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“A Free Ballot and a Fair Count” examines the efforts by the Department of Justice to implement the federal legislation passed by Congress in 1870–71 known as the Enforcement Acts. These laws were designed to enforce the voting rights guarantees for African-Americans under the recently ratified Fifteenth Amendment. The Enforcement Acts set forth a range of federally enforceable crimes aimed at combating white southerners’ attempts to deny or restrict black suffrage.

There are several aspects of this work that distinguish it from other, earlier works in this area. Contrary to older interpretative studies, Goldman’s primary thesis is that, the federal government’s attempts to protect black voting rights in the South did not cease with the Supreme Court’s hostile rulings in U.S. v. Reese and U.S. v. Cruikshank in 1875. Nor, it is argued, did enforcement efforts cease at the end of Reconstruction and the so-called Compromise of 1877. Rather, federal enforcement efforts after 1877 reflected the continued commitment of Republican Party leaders, for both humanitarian and partisan reasons, to what came to be called “the free ballot and a fair count.”

Another unique aspect of this book is its focus on the role of the federal Department of Justice and its officials in the South in the continued enforcement effort. Created as a cabinet-level executive department in 1870, the Justice Department proved ill-equipped to respond to the widespread legal and extra-legal resistance to black suffrage by white southern Democrats in the years during and after Reconstruction. The Department faced a variety of internal problems such as insufficient resources, poor communications, and local personnel often appointed more for their political acceptability than their prosecutorial or legal skills. By the early 1890s, when the election laws were finally repealed by Congress, enforcement efforts were sporadic at best and largely unsuccessful. The end of federal involvement, coupled with the wave of southern state constitution revisions, resulted in the disfranchisement of the vast majority of African-American voters in the South by the beginning of the Twentieth Century. It would not be until the 1960s and the “Second Reconstruction” that the federal government, and the Justice Department, would once again attempt to ensure the “free ballot and a fair count”.

“A Free Ballot and a Fair Count” examines the efforts by the Department of Justice to implement the federal legislation passed by Congress in 1870–71 known as the Enforcement Acts. These laws were designed to enforce the voting rights guarantees for African-Americans under the recently ratified Fifteenth Amendment. The Enforcement Acts set forth a range of federally enforceable crimes aimed at combating white southerners’ attempts to deny or restrict black suffrage.

There are several aspects of this work that distinguish it from other, earlier works in this area. Contrary to older interpretative studies, Goldman’s primary thesis is that, the federal government’s attempts to protect black voting rights in the South did not cease with the Supreme Court’s hostile rulings in U.S. v. Reese and U.S. v. Cruikshank in 1875. Nor, it is argued, did enforcement efforts cease at the end of Reconstruction and the so-called Compromise of 1877. Rather, federal enforcement efforts after 1877 reflected the continued commitment of Republican Party leaders, for both humanitarian and partisan reasons, to what came to be called “the free ballot and a fair count.”

Another unique aspect of this book is its focus on the role of the federal Department of Justice and its officials in the South in the continued enforcement effort. Created as a cabinet-level executive department in 1870, the Justice Department proved ill-equipped to respond to the widespread legal and extra-legal resistance to black suffrage by white southern Democrats in the years during and after Reconstruction. The Department faced a variety of internal problems such as insufficient resources, poor communications, and local personnel often appointed more for their political acceptability than their prosecutorial or legal skills. By the early 1890s, when the election laws were finally repealed by Congress, enforcement efforts were sporadic at best and largely unsuccessful. The end of federal involvement, coupled with the wave of southern state constitution revisions, resulted in the disfranchisement of the vast majority of African-American voters in the South by the beginning of the Twentieth Century. It would not be until the 1960s and the “Second Reconstruction” that the federal government, and the Justice Department, would once again attempt to ensure the “free ballot and a fair count”.

One hundred and forty years after his assassination on April 14, 1865, Abraham
Lincoln towers more than ever above the landscape of American politics. In
myth and memory, he is always the Great Emancipator and savior of the Union,
second in stature only to George Washington.

But was Lincoln always so exalted?Was he, as some historians argue, a poor
President, deeply disliked, whose legacy was ennobled only by John Wilkes
Booth’s bullet?

In this fascinating book, a leading historian finally takes the full measure of
Lincoln’s reputation. Drawing on a remarkable range of primary documents—
speeches, newspaper accounts and editorials, private letters, memoirs, and
other sources—Hans L. Trefousse gives us the voices of Lincoln’s own time. From
North and South, at home and abroad, here are politicians and ordinary people,
soldiers and statesmen, abolitionists and slaveholders alike, in a rich chorus of
American opinion. The result is a masterly portrait of Lincoln the President in
the eyes of his fellow Americans.

One hundred and forty years after his assassination on April 14, 1865, Abraham
Lincoln towers more than ever above the landscape of American politics. In
myth and memory, he is always the Great Emancipator and savior of the Union,
second in stature only to George Washington.

But was Lincoln always so exalted?Was he, as some historians argue, a poor
President, deeply disliked, whose legacy was ennobled only by John Wilkes
Booth’s bullet?

In this fascinating book, a leading historian finally takes the full measure of
Lincoln’s reputation. Drawing on a remarkable range of primary documents—
speeches, newspaper accounts and editorials, private letters, memoirs, and
other sources—Hans L. Trefousse gives us the voices of Lincoln’s own time. From
North and South, at home and abroad, here are politicians and ordinary people,
soldiers and statesmen, abolitionists and slaveholders alike, in a rich chorus of
American opinion. The result is a masterly portrait of Lincoln the President in
the eyes of his fellow Americans.

Kurt Frank Korf’s story is one of the most unusual to come out of World War II. Although German-Americans were America’s largest ethnic group, and German-Americans—including thousands of native-born Germans—fought bravely in all theaters, there are few full first-person accounts by German- Americans of their experiences during the 1930s and 1940s.

Drawing on his correspondence and on oral histories and interviews with Korf, Patricia Kollander paints a fascinating portrait of a privileged young man forced to flee Nazi Germany in 1937 because the infamous Nuremburg Laws had relegated him to the status of “second-degree mixed breed” (Korf had one Jewish grandparent).

Settling in New York City, Korf became an FBI informant, watching pro-Nazi leaders like Fritz Kuhn and the German-American Bund as they moved among the city’s large German immigrant community. Soon after, he enlisted in the U.S. Army, serving in Germany as an intelligence officer during the Battle of the Bulge, and as a prisoner of war camp administrator. After the war, Korf stayed on as a U.S. government attorney in Berlin and Munich, working to hunt down war criminals, and lent his expertise in the effort to determine the authenticity of Joseph Goebbels’s diaries. Kurt Frank Korf died in 2000.

Kollander not only draws a detailed portrait of this unique figure; she also provides a rich context for exploring responses to Nazism in Germany, the German-American position before and during the war, the community’s later response to Nazism and its crimes, and the broader issues of ethnicity, religion, political ideology, and patriotism in 20th-century America.

Patricia Kollander is Associate Professor of History at Florida Atlantic University. She is the author of Frederick III: Germany’s Liberal Emperor. “I Must Be a Part of This War” is part of her ongoing research into the experiences of some fifteen thousand native-born Germans who served in the U.S. Army in World War II.

John O'Sullivan was Professor of History at Florida Atlantic University.

Republication on the twenty-fifth anniversary of “Pretends to Be Free” recognizes the signal importance of its sterling presentation of northern self-emancipation. Today, even more than a quarter-century ago, these fugitive slave notices are the best verbal snapshots of enslaved Americans before and during the American Revolution. Through these notices, readers can discover how enslaved blacks chose allegiance during our War for Independence.

Replete with a preface by Edward E. Baptist, the leading scholar of slavery and capitalism and director of a massive project aimed at digitalizing every escape notice, and with a new Introduction and teacher’s guide by Graham Hodges, this new edition makes this documentary study more relevant than ever.

Documents the life of a gifted African American leader whose contributions were pivotal to the movement for social justice and racial equality

Franklin Hall Williams was a visionary and trailblazer who devoted his life to the pursuit of civil rights—not through acrimony and violence and hatred but through reason and example. A Bridge to Justice sheds new light on this practical, pragmatic bridge-builder and brilliant, complex individual whose life reflected the opportunities and constraints of an intellectually elite Black man in the twentieth century.

Franklin H. Williams was considered a “bridge” figure, someone whose position outside the limelight allowed him to navigate both Black and white circles, span the more turbulent racial waters below, and persuade people to see the world in a new way. During his prolific lifetime, he was a civil rights leader, lawyer, diplomat, organizer of the Peace Corps, United Nations representative, foundation president, and associate of Thurgood Marshall on some of the seminal civil liberties cases of the past hundred years, though their relationship was so fraught with tension that Marshall had Williams sent to California. He worked in the Kennedy and Johnson administrations, served as a diplomat, and became an exceptionally persuasive advocate for civil rights. Even after enduring the segregated Army, suffering cruel discrimination, and barely escaping a murderous lynch mob eager to make him pay for zealously representing three innocent Black men falsely accused of rape, Franklin was not a hater. He believed that Americans, in general, were good people who were open to reason and, in their hearts, sympathetic to fairness and justice.

Dr. Enid Gort, an anthropologist and Africanist who conducted hundreds of hours of exclusive interviews with Williams, his family, friends, colleagues, and compatriots, and John M. Caher, a professional writer and legal journalist, have co-written an exhaustively researched and scrupulously documented account of this civil rights champion’s life and impact. His story is an object lesson to help this nation heal and advance through unity rather than tribalism.

This book is the first biography in 42 years of the priest and educator whom
historians have called “the most important anticommunist in the country.”
Edmund A. Walsh, as dean of Georgetown College and founder in 1919 of its
School of Foreign Service, is one of the most influential Catholic figures of the
20th century. Soon after the birth of the Bolshevik state, he directed the Papal
Relief Mission in the Soviet Union, starting a lifelong immersion in Soviet and
Communist affairs. He also established a Jesuit college in Baghdad, and served
as a consultant to the Nuremberg War Crimes Tribunal.
A pioneer in the new science of geopolitics, Walsh became one of Truman’s most
trusted advisers on Soviet strategy. He wrote four books, dozens of articles, and
gave thousands of speeches on the moral and political threat of Soviet Communism
in America. Although he died in 1956, Walsh left an indelible imprint on the
ideology and practical politics of Cold War Washington, moving easily outside the
traditional boundaries of American Catholic life and becoming, in the words of one
historian, “practically an institution by himself.” Few priests, indeed few Catholics,
played so large a role in shaping American foreign policy in the 20th century.

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

A Circular Journey collects for the first time in one book the essays that most powerfully define the unique gifts of one of America’s most distinctive voices.

These fifteen pieces, tracking some thirty years of a writer’s life, come together to illuminate the stages and themes and places that mark Helen Barolini’s art. Divided into three closely linked sections—“Home,” “Abroad,” “Return,”—the essays move through Barolini’s worlds. Her love of literature began when, as a child growing up as an avid reader in Syracuse, New York, she was presented with a diary and told to write in it. Returning to the heritage of her Italian immigrant grandparents, she moved to Italy as a young writer. There she lived for many years, becoming acquainted with the brightest of Italy’s literary lights. The accomplished poet, novelist, and critic she became now lives at home in two nurturing cultures, America and Italy both.

The essays are memoirs of her house on a street named for Henry James’s grandfather, tales of literary journeys from Taos to Taormina, and Paris to Rome, as the young bride of a poet from the Veneto and, later on, as a distinguished writer whose explorations of identity and dislocation took her back to Italian inspirations.
From a delightful account of a writing fellowship in an exquisite villa overlooking the Italian lakes to her first trip back to discover distant family roots in the hills of Calabria, Barolini moves lyrically through the generations of her life, giving form to the influences that shaped her art and her sense of self—as an American, a woman, and a gifted daughter of the two cultures she has so powerfully imagined.

