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Rituals have always been a focus of ethnographies of Melanesia, providing a ground for important theorizing in anthropology. This is especially true of the male initiation rituals that until recently were held in Papua New Guinea. For the most part, these rituals have been understood as all-male institutions, intended to maintain and legitimate male domination. Women's exclusion from the forest space where men conducted most such rites has been taken as a sign of their exclusion from the entire ritual process.

Women as Unseen Characters is the first book to examine the role of females in Papua New Guinea male rituals, and the first systematic treatment of this issue for any part of the world. In this volume, leading Melanesian scholars build on recent ethnographies that show how female kin had roles in male rituals that had previously gone unseen. Female seclusion and the enforcement of taboos were crucial elements of the ritual process: forms of presence in their own right.

Contributors here provide detailed accounts of the different kinds of female presence in various Papua New Guinea male rituals. When these are restored to the picture, the rituals can no longer be interpreted merely as an institution for reproducing male domination but must also be understood as a moment when the whole system of relations binding a male person to his kin is reorganized. By dealing with the participation of women, a totally neglected dimension of male rituals is added to our understanding.

Rituals have always been a focus of ethnographies of Melanesia, providing a ground for important theorizing in anthropology. This is especially true of the male initiation rituals that until recently were held in Papua New Guinea. For the most part, these rituals have been understood as all-male institutions, intended to maintain and legitimate male domination. Women's exclusion from the forest space where men conducted most such rites has been taken as a sign of their exclusion from the entire ritual process.

Women as Unseen Characters is the first book to examine the role of females in Papua New Guinea male rituals, and the first systematic treatment of this issue for any part of the world. In this volume, leading Melanesian scholars build on recent ethnographies that show how female kin had roles in male rituals that had previously gone unseen. Female seclusion and the enforcement of taboos were crucial elements of the ritual process: forms of presence in their own right.

Contributors here provide detailed accounts of the different kinds of female presence in various Papua New Guinea male rituals. When these are restored to the picture, the rituals can no longer be interpreted merely as an institution for reproducing male domination but must also be understood as a moment when the whole system of relations binding a male person to his kin is reorganized. By dealing with the participation of women, a totally neglected dimension of male rituals is added to our understanding.

Ever since the Ford Model T became a vehicle for the masses, the automobile has served as a symbol of masculinity. The freedom of the open road, the muscle car's horsepower, the technical know-how for tinkering: all of these experiences have largely been understood from the perspective of the male driver. Women, in contrast, were relegated to the passenger seat and have been the target of stereotypes that portray them as uninterested in automobiles and, more perniciously, as poor drivers.

In Women at the Wheel, Katherine J. Parkin illuminates the social implications of these stereotypes and shows how they have little basis in historical reality. With chapters on early driver's education and licensing programs, and on buying, driving, and caring for cars, she describes a rich cast of characters, from Mary Landon, the first woman ever to drive in 1899, to Dorothy Levitt, author of the first automotive handbook for women in 1909, to Margie Seals, who opened her garage, "My Favorite Mechanic . . . Is a Woman," in 1992.

Although women drove and had responsibility for their family's car maintenance, twentieth-century popular culture was replete with humorous comments and judgmental critiques that effectively denied women pride in their driving abilities and car-related expertise. Parkin contends that, despite women's long history with cars, these stereotypes persist.

Ever since the Ford Model T became a vehicle for the masses, the automobile has served as a symbol of masculinity. The freedom of the open road, the muscle car's horsepower, the technical know-how for tinkering: all of these experiences have largely been understood from the perspective of the male driver. Women, in contrast, were relegated to the passenger seat and have been the target of stereotypes that portray them as uninterested in automobiles and, more perniciously, as poor drivers.

In Women at the Wheel, Katherine J. Parkin illuminates the social implications of these stereotypes and shows how they have little basis in historical reality. With chapters on early driver's education and licensing programs, and on buying, driving, and caring for cars, she describes a rich cast of characters, from Mary Landon, the first woman ever to drive in 1899, to Dorothy Levitt, author of the first automotive handbook for women in 1909, to Margie Seals, who opened her garage, "My Favorite Mechanic . . . Is a Woman," in 1992.

Although women drove and had responsibility for their family's car maintenance, twentieth-century popular culture was replete with humorous comments and judgmental critiques that effectively denied women pride in their driving abilities and car-related expertise. Parkin contends that, despite women's long history with cars, these stereotypes persist.

Ever since the Ford Model T became a vehicle for the masses, the automobile has served as a symbol of masculinity. The freedom of the open road, the muscle car's horsepower, the technical know-how for tinkering: all of these experiences have largely been understood from the perspective of the male driver. Women, in contrast, were relegated to the passenger seat and have been the target of stereotypes that portray them as uninterested in automobiles and, more perniciously, as poor drivers.

In Women at the Wheel, Katherine J. Parkin illuminates the social implications of these stereotypes and shows how they have little basis in historical reality. With chapters on early driver's education and licensing programs, and on buying, driving, and caring for cars, she describes a rich cast of characters, from Mary Landon, the first woman ever to drive in 1899, to Dorothy Levitt, author of the first automotive handbook for women in 1909, to Margie Seals, who opened her garage, "My Favorite Mechanic . . . Is a Woman," in 1992.

Although women drove and had responsibility for their family's car maintenance, twentieth-century popular culture was replete with humorous comments and judgmental critiques that effectively denied women pride in their driving abilities and car-related expertise. Parkin contends that, despite women's long history with cars, these stereotypes persist.

In her eighteenth-century medical recipe manuscript, the Philadelphia healer Elizabeth Coates Paschall asserted her ingenuity and authority with the bold strokes of her pen. Paschall developed an extensive healing practice, consulted medical texts, and conducted experiments based on personal observations. As British North America’s premier city of medicine and science, Philadelphia offered Paschall a nurturing environment enriched by diverse healing cultures and the Quaker values of gender equality and women’s education. She participated in transatlantic medical and scientific networks with her friend, Benjamin Franklin. Paschall was not unique, however. Women Healers recovers numerous women of European, African, and Native American descent who provided the bulk of health care in the greater Philadelphia area for centuries.

Although the history of women practitioners often begins with the 1850 founding of Philadelphia’s Female Medical College, the first women’s medical school in the United States, these students merely continued the legacies of women like Paschall. Remarkably, though, the lives and work of early American female practitioners have gone largely unexplored. While some sources depict these women as amateurs whose influence declined, Susan Brandt documents women’s authoritative medical work that continued well into the nineteenth century. Spanning a century and a half, Women Healers traces the transmission of European women’s medical remedies to the Delaware Valley where they blended with African and Indigenous women’s practices, forming hybrid healing cultures.

Drawing on extensive archival research, Brandt demonstrates that women healers were not inflexible traditional practitioners destined to fall victim to the onward march of Enlightenment science, capitalism, and medical professionalization. Instead, women of various classes and ethnicities found new sources of healing authority, engaged in the consumer medical marketplace, and resisted physicians’ attempts to marginalize them. Brandt reveals that women healers participated actively in medical and scientific knowledge production and the transition to market capitalism.

In her eighteenth-century medical recipe manuscript, the Philadelphia healer Elizabeth Coates Paschall asserted her ingenuity and authority with the bold strokes of her pen. Paschall developed an extensive healing practice, consulted medical texts, and conducted experiments based on personal observations. As British North America’s premier city of medicine and science, Philadelphia offered Paschall a nurturing environment enriched by diverse healing cultures and the Quaker values of gender equality and women’s education. She participated in transatlantic medical and scientific networks with her friend, Benjamin Franklin. Paschall was not unique, however. Women Healers recovers numerous women of European, African, and Native American descent who provided the bulk of health care in the greater Philadelphia area for centuries.

Although the history of women practitioners often begins with the 1850 founding of Philadelphia’s Female Medical College, the first women’s medical school in the United States, these students merely continued the legacies of women like Paschall. Remarkably, though, the lives and work of early American female practitioners have gone largely unexplored. While some sources depict these women as amateurs whose influence declined, Susan Brandt documents women’s authoritative medical work that continued well into the nineteenth century. Spanning a century and a half, Women Healers traces the transmission of European women’s medical remedies to the Delaware Valley where they blended with African and Indigenous women’s practices, forming hybrid healing cultures.

Drawing on extensive archival research, Brandt demonstrates that women healers were not inflexible traditional practitioners destined to fall victim to the onward march of Enlightenment science, capitalism, and medical professionalization. Instead, women of various classes and ethnicities found new sources of healing authority, engaged in the consumer medical marketplace, and resisted physicians’ attempts to marginalize them. Brandt reveals that women healers participated actively in medical and scientific knowledge production and the transition to market capitalism.

Women in Frankish Society is a careful and thorough study of women and their roles in the Merovingian and Carolingian periods of the Middle Ages. During the 5th through 9th centuries, Frankish society transformed from a relatively primitive tribal structure to a more complex hierarchical organization. Suzanne Fonay Wemple sets out to understand the forces at work in expanding and limiting women's sphere of activity and influence during this time. Her goal is to explain the gap between the ideals and laws on one hand and the social reality on the other. What effect did the administrative structures and social stratification in Merovingian society have on equality between the sexes? Did the emergence of the nuclear family and enforcement of monogamy in the Carolingian era enhance or erode the power and status of women?

Wemple examines a wealth of primary sources, such deeds, testaments, formulae, genealogy, ecclesiastical and secular court records, letters, treatises, and poems in order to reveal the enduring German, Roman, and Christian cultural legacies in the Carolingian Empire. She attends to women in secular life and matters of law, economy, marriage, and inheritance, as well as chronicling the changes to women's experiences in religious life, from the waning influence of women in the Frankish church to the rise of female asceticism and monasticism.

Women in Frankish Society is a careful and thorough study of women and their roles in the Merovingian and Carolingian periods of the Middle Ages. During the 5th through 9th centuries, Frankish society transformed from a relatively primitive tribal structure to a more complex hierarchical organization. Suzanne Fonay Wemple sets out to understand the forces at work in expanding and limiting women's sphere of activity and influence during this time. Her goal is to explain the gap between the ideals and laws on one hand and the social reality on the other. What effect did the administrative structures and social stratification in Merovingian society have on equality between the sexes? Did the emergence of the nuclear family and enforcement of monogamy in the Carolingian era enhance or erode the power and status of women?

