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Oneiric, fabulist, hilarious, surreal. No single term seems to sufficiently contain Mikko Harvey’s delightful, cheeky, absurdist, inimitable debut poetry collection.

A bomb and a raindrop make small talk as they fall through the air; a visit to the phlebotomist evolves into a nightmarish party; a boy notices himself turning into a piano key. Reading Unstable Neighbourhood Rabbit is like spending the day at a strange amusement park. At first the rides appear familiar—then you realize they possess the power to not only thrill and terrify, but destabilize your very notion of amusement. These poems veer sharply away from what’s normally expected of poetry, instead bringing readers to that darkened, awkward, interior space where we are free to be most ourselves.

New York, at the end of the 1920s. Xavier X. Mortanse, a seventeen-year-old apprentice demolition man, who claims to be an immigrant from Hungary, falls into a hole -- the beginning of myriad bizarre humiliations he suffers, only to be shown mercy by a hairdresser named Peggy Sue who will later suffer a grotesque fate.

When Xavier loses his job, he and his singing frog are hired to perform in a vaudeville show, where freakish and sordid acts attempt to outdo each other. Violence and ugliness blend cartoonishly with comedy and music as Gaetan Soucy dares us to look into the darkest sides of human experience. No one in this fascinating tableau is who he or she appears including Xavier himself, who is, as his mother says, too many people and no one.

Enough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?

In contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners?

With What I Mean to Say, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.

A funny, poignant, and at times heartbreaking memoir about one mother and her love of beautiful objets — and how it ultimately proved destructive.

Being left with a strand of even the highest quality milky-white pearls isn’t quite the same thing as pearls of wisdom to live by, as Karen von Hahn reveals in her memoir about her stylish and captivating mother, Susan — a mercurial, grandiose, Guerlain-and-vodka-soaked narcissist whose search for glamour and fulfillment through the acquisition and collection of beautiful things ultimately proved hollow.

A tale of growing up in 1970s and 1980s Toronto in the fabulousness of a bourgeois Jew-ish family that valued panache over pragmatism and making a design statement over substance, von Hahn’s recollections of her dramatic and domineering mother are exemplified by the objects she held most dear: from a strand of prized pearls, to a Venetian mirror worthy of the palace of Versailles, to the silver satin sofas that were the epitome of her signature style. She also describes the misunderstandings and sometimes hurt and pain that come with being raised by her stunning, larger-than-life mother who in many ways embodied the flash-and-glam, high-flying, wealth-accumulating generation that gave birth to our modern-day material culture.

Alternating between satire and sadness, von Hahn reconstructs the past through a series of exquisitely impressionistic memories, ultimately questioning the value of the things we hold dear and — after her complicated, yet impossible-to-forget mother is gone — what exactly remains.

Does true love have supernatural power?

Where Did You Sleep Last Night is a love story about a teenage girl who embarks on a relationship with Kurt Cobain.

Evelyn Gray is a sad and lonely sixteen-year-old from Carnation, Washington who is terrorized by her classmates at school. She spends most of her time in her room reading, writing letters to dead people, listening to old records and talking to the poster of Kurt Cobain above her bed.

Her mother is an alcoholic grunge relic from Seattle, whose recollections, books and music help ignite Evelyn’s love for Cobain—a love so painfully strong that it summons the deceased singer to her side.

When Evelyn is taken to the hospital after an overdose, she awakens to find Cobain—who has little to no memory of his former life—convalescing in the bed beside her.

Once united, they quickly become addicted to drugs and each other.

Cobain—renamed Celine Black—and Evelyn escape the hospital and run off together, determined to have everything they want. Inevitably, they become infamous musicians, but despite their mutual devotion, the couple is tormented by strong passion and jealousy. As their celebrity grows, their relationship becomes more excessive, and an episode of sexual violence explodes, shockingly, into murder.

A highly original work of haute fan fiction, written in Crosbie’s poetic and emotionally evocative prose, Where Did You Sleep Last Night is an imaginative, surprisingly funny, and touching novel about the adamant persistence of love.

The 2011 CBC Massey Lectures celebrates fifty years with bestselling author, essayist, cultural observer, and famed New Yorker contributor Adam Gopnik, whose subject is winter -- the season, the space, the cycle.

Gopnik takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists, and thinkers, who helped shape a new and modern idea of winter. Here we learn how a poem by William Cowper heralds the arrival of the middle class; how snow science leads to existential questions of God and our place in the world; how the race to the poles marks the human drive to imprint meaning on a blank space. Gopnik’s kaleidoscopic work ends in the present day, when he traverses the underground city in Montreal, pondering the future of Northern culture.

 A stunningly beautiful meditation buoyed by Gopnik’s trademark gentle wit, Winter is at once an enchanting homage to an idea of a season and a captivating journey through the modern imagination. This deluxe 50th anniversary edition includes full-colour images printed on two 8-page inserts.

Winner, 2023 Governor General's Literary Award
Winner, 2024 League of Canadian Poets' Gerald Lampert Memorial Award

The Xanax Cowboy has a reputation like a rattlesnake. She might as well be a strike-anywhere match in a gasoline town. Her whiskey is mixed with vengeance like her mind is mixed with pills. The last doctor who told her she ain't nothin' is still spitting blood through a split lip.

Nine years in the making, award-winning poet Kevin Connolly’s new collection extends its author’s investigation of identity, authority, intention, and authenticity.

What is public poetry? In an age of tweets and trolls, what should it even try to be? Through revision, redaction, ventriloquism, homage, self-sabotage, and outright plunder, the poems in Connolly’s Xiphoid Process interrogate the alleged futility and alleged insight of mid-life. Are we who we are simply because we’d otherwise be nothing? Or are we (more hopefully) something parked, for a time, in time, trying to make something useful out of the experience? Walt Whitman, Tom Petty, Alec Baldwin, Doug Stanhope, Journey, Judd Nelson, Billy Ripken, Johnny Weissmuller, Don Felder, Lindsay Lohan, Shiprock, NM, the police blotter at Point Reyes Station, California, and the moons of Saturn are all poised to make their case in the poet’s latest deliberations.