Praise for Helen Barolini

“An impassioned and magnificent contribution to our knowledge of what it has meant and means still to be an ethnic American and woman . . . . a book of heroic recovery and affirmation.”—Alice Walker (on The Dream Book)

“Large in scope, in depth, and in the gift of narrative.”—Cynthia Ozick (on Umbertina)

For more than a century and a half—from the middle of the 19th century to the end of the 20th—the garment industry was the largest manufacturing industry in New York City, and New York made more clothes than anywhere else.

For generations, the industry employed more New Yorkers than any other and was central to the city’s history, culture, and identity. Today, although no longer the big heart of industrial New York, the needle trades are still an important part of the city’s economy—especially for the new waves of immigrants who cut, sew, and assemble clothing in shops around the five boroughs.

In this valuable book, historians, sociologists, and economists explore the rise and fall of the garment industry and its impact on New York and its people, as part of a global process of economic change. Essays trace the rise of the industry, from the creation of a Manhattan garment district employing immigrants from nearby enements to the contemporary spread of Chinese-owned shops in cheaper neighborhoods. The tumultuous
history of workers and their bosses is the focus of chapters on contractors and labor militants and on the experiences of Italian, Chinese, Jewish, Dominican, and other ethnic workers. The final chapter looks at air labor, social responsibility, and the political economy of the offshore garment industry.

For more than a century and a half—from the middle of the 19th century to the end of the 20th—the garment industry was the largest manufacturing industry in New York City, and New York made more clothes than anywhere else.

For generations, the industry employed more New Yorkers than any other and was central to the city’s history, culture, and identity. Today, although no longer the big heart of industrial New York, the needle trades are still an important part of the city’s economy—especially for the new waves of immigrants who cut, sew, and assemble clothing in shops around the five boroughs.

In this valuable book, historians, sociologists, and economists explore the rise and fall of the garment industry and its impact on New York and its people, as part of a global process of economic change. Essays trace the rise of the industry, from the creation of a Manhattan garment district employing immigrants from nearby enements to the contemporary spread of Chinese-owned shops in cheaper neighborhoods. The tumultuous
history of workers and their bosses is the focus of chapters on contractors and labor militants and on the experiences of Italian, Chinese, Jewish, Dominican, and other ethnic workers. The final chapter looks at air labor, social responsibility, and the political economy of the offshore garment industry.

Responding to how little theological research has been done on intellectual (as opposed to physical) disability, this book asks, on behalf of individuals with profound intellectual disabilities, what it means to be human. That question has traditionally been answered with an emphasis on an intellectual capacity—the ability to employ concepts or to make moral choices—and has ignored the value of individuals who lack such intellectual capacities.

The author suggests, rather, that human being be understood in terms of participation in relationships of mutual responsiveness, which includes but is not limited to intellectual forms of communicating.

She supports her argument by developing a phenomenology of how an individual with a profound intellectual disability relates, drawn from her clinical experience as a physical therapist. She thereby demonstrates that these individuals participate in relationships of mutual responsiveness, though in nonsymbolic, bodily ways.

To be human, to image God, she argues, is to respond to the world around us in any number of ways, bodily or symbolically. Such an understanding does not exclude people with intellectual disabilities but rather includes them among those who participate in the image of God.

Responding to how little theological research has been done on intellectual (as opposed to physical) disability, this book asks, on behalf of individuals with profound intellectual disabilities, what it means to be human. That question has traditionally been answered with an emphasis on an intellectual capacity—the ability to employ concepts or to make moral choices—and has ignored the value of individuals who lack such intellectual capacities.

The author suggests, rather, that human being be understood in terms of participation in relationships of mutual responsiveness, which includes but is not limited to intellectual forms of communicating.

She supports her argument by developing a phenomenology of how an individual with a profound intellectual disability relates, drawn from her clinical experience as a physical therapist. She thereby demonstrates that these individuals participate in relationships of mutual responsiveness, though in nonsymbolic, bodily ways.

To be human, to image God, she argues, is to respond to the world around us in any number of ways, bodily or symbolically. Such an understanding does not exclude people with intellectual disabilities but rather includes them among those who participate in the image of God.

A testament to the resilience and determination of Black North Carolinians to achieve educational equality

This book examines the educational experiences of Black North Carolinians during the American Civil War and Reconstruction period, 1861–1877. By highlighting the collaborative efforts that led to the growing network of schools for the formerly enslaved people, it argues that schooling the Freedpeople was a contested terrain, fraught with conflicting visions of Black freedom and the role education should play. Although Black men and women emerged as the driving force behind the educational endeavors of this period, their work was facilitated by Northern aid and mission­ary societies, the federally-mandated Freedmen’s Bureau, and over 1,400 teachers from various regional and racial backgrounds. Yet the educational landscape was far from uniform, and the individuals and organizations involved had their distinct visions regarding the nature and purpose of Freedpeople’s education.

Through the use of qualitative and quantitative research methods, this book offers new insights into the reasons why Black and white Northerners and Southerners elected to become teachers. By examining their diverse motivations and experiences, it argues that attitudes toward Freedpeople’s education were complex and fluid, defying neat characterization.

Despite mounting obstacles and opposition to their work, Black North Carolinians’ unrelenting quest for education ultimately gave rise to free public schooling for both races, the professionaliza­tion of Black teachers, and an extensive network of Historically Black Colleges and Universities.

A testament to the resilience and determination of Black North Carolinians to achieve educational equality

This book examines the educational experiences of Black North Carolinians during the American Civil War and Reconstruction period, 1861–1877. By highlighting the collaborative efforts that led to the growing network of schools for the formerly enslaved people, it argues that schooling the Freedpeople was a contested terrain, fraught with conflicting visions of Black freedom and the role education should play. Although Black men and women emerged as the driving force behind the educational endeavors of this period, their work was facilitated by Northern aid and mission­ary societies, the federally-mandated Freedmen’s Bureau, and over 1,400 teachers from various regional and racial backgrounds. Yet the educational landscape was far from uniform, and the individuals and organizations involved had their distinct visions regarding the nature and purpose of Freedpeople’s education.

Through the use of qualitative and quantitative research methods, this book offers new insights into the reasons why Black and white Northerners and Southerners elected to become teachers. By examining their diverse motivations and experiences, it argues that attitudes toward Freedpeople’s education were complex and fluid, defying neat characterization.

Despite mounting obstacles and opposition to their work, Black North Carolinians’ unrelenting quest for education ultimately gave rise to free public schooling for both races, the professionaliza­tion of Black teachers, and an extensive network of Historically Black Colleges and Universities.

This long-awaited book is the first English-language edition of.Simon’s first book, Critique de la connaissance morale (1934). Not only does this work clarify the first stages of Simon’s intellectual career, it is also a major contribution to moral philosophy.

A Critique of Moral Knowledge addresses fundamental issues. How does moral knowledge differ from other practical knowledge? What is the relationship between the moral sense, moral philosophy, and cognition in action? Is politics moral philosophy or simply a neutral technique? This elegant translation will be an important contribution to the conversation on philosophy, politics, religion, and ethics.

This long-awaited book is the first English-language edition of.Simon’s first book, Critique de la connaissance morale (1934). Not only does this work clarify the first stages of Simon’s intellectual career, it is also a major contribution to moral philosophy.

A Critique of Moral Knowledge addresses fundamental issues. How does moral knowledge differ from other practical knowledge? What is the relationship between the moral sense, moral philosophy, and cognition in action? Is politics moral philosophy or simply a neutral technique? This elegant translation will be an important contribution to the conversation on philosophy, politics, religion, and ethics.

This work tells a story about the sea, an American colonial town, and the British. It relates how Newport's dependence on the Atlantic Ocean dominated nearly every aspect of its existence. Newport learned early from its watery surroundings that its survival and prosperity were inextricably linked to commerce. Dependent on a thriving trade, Newporters were willing to explore and combination of routes which suggested a successful return in voyage and investment.

Newport's single-minded commitment to commerce produced a society in which people were also dependent on each other. Merchant and dockworker, sailmaker and rope-walk owner developed symbiotic relationships as a result of their common efforts to ensure the success of each voyage. Dependency also extended to social networks where the affluent took responsibility for other members of the community.

Because of their dependence on unobstructed trade, Newporters had evaded British customs for generations, using methods which cast some doubt on their commitment to the law. Thus, when it became clear in 1764 that Britain would go to great lengths to enforce new duties, the stage was set for confrontation. In the end, events outstripped the ability of Newport to chart its own course as the violence escalated. The Revolution prematurely ended Newport's golden age and destroyed the town both physically and spiritually. A dependent people had gained independence but at a cost only a few could foresee.

Critics of American exceptionalism usually view it as a destructive force eroding the radical energies of social movements and aesthetic practices. In A Desire Called America, Christian P. Haines confronts a troubling paradox: Some of the most provocative political projects in the United States are remarkably invested in American exceptionalism. Riding a strange current of U.S. literature that draws on American exceptionalism only to overturn it in the name of utopian desire, Haines reveals a tradition of viewing the United States as a unique and exemplary political model while rejecting exceptionalism’s commitments to nationalism, capitalism, and individualism. Through Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon, Haines brings to light a radically different version of the American dream—one in which political subjects value an organization of social life that includes democratic self-governance, egalitarian cooperation, and communal property.

A Desire Called America brings utopian studies and the critical discourse of biopolitics to bear upon each other, suggesting that utopia might be less another place than our best hope for confronting authoritarianism, neoliberalism, and a resurgent exclusionary nationalism.

Critics of American exceptionalism usually view it as a destructive force eroding the radical energies of social movements and aesthetic practices. In A Desire Called America, Christian P. Haines confronts a troubling paradox: Some of the most provocative political projects in the United States are remarkably invested in American exceptionalism. Riding a strange current of U.S. literature that draws on American exceptionalism only to overturn it in the name of utopian desire, Haines reveals a tradition of viewing the United States as a unique and exemplary political model while rejecting exceptionalism’s commitments to nationalism, capitalism, and individualism. Through Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon, Haines brings to light a radically different version of the American dream—one in which political subjects value an organization of social life that includes democratic self-governance, egalitarian cooperation, and communal property.

A Desire Called America brings utopian studies and the critical discourse of biopolitics to bear upon each other, suggesting that utopia might be less another place than our best hope for confronting authoritarianism, neoliberalism, and a resurgent exclusionary nationalism.

Shakespeare’s two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term “embarrassment” didn’t enter the language until the late seventeenth century.

To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. “To embarrass” is literally to “embar”: to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled.

The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: “I saw Othello’s visage in his mind” (1.3.253). This suggests, among other things, that she didn’t see it in his face.

Shakespeare’s two Venetian plays are dominated by the discourse of embarrassment. The Merchant of Venice is a comedy of embarrassment, and Othello is a tragedy of embarrassment. This nomenclature is admittedly anachronistic, because the term “embarrassment” didn’t enter the language until the late seventeenth century.

To embarrass is to make someone feel awkward or uncomfortable, humiliated or ashamed. Such feelings may respond to specific acts of criticism, blame, or accusation. “To embarrass” is literally to “embar”: to put up a barrier or deny access. The bar of embarrassment may be raised by unpleasant experiences. It may also be raised when people are denied access to things, persons, and states of being they desire or to which they feel entitled.

The Venetian plays represent embarrassment not merely as a condition but as a weapon and as the wound the weapon inflicts. Characters in The Merchant of Venice and Othello devote their energies to embarrassing one another. But even when the weapon is sheathed, it makes its presence felt, as when Desdemona means to praise Othello and express her love for him: “I saw Othello’s visage in his mind” (1.3.253). This suggests, among other things, that she didn’t see it in his face.

No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography.

A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge.

A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.

