Products

Angela Carter is best known for her novels, short fiction and journalism, but she also produced a substantial body of writing for media other than the printed page, including five radio plays, two film adaptations, an original television documentary and a number of unrealised scripts for stage and screen. Despite increasing academic interest in Carter's work, these dramatic writings have largely been ignored. In this book, Charlotte Crofts redresses this lack of critical attention by examining Carter's dramatic writings together for the first time (including two unpublished works), giving them a more central position in the Carter canon.

Divided into three sections on radio, film and television, the book's interdisciplinary approach is underpinned by reference to exclusive interviews with the directors and producers with whom Carter collaborated, giving a unique insight into processes of adaptation and the technologies of media production. The author demonstrates how, far from being an aberration from her real vocation as a writer of fiction, Carter's writing for radio, film and television is an extension of her self-professed demythologising practice.

The Victorian private solider was a despised figure. A working man had to be desperate indeed to take the Queen’s shilling. Yet in the first sixteen months of the Great War two and a half million men from the UK and many more from the empire, flocked to the colours – without any form of legal compulsion. There had never been a volunteer army like it.

What was in the air of England in the generation or so before 1914 to bring about such collective exultation? How did it come about that, in a society which – in oft-proclaimed contrast to Germany – rejected conscription and prided itself on having no taint of militarism, men could be induced to volunteer in such numbers? The nation’s general state of mind, system of values and set of attitudes derived largely from the upper middle class, which had emerged and become dominant during the nineteenth century. The book examines the phenomenon of 1914 and the views held by people of that class, since it was under their leadership that the country went to war.

In the mid-1970s, a long wave of contentious radicalism swept through Italy. ‘Proletarian youth’, ‘metropolitan Indians’, ‘the area of Autonomy’: a shifting galaxy of groups and movements practised new forms of activism. Factories and universities were occupied; rent and utility payments were withheld; neo-Fascists and drug pushers were attacked on sight.

The movements were at once creative and brutal, intransigent and playful. A particular target for mockery was the parliamentary Left, and above all the Italian Communist Party (PCI). An earlier wave of radical activism had culminated in the Hot Autumn of 1969; then, the PCI had managed to ‘ride the tiger’ of industrial militancy, emerging with its credibility enhanced. Now, however, the PCI was committed to compromise with the ruling Christian Democrats. The second cycle of contention thus ended in a hostile engagement: rather than adopt their policies, the PCI labelled the movements Fascists, criminals and hooligans. By the end of 1977 the movements were broken, while the PCI had moved sharply to the Right. The main beneficiaries were left-wing ‘armed struggle’ groups such as the Red Brigades.

Building on Sidney Tarrow’s ‘cycle of contention’ model and drawing on a wide range of Italian materials, Phil Edwards has told the story of a unique and fascinating group of political movements, and of their disastrous engagement with the mainstream Left. As well as shedding light on a neglected period of twentieth century history, this book offers lessons for understanding today’s contentious movements (‘No Global’, ‘Black Bloc’) and today’s ‘armed struggle’ groups.

‘Other’ Spanish theatres challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages.

In questioning the primacy of the dramatist, this pioneering study offers a new interpretation of a nation’s theatrical culture that has been viewed primarily through the prisms of a select number of playwrights. Accordingly many of the conclusions reached are new ones, and the case, for acknowledging the wide influence of Spanish practitioners on theatre in Europe and the Americas is made in persuasive terms. Through a bold documentation and interrogation of key productions and their reception both at home and abroad, ‘Other’ Spanish theatres focuses on the doing of performance, asking provocative questions around how performances are tested against the texts that remain.

In a broad and detailed study Delgado selects six case studies which map out alternative readings of a nation’s theatrical innovation through the twentieth century: muse and mentor to Federico Garcia Lorca, Margarita Xirgu; theatrical innovator and influence on Orson Welles, Enrique Rambal; tragedienne Maria Casares feted by George Craig Camus, Genet and Cocteau; actress, producer and director Nuria Espert; international director Lluis Pasqual and Catalan performance company La Cubana.

This book discusses the history of the Church of Ireland and the Catholic Church and their Episcopal leaders in the period from 1949 to 1973. It considers the opening years of the Troubles in Northern Ireland and their impact on the main churches, and also the relationships between these churches and the two states in Ireland. It also looks at the development of inter-church relations and ecumenism, and offers a new perspective on North-South relations and the causes of religious division. Based on highly original and very comprehensive research, the book offers fascinating insights into the recent past of these key Irish institutions.

It will be welcomed by students and teachers of twentieth century and contemporary Irish history, as well as those interested in the political landscape of Ireland today.

This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism.

In a departure from previous scholarship on the South Asian presence in Britain, ‘The better class’ of Indians emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them.

This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.

This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism.

In a departure from previous scholarship on the South Asian presence in Britain, Wainwright emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them.

This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.

