Name: William Waynflete
Brand: Virginia Davis
Price: 120.0 USD
Availability: InStock

Virginia Davis

William Waynflete

$120.00

Study of the life of bishop of Winchester (1447-86), one of the great educationalists and patrons of learning of late medieval England.

This is the first modern study of William Waynflete, powerful and influential bishop of Winchester from 1447 to 1486. Waynflete was one of the great educationalists and patrons of learning of late medieval England, and his careerwas dominated by an interest in education. He played a leading role in some of the changes which transformed education in 15th-century England: the emergence in Oxford and Cambridge of new and larger colleges; the influence of continental humanist ideas which reshaped English thought; the introduction of the teaching of Greek; the composition of new grammars; and the introduction of printing as a means of disseminating the new learning.
Through her examination of Waynflete's career, Davis challenges the received view of the gangrenous corruption of the medieval church and instead supports recent research which suggests the truth to have been far more complex. As this biographyrecords, Waynflete himself was politically linked to Henry VI and the Lancastrian administration and most of his time was spent in southern England, However, he retained close links with his native Lincolnshire, and his committments there are also fully considered.

VIRGINIA DAVIS is lecturer in history at Queen Mary and Westfield College, University of London.

Peter Northeast

Wills of the Archdeaconry of Sudbury, 1439-1474

$36.95

Suffolk wills of ordinary inhabitants illustrate all aspects of the social conditions of the time.

ARCHIVES: The making and registering of wills by ordinary people became widespread in East Anglia a century earlier than parts of midland and western England. It is of enormous value therefore to have one of the earliest surviving registers from an archdeaconry made available. [The volume] provides us with a window into rural society in mid-fifteenth-century East Anglia. It was a society bustling with small farmers, craftsmen involved in the cloth industry, and other artisans and traders. The wills record their concern for religion, the local community and the future welfare of wives, children, godchildren and even servants. There is a wealth of information here for the historianof religion, the family, material culture, agriculture and industry. This volume contains abstracts, in English, of nearly nine hundred wills made by residents of the western part of Suffolk in the mid-fifteenth century, together with a further five hundred 'probate sentences' - details of the granting of probate, without the associated wills. These are the earliest surviving wills of ordinary inhabitants of that part of Suffolk, excluding the titled, the wealthy and the clergy. They illustrate in considerable detail the social conditions of the time, including housing and household possessions, landholding and farming patterns, and provision for the poor. They are especially rich in references to the religious practices of the day. The introduction outlines the probate system of the area at that time and examines the form and content of a medieval will.

Wills of the Archdeaconry of Sudbury, 1439-1474

Marion E. Allen

Wills of the Archdeaconry of Suffolk, 1627-1628

$49.95

Wills of early Stuart England provide fascinating local and domestic details of life at the time.

With the publication of this volume the Suffolk Records Society completes the coverage of wills of the 1620s and 1630s, two decades of great interest to those who study trans-Atlantic migration from eastern England and the foundation of the godly republic of New England. Written soon after the accession of Charles I and at a time of mounting political and religious tension, they offer a mine of personal, social and economic information.
The book contains abstracts of 286 wills proved in the court of the archdeacon of Suffolk in the years 1627 and 1628. This court was the place to prove the third and humblest category of wills of testators whose real estate was situated in onlyone parish. The court's jurisdiction covered the eastern half of the county, an extensive and rich area of farming and industrial parishes, market towns, coastal ports and the large town of Ipswich. The varied economy of the region is well illustrated by the impressive range of occupations pursued by testators.
The wills have been fully abstracted, preserving their introductory religious clauses and the flavour of the original language, but cutting or condensing certain repetitive words and phrases. The contents have been extensively indexed by testator, other people mentioned (mainly legatees and witnesses), occupation, place and subject.

Marion Allen gained an MAfrom the University of Wales for a study of Aldeburgh between 1547 and 1660. She was formerly assistant archivist at the then Ipswich and East Suffolk Record Office.

Wills of the Archdeaconry of Suffolk, 1627-1628

Peter Bloore

Wingfield College and its Patrons

$130.00

The 650th anniversary of the foundation of Wingfield College was the occasion for a special two-day symposium marking the culmination of a three-year UEA-funded research project into the college and castle. The building projects of the late medieval aristocracy focused on their homes and the monasteries, churches or chantry foundations under their patronage where their family were buried and commemorated. This commemoration allowed a visual celebration of their achievements, status and lineage, the scale and prestige of which reflected on the fortunes of the family as a whole. Wingfield is explored in the context of both the actual building of the castle, chantry chapel and the college, and that of the symbolic function of these as a demonstration ion of aristocratic status.
The contributions to this book examine many topics which have hitherto been neglected, such as the archaeology of the castle, which had never been excavated, the complex history of the college's architecture, and the detailed study of the monuments in the church. The latest techniques are used to reconstruct the college and castle, with a DVD to demonstrate these. And the context of the family and its fortunes are explored in chapters on the place of the de la Poles in fifteenth century history, as soldiers, administrators and potential claimants to the throne.

