AS AN OFFICER AND HIS INTEGRITY AS A HUMAN BEING.

Ukraine, 1943. Having barely escaped the inferno of Stalingrad, Major Martin Bora is serving on the Russian front as a German counterintelligence officer. Weariness, disillusionment, and battle fatigue are a soldier’s daily fare, yet Bora seems to be one of the few whose sanity is not marred by the horrors of war.
As the Wehrmacht prepare for the Kursk counter-offensive, a Russian general defects aboard a T-34, the most advanced tank of the war. Soon he and another general, this one previously captured, are found dead in their cells. Everything appears to exclude the likelihood of foul play, but Bora begins an investigation, in a stubborn attempt to solve a mystery that will come much too close to home.