No matter when or where one starts telling the story of the battle of al-Qasr al-Kabir (August 4, 1578), the precipitating event for the formation of the Iberian Union, one always stumbles across dead bodies—rotting in the sun on abandoned battlefields, publicly displayed in marketplaces, exhumed and transported for political uses. A Grammar of the Corpse: Necroepistemology in the Early Modern Mediterranean proposes an approach to understanding how dead bodies anchored the construction of knowledge within early modern Mediterranean historiography.

A Grammar of the Corpse argues that the presence of the corpse in historical narrative is not incidental. It fills a central gap in testimonial narrative: providing tangible evidence of the narrator’s reliability while provoking an affective response in the audience. The use of corpses as a source of narrative authority mobilizes what cultural historians, philosophers, and social anthropologists have pointed to as the latent power of the dead for generating social and political meaning and knowledge. A Grammar of the Corpse analyzes the literary, semiotic, and epistemological function these bodies serve within text and through language. It finds that corpses are indexically present and yet disturbingly absent, a tension that informs their fraught relationship to their narrators’ own bodies and makes them useful but subversive tools of communication and knowledge.

A Grammar of the Corpse complements recent work in medieval and early modern Iberian and Mediterranean studies to account for the confessional, ethnic, linguistic, and political diversity of the region. By reading Arabic texts alongside Portuguese and Spanish accounts of this key event, the book responds to the fundamental provocation of Mediterranean studies to work beyond the linguistic limitations of modern national boundaries.

This extensive and unique collection, consisting of over 180 letters and hundreds of drawings, covers Reed's period of service (1862-65) and provides the modern reader a wealth of information on the role of the Union army in the eastern theater, the events in the life of the Civil War soldier, and the war in general.

A native of Boston, Reed served as bugler of the Ninth Massachusetts Battery, whose desperate holding action at Gettysburg ranks as one the most heroic actions of the war. During this battle Reed performed a deed of selfless bravery by saving his wounded captain from between the lines, an act for which he was later awarded the Medal of Honor. In addition to Gettysburg, Reed saw action in nearly all of the battles in the East from 1862 to 1865, including Bristoe Station, Mine Run, the Wilderness, Spotsylvania, North Ana, Bethesda Church, Cold Harbor, and the siege of Petersburg.

Reed's letters chronicle events, from the most common to the extraordinary, with simple yet thoughtful eloquence. His drawings capture a wide variety of events to which he was not only an eyewitness but also a participant. His talent was considered equal to that of leading newspaper artists of his day, and his drawings were used to illustrate a best-selling Civil War book, Hardtack and Coffee (1887). We are fortunate that Reed's writings and drawings have been preserved, and can be presented here in a single volume.

The poems in Jennifer Atkinson’s A Gray Realm the Ocean were all written under the influence of art-specifically twenty-and twenty-first-century abstract visual art. All the art referenced in the poems was done by women. Although many of these painters, sculptors, performance artists, ceramicists, and fabric artists have earned international reputations, albeit late in their lives or even after their deaths, most have only recently been given the notice and gallery space they deserve.

Composed in response to the artists’ multiplicity of forms, styles, modes, and moods, the poems are variously experimental. Drunk on color and language, line and lines, they don’t so much describe the art as revel in it. No patriarchal anxiety here—the poet actively seeks to join in conversation with the artists, listening closely and seeking their influence. She ponders, interrogates, and celebrates the work, taking each artist on her own term—respecting the achieved calm of Agnes Martin’s “Night Sea” and the flare and smolder of Ana Mendieta’s “earth-body” work, the lyric voluptuousness of Joan Mitchell and the intellectual geometries of Carmen Herrera, the arrested explosions of Cornelia Parker and Ruth Asawa’s cool embodiments of shadow, the sun-drenched reveries of Emmi Whitehorse and Pat Steir’s un-skied star falls. Yet A Gray Realm the Ocean not only seeks to honor these artists—their work, their courage, and their curiosity. Taken together, the collection is also a meditation on looking—conscious, attentive looking—and the mysterious nature of abstraction.

A Great Sacrifice is an in-depth analysis of the effects of the Civil War on northern black families carried out using letters from northern black women—mothers, wives, sisters, and female family friends—addressed to a number of Union military officials.

Collectively, the letters give a voice to the black family members left on the northern homefront. Through their explanations and requests, readers obtain a greater apprehension of the struggles African American families faced during the war, and their conditions as the war progressed. The original letters that were received by government agencies, as well as many of the copies of the letters sent in response, are held by the National Archives in Washington, D.C.

This study is unique because it examines the effects of the war specifically on northern black families. Most other studies on African Americans during the Civil War focused almost exclusively on the soldiers.

A Great Sacrifice is an in-depth analysis of the effects of the Civil War on northern black families carried out using letters from northern black women—mothers, wives, sisters, and female family friends—addressed to a number of Union military officials.

Collectively, the letters give a voice to the black family members left on the northern homefront. Through their explanations and requests, readers obtain a greater apprehension of the struggles African American families faced during the war, and their conditions as the war progressed. The original letters that were received by government agencies, as well as many of the copies of the letters sent in response, are held by the National Archives in Washington, D.C.

This study is unique because it examines the effects of the war specifically on northern black families. Most other studies on African Americans during the Civil War focused almost exclusively on the soldiers.

A History of the Negro Troops in the War of the Rebellion, 1861–1865 (originally published in 1888) by pioneer African American historian George Washington Williams remains a classic text in African American literature and Civil War history. In this powerful narrative, Williams, who served in the U.S. Colored Troops, tells the battle experiences of the almost 200,000 black men who fought for the Union cause. Determined to document the contributions of his fellow black soldiers and to underscore the valor and manhood of his race, Williams gathered his material from the official records of U.S. and foreign governments and from the orderly books and personal recollections of officers commanding Negro troops during the American Civil War.

The new edition of this important text includes an introductory essay by the award-winning historian John David Smith. In his essay, Smith narrates and evaluates the book’s contents, analyzes its reception by contemporary critics, and evaluates Williams’s work within the context of its day and its place in current historiography.

A clear and concise A-to-Z of keywords that echo our current human rights crisis

As millions are forced to leave their nations of origin as a result of political, economic, and environmental peril, rising racism and xenophobia have led to increasingly harsh policies. A mass-mediated political circus obscures both histories of migration and longstanding definitions of words for people on the move, fomenting widespread linguistic confusion. Under this circus tent, there is no regard for history, legal advocacy, or jurisprudence. Yet in a world where the differences between “undocumented migrant” and “asylum seeker” can mean life or death, words have weighty consequences.

A timely antidote to this circus, A is for Asylum Seeker reframes key words that describe people on the move. Written to correct the de-meaning of terms by rhetoric and policies based on dehumanization and profitable incarceration, this glossary provides an intersectional and historically grounded consideration of the words deployed in enflamed debate. Skipping some letters of the alphabet while repeating others, thirty terms cover everything from Asylum-seeker to Zero Tolerance Policy. Each entry begins with a contemporary or historical story for illustration and then proceeds to discuss the language politics of the word. The book balances terms affected by current political debates—such as “migrant,” “refugee,” and “illegal alien”—and terms that offer historical context to these controversies, such as “fugitive,” “unhoused,” and “vagrant.”

Rendered in both English and Spanish, this book offers a unique perspective on the journeys, histories, challenges, and aspirations of people on the move. Enhancing the book’s utility as an educational and organizing resource, the author provides a list of works for further reading as well as a directory of immigration-advocacy organizations throughout the United States.

*****
Un claro y breve abecedario de palabras clave que hacen eco en nuestra crisis humanitaria presente.

Mientras millones son forzados de huir de sus naciones de origen debido a peligro político, económico, y ecológico, racismo y xenofobia han llevado a políticas más y más severas. Un circo político en los medios oculta a ambas las historias de inmigración y las definiciones antiguas de palabras para personas en movimiento, creando confusión lingüística amplia. Bajo esta carpa de circo, no hay consideración para historia, defensa legal, o jurisprudencia. Pero en un mundo donde las diferencias entre “migrante indocumentade” y “solicitante de asilo” pueden ser la diferencia entre vida y muerte, palabras tienen consecuencias graves.

Un antídoto oportuno a este circo, A de Asilo re-enmarca palabras claves que describen a personas en movimiento. Escrito para corregir la de-significación de términos por retórica y políticas basadas en deshumanización y encarcelación lucrosa, este glosario provee una consideración interseccional e histórica de las palabras usadas en debate inflamado. Brincando a unas letras del alfabeto mientras repite a otras, treinta términos cubren todo desde Asilo a Tolerancia Cero. Cada artículo empieza con una historia contemporánea u histórica para ilustrar, y después discute la política alrededor de la palabra. El libro balancea términos impactados por debates políticos contemporáneos—como “migrante,” “refugiado” y “extranjero ilegal”—y términos que ofrecen contexto histórico a estas controversias, como “fugitivo” “sin casa” y “vagante.”

Escrito en inglés y español, este libro ofrece una perspectiva única en las jornadas, historias, retos, y aspiraciones de personas en movimiento. Aumentando la utilidad del libro como un recurso educacional y organizacional, la autora provee una lista de obras para más lectura, igual que un directorio de organizaciones de defensa de inmigrantes a través de los Estados Unidos.

A clear and concise A-to-Z of keywords that echo our current human rights crisis

As millions are forced to leave their nations of origin as a result of political, economic, and environmental peril, rising racism and xenophobia have led to increasingly harsh policies. A mass-mediated political circus obscures both histories of migration and longstanding definitions of words for people on the move, fomenting widespread linguistic confusion. Under this circus tent, there is no regard for history, legal advocacy, or jurisprudence. Yet in a world where the differences between “undocumented migrant” and “asylum seeker” can mean life or death, words have weighty consequences.

A timely antidote to this circus, A is for Asylum Seeker reframes key words that describe people on the move. Written to correct the de-meaning of terms by rhetoric and policies based on dehumanization and profitable incarceration, this glossary provides an intersectional and historically grounded consideration of the words deployed in enflamed debate. Skipping some letters of the alphabet while repeating others, thirty terms cover everything from Asylum-seeker to Zero Tolerance Policy. Each entry begins with a contemporary or historical story for illustration and then proceeds to discuss the language politics of the word. The book balances terms affected by current political debates—such as “migrant,” “refugee,” and “illegal alien”—and terms that offer historical context to these controversies, such as “fugitive,” “unhoused,” and “vagrant.”

Rendered in both English and Spanish, this book offers a unique perspective on the journeys, histories, challenges, and aspirations of people on the move. Enhancing the book’s utility as an educational and organizing resource, the author provides a list of works for further reading as well as a directory of immigration-advocacy organizations throughout the United States.

*****
Un claro y breve abecedario de palabras clave que hacen eco en nuestra crisis humanitaria presente.

Mientras millones son forzados de huir de sus naciones de origen debido a peligro político, económico, y ecológico, racismo y xenofobia han llevado a políticas más y más severas. Un circo político en los medios oculta a ambas las historias de inmigración y las definiciones antiguas de palabras para personas en movimiento, creando confusión lingüística amplia. Bajo esta carpa de circo, no hay consideración para historia, defensa legal, o jurisprudencia. Pero en un mundo donde las diferencias entre “migrante indocumentade” y “solicitante de asilo” pueden ser la diferencia entre vida y muerte, palabras tienen consecuencias graves.

Un antídoto oportuno a este circo, A de Asilo re-enmarca palabras claves que describen a personas en movimiento. Escrito para corregir la de-significación de términos por retórica y políticas basadas en deshumanización y encarcelación lucrosa, este glosario provee una consideración interseccional e histórica de las palabras usadas en debate inflamado. Brincando a unas letras del alfabeto mientras repite a otras, treinta términos cubren todo desde Asilo a Tolerancia Cero. Cada artículo empieza con una historia contemporánea u histórica para ilustrar, y después discute la política alrededor de la palabra. El libro balancea términos impactados por debates políticos contemporáneos—como “migrante,” “refugiado” y “extranjero ilegal”—y términos que ofrecen contexto histórico a estas controversias, como “fugitivo” “sin casa” y “vagante.”

