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After the labor movement faded away in the lives of most Americans, organizing is back!

Workers are organizing at Starbucks, Amazon, Apple, and Google, to name just a few. But it’s going to take more than picket signs and marches in front of stores and corporate headquarters to win real union contracts with real protections for these workers. To beat these firms and others like them, workers and their unions will need to learn much more about their adversaries to identify key vulnerabilities and build effective campaigns to win. What the Boss Doesn’t Want Us to Know is the first volume to teach the basics of conducting this research and how to use it to build winning campaigns. It explores how to identify corporate decision-makers, profit centers, growth plans, and secondary targets and the kinds of power that activists can use to beat even global giants.

What the Boss Doesn’t Want Us to Know is for more than just professional researchers and campaigners. This book offers up a radical new practice for investigating employers. The authors propose a member-based, democratic approach to corporate research that will train an army of rank-and-file researchers to investigate and beat the firms that control so much of our lives. This approach has already been successfully utilized with NewsGuild of New York at the New York Times, Reuters, Gannett, the United Food and Commercial Workers at Tyson Foods, workers at Google (the Alphabet Workers Union), Apple retail workers, the Association of Flight Attendants at Delta Air Lines, and Trader Joe’s United. The lessons contained in this book hold great promise to supercharge the new organizing wave currently sweeping across America.

Movements become apparent as “movements” at times of acceleration and expansion. In these heady moments they have fuzzy boundaries, no membership lists—everybody is too engaged in what’s coming next, in creating the new, looking to the horizon. But movements get blocked, they slow down, they cease to move, or continue to move without considering their actual effects. When this happens, they can stifle new developments, suppress the emergence of new forms of politics; or fail to see other possible directions. Many movements just stop functioning as movements. They become those strange political groups of yesteryear, arguing about history as worlds pass by. Sometimes all it takes to get moving again is a nudge in a new direction… We think now is a good time to ask the question: What is winning? Or: What would—or could—it mean to “win”?

Contributors include: Valery Alzaga and Rodrigo Nunes, Colectivo Situaciones, Stephen Duncombe, Gustavo Esteva, The Free Association, Euclides André Mance, Michal Osterweil, Sasha Lilley, Kay Summer and Harry Halpin, Ben Trott, Nick Dyer-Witheford, and more.

This edition includes a foreword by John Holloway and an extended interview with Michal Osterweil and Ben Trott of the Turbulence Collective.

In the first half of the 20th century, strikes and Union battles, murders and frame-ups, were common in every industrial center in the U.S. But none of these episodes compared in scope to the West Virginia Mine Wars.

The uprisings of coal miners that defined the Mine Wars of the 1920’s were a direct result of the Draconian rule of the coal companies. The climax was the Battle of Blair Mountain, the largest open and armed rebellion in U.S. history. The Battle, and Union leader Bill Blizzard’s quest for justice, was only quelled when the U.S. Army brought guns, poison gas and aerial bombers to stop the 10,000 bandanna-clad miners who formed the spontaneous “Red Neck Army.”

Over half a century ago, William C. Blizzard wrote the definitive insider’s history of the Mine Wars and the resulting trial for treason of his father, the fearless leader of the Red Neck Army. Events dramatized in John Sayles film Matewan, and fictionalized in Denise Giardina’s stirring novel Storming Heaven, are here recounted as they occurred. This is a people’s history, complete with previously unpublished family photos and documents. If it brawls a little, and brags a little, and is angry more than a little, well, the people in this book were that way.

When to Talk and When to Fight is a conversation between talkers and fighters. It introduces a new language to enable negotiators and activists to argue and collaborate across different schools of thought and action. Weaving beautiful storytelling and clear analysis, this book maps the habits of change-makers, explaining why some groups choose dialogue and negotiation while others practice confrontation and resistance. Why do some groups seemingly always take an antagonistic approach, challenging authority and in some cases trying to tear down our systems and institutions? Why are other groups reluctant to raise their voices or take a stand, limiting themselves to conciliatory strategies? And why do some of us ask only the first question, while others ask only the second?

Threaded among examples of conflict, struggle, and change in organizations, communities, and society is the compelling personal story that led Subar to her community of practice at Dragonfly, advising leaders in social justice organizations on organizational and advocacy strategy. With lucid charts and graphs by Rosi Greenberg, When to Talk and When to Fight is a brilliant new way of talking about how we change the world. In his foreword, Douglas Stone, coauthor of the international best-seller Difficult Conversations, makes the case that negotiators need this language. In a separate forward, Esteban Kelly, cofounder of AORTA Anti-Oppression Resource and Training Alliance, explains why radicals and progressives need it. If you are a change-maker, you will soon find yourself speaking this language. Be one of the first to learn it. Read this book.