Wemple examines a wealth of primary sources, such deeds, testaments, formulae, genealogy, ecclesiastical and secular court records, letters, treatises, and poems in order to reveal the enduring German, Roman, and Christian cultural legacies in the Carolingian Empire. She attends to women in secular life and matters of law, economy, marriage, and inheritance, as well as chronicling the changes to women's experiences in religious life, from the waning influence of women in the Frankish church to the rise of female asceticism and monasticism.

When Israel declared its independence in 1948, it vowed to ensure equality for all citizens, regardless of religion, race, or gender. History shows, however, that this promise has been broken in the case of women, who generally live under circumstances significantly worse than those of men. Women in Israel is the first comprehensive overview of discrimination in a state dominated by a patriarchal religious order, and brings fresh insights to the efficacy of the law in improving the status of women. Providing a sociolegal perspective on women in Israel viewed, Ruth Halperin-Kaddari examines all aspects of Israeli women's lives, looking at legal issues such as affirmative action, motherhood and the workplace, and mechanisms for the advancement of women, as well as conditions of education, employment, health, family, and prostitution.

While tracing legislative evolution in Israel, Halperin-Kaddari discusses the extent to which law can create social change. Because of its unique position as an economically developed democracy and yet a state where government tries to maintain a special cultural tradition and religious identity in a heterogeneous society, Israel has failed to adopt a single national standard for women that would bring Israeli law into compliance with international human rights. Halperin-Kaddari concludes that the improvement in women's status has not been due to egalitarian consciousness, but rather is incidental to Israel's overall socioeconomic advancement.

Early medieval women exercised public roles, rights, and responsibilities. Women contributed through their labor to the welfare of the community. Women played an important part in public affairs. They practiced birth control through abortion and infanticide. Women committed crimes and were indicted. They owned property and administered estates. The drive toward economic growth and expansion abroad rested on the capacity of women to staff and manage economic endeavors at home.

In the later Middle Ages, the social position of women altered significantly, and the reasons why the role of women in society tended to become more restrictive are examined in these essays.

Early medieval women exercised public roles, rights, and responsibilities. Women contributed through their labor to the welfare of the community. Women played an important part in public affairs. They practiced birth control through abortion and infanticide. Women committed crimes and were indicted. They owned property and administered estates. The drive toward economic growth and expansion abroad rested on the capacity of women to staff and manage economic endeavors at home.

In the later Middle Ages, the social position of women altered significantly, and the reasons why the role of women in society tended to become more restrictive are examined in these essays.

During the 1960s, in such works as Man the Hunter, scholars constructed a model of cultural evolution in which men were characterized as "cooperative hunters of big game." Women fit neatly into this model, such books as Woman the Gatherer explained, as gatherers of plant food. In spite of evidence of hunting by women, this model—which incorporated the unexamined assumption that women in prehistory were "immobilized" by pregnancy, lactation, and child care and therefore needed to be left at a home base—came to dominate archaeological interpretation of the economic roles of men and women.

Women in Prehistory challenges this model and undertakes an examination of the archaeological record informed by insights into the cultural construction of gender that have emerged from scholarship in history, anthropology, biology, and related disciplines. Along with analysis of burial assemblages and of representations of gendered individuals, contributors study bone chemistry, assessment of skeletal pathologies, micro- and macro-scale distributional evidence, as well as analogical arguments from ethnoarchaeology and ethnohistory to discuss pottery, shell matrix sites, skeletal material, the domestic setting, and spinning.

In the United States, a majority of the poor and those who work with the poor are women. Recipients of public assistance and the welfare workers who serve them are both trapped at the bottom of the American welfare system. How do they perceive their place in society? How do they assess their self-worth in the hierarchy of a bureaucratic system? In this ethnographic study of a welfare office and two welfare rights groups, Catherine Pelissier Kingfisher addresses these issues in a thought-provoking analysis, based on the women's conversations with each other.

Women in the American Welfare Trap addresses a range of significant issues: policy formation and implementation, the role of men in women's economic lives, low-income women's beliefs and aspirations, and the possibilities for women cooperatively working to change the welfare system. Indeed, Kingfisher demonstrates that women who are often viewed as victims without control actively work within the confines of the system to exert their autonomy.

In the United States, a majority of the poor and those who work with the poor are women. Recipients of public assistance and the welfare workers who serve them are both trapped at the bottom of the American welfare system. How do they perceive their place in society? How do they assess their self-worth in the hierarchy of a bureaucratic system? In this ethnographic study of a welfare office and two welfare rights groups, Catherine Pelissier Kingfisher addresses these issues in a thought-provoking analysis, based on the women's conversations with each other.

Women in the American Welfare Trap addresses a range of significant issues: policy formation and implementation, the role of men in women's economic lives, low-income women's beliefs and aspirations, and the possibilities for women cooperatively working to change the welfare system. Indeed, Kingfisher demonstrates that women who are often viewed as victims without control actively work within the confines of the system to exert their autonomy.

Women in the Presence is a study of the religious lives of middle-class laywomen. Focusing on the ways in which the members of one Bible study group for women at a suburban Presbyterian church articulate their beliefs and define their communicative boundaries, the book reveals a style of managing privacy, diversity, and fellowship that displays distinct strengths and poignant prohibitions.

Based on eighteen months of participant-observation fieldwork, complemented by extensive individual interviews, Jody Shapiro Davie shows that often the deepest beliefs of group members are voiced only indirectly and that crucial elements of their personal beliefs are not discussed at all among the group. Women in the Presence makes apparent some of the difficulties and complexities of contemporary middle-class religious life in America: the fear of self-revelation that leads to spiritual isolation; denominational efforts not to alienate anyone that result in polite, superficial, and lifeless churches; and the conventions of middle-class culture that repress the individual's desire for sincere and active engagement with the life of the soul.

Approaching a middle-class American church through an anthropologist-folklorist's eyes, Women in the Presence offers a fresh perspective on the pursuit of spirituality by mainstream Protestant women. Unique in its field, this book will be of interest to the general reader and to scholars concerned with congregational studies, women and religion, vernacular religion and belief, and the anthropology of contemporary American religious life.

Throughout its history, Morocco has maintained a distinctive sense of identity. Its name conjures up visions of carpets and Casablanca, mint tea and the Marrakech Express, associations that are not entirely dispelled by visits to the country. However, in recent years Morocco has faced challenges to its stability. The advent of new technologies, such as satellite communications and the Internet, has enhanced the public's access to information and led to greater demands for human rights and government accountability. At the same time, Islamist influences are on the rise, with criticism from some that current structures of governance are not Islamic enough.

As different factions assert competing visions for the identity of the Moroccan state, the status of women is frequently invoked as a barometer of the country's progress. The nation-state has characterized the Moroccan female citizen as simultaneously modern, secular, and Islamic, while religious discourse has framed the nationalist vision as hopelessly enslaved to Western secularism, suggesting that the Moroccan woman needs to "return" to an authentic Muslim identity.

Based on two years of fieldwork conducted in the city of Fes, Rachel Newcomb's Women of Fes offers valuable insights into the everyday lives of Moroccan women. Newcomb evokes the struggles middle-class women face as they challenge and modify competing ideologies to create new forms of identity in work, family, and urban space. Simultaneously, the book situates women's lives within larger processes, such as globalization, human rights, and the construction of national identity.

The religious and political spheres of the later medieval and early modern periods were tightly and indisputably interwoven, as illustrated by the papal schism, the Hundred Years War, the Reconquest of Spain, and the English Reformation. In these events as well as in the larger religiopolitical systems in which they unfolded, female saints, devout lay women, and monastic women played central roles. In Women of God and Arms, Nancy Bradley Warren explores the political dimensions of the religious practices of women ranging from St. Colette of Corbie to Isabel of Castile to English nuns exiled during the reign of Elizabeth I.

Just as religious and political systems were bound up with one another, so too were the internal and external politics of England and several continental realms. Blood and marriage connected the English dynasties of Lancaster and York with those of France, Burgundy, Flanders, and Castile, creating tangled networks of alliances and animosities. In addition to being linked through ties of kinship, these realms were joined by frequent textual and cultural exchanges.

Warren draws upon a wide variety of sources—hagiography, chronicles, monastic records, devotional treatises, military manuals, political propaganda, and texts traditionally designated as literary—as she examines the ways manifestations of female spirituality operated at the intersections of civic, international, and ecclesiastical politics. Her exploration breaches boundaries separating the medieval and the early modern, the religious and the secular, the material and the symbolic, the literary and the historical, as it sheds new light on well-known figures such as Joan of Arc, Isabel of Castile, and Elizabeth I.

The religious and political spheres of the later medieval and early modern periods were tightly and indisputably interwoven, as illustrated by the papal schism, the Hundred Years War, the Reconquest of Spain, and the English Reformation. In these events as well as in the larger religiopolitical systems in which they unfolded, female saints, devout lay women, and monastic women played central roles. In Women of God and Arms, Nancy Bradley Warren explores the political dimensions of the religious practices of women ranging from St. Colette of Corbie to Isabel of Castile to English nuns exiled during the reign of Elizabeth I.

Just as religious and political systems were bound up with one another, so too were the internal and external politics of England and several continental realms. Blood and marriage connected the English dynasties of Lancaster and York with those of France, Burgundy, Flanders, and Castile, creating tangled networks of alliances and animosities. In addition to being linked through ties of kinship, these realms were joined by frequent textual and cultural exchanges.

Warren draws upon a wide variety of sources—hagiography, chronicles, monastic records, devotional treatises, military manuals, political propaganda, and texts traditionally designated as literary—as she examines the ways manifestations of female spirituality operated at the intersections of civic, international, and ecclesiastical politics. Her exploration breaches boundaries separating the medieval and the early modern, the religious and the secular, the material and the symbolic, the literary and the historical, as it sheds new light on well-known figures such as Joan of Arc, Isabel of Castile, and Elizabeth I.

Do women preach differently than men? In Women Preaching Revolution Elaine J. Lawless contends that they do. Drawing on her study of more than 150 sermons and extensive interviews with the clergywomen who preached them, Lawless argues that women have changed traditional preaching in ways that reflect their socialization as women and their experiences of being female in America.

Many of the women in her study were expected to take courses on the art of preaching as part of their seminary training. Most of them rejected the sermon structure and strategies they were taught in seminary, viewing them as part of a "male" homiletic tradition, and developed styles that celebrate their commitment to connection, relationship, and dialogue.

