Products

The story of a socialist who led a populist movement of farmers in Saskatchewan, and went on to form the Co-operative Commonwealth Federation

George Hara Williams was the most successful of the early leaders of the Co-operative Commonwealth Federation (CCF) in Saskatchewan. But his role in the party was undermined by Tommy Douglas and M. J. Coldwell, and now he is almost forgotten.

The populist who mobilized farmers of the province to support a socialist platform, he was one of five MLAs elected in the 1934 election, becoming Leader of the Opposition. He firmly supported socialists participating in the struggle against fascism, including military action, a position not held by everyone in the party. While Williams was serving overseas, a campaign to replace him as leader, led by Coldwell and Douglas, was successful.

The full story of Williams’ role in building the CCF and bringing it to the threshold of power, and the party machinations leading to his defeat as leader, has until now, been never fully documented.

Harold Rhenisch’s poems balance the settler and Indigenous experiences of land and water in the Pacific Northwest
A collection of shanties (songs) laid out in couplets that move between English and Chinook Wawa, The Salmon Shanties celebrates a poetic tradition deeply rooted on the West Coast. Harold Rhenisch explores memories of people, place, and of returning home, speaking the land’s names as a music of its own and creating a series of aural maps.
Imbued with rhythms of Secwepemc grass dances, the colloquial chatter of the Canadian poet Al Purdy, and the voice of poet and historian Charles Lillard, Rhenisch’s work sings of roots to the land lifted up by the sea into the sky—as if Ezra Pound had sung of Cascadia instead of Europe.
Do not be in Mareuil and Périgeux tonight; it is 1912 no longer.
We, the land’s singers, are walking the star road on the long way home
with the crickets of a July evening above Tuc el Nuit,
the burrowing owls of N’kmp,
and the long memories of the dwarf shrews of Nighthawk.
Breath cannot be denied. Poh cannot be forsaken. Ezra, shantie.

Encompassing some of the most revered moments in sports history as well as some of the most forgotten, The Salt Lake Loonie & Other Stories Every Sports Fan Should Know by Brett and Jesse Matlock is a survival guide to table-top sports talk.

Arming the greenhorn and the journeyman sports fan with new insights and takes on sports stories that cover the classical to the comical—what was the "Curse of the Bambino"? Who won the so-called "Battle of the Sexes" in tennis? What is the real story behind "The Salt Lake Loonie"? Organized by themes and identified by fun sport symbols, The Salt Lake Loonie makes for an easy and engaging read. Fast Facts are interspersed throughout, arming the greenhorn and the journeyman sports fan alike with new insights and fun and interesting bits of trivia. With an introduction by Olympic gold medalist Hayley Wickenheiser and illustrations by Dwight Allott, The Salt Lake Loonie is destined to be the “sports bible” that every fan will love.

In The Surprising Lives of Small-Town Doctors, physicians put down their stethoscopes and pick up their pens to share some of the most frightening and pivotal moments of their careers.



From igloo house calls to bandaging animal bites to performing surgeries they are barely equipped to do, these accounts speak of the many rewards of practising medicine in small communities. They also detail the fears, failures, and challenges of providing health care in the farthest reaches of our country--where the need for doctors is the greatest. Collectively, they capture both the history and the future of rural medicine in Canada.

“From his small community in northern Ontario to the military and the Saskatoon Police Service, Ernie Louttit has made an incredible journey helping others and protecting Canadians. Known as ‘Indian Ernie’ in Saskatoon’s inner-city, he has been both hated and revered by the Indigenous peoples he has served. He has played roles of both protector and enforcer. In this moving account, Ernie tells an insightful story that illuminates his personal journey.” —Doug Cuthand, author of Askiwina: A Cree World



Bestselling author Ernie Louttit helped put an end to Saskatoon’s notorious “Starlight Tours.” In The Unexpected Cop, he demonstrates that being a leader means sticking to your convictions and sometimes standing up to the powers that be. An outsider who became an insider, he was tough on the beat but was also a role model for kids on the streets.