Modern-day movements to end racism in the U.S. seem sadly doomed to fail. If more fundamental approaches to social change and more sober analysis of U.S. history are not considered, our efforts will lead to continued fragmentation—or worse. The essays in this book—written by lifelong anti-imperialist organizer, educator, and author Matt Meyer—reveal the successful strategies and methods of multigenerational and multitendency coalitions used in recent campaigns to free Puerto Rican and Black Panther political prisoners, confront neo-Nazis in Charlottesville, and many more.

Meyer’s reflections on the need for a new, intensified solidarity consciousness and accountability among white folks provide a provocative and urgent challenge. These essays—some coauthored by Black Lives Matter and Ferguson Truth Telling leaders Natalie Jeffers and David Ragland, Puerto Rican professor Ana López, Muslim interfaith activist Sahar Alsahlani, and Afro-Asian cultural icon Fred Ho—offer up-to-the-minute insights. Read on, and get ready for hope in the context of hard work.

Ruby James lives life to the full, the state-run hospital where she works as a nurse a microcosm of the community in which she was born and bred. While some outsiders might label the people of this town “white trash,” she knows different, reveling in a vibrant society that values people over money, actions above words.

For Ruby, every person is unique and has a story to tell, whether it is skinhead taxi driver Steve, retired teacher and rocker Pearl, magic-mushroom expert Danny Wax Cap, or former merchant seaman Ron Dawes. She encourages people to tell their tales, thrilled by the images created. Outside of work she drinks, dances, and has fun with her friends, at the same time dealing with her mother’s Alzheimer’s and a vision from the past, aware that physical and mental health are precious and easily lost. The epitome of positive thinking, Ruby sees the best in everyone—until the day true evil comes to call.

A mystery figure roams the corridors of Ruby’s state-run hospital. He carries special medicine and a very different set of values. He tells himself that he wants to help, increase efficiency, but cost-cutting leads to social cleansing as humans are judged according to that white-trash agenda. Excuses and justifications flow as notions of heaven and hell are distorted. Set against a background of pirate radio stations, pink Cadillacs, and freeway dreams, White Trash insists there is no such thing as white trash.

Faces masked, dressed in black, and forcefully attacking the symbols of capitalism, Black Blocs have been transformed into an anti-globalization media spectacle. But the popular image of the window-smashing thug hides a complex reality.

Francis Dupuis-Déri outlines the origin of this international phenomenon, its dynamics, and its goals, arguing that the use of violence always takes place in an ethical and strategic context.

Translated into English for the first time and completely revised and updated to include the most recent Black Bloc actions at protests in Greece, Germany, Canada, and England, and the Bloc’s role in the Occupy movement and the Quebec student strike, Who’s Afraid of the Black Blocs? lays out a comprehensive view of the Black Bloc tactic and locates it within the anarchist tradition of direct action.

Why Work? is a provocative collection of essays and illustrations by writers and artists from the nineteenth century through to today, dissecting “work,” its form under capitalism, and the possibilities for an alternative society. It asks: Why do some of us still work until we drop in an age of vast automated production, while others starve for lack of work? Where is the leisure society that was promised?

Edited by Freedom Press, this collection includes contributions from luminaries of the past such as William Morris and Bertrand Russell, contemporary theorists such as David Graeber and Juliet Schor, and illustrated examinations of workplace potentials and pitfalls from Clifford Harper and Prole.info.

Wielding Words like Weapons is a collection of acclaimed American Indian Movement activist-intellectual Ward Churchill’s essays in indigenism, selected from material written during the decade 1995–2005. It includes a range of formats, from sharply framed book reviews and equally pointed polemics and op-eds to more formal essays designed to reach both scholarly and popular audiences. The selection also represents the broad range of topics addressed in Churchill’s scholarship, including the fallacies of archeological and anthropological orthodoxy such as the insistence of “cannibalogists” that American Indians were traditionally maneaters, Hollywood’s cinematic degradations of native people, questions of American Indian identity, the historical and ongoing genocide of North America’s native peoples, and the systematic distortion of the political and legal history of U.S.-Indian relations.