Do women preach differently than men? In Women Preaching Revolution Elaine J. Lawless contends that they do. Drawing on her study of more than 150 sermons and extensive interviews with the clergywomen who preached them, Lawless argues that women have changed traditional preaching in ways that reflect their socialization as women and their experiences of being female in America.

Many of the women in her study were expected to take courses on the art of preaching as part of their seminary training. Most of them rejected the sermon structure and strategies they were taught in seminary, viewing them as part of a "male" homiletic tradition, and developed styles that celebrate their commitment to connection, relationship, and dialogue.

Where are the women of jihad? Though there have been female terrorists since the advent of nonstate terrorism, women appear to be all but absent from today's global Islamist terrorist movement. In most accounts of al Qaeda and its affiliated networks, Muslim women are cast either as pacifist nurturers who steer their husbands, sons, and brothers away from violence or as passive bystanders who play a mere supporting role in networks run by radical men.

In Women Warriors for Allah, Dutch investigative journalists Janny Groen and Annieke Kranenberg offer an indispensable corrective to these conventional views. Their study is based on two years of extensive interviews with young Muslim women associated with the so-called Hofstad network, the jihadist group responsible for the shocking murder of filmmaker Theo van Gogh in November 2004. Far from being nonviolent nurturers or passive supporters, the Hofstad network's female members were confident, well-educated women who played an active part in the group's activities—and, the authors find, often held more radical views than their male counterparts.

Women Warriors for Allah gives voice to these women and provides a unique window onto the complex nature of their involvement with the Hoftstad group. In addition to deepening our understanding of the ways gender shapes Islamist terrorism, Groen and Kranenberg's ground-level narrative offers insight into the social dynamics of the terrorist network, explains the processes through which young Muslims in one of Europe's most tolerant societies became radicalized, and traces the network's evolution following the arrest and imprisonment of its key members.

The essays in Women's Folklore, Women's Culture focus on women performers of folklore and on women's genre of folklore. Long ignored, women's folklore is often collaborative and frequently is enacted in the privacy of the domestic sphere. This book provides insights balancing traditional folklore scholarship. All of the authors also explore the relationship between make and female views and worlds.

The book begins with the private world of women, performances within the intimacy of family and fields; it then studies women's folklore in the public arena; finally, the book looks at the interrelationships between public and private arenas and between male and female activities.

By turning our attention to previously ignored women's realms, these essays provide a new perspective from which to view human culture as a whole and make Women's Folklore, Women's Culture a significant addition to folklore scholarship

The essays in Women's Folklore, Women's Culture focus on women performers of folklore and on women's genre of folklore. Long ignored, women's folklore is often collaborative and frequently is enacted in the privacy of the domestic sphere. This book provides insights balancing traditional folklore scholarship. All of the authors also explore the relationship between make and female views and worlds.

The book begins with the private world of women, performances within the intimacy of family and fields; it then studies women's folklore in the public arena; finally, the book looks at the interrelationships between public and private arenas and between male and female activities.

By turning our attention to previously ignored women's realms, these essays provide a new perspective from which to view human culture as a whole and make Women's Folklore, Women's Culture a significant addition to folklore scholarship

Growing urbanization affects women and men in fundamentally different ways, but the relationship between gender and city environments has been ignored or misunderstood. Women and men play different roles, frequent different public areas, and face different health risks. Women suffer disproportionately from disease, injury, and violence because their access to resources is often more limited than that of their male counterparts. Yet, when women are healthy and safe, so are their families and communities. Urban policy makers and public health professionals need to understand how conditions in densely populated places can help or harm the well-being of women in order to serve this large segment of humanity.

Women's Health and the World's Cities illuminates the intersection of gender, health, and urban environments. This collection of essays examines the impact of urban living on the physical and psychological states of women and girls in Africa, Asia, Latin America, and the United States. Urban planners, scholars, medical practitioners, and activists present original research and compelling ideas. They consider the specific needs of subpopulations of urban women and evaluate strategies for designing spaces, services, and infrastructure in ways that promote women's health. Women's Health and the World's Cities provides urban planners and public health care providers with on-the-ground examples of projects and policies that have changed women's lives for the better.

Growing urbanization affects women and men in fundamentally different ways, but the relationship between gender and city environments has been ignored or misunderstood. Women and men play different roles, frequent different public areas, and face different health risks. Women suffer disproportionately from disease, injury, and violence because their access to resources is often more limited than that of their male counterparts. Yet, when women are healthy and safe, so are their families and communities. Urban policy makers and public health professionals need to understand how conditions in densely populated places can help or harm the well-being of women in order to serve this large segment of humanity.

Women's Health and the World's Cities illuminates the intersection of gender, health, and urban environments. This collection of essays examines the impact of urban living on the physical and psychological states of women and girls in Africa, Asia, Latin America, and the United States. Urban planners, scholars, medical practitioners, and activists present original research and compelling ideas. They consider the specific needs of subpopulations of urban women and evaluate strategies for designing spaces, services, and infrastructure in ways that promote women's health. Women's Health and the World's Cities provides urban planners and public health care providers with on-the-ground examples of projects and policies that have changed women's lives for the better.

According to Susan Deller Ross, many human rights advocates still do not see women's rights as human rights. Yet women in many countries suffer from laws, practices, customs, and cultural and religious norms that consign them to a deeply inferior status. Advocates might conceive of human rights as involving torture, extrajudicial killings, or cruel and degrading treatment—all clearly in violation of international human rights—and think those issues irrelevant to women. Yet is female genital mutilation, practiced on millions of young girls and even infants, not a gross violation of human rights? When a family decides to murder a daughter in the name of "honor," is that not an extrajudicial killing? When a husband rapes or savagely beats his wife, knowing the legal authorities will take no action on her behalf, is that not cruel and degrading treatment?

Women's Human Rights is the first human rights casebook to focus specifically on women's human rights. Rich with interdisciplinary material, the book advances the study of the deprivation and violence women suffer due to discriminatory laws, religions, and customs that deny them their most fundamental freedoms. It also provides present and future lawyers the legal tools for change, demonstrating how human rights treaties can be used to obtain new laws and court decisions that protect women against discrimination with respect to employment, land ownership, inheritance, subordination in marriage, domestic violence, female genital mutilation, polygamy, child marriage, and the denial of reproductive rights.

Ross examines international and regional human rights treaties in depth, including treaty language and the jurisprudence and general interpretive guidelines developed by human rights bodies. By studying how international human rights law has been and can be implemented at the domestic level through local courts and legislatures, readers will understand how to call upon these newly articulated human rights to help bring about legislation, court decisions, and executive action that protect women from human rights violations.

Some of the most hotly contested international women's rights issues today arise from the movement of peoples from one country to another and the practices they purportedly bring with them. In Women's Human Rights and Migration, Sital Kalantry focuses on immigrants of Asian descent living in the United States who are believed to abort female fetuses because they do not want a female child. While sex-selective abortion is a human rights concern in India, should we, for that reason, assume that the practice undermines women's equality in the United States? Although some pro-choice feminists believe that these prohibitions on sex-selective abortion promote women's equality, other feminists fiercely oppose such laws, characterizing them as a Trojan horse in the larger pursuit to overturn the reproductive rights guaranteed by Roe v. Wade. Nearly half of state legislatures in the United States have proposed laws restricting sex-selective abortion since 2009 and nine have adopted them.

Kalantry argues that traditional feminist legal theories and international human rights law fail to provide adequate guidance in examining the human rights implications of the reproductive practices of immigrant women, evidenced by the fact that both supporters and opponents ground their claims in women's equality. She advocates instead for a context-based approach that is open to the possibility that sex-selective abortion practices will have significantly different human rights implications when they emerge in different national contexts. The product of extensive empirical and interdisciplinary research, Kalantry's book investigates the actual occurrence of sex-selective abortion among Asian Americans, the social and cultural contexts in which women in the United States and India practice sex-selective abortion, and the consequences of the laws in each country for women's equality. Women's Human Rights and Migration develops a transnational feminist legal approach to examining and legislating contested acts that result from migration.

Some of the most hotly contested international women's rights issues today arise from the movement of peoples from one country to another and the practices they purportedly bring with them. In Women's Human Rights and Migration, Sital Kalantry focuses on immigrants of Asian descent living in the United States who are believed to abort female fetuses because they do not want a female child. While sex-selective abortion is a human rights concern in India, should we, for that reason, assume that the practice undermines women's equality in the United States? Although some pro-choice feminists believe that these prohibitions on sex-selective abortion promote women's equality, other feminists fiercely oppose such laws, characterizing them as a Trojan horse in the larger pursuit to overturn the reproductive rights guaranteed by Roe v. Wade. Nearly half of state legislatures in the United States have proposed laws restricting sex-selective abortion since 2009 and nine have adopted them.

Kalantry argues that traditional feminist legal theories and international human rights law fail to provide adequate guidance in examining the human rights implications of the reproductive practices of immigrant women, evidenced by the fact that both supporters and opponents ground their claims in women's equality. She advocates instead for a context-based approach that is open to the possibility that sex-selective abortion practices will have significantly different human rights implications when they emerge in different national contexts. The product of extensive empirical and interdisciplinary research, Kalantry's book investigates the actual occurrence of sex-selective abortion among Asian Americans, the social and cultural contexts in which women in the United States and India practice sex-selective abortion, and the consequences of the laws in each country for women's equality. Women's Human Rights and Migration develops a transnational feminist legal approach to examining and legislating contested acts that result from migration.

In this first critical study of female abolitionists and feminists in the freedmen's aid movement, Carol Faulkner describes these women's radical view of former slaves and the nation's responsibility to them. Moving beyond the image of the Yankee schoolmarm, Women's Radical Reconstruction demonstrates fully the complex and dynamic part played by Northern women in the design, implementation, and administration of Reconstruction policy. This absorbing account illustrates how these activists approached women's rights, the treatment of freed slaves, and the federal government's role in reorganizing Southern life.

Like Radical Republicans, black and white women studied here advocated land reform, political and civil rights, and an activist federal government. They worked closely with the military, the Freedmen's Bureau, and Northern aid societies to provide food, clothes, housing, education, and employment to former slaves. These abolitionist-feminists embraced the Freedmen's Bureau, seeing it as both a shield for freedpeople and a vehicle for women's rights. But Faulkner rebuts historians who depict a community united by faith in free labor ideology, describing a movement torn by internal tensions.