What does it mean to be called an industrial designer? This book traces the remarkable rise of this professional identity in historical perspective from a position of anonymity in the early twentieth century, to mid-century professionalisation, to decline and disintegration by 1980.

Drawing on new, extensive, original archival research, it uncovers the history of a profession in a state of re-invention, 1930-1980 in Britain and the United States. The book tests assumptions about the relationship between the professions in the two countries, bringing them into comparative historical perspective for the first time. The gendered dynamics of professionalisation and their interaction with the representation of the heroic male designer are interrogated and critically examined. Building on new gender perspectives to the history of the industrial design profession, the book calls for a re-examination of the limits and boundaries of what constitutes professional identity and work.

This book charts the building of 1 Angel Square, the remarkable new head office for The Co-operative Group in Manchester’s new NOMA district.

Combining text and photographs to illustrate the building from commissioning to completion, Len Grant has interviewed the whole project team – clients, architects, engineers, project managers and builders – and has had unreserved access to document the creation of this already award-winning structure. The design of 1 Angel Square by the architects 3DReid, is currently the UK’s highest BREEAM (Building Research Establishment’s Environmental Assessment Method) rated office building to date, and it is set to be one of the most sustainable buildings in Europe.

1 Angel Square, the book, is an intimate record of this fascinating building. Some of the impressive facts include: 3,157 internal and external window panels make up the façade; there are 10,500 data and power outlets; it sits on 539 foundation piles, with an average depth of 18 metres below ground; and there are approximately 22km of power cables.

This book will be required reading for students of architecture and construction, sustainability studies and urban planning, and for those with an interest in the history of one of the world’s great businesses.

Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. From its beginnings more than a century ago, European cinema has dealt with the tension between these two functions in a variety of ways: at the extremes, dictatorial regimes have sweetened the pill of ideology with the sugar of entertainment. Meanwhile, spectators have persisted in seeking out, above all, the pleasure film can provide.

Now available again in paperback, this book explores the complex relationship between entertainment, ideology and audiences in European film, through studies that range from the Stalinist musicals of the 1930s, to cinematic representations of masculinity under Franco, to recent French films and their Hollywood remakes.

Diverse and entertaining, this study is addressed to students of film – especially French, German, Russian or Spanish – and to those readers and academics interested in both the history of cinema and in European culture.

Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time.

This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material – many images reproduced for the first time – alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.

A Clockwork Counterpoint is the first book to examine the musical side of Anthony Burgess, an astonishingly prolific, underrated and talented composer, revealing how his lifelong involvement in music is an essential key toward understanding his life and work.

Whether explaining the sonata form structure of A Clockwork Orange and the musical underpinnings of dozens of his other novels, his distinctive views on the interrelationship between music and literature, music's role in his ties to his father and wives, or what his compositions tell us about his troubled relationship with his son, A Clockwork Counterpoint illuminates Burgess's dual creative life, providing the first complete portrait of a prodigious artist whose musical accomplishments have remained largely unknown until now.

This book is the first ever concordance to the rhymes of Spenser’s epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas.

As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser’s rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.

Chloe Chard assembles fascinating passages from late eighteenth-century and early nineteenth-century accounts of travel in Italy, by Northern Europeans, writing in English (or, in some cases, translated into English at the time); 'Tristes Plaisirs' includes writings by Charles Dupaty, Maria Graham, Anna Jameson, Sydney Morgan, Henry Matthews and Hester Lynch Piozzi.
The extracts often focus on the labile moods that contribute to the ‘triste plaisir’ of travelling (as Madame de Staël termed it): moods such as restlessness, anxiety, exhaustion, animal exuberance, sexual excitement and piqued curiosity.
The introduction considers some of these responses in relation to the preoccupations and rhetorical strategies of travel writing during the Romantic period and introductory commentaries examine the ways in which the passages take up a series of themes, around which the five chapters are ordered: ‘Pleasure’, ‘Rising and sinking in sublime places’, ‘Danger and destabilization’, ‘Art, unease and life’, and ‘Gastronomy, Gusto and the Geography of the Haunted’.

Chloe Chard assembles fascinating passages from late eighteenth-century and early nineteenth-century accounts of travel in Italy, by Northern Europeans, writing in English (or, in some cases, translated into English at the time); it includes writings by Charles Dupaty, Maria Graham, Anna Jameson, Sydney Morgan, Henry Matthews and Hester Lynch Piozzi.
The extracts often focus on the labile moods that contribute to the ‘triste plaisir’ of travelling (as Madame de Staël termed it): moods such as restlessness, anxiety, exhaustion, animal exuberance, sexual excitement and piqued curiosity.
The introduction considers some of these responses in relation to the preoccupations and rhetorical strategies of travel writing during the Romantic period and introductory commentaries examine the ways in which the passages take up a series of themes, around which the five chapters are ordered: ‘Pleasure’, ‘Rising and sinking in sublime places’, ‘Danger and destabilization’, ‘Art, unease and life’, and ‘Gastronomy, Gusto and the Geography of the Haunted’.