Less typical of Churchill’s oeuvre are the essays commemorating Cherokee anthropologist Robert K. Thomas and Yankton Sioux legal scholar and theologian Vine Deloria Jr. More unusual still is his profoundly personal effort to come to grips with the life and death of his late wife, Leah Renae Kelly, thereby illuminating in very human terms the grim and lasting effects of Canada’s residential schools upon the country’s indigenous peoples.

A foreword by Seneca historian Barbara Alice Mann describes the sustained efforts by police and intelligence agencies as well as university administrators and other academic adversaries to discredit or otherwise “neutralize” both the man and his work. Also included are both the initial “stream-of-consciousness” version of Churchill’s famous—or notorious—“little Eichmanns” opinion piece analyzing the causes of the attacks on 9/11, as well as the counterpart essay in which his argument was fully developed.

Wielding Words like Weapons is a collection of acclaimed American Indian Movement activist-intellectual Ward Churchill’s essays in indigenism, selected from material written during the decade 1995–2005. It includes a range of formats, from sharply framed book reviews and equally pointed polemics and op-eds to more formal essays designed to reach both scholarly and popular audiences. The selection also represents the broad range of topics addressed in Churchill’s scholarship, including the fallacies of archeological and anthropological orthodoxy such as the insistence of “cannibalogists” that American Indians were traditionally maneaters, Hollywood’s cinematic degradations of native people, questions of American Indian identity, the historical and ongoing genocide of North America’s native peoples, and the systematic distortion of the political and legal history of U.S.-Indian relations.

Less typical of Churchill’s oeuvre are the essays commemorating Cherokee anthropologist Robert K. Thomas and Yankton Sioux legal scholar and theologian Vine Deloria Jr. More unusual still is his profoundly personal effort to come to grips with the life and death of his late wife, Leah Renae Kelly, thereby illuminating in very human terms the grim and lasting effects of Canada’s residential schools upon the country’s indigenous peoples.

A foreword by Seneca historian Barbara Alice Mann describes the sustained efforts by police and intelligence agencies as well as university administrators and other academic adversaries to discredit or otherwise “neutralize” both the man and his work. Also included are both the initial “stream-of-consciousness” version of Churchill’s famous—or notorious—“little Eichmanns” opinion piece analyzing the causes of the attacks on 9/11, as well as the counterpart essay in which his argument was fully developed.

Ursula K. Le Guin is the one modern science fiction author who truly needs no introduction. In the half century since The Left Hand of Darkness, her works have changed not only the face but the tone and the agenda of SF, introducing themes of gender, race, socialism, and anarchism, all the while thrilling readers with trips to strange (and strangely familiar) new worlds. She is our exemplar of what fantastic literature can and should be about.

Her Nebula winner The Wild Girls, newly revised and presented here in book form for the first time, tells of two captive “dirt children” in a society of sword and silk, whose determination to enter “that possible even when unattainable space in which there is room for justice” leads to a violent and loving end.

Plus: Le Guin’s scandalous and scorching Harper’s essay, “Staying Awake While We Read,” (also collected here for the first time) which demolishes the pretensions of corporate publishing and the basic assumptions of capitalism as well. And of course our Outspoken Interview, which promises to reveal the hidden dimensions of America’s best-known SF author. And delivers.

Wildcat Anarchist Comics collects the drawings of Donald Rooum, mostly (but by no means entirely) from the long-running “Wildcat” cartoon series that has been published in Freedom newspaper since 1980. Rooum does not just purvey jokes but makes the drawings comical in themselves, “getting the humour in the line,” provoking laughter even in those who do not read the captions or speech balloons.

The chief characters in the strip are the Revolting Pussycat, a short-fused anarchist who is furious and shouty; and the Free-Range Egghead, an intellectual who would like anarchism to be respectable but sometimes appears foolish. Governments, bosses, and authoritarians are presented as buffoons, and quite often so are anarchists. This thoughtful and delightful collection includes strips from The Skeptic and many more, all beautifully colored for the first time by Jayne Clementson.

The book also includes a lively autobiographical introduction that discusses Rooum’s role in the 1963 “Challenor case,” in which a corrupt police officer planted a weapon on Rooum at a demonstration, ultimately resulting in Rooum’s acquittal.

William Godwin has long been known for his literary connections as the husband of Mary Wollstonecraft, the father of Mary Shelley, the friend of Coleridge, Lamb, and Hazlitt, the mentor of the young Wordsworth, Southey, and Shelley, and the opponent of Malthus. Godwin has been recently recognized, however, as the most capable exponent of philosophical anarchism, an original moral thinker, a pioneer in socialist economics and progressive education, and a novelist of great skill.