The author explores how gender conventions undermined women's efforts, as military personnel and many male reformers saw female reformers as encroaching on their territory, threatening their vision of a wage labor economy, and impeding the economic independence of former slaves. She notes the opportunities afforded to some middle-class black women, while also acknowledging the difficult ground they occupied between freed slaves and whites. Through compelling individual examples, she traces how female reformers found their commitment to gender solidarity across racial lines tested in the face of disagreements regarding the benefits of charity and the merits of paid employment.

In this first critical study of female abolitionists and feminists in the freedmen's aid movement, Carol Faulkner describes these women's radical view of former slaves and the nation's responsibility to them. Moving beyond the image of the Yankee schoolmarm, Women's Radical Reconstruction demonstrates fully the complex and dynamic part played by Northern women in the design, implementation, and administration of Reconstruction policy. This absorbing account illustrates how these activists approached women's rights, the treatment of freed slaves, and the federal government's role in reorganizing Southern life.

Like Radical Republicans, black and white women studied here advocated land reform, political and civil rights, and an activist federal government. They worked closely with the military, the Freedmen's Bureau, and Northern aid societies to provide food, clothes, housing, education, and employment to former slaves. These abolitionist-feminists embraced the Freedmen's Bureau, seeing it as both a shield for freedpeople and a vehicle for women's rights. But Faulkner rebuts historians who depict a community united by faith in free labor ideology, describing a movement torn by internal tensions.

The author explores how gender conventions undermined women's efforts, as military personnel and many male reformers saw female reformers as encroaching on their territory, threatening their vision of a wage labor economy, and impeding the economic independence of former slaves. She notes the opportunities afforded to some middle-class black women, while also acknowledging the difficult ground they occupied between freed slaves and whites. Through compelling individual examples, she traces how female reformers found their commitment to gender solidarity across racial lines tested in the face of disagreements regarding the benefits of charity and the merits of paid employment.

When women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained in postconflict societies

In Women’s Work, Jennifer Moore presents a reimagined theory of peacebuilding and transformative justice based on the experiences and insights of women farmers and microentrepreneurs who lived through protracted civil conflicts, drawing on seven years of interviews with women activists across ten communities—five in the Acholi region of Northern Uganda and five in the Moyamba and Koinadugu Districts of Sierra Leone. Despite the important differences between the preconflict and conflict histories and demographics of the two countries, Moore finds commonalities in the practical, yet visionary, approaches to community life emerging from the core values, daily activities, and long-range goals shared by rural cooperative members in both regions.

Collective survival, communal healing, and conflict resolution define the rhythm of these women’s daily lives as they go about building peace, piecemeal. They reject punitive retribution models and demand, instead, a peacebuilding model that advocates for advances in material well-being, the acknowledgment of state accountability for community suffering, and reconciliation and restoration of community networks. But most important, Moore amplifies these women’s voices when they insist that legal equality for women and healthy partnerships between women and men are also essential components to enduring transformation of their societies.

Moore theorizes what peacebuilding look like if it were modeled on these women-led, matriarchically structured communities that proved not only to be effective at holding governments accountable but also to have the capacity to feed their people and revitalize their local economies. Women’s Work shows that when women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained through the arts of collective livelihood, violence-free conflict management, and celebration.

When women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained in postconflict societies

In Women’s Work, Jennifer Moore presents a reimagined theory of peacebuilding and transformative justice based on the experiences and insights of women farmers and microentrepreneurs who lived through protracted civil conflicts, drawing on seven years of interviews with women activists across ten communities—five in the Acholi region of Northern Uganda and five in the Moyamba and Koinadugu Districts of Sierra Leone. Despite the important differences between the preconflict and conflict histories and demographics of the two countries, Moore finds commonalities in the practical, yet visionary, approaches to community life emerging from the core values, daily activities, and long-range goals shared by rural cooperative members in both regions.

Collective survival, communal healing, and conflict resolution define the rhythm of these women’s daily lives as they go about building peace, piecemeal. They reject punitive retribution models and demand, instead, a peacebuilding model that advocates for advances in material well-being, the acknowledgment of state accountability for community suffering, and reconciliation and restoration of community networks. But most important, Moore amplifies these women’s voices when they insist that legal equality for women and healthy partnerships between women and men are also essential components to enduring transformation of their societies.

Moore theorizes what peacebuilding look like if it were modeled on these women-led, matriarchically structured communities that proved not only to be effective at holding governments accountable but also to have the capacity to feed their people and revitalize their local economies. Women’s Work shows that when women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained through the arts of collective livelihood, violence-free conflict management, and celebration.

When women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained in postconflict societies

In Women’s Work, Jennifer Moore presents a reimagined theory of peacebuilding and transformative justice based on the experiences and insights of women farmers and microentrepreneurs who lived through protracted civil conflicts, drawing on seven years of interviews with women activists across ten communities—five in the Acholi region of Northern Uganda and five in the Moyamba and Koinadugu Districts of Sierra Leone. Despite the important differences between the preconflict and conflict histories and demographics of the two countries, Moore finds commonalities in the practical, yet visionary, approaches to community life emerging from the core values, daily activities, and long-range goals shared by rural cooperative members in both regions.

Collective survival, communal healing, and conflict resolution define the rhythm of these women’s daily lives as they go about building peace, piecemeal. They reject punitive retribution models and demand, instead, a peacebuilding model that advocates for advances in material well-being, the acknowledgment of state accountability for community suffering, and reconciliation and restoration of community networks. But most important, Moore amplifies these women’s voices when they insist that legal equality for women and healthy partnerships between women and men are also essential components to enduring transformation of their societies.

Moore theorizes what peacebuilding look like if it were modeled on these women-led, matriarchically structured communities that proved not only to be effective at holding governments accountable but also to have the capacity to feed their people and revitalize their local economies. Women’s Work shows that when women have full socioeconomic citizenship as well as equitable and respectful partnerships with men, transformative justice can be sustained through the arts of collective livelihood, violence-free conflict management, and celebration.

In Won in Translation Roger Chartier, one of the world's leading historians of books, publishing, and reading, considers the mobility of the early modern text and the plurality of circulating versions of the same work. The agent for both is translation, for through their lexical, aesthetic, and cultural decisions, translators always assign new meaning or new status to what they translate.

Won in Translation proceeds by way of four case studies, three dedicated to works originally in Spanish, the fourth to a Portuguese dramatic adaptation of Don Quixote. Bartolomé de Las Casas' Brevísima relación de la destrucción de las Indias, first printed in 1552, was a powerful instrument for the construction of what was later called the "black legend" of Spanish monarchy. Baltasar Gracián's Oráculo Manual, published in 1647, became the most famous courtier's manual in Europe. Both traveled more widely and were translated more often than any other books of their era. For Chartier they illustrate the great power of translation, which allowed Las Casas' account to be placed in multiple and successive contexts and enabled Gracián's book to take on a range of meanings it had not originally had. Chartier's next two chapters are devoted to plays, one by Lope de Vega, the other by Antônio José da Silva. In the case of Lope's Fuente Ovejuna, the "translation" was one from historical chronicle to dramatic performance. In Antônio José da Silva's Vida do Grande D. Quixote, the textual migration is twofold, as Cervantes' hero moves from Spanish to Portuguese and from novel to play.

In an Epilogue, Chartier moves three centuries forward to consider the paradox that it is the absolute immobility of the text, "reinvented" word for word, that creates its mobility in Jorge Luis Borges' fiction "Pierre Menard, Author of the Quixote." Works are transformed through changes of genre or language, to be sure; but even when the texts remain fixed, their readers give them different or inverted meaning.

In Won in Translation Roger Chartier, one of the world's leading historians of books, publishing, and reading, considers the mobility of the early modern text and the plurality of circulating versions of the same work. The agent for both is translation, for through their lexical, aesthetic, and cultural decisions, translators always assign new meaning or new status to what they translate.

Won in Translation proceeds by way of four case studies, three dedicated to works originally in Spanish, the fourth to a Portuguese dramatic adaptation of Don Quixote. Bartolomé de Las Casas' Brevísima relación de la destrucción de las Indias, first printed in 1552, was a powerful instrument for the construction of what was later called the "black legend" of Spanish monarchy. Baltasar Gracián's Oráculo Manual, published in 1647, became the most famous courtier's manual in Europe. Both traveled more widely and were translated more often than any other books of their era. For Chartier they illustrate the great power of translation, which allowed Las Casas' account to be placed in multiple and successive contexts and enabled Gracián's book to take on a range of meanings it had not originally had. Chartier's next two chapters are devoted to plays, one by Lope de Vega, the other by Antônio José da Silva. In the case of Lope's Fuente Ovejuna, the "translation" was one from historical chronicle to dramatic performance. In Antônio José da Silva's Vida do Grande D. Quixote, the textual migration is twofold, as Cervantes' hero moves from Spanish to Portuguese and from novel to play.

In an Epilogue, Chartier moves three centuries forward to consider the paradox that it is the absolute immobility of the text, "reinvented" word for word, that creates its mobility in Jorge Luis Borges' fiction "Pierre Menard, Author of the Quixote." Works are transformed through changes of genre or language, to be sure; but even when the texts remain fixed, their readers give them different or inverted meaning.

The quiet market town of Wilsnack in northeastern Germany is unfamiliar to most English-speakers and even to many modern Germans. Yet in the fifteenth century it was a European pilgrimage site surpassed in importance only by Rome and Santiago de Compostela. The goal of pilgrimage was three miraculous hosts, supposedly discovered in the charred remains of the village church several days after it had been torched by a marauding knight in August 1383. Although the church had been burned and the spot soaked with rain, the hosts were found intact and dry, with a drop of Christ's blood at the center of each.

In Wonderful Blood, Caroline Walker Bynum studies the saving power attributed to Christ's blood at north German cult sites such as Wilsnack, the theological controversy such sites generated, and the hundreds of devotional paintings, poems, and prayers dedicated to Christ's wounds, scourging, and bloody crucifixion. She argues that Christ's blood as both object and symbol was central to late medieval art, literature, pious practice, and theology. As object of veneration, blood provided a focus of intense debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a prominent subject of northern art and a central symbol in the visions of mystics and the prayers of ordinary people.