This study explores the practice of scientific enquiry as it took place in the eighteenth-century home. While histories of science have identified the genteel household as an important site for scientific experiment, they have tended to do so via biographies of important men of science. Using a wide range of historical source material, from household accounts and inventories to letters and print culture, this book investigates the tools within reach of early modern householders in their search for knowledge. It considers the under-explored question of the home as a site of knowledge production and does so by viewing scientific enquiry as one of many interrelated domestic practices. It shows that knowledge production and consumption were necessary facets of domestic life and that the eighteenth-century home generated practices that were integral to ‘Enlightenment’ enquiry.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

A Familiar Compound Ghost explores the relationship between allusion and the uncanny in literature. An unexpected echo or quotation in a new text can be compared to the sudden appearance of a ghost or mysterious double, the reanimation of a corpse, or the discovery of an ancient ruin hidden in a modern city. In this scholarly and suggestive study, Brown identifies moments where this affinity between allusion and the uncanny is used by writers to generate a particular textual charge, where uncanny elements are used to flag patterns of allusion and to point to the haunting presence of an earlier work.

A Familiar Compound Ghost traces the subtle patterns of connection between texts centuries, even millennia apart, from Greek tragedy and Latin epic, through the plays of Shakespeare and the Victorian novel, to contemporary film, fiction and poetry. Each chapter takes a different uncanny motif as its focus: doubles, ruins, reanimation, ghosts and journeys to the underworld.

The signing of the Good Friday Agreement in 1998 appeared to open up a new phase in the history of Northern Ireland and indeed world politics generally. Hailed from the outset as a model that would inspire peace processes in other countries, it sought through careful negotiation and delicate compromise to bring to a conclusion a conflict that had cost over 3600 lives, damaged Britain’s international position and at times come very close to undermining relations between the UK and Ireland. While the peace has held it is obvious that serious divisions continue to make a final settlement of the Northern Irish question very difficult.

This comprehensive and original study is the first to explain in detail how the Good Friday Agreement ran into trouble, why we are still some way from a final settlement, but why a return to war is most unlikely – even in an age where global terror now threatens world order more seriously than at any time in the past.

This new edition of an established, authoritative text will be essential reading for students, researchers and academics of Irish politics, conflict and peace studies, and international relations.

The signing of the Good Friday Agreement in 1998 appeared to open up a new phase in the history of Northern Ireland and indeed world politics generally. Hailed from the outset as a model that would inspire peace processes in other countries, it sought through careful negotiation and delicate compromise to bring to a conclusion a conflict that had cost over 3600 lives, damaged Britain’s international position and at times come very close to undermining relations between the UK and Ireland. While the peace has held it is obvious that serious divisions continue to make a final settlement of the Northern Irish question very difficult.

This comprehensive and original study is the first to explain in detail how the Good Friday Agreement ran into trouble, why we are still some way from a final settlement, but why a return to war is most unlikely – even in an age where global terror now threatens world order more seriously than at any time in the past.

This new edition of an established, authoritative text will be essential reading for students, researchers and academics of Irish politics, conflict and peace studies, and international relations.

This is the first extensive analysis of large-scale violence and the methods of its restraint in the early modern world. Using examples from Asia, Africa, the Americas and Europe, it questions the established narrative that violence was only curbed through the rise of western-style nation states and civil societies. Global history allows us to reframe and challenge traditional models for the history of violence and to rethink categories and units of analysis through comparisons. By decentring Europe and exploring alternative patterns of violence, the contributors to this volume articulate the significance of violence in narratives of state- and empire-building, as well as in their failure and decline, while also providing new means of tracing the transition from the early modern to modernity.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

This book offers a comprehensive study, and social history, of the development of sports medicine in Britain, as practiced by British doctors and on British athletes in national and international settings. It takes as its focus the changing medical concept of the ‘athletic body’. Athletes start the century as normal, healthy citizens, and end up as potentially unhealthy physiological ‘freaks’, while the general public are increasingly urged to do more exercise and play more sports. It also considers the origins and history of all the major institutions and organisations of British sports medicine, and shows how they interacted with and influenced international sports medicine and sporting events.

As well as being an important read for anyone interested in ‘body history’, this volume will be essential reading for those studying or researching the history of modern medicine, sports, or twentieth century Britain more generally.

This book offers a comprehensive study, and social history, of the development of sports medicine in Britain, as practised by British doctors and on British athletes in national and international settings. It takes as its focus the changing medical concept of the ‘athletic body’. Athletes start the century as normal, healthy citizens, and end up as potentially unhealthy physiological ‘freaks’, while the general public are increasingly urged to do more exercise and play more sports. The book also considers the origins and history of all the major institutions and organisations of British sports medicine, and shows how they interacted with and influenced international sports medicine and sporting events.

As well as being an important read for anyone interested in ‘body history’, this volume will be essential reading for those studying or researching the history of modern medicine, sports, or twentieth-century Britain more generally.