K. Dawn Grapes

With Mornefull Musique: Funeral Elegies in Early Modern England

$115.00

This book looks at the musical culture of death in early modern England.

This book looks at the musical culture of death in early modern England. In particular, it examines musical funeral elegies and the people related to commemorative tribute - the departed, the composer, potential patrons, and friends and family of the deceased - to determine the place these musical-poetic texts held in a society in which issues of death were discussed regularly, producing a constant, pervasive shadow over everyday life. The composition of these songs reached a peak at the end of the sixteenth and the beginning of the seventeenth centuries. Thomas Weelkes and Thomas Morley both composed musical elegies, as did William Byrd, Thomas Campion, John Coprario, and many others. Like the literary genre from which these musical gems emerged, there was wide variety in form, style, length, and vocabulary used. Embedded within them are clear messages regarding the social expectations, patronage traditions, and class hierarchy of late Elizabethan and early Jacobean England. En masse, they offer a glimpse into the complex relationship that existed between those who died, those who grieved, and attitudes toward both death and life.

K. DAWN GRAPES is Assistant Professor of Music History at Colorado State University.

With Mornefull Musique: Funeral Elegies in Early Modern England

Aleksander Pluskowski

Wolves and the Wilderness in the Middle Ages

$120.00

The complex attitude to the wolf in the Middle Ages re-evaluated, bringing together historical and other evidence.

The wolf, a common metaphor for vice in medieval Christian literature, is today an iconic symbol of the intense fear and insecurity that some associate with the middle ages. In reality, responses to wolves varied across medieval Europe. Although not dependent on the wilderness, wolves were conceptually linked to this environment - which although on the fringes of medieval society, became increasingly exploited from the eighth to fourteenth centuries, so bringing people and livestock closer to the wolf.
This book compares responses to wolves, focusing on two regions, Britain and southern Scandinavia. It looks at the distribution of wolves in the landscape, their potential impact as predators on both animals and people, and their use as commodities, in literature, art, cosmology and identity. It also investigates the reasons (both practical and cultural) for the eradication of wolves in England, but their survival on the Scandinavian peninsula.

ALEKSANDER PLUSKOWSKI is Associate Professor, Department of Archaeology, University of Reading,

Wolves and the Wilderness in the Middle Ages

John C. Appleby

Women and English Piracy, 1540-1720: Partners and Victims of Crime

$36.95

Drawing on a wide body of evidence, the book argues that the support of women was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency.

Piracy was one of the most gendered criminal activities during the early modern period. As a form of maritime enterprise and organized criminality, it attracted thousands of male recruits whose venturing acquired a global dimension as piratical activity spread across the oceans and seas of the world. At the same time, piracy affected the lives of women in varied ways. Adopting a fresh approach to the subject, this study explores the relationships and contacts between women and pirates during a prolonged period of intense and shifting enterprise. Drawing on a wide body of evidence and based on English and Anglo-American patterns of activity, it argues that the support of female receivers and maintainers was vital to the persistence of piracy around the British Isles at least until the early seventeenth century.
The emergence of long-distance and globalized predation had far reaching consequences for female agency. Within colonial America, women continued to play a role in networks of support for mixed groups of pirates and sea rovers; at the same time, such groups of predators established contacts with women of varied backgrounds in the Caribbean and the Indian Ocean. As such, female agency formed part of the economic and social infrastructure which supported maritime enterprise of contested legality. But it co-existed with the victimisation of women bypirates, including the Barbary corsairs. As this study demonstrates, the interplay between agency and victimhood was manifest in a campaign of petitioning which challenged male perceptions of women's status as victims. Against this background, the book also examines the role of a small number of women pirates, including the lives of Mary Read and Ann Bonny, while addressing the broader issue of limited female recruitment into piracy.

JOHN C. APPLEBY is Senior Lecturer in History at Liverpool Hope University.

Women and English Piracy, 1540-1720: Partners and Victims of Crime

Julie Hotchin

Women and Monastic Reform in the Medieval West, c. 1000 – 1500

$130.00

New approaches to understanding religious women's involvement in monastic reform, demonstrating how women's experiences were more ambiguous and multi-layered than previously assumed.