While the late Anglo-Saxons rarely recorded saints' posthumous miracles, a shift occurred as monastic writers of the late eleventh and twelfth centuries started to preserve hundreds of the stories they had heard of healings, acts of vengeance, resurrections, recoveries, and other miraculous deeds effected by their local saints. Indeed, Rachel Koopmans contends, the miracle collection quickly became a defining genre of high medieval English monastic culture.

Koopmans surveys more than seventy-five collections and offers a new model for understanding how miracle stories were generated, circulated, and replicated. She argues that orally exchanged narratives carried far more propagandistic power than those preserved in manuscripts; stresses the literary and memorial roles of miracle collecting; and traces changes in form and content as the focus of the collectors shifted from the stories told by religious colleagues to those told by lay visitors to their churches.

Wonderful to Relate highlights the importance of the two massive collections written by Benedict of Peterborough and William of Canterbury in the wake of the murder of Thomas Becket in 1170. Koopmans provides the first in-depth examination of the creation and influence of the Becket compilations, often deemed the greatest of all medieval miracle collections. In a final section, she ponders the decline of miracle collecting in the thirteenth century, which occurred with the advent of formalized canonization procedures and theological means of engaging with the miraculous.

While the late Anglo-Saxons rarely recorded saints' posthumous miracles, a shift occurred as monastic writers of the late eleventh and twelfth centuries started to preserve hundreds of the stories they had heard of healings, acts of vengeance, resurrections, recoveries, and other miraculous deeds effected by their local saints. Indeed, Rachel Koopmans contends, the miracle collection quickly became a defining genre of high medieval English monastic culture.

Koopmans surveys more than seventy-five collections and offers a new model for understanding how miracle stories were generated, circulated, and replicated. She argues that orally exchanged narratives carried far more propagandistic power than those preserved in manuscripts; stresses the literary and memorial roles of miracle collecting; and traces changes in form and content as the focus of the collectors shifted from the stories told by religious colleagues to those told by lay visitors to their churches.

Wonderful to Relate highlights the importance of the two massive collections written by Benedict of Peterborough and William of Canterbury in the wake of the murder of Thomas Becket in 1170. Koopmans provides the first in-depth examination of the creation and influence of the Becket compilations, often deemed the greatest of all medieval miracle collections. In a final section, she ponders the decline of miracle collecting in the thirteenth century, which occurred with the advent of formalized canonization procedures and theological means of engaging with the miraculous.

Examines the role of the body in Indigenous-language religious texts from colonial Latin America

Words Made Flesh examines the role played by corporeality in a series of missionary linguistic and poetic projects from Brazil, Peru, and Mexico in early colonial Latin America. Caroline Egan analyzes how works produced in Indigenous languages for the purpose of evangelization were shaped by and, in turn, transformed native understandings of embodiment.

Egan follows the trajectories of specific understudied words in the colonial corpus, tracing their usage through grammars, dictionaries, doctrinal translations, and hymns in Tupi, Quechua, and Nahuatl. These words, however, might not be the first to come to mind when thinking about missionary projects in the colonial world—such as God and trinity, heaven and hell, angel and demon. Instead, the book examines words like the Tupi îuká (to kill) and manõ (to die); the Quechua sunqu (now often translated as “heart”); and the Nahuatl chōca (to weep), cuīca (to sing), and ihuinti (to get drunk). With complementary emphases on regional specificity and comparative ramifications, Words Made Flesh argues that the changing fortunes of these words speak to significant areas of dialogue and debate between Indigenous communities and missionary writers in the late sixteenth century.

Examines the role of the body in Indigenous-language religious texts from colonial Latin America

Words Made Flesh examines the role played by corporeality in a series of missionary linguistic and poetic projects from Brazil, Peru, and Mexico in early colonial Latin America. Caroline Egan analyzes how works produced in Indigenous languages for the purpose of evangelization were shaped by and, in turn, transformed native understandings of embodiment.

Egan follows the trajectories of specific understudied words in the colonial corpus, tracing their usage through grammars, dictionaries, doctrinal translations, and hymns in Tupi, Quechua, and Nahuatl. These words, however, might not be the first to come to mind when thinking about missionary projects in the colonial world—such as God and trinity, heaven and hell, angel and demon. Instead, the book examines words like the Tupi îuká (to kill) and manõ (to die); the Quechua sunqu (now often translated as “heart”); and the Nahuatl chōca (to weep), cuīca (to sing), and ihuinti (to get drunk). With complementary emphases on regional specificity and comparative ramifications, Words Made Flesh argues that the changing fortunes of these words speak to significant areas of dialogue and debate between Indigenous communities and missionary writers in the late sixteenth century.

A collection of essays exploring the meaning of work, capitalism, and democracy in the past to shed light on the same conflicts today

Changes to the meaning and nature of work, capitalism, and democracy during and after the New Deal have been contested from the mid-twentieth century to the present day. Rather than rehashing the familiar, tidy story of a Democratic coalition coming together in the 1930s only to be felled by conservative movements in the 1970s, this volume instead emphasizes that the prosperity many white American families enjoyed did not stop the fights over whose work would be recognized, how corporations would be regulated, and whose democratic rights would be protected, both on and off the job. Cultural representations of the ideal worker, legal battles over workplace rights, political standoffs over inflation policies, dire warnings against too much regulation, and abuses of the tax code indicate there never really was a consensus on how democratic the country, its economic system, and its workplaces would be.

As the collected essays suggest, backlash does not seem the right word to describe the challenges left-leaning politicians, environmental activists, and immigrants faced in the late twentieth century, when managing supply chains became far more lucrative than manufacturing the goods being shipped around the world. Using the broad categories of work, capitalism, and democracy to reinterrogate the past, contributors contend, is the only way to understand today’s conflicts over the future of how Americans will work, how capitalism will function, and how the country will be governed.

Contributors: Carl J. Bon Tempo, Daniel Geary, Shane Hamilton, Meg Jacobs, Nelson Lichtenstein, Reuel Schiller, Elizabeth Tandy Shermer, Lauren Rebecca Sklaroff, Samir Sonti, Joseph J. Thorndike, Jean-Christian Vinel, Leandra Zarnow.

A collection of essays exploring the meaning of work, capitalism, and democracy in the past to shed light on the same conflicts today

Changes to the meaning and nature of work, capitalism, and democracy during and after the New Deal have been contested from the mid-twentieth century to the present day. Rather than rehashing the familiar, tidy story of a Democratic coalition coming together in the 1930s only to be felled by conservative movements in the 1970s, this volume instead emphasizes that the prosperity many white American families enjoyed did not stop the fights over whose work would be recognized, how corporations would be regulated, and whose democratic rights would be protected, both on and off the job. Cultural representations of the ideal worker, legal battles over workplace rights, political standoffs over inflation policies, dire warnings against too much regulation, and abuses of the tax code indicate there never really was a consensus on how democratic the country, its economic system, and its workplaces would be.

As the collected essays suggest, backlash does not seem the right word to describe the challenges left-leaning politicians, environmental activists, and immigrants faced in the late twentieth century, when managing supply chains became far more lucrative than manufacturing the goods being shipped around the world. Using the broad categories of work, capitalism, and democracy to reinterrogate the past, contributors contend, is the only way to understand today’s conflicts over the future of how Americans will work, how capitalism will function, and how the country will be governed.

Contributors: Carl J. Bon Tempo, Daniel Geary, Shane Hamilton, Meg Jacobs, Nelson Lichtenstein, Reuel Schiller, Elizabeth Tandy Shermer, Lauren Rebecca Sklaroff, Samir Sonti, Joseph J. Thorndike, Jean-Christian Vinel, Leandra Zarnow.

Herman Beavers offers a richly nuanced study of Ernes J. Gaines, James Alan McPherson, and Ralph Ellison as writers who have found ways to invest circumstances that might otherwise be seen as sites of squalor or despair with a sense of cultural vitality. He examines the Ellisonian themes and motifs the two later writers take up in their fiction, and looks at Ellison's influence on the strategies they enact to construct themselves as American writers.

For Beavers, the fictions of Ellison, Gaines, and McPherson are peopled by characters who value acts of storytelling and whose stories frame a fuller, more complex, and more inclusive version of American identity than those the dominant white culture has allowed.

Herman Beavers offers a richly nuanced study of Ernes J. Gaines, James Alan McPherson, and Ralph Ellison as writers who have found ways to invest circumstances that might otherwise be seen as sites of squalor or despair with a sense of cultural vitality. He examines the Ellisonian themes and motifs the two later writers take up in their fiction, and looks at Ellison's influence on the strategies they enact to construct themselves as American writers.

For Beavers, the fictions of Ellison, Gaines, and McPherson are peopled by characters who value acts of storytelling and whose stories frame a fuller, more complex, and more inclusive version of American identity than those the dominant white culture has allowed.

Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, Writing and Holiness probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?"

Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, Writing and Holiness uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.

Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, Writing and Holiness probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?"

Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, Writing and Holiness uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.

"Whoever reads these essays—and whether they follow the book from cover to cover, or dip into chapters at random—will find the rich abundance and variety of early American scholarship set out before them. Readers new to the field will grasp a sense of its expansiveness and possibilities, but seasoned scholars, too, will find here a feast of insights and possibilities that will engage, provoke, and inspire them."—from the Foreword, by Christopher Clark

How is American history written? In a penetrating series of review essays, prize-winning author Alan Taylor provides his own answer to this question. In the pages of The New Republic, he has regularly scrutinized the writing of the most interesting historians of early American history.

Together these reviews provide the general reader a rich and rewarding introduction to their subjects. The books reviewed span an enormous range of scholarship, from popular biographies of Founding Fathers, to investigations of murders of prostitutes to discussions of frontier technology. Grouped thematically, the essays reveal a historian with an unrivaled breadth of knowledge and an admirable passion for his subject, and one who has contributed a continent-wide perspective to colonial history. As readers steep themselves in world-class scholarship, they also discover a writer who takes very seriously his role as reader.

No work revealed more of the mysterious East to statesmen, explorers, readers, and writers of the late Middle Ages than the Book of John Mandeville. One of the most widely circulated documents of its day, it first appeared in French between 1356 and 1371 and was soon translated into nine other European languages. Ostensibly the account of one English knight's journeys through Africa and Asia, it is, rather, a compilation of travel writings first shaped by an unknown redactor.