This book provides an outline history of English spelling from the Anglo-Saxon’ adoption of the Roman alphabet to the present day. It shows the respective influences on modern usage of native French and Latin orthographies and attempts a definition of the manner in which spelling stabilised. A final chapter traces changing notions of correctness in spelling during the last four centuries, and also gives a summary of the principle movements for its reform in favour of a more consistent and phonetic system of notion.

Students in higher education specialising in English or linguistics and also those studying other languages at an advanced level should find this a useful book. The general reader with an interest in the history of his language or the question of spelling will find it most readable

The book traces the history of international humanitarianism from the anti-slavery movement to the end of the cold war. It is based on an extensive survey of the international literature and is retold in an original narrative that relies on a close examination of the sources. The reconstruction of humanitarianism’s long history unfolds around some crucial moments and events: the colonial expansion of European countries, the two world wars and their aftermaths, the emergence of a new postcolonial order.
In terms of its contents, narrative style, interpretative approach the book is aimed at a large and diverse public including: scholars who are studying and teaching humanitarianism; students who need to learn about humanitarianism as part of their training or research; operators and volunteers who are engaged in the field; non-specialist readers who are interested in the topic because of its relevance to current events.

The book traces the history of international humanitarianism from the anti-slavery movement to the end of the cold war. It is based on an extensive survey of the international literature and is retold in an original narrative that relies on a close examination of the sources. The reconstruction of humanitarianism’s long history unfolds around some crucial moments and events: the colonial expansion of European countries, the two world wars and their aftermaths, the emergence of a new postcolonial order.
In terms of its contents, narrative style, interpretative approach the book is aimed at a large and diverse public including: scholars who are studying and teaching humanitarianism; students who need to learn about humanitarianism as part of their training or research; operators and volunteers who are engaged in the field; non-specialist readers who are interested in the topic because of its relevance to current events.

Torbjørn L. Knutsen introduces ideas on international relations expressed by thinkers from High Middle Ages to the present day and traces the development of four ever-present themes: war, peace, wealth and power. The book counters the view that international relations has no theoretical tradition and shows that scholars, soldiers and statesmen have been speculating about the subject for the last 700 years.

Beginning with the roots of the state and the concept of sovereignty in the Middle Ages, the author draws upon the insights of outstanding political thinkers – from Machiavelli and Hobbes to Hegel, Rousseau, and Marx and contemporary thinkers such as Woodrow Wilson, Lenin, Morgenthau and Walt – who profoundly influenced the emergence of a discrete discipline of international relations in the twentieth century. Fully revised and updated, the final section embraces more recent approaches to the study of international relations, most notably postmodernism and ecologism.

This introduction to International Relations theory, now in its third edition, shows how discussions of war, wealth, peace and power stretch back well over 500 years. It shows how ancient ideas still effect the way we perceive world politics. By placing international arguments, perspectives, terms and theories in their proper historical setting, it traces the evolution of International Relations theory in context.

Beginning with the emergence of the territorial state in the Middle Ages, the book follows the international ideas of sages, statesmen and scholars. It discusses early theories about the sovereign nature of the state. It demonstrates how contract philosophers like Hobbes, Locke and Rousseau paved the way for the modern analysis of international relations. It shows how Enlightenment theorists followed up with balance-of-power theory and perpetual-peace projects. It seeks to demonstrate that the contemporary science of International Relations is the outcome of a long evolution and how its core concepts and major theories have been deeply affected by international events along the way while also showing that basic ideas have remained remarkably constant over the centuries. This has been a top selling title for a number of years and this new edition is keenly awaited.

This collection tells the story of the case study genre at a time when it became the genre par excellence for discussing human sexuality across the humanities and life sciences.It is a transcontinental journey from the imperial world of fin-de-siècle Central Europe to the interwar metropolises of Weimar Germany and to the United States of America in the post-war years.

Foregrounding the figures of case study pioneers, and highlighting their often radical engagements with the genre, the book scrutinises the case writing practices of Sigmund Freud and his predecessor sexologist Richard von Krafft-Ebing; writers including Leopold von Sacher-Masoch and Alfred Döblin; Weimar intellectuals such as Erich Wulffen and psychoanalyst Viola Bernard. The results are important new insights into the continuing legacy of such writers and into the agency increasingly claimed by the readerships that emerged with the development of modernity.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Available for the first time in paperback, this book is the first definitive history of the Northern Ireland Labour Party (NILP), a unique political force which drew its support from Protestants and Catholics and became electorally viable despite deep-seated ethnic, religious and national divisions. Formed in 1924 and disbanded in 1987, the NILP succeeded in returning several of its members to the locally-based Northern Ireland parliament in 1925–29 and 1958–72 and polled some 100,000 votes in both the 1964 and the 1970 British general elections. As British Labour’s ‘sister’ party in the province from the late 1920s until the late 1970s, the NILP could rely on substantive fraternal and organisational support at critical junctures in its history. Despite its political successes the NILP’s significance has been downplayed by historians, partly because of the lack of empirical evidence and partly to reinforce the simplistic view of Northern Ireland as the site of the most protracted sectarian conflict in modern Europe.