Over the last two decades, scholarship has presented a more nuanced view of women's attitude to and agency in medieval monastic reform, challenging the idea that they were, by and large, unwilling to accept or were necessarily hostile towards reform initiatives. Rather, it has shown that they actively participated in debates about the ideas and structures that shaped their religious lives, whether rejecting, embracing, or adapting to calls for "reform" contingent on their circumstances. Nevertheless, fundamental questions regarding the gendered nature of religious reform are ripe for further examination.

This book brings together innovative research from a range of disciplines to re-evaluate and enlarge our knowledge of women's involvement in spiritual and institutional change in female monastic communities over the period c. 1000 - c. 1500. Contributors revise conventional narratives about women and monastic reform, and earlier assumptions of reform as negative or irrelevant for women. Drawing on a diverse array of visual, material and textual sources, it presents "snapshots" of reform from western Europe, stretching from Ireland to Iberia. Case-studies focussing on a number of different topics, from tenth-century female saints' lives to fifteenth-century liturgical books, from the tenth-century Leominster prayerbook to archaeological remains in Ireland, from embroideries and tapestries to the rebellious nuns of Sainte-Croix in Poitiers, offer a critical reappraisal of how monastic women (and their male associates) reflected, individually and collectively, on their spiritual ideals and institutional forms.

Julie Hotchin

Women and Monastic Reform in the Medieval West, c. 1000 – 1500

$38.95

New approaches to understanding religious women's involvement in monastic reform, demonstrating how women's experiences were more ambiguous and multi-layered than previously assumed.

Over the last two decades, scholarship has presented a more nuanced view of women's attitude to and agency in medieval monastic reform, challenging the idea that they were, by and large, unwilling to accept or were necessarily hostile towards reform initiatives. Rather, it has shown that they actively participated in debates about the ideas and structures that shaped their religious lives, whether rejecting, embracing, or adapting to calls for "reform" contingent on their circumstances. Nevertheless, fundamental questions regarding the gendered nature of religious reform are ripe for further examination.

This book brings together innovative research from a range of disciplines to re-evaluate and enlarge our knowledge of women's involvement in spiritual and institutional change in female monastic communities over the period c. 1000 - c. 1500. Contributors revise conventional narratives about women and monastic reform, and earlier assumptions of reform as negative or irrelevant for women. Drawing on a diverse array of visual, material and textual sources, it presents "snapshots" of reform from western Europe, stretching from Ireland to Iberia. Case-studies focussing on a number of different topics, from tenth-century female saints' lives to fifteenth-century liturgical books, from the tenth-century Leominster prayerbook to archaeological remains in Ireland, from embroideries and tapestries to the rebellious nuns of Sainte-Croix in Poitiers, offer a critical reappraisal of how monastic women (and their male associates) reflected, individually and collectively, on their spiritual ideals and institutional forms.

Cover image for Women and Monastic Reform in the Medieval West, c. 1000 – 1500, isbn: 9781837652846

Edited by Jennifer O'Connor-Madsen, Laura Watson and Ita Beausang

Women and Music in Ireland

$130.00

Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.

In a story which spans several centuries, the book highlights representative composers and performers in classical music, Irish traditional music, and contemporary art music whose contributions have been marginalised in music narratives. As well as investigating the careers of public figures, this edited collection brings attention to women who engaged with and taught music in a variety of domestic settings. It also shines a spotlight on women who worked behind the scenes to build infrastructures such as festivals and educational institutions which remain at the heart of the country's musical life today. The book addresses and reconsiders ideas about the intersections of music, gender, and Irish society, including how the national emblem of the harp became recast as a symbol of Irish womanhood in the twentieth century.

The book is divided into four parts. Part 1 surveys women musicians in Irish society of the eighteenth and nineteenth centuries. Part 2 discusses women and practice in Irish traditional music. Part 3 studies gaps and gender politics in the history of twentieth-century women composers and performers. Part 4 situates discourses of women, gender, and music in the twenty-first century. The book's contributors encompass musicologists, cultural historians, composers, and performers.

Frances Beer

Women and Mystical Experience in the Middle Ages

$29.99

Original and thought-provoking study of three medieval women mystics based on writings and biographical material.