Writing East is a study of how Mandeville's Travels came to appear in its various versions, explaining how it went through a series of transformations as it reached new audiences in order to serve as both a response to previous writings about the East and an important voice in the medieval conversation about the nature and limits of the world. Higgins offers a palimpsestic reading of this "multi-text" that demonstrates not only how the original French author overwrote his precursors but also how subsequent translators molded the material to serve their own ideological agendas.

No work revealed more of the mysterious East to statesmen, explorers, readers, and writers of the late Middle Ages than the Book of John Mandeville. One of the most widely circulated documents of its day, it first appeared in French between 1356 and 1371 and was soon translated into nine other European languages. Ostensibly the account of one English knight's journeys through Africa and Asia, it is, rather, a compilation of travel writings first shaped by an unknown redactor.

Writing East is a study of how Mandeville's Travels came to appear in its various versions, explaining how it went through a series of transformations as it reached new audiences in order to serve as both a response to previous writings about the East and an important voice in the medieval conversation about the nature and limits of the world. Higgins offers a palimpsestic reading of this "multi-text" that demonstrates not only how the original French author overwrote his precursors but also how subsequent translators molded the material to serve their own ideological agendas.

A wave of plague swept the cities of northern Italy in 1630–31, ravaging Christian and Jewish communities alike. In Writing Plague Susan L. Einbinder explores the Hebrew texts that lay witness to the event. These Jewish sources on the Great Italian Plague have never been treated together as a group, Einbinder observes, but they can contribute to a bigger picture of this major outbreak and how it affected people, institutions, and beliefs; how individuals and institutions responded; and how they did or did not try to remember and memorialize it. High self-consciousness characterizes many of the authorial voices, and the sophisticated and deliberate ways these authors represented themselves reveal a complex process of self-fashioning that equally contours the representation and meaning of plague. Conversely, it is under the strain of plague that conventions of self-fashioning come to the fore.

In the end, what proves most striking is how quickly these accounts retreated into obscurity. Why was this plague, which was among the most documented of all outbreaks since the Black Death of the fourteenth century, ultimately consigned to silence in Jewish memory? Did the memory take shape outside the written or material remains that we typically consult, in ephemeral forms that were lost over time? How much were the official genres of commemoration responsible for the erosion of historical particularity? How much did these conventionalized forms of mourning help individuals find language for private experience? And how, conversely, was private experience reconfigured to signify public grief?

Throughout Writing Plague, Einbinder unearths and analyzes a cluster of little-known texts, reading them as much for the things about which they remain silent as for the things they seem openly to express. It is a compelling hybrid work of literary criticism and historical reflection about premodern constructions of self and community.

A wave of plague swept the cities of northern Italy in 1630–31, ravaging Christian and Jewish communities alike. In Writing Plague Susan L. Einbinder explores the Hebrew texts that lay witness to the event. These Jewish sources on the Great Italian Plague have never been treated together as a group, Einbinder observes, but they can contribute to a bigger picture of this major outbreak and how it affected people, institutions, and beliefs; how individuals and institutions responded; and how they did or did not try to remember and memorialize it. High self-consciousness characterizes many of the authorial voices, and the sophisticated and deliberate ways these authors represented themselves reveal a complex process of self-fashioning that equally contours the representation and meaning of plague. Conversely, it is under the strain of plague that conventions of self-fashioning come to the fore.

In the end, what proves most striking is how quickly these accounts retreated into obscurity. Why was this plague, which was among the most documented of all outbreaks since the Black Death of the fourteenth century, ultimately consigned to silence in Jewish memory? Did the memory take shape outside the written or material remains that we typically consult, in ephemeral forms that were lost over time? How much were the official genres of commemoration responsible for the erosion of historical particularity? How much did these conventionalized forms of mourning help individuals find language for private experience? And how, conversely, was private experience reconfigured to signify public grief?

Throughout Writing Plague, Einbinder unearths and analyzes a cluster of little-known texts, reading them as much for the things about which they remain silent as for the things they seem openly to express. It is a compelling hybrid work of literary criticism and historical reflection about premodern constructions of self and community.

Critics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman.

The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched. Derek Pearsall studies what Langland knew about London—its geography, economics, and social life—and the way his focus on the city shifted in the course of revising the poem. Kathryn Kerby-Fulton examines the conditions for authorship and publishing in late fourteenth-century England and uncovers evidence of Langland's struggles to attract patronage and maintain control over the text and circulation of Piers.

Anne Middleton's stunning chapter explores how the long shadow of fourteenth-century labor laws fell across Langland as he reworked his text. Ralph Hanna III examines the conflicting demands of manual and intellectual labor on the poet, while Lawrence M. Clopper uncovers the deep impressions that contemporary controversies about Franciscan poverty made on Langland and his life-work. Each of the chapters unfolds from Langland's apologia, the extraordinary autobiographical passage unique to the last of the three distinct versions of Piers Plowman that have come down to us.

Critics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman.

The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched. Derek Pearsall studies what Langland knew about London—its geography, economics, and social life—and the way his focus on the city shifted in the course of revising the poem. Kathryn Kerby-Fulton examines the conditions for authorship and publishing in late fourteenth-century England and uncovers evidence of Langland's struggles to attract patronage and maintain control over the text and circulation of Piers.

Anne Middleton's stunning chapter explores how the long shadow of fourteenth-century labor laws fell across Langland as he reworked his text. Ralph Hanna III examines the conflicting demands of manual and intellectual labor on the poet, while Lawrence M. Clopper uncovers the deep impressions that contemporary controversies about Franciscan poverty made on Langland and his life-work. Each of the chapters unfolds from Langland's apologia, the extraordinary autobiographical passage unique to the last of the three distinct versions of Piers Plowman that have come down to us.

A careful reading of Book IV of Xenophon's Memorabilia and a demonstration of a Socratic education

It is well known that Socrates was executed by the city of Athens for not believing in the gods and for corrupting the youth. Despite this, it is not widely known what he really thought, or taught the youth to think, about philosophy, the gods, and political affairs. Of the few authors we rely on for firsthand knowledge of Socrates—Aristophanes, Xenophon, Plato, and Aristotle—only Xenophon, the least read of the four, lays out the whole Socratic education in systematic order.

In Xenophon's Socratic Education, through a careful reading of Book IV of Xenophon's Memorabilia, Dustin Sebell shows how Socrates ascended, with his students in tow, from opinions about morality or politics and religion to knowledge of such things. Besides revealing what it was that Socrates really thought—about everything from self-knowledge to happiness, natural theology to natural law, and rhetoric to dialectic—Sebell demonstrates how Socrates taught promising youths, like Xenophon or Plato, only indirectly: by jokingly teaching unpromising youths in their presence. Sebell ultimately shows how Socrates, the founder of moral and political philosophy, sought and found an answer to the all-important question: should we take our bearings in life from human reason, or revealed religion?

A careful reading of Book IV of Xenophon's Memorabilia and a demonstration of a Socratic education

It is well known that Socrates was executed by the city of Athens for not believing in the gods and for corrupting the youth. Despite this, it is not widely known what he really thought, or taught the youth to think, about philosophy, the gods, and political affairs. Of the few authors we rely on for firsthand knowledge of Socrates—Aristophanes, Xenophon, Plato, and Aristotle—only Xenophon, the least read of the four, lays out the whole Socratic education in systematic order.

In Xenophon's Socratic Education, through a careful reading of Book IV of Xenophon's Memorabilia, Dustin Sebell shows how Socrates ascended, with his students in tow, from opinions about morality or politics and religion to knowledge of such things. Besides revealing what it was that Socrates really thought—about everything from self-knowledge to happiness, natural theology to natural law, and rhetoric to dialectic—Sebell demonstrates how Socrates taught promising youths, like Xenophon or Plato, only indirectly: by jokingly teaching unpromising youths in their presence. Sebell ultimately shows how Socrates, the founder of moral and political philosophy, sought and found an answer to the all-important question: should we take our bearings in life from human reason, or revealed religion?

A careful reading of Book IV of Xenophon's Memorabilia and a demonstration of a Socratic education

It is well known that Socrates was executed by the city of Athens for not believing in the gods and for corrupting the youth. Despite this, it is not widely known what he really thought, or taught the youth to think, about philosophy, the gods, and political affairs. Of the few authors we rely on for firsthand knowledge of Socrates—Aristophanes, Xenophon, Plato, and Aristotle—only Xenophon, the least read of the four, lays out the whole Socratic education in systematic order.

In Xenophon's Socratic Education, through a careful reading of Book IV of Xenophon's Memorabilia, Dustin Sebell shows how Socrates ascended, with his students in tow, from opinions about morality or politics and religion to knowledge of such things. Besides revealing what it was that Socrates really thought—about everything from self-knowledge to happiness, natural theology to natural law, and rhetoric to dialectic—Sebell demonstrates how Socrates taught promising youths, like Xenophon or Plato, only indirectly: by jokingly teaching unpromising youths in their presence. Sebell ultimately shows how Socrates, the founder of moral and political philosophy, sought and found an answer to the all-important question: should we take our bearings in life from human reason, or revealed religion?

Born in 1918 into the fabric of Arab-Jewish frontier life at the foot of Mt. Tabor, Yigal Allon rose to become one of the founding figures of the state of Israel and an architect of its politics. In 1945 Allon became commander of the Palmah—an elite unit of the Haganah, the semilegal army of the Jewish community—during the struggle against the British for independence. In the 1947-49 War of Independence against local and invading Arab armies, he led the decisive battles that largely determined the borders of Israel. Paradoxically, his close lifelong relations with Arab neighbors did not prevent him from being a chief agent of their sizable displacement.

A bestseller in Israel and available now translated into English, Yigal Allon, Native Son is the only biography of this charismatic leader. The book focuses on Allon's life up to 1950, his clash with founding father David Ben-Gurion, the end of his military career, and the watershed in culture and character between the Jewish Yishuv and Israeli statehood. As a statesman in his more mature years, he formulated what became known as the "Allon Plan," which remains a viable blueprint for an eventual two-state partition between Israel and the Palestinians. Yet in the end, the promise Allon showed as a brilliant young military commander remained unfulfilled. The great dream of the Palmah generation was largely lost, and Allon's name became associated with the failed policies of the past.

The story of Allon's life frames the history of Israel, its relationship with its Arab neighbors, its culture and spirit. This important biography touches on matters—Israel's borders, refugees, military might—that remain very much alive today.