For the first time this book brings together important archival sources and the oral testimonies of former NILP members to explain the enigma of an extraordinary political party operating in extraordinary circumstances. The book situates the NILP’s successes and failures in a broad historical framework, providing the reader with a balanced account of twentieth-century Northern Irish political history.

This book is the first definitive history of the Northern Ireland Labour Party (NILP), a unique political force which drew its support from Protestants and Catholics and became electorally viable despite deep-seated ethnic, religious and national divisions. Formed in 1924 and disbanded in 1987, the NILP succeeded in returning several of its members to the locally-based Northern Ireland parliament in 1925–29 and 1958–72 and polled some 100,000 votes in both the 1964 and the 1970 British general elections. As British Labour’s ‘sister’ party in the province from the late 1920s until the late 1970s, the NILP could rely on substantive fraternal and organisational support at critical junctures in its history. Despite its political successes the NILP’s significance has been downplayed by historians, partly because of the lack of empirical evidence and partly to reinforce the simplistic view of Northern Ireland as the site of the most protracted sectarian conflict in modern Europe.

For the first time this book brings together important archival sources and the oral testimonies of former NILP members to explain the enigma of an extraordinary political party operating in extraordinary circumstances. The book situates the NILP’s successes and failures in a broad historical framework, providing the reader with a balanced account of twentieth-century Northern Irish political history.

This book will appeal to students and scholars of labour movements, as well as non-specialists who wish to learn more about the NILP’s brand of democratic socialism, its ideological and logistical ties to British Labour and the character of its cross-sectarian membership.

This is the history of one of the largest nursing organizations in the world and one of the largest professional associations of women.

The Royal College of Nursing began as a small professional association in 1916. Its work included nurses’ education, professional policy and labour relations. It considers the history of nursing from political, social and economic points of view and sheds light on both gender relations and the position of women in the work place in Britain since 1916. The themes include the struggle to achieve professional status for nurses, the radicalization of nurses from the 1960s, the effect of immigration on nursing as a work force, gender relations within the profession and between nurses, their employers and other health professionals.

This book will appeal to anyone interested in nursing studies, gender history and labour history.

This is the history of one of the largest nursing organizations in the world and one of the largest professional associations of women.

The Royal College of Nursing began as a small professional association in 1916. Its work included nurses’ education, professional policy and labour relations. It considers the history of nursing from political, social and economic points of view and sheds light on both gender relations and the position of women in the work place in Britain since 1916. The themes include the struggle to achieve professional status for nurses, the radicalization of nurses from the 1960s, the effect of immigration on nursing as a work force, gender relations within the profession and between nurses, their employers and other health professionals.

This book will appeal to anyone interested in nursing studies, gender history and labour history.

This is the first substantial history to trace the political development of the Ulster Unionist Party through the years of protest and opposition to Irish Home Rule to the half-century as a governing party within Northern Ireland, and beyond to the current attempts to bring peace to the Province. It demonstrates why the Party is so central to efforts to reach a political settlement, and explains why it has for so long been the main political voice of the pro-Union electorate in Northern Ireland.

An important and scholarly work based on extensive primary source research, it brings to light forgotten historical episodes of contemporary political significance, and provides new angles on old controversies and debates. The book discusses the evolution of the Ulster Unionist Party with reference to competing ideological currents, class and social tensions within the Unionist movement, and the role of leadership figures and maverick personalities. This is a book that maps the party’s historical journey from the dramatic days of Carson to the current predicaments of Trimble.

A popular and influential play from its first performance in 1611 until the early eighteenth century, 'A King and No King' helped establish tragicomedy as the seventeenth century's favoured dramatic genre, and Beaumont and Fletcher as leading playwrights of the day.

Accompanying this newly edited text, an introduction explores the play's sources, both literary and dramatic, and offers a thorough reconsideration of its relation to its social and political context, and contemporary issues of royal absolutism, good governance, and the political role of the aristocracy. In addition, the introduction provides the fullest available account of 'A King and No King''s stage history, tracing the shifts in cultural mores that eroded its popularity and ultimately consigned it to the study rather than the stage. This fully annotated edition encourages an appreciation of the play's very real virtues and will appeal to theatre professionals as well as to students of Renaissance drama.

The so-called Travels of Sir John Mandeville (c. 1356) was one of the most popular books of the late Middle-Ages. Translated into many European languages and widely circulating in both manuscript and printed forms, the pseudo English knight’s account had a lasting influence on the voyages of discovery and durably affected Europe’s perception of exotic lands and peoples.

The early modern period witnessed the slow erosion of Mandeville’s prestige as an authority and the gradual development of new responses to his book. Some still supported the account’s general claim to authenticity while questioning details here and there, and some openly denounced it as a hoax. After considering the general issues of edition and reception of Mandeville in an opening section, the volume moves on to explore theological and epistemological concerns in a second section, before tackling literary and dramatic reworkings in a final section.