Escrito en inglés y español, este libro ofrece una perspectiva única en las jornadas, historias, retos, y aspiraciones de personas en movimiento. Aumentando la utilidad del libro como un recurso educacional y organizacional, la autora provee una lista de obras para más lectura, igual que un directorio de organizaciones de defensa de inmigrantes a través de los Estados Unidos.

Focusing on major authors and problems from the Italian fourteenth and sixteenth centuries, from Petrarch and Boccaccio to Machiavelli, Ariosto and Tasso, A Local Habitation and a Name examines the unstable dialectic of “reality” and “imagination,” as well as of “history” and “literature.” Albert Ascoli identifies and interprets the ways in which literary texts are shaped by and serve the purposes of multiple, intertwined historical discourses and circumstances, and he equally probes the function of such texts in constructing, interpreting, critiquing, and effacing the histories in which they are embedded. Throughout, he poses the theoretical and methodological question of how formal analysis and literary forms can at once resist and further the historicist enterprise.

Along the way Ascoli interrogates the mechanisms of historical periodization that have governed for so long our study of what is sometimes called the “Renaissance,” sometimes the early modern period. He also addresses the period’s own unstable version of the literature/history opposition, the place of gendered discourse in the construction of historical narratives (and vice versa), the elaborate formal strategies by which poets and intellectuals negotiate their relations to power, and, finally, the way in which proper names (of authors, works, and exemplary characters) serve as points of negotiation between individual identity and social order in the Renaissance.

The book brings to culmination two decades of a major scholar’s thinking about some of the most important figures and questions that shaped the Renaissance, with emphasis on the question of history, both the historical context of literature and the writing of literary history.

Focusing on major authors and problems from the Italian fourteenth and sixteenth centuries, from Petrarch and Boccaccio to Machiavelli, Ariosto and Tasso, A Local Habitation and a Name examines the unstable dialectic of “reality” and “imagination,” as well as of “history” and “literature.” Albert Ascoli identifies and interprets the ways in which literary texts are shaped by and serve the purposes of multiple, intertwined historical discourses and circumstances, and he equally probes the function of such texts in constructing, interpreting, critiquing, and effacing the histories in which they are embedded. Throughout, he poses the theoretical and methodological question of how formal analysis and literary forms can at once resist and further the historicist enterprise.

Along the way Ascoli interrogates the mechanisms of historical periodization that have governed for so long our study of what is sometimes called the “Renaissance,” sometimes the early modern period. He also addresses the period’s own unstable version of the literature/history opposition, the place of gendered discourse in the construction of historical narratives (and vice versa), the elaborate formal strategies by which poets and intellectuals negotiate their relations to power, and, finally, the way in which proper names (of authors, works, and exemplary characters) serve as points of negotiation between individual identity and social order in the Renaissance.

The book brings to culmination two decades of a major scholar’s thinking about some of the most important figures and questions that shaped the Renaissance, with emphasis on the question of history, both the historical context of literature and the writing of literary history.

Experience the powerful legacy of Philip Berrigan’s nonviolent resistance to war and empire

From the battlefields of World War II to the front lines of peace activism, Philip Berrigan evolved from soldier to scholar, priest to political prisoner. Confronting the fundamental nature of America’s military-focused culture, Berrigan took an unyielding stance against societal evils—war, systemic racism, unchecked materialism, and the baleful presence of nuclear weapons. Imprisoned by his government and ostracized by his Church, Berrigan’s life is a courageous example of nonviolent resistance and liberation in the face of overwhelming odds.

A Ministry of Risk is the definitive collection of Philip Berrigan’s writings. Authorized by the Berrigan family and arranged chronologically, these writings depict the transformation of one revolu­tionary soul while also providing a firsthand account of a nation grappling with its martial obsessions.

Threading the vibrant fabric of history with autobiographical insights, introspective theology, and a clarion call to activism, A Ministry of Risk offers both a living manifesto of nonviolent resistance and a journal of spiritual reflection by one of the 20th century’s most prophetic voices.

Experience the powerful legacy of Philip Berrigan’s nonviolent resistance to war and empire

From the battlefields of World War II to the front lines of peace activism, Philip Berrigan evolved from soldier to scholar, priest to political prisoner. Confronting the fundamental nature of America’s military-focused culture, Berrigan took an unyielding stance against societal evils—war, systemic racism, unchecked materialism, and the baleful presence of nuclear weapons. Imprisoned by his government and ostracized by his Church, Berrigan’s life is a courageous example of nonviolent resistance and liberation in the face of overwhelming odds.

A Ministry of Risk is the definitive collection of Philip Berrigan’s writings. Authorized by the Berrigan family and arranged chronologically, these writings depict the transformation of one revolu­tionary soul while also providing a firsthand account of a nation grappling with its martial obsessions.

Threading the vibrant fabric of history with autobiographical insights, introspective theology, and a clarion call to activism, A Ministry of Risk offers both a living manifesto of nonviolent resistance and a journal of spiritual reflection by one of the 20th century’s most prophetic voices.

Angelo Tasca, a pivotal figure in 20th-century Italian political history, and indeed European history, is frequently overshadowed by his Fascist opponent Mussolini or his Socialist and Communist colleagues (Gramsci and Togliatti). Yet, as Emanuel Rota reveals in this captivating biography, Tasca—also known as Serra, A. Rossi, André Leroux, and XX—was in fact a key political player in the first half of the 20th century and an ill-fated representative of the age of political extremes he helped to create. In A Pact with Vichy, readers meet the Italian intellect and politician with fresh eyes as the author demystifies Tasca’s seemingly bizarre trajectory from revolutionary Socialist to Communist to supporter of the Vichy regime. Rota demonstrates how Tasca, an indefatigable cultural operator and Socialist militant, tried all his life to maintain his commitment to scientific analysis in the face of the rise of Fascism and Stalinism, but his struggle ended in a personal and political defeat that seemed to contradict all his life when he lent his support to the Vichy government.

Through Tasca’s complex life, A Pact with Vichy vividly reconstructs and elucidates the even more complex networks and debates that animated the Italian and French Left in the first half of the 20th century. After his expulsion from the Italian Communist Party as a result of his refusal to conform to Stalinism, Tasca reinvented his life in Paris, where he participated in the intense political debates of the 1930s. Rota explores how Tasca’s political choices were motivated by the desperate attempt to find an alternative between Nazism and Stalinism, even when this alternative had the ambiguous borders of Vichy’s collaborationist regime. A Pact with Vichy uncovers how Tasca’s betrayal of his own ideal was tragically the result of his commitment to political realism in the brief age of triumphant Fascism.

This riveting, perceptive biography offers readers a privileged window into one of the 20th century’s most intriguing yet elusive characters. It is a must-read for history buffs, students, and scholars alike.

Angelo Tasca, a pivotal figure in 20th-century Italian political history, and indeed European history, is frequently overshadowed by his Fascist opponent Mussolini or his Socialist and Communist colleagues (Gramsci and Togliatti). Yet, as Emanuel Rota reveals in this captivating biography, Tasca—also known as Serra, A. Rossi, André Leroux, and XX—was in fact a key political player in the first half of the 20th century and an ill-fated representative of the age of political extremes he helped to create. In A Pact with Vichy, readers meet the Italian intellect and politician with fresh eyes as the author demystifies Tasca’s seemingly bizarre trajectory from revolutionary Socialist to Communist to supporter of the Vichy regime. Rota demonstrates how Tasca, an indefatigable cultural operator and Socialist militant, tried all his life to maintain his commitment to scientific analysis in the face of the rise of Fascism and Stalinism, but his struggle ended in a personal and political defeat that seemed to contradict all his life when he lent his support to the Vichy government.

Through Tasca’s complex life, A Pact with Vichy vividly reconstructs and elucidates the even more complex networks and debates that animated the Italian and French Left in the first half of the 20th century. After his expulsion from the Italian Communist Party as a result of his refusal to conform to Stalinism, Tasca reinvented his life in Paris, where he participated in the intense political debates of the 1930s. Rota explores how Tasca’s political choices were motivated by the desperate attempt to find an alternative between Nazism and Stalinism, even when this alternative had the ambiguous borders of Vichy’s collaborationist regime. A Pact with Vichy uncovers how Tasca’s betrayal of his own ideal was tragically the result of his commitment to political realism in the brief age of triumphant Fascism.

This riveting, perceptive biography offers readers a privileged window into one of the 20th century’s most intriguing yet elusive characters. It is a must-read for history buffs, students, and scholars alike.

Paul Ricoeur's entire philosophical project narrates a "passion for the possible" expressed in the hope that in spite of death, closure, and sedimentation, life is opened by superabundance, by how the world gives us much more than is possible. Ricoeur's philosophical anthropology is a phenomenology of human capacity, which gives onto the groundless ground of human being, namely, God. Thus the story of the capable man, beginning with original goodness held captive by a servile will and ending with the possibility of liberation and regeneration of the heart, underpins his passion for the more than possible.

The essays in this volume trace the fluid movement between phenomenological and religious descriptions of the capable self that emerges across Ricoeur's oeuvre and establish points of connection for future developments that might draw inspiration from this body of thought.

Paul Ricoeur's entire philosophical project narrates a "passion for the possible" expressed in the hope that in spite of death, closure, and sedimentation, life is opened by superabundance, by how the world gives us much more than is possible. Ricoeur's philosophical anthropology is a phenomenology of human capacity, which gives onto the groundless ground of human being, namely, God. Thus the story of the capable man, beginning with original goodness held captive by a servile will and ending with the possibility of liberation and regeneration of the heart, underpins his passion for the more than possible.

The essays in this volume trace the fluid movement between phenomenological and religious descriptions of the capable self that emerges across Ricoeur's oeuvre and establish points of connection for future developments that might draw inspiration from this body of thought.

"Invaluable…many insights into the life and thought of the nineteenth century…. [Fisher's] comments are stimulating, often barbed….the narrative is smooth-flowing and fascinating."-American Historical Review

"An important literary event….an invaluable historical source. Unexcelled."
-Pennsylvania History

"Fisher was an astute and acerbic commentator on politics and society in Philadelphia, Washington, and the country as a whole during the Civil War. While legal, historical, and literary scholars will mine this diary for its penetrating insights, lovers of history will delight in Fisher's ability to record the quotidian and the monumental with clarity, force, and lasting effect."-Herman Belz, University of Maryland

"An indispensable source for the Northern home front during the Civil War."-Mark E. Neely, Jr., The Pennsylvania State University

An aristocratic member of a prominent Philadelphia family, Sidney George Fisher (1809-1871) was a prolific man of letters. Between 1834 and 1871, he kept a detailed diary that chronicled not only daily life in America's second city but also the key political, social, and cultural events of the nineteenth century. Published in 1967, Fisher's diary quickly became one of the most remarkable works of its kind; few published diaries are as incisive and illuminating of their era.

This book makes available once again the pages of Fisher's diary written during the Civil War. As he wrote on November 9, 1861, "My diary has become little else than a record of the events of the war, which occupies all thoughts and conversation." His "record of the events" is a uniquely valuable portrait of a city, and a nation, at war. Fisher recorded everything from conversations on street corners to arrests of civilians for treason (including some members of his family), critiques of partisan speeches and pamphlets to descriptions of battles, accounts of runaway slaves, and tales of mob violence. At the same time, he reports on dinners, parties, weddings, and funerals among the city's elite.

Brilliant journalism, the Diary is rich with Fisher's own observations- on secession, war and peace, on his admiration for Lincoln and his complicated feelings about slavery and emancipation.
The Diary, with a new introduction by Jonathan W. White, joins those of George Templeton Strong and Mary Boykin Chesnut as classic windows on American life
During the War Between the States.