`A wholly feminine voice within Catholicism-they express the inexpressible better than any amount of rational thinking about God.' THE TIMES
The three women who are the subject of this fascinating study lefta rich legacyof medieval spirituality. Frances Beer explores their writings and draws on available historical evidence to bring the experience of all three women closer to a 20th-century audience. She sees Hildegard's perception of her Creator as informed by the heroic ideal, while Mechthild's erotic experience seems to show the influence of the minnesingers. Julian's experience of tender intimacy with her Lord demonstrates an egalitarian confidence in the ability of the individual soul to progress towards onenesswith the divine. Their individual natures are also further revealed through the author's examination of their resolution of a number of theological problems. In contrast, the works of two medieval men writing for women are also explored.
FRANCESBEER is Associate Professor of English at York University, Toronto.

Women and Mystical Experience in the Middle Ages

Lynn MacKay

Women and the British Army, 1815-1880

$130.00

This book explores the world of women who married, or dealt with British soldiers below the rank of officer during the nineteenth century, including fiancées, wives, mothers, sisters, and daughters, as well as the prostitutes they consorted with. It examines women's experiences over the time cycle of a soldier's service. It considers women's finances, how they struggled to make ends meet and how they appealed to the government for support, including in widowhood and after a soldier's service had been completed. It discusses how soldiers' women were viewed in the press, in literature and in society more widely, highlighting in particular issues concerning morality and independence, and outlines how the Crimean War and its aftermath brought about extensive army reforms and also a sharp revision of the reputation of soldiers' wives. The book includes an exploration of soldiers' relations with prostitutes and how prostitutes were regulated, and a consideration of the impact on soldiers' wives of physical arrangements such as barracks, and overall provides much insight into the nature of plebeian life in the nineteenth century. The women portrayed often emerge as exceptionally resolute, independent and canny.

Amanda L. Capern

Women and the Land, 1500-1900

$36.95

Women and the Land examines English women's legal rights to land and the reality and consequences of their land ownership over four centuries.

Women and the Land examines the pre-history of gendered property relations in England, focusing on the four-hundred-year period between roughly 1500 and 1900. More specifically, the book is about how gender shaped opportunities for and experiences of owning property, particularly for women. The focus is especially on land, residential buildings and commercial property, but livestock, common and personal property also feature. This project is drivenby an explicitly feminist agenda: the contributors directly challenge the idea that the existence of patriarchal property relations - including the doctrine of coverture and gendered inheritance practices - meant that property wasconcentrated in exclusively male hands. Here a very different story is told: of significant levels of female landownership and how women's desire to own property and manage its profits led to emotional attachments to land and a willingness and determination to fight for the right to legal title. Altogether, the chapters in this volume offer new histories of land and property which hold women's lives as their centre. Presenting the very latest qualitativeand quantitative research on women's landownership, the book will be of interest to those working in social, economic and cultural history, historical and cultural geography, women's studies, gender studies and landscape studies.

AMANDA CAPERN is Senior Lecturer in Early Modern Women's History at the University of Hull.

BRIONY MCDONAGH is Senior Lecturer in Historical and Cultural Geography at the University of Hull.

JENNIFER ASTON is Senior Lecturer in Modern British History at Northumbria University.

CONTRIBUTORS: Jennifer Aston, Stephen Bending, Amanda L. Capern, Janet Casson, Amy Erickson, Amanda Flather, Joan Heggie, Jessica L. Malay, Briony McDonagh, Judith Spicksley, Jon Stobart, Hannah Worthen

Shulamith Shahar, Yael Lotan

Women in a Medieval Heretical Sect

$120.00

Women Waldensians have been almost written out of studies of the heretical sect, but are here shown to have played a full role within it, regardless of gender.

Agnes and Huguette were two Waldensian women who were interrogated by the inquisitional court of Pamiers, in southern France, in 1319 and subsequently burnt at the stake for their heretical beliefs. Shahar uses the records of their inquisition as a basis for an examination of the Waldensian sect's attitude towards its women members, and their role within the sect, comparing their lives with women in the Catholic church and in other sects. She finds that ina persecuted voluntary group such as the Waldensians, gender was largely immaterial, subordinate to the fervent religious commitment of the members; nor did the court of inquisition distinguish between male and female, subjectingheretics of either sex to the same horrible punishment.
This is the first book-length treatment of women Waldensians, who have been almost written out of studies of the sect, but are here shown to have played a full role within it. It throws light on women and gender in medieval society as well as on one of the main heretical movements in France in the early fourteenth century.

SHULAMITH SHAHAR is Professor Emeritus of Medieval History, TelAviv University.

Nicola Phillips

Women in Business, 1700-1850

$130.00

A reappraisal of the business enterprises of women in the `long' eighteenth century, showing them to be more flourishing than previously thought.