Examining in detail a diverse range of texts and issues, these essays ultimately bear witness to the complexity of early modern engagements with a late medieval legacy which Mandeville emblematises.

This book investigates the crucial question of ‘restitution’ in the work of W. G. Sebald. Written by leading scholars from a range of disciplines, with a foreword by his English translator Anthea Bell, the essays collected in this volume place Sebald’s oeuvre within the broader context of European culture in order to better understand his engagement with the ethics of aesthetics.

Whilst opening up his work to a range of under-explored areas including dissident surrealism, Anglo-Irish relations, contemporary performance practices and the writings of H. G. Adler, the volume notably returns to the original German texts. The recurring themes identified in the essays – from Sebald’s carefully calibrated syntax to his self-consciousness about ‘genre’, from his interest in liminal spaces to his literal and metaphorical preoccupation with blindness and vision – all suggest that the ‘attempt at restitution’ constitutes the very essence of Sebald’s understanding of literature.

This book investigates the crucial question of ‘restitution’ in the work of W. G. Sebald. Written by leading scholars from a range of disciplines, with a foreword by his English translator Anthea Bell, the essays collected in this volume place Sebald’s oeuvre within the broader context of European culture in order to better understand his engagement with the ethics of aesthetics.

Whilst opening up his work to a range of under-explored areas including dissident surrealism, Anglo-Irish relations, contemporary performance practices and the writings of H. G. Adler, the volume notably returns to the original German texts. The recurring themes identified in the essays – from Sebald’s carefully calibrated syntax to his self-consciousness about ‘genre’, from his interest in liminal spaces to his literal and metaphorical preoccupation with blindness and vision – all suggest that the ‘attempt at restitution’ constitutes the very essence of Sebald’s understanding of literature.

This book explores the evolution of Ireland’s national television service during its first tumultuous decade, addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. It also traces the development of the BBC and ITA in Northern Ireland, considering how television helped undermine a state that had long governed without consensus.

Using a wide array of new archival sources and extensive interviews Savage illustrates how an increasingly confident television service upset political, religious and cultural elites who were profoundly uncomfortable with the changes taking place around them. Savage argues that during this period television was not a passive actor, but an active agent often times aggressively testing the limits of the medium and the patience of governments. Television helped facilitate a process of modernisation that slowly transformed Irish society during the 1960s.

This book will be essential for those interested in contemporary Irish political and cultural history and readers interested in media history, and cultural studies.

This book explores the evolution of Ireland’s national television service during its first tumultuous decade, addressing how the medium helped undermine the conservative political, cultural and social consensus that dominated Ireland into the 1960s. It also traces the development of the BBC and ITA in Northern Ireland, considering how television helped undermine a state that had long governed without consensus.

Using a wide array of new archival sources and extensive interviews Savage illustrates how an increasingly confident television service upset political, religious and cultural elites who were profoundly uncomfortable with the changes taking place around them. Savage argues that during this period television was not a passive actor, but an active agent often times aggressively testing the limits of the medium and the patience of governments. Television helped facilitate a process of modernisation that slowly transformed Irish society during the 1960s.

This book will be essential for those interested in contemporary Irish political and cultural history and readers interested in media history, and cultural studies.

A minority and the state looks at the relationship between Travellers, or ‘Gypsies’, and the wider settled society in Britain throughout the twentieth century. This detailed study considers the ways in which the state has tried to create and enforce legislation to regulate their lifestyles, as well as the Travellers’ responses, and resistance, to these efforts.

The book is a much needed history of Britain's travelling communities in the twentieth century, drawing together detailed archival research at local and national level to explore the impact of state and legislative developments on Travellers, as well as their experience of missions, education, war and welfare. It offers a new perspective on British ethnic history by arguing that Travellers' experiences should not be understood as the history of a nomadic group, but in terms of the wider history of British minorities.

Winner of the NUI Publication Prize in Irish History 2015.

This book examines the phenomenon of infanticide in Ireland from 1850 to 1900, examining a sample of 4,645 individual cases of infant murder, attempted infanticide and concealment of birth. Evidence for this study has been gleaned from a variety of sources, including court documents, coroners' records, prison files, parliamentary papers, and newspapers. Through these sources, many of which are rarely used by scholars, attitudes towards the crime, the women accused of the offence, and the victim, are revealed. Although infant murder was a capital offence during this period, none of the women found guilty of the crime were executed, suggesting a degree of sympathy and understanding towards the accused. Infanticide cases also allude to complex dynamics and tensions between employers and servants, parents and pregnant daughters, judges and defendants, and prison authorities and inmates. This book highlights much about the lived realities of nineteenth-century Ireland.