Jonathan W. White's articles on Civil War politics have appeared in such journals as Civil War History, American Nineteenth Century History, The Pennsylvania Magazine of History and Biography, and Pennsylvania History. Awarded a John T. Hubbell prize for the best article in Civil War History, he is a doctoral candidate in history at the University of Maryland, College Park.

Cover illustrations:

Cover design by

Fordham University Press
New York
www.fordhampress.com

"Invaluable…many insights into the life and thought of the nineteenth century…. [Fisher's] comments are stimulating, often barbed….the narrative is smooth-flowing and fascinating."-American Historical Review

"An important literary event….an invaluable historical source. Unexcelled."
-Pennsylvania History

"Fisher was an astute and acerbic commentator on politics and society in Philadelphia, Washington, and the country as a whole during the Civil War. While legal, historical, and literary scholars will mine this diary for its penetrating insights, lovers of history will delight in Fisher's ability to record the quotidian and the monumental with clarity, force, and lasting effect."-Herman Belz, University of Maryland

"An indispensable source for the Northern home front during the Civil War."-Mark E. Neely, Jr., The Pennsylvania State University

An aristocratic member of a prominent Philadelphia family, Sidney George Fisher (1809-1871) was a prolific man of letters. Between 1834 and 1871, he kept a detailed diary that chronicled not only daily life in America's second city but also the key political, social, and cultural events of the nineteenth century. Published in 1967, Fisher's diary quickly became one of the most remarkable works of its kind; few published diaries are as incisive and illuminating of their era.

This book makes available once again the pages of Fisher's diary written during the Civil War. As he wrote on November 9, 1861, "My diary has become little else than a record of the events of the war, which occupies all thoughts and conversation." His "record of the events" is a uniquely valuable portrait of a city, and a nation, at war. Fisher recorded everything from conversations on street corners to arrests of civilians for treason (including some members of his family), critiques of partisan speeches and pamphlets to descriptions of battles, accounts of runaway slaves, and tales of mob violence. At the same time, he reports on dinners, parties, weddings, and funerals among the city's elite.

Brilliant journalism, the Diary is rich with Fisher's own observations- on secession, war and peace, on his admiration for Lincoln and his complicated feelings about slavery and emancipation.
The Diary, with a new introduction by Jonathan W. White, joins those of George Templeton Strong and Mary Boykin Chesnut as classic windows on American life
During the War Between the States.

Jonathan W. White's articles on Civil War politics have appeared in such journals as Civil War History, American Nineteenth Century History, The Pennsylvania Magazine of History and Biography, and Pennsylvania History. Awarded a John T. Hubbell prize for the best article in Civil War History, he is a doctoral candidate in history at the University of Maryland, College Park.

Cover illustrations:

Cover design by

Fordham University Press
New York
www.fordhampress.com

Josef Pieper was one of this century’s most influential thinkers. A leading Catholic philosopher, he won a wide audience through such books as The Four Cardinal Virtues and About Love.

This book is one of few extended studies of Pieper’s thought—in particular, of the concept of hope. Pieper was one of the first modern philosophers to explore the idea of hope, and Schumacher discusses his development alongside contributions by Sartre, Jaspers, Marcel, Heidegger, Bloch, and other thinkers. He examines Pieper’s treatment of hope as an aspect of individual potential and as an historical force, exploring such themes as dignity, ethics, the good, and the just.

Exploring the silence of prayer in Post-Kantian philosophy and traditional spirituality

A Philosophy of Prayer explores prayer within the perspective of post-Kantian philosophy. Against a background of traditional sources, including Augustine, The Cloud of Unknowing, and the seventeenth-century French school of spirituality, the book uses Schleiermacher, Kierkegaard, Dostoevsky, Heidegger, Berdyaev, Tillich, Marcel, Simone Weil, Emmanuel Levinas, and Jean- Louis Chrétien to provide an interpretation of what is meant by the passivity and self-annihilation of the praying self, suggesting an “apophatics of the personality.”

Pattison pays particular attention to the question of language and the implications of the role given to silence in traditional texts, arguing that language remains a defining element of the human–God relationship and that silence is not to be construed as the negation of language but as the revelation of the depth of language itself. The basic structure of prayer is shown to be implicitly eschatological, oriented toward a coming kingdom of justice and peace while, at the same time, expressing a deep desire for ontological homecoming, a tension manifest in, respectively, Levinas and Heidegger. On Pattison’s reading, prayer calls for and develops a particular orientation of the self toward existence, corresponding to the virtue of humility, long understood as the basic Christian virtue. This is shown to be in tension with modernity’s commitment to strong versions of autonomy. However, the choice of humility is not presented as the reinstatement of religious heteronomy but as a free choice of the praying self.

Exploring the silence of prayer in Post-Kantian philosophy and traditional spirituality

A Philosophy of Prayer explores prayer within the perspective of post-Kantian philosophy. Against a background of traditional sources, including Augustine, The Cloud of Unknowing, and the seventeenth-century French school of spirituality, the book uses Schleiermacher, Kierkegaard, Dostoevsky, Heidegger, Berdyaev, Tillich, Marcel, Simone Weil, Emmanuel Levinas, and Jean- Louis Chrétien to provide an interpretation of what is meant by the passivity and self-annihilation of the praying self, suggesting an “apophatics of the personality.”

Pattison pays particular attention to the question of language and the implications of the role given to silence in traditional texts, arguing that language remains a defining element of the human–God relationship and that silence is not to be construed as the negation of language but as the revelation of the depth of language itself. The basic structure of prayer is shown to be implicitly eschatological, oriented toward a coming kingdom of justice and peace while, at the same time, expressing a deep desire for ontological homecoming, a tension manifest in, respectively, Levinas and Heidegger. On Pattison’s reading, prayer calls for and develops a particular orientation of the self toward existence, corresponding to the virtue of humility, long understood as the basic Christian virtue. This is shown to be in tension with modernity’s commitment to strong versions of autonomy. However, the choice of humility is not presented as the reinstatement of religious heteronomy but as a free choice of the praying self.

At least since the seventeenth century, the traditional God of Judaism, Christianity, and Islam has been under pressure to conform to the scientific worldview. Across the monotheistic traditions there has emerged a “liberal” conception of God compatible with a thoroughgoing naturalism. For many, this liberal “new” God is the only credible God. But is it a useful God? Does belief in so malleable a deity come from, or lead to, different political, moral, psychological, or aesthetic phenomena from atheism?

A Plausible God evaluates the new God by analyzing the theology of three recent Jewish thinkers —Mordechai Kaplan, Michael Lerner, and Arthur Green—and compares faith in the new God to disbelief in any gods. Mitchell Silver reveals what is at stake in the choice between naturalistic liberal theology and a nontheistic naturalism without gods. Silver poses the question: “If it is to be either the new God or no God, what does—what should—determine the choice?”

Although Jewish thinkers are used as the primary exemplars of new God theology, Silver explores developments in contemporary Christian thought, Eastern religious traditions, and “New Age” religion. A Plausible God constitutes a significant contribution to current discussions of the relationship between science and religion, as well as to discussions regarding the meaning of the idea of God itself in modern life.

At least since the seventeenth century, the traditional God of Judaism, Christianity, and Islam has been under pressure to conform to the scientific worldview. Across the monotheistic traditions there has emerged a “liberal” conception of God compatible with a thoroughgoing naturalism. For many, this liberal “new” God is the only credible God. But is it a useful God? Does belief in so malleable a deity come from, or lead to, different political, moral, psychological, or aesthetic phenomena from atheism?

A Plausible God evaluates the new God by analyzing the theology of three recent Jewish thinkers —Mordechai Kaplan, Michael Lerner, and Arthur Green—and compares faith in the new God to disbelief in any gods. Mitchell Silver reveals what is at stake in the choice between naturalistic liberal theology and a nontheistic naturalism without gods. Silver poses the question: “If it is to be either the new God or no God, what does—what should—determine the choice?”

Although Jewish thinkers are used as the primary exemplars of new God theology, Silver explores developments in contemporary Christian thought, Eastern religious traditions, and “New Age” religion. A Plausible God constitutes a significant contribution to current discussions of the relationship between science and religion, as well as to discussions regarding the meaning of the idea of God itself in modern life.

Rabbi, writer, teacher, activist, and organizer, Marc H. Tanenbaum was for more than three generations at the center of the struggle for religious understanding and human rights. As a pioneer in ecumenical dialogue, Tanenbaum left an inedible mark on many communities of faith.

This rich collection of Tanenbaum’s most influential writings underscores his contributions to civil and human rights, international affairs and—above all—the development of Jewish-Christian understanding and mutual respect. Special features of this book include a biographical essay and introductions to the major issues and the essays.

A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris.

Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God’s existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity.

A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.

A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris.

Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God’s existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity.

A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.

Available in a new digital edition with reflowable text suitable for e-readers

The first edition of this title was much acclaimed as the leading interpretation and exposition of Hegel's "Phenomenology of Spirit." This revision, based on continuing research, keeps this book in the forefront of Hegelian scholarship. The author has made additions and corrections to his reading of this, Hegel's most important work, and he provides an excellent interpretation of Hegel's language, in all of its complexity. To scholars it will remain an indispensable study and students new to Hegelian philosophy will find it approachable and clear.

In 1539, Cardinal Jacopo Sadoleto, Bishop of Carpentras, addressed a letter to the magistrates and citizens of Geneva, asking them to return to the Roman Catholic faith. John Calvin replied to Sadoleto, defending the adoption of the Protestant reforms. Sadoleto’s letter and Calvin’s reply constitute one of the most interesting exchanges of Roman Catholic/Protestant views during the Reformationand an excellent introduction to the great religious controversy of the sixteenth century.

These statements are not in vacuo of a Roman Catholic and Protestant position. They were drafted in the midst of the religious conflict that was then dividing Europe. And they reflect too the temperaments and personal histories of the men who wrote them. Sadoleto’s letter has an irenic approach, an emphasis on the unity and peace of the Church, highly characteristic of the Christian Humanism he represented. Calvin’s reply is in part a personal defense, an apologia pro vita sua, that records his own religious experience. And its taut, comprehensive argument is characteristic of the disciplined and logical mind of the author of The Institutes of the Christian Religion.

In 1539, Cardinal Jacopo Sadoleto, Bishop of Carpentras, addressed a letter to the magistrates and citizens of Geneva, asking them to return to the Roman Catholic faith. John Calvin replied to Sadoleto, defending the adoption of the Protestant reforms. Sadoleto’s letter and Calvin’s reply constitute one of the most interesting exchanges of Roman Catholic/Protestant views during the Reformationand an excellent introduction to the great religious controversy of the sixteenth century.

These statements are not in vacuo of a Roman Catholic and Protestant position. They were drafted in the midst of the religious conflict that was then dividing Europe. And they reflect too the temperaments and personal histories of the men who wrote them. Sadoleto’s letter has an irenic approach, an emphasis on the unity and peace of the Church, highly characteristic of the Christian Humanism he represented. Calvin’s reply is in part a personal defense, an apologia pro vita sua, that records his own religious experience. And its taut, comprehensive argument is characteristic of the disciplined and logical mind of the author of The Institutes of the Christian Religion.

The spiritual revival that is sweeping the Soviet Union today had its genesis in the religious renaissance of the early 20th century. In both cases, it was lay intellectuals, disenchanted with simplistic positivism and materialism, who adapted Russian orthodoxy to modern life. Their ideas reverberated, not only in religion and philosophy, but in art, literature, painting, theater and film.

Banned by the Soviet government in 1922, the writings of the religious renaissance were rediscovered in the Brezhnev era by a new generation of Soviet intellectuals disillusioned with Marxism. Circulating from hand to hand in illegal typewritten editions (samizdat), they exerted an evergrowing influence on Soviet society, from the very top down to ordinary people. Under the new policy of glasnost, the government itself is currently reprinting their works.