Born in 1918 into the fabric of Arab-Jewish frontier life at the foot of Mt. Tabor, Yigal Allon rose to become one of the founding figures of the state of Israel and an architect of its politics. In 1945 Allon became commander of the Palmah—an elite unit of the Haganah, the semilegal army of the Jewish community—during the struggle against the British for independence. In the 1947-49 War of Independence against local and invading Arab armies, he led the decisive battles that largely determined the borders of Israel. Paradoxically, his close lifelong relations with Arab neighbors did not prevent him from being a chief agent of their sizable displacement.

A bestseller in Israel and available now translated into English, Yigal Allon, Native Son is the only biography of this charismatic leader. The book focuses on Allon's life up to 1950, his clash with founding father David Ben-Gurion, the end of his military career, and the watershed in culture and character between the Jewish Yishuv and Israeli statehood. As a statesman in his more mature years, he formulated what became known as the "Allon Plan," which remains a viable blueprint for an eventual two-state partition between Israel and the Palestinians. Yet in the end, the promise Allon showed as a brilliant young military commander remained unfulfilled. The great dream of the Palmah generation was largely lost, and Allon's name became associated with the failed policies of the past.

The story of Allon's life frames the history of Israel, its relationship with its Arab neighbors, its culture and spirit. This important biography touches on matters—Israel's borders, refugees, military might—that remain very much alive today.

With more than half its population under twenty years old, Iran is one of the world's most youthful nations. The Iranian state characterizes its youth population in two ways: as a homogeneous mass, "an army of twenty millions" devoted to the Revolution, and as alienated, inauthentic, Westernized consumers who constitute a threat to the society. Much of the focus of the Islamic regime has been on ways to protect Iranian young people from moral hazards and to prevent them from providing a gateway for cultural invasion from the West. Iranian authorities express their anxieties through campaigns that target the young generation and its lifestyle and have led to the criminalization of many of the behaviors that make up youth culture.

In this ethnography of contemporary youth culture in Iran's capital, Shahram Khosravi examines how young Tehranis struggle for identity in the battle over the right to self-expression. Khosravi looks closely at the strictures confronting Iranian youth and the ways transnational cultural influences penetrate and flourish. Focusing on gathering places such as shopping centers and coffee shops, Khosravi examines the practices of everyday life through which young Tehranis demonstrate defiance against the official culture and parental dominance. In addition to being sites of opposition, Khosravi argues, these alternative spaces serve as creative centers for expression and, above all, imagination. His analysis reveals the transformative power these spaces have and how they enable young Iranians to develop their own culture as well as individual and generational identities. The text is enriched by examples from literature and cinema and by livid reports from the author's fieldwork.

With more than half its population under twenty years old, Iran is one of the world's most youthful nations. The Iranian state characterizes its youth population in two ways: as a homogeneous mass, "an army of twenty millions" devoted to the Revolution, and as alienated, inauthentic, Westernized consumers who constitute a threat to the society. Much of the focus of the Islamic regime has been on ways to protect Iranian young people from moral hazards and to prevent them from providing a gateway for cultural invasion from the West. Iranian authorities express their anxieties through campaigns that target the young generation and its lifestyle and have led to the criminalization of many of the behaviors that make up youth culture.

In this ethnography of contemporary youth culture in Iran's capital, Shahram Khosravi examines how young Tehranis struggle for identity in the battle over the right to self-expression. Khosravi looks closely at the strictures confronting Iranian youth and the ways transnational cultural influences penetrate and flourish. Focusing on gathering places such as shopping centers and coffee shops, Khosravi examines the practices of everyday life through which young Tehranis demonstrate defiance against the official culture and parental dominance. In addition to being sites of opposition, Khosravi argues, these alternative spaces serve as creative centers for expression and, above all, imagination. His analysis reveals the transformative power these spaces have and how they enable young Iranians to develop their own culture as well as individual and generational identities. The text is enriched by examples from literature and cinema and by livid reports from the author's fieldwork.

A holistic view of human development that rejects the conventional stages of childhood, adulthood, and old age

When we talk about human development, we tend to characterize it as proceeding through a series of stages in which we are first children, then adolescents, and finally, adults. But as James Bernard Murphy observes, growth is not limited to the young nor is decline limited to the aged. We are never trapped within the horizon of a particular life stage: children anticipate adulthood and adults recapture childhood. According to Murphy, the very idea of stages of life undermines our ability to see our lives as a whole.

In Your Whole Life, Murphy asks: what accounts for the unity of a human life over time? He advocates for an unconventional, developmental story of human nature based on a nested hierarchy of three powers—first, each person's unique human genome insures biological identity over time; second, each person's powers of imagination and memory insure psychological identity over time; and, third, each person's ability to tell his or her own life story insures narrative identity over time. Just as imagination and memory rely upon our biological identity, so our autobiographical stories rest upon our psychological identity. Narrative is not the foundation of personal identity, as many argue, but its capstone.

Engaging with the work of Aristotle, Augustine, Jesus, and Rousseau, as well as with the contributions of contemporary evolutionary biologists and psychologists, Murphy challenges the widely shared assumptions in Western thinking about personhood and its development through discrete stages of childhood, adulthood, and old age. He offers, instead, a holistic view in which we are always growing and declining, always learning and forgetting, and always living and dying, and finds that only in relation to one's whole life does the passing of time obtain meaning.

A holistic view of human development that rejects the conventional stages of childhood, adulthood, and old age

When we talk about human development, we tend to characterize it as proceeding through a series of stages in which we are first children, then adolescents, and finally, adults. But as James Bernard Murphy observes, growth is not limited to the young nor is decline limited to the aged. We are never trapped within the horizon of a particular life stage: children anticipate adulthood and adults recapture childhood. According to Murphy, the very idea of stages of life undermines our ability to see our lives as a whole.

In Your Whole Life, Murphy asks: what accounts for the unity of a human life over time? He advocates for an unconventional, developmental story of human nature based on a nested hierarchy of three powers—first, each person's unique human genome insures biological identity over time; second, each person's powers of imagination and memory insure psychological identity over time; and, third, each person's ability to tell his or her own life story insures narrative identity over time. Just as imagination and memory rely upon our biological identity, so our autobiographical stories rest upon our psychological identity. Narrative is not the foundation of personal identity, as many argue, but its capstone.

Engaging with the work of Aristotle, Augustine, Jesus, and Rousseau, as well as with the contributions of contemporary evolutionary biologists and psychologists, Murphy challenges the widely shared assumptions in Western thinking about personhood and its development through discrete stages of childhood, adulthood, and old age. He offers, instead, a holistic view in which we are always growing and declining, always learning and forgetting, and always living and dying, and finds that only in relation to one's whole life does the passing of time obtain meaning.

Young people, it seems, are both everywhere and nowhere. The media are crowded with images of youth as deviant or fashionable, personifying a society's anxieties and hopes about its own transformation. However, theories of globalization, nationalism, and citizenship tend to focus on adult actors. Youthscapes sets youth at the heart of globalization by exploring the meanings young people have created for themselves through their engagements with popular cultures, national ideologies, and global markets.

The term "youthscapes" places local youth practices within the context of ongoing shifts in national and global forces. Using this framework, the book revitalizes discussions about youth cultures and social movements, while simultaneously reflecting on the uses of youth as an academic and political category. Tracing young people's movements across physical and imagined spaces, the authors examine various cases of young people as they participate in social relations; use and invent technology; earn, spend, need, and despise money; comprise target markets while producing their own original media; and create their own understandings of citizenship. The essays examine young Thai women working in the transnational beauty industry, former child soldiers in Sierra Leone, Latino youth using graphic art in political organizing, a Sri Lankan refugee's fan relationship with Jackie Chan, and Somali high school students in the United States and Canada. Drawing on methodologies and frameworks from multiple fields, such as anthropology, sociology, and film studies, the volume is useful to those studying and teaching issues of youth culture, popular culture, globalization, social movements, education, and media.

By focusing on the intersection between globalization studies and youth culture, the authors offer a vital contribution to the development of a new, interdisciplinary approach to youth culture studies.

Young people, it seems, are both everywhere and nowhere. The media are crowded with images of youth as deviant or fashionable, personifying a society's anxieties and hopes about its own transformation. However, theories of globalization, nationalism, and citizenship tend to focus on adult actors. Youthscapes sets youth at the heart of globalization by exploring the meanings young people have created for themselves through their engagements with popular cultures, national ideologies, and global markets.

The term "youthscapes" places local youth practices within the context of ongoing shifts in national and global forces. Using this framework, the book revitalizes discussions about youth cultures and social movements, while simultaneously reflecting on the uses of youth as an academic and political category. Tracing young people's movements across physical and imagined spaces, the authors examine various cases of young people as they participate in social relations; use and invent technology; earn, spend, need, and despise money; comprise target markets while producing their own original media; and create their own understandings of citizenship. The essays examine young Thai women working in the transnational beauty industry, former child soldiers in Sierra Leone, Latino youth using graphic art in political organizing, a Sri Lankan refugee's fan relationship with Jackie Chan, and Somali high school students in the United States and Canada. Drawing on methodologies and frameworks from multiple fields, such as anthropology, sociology, and film studies, the volume is useful to those studying and teaching issues of youth culture, popular culture, globalization, social movements, education, and media.

By focusing on the intersection between globalization studies and youth culture, the authors offer a vital contribution to the development of a new, interdisciplinary approach to youth culture studies.

In 1540, Zamumo, the chief of the Altamahas in central Georgia, exchanged gifts with the Spanish conquistador Hernando de Soto. With these gifts began two centuries of exchanges that bound American Indians and the Spanish, English, and French who colonized the region. Whether they gave gifts for diplomacy or traded commodities for profit, Natives and newcomers alike used the exchange of goods such as cloth, deerskin, muskets, and sometimes people as a way of securing their influence. Gifts and trade enabled early colonies to survive and later colonies to prosper. Conversely, they upset the social balance of chiefdoms like Zamumo's and promoted the rise of new and powerful Indian confederacies like the Creeks and the Choctaws.

Drawing on archaeological studies, colonial documents from three empires, and Native oral histories, Joseph M. Hall, Jr., offers fresh insights into broad segments of southeastern colonial history, including the success of Florida's Franciscan missionaries before 1640 and the impact of the Indian slave trade on French Louisiana after 1699. He also shows how gifts and trade shaped the Yamasee War, which pitted a number of southeastern tribes against English South Carolina in 1715-17. The exchanges at the heart of Zamumo's Gifts highlight how the history of Europeans and Native Americans cannot be understood without each other.