This book examines the Thatcher government’s attempt to revolutionise Britain’s pensions system in the 1980s and create a nation of risk-taking savers with an individual stake in capitalism. Drawing upon recently-released archival records, it shows how the ideas motivating these reforms journeyed from the writings of neoliberal intellectuals into government and became the centrepiece of a plan to abolish significant parts of the UK’s welfare state and replace these with privatised personal pensions. Revealing a government that veered between political caution and radicalism, the book explains why this revolution failed and charts the malign legacy left by the evolutionary changes that ministers salvaged from the wreckage of their reforms.

The book contributes to understanding of policy change, Thatcherism, and international neoliberalism by showing how major reforms to social security could reflect neoliberal thought and yet profoundly disappoint their architects.

The study of the European Union has historically been a theoretical battleground. Since the 1990s, new theoretical directions such as neo-institutionalism, multi-level governance and constructivism have provided a new impetus. However, despite these new inroads, empirical work has often remained sociologically and empirically underspecified. This volume seeks to bridge the gap between theory and fieldwork by developing an actor-centred political sociology. In doing so, the volume engages in a critical dialogue with the constructivist framework and proposes to build on its insights through a sociological hardening centred on European actors.

The renewal of European studies through political sociology is only useful if it generates new understandings through empirical observation. This volume seeks to take a new tack on constructivism by asking what it is that Europe constructs by looking at three areas- social spaces and professions, policy 'problems' and policies and policy instruments such as the Eurobarometer.

The study of the European Union has historically been a theoretical battleground. Since the 1990s, new theoretical directions such as neo-institutionalism, multi-level governance and constructivism have provided a new impetus. However, despite these new inroads, empirical work has often remained sociologically and empirically underspecified. This volume seeks to bridge the gap between theory and fieldwork by developing an actor-centred political sociology. In doing so, the volume engages in a critical dialogue with the constructivist framework and proposes to build on its insights through a sociological hardening centred on European actors.

The renewal of European studies through political sociology is only useful if it generates new understandings through empirical observation. This volume seeks to take a new tack on constructivism by asking what it is that Europe constructs by looking at three areas- social spaces and professions, policy 'problems' and policies and policy instruments such as the Eurobarometer.

In January 1981, just days before Jimmy Carter left the White House, many of the president’s officials were well satisfied with the administration’s campaign to promote human rights. But as commentators, scholars, and the incoming president began to critique Carter’s bipolar policy, it became clear that Carter had not only failed to persuade the American public that he had a clear grasp on the international role of the US, but he failed to build a lasting domestic consensus on foreign policy.

The Carter administration aimed to renew its ideological challenge to the USSR through human rights and to persuade the Soviets to ease internal repression in order to strengthen Congressional support for détente and arms control. Contrary to what he envisioned, the more vigorously the White House pursued a pro-human rights agenda, the more the Soviets lost interest in détente; the more the administration relegated human rights to quiet diplomacy, the more critics within the United States accused the President of abandoning his commitment to human rights. In the end, the White House lost the opportunity to stabilise bipolar relations and the domestic support Carter had managed to garner in 1976. Critics of détente, helped by the Iran hostage crisis and the Soviet invasion of Afghanistan, defeated him.

Based on recently declassified archival documents, A precarious equilibrium offers a fresh interpretation of President Jimmy Carter’s human rights policy and its contradictory impact on US–Soviet affairs.

This book is written for patients and members of the public who want to understand more about the approaches, methods and language used by health-services researchers. Patient and public involvement (PPI) in research is now a requirement of most major health-research programmes, and this book is designed to equip these individuals with the knowledge and skills necessary for meaningful participation. Edited by award-winning mental-health researchers, the book has been produced in partnership with mental-health-service users and carers with experience of research involvement. It includes personal reflections from these individuals alongside detailed information on quantitative, qualitative and health-economics research methods.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality.

Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press?

Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality.

Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press?

Building on extensive archival research, the book examines how African and Mexican American men have been constructed as ‘racial problems’, investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.

This pioneering study examines regional British television drama from its beginnings on the BBC and ITV in the 1950s to the arrival of Channel Four in 1982. It discusses the ways in which regionalism, regional culture and regional identity have been defined, outlines the history of regional broadcasting in the UK, and includes two detailed case studies – of Granada Television and BBC English Regions Drama – representing contrasting examples of regional television drama during what is often described as the ‘golden age’ of British television. The conclusion brings the study up to date by discussing recent developments in regional drama production, and by considering future possibilities.

Written in a scholarly but accessible style, the book uncovers a forgotten history of British television drama that will be of interest to lecturers and students of media and cultural studies, as well as the general reader with an interest in the history of British television.

This well-written and comprehensive book by an outstanding expert provides students of history and the general reader with reliable up-to-date information on an essential part of the history of mankind: the global impact of European colonial expansion from the late Middle Ages to the present. It deals with the discoveries, with Portuguese, Dutch and English trade systems in Asia, with the Spanish, Portuguese, Dutch, French and British Colonies in America, the American plantation economy and the trade in African slaves, with settler colonies in the southern hemisphere, with US-, Russian and Chinese continental imperialism, with western colonial rule in Asia and Africa and the several waves of decolonisation between 1775 and 1989. Twenty-four maps illustrate the narrative.