The selections included in this volume reflect the profundity and breadth of their thought and are presented in English for the first time. The recognition of the universal need and significance of spiritual values and ideals united this otherwise heterogeneous group and bears witness to the diversity of their approach to the basic issues of the human condition.

The centrality of these lay intellectuals’ concerns transcends the specifics of the historical situation in early 20th century Russia and makes their writings relevant to the universal human condition.

In order of appearance, the selections are: VLADIMIR SOLOVYOV, The Enemy from the East, The Russian National Ideal; NIKOLAI GROT, On the True Tasks of Philosophy; SERGEI DIAGHILEV, Complex Questions; VASILLY V. ROZANOV, On Sweetest Jesus and the Bitter Fruits of the World; NIKOLAI BERDIAEV, Socialism as Religion; SERGEI BULGAKOV, An Urgent Task; VIACHISLAV IVANOV, Crisis of Individualism, GEORGII CHULKOV, On Mystical Anarchism; DMITRI S. MEREZHKOVSKY, Revolution and Religion, The Jewish Question As a Russian Question; GEORGII FLOROVSKY, In the World of Quests and Wanderings; PAVEL NOVGORODTSEV, The Essence of the Russian Orthodox Consciousness; PETR STRUVE, The Intelligentsia and the National Face; ANDREI BELY, Revolution and Culture; ALEKSANDR BLOK, Catiline; EVGENY TRUBETSKOI, The Bolshevist Utopia and the Religious Movement.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

For more than fifty years, Geoffrey Hartman has been a pivotal figure in the humanities. In his first book, in 1954, he helped establish the study of Romanticism as key to the problems of modernity. Later, his writings were crucial to the explosive developments in literary theory in the late seventies, and he was a pioneer in Jewish studies, trauma studies, and studies of the Holocaust. At Yale, he was a founder of its Judaic Studies program, as well as of the first major video archive for Holocaust testimonies.

Generations of students have benefited from Hartman’s generosity, his penetrating and incisive questioning, the wizardry of his close reading, and his sense that the work of a literary scholar, no less than that of an artist, is a creative act.

All these qualities shine forth in this intellectual memoir, which will stand as his autobiography. Hartman describes his early education, uncanny sense of vocation, and development as a literary scholar and cultural critic. He looks back at how his career was influenced by his experience, at the age of nine, of being a refugee from Nazi Germany in the Kindertransport. He spent the next six years at school in England, where he developed his love of English literature and the English countryside, before leaving to join his mother in America.
Hartman treats us to a “biobibliography” of his engagements with the major trends in literary criticism. He covers the exciting period at Yale handled so controversially by the media and gives us vivid portraits, in particular, of Harold Bloom, Paul de Man, and Jacques Derrida.

All this is set in the context of his gradual self-awareness of what scholarship implies and how his personal displacements strengthened his calling to mediate between European and American literary cultures. Anyone looking for a rich, intelligible account of the last half-century of combative literary studies will want to read Geoffrey Hartman’s unapologetic scholar’s tale.

NOW in its fifth Printing which includes the events of September 11, 2001.

Selected by the American Association of University Presses as one of "The Best of the Best from the University Presses." (2000)

New Yorkers love to watch the building of a new skyscraper—particularly the digging of a foundation—through small holes cut into a wooden construction fence. It's one of the great lunch-hour pastimes. Over the years the ubiquitous observer has watched the City grown and change—sometimes with disapproval, sometimes with elation, always with a fond curiosity.

This short book, with its events and anecdotes, is a peephole for spying on the history of the City from its foundations up to the present. New York was always destined to be a place of migrants and immigrants. People have come to this mercantile center to work, to build, to learn, to play, and to settle down in a neighborhood. Its people give the City the energy that makes living here a heightened experience.

A Short and Remarkable History of New York City is a timeline of five hundred years of New York City history. It can be read as a story, used for reference, or browsed through for fun.

This posthumous collection of interviews and occasional papers given by Castoriadis between 1974 and 1997 is a lively, direct introduction to the thinking of a writer who never abandoned his radically critical stance. It provides a clear, handy résumé of his political ideas, in advance of their times and profoundly relevant to today’s world.

For this political thinker and longtime militant (co-founder with Claude Lefort of the revolutionary group “Socialisme ou Barbarie”), economist, psychoanalyst, and philosopher, two endless interrogations—how to understand the world and life in society—were intertwined with his own life and combats.

An important chapter discusses the history of “Socialisme ou Barbarie” (1949—1967); in it, Castoriadis presents the views he defended, in that group, on a number of subjects: a critique of Marxism and of the Soviet Union, the bureaucratization of society and of the workers’ movement, and the primacy of individual and collective autonomy. Another chapter presents the concept, central to his thinking, of “imaginary significations” as what make a society “cohere.”

Castoriadis constantly returns to the question of democracy as the never-finished, deliberate creation by the people of societal institutions, analyzing its past and its future in the Western world. He scathingly criticizes “representative” democracy and develops a conception of direct democracy extending to all spheres of social life.

He wonders about the chances of achieving freedom and autonomy—those requisites of true democracy—in a world of endless, meaningless accumulation of material goods, where the mechanisms for governing society have disintegrated, the relationship with nature is reduced to one of destructive domination, and, above all, the population has withdrawn from the public sphere: a world dominated by hobbies and lobbies—”a society adrift.”

This posthumous collection of interviews and occasional papers given by Castoriadis between 1974 and 1997 is a lively, direct introduction to the thinking of a writer who never abandoned his radically critical stance. It provides a clear, handy résumé of his political ideas, in advance of their times and profoundly relevant to today’s world.

For this political thinker and longtime militant (co-founder with Claude Lefort of the revolutionary group “Socialisme ou Barbarie”), economist, psychoanalyst, and philosopher, two endless interrogations—how to understand the world and life in society—were intertwined with his own life and combats.

An important chapter discusses the history of “Socialisme ou Barbarie” (1949—1967); in it, Castoriadis presents the views he defended, in that group, on a number of subjects: a critique of Marxism and of the Soviet Union, the bureaucratization of society and of the workers’ movement, and the primacy of individual and collective autonomy. Another chapter presents the concept, central to his thinking, of “imaginary significations” as what make a society “cohere.”

Castoriadis constantly returns to the question of democracy as the never-finished, deliberate creation by the people of societal institutions, analyzing its past and its future in the Western world. He scathingly criticizes “representative” democracy and develops a conception of direct democracy extending to all spheres of social life.

He wonders about the chances of achieving freedom and autonomy—those requisites of true democracy—in a world of endless, meaningless accumulation of material goods, where the mechanisms for governing society have disintegrated, the relationship with nature is reduced to one of destructive domination, and, above all, the population has withdrawn from the public sphere: a world dominated by hobbies and lobbies—”a society adrift.”

A Taytsh Manifesto calls for a translational paradigm for Yiddish studies and for the study of modern Jewish culture. Saul Noam Zaritt calls for a shift in vocabulary, from Yiddish to taytsh, in order to promote reading strategies that account for the ways texts named as Jewish move between languages and cultures.

Yiddish, a moniker that became dominant only in the early twentieth century, means “Jewish” and thus marks the language with a single identity: of and for a Jewish collective. In contrast, this book calls attention to an earlier and, at one time, more common name for the language: taytsh, which initially means “German.” By using the term taytsh, speakers indicated that they were indeed speaking a Germanic language, a language that was not entirely their own. In time, when the word shifted to a verb, taytshn, it came to mean the act of translation. To write or speak in Yiddish is thus to render into taytsh and inhabit the gap between languages.

A Taytsh Manifesto highlights the cultural porousness that inheres in taytsh and deploys the term as a paradigm that can be applied to a host of modern Jewish cultural formations. The book reads three corpora in modern Yiddish culture through the lens of translation: Yiddish pulp fiction, also known as shund (trash); the genre of the Yiddish monologue as authored by Sholem Aleichem and other prominent Yiddish writers; and the persistence of Yiddish as a language of vulgarity in contemporary U.S. culture. Together these examples help revise current histories of Yiddish while demonstrating the need for new vocabularies to account for the multidirectionality of Jewish culture. A Taytsh Manifesto develops a model for identifying, in Yiddish and beyond, how cultures intertwine, how they become implicated in world systems and empire, and how they might escape such limiting and oppressive structures.

A Taytsh Manifesto calls for a translational paradigm for Yiddish studies and for the study of modern Jewish culture. Saul Noam Zaritt calls for a shift in vocabulary, from Yiddish to taytsh, in order to promote reading strategies that account for the ways texts named as Jewish move between languages and cultures.

Yiddish, a moniker that became dominant only in the early twentieth century, means “Jewish” and thus marks the language with a single identity: of and for a Jewish collective. In contrast, this book calls attention to an earlier and, at one time, more common name for the language: taytsh, which initially means “German.” By using the term taytsh, speakers indicated that they were indeed speaking a Germanic language, a language that was not entirely their own. In time, when the word shifted to a verb, taytshn, it came to mean the act of translation. To write or speak in Yiddish is thus to render into taytsh and inhabit the gap between languages.

A Taytsh Manifesto highlights the cultural porousness that inheres in taytsh and deploys the term as a paradigm that can be applied to a host of modern Jewish cultural formations. The book reads three corpora in modern Yiddish culture through the lens of translation: Yiddish pulp fiction, also known as shund (trash); the genre of the Yiddish monologue as authored by Sholem Aleichem and other prominent Yiddish writers; and the persistence of Yiddish as a language of vulgarity in contemporary U.S. culture. Together these examples help revise current histories of Yiddish while demonstrating the need for new vocabularies to account for the multidirectionality of Jewish culture. A Taytsh Manifesto develops a model for identifying, in Yiddish and beyond, how cultures intertwine, how they become implicated in world systems and empire, and how they might escape such limiting and oppressive structures.

Everyone agrees that theology has failed; but the question of how to understand and respond to this failure is complex and contested. Against both the radical orthodox attempt to return to a time before the theology’s failure and the deconstructive theological attempt to open theology up to the hope of a future beyond failure, Rose proposes an account of Christian identity as constituted by, not despite, failure. Understanding failure as central to theology opens up new possibilities for confronting Christianity’s violent and kyriarchal history and abandoning the attempt to discover a pure Christ outside of the grotesque materiality of the church.

The Christian mystical tradition begins with Dionysius the Areopagite’s uncomfortable but productive conjunction of Christian theology and Neoplatonism. The tensions generated by this are central to Dionysius’s legacy, visible not only in subsequent theological thought but also in much twentieth century continental philosophy as it seeks to disentangle itself from its Christian ancestry. A Theology of Failure shows how the work of Slavoj Žižek represents an attempt to repeat the original move of Christian mystical theology, bringing together the themes of language, desire, and transcendence not with Neoplatonism but with a materialist account of the world. Tracing these themes through the work of Dionysius and Derrida and through contemporary debates about the gift, violence, and revolution, this book offers a critical theological engagement with Žižek's account of social and political transformation, showing how Žižek's work makes possible a materialist reading of apophatic theology and Christian identity.

Everyone agrees that theology has failed; but the question of how to understand and respond to this failure is complex and contested. Against both the radical orthodox attempt to return to a time before the theology’s failure and the deconstructive theological attempt to open theology up to the hope of a future beyond failure, Rose proposes an account of Christian identity as constituted by, not despite, failure. Understanding failure as central to theology opens up new possibilities for confronting Christianity’s violent and kyriarchal history and abandoning the attempt to discover a pure Christ outside of the grotesque materiality of the church.