Orthodox opinion is that in the `long' eighteenth century women, especially of the middle classes, had very little involvement with business affairs and enterprises, and that as a group they were more usually characterised by their domestic roles. This book takes issue with this view, arguing that the major factors which supposedly prevented women's economic activity in this period had much less impact than has previously been thought. It demonstrates thatdespite the pressure of gendered cultural expectations, financial barriers and legal disabilities, many women participated extensively in entrepreneurial activity as integrated members of trading networks, exchanging money, credit, property and goods with male traders on a regular basis throughout the period. The author examines how women in business engaged with the tangled legal systems of common law, borough customs and equity, showing that the legal doctrine of coverture did not in practice curtail married women's ability to trade on their own account; she goes on to look at women's business practices, partnerships and credit networks, including their involvement in the insurance business and newspaper advertising. Finally, she considers the impact of domestic ideology, particularly on women in the feminine trades of millinery and dressmaking, and the languages women used to express their commercial interests.

Joanne Cusack

Women in Irish Traditional Music

$120.00

Traces the position, experiences and reception of women in Irish traditional music through detailed ethnographic and statistical findings.

This book is the first of its kind to engage with the larger subject of women in commercial Irish traditional music. It considers the experiences of performers in the various commercial arenas of the tradition, while also engaging in critical discussions of choice, agency, feminism and sexualisation. It reveals how the commercial music industry and Celtic music label continues to place women within a stereotypical idealised role or occupation.

The book provides new insight into the legacy of women-led bands and compilations as well as their impact on Irish traditional music over five decades. Its findings on commercial dance shows are equally significant. While these shows had a positive impact on performers, at the same time they enforced gendered, racial and heteronormative expectations.

Drawing on extensive ethnographic and statistical research, the book finds strong evidence that women and other marginalised practitioners continue to face greater challenges and different expectations when maintaining a professional career and participating in Irish traditional music. It also uncovers characteristics and dynamics related to the recreational and commercial spaces of the Irish traditional music and Irish dance scene that enable harmful and predatory behaviour.

The author's findings support understandings and aid future legislation for creating a safe, inclusive and equitable performance space for all.

Cover artwork by Claire Prouvost

Cover image for Women in Irish Traditional Music, isbn: 9781837652013

Beatrice Moring

Women in the Factory, 1880-1930

$130.00

A rich and detailed picture, across Britain and many other European countries, of the nature of women's factory work, the problems which arose and how women factory inspectors understood and reacted to the problems.

Based on extensive original archival research both in Britain and in many European countries, this book is a comparative study of the large numbers of women who were engaged in industrial work in the western world in the late nineteenth and the early twentieth century, that is at a time when the industrial revolution was established and the problems caused by industrial work had become part of political debate and social discourse worldwide. It analyses the scope of female factory work, what the conditions were in such work, and what the motivations were for women to enter such employment. It reveals the composition of the female workforce as to age and marital status.

In addition, it considers the first generation of female industrial inspectors, outlining the background of these inspectors, assessing to what extent were they were capable of taking on the role of protectors of women in manual work, and discussing the actions and attitudes of the female inspectors as recorded in inspection reports, biographies and contemporary discourse. Overall, the book presents a rich, detailed, comparative picture of women's factory work, contributing much to the understanding of the history of gender and class.

Judith Jesch

Women in the Viking Age

$29.99

Through runic inscriptions and behind the veil of myth, Jesch discovers the true story of viking women.

Well-illustrated, closely argued and fascinating. GUARDIAN

This is the first book-length study in English to investigate what women did in the Viking age, both at home in Scandinavia and in the Viking colonies from Greenland to Russia. Evidence for their lives is fragmentary, but Judith Jesch assembles the clues provided by archaeology, runic inscriptions, place names and personal names, foreign historical records and Old Norse literature and mythology. These sources illuminate different aspects of women's lives in the Viking age, on the farms and in the trading centres of Scandinavia, abroad on Viking expeditions, and as settlers in places such as Iceland and the British Isles. Women in the Viking Age explores an unfamiliar aspect of medieval history and offers a new perspective on Viking society, very different from the traditional picture of a violent and male-dominated world.

JUDITH JESCH is Reader in Viking Studies at the University of Nottingham.

Ingrid H. Tague

Women of Quality

$130.00

An examination of the interaction between ideology and experience in the lives of English women during a period of great social and intellectual change.