His long life straddled two centuries. Not only did he live at the center of radical and intellectual London during the French Revolution, he also commented on some of the most significant changes in British history. Shaped by the Enlightenment, he became a key figure in English Romanticism.

Basing his work on extensive published and unpublished materials, Peter Marshall has written a comprehensive study of this flamboyant and fascinating figure. Marshall places Godwin firmly in his social, political, and historical context; he traces chronologically the origin and development of Godwin’s ideas and themes; and he offers a critical estimate of his works, recognizing the equal value of his philosophy and literature and their mutual illumination.

The picture of Godwin that emerges is one of a complex man and a subtle and revolutionary thinker, one whose influence was far greater than is usually assumed. In the final analysis, Godwin stands forth not only as a rare example of a man who excelled in both philosophy and literature but as one of the great humanists in the Western tradition.

William Morris—the great 19th-century craftsman, designer, poet and writer—remains a monumental figure whose influence resonates powerfully today. As an intellectual (and author of the seminal utopian News from Nowhere), his concern with artistic and human values led him to cross what he called the “river of fire” and become a committed socialist—committed not to some theoretical formula but to the day by day struggle of working women and men in Britain and to the evolution of his ideas about art, about work and about how life should be lived.

Many of his ideas accorded none too well with the reforming tendencies dominant in the labour movement, nor with those of “orthodox” Marxism, which has looked elsewhere for inspiration. Both sides have been inclined to venerate Morris rather than to pay attention to what he said.

In this biography, written less than a decade before his groundbreaking The Making of the English Working Class, E.P. Thompson brought his now trademark historical mastery, passion, wit, and essential sympathy. It remains unsurpassed as the definitive work on this remarkable figure, by the major British historian of the 20th century.

Wisconsin Rising documents the largest sustained workers’ resistance movement in American history. Wisconsin was a testing ground for the nation in 2011 as big money attempted to undo basic workers’ rights when newly-elected Republican Governor Scott Walker suddenly stripped collective bargaining power from the state’s public employees.

Wisconsin Rising catapults the viewer into the days, weeks, and months when Wisconsinites fought back against power, authority, and injustice. Happening months before the Occupy movement, Wisconsinites spontaneously occupied their state Capitol for weeks as never before seen in American History.

As the story unfolds, democracy itself is at stake. The government in Wisconsin looks like a circus, as Republicans invent new laws daily, restricting citizens’—and even elected officials’—access to the State House. Our cameras are rolling on March 9th, 2011, when Republican Senators attempt to vote on the bill with no public notice as over 10,000 people pour into the Capitol, occupying its halls overnight. Dramatic footage shows Republican Senators fleeing the state capitol on a secret shuttle as thousands of Wisconsinites fill the State House and Capitol grounds in protest.

Collecting more than one million signatures, the people attempt to oust Scott Walker in a recall election. He is only the third governor in American history to face a recall election and is the first to survive.

What will the people of Wisconsin do in the face of these perceived injustices? How will the citizens rebuild and reorganize, and what can the rest of America learn from their actions?

DVD extras include interviews with Dennis Kucinich and Tom Morello.

To consider Wisdom Teeth is to acknowledge inevitable movement, shift, and sometimes pain. There’s change hidden just below the surface and, like it or not, once it breaks, everything has to make room. So goes the aptly titled debut poetry collection from poet and educator Derrick Weston Brown. Wisdom Teeth reveals the ongoing internal and external reconstruction of a poet’s life and world, as told through a litany of forms and myriad of voices, some the poet’s own.

Wisdom Teeth is a questioning work, a redefining of personal relationships, masculinity, race, and history. It’s a readjustment of bite, humor, and perspective as Brown channels hip-hop, Toni Morrison, and Snagglepuss to make way for the shudder and eruption of wisdom.

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the “New World,” this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity.

As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici’s work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.

A fascinating dramatized fiction of the life and times of Jules Bonnot, his “gang,” and associates, the individualist anarchists of the time, including the young Victor Serge. An affectionate, fast-paced, but historically accurate account of the life of the extraordinary Bonnot—worker, soldier, auto-mechanic, driver to Sir Arthur Conan Doyle—a man with a long-cherished dream of absolute freedom, and the first bank-robber to use a getaway car; an anarchist who felt it his duty to lash out at bourgeois society, staking his all. A tragically romantic hero, Jules Bonnot emerges from these pages as a wounded dreamer who was to deeply affect the lives of so many other unforgettable characters. Beautifully illustrated by Flavio Costantini.