In 1540, Zamumo, the chief of the Altamahas in central Georgia, exchanged gifts with the Spanish conquistador Hernando de Soto. With these gifts began two centuries of exchanges that bound American Indians and the Spanish, English, and French who colonized the region. Whether they gave gifts for diplomacy or traded commodities for profit, Natives and newcomers alike used the exchange of goods such as cloth, deerskin, muskets, and sometimes people as a way of securing their influence. Gifts and trade enabled early colonies to survive and later colonies to prosper. Conversely, they upset the social balance of chiefdoms like Zamumo's and promoted the rise of new and powerful Indian confederacies like the Creeks and the Choctaws.

Drawing on archaeological studies, colonial documents from three empires, and Native oral histories, Joseph M. Hall, Jr., offers fresh insights into broad segments of southeastern colonial history, including the success of Florida's Franciscan missionaries before 1640 and the impact of the Indian slave trade on French Louisiana after 1699. He also shows how gifts and trade shaped the Yamasee War, which pitted a number of southeastern tribes against English South Carolina in 1715-17. The exchanges at the heart of Zamumo's Gifts highlight how the history of Europeans and Native Americans cannot be understood without each other.

Although Muḥammad had no natural sons who reached the age of maturity, Islamic sources report that he adopted a man named Zayd shortly before receiving his first revelation. This "son of Muḥammad" was the Prophet's heir for the next fifteen or twenty years. He was the first adult male to become a Muslim and the only Muslim apart from Muḥammad whose name is mentioned in the Qur'an. Eventually, Muḥammad would repudiate Zayd as his son, abolish the institution of adoption, and send Zayd to certain death on a battlefield in southern Jordan.

Curiously, Zayd has remained a marginal figure in both Islamic and Western scholarship. David S. Powers now attempts to restore Zayd to his rightful position at the center of the narrative of the Prophet Muḥammad and the beginnings of Islam. To do so, he mines traces left behind in commentaries on the Qur'an, in biographical dictionaries, and in historical chronicles, reading these sources against analogues in the Hebrew Bible. Powers demonstrates that in the accounts preserved in these sources, Zayd's character is modeled on those of biblical figures such as Isaac, Ishmael, Joseph, and Uriah the Hittite. This modeling process was deployed by early Muslim storytellers to address two key issues, Powers contends: the bitter conflict over succession to Muḥammad and the key theological doctrine of the finality of prophecy. Both Zayd's death on a battlefield and Muḥammad's repudiation of his adopted son and heir were after-the-fact constructions driven by political and theological imperatives.

Although Muḥammad had no natural sons who reached the age of maturity, Islamic sources report that he adopted a man named Zayd shortly before receiving his first revelation. This "son of Muḥammad" was the Prophet's heir for the next fifteen or twenty years. He was the first adult male to become a Muslim and the only Muslim apart from Muḥammad whose name is mentioned in the Qur'an. Eventually, Muḥammad would repudiate Zayd as his son, abolish the institution of adoption, and send Zayd to certain death on a battlefield in southern Jordan.

Curiously, Zayd has remained a marginal figure in both Islamic and Western scholarship. David S. Powers now attempts to restore Zayd to his rightful position at the center of the narrative of the Prophet Muḥammad and the beginnings of Islam. To do so, he mines traces left behind in commentaries on the Qur'an, in biographical dictionaries, and in historical chronicles, reading these sources against analogues in the Hebrew Bible. Powers demonstrates that in the accounts preserved in these sources, Zayd's character is modeled on those of biblical figures such as Isaac, Ishmael, Joseph, and Uriah the Hittite. This modeling process was deployed by early Muslim storytellers to address two key issues, Powers contends: the bitter conflict over succession to Muḥammad and the key theological doctrine of the finality of prophecy. Both Zayd's death on a battlefield and Muḥammad's repudiation of his adopted son and heir were after-the-fact constructions driven by political and theological imperatives.

The Hebrew word zimzum originally means “contraction,” “withdrawal,” “retreat,” “limitation,” and “concentration.” In Kabbalah, zimzum is a term for God’s self-limitation, done before creating the world to create the world. Jewish mystic Isaac Luria coined this term in Galilee in the sixteenth century, positing that the God who was “Ein-Sof,” unlimited and omnipresent before creation, must concentrate himself in the zimzum and withdraw in order to make room for the creation of the world in God’s own center. At the same time, God also limits his infinite omnipotence to allow the finite world to arise. Without the zimzum there is no creation, making zimzum one of the basic concepts of Judaism.

The Lurianic doctrine of the zimzum has been considered an intellectual showpiece of the Kabbalah and of Jewish philosophy. The teaching of the zimzum has appeared in the Kabbalistic literature across Central and Eastern Europe, perhaps most famously in Hasidic literature up to the present day and in philosopher and historian Gershom Scholem’s epoch-making research on Jewish mysticism. The Zimzum has fascinated Jewish and Christian theologians, philosophers, and writers like no other Kabbalistic teaching. This can be seen across the philosophy and cultural history of the twentieth century as it gained prominence among such diverse authors and artists as Franz Rosenzweig, Hans Jonas, Isaac Bashevis Singer, Harold Bloom, Barnett Newman, and Anselm Kiefer.

This book follows the traces of the zimzum across the Jewish and Christian intellectual history of Europe and North America over more than four centuries, where Judaism and Christianity, theosophy and philosophy, divine and human, mysticism and literature, Kabbalah and the arts encounter, mix, and cross-fertilize the interpretations and appropriations of this doctrine of God’s self-entanglement and limitation.

The Hebrew word zimzum originally means “contraction,” “withdrawal,” “retreat,” “limitation,” and “concentration.” In Kabbalah, zimzum is a term for God’s self-limitation, done before creating the world to create the world. Jewish mystic Isaac Luria coined this term in Galilee in the sixteenth century, positing that the God who was “Ein-Sof,” unlimited and omnipresent before creation, must concentrate himself in the zimzum and withdraw in order to make room for the creation of the world in God’s own center. At the same time, God also limits his infinite omnipotence to allow the finite world to arise. Without the zimzum there is no creation, making zimzum one of the basic concepts of Judaism.

The Lurianic doctrine of the zimzum has been considered an intellectual showpiece of the Kabbalah and of Jewish philosophy. The teaching of the zimzum has appeared in the Kabbalistic literature across Central and Eastern Europe, perhaps most famously in Hasidic literature up to the present day and in philosopher and historian Gershom Scholem’s epoch-making research on Jewish mysticism. The Zimzum has fascinated Jewish and Christian theologians, philosophers, and writers like no other Kabbalistic teaching. This can be seen across the philosophy and cultural history of the twentieth century as it gained prominence among such diverse authors and artists as Franz Rosenzweig, Hans Jonas, Isaac Bashevis Singer, Harold Bloom, Barnett Newman, and Anselm Kiefer.

This book follows the traces of the zimzum across the Jewish and Christian intellectual history of Europe and North America over more than four centuries, where Judaism and Christianity, theosophy and philosophy, divine and human, mysticism and literature, Kabbalah and the arts encounter, mix, and cross-fertilize the interpretations and appropriations of this doctrine of God’s self-entanglement and limitation.

ZOOT SUIT (n.): the ultimate in clothes. The only totally and truly American civilian suit.
—Cab Calloway, The Hepster's Dictionary, 1944

Before the fashion statements of hippies, punks, or hip-hop, there was the zoot suit, a striking urban look of the World War II era that captivated the imagination. Created by poor African American men and obscure tailors, the "drape shape" was embraced by Mexican American pachucos, working-class youth, entertainers, and swing dancers, yet condemned by the U.S. government as wasteful and unpatriotic in a time of war. The fashion became notorious when it appeared to trigger violence and disorder in Los Angeles in 1943—events forever known as the "zoot suit riot." In its wake, social scientists, psychiatrists, journalists, and politicians all tried to explain the riddle of the zoot suit, transforming it into a multifaceted symbol: to some, a sign of social deviance and psychological disturbance, to others, a gesture of resistance against racial prejudice and discrimination. As controversy swirled at home, young men in other places—French zazous, South African tsotsi, Trinidadian saga boys, and Russian stiliagi—made the American zoot suit their own.

In Zoot Suit, historian Kathy Peiss explores this extreme fashion and its mysterious career during World War II and after, as it spread from Harlem across the United States and around the world. She traces the unfolding history of this style and its importance to the youth who adopted it as their uniform, and at the same time considers the way public figures, experts, political activists, and historians have interpreted it. This outré style was a turning point in the way we understand the meaning of clothing as an expression of social conditions and power relations. Zoot Suit offers a new perspective on youth culture and the politics of style, tracing the seam between fashion and social action.

ZOOT SUIT (n.): the ultimate in clothes. The only totally and truly American civilian suit.
—Cab Calloway, The Hepster's Dictionary, 1944

Before the fashion statements of hippies, punks, or hip-hop, there was the zoot suit, a striking urban look of the World War II era that captivated the imagination. Created by poor African American men and obscure tailors, the "drape shape" was embraced by Mexican American pachucos, working-class youth, entertainers, and swing dancers, yet condemned by the U.S. government as wasteful and unpatriotic in a time of war. The fashion became notorious when it appeared to trigger violence and disorder in Los Angeles in 1943—events forever known as the "zoot suit riot." In its wake, social scientists, psychiatrists, journalists, and politicians all tried to explain the riddle of the zoot suit, transforming it into a multifaceted symbol: to some, a sign of social deviance and psychological disturbance, to others, a gesture of resistance against racial prejudice and discrimination. As controversy swirled at home, young men in other places—French zazous, South African tsotsi, Trinidadian saga boys, and Russian stiliagi—made the American zoot suit their own.

In Zoot Suit, historian Kathy Peiss explores this extreme fashion and its mysterious career during World War II and after, as it spread from Harlem across the United States and around the world. She traces the unfolding history of this style and its importance to the youth who adopted it as their uniform, and at the same time considers the way public figures, experts, political activists, and historians have interpreted it. This outré style was a turning point in the way we understand the meaning of clothing as an expression of social conditions and power relations. Zoot Suit offers a new perspective on youth culture and the politics of style, tracing the seam between fashion and social action.