Focusing on the complex relationship between discourse and experience, Women of Quality examines the role of gender in aristocratic women's daily lives during a period of significant cultural change. In the years followingthe Glorious Revolution, didactic writers and other social critics responded to a perceived crisis of gender relations by creating a new discourse of 'natural' feminine behavior in opposition to the luxury and decadence of fashionable women. Modern scholars have often portrayed this agenda as representing the rise of a middle-class ideology, but Ingrid Tague argues that the new rhetoric held enormous appeal for those women who would appear to be its greatest targets: wealthy, fashionable 'women of quality'. Using the correspondence and diaries of these women, Tague traces the ways in which they adopted, adapted, and exploited ideals of femininity. In their hands, feminine values could become powerful tools that enabled them to compete for status and reputation. Ironically, by identifying femininity with private, trivial concerns, these ideals created unique opportunities for elite women. Female participation in informal social and political activities placed women at the heart of aristocratic power in the early eighteenth century, even as they employed the language of wifely subordination and domesticity.

Ingrid Tague is Assistant Professor of History at the University of Denver.

Mark J. Crowley

Women's Experiences of the Second World War

$120.00

Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.

Many existing studies on the role of women in the Second World War concentrate on women's increasing participation in the workplace and on their struggles to cope with rationing and shortages. This book goes further, exploring women's wartime experiences much more fully. Drawing on a wide range of sources including oral interviews, scrapbooks, personal letters, diaries, newspaper articles, Mass Observation files and memoirs, the book illustrates some of the similarities and differences of women's wartime experiences in different situations in different countries. Specific subjects covered include experiences of exile and living under occupation, of coping with proximity to fighting and to the frontline, and of dealing with everyday life in trying circumstances. The book draws out how factors such as political beliefs, nationalism, economics, religion, ability, geography and culture all had an impact. Overall, the book reveals a great deal about the complexities and nuances of women's experiences in this period of enormous upheaval.

Contributors: Patricia Chappine, Nupur Chaudhuri, Sylvie Crinquand, Beth Hessel, Sarah Hogenbirk, Regina Lark, Bernice Lindner, Alexis Peri, Kelly Spring, Michael Timonin, Angela Wanhalla, Wai-Yin Christina Wong.

Women's Experiences of the Second World War

Natasha R. Hodgson

Women, Crusading and the Holy Land in Historical Narrative

$36.95

Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear.

Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West.
This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories andmonastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal.

NATASHA HODGSON is Lecturer in Medieval History at Nottingham Trent University..

Natasha R. Hodgson

Women, Crusading and the Holy Land in Historical Narrative

$130.00

Women's role in crusades and crusading examined through a close investigation of the narratives in which they appear.

Narratives of crusading have often been overlooked as a source for the history of women because of their focus on martial events, and perceptions about women inhibiting the recruitment and progress of crusading armies. Yet women consistently appeared in the histories of crusade and settlement, performing a variety of roles. While some were vilified as "useless mouths" or prostitutes, others undertook menial tasks for the army, went on crusade with retinuesof their own knights, and rose to political prominence in the Levant and and the West.
This book compares perceptions of women from a wide range of historical narratives including those eyewitness accounts, lay histories andmonastic chronicles that pertained to major crusade expeditions and the settler society in the Holy Land. It addresses how authors used events involving women and stereotypes based on gender, family role, and social status in writing their histories: how they blended historia and fabula, speculated on women's motivations, and occasionally granted them a literary voice in order to connect with their audience, impart moral advice, and justify the crusade ideal.

Dr NATASHA R. HODGSON teaches at Nottingham Trent University.

Lynneth Miller Renberg

Women, Dance and Parish Religion in England, 1300-1640

$130.00

A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil.

The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil?

Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.

Lynneth Miller Renberg

Women, Dance and Parish Religion in England, 1300-1640

$37.95

A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil.

The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil?

Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.

Cover image for Women, Dance and Parish Religion in England, 1300-1640, isbn: 9781837652839

Nicole Pohl

Women, Transnational Networks and Patriotism in Northern and Central Europe, 1763-1814

$130.00

A gateway to the complex world of eighteenth-century sociability of elite women and of their lasting impact on modern concepts of national identity and community.

In the dynamic intellectual and social landscape of eighteenth-century Northern Europe, the interplay between patriotism, nationalism, and cosmopolitanism was pivotal in shaping the era's cultural and political discourse. This study delves into the intricate networks of elite women who navigated and influenced these concepts through their participation in salons and literary circles. By examining figures such as Anna Amalia of Weimar, Dorothea von Kurland, members of the Bluestockings, Friederike Brun and the grande Dame of eighteenth-century salon world, Mme de Staël, the narrative uncovers how these women fostered transnational dialogues and cultural exchanges that were crucial in redefining public spirit and national identity.