“From his small community in northern Ontario to the military and the Saskatoon Police Service, Ernie Louttit has made an incredible journey helping others and protecting Canadians. Known as ‘Indian Ernie’ in Saskatoon’s inner-city, he has been both hated and revered by the Indigenous peoples he has served. He has played roles of both protector and enforcer. In this moving account, Ernie tells an insightful story that illuminates his personal journey.” —Doug Cuthand, author of Askiwina: A Cree World



Bestselling author Ernie Louttit helped put an end to Saskatoon’s notorious “Starlight Tours.” In The Unexpected Cop, he demonstrates that being a leader means sticking to your convictions and sometimes standing up to the powers that be. An outsider who became an insider, he was tough on the beat but was also a role model for kids on the streets.

With works by Picasso, Jasper Johns, Frank Stella, Paul Klee, Edvard Munch, Rodin, Degas, Gauguin, and Delacroix, the Mackenzie Art Gallery and the University of Regina's President's Art Collection are connected to the world of art at its highest expression.

Built upon an impressive collection of paintings and drawings of the Italian Renaissance, and antiquities of Asia and the Middle East, the galleries were established by the idiosyncratic, but brilliant, Norman MacKenzie, who wanted his beloved city of Regina to share in his passion.

Today these galleries also have extensive Canadian collections that showcase the works of A. Y. Jackson, Joyce Wieland, Harold Town, Jeff Wall, Dorothy Knowles, Greg Curnoe, Michael Snow, Mary Pitseolak, General Idea, the Regina Five, and thousands more. Their paintings, sculptures, photographs, and prints inspire awe and express both a local idiom and global currents in artistic representation.

On the 60th anniversary of their founding, the galleries are pleased to open their vaults to reveal the gems of a city’s art collection.

Reverence takes on a new meaning in this original memoir of an avid gardener walking the Camino de Santiago

The Camino de Santiago has been a journey for pilgrims for more than 1,000 years, testing—to varying degrees—their spirit, faith, and physical endurance. Lyndon Penner’s attention lies elsewhere. A renowned gardener and lover of literature, he revels in the plants, trees, and flowers that tell the history of the people and ecology of northern Spain.

Brimming with wry observations—of nature, himself, and other pilgrims on the road—The Way of the Gardener reveals the beauty and the darkness of the human condition while underscoring the deeply fascinating nature of nature itself. This textured work makes for perfect armchair—or garden—reading.

Reverence takes on a new meaning in this original memoir of an avid gardener walking the Camino de Santiago

The Camino de Santiago has been a journey for pilgrims for more than 1,000 years, testing—to varying degrees—their spirit, faith, and physical endurance. Lyndon Penner’s attention lies elsewhere. A renowned gardener and lover of literature, he revels in the plants, trees, and flowers that tell the history of the people and ecology of northern Spain.

Brimming with wry observations—of nature, himself, and other pilgrims on the road—The Way of the Gardener reveals the beauty and the darkness of the human condition while underscoring the deeply fascinating nature of nature itself. This textured work makes for perfect armchair—or garden—reading.

Like all First Nations languages, Lillooet (Lil'wat) is a repository for an abundantly rich oral literature. In These Are Our Legends, the fifth volume of the First Nations Language Readers series, the reader will discover seven traditional Lillooet sptakwlh (variously translated into English as "legends," "myths," or "bed-time stories." 



These texts are presented in a technical transcription that can be used by linguists, and also in a practical orthography that can be used by Lillooet speakers themselves. An English translation is also given. Basic information on the Lillooet language, its grammar, and a glossary are included in the volume.



With thanks to the Mount Currie Cultural Centre and the Tszil Publishing House.

Warning! What you are about to read is true … and not for the faint of heart, as the crime stories collected here detail the most disturbing chapters of Alberta history.

Chronicled in these pages are many of the province’s most notorious killers and outlaws from the past century: train robbers, a homicidal hired hand, prisoners of war, cannibals, kidnappers, and more.

Witness the moment when Peter Pocklington has a .357 magnum held to his head. Be there when Wiebo Ludwig “terrorizes” northwestern Alberta… when a Lethbridge city councillor fabricates a story of being stalked, drugged, abducted and sexually assaulted… when four RCMP officers are gunned down at Mayerthorpe.

From back alleys to bedrooms to the gallows, these accounts cover everything from Alberta’s largest mass execution to recent headline-making cases. Shocking, appalling… and true.

The powers of wisdom for a philospher contained by the walls of a prison

Sorbonne-educated and the author of almost 30 books, Ramin Jahanbegloo, a philosopher of non-violence in the tradition of Tolstoy and Gandhi, was arrested and detained in Iran’s notorious Evin prison in 2006.