The Christian mystical tradition begins with Dionysius the Areopagite’s uncomfortable but productive conjunction of Christian theology and Neoplatonism. The tensions generated by this are central to Dionysius’s legacy, visible not only in subsequent theological thought but also in much twentieth century continental philosophy as it seeks to disentangle itself from its Christian ancestry. A Theology of Failure shows how the work of Slavoj Žižek represents an attempt to repeat the original move of Christian mystical theology, bringing together the themes of language, desire, and transcendence not with Neoplatonism but with a materialist account of the world. Tracing these themes through the work of Dionysius and Derrida and through contemporary debates about the gift, violence, and revolution, this book offers a critical theological engagement with Žižek's account of social and political transformation, showing how Žižek's work makes possible a materialist reading of apophatic theology and Christian identity.

This book brings together an international roster of renowned scholars from disciplines including philosophy, political theory, intellectual history, and literary studies to address the conceptual foundations of the humanities and the question of their future. What notions of the future, of the human, and of finitude underlie recurring anxieties about the humanities in our current geopolitical situation? How can we think about the unpredictable and unthought dimensions of praxis implicit in the very notion of futurity?

The essays here argue that the uncertainty of the future represents both an opportunity for critical engagement and a matrix for invention. Broadly conceived, the notion of invention, or cultural poiesis, questions the key assumptions and tasks of a whole range of practices in the humanities, beginning with critique, artistic practices, and intellectual inquiry, and ending with technology, emancipatory politics, and ethics. The essays discuss a wide range of key figures (e.g., Deleuze, Freud, Lacan, Foucault, Kristeva, Irigaray), problems (e.g., becoming, kinship and the foreign, "disposable populations" within a global political economy, queerness and the death drive, the parapoetic, electronic textuality, invention and accountability, political and social reform in Latin America), disciplines and methodologies (philosophy, art and art history, visuality, political theory, criticism and critique, psychoanalysis, gender analysis, architecture, literature, art).

The volume should be required reading for all who feel a deep commitment to the humanities, its practices, and its future.

This book brings together an international roster of renowned scholars from disciplines including philosophy, political theory, intellectual history, and literary studies to address the conceptual foundations of the humanities and the question of their future. What notions of the future, of the human, and of finitude underlie recurring anxieties about the humanities in our current geopolitical situation? How can we think about the unpredictable and unthought dimensions of praxis implicit in the very notion of futurity?

The essays here argue that the uncertainty of the future represents both an opportunity for critical engagement and a matrix for invention. Broadly conceived, the notion of invention, or cultural poiesis, questions the key assumptions and tasks of a whole range of practices in the humanities, beginning with critique, artistic practices, and intellectual inquiry, and ending with technology, emancipatory politics, and ethics. The essays discuss a wide range of key figures (e.g., Deleuze, Freud, Lacan, Foucault, Kristeva, Irigaray), problems (e.g., becoming, kinship and the foreign, "disposable populations" within a global political economy, queerness and the death drive, the parapoetic, electronic textuality, invention and accountability, political and social reform in Latin America), disciplines and methodologies (philosophy, art and art history, visuality, political theory, criticism and critique, psychoanalysis, gender analysis, architecture, literature, art).

The volume should be required reading for all who feel a deep commitment to the humanities, its practices, and its future.

Harry Berger, Jr., has long been one of our most revered and respected literary and cultural critics. Since the late nineties, a stream of remarkable and innovative publications have shown how very broad his interests are, moving from Shakespeare to baroque painting, to Plato, to theories of early culture.

In this volume a distinguished group of scholars gathers to celebrate the work of Harry Berger, Jr. To "celebrate," in Berger's words, is "to visit something either in great numbers or else frequently-to go away and come back, go away and come back, go away and come back. Celebrating is what you do the second or third time around, but not the first. To celebrate is to revisit. To revisit is to revise. Celebration is the eureka of revision." Not only former students but distinguished colleagues and scholars come together in these pages to discover Berger's eurekas-to revisit the rigor and originality of his criticism, and occasionally to revise its conclusions, all through the joy of strenuous engagement.

Nineteen essays on Berger's Shakespeare, his Spenser, his Plato, and his Rembrandt, on his theories of interpretation and cultural change and on the ethos of his critical and pedagogical styles, open new approaches to the astonishing ongoing body of work authored by Berger.

An introduction by the editors and an afterword by Berger himself place this festival of interpretation in the context of Berger's intellectual development and the reception of his work from the mid-twentieth century into the first decade of the twenty-first.

The underlying contention of this study is that, since Catholic Modernism was defined not by the so-called modernists but by the anti-modernists, to understand it one must understand the anti-modernist (or integralist) mind.

Schultenover argues that, since Catholic Modernism was defined not by modernists but by the anti-modernists, to understand it one must understand the anti-modernist (or integralist) mind.

The underlying contention of this study is that, since Catholic Modernism was defined not by the so-called modernists but by the anti-modernists, to understand it one must understand the anti-modernist (or integralist) mind.

Schultenover argues that, since Catholic Modernism was defined not by modernists but by the anti-modernists, to understand it one must understand the anti-modernist (or integralist) mind.

A poetic exploration that reimagines form and language through celestial patterns

Informed by mystery, chaos, order and writing as container, A Winter Triangle explores poetic space and form amid the infinite possibilities of composition and change. Composed of three parts, or "points," like its namesake asterism, this collection is inspired by Stéphane Mallarmé's idea of composing poetry from the "senseless splendor" of the skies as well as the designs for automata by 12th-century inventor and engineer Ismail al-Jazari, and mythological depictions of Sirius, the dog/wolf star, as both a keeper of order and the agent of chaos and energy.

Inventing a new poetic form, the septentrional, which trembles in its own process of becoming throughout the length of the book, Marcella Durand questions the potential of poetry in the face of artificial intelligence, climate change, and political turbulence in which language is often twisted into the opposite of its own meaning. By counting the seven syllables of the septentrional, and opening spaces (caesura) within the poetic line to provide breath and rejuvenation amid exhausting world events, these poems resituate poetry as an alternate space in which to reimagine the given forms of constellations and how we imagine order out of seeming chaos. Thus the question is opened as to whether the poet may ever make sense of the "senseless splendor" of the skies, or simply convey them as they are through poetry, holding the infinite within the finite, for a time.

Durand reads the "dustlike" script of the calligraphic galleon, a ship created entirely out of words, as art and struggles to understand the burning Wolf/Dog star which stands between law and lawlessness. Is there actual connection between stars in the constellations we have invented? Can we find room for composition within the broken loops of infinity? At the point between old and new, bow and arrow, chaos and order, A Winter Triangle asks us to face the overwhelm of change—self-inflicted, invented, planetary and real.

During the “golden age” of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced “Kraft Music Hall” for Kraft; Benton & Bowles oversaw “Show Boat” for Maxwell House Coffee; and Young & Rubicam managed “Town Hall Tonight” with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.

Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society.

Mediating between audiences’ desire for entertainment and advertisers’ desire for sales, admen combined “showmanship” with “salesmanship” to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

During the “golden age” of radio, from roughly the late 1920s until the late 1940s, advertising agencies were arguably the most important sources of radio entertainment. Most nationally broadcast programs on network radio were created, produced, written, and/or managed by advertising agencies: for example, J. Walter Thompson produced “Kraft Music Hall” for Kraft; Benton & Bowles oversaw “Show Boat” for Maxwell House Coffee; and Young & Rubicam managed “Town Hall Tonight” with comedian Fred Allen for Bristol-Myers. Yet this fact has disappeared from popular memory and receives little attention from media scholars and historians. By repositioning the advertising industry as a central agent in the development of broadcasting, author Cynthia B. Meyers challenges conventional views about the role of advertising in culture, the integration of media industries, and the role of commercialism in broadcasting history.

Based largely on archival materials, A Word from Our Sponsor mines agency records from the J. Walter Thompson papers at Duke University, which include staff meeting transcriptions, memos, and account histories; agency records of BBDO, Benton & Bowles, Young & Rubicam, and N. W. Ayer; contemporaneous trade publications; and the voluminous correspondence between NBC and agency executives in the NBC Records at the Wisconsin Historical Society.

Mediating between audiences’ desire for entertainment and advertisers’ desire for sales, admen combined “showmanship” with “salesmanship” to produce a uniquely American form of commercial culture. In recounting the history of this form, Meyers enriches and corrects our understanding not only of broadcasting history but also of advertising history, business history, and American cultural history from the 1920s to the 1940s.

In certain key respects, 1943 marked a turning point in the war. Increasingly, victory seemed assured. However, the backdrop to this gradually improving situation was one of widespread and unremitting destruction.

In the essays from that year, Blanchot writes from a position of almost total detachment from day-to-day events, now that all of his projects and involvements have come to naught. As he explores and promotes works of literature and ideas, he privileges those with the capacity to sustain a human perspective that does not merely contemplate ruin and disaster but sees them as the occasion for a radical revision of what “human” is capable of signifying.

Consigning all that the name “France” has hitherto meant to him to a past that is now in ruins, Blanchot begins to sketch out a counter-history that is international in nature, and whose human field is literature.

In certain key respects, 1943 marked a turning point in the war. Increasingly, victory seemed assured. However, the backdrop to this gradually improving situation was one of widespread and unremitting destruction.

In the essays from that year, Blanchot writes from a position of almost total detachment from day-to-day events, now that all of his projects and involvements have come to naught. As he explores and promotes works of literature and ideas, he privileges those with the capacity to sustain a human perspective that does not merely contemplate ruin and disaster but sees them as the occasion for a radical revision of what “human” is capable of signifying.

Consigning all that the name “France” has hitherto meant to him to a past that is now in ruins, Blanchot begins to sketch out a counter-history that is international in nature, and whose human field is literature.

Provides unique insight into Reconstruction’s downfall and Jim Crow’s emergence.

In the years and decades following the American Civil War, veteran abolitionists actively thought and wrote about the campaign to end enslavement immediately. This study explores the late-in-life reflections of several antislavery memorial and historical writers, evaluating the stable and shifting meanings of antebellum abolitionism amidst dramatic changes in postbellum race relations. By investigating veteran abolitionists as movement chroniclers and commemorators and situating their texts within various contexts, Raymond James Krohn further assesses the humanitarian commitments of activists who had valued themselves as the enslaved people’s steadfast friends.

Never solely against slavery, post-1830 abolitionism challenged widely held anti-Black preju­dices as well. Dedicated to emancipating the enslaved and elevating people of color, it equipped adherents with the necessary linguistic resources to wage a valiant, sustained philanthropic fight. Abolitionist Twilights focuses on how the status and condition of the freedpeople and their descen­dants affected book-length representations of antislavery persons and events. In probing veteran– abolitionist engagement in or disengagement from an ongoing African American freedom struggle, this ambitious volume ultimately problematizes scholarly understandings of abolitionism’s racial justice history and legacy.

Provides unique insight into Reconstruction’s downfall and Jim Crow’s emergence.

In the years and decades following the American Civil War, veteran abolitionists actively thought and wrote about the campaign to end enslavement immediately. This study explores the late-in-life reflections of several antislavery memorial and historical writers, evaluating the stable and shifting meanings of antebellum abolitionism amidst dramatic changes in postbellum race relations. By investigating veteran abolitionists as movement chroniclers and commemorators and situating their texts within various contexts, Raymond James Krohn further assesses the humanitarian commitments of activists who had valued themselves as the enslaved people’s steadfast friends.

Never solely against slavery, post-1830 abolitionism challenged widely held anti-Black preju­dices as well. Dedicated to emancipating the enslaved and elevating people of color, it equipped adherents with the necessary linguistic resources to wage a valiant, sustained philanthropic fight. Abolitionist Twilights focuses on how the status and condition of the freedpeople and their descen­dants affected book-length representations of antislavery persons and events. In probing veteran– abolitionist engagement in or disengagement from an ongoing African American freedom struggle, this ambitious volume ultimately problematizes scholarly understandings of abolitionism’s racial justice history and legacy.