Wobblies and Zapatistas offers the reader an encounter between two generations and two traditions. Andrej Grubačić is an anarchist from the Balkans. Staughton Lynd is a lifelong pacifist, influenced by Marxism. They meet in dialogue in an effort to bring together the anarchist and Marxist traditions, to discuss the writing of history by those who make it, and to remind us of the idea that “my country is the world.” Encompassing a Left-libertarian perspective and an emphatically activist standpoint, these conversations are meant to be read in the clubs and affinity groups of the new Movement.

The authors accompany us on a journey through modern revolutions, direct actions, antiglobalist counter-summits, Freedom Schools, Zapatista cooperatives, Haymarket and Petrograd, Hanoi and Belgrade, “intentional” communities, wildcat strikes, early Protestant communities, Native American democratic practices, the Workers’ Solidarity Club of Youngstown, occupied factories, self-organized councils and soviets, the lives of forgotten revolutionaries, Quaker meetings, antiwar movements, and prison rebellions. Neglected and forgotten moments of interracial self-activity are brought to light. The book invites the attention of readers who believe that a better world, on the other side of capitalism and state bureaucracy, may indeed be possible.

The Blood Wolf prowls near the village of Stonebriar at night. She devours chickens and goats and cows and cats. Some say children are missing. But this murderous wolf isn’t the villain of our story, she’s the hero!

The Blood Wolf hates humankind for destroying the forest, but an encounter with a beggar teaches her a better way to confront injustice. How will she react when those she loves are threatened?

This imaginative retelling of the legend of Saint Francis and the Wolf explores what it means to be a peacemaker in the midst of violence and how to restore a healthy relationship with creation.

Settle in and read a tale of tooth and sword, of beggars and lords, of outlaws and wild beasts. It is a story of second chances and the power of love. This is the story of A Wolf at the Gate.

This collection brings together key texts and previously unavailable essays of the influential Italian feminist author and activist Mariarosa Dalla Costa. In recent years there has been both a renewed interest in theories of social reproduction and an explosion of women’s struggles and strikes across the world. The collection offers both historical and contemporary Marxist feminist analysis of how the reproduction of labour and life functions under capitalism.

Dalla Costa’s essays, speeches, and political interventions provide insight into the vibrant and combative women’s movement that emerged in Italy and across the world in the early 1970s. Since the publication of Women and the Subversion of the Community (1972), Dalla Costa has been a central figure in the development of autonomist thought in a wide range of anticapitalist and feminist social movements. Her detailed research and provocative thinking deepens our understanding of the role of women’s struggles for autonomy and control over their bodies and labour. These essays provide critical and relevant ideas for anticapitalists, antiracists, and feminists who are attempting to build counterpower in the age of austerity.

Peter Kropotkin remains one of the best-known anarchist thinkers, and Words of a Rebel was his first libertarian book. Published in 1885 while he was in a French jail for anarchist activism, this collection of articles from the newspaper Le Revolté sees Kropotkin criticise the failings of capitalism and those who seek to end it by means of its main support, the state. Instead, he urged the creation of a mass movement from below that would expropriate property and destroy the state, replacing their centralised hierarchies with federations of self-governing communities and workplaces.

Kropotkin’s instant classic included discussions themes and ideas he returned to repeatedly during his five decades in the anarchist movement. Unsurprisingly, Words of a Rebel was soon translated into numerous languages—including Italian, Spanish, Bulgarian, Russian, and Chinese—and reprinted time and time again. But despite its influence as Kropotkin’s first anarchist work, it was the last to be completely translated into English.

This is a new translation from the French original by Iain McKay except for a few chapters previously translated by Nicolas Walter. Both anarchist activists and writers, they are well placed to understand the assumptions within and influences on Kropotkin’s revolutionary journalism. It includes all the original 1885 text along with the preface to the 1904 Italian as well as the preface and afterward to the 1919 Russian editions. In addition, it includes many articles on the labour movement written by Kropotkin for Le Revolté which show how he envisioned getting from criticism to a social revolution. Along with a comprehensive glossary and an introduction by Iain McKay placing this work within the history of anarchism as well as indicating its relevance to radicals and revolutionaries today, this is the definitive edition of an anarchist classic.