A petition against his imprisonment was initiated, with Umberto Eco, Jurgen Habermas, and Noam Chomsky among the signatories. International organizations joined in, and media around the world reported his case extensively. Finally, after four months, he was released.

In this memoir Jahanbegloo recounts his confinement, his fear for his life, and his concern for the well-being of his family. With cockroaches his only companions, he is sustained by the wisdom of the great philosophers and by his memories of childhood in Tehran and coming-of-age in Paris.

Argues for the cause of protecting native grasslands and reconciliation on the Great Plains

Towards a Prairie Atonement addresses the question of our relationship with the land by enlisting the help of a Metis Elder and revisiting the history of one corner of the Great Plains.

This book's lyrical blend of personal narrative, prairie history, imagery, and argument begins with the cause of protecting native grasslands on community pastures. As the narrative unfolds, however, Trevor Herriot, the award-winning author of Grass, Sky, Song and River in a Dry Land, finds himself recruited into the work of reconciliation.

Facing his own responsibility as a descendent of settlers, he connects today's ecological disarray to the legacy of Metis dispossession and the loss of their community lands. With Indigenous and settler people alienated from one another and from the grassland itself, hope and courage are in short supply. This book offers both by proposing an atonement that could again bring people and prairie together.

Argues for the cause of protecting native grasslands and reconciliation on the Great Plains

Towards a Prairie Atonement addresses the question of our relationship with the land by enlisting the help of a Metis Elder and revisiting the history of one corner of the Great Plains.

This book's lyrical blend of personal narrative, prairie history, imagery, and argument begins with the cause of protecting native grasslands on community pastures. As the narrative unfolds, however, Trevor Herriot, the award-winning author of Grass, Sky, Song and River in a Dry Land, finds himself recruited into the work of reconciliation.

Facing his own responsibility as a descendent of settlers, he connects today's ecological disarray to the legacy of Metis dispossession and the loss of their community lands. With Indigenous and settler people alienated from one another and from the grassland itself, hope and courage are in short supply. This book offers both by proposing an atonement that could again bring people and prairie together.

Canada has among the highest rate of children in foster care in the developed world--a national tragedy that has its roots in poverty, residential schooling, and other forms of colonialism.



Tackling the "wicked" and intransigent problems encountered by social workers, educators, health care workers, and others, Transforming Child Welfare examines systemic issues within the child welfare system, including child abuse, neglect, and FASD. Reflecting on previous strengths, and integrating research and practice, the contributors to this volume provide professionals with best practice solutions that can be applied in different contexts.

Breaks the deafening silence of Indigenous women’s voices in academic leadership positions.

Since the 2015 release of the report on the Truth and Reconciliation Commission of Canada, new Indigenous policies have been enacted in universities and a variety of interconnecting Indigenous senior administrative roles have been created. Many of these newly created roles have been filled by Indigenous women. But what does it mean for Indigenous women to be recruited to Indigenize Western institutions that have not undergone introspective, structural change?

Informed by her own experiences and the stories of other Indigenous women working in senior administrative roles in Canadian universities, Candace Brunette-Debassige explores the triple-binding position Indigenous women often find themselves trapped in when trying to implement reconciliation in institutions that remain colonial, Eurocentric, and male-dominated. The author considers too the gendered, emotional labour Indigenous women are tasked with when universities rush to Indigenize without the necessary preparatory work of decolonization.

Drawing on an Indigenous feminist decolonial theoretical lens and positioning Indigenous story as theory, Brunette-Debassige illustrates how Indigenous women can and do preserve and enact their agency through resistance, and help lead deeper transformative changes in Canadian universities. Ultimately, her work provides a model for how reconciliation and Indigenization can be done at an institutional level.

Breaks the deafening silence of Indigenous women’s voices in academic leadership positions.

Since the 2015 release of the report on the Truth and Reconciliation Commission of Canada, new Indigenous policies have been enacted in universities and a variety of interconnecting Indigenous senior administrative roles have been created. Many of these newly created roles have been filled by Indigenous women. But what does it mean for Indigenous women to be recruited to Indigenize Western institutions that have not undergone introspective, structural change?

Informed by her own experiences and the stories of other Indigenous women working in senior administrative roles in Canadian universities, Candace Brunette-Debassige explores the triple-binding position Indigenous women often find themselves trapped in when trying to implement reconciliation in institutions that remain colonial, Eurocentric, and male-dominated. The author considers too the gendered, emotional labour Indigenous women are tasked with when universities rush to Indigenize without the necessary preparatory work of decolonization.