This striking portrait of Abraham Lincoln found in this book is drawn entirely from the writing of his contemporaries and extends from his political beginnings in Springfield to his assassination. It reveals a more severely beleaguered, less godlike, and finally a richer Lincoln than has come through many of the biographies of Lincoln written at a distance after his death. To those who are familiar only with the various “retouched” versions of Lincoln’s life, Abraham Lincoln: A Press Portrait will be a welcome—if sometimes surprising—addition to the literature surrounding the man who is perhaps the central figure in all of American history.

The brutality, indeed that malignancy of some of the treatment Lincoln received at the hands of the press may well shock those readers who believe the second half of the twentieth century has a monopoly on the journalism of insult, outrage, and indignation. That Lincoln acted with the calm and clarity he did under the barrage of such attacks can only enhance his stature as one of the great political leaders of any nation at any time.

Herbert Mitgang is author of several books, including Once upon a Time in New York, The Man Who Rode the Tiger, The Letters of Carl Sandburg, The Return, America at Random, and Working for the Reader.

This striking portrait of Abraham Lincoln found in this book is drawn entirely from the writing of his contemporaries and extends from his political beginnings in Springfield to his assassination. It reveals a more severely beleaguered, less godlike, and finally a richer Lincoln than has come through many of the biographies of Lincoln written at a distance after his death. To those who are familiar only with the various “retouched” versions of Lincoln’s life, Abraham Lincoln: A Press Portrait will be a welcome—if sometimes surprising—addition to the literature surrounding the man who is perhaps the central figure in all of American history.

The brutality, indeed that malignancy of some of the treatment Lincoln received at the hands of the press may well shock those readers who believe the second half of the twentieth century has a monopoly on the journalism of insult, outrage, and indignation. That Lincoln acted with the calm and clarity he did under the barrage of such attacks can only enhance his stature as one of the great political leaders of any nation at any time.

Herbert Mitgang is author of several books, including Once upon a Time in New York, The Man Who Rode the Tiger, The Letters of Carl Sandburg, The Return, America at Random, and Working for the Reader.

This striking portrait of Abraham Lincoln found in this book is drawn entirely from the writing of his contemporaries and extends from his political beginnings in Springfield to his assassination. It reveals a more severely beleaguered, less godlike, and finally a richer Lincoln than has come through many of the biographies of Lincoln written at a distance after his death. To those who are familiar only with the various “retouched” versions of Lincoln’s life, Abraham Lincoln: A Press Portrait will be a welcome—if sometimes surprising—addition to the literature surrounding the man who is perhaps the central figure in all of American history.

The brutality, indeed that malignancy of some of the treatment Lincoln received at the hands of the press may well shock those readers who believe the second half of the twentieth century has a monopoly on the journalism of insult, outrage, and indignation. That Lincoln acted with the calm and clarity he did under the barrage of such attacks can only enhance his stature as one of the great political leaders of any nation at any time.

This striking portrait of Abraham Lincoln found in this book is drawn entirely from the writing of his contemporaries and extends from his political beginnings in Springfield to his assassination. It reveals a more severely beleaguered, less godlike, and finally a richer Lincoln than has come through many of the biographies of Lincoln written at a distance after his death. To those who are familiar only with the various “retouched” versions of Lincoln’s life, Abraham Lincoln: A Press Portrait will be a welcome—if sometimes surprising—addition to the literature surrounding the man who is perhaps the central figure in all of American history.

The brutality, indeed that malignancy of some of the treatment Lincoln received at the hands of the press may well shock those readers who believe the second half of the twentieth century has a monopoly on the journalism of insult, outrage, and indignation. That Lincoln acted with the calm and clarity he did under the barrage of such attacks can only enhance his stature as one of the great political leaders of any nation at any time.

The academy is often described as an ivory tower, isolated from the community surrounding it. Presenting the theory, vision, and implementation of a socially engaged program for the Department of Human and Organizational Development (HOD) in Peabody’s College of Education and Human Development at Vanderbilt University, Academics in Action! describes a more integrated model wherein students and faculty work with communities, learn from them, and bring to bear findings from theory and research to generate solutions to community problems.

Offering examples of community-engaged theory, scholarship, teaching, and action, Academics in Action! describes the nuanced structures that foster and support their development within a research university. Theory and action span multiple ecological levels from individuals and small groups to organizations and social structures. The communities of engagement range from local neighborhoods and schools to arenas of national policy and international development.

Reflecting the unique perspectives of research faculty, practitioners, and graduate students, Academics in Action! documents a specific philosophy of education that fosters and supports engagement; the potentially transformative nature of academic work for students, faculty, and the broader society; and some of the implications and challenges of action-oriented efforts in light of dynamics such as income inequality, racism, and global capitalism. This edited volume chronicles teaching, research, and community action that influences both inside and outside the classroom as well as presents dimensions of a participatory model that set such efforts into action.

The academy is often described as an ivory tower, isolated from the community surrounding it. Presenting the theory, vision, and implementation of a socially engaged program for the Department of Human and Organizational Development (HOD) in Peabody’s College of Education and Human Development at Vanderbilt University, Academics in Action! describes a more integrated model wherein students and faculty work with communities, learn from them, and bring to bear findings from theory and research to generate solutions to community problems.

Offering examples of community-engaged theory, scholarship, teaching, and action, Academics in Action! describes the nuanced structures that foster and support their development within a research university. Theory and action span multiple ecological levels from individuals and small groups to organizations and social structures. The communities of engagement range from local neighborhoods and schools to arenas of national policy and international development.

Reflecting the unique perspectives of research faculty, practitioners, and graduate students, Academics in Action! documents a specific philosophy of education that fosters and supports engagement; the potentially transformative nature of academic work for students, faculty, and the broader society; and some of the implications and challenges of action-oriented efforts in light of dynamics such as income inequality, racism, and global capitalism. This edited volume chronicles teaching, research, and community action that influences both inside and outside the classroom as well as presents dimensions of a participatory model that set such efforts into action.

Acquaintance with the Absolute is the first collected volume of essays devoted to the thought of Yves r. Simon, a thinker widely regarded as one of the great teachers and philosophers of our time. Each piece in this collection of essays thoughtfully complements the others to offer a qualifiedly panoramic look at the work and thought of philosopher Yves R. Simon. The six essays presented not only treat some major areas of Simon’s thought, pointing out their lucidity and originality, but also his underpinning metaphysics, so central to his thought. Rather than attempt to present all aspects of this patient, careful, and penetrating thinker, these essays select enough to situate Simon’s philosophical excavations – especially his moral, political and action theory – among contemporary Thomistic philosophy.

In defending philosophy as a valid way of knowing, Simon gives us an approach we can use to avoid contemporary dilemmas in the philosophy of science. Simon holds that philosophical truths both justify scientific method as a way of knowing the real and provide a basis for distinguishing what is ontologically significant in a scientific theory from what is not. This view allows us to avoid the apparently irrational conclusions of quantum mechanics without reducing scientific theories to being mere projections of our conceptual systems.

Though aspects of some of the essays are suited for students of Simon’s thought, the essays as a whole introduce the less familiar reader to this great thinking and, further, invite him or her to pursue Simon’s own texts. The volume is enhanced by the inclusion of a definitive Yves R. Simon bibliography 1923-1996. The annotated bibliography is cross-reference in detail, revealing the astonishing variety of topics Simon treated.

Acquaintance with the Absolute is the first collected volume of essays devoted to the thought of Yves r. Simon, a thinker widely regarded as one of the great teachers and philosophers of our time. Each piece in this collection of essays thoughtfully complements the others to offer a qualifiedly panoramic look at the work and thought of philosopher Yves R. Simon. The six essays presented not only treat some major areas of Simon’s thought, pointing out their lucidity and originality, but also his underpinning metaphysics, so central to his thought. Rather than attempt to present all aspects of this patient, careful, and penetrating thinker, these essays select enough to situate Simon’s philosophical excavations – especially his moral, political and action theory – among contemporary Thomistic philosophy.

In defending philosophy as a valid way of knowing, Simon gives us an approach we can use to avoid contemporary dilemmas in the philosophy of science. Simon holds that philosophical truths both justify scientific method as a way of knowing the real and provide a basis for distinguishing what is ontologically significant in a scientific theory from what is not. This view allows us to avoid the apparently irrational conclusions of quantum mechanics without reducing scientific theories to being mere projections of our conceptual systems.

Though aspects of some of the essays are suited for students of Simon’s thought, the essays as a whole introduce the less familiar reader to this great thinking and, further, invite him or her to pursue Simon’s own texts. The volume is enhanced by the inclusion of a definitive Yves R. Simon bibliography 1923-1996. The annotated bibliography is cross-reference in detail, revealing the astonishing variety of topics Simon treated.

The work of Mehmedalija "Mak" Dizdar (1917-71) is the cornerstone of modern Bosnian literature. During the Second World War he was a member of the anti-fascist Partisans. After the war, he became prominent in Bosnian cultural life and eventually President of the Writers' Union of Bosnia and Herzegovina. His work blends influences from Bosnian Christian culture, Islamic mysticism, and the cultural remains of medieval Bosnia, especially its stone tombstones.

This book falls into two parts. The first is an essay on Dizdar's major poetry book Stone Sleeper. It argues that in his poetry Dizdar turns to spiritual regions and resources that had been suppressed during the time of communism. From the very outset, Stone Sleeper was recognized as a liberatrion from the ideological disciplines of communism, nationalism, and scientism. Few, however, were able fully to understand the traditional content of its post-traditional form.

In this part, Rusmir Mahmutcehajic introduces readers to the traditional substance of Stone Sleeper, in the context of what he calls "perennial philosophy." From that perspective, prophecy, being the source of perennial wisdom, is set above poetry. In some poetry, however, prophetic wisdom and poetic pronouncement exist inseparably. Stone Sleeper is an example of that mutual co-existence.

In the second part, the author traces, in a discussion of Dizdar's mystically influenced poem "Blue River," the perennial questions of how we are to discover or realize the human self in relation to God as Creator.

Winner, French Voices Award

This book, a crossover hit in France, offers a fresh genealogy of our neoliberal moment.

“We must adapt!” These words can be heard almost everywhere and in every aspect of our lives. Where does this widespread sense that we have fallen behind come from? How can we explain this progressive colonization of the economic, social, and political fields by this biological vocabulary of evolution? Offering a lucid account of sophisticated material, Barbara Stiegler uncovers the prehistories of today’s ubiquitous rhetoric in Darwinism and American liberalism, while, at the same time, recovering powerful resistances to the rhetoric of adaptation across the twentieth century.

Walter Lippmann, an American theorist of this new liberalism, believed democracy was not adapted to the needs of globalization. Only a government of experts could force society to evolve, he argued. Lippmann thus found himself confronted with John Dewey, the great figure of American Pragmatism. Both Lippmann and Dewey labored under the impression that the world had changed and society needed to adapt. However, Lippmann did not trust society to adapt on its own and insisted on the need for experts who would force the necessary adaptation. Dewey, by contrast, believed the necessary adaptation could only come "from below" and should proceed in a democratic fashion.

Focusing on readings of Michel Foucault, Walter Lippmann, and John Dewey, Adapt! paves the way for renewed insights into neoliberalism’s history, essence, characteristic forces, and impacts, as well as biopolitical theory. Stiegler presents an intriguing new genealogy for the development of neoliberalism, examining whether humans are by nature lagging and require biopolitical and disciplinary management to enforce adaptation. Stiegler also reorients Foucault’s genealogy of neoliberalism by emphasizing the Darwinian rhetoric of adaptation, as it arose in the Lippmann–Dewey Debate, and deftly handles the question of human nature in a way that re-enlivens this traditional concept.

As the industrialization of our ways of life never stops destroying the environment and the health of organisms (climate disruption, the destruction of biodiversity, the growth of chronic diseases, the return of large pandemics), how can we think of a democratic government of life and the living? This is the question that Stiegler’s work helps us to confront.