History is not made by kings, politicians, or a few rich individuals—it is made by all of us. From the temples of ancient Egypt to spacecraft orbiting Earth, workers and ordinary people everywhere have walked out, sat down, risen up, and fought back against exploitation, discrimination, colonization, and oppression.

Working Class History presents a distinct selection of people’s history through hundreds of “on this day in history” anniversaries that are as diverse and international as the working class itself. Women, young people, people of color, workers, migrants, Indigenous people, LGBT+ people, disabled people, older people, the unemployed, home workers, and every other part of the working class have organized and taken action that has shaped our world, and improvements in living and working conditions have been won only by years of violent conflict and sacrifice. These everyday acts of resistance and rebellion highlight just some of those who have struggled for a better world and provide lessons and inspiration for those of us fighting in the present. Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence.

This handbook of grassroots movements, curated by the popular Working Class History project, features many hidden histories and untold stories, reinforced with inspiring images, further reading, and a foreword from legendary author and dissident Noam Chomsky.

History is not made by kings, politicians, or a few rich individuals—it is made by all of us. From the temples of ancient Egypt to spacecraft orbiting Earth, workers and ordinary people everywhere have walked out, sat down, risen up, and fought back against exploitation, discrimination, colonization, and oppression.

Working Class History presents a distinct selection of people’s history through hundreds of “on this day in history” anniversaries that are as diverse and international as the working class itself. Women, young people, people of color, workers, migrants, Indigenous people, LGBT+ people, disabled people, older people, the unemployed, home workers, and every other part of the working class have organized and taken action that has shaped our world, and improvements in living and working conditions have been won only by years of violent conflict and sacrifice. These everyday acts of resistance and rebellion highlight just some of those who have struggled for a better world and provide lessons and inspiration for those of us fighting in the present. Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence.

This handbook of grassroots movements, curated by the popular Working Class History project, features many hidden histories and untold stories, reinforced with inspiring images, further reading, and a foreword from legendary author and dissident Noam Chomsky.

Fiercely intelligent, fantastically transgressive, Working It is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity this collection showcases the vastly different experiences and interests of those who have traded sex; among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an afro-latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed-media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart.

Working-Class Heroes is an organic melding of history, music, and politics that demonstrates with remarkably colorful evidence that workers everywhere will struggle to improve their conditions of life. And among them will be workers who share an insight: in order to better our lot, we must act collectively to change the world. This profusely illustrated treasury of song sheets, lyrics, photographs, histories, and biographical sketches explores the notion that our best hope lies in the capacity of ordinary working people to awaken to the need to emancipate ourselves and all of humanity.

Featuring over a dozen songwriters, from Joe Hill to Aunt Molly Jackson,Working-Class Heroes delivers a lyrical death blow to the falsehood that so-called political songs of the twentieth century were all written by intellectuals in New York. Many, like Ella May Wiggins, were murdered by the bosses. Others, like Sarah Ogan Gunning, watched their children starve to death and their husbands die of black lung, only to rise up singing against the system that caused so much misery.

Most of the songs collected here are from the early twentieth century, yet their striking relevance to current affairs invites us to explore the historical conditions that inspired their creation: systemic crisis, advancing fascism, and the threat of world war. In the face of violent terror, these working-class songwriters bravely stood up to fight oppression. Such courage is immortal, and the songs of such heroes can still lift our spirits, if we sing them today.

Featured in this twenty-song collection are Sarah Ogan Gunning, Ralph Chaplin, Woody Guthrie, Ella May Wiggins, Joe Hill, Paul Robeson, John Handcox, Aunt Molly Jackson, Jim Garland, Alfred Hayes, Joseph Brandon, and several anonymous proletarian songwriters whose names have been long forgotten, though their words will never die.

Founded in 1979 by Seth Tobocman and Peter Kuper, World War 3 Illustrated is a labor of love run by a collective of artists (both first-timers and established professionals) and political activists working with the unified goal of creating a home for political comics, graphics, and stirring personal stories. Their confrontational comics shine a little reality on the fantasy world of the American kleptocracy, and have inspired the developing popularity and recognition of comics as a respected art form.

This full-color retrospective exhibition is arranged thematically, including housing rights, feminism, environmental issues, religion, police brutality, globalization, and depictions of conflicts from the Middle East to the Midwest. World War 3 Illustrated isn’t about a war that may happen; it’s about the ongoing wars being waged around the world and on our very own doorsteps. World War 3 Illustrated also illuminates the war we wage on each other—and sometimes the one taking place in our own minds. World War 3 artists have been covering the topics that matter for over 30 years, and they’re just getting warmed up.