Drawing on an Indigenous feminist decolonial theoretical lens and positioning Indigenous story as theory, Brunette-Debassige illustrates how Indigenous women can and do preserve and enact their agency through resistance, and help lead deeper transformative changes in Canadian universities. Ultimately, her work provides a model for how reconciliation and Indigenization can be done at an institutional level.

Award-winning author paulo da costa meditates on fatherhood, place, and memory during a trip to his childhood home in Vale de Cambra, Portugal.

During an extended stay in his childhood home in Portugal, author paulo da costa distills the wide-eyed innocence, joy, and curiosity of his four-year-old son as he meets his aging grandparents and explores an unfamiliar country and culture into a beautiful, tender, and poetic portrait of father-son relationships.

Evocative and heartwarming, Trust the Bluer Skies is a literary time capsule—a father’s vivid account of his son’s early years, a sensory-rich journey through rural Portugal, and a poignant exploration of masculinities that is positive, compassionate, and nurturing.

Award-winning author paulo da costa meditates on fatherhood, place, and memory during a trip to his childhood home in Vale de Cambra, Portugal.

During an extended stay in his childhood home in Portugal, author paulo da costa distills the wide-eyed innocence, joy, and curiosity of his four-year-old son as he meets his aging grandparents and explores an unfamiliar country and culture into a beautiful, tender, and poetic portrait of father-son relationships.

Evocative and heartwarming, Trust the Bluer Skies is a literary time capsule—a father’s vivid account of his son’s early years, a sensory-rich journey through rural Portugal, and a poignant exploration of masculinities that is positive, compassionate, and nurturing.

A menu for an edible future

In a world expected to reach a staggering population of 9 billion by 2050, and with global temperatures rising fast, humanity must fundamentally change the way it grows and consumes food. But can we produce enough food to feed ourselves sustainably for an uncertain future? How will agriculture adapt to a climate change? How will climate change determine what we eat? Will we really be eating bugs?

Uncertain Harvest questions scientists, chefs, activists, entrepreneurs, farmers, philosophers, and engineers working on the global future of food on how to make a more equitable, safe, sustainable, and plentiful food future. Examining cutting-edge research on the science, culture, and economics of food, the authors present a roadmap for a global food policy, while examining eight foods that could save us: algae, caribou, kale, millet, tuna, crickets, milk, and rice.

A menu for an edible future

In a world expected to reach a staggering population of 9 billion by 2050, and with global temperatures rising fast, humanity must fundamentally change the way it grows and consumes food. But can we produce enough food to feed ourselves sustainably for an uncertain future? How will agriculture adapt to a climate change? How will climate change determine what we eat? Will we really be eating bugs?

Uncertain Harvest questions scientists, chefs, activists, entrepreneurs, farmers, philosophers, and engineers working on the global future of food on how to make a more equitable, safe, sustainable, and plentiful food future. Examining cutting-edge research on the science, culture, and economics of food, the authors present a roadmap for a global food policy, while examining eight foods that could save us: algae, caribou, kale, millet, tuna, crickets, milk, and rice.

Uncut explores the significance of the foreskin in contemporary culture

The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organizations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.

Uncut: A Cultural Analysis of the Foreskin takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.

Drawing on all these threads, Jonathan A. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?

Uncut explores the significance of the foreskin in contemporary culture

The “uncut” penis is viewed by some as attractive or erotic, and by others as ugly or undesirable. Secular parents of male infants worry about whether or not the foreskin should be removed so their little boy can grow up to “look like dad” or to avoid imagined bullying in the locker room. Medical experts and public health organizations argue back and forth about whether circumcision is medically necessary, while “intactivists” advocate that removing an infant’s foreskin without their consent is mutilation.

Uncut: A Cultural Analysis of the Foreskin takes an interdisciplinary approach to understanding the foreskin and its contentious position in contemporary Anglo-American culture. From language to art, from religion to medicine and public health, Uncut is a provocative book that asks us to ask ourselves what we know and don’t know about this seemingly small piece of skin.

Drawing on all these threads, Jonathan A. Allan leads us through the history and cultural construction of the foreskin—from Michelangelo’s David to parenting manuals, from nineteenth-century panic over masturbation to foreskin restoration—to ultimately ask: what is the future of the foreskin?