Grounded in extensive archival research and touching on the lives of over twenty-five individuals, the work highlights the nuanced roles these women played as cultural mediators and agents of change across national borders, challenging the traditional male-dominated historiography. The exploration of their contributions offers fresh insights into the interconnectedness of European intellectual life and the critical role of gender in shaping historical discourses. This book not only broadens our understanding of the Enlightenment but also provides a rich, interdisciplinary perspective on the socio-political transformations of the era.

Cover image for Women, Transnational Networks and Patriotism in Northern and Central Europe, 1763-1814, isbn: 9781783277902

Dorothea Link

Words About Mozart

$130.00

Published as a tribute to the late Stanley Sadie, these eleven essays look at compositional and performance matters, consider new archival research and provide an overview of work since the bicentenary in 1991.

Words About Mozart is published as a tribute to the late Stanley Sadie, musicologist, critic and editor of The New Grove Dictionary of Music and Musicians. Of the eleven essays presented here, three focus on compositional matters: Julian Rushton examines the dramatic meaning of a recurring motif in Idomeneo; Elaine Sisman sifts through the facts surrounding the genesis of Mozart's 'Haydn' quartets; and Simon Keefe matches up pairs of piano sonatas and concertos on the basis of their common compositional features. Cliff Eisen considers some problems of performing practice posed by the solo keyboard parts in Mozart's concertos, and Robert Philip surveys tempo fluctuations in a selection of historical recordings. Felicity Baker's detailed analysis of aspects of the Don Giovanni libretto is a welcome contribution from the field of literary criticism. Three studies offer new archivalresearch: Neal Zaslaw uncovers the background to one of Mozart's nonsense compositions; Dorothea Link examines the Viennese Hofkapelle and creates a new context for understanding Mozart's court appointment; and Theodore Albrecht proposes a candidate for Mozart's Zauberflötist. Christina Bashford considers an aspect of Mozart reception in 19th-century England connected with John Ella, and Peter Branscombe presents a comprehensive overview of research published since the bicentenary in 1991. The volume includes a full bibliography of Stanley Sadie's publications and broadcasts.

Contributors: THEODORE ALBRECHT, FELICITY BAKER, CHRISTINA BASHFORD, PETER BRANSCOMBE, CLIFF EISEN, SIMON P. KEEFE, LEANNE LANGLEY, DOROTHEA LINK, ANDREW PORTER, ROBERT PHILIP, JULIAN RUSHTON, ELAINE SISMAN, NEAL ZASLAW

Phyllis Weliver

Words and Notes in the Long Nineteenth Century

$130.00

A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.

Words and Notes encourages a new wave of scholarship inspired by the ways writers and musicians of the long nineteenth century themselves approached the relationship between music and words. Contributors to the volume engage in two dialogues: with nineteenth-century conceptions of word-music relations, and with each other. Criss-crossing disciplinary boundaries, the authors of the book's eleven essays address new questions relating to listening, imagining and performing music, the act of critique, and music's links with philosophy and aesthetics. The many points of intersection are elucidated in an editorial introduction and via a reflective afterword. Fiction and poetry, musicography, philosophy, music theory, science and music analysis all feature, as do traditions within English, French and German studies.
Wide-ranging material foregrounds musical memory, soundscape and evocation; performer dilemmas over the words in Satie's piano music; the musicality of fictional and non-fictional prose; text-setting and the rights of poet vs. composer; the rich novelistic and critical testimony of audience inattention at the opera;German philosophy's potential contribution to musical listening; and Hoffmann's send-ups of the serious music-lover. Throughout, music - its composition, performance and consumption - emerges as a profoundly physical and social force, even when it is presented as the opposite.

PHYLLIS WELIVER is Associate Professor of English, Saint Louis University.

KATHARINE ELLIS is Stanley Hugh Badock Professor of Music at the University of Bristol.

Contributors: Helen Abbott, Noelle Chao, Delia da Sousa Correa, Peter Dayan, Katharine Ellis, David Evans, Annegret Fauser, Jon-Tomas Godin, Cormac Newark, Matthew Riley, Emma Sutton, Shafquat Towheed, Susan Youens, Phyllis Weliver

Words and Notes in the Long Nineteenth Century

David Bates

Writing Medieval Biography, 750-1250

$130.00

A survey both of medieval biographical writings, and the problems of recovering medieval lives.