Contributors include Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.

Written in Blood features the work of Appalachia’s leading scholars and activists making available an accurate, ungilded, and uncensored understanding of our history. Combining new revelations from the past with sketches of a sane path forward, this is a deliberate collection looking at our past, present, and future.

Sociologist Wess Harris (When Miners March) further documents the infamous Esau scrip system for women, suggesting an institutionalized practice of forced sexual servitude that was part of coal company policy. In a conversation with award-winning oral historian Michael Kline, federal mine inspector Larry Layne explains corporate complicity in the 1968 Farmington Mine disaster which killed seventy-eight men and became the catalyst for the passage of major changes in U.S. mine safety laws. Mine safety expert and whistleblower Jack Spadaro speaks candidly of years of attempts to silence his courageous voice and recalls government and university collaboration in covering up details of the 1972 Buffalo Creek flooding disaster, which killed over a hundred people and left four thousand homeless.

Moving to the next generation of thinkers and activists, attorney Nathan Fetty examines current events in Appalachia and musician Carrie Kline suggests paths forward for people wishing to set their own course rather than depend on the kindness of corporations.

They call him the Kid. He’s a killer, a dark Latino legend of the Southwest’s urban badlands, “a child who terrifies adults.” They speak of him in whispers in dive bars near closing time. Some claim to have met him. Others say he doesn’t exist, a phantom blamed for every unsolved act of violence, a ghost who haunts every blood-splattered crime scene.

But he is real. He’s a young man with a love of cooking and reading, an abiding loneliness and an appetite for violence. He is a cipher, a projection of the dreams and nightmares of people ignored by Phoenix’s economic boom…and a contemporary outlaw in search of an ordinary life. Love brings him the chance at a new life in the form of Vanjii, a beautiful, damaged woman. But try as he might to abandon the past, his past won’t abandon him. The Kid fights back in the only way he knows – and sets in motion a tragic sequence of events that lead him to an explosive conclusion shocking in its brutality and tenderness.

Straight edge—hardcore punk’s drug-free offshoot—has thrived as a subculture since the early 1980s. Its influence has reached far beyond musical genres and subcultural divides. Today it is more diverse and richly complex than ever, and in the past decade alcohol and drug use have become a much-discussed issue in radical politics, not least due to the hard work, dedication, and commitment to social and environmental justice found among straight-edge activists.

X: Straight Edge and Radical Sobriety is Gabriel Kuhn’s highly anticipated follow-up to his critically acclaimed Sober Living for the Revolution. In this impressive volume, Kuhn continues his reconnaissance of straight-edge culture and how it overlaps with radical politics. Extensively illustrated and combining original interviews and essays with manifestos and reprints from zines and pamphlets, X is a vital portrait of the wide spectrum of people who define straight-edge culture today.

In the sprawling scope of this book, the notion of straight edge as a bastion of white, middle-class, cis males is openly confronted and boldly challenged by dozens of contributors who span five continents. X takes a piercing look at religion, identity, feminism, aesthetics, harm reduction, and much more. It is both a call to action and an elaborate redefinition of straight edge and radical sobriety.

Promising to inspire discussion, reflection, and unearth hidden chapters of hardcore punk history, X: Straight Edge and Radical Sobriety is of crucial importance to anybody interested in the politics of punk and social transformation.

Y'all Means All is a celebration of the weird and wonderful aspects of a troubled region in all of their manifest glory! This collection is a thought-provoking hoot and a holler of "we’re queer and we’re here to stay, cause we’re every bit a piece of the landscape as the rocks and the trees" echoing through the hills of Appalachia and into the boardrooms of every media outlet and opportunistic author seeking to define Appalachia from the outside for their own political agendas. Multidisciplinary and multi-genre, Y’all necessarily incorporates elements of critical theory, such as critical race theory and queer theory, while dealing with a multitude of methodologies, from quantitative analysis, to oral history and autoethnography.

This collection eschews the contemporary trend of "reactive" or "responsive" writing in the genre of Appalachian studies, and alternatively, provides examples of how modern Appalachians are defining themselves on their own terms. As such, it also serves as a toolkit for other Appalachian readers to follow suit, and similarly challenge the labels, stereotypes and definitions often thrust upon them. While providing blunt commentary on the region's past and present, the book’s soul is sustained by the resilience, ingenuity, and spirit exhibited by the authors; values which have historically characterized the Appalachian region and are continuing to define its culture to the present.