A probing memoir examining family tragedy on the Great Plains
A surprise rodeo leaves a buffalo bull dead and a cowboy gored to death. Seeing the death of the one man who was kind to him, and knowing it was his fault, Dawn Morgan’s father goes on a bender and ends up dead. His sudden death and the mystery around it, combined with the blundering way Morgan learns of it, forces her to reflect not only on the events of the bloodied corral, but also the buffalo herds decimated and Indigenous Peoples displaced to make way for settlement in what was becoming ranching country in the prairies.

Unsettled is a deeply moving work of literary non-fiction, a probing memoir examining family tragedy in relation to stories—both fact and fiction—of settlers and Indigenous Peoples on the Great Plains. Morgan shares the internal struggle between resistance and allegiance to the settler-descendent stories she grew up with while paying respects to her father and documents the censorship she faces from her mother, loyal still to the pioneer myth of the early twentieth century. It is only when both parents are gone that Morgan is liberated to write a story of reckoning on the northern Great Plains.

A probing memoir examining family tragedy on the Great Plains
A surprise rodeo leaves a buffalo bull dead and a cowboy gored to death. Seeing the death of the one man who was kind to him, and knowing it was his fault, Dawn Morgan’s father goes on a bender and ends up dead. His sudden death and the mystery around it, combined with the blundering way Morgan learns of it, forces her to reflect not only on the events of the bloodied corral, but also the buffalo herds decimated and Indigenous Peoples displaced to make way for settlement in what was becoming ranching country in the prairies.

Unsettled is a deeply moving work of literary non-fiction, a probing memoir examining family tragedy in relation to stories—both fact and fiction—of settlers and Indigenous Peoples on the Great Plains. Morgan shares the internal struggle between resistance and allegiance to the settler-descendent stories she grew up with while paying respects to her father and documents the censorship she faces from her mother, loyal still to the pioneer myth of the early twentieth century. It is only when both parents are gone that Morgan is liberated to write a story of reckoning on the northern Great Plains.

An anthology of African-Canadian writing addressing the most urgent issues facing the Black community in Canada.

The killing of Trayvon Martin in 2012 by a white assailant inspired the Black Lives Matter movement, which quickly spread outside the borders of the United States. The movement’s message found fertile ground in Canada, where Black activists speak of generations of injustice and continue the work of the Black liberators who have come before them.

Until We Are Free contains some of the very best writing on the hottest issues facing the Black community in Canada. It describes the latest developments in Canadian Black activism, organizing efforts through the use of social media, Black-Indigenous alliances, and more.

"Until We Are Free busts myths of Canadian politeness and niceness, myths that prevent Canadians from properly fulfilling its dream of multiculturalism and from challenging systemic racism, including the everyday assaults on black and brown bodies. This book needs to be read and put into practice by everyone." —Vershawn Young, author of Your Average Nigga: Performing Race, Literacy, and Masculinity and co-author of Other People's English: Code Meshing, Code Switching, and African American Literacy

Contributors:
Silvia Argentina Arauz - Toronto, ON
Leanne Betasamosake Simpson - Toronto, ON
Patrisse Cullors - Los Angeles, CA
Giselle Dias - Wilfrid Laurier University, Waterloo, ON
OmiSoore Dryden - Dalhousie University, Halifax, NS
Paige Galette - Whitehorse, YK
Dana Inkster - University of Lethbridge, Lethbridge, AB
Sarah Jama - Hamilton, ON
El Jones - Mount Saint Vincent University, Halifax, NS
Anique Jordan - Toronto, ON
Dr. Naila Keleta Mae - University of Waterloo, Waterloo, ON
Janaya Khan - Los Angeles, CA
Gilary Massa - York University, Toronto, ON
Robyn Maynard - University of Toronto, Toronto, ON
QueenTite Opaleke - Toronto, ON
Randolph Riley - Halifax, NS
Camille Turner - York University, Toronto, ON
Ravyn Wngz - Toronto, ON

An anthology of African-Canadian writing addressing the most urgent issues facing the Black community in Canada.

The killing of Trayvon Martin in 2012 by a white assailant inspired the Black Lives Matter movement, which quickly spread outside the borders of the United States. The movement’s message found fertile ground in Canada, where Black activists speak of generations of injustice and continue the work of the Black liberators who have come before them.