Biography is one of the oldest, most popular and most tenacious of literary forms. Perhaps the best attested narrative form of the Middle Ages, it continues to draw modern historians of the medieval period to its peculiar challenge to explicate the general through the particular: the biographer's decisions to impose or to resist the imposition of order on biographical remnants raise issues which go to the heart of historical method.
This collection, compiled in honour of a distinguished modern exponent of the art of biography, contains sixteen essays by leading scholars which examine the limits and possibilities of the genre for the period between 750AD and 1250AD. Ranging from pivotal figures such as Charlemagne, William the Conqueror and St Bernard, to the anonymous female skeleton in an Anglo-Saxon grave, from kings and queens to clerks and saints, and from individual to the collective biographies,this collection investigates both medieval biographical writings, and the issues surrounding the writing of medieval lives.

Professor DAVID BATES is Director of the Institute of Historical Research; Dr JULIA CRICK and DrSARAH HAMILTON teach in the Department of History at the University of Exeter.

Contributors: JANET L. NELSON, ROBIN FLEMING, BARBARA YORKE, RICHARD ABELS, SIMON KEYNES, PAULINE STAFFORD, ELISABETH VAN HOUTS, DAVID BATES,JANE MARTINDALE, CHRISTOPHER HOLDSWORTH, LINDY GRANT, MARJORIE CHIBNALL, EDMUND KING, JOHN GILLINGHAM, DAVID CROUCH, NICHOLAS VINCENT

Marcus Bull

Writing the Early Crusades

$29.99

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory.
This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives.

MARCUS BULL is Andrew W Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool.

Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, Léan Ní Chléirigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

Marcus Bull

Writing the Early Crusades

$95.00

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory.
This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives.

MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool.

Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, Léan Ní Chléirigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

Susan Boynton

Young Choristers, 650-1700

$130.00

First full-length consideration of the role played by young singers, bringing out its full significance and its development over time.

Young singers played a central role in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities. The training of singers for performance in religious services was so crucial as to shape the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members; while the development of musical repertories and styles directly reflected the ubiquitous participation of children's voices in both chant and polyphony. Once choristers' voices had broken, they often pursued more advanced studies either through an apprenticeship system or at university, frequently with the help of the institutions to which they belonged.
This volume provides the first wide-ranging book-length treatment of the subject, and will be of interest to music historians - indeed, all historians - who wish to understand the role of the young in sacred musical culture before 1700.

SUSAN BOYNTON is Associate Professor of Historical Musicology at Columbia University; ERIC RICE is Assistant Professor of Music at the University of Connecticut at Storrs.

CONTRIBUTORS: SUSAN BOYNTON, SANDRINE DUMONT, JOSEPH DYER, JANE FLYNN, ANDREW KIRKMAN, NOEL O'REGAN, ALEJANDRO PLANCHART, RICHARD RASTALL, COLLEEN REARDON, ERIC RICE, JUAN RUIZ JIMENEZ, ANNE BAGNALL YARDLEY

James Ross

`The Foremost Man of the Kingdom'

$36.95

First book to deal with de Vere's life and extraordinary career, during the Wars of the Roses and beyond.

Earl of Oxford for fifty years, and subject of six kings of England during the political strife of the Wars of the Roses, John de Vere's career included more changes of fortune than almost any other. He recovered his earldom afterthe execution of his father and brother for treason, but his resistance to Edward IV led to a decade in prison. He escaped in time to lead Henry Tudor's vanguard at Bosworth in 1485 and subsequently enjoyed twenty-five years as perhaps "the foremost man of the kingdom", virtually ruling East Anglia for the king.
This is the first full-length study of de Vere's life and career. Through this lens it also tackles a number of broader themes. It reconsiders the role of the nobility under Henry VII, challenging the common perception of Henry as an anti-aristocratic king. It also explores East Anglian political society in the second half of the fifteenth century, how the earl came to dominate it, how successfully he exercised his power, and the personnel, including the Paston family, he used to run the region.

JAMES ROSS is Senior Lecturer in Late Medieval History at the University of Winchester.

Stephen Bull

`The Furie of the Ordnance'

$39.95

Shows how new developments in guns and artillery played a decisive role in the English Civil War.

NEW LOW PRICE
The English Civil War has frequently been depicted as a struggle between Cavaliers and Roundheads in which technology played little part. The first-hand sources now tell us that this romantic picture is deeply flawed - revealing a reality of gunpowder, artillery, and a grinding struggle of siege and starvation.

As with naval warfare, developments in gun technology drastically changed land warfare in the years leading up to 1642. The Civil War was itself shaped largely by the availability of munitions. A failure to procure them in 1643 and 1644 - combined with abortive attempts on London - ultimately proved the downfall of the Royalists. Moreover afinal move away from fortified local garrisons reshaped both the nature of warfare in England, and the country itself.

STEPHEN BULL is Curator of Military History and Archaeology, Lancashire Museums.