This book demonstrates above all else that Appalachia and its people are filled with a vitality and passion for their region which will slowly but surely effect long-lasting and positive changes in the region. If historically Appalachia has been treated as a "mirror" of the country, this book breaks that trend by allowing modern Appalachians to examine their own reflections and to share their insights in an honest, unfiltered manner with the world.

This unique comic by Milton Knight illuminates the early years of C.L.R. James (1901–1989), known in much later years as the “last great Pan-Africanist.” The son of a provincial school administrator in British-governed Trinidad, James disappointed his family by embracing the culture and passions of the colonial underclass, Carnival and cricket. He joined the literary avant-garde of the island before leaving for Britain. In the UK, James swiftly became a beloved cricket journalist, playwright for his close friend Paul Robeson, and a pathbreaking scholar of black history with The Black Jacobins (1938), the first history of the Haitian revolt.

The artistic skills of Milton Knight, at once acute and provocative, bring out James’s unique personality, how it arose, and how he became a world figure.

In a fascinating and radical critique of identity and class, Your Place or Mine? examines the modern invention of homosexuality as a social construct that emerged in the 19th century. Examining “fairies” in Victorian England, transmen in early 20th century Manhattan, sexual politics in Soviet Russia as well as Stonewall’s attempt to combine gay self-defence with revolutionary critique, Dauvé turns his keen eye on contemporary political correctness in the United States, and the rise of reactionary discourse.

The utopian vision of Your Place or Mine? is vital to a just society: the invention of a world where one can be human without having to be classified by sexual practices or gender expressions. Where one need not find shelter in definition or assimilation. A refreshing reminder that we are not all the same, nor do we need to be.

The Balkans, in particular the turbulent ex-Yugoslav territory, have been among the most important world regions in Noam Chomsky’s political reflections and activism for decades. His articles, public talks, and correspondence have provided a critical voice on political and social issues crucial not only to the region but the entire international community, including “humanitarian intervention,” the relevance of international law in today’s politics, media manipulations, and economic crisis as a means of political control.

This volume provides a comprehensive survey of virtually all of Chomsky’s texts and public talks that focus on the region of the former Yugoslavia, from the 1970s to the present. With numerous articles and interviews, this collection presents a wealth of materials appearing in book form for the first time along with reflections on events twenty-five years after the official end of communist Yugoslavia and the beginning of the war in Bosnia. The book opens with a personal and wide-ranging preface by Andrej Grubačić that affirms the ongoing importance of Yugoslav history and identity, providing a context for understanding Yugoslavia as an experiment in self-management, antifascism, and mutlethnic coexistence.

January 1, 1994. The day the North American Free Trade Agreement (NAFTA) comes into effect. A few minutes after midnight in Southeastern Mexico, several thousand Mayan soldiers take over half the state of Chiapas, declaring a war against the global corporate power they say rules Mexico. They call themselves the Zapatista National Liberation Army (EZLN).

Zapatista is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.

Narration by: Mumia Abu-Jamal, Darryl Hannah, Edward James Olmos and Geronimo Pratt.

Featuring interviews with: Subcomandante Marcos, Noam Chomsky, Comandante Tacho, David and Zebedeo, Mayor Insurgente Ana Maria, Javier Elorriaga, Zach de la Rocha and more.

Music by Rage Against the Machine.

Special features include complete interviews with Subcomandante Marcos and Noam Chomsky, additional video shorts, action guide and photo slideshow.

In this gorgeous collection of allegorical stories, Subcomandante Marcos, idiosyncratic spokesperson of the Zapatistas, has provided “an accidental archive” of a revolutionary group’s struggle against neo-liberalism. For 30 years, the Zapatistas have influenced and inspired movements worldwide, showing that another world is possible. They have infused Left politics with a distinct imaginary—and an imaginative, literary or poetic dimension—organizing horizontally, outside and against the state, and with a profound respect for difference as a source of political insight, not division. Marcos’s inspiring and sometimes Kafkaesque stories bear witness to how a defense of indigenous traditions can become a lever for the construction of a new anti-capitalist and anti-patriarchal world. With commentaries that illuminate their historical, political, and literary contexts and an introduction by the translators, this timeless elegiac volume is perfect for lovers of literature and lovers of revolution.