A useful teaching text, it combines traditional and more recent perspectives to produce a final balance sheet of Western colonialism and its global heritage. A carefully selected bibliography encourages further reading.

This book addresses the special relationship from the perspective of post-Second World War British governments. It asks how they have perceived the special relationship and performed a foreign policy role within it? This enables the book to argue that Britain’s foreign policy challenges the dominant idea that its power has been waning and that it sees itself as the junior partner to the hegemonic US.

The book also shows how at moments of international crisis successive British governments have attempted to re-play the same foreign policy role within the special relationship. By setting contemporary foreign policy into its historical context, it provides fresh insights into why Tony Blair’s government felt it must participate in the Iraq War and questions anew why this decision was flawed. The book concludes that these failings are likely to be re-played and demonstrates why the special relationship’s role in British foreign policy must be urgently re-thought.

This is the first monograph-length study that charts the coercive diplomacy of the administrations of Richard Nixon and Gerald Ford as practised against their British ally in order to persuade Edward Heath’s government to follow a more amenable course throughout the ‘Year of Europe’ and to convince Harold Wilson’s governments to lessen the severity of proposed defence cuts. Such diplomacy proved effective against Heath but rather less so against Wilson. It is argued that relations between the two sides were often strained, indeed, to the extent that the most ‘special’ elements of the relationship, that of intelligence and nuclear co-operation, were suspended. Yet, the relationship also witnessed considerable co-operation. This book offers new perspectives on US and UK policy towards British membership of the European Economic Community; demonstrates how US détente policies created strain in the ‘special relationship’; reveals the temporary shutdown of US-UK intelligence and nuclear co-operation; provides new insights in US-UK defence co-operation, and re-evaluates the US-UK relationship throughout the IMF Crisis.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Ralph Knevet's Supplement of the Faery Queene (1635) is a narrative and allegorical work, which weaves together a complex collection of tales and episodes, featuring knights, ladies, sorcerers, monsters, vertiginous fortresses and deadly battles – a chivalric romp in Spenser's cod medieval style. The poem shadows recent English history, and the major military and political events of the Thirty Years War. But the Supplement is also an ambitiously intertextual poem, weaving together materials from mythic, literary, historical, scientific, theological, and many other kinds of written sources. Its encyclopaedic ambitions combine with Knevet's historical focus to produce an allegorical epic poem of considerable interest and power.

This new edition of Knevet's Supplement, the first scholarly text of the poem ever published, situates it in its literary, historical, biographical, and intellectual contexts. An extensive introduction and copious critical commentary, positioned at the back of the book, will enable students and scholars alike to access Knevet's complicated and enigmatic meanings, structures, and allusions.

Table for one: A critical reading of singlehood, gender and time is the first book to consider the profound relationship between singlehood and time. Drawing on a wide range of cultural resources - including web columns, blogs, advice columns, popular clichés, advertisements and references from television and cinema, the author challenges the conventional meaning-making processes of singlehood and time. Lahad's analysis gives us the opportunity to explore and theorize singlehood through varied temporal concepts such as waiting, wasting, timeout, age, the life course, linearity and commodification of time. This unique analytical approach enables the fresh consideration of some of our dominant perceptions about collective clocks, schedules, time tables and the temporal organization of social life in general.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

"What are you waiting for?" Stop wasting your time" "You will die alone," "You will miss the train and stay on your own!" These are some of the questions and warnings that single women hear on an everyday basis. Single women are constantly being asked whether they are ''still single,'' or being bid to get married next or soon. Still, soon, ever-after, waste of time, waiting, how long, when, all these form part of the rich language of time.


This book argues that time plays a crucial rule in the discursive formation of female singlehood and that our common understanding of singlehood is dominated by underlying temporal models, premises and concepts. By adopting an interdisciplinary approach and integrating different theoretical realms and perspectives, this book paves way for a new theorization of singlehood and time. Lahad's unique approach gives us the opportunity to explore and theorize singlehood through temporal concepts such as waiting, wasting time, timeout and accelerated aging. Other temporal categories which are examined throughout this book as age, the life course, linearity and commodification of time enable the fresh consideration of our dominant perceptions about collective clocks, schedules, time tables and the temporal organization of social life in general. By proposing this new analytical direction, this book seeks to rework some of our common conceptions of singlehood, and presents a new theoretical arsenal with which the temporal paradigms which devalue and marginalize single women and women's subjectivies in general can be understated.

Lahad argues that singlehood is sociologically important, because it touches upon some of the pressing issues in social life and raises fundamental questions about how people make sense of their lives and organize their lives with others. Drawing on a wide range of cultural resources - including web columns, blogs, advice columns, popular clichés, advertisements and references from television and cinema, the author challenges the meaning-making processes of singlehood and time. In this connection, the book lays the ground for a rich, multilayered politicized analysis of solo living and temporality and intends to be a mile stone in both singlehood and time studies.