Until We Are Free contains some of the very best writing on the hottest issues facing the Black community in Canada. It describes the latest developments in Canadian Black activism, organizing efforts through the use of social media, Black-Indigenous alliances, and more.

"Until We Are Free busts myths of Canadian politeness and niceness, myths that prevent Canadians from properly fulfilling its dream of multiculturalism and from challenging systemic racism, including the everyday assaults on black and brown bodies. This book needs to be read and put into practice by everyone." —Vershawn Young, author of Your Average Nigga: Performing Race, Literacy, and Masculinity and co-author of Other People's English: Code Meshing, Code Switching, and African American Literacy

Contributors:
Silvia Argentina Arauz - Toronto, ON
Leanne Betasamosake Simpson - Toronto, ON
Patrisse Cullors - Los Angeles, CA
Giselle Dias - Wilfrid Laurier University, Waterloo, ON
OmiSoore Dryden - Dalhousie University, Halifax, NS
Paige Galette - Whitehorse, YK
Dana Inkster - University of Lethbridge, Lethbridge, AB
Sarah Jama - Hamilton, ON
El Jones - Mount Saint Vincent University, Halifax, NS
Anique Jordan - Toronto, ON
Dr. Naila Keleta Mae - University of Waterloo, Waterloo, ON
Janaya Khan - Los Angeles, CA
Gilary Massa - York University, Toronto, ON
Robyn Maynard - University of Toronto, Toronto, ON
QueenTite Opaleke - Toronto, ON
Randolph Riley - Halifax, NS
Camille Turner - York University, Toronto, ON
Ravyn Wngz - Toronto, ON

Virgin Envy sets out to re-conceive the ways that we describe and relate to virginity as a cultural construct. Who is a virgin? How do we lose our virginities? What if we regret our "first time"?

Contributors to Virgin Envy everything from medieval romance to Bollywood films to Twilight and True Blood, to destabilize the many assumptions about sexual purity. In particular, the hymen is called into question. How is virginity determined for those without a hymen? How do we account for the ways in which the "geography of the hymen" has changed over the course of history? And what about male and queer virginity? Issues of commodification, postcoloniality, and religious diversity are also addressed.

How deafness influences one writer's creative process

In Voice, Adam Pottle explores the crucial role deafness has played in the growth of his imagination, and in doing so presents a unique perspective on a writer’s development. Born deaf in both ears, Pottle recounts what it was like growing up in a world of muted sound, and how his deafness has influenced virtually everything about his writing, from his use of language to character and plot choices. Salty, bold, and relentlessly honest, Voice makes us think about writing in entirely new ways and expands our understanding of deafness and the gifts that it can offer.

"Pottle's book is an important contribution to the growing roster of writing supplied by deaf academics, artists, writers, actors and theatre directors and professionals. I felt a 'coming home' experience in reading this book. As a deaf writer, I enthusiastically say 'yes' to his linkages between deafness and writing." —Joanne Weber, author of The Deaf House

How deafness influences one writer's creative process

In Voice, Adam Pottle explores the crucial role deafness has played in the growth of his imagination, and in doing so presents a unique perspective on a writer’s development. Born deaf in both ears, Pottle recounts what it was like growing up in a world of muted sound, and how his deafness has influenced virtually everything about his writing, from his use of language to character and plot choices. Salty, bold, and relentlessly honest, Voice makes us think about writing in entirely new ways and expands our understanding of deafness and the gifts that it can offer.

"Pottle's book is an important contribution to the growing roster of writing supplied by deaf academics, artists, writers, actors and theatre directors and professionals. I felt a 'coming home' experience in reading this book. As a deaf writer, I enthusiastically say 'yes' to his linkages between deafness and writing." —Joanne Weber, author of The Deaf House

Reflections from the lone traveller, for whom a highway was never the intended destination

Walking the Bypass recounts Ken Wilson’s singular experience of walking alongside the decidedly pedestrian-unfriendly Regina Bypass, all while situating the highway within the ongoing history of settler colonialism in southern Saskatchewan.

Through a series of ambitious and unconventional walks, Wilson sets out to understand the arrival and significance of the new (and politically contentious) highway encircling Saskatchewan’s capital as well as the Global Transportation Hub, a sprawling warehouse park the Bypass was intended to serve. He offers a new perspective on these heavily travelled yet untrodden spaces in a region dominated by industrial agriculture and high-speed transportation. Reflecting on the profound transformations to the land since the arrival of settlers in the 1880s, he wonders whether it’s possible to form a connection with the land through walking—even on the gravelly edge of the freeway.

In vivid and sincere prose that captures the thoughts of a man trudging along the roadside, Walking the Bypass explores how walking can transform non-places into places and enable settlers to forge a relationship with the land around them.

Reflections from the lone traveller, for whom a highway was never the intended destination

Walking the Bypass recounts Ken Wilson’s singular experience of walking alongside the decidedly pedestrian-unfriendly Regina Bypass, all while situating the highway within the ongoing history of settler colonialism in southern Saskatchewan.

Through a series of ambitious and unconventional walks, Wilson sets out to understand the arrival and significance of the new (and politically contentious) highway encircling Saskatchewan’s capital as well as the Global Transportation Hub, a sprawling warehouse park the Bypass was intended to serve. He offers a new perspective on these heavily travelled yet untrodden spaces in a region dominated by industrial agriculture and high-speed transportation. Reflecting on the profound transformations to the land since the arrival of settlers in the 1880s, he wonders whether it’s possible to form a connection with the land through walking—even on the gravelly edge of the freeway.

In vivid and sincere prose that captures the thoughts of a man trudging along the roadside, Walking the Bypass explores how walking can transform non-places into places and enable settlers to forge a relationship with the land around them.

Walking Together is the seventh title in the Voices of the Prairies series. Developed by the Prairie Child Welfare Consortium, this edited collection brings together accomplished Indigenous and non-Indigenous scholars from the prairie provinces to forward critical research about a range of contemporary child welfare issues currently impacting Indigenous children in Canada.
 
Centering Indigenous knowledge and working to decolonize child welfare, contributors address the over-representation of Indigenous children in the child welfare system, the un-met recommendations of the TRC, the connections between colonialism and fetal alcohol spectrum disorders, the impact of Bill C-92, and more.
 
Contributors include: Jason Albert, Dorothy Badry, Cindy Blackstock, Elder Mae Louise Campbell, Peter Choate, Linda Dano-Chartrand, Michael Doyle, Koren Lightning Earle, Arlene Eaton Erickson, Yahya El-Lahib, Hadley Friedland,  Don Fuchs, Del Graff, Jennifer Hedges, Bernadette Iahtail, Jennifer King, Brittany Mathews, Eveline Milliken, Kelly Provost—Ekkinnasoyii (Sparks in a Fire), Christina Tortorelli, Gabrielle Lindstrom Tsapinaki, Susannah Walker, and Robyn Williams
 

Walking Together is the seventh title in the Voices of the Prairies series. Developed by the Prairie Child Welfare Consortium, this edited collection brings together accomplished Indigenous and non-Indigenous scholars from the prairie provinces to forward critical research about a range of contemporary child welfare issues currently impacting Indigenous children in Canada.
 
Centering Indigenous knowledge and working to decolonize child welfare, contributors address the over-representation of Indigenous children in the child welfare system, the un-met recommendations of the TRC, the connections between colonialism and fetal alcohol spectrum disorders, the impact of Bill C-92, and more.
 
Contributors include: Jason Albert, Dorothy Badry, Cindy Blackstock, Elder Mae Louise Campbell, Peter Choate, Linda Dano-Chartrand, Michael Doyle, Koren Lightning Earle, Arlene Eaton Erickson, Yahya El-Lahib, Hadley Friedland,  Don Fuchs, Del Graff, Jennifer Hedges, Bernadette Iahtail, Jennifer King, Brittany Mathews, Eveline Milliken, Kelly Provost—Ekkinnasoyii (Sparks in a Fire), Christina Tortorelli, Gabrielle Lindstrom Tsapinaki, Susannah Walker, and Robyn Williams
 

This handy field guide is designed for use by both amateur and professional botanists, biologists, gardeners, and naturalists. The full colour field guide includes over 400 species of water and wetland plants found across Alberta, Saskatchewan, Manitoba, and the northern United States.
Since many of the northern wetland plants are circumpolar in distribution, Water and Wetland Plants of the Prairie Provinces will also be useful in other parts of Canada, the United States, and Eurasia.

Funny Little Stories is a collection of nine stories representing the Plains Cree, Woods Cree, and Swampy Cree dialects, with a pronunciation guide and a Cree-to-English glossary.



Students and Elders come together in this volume to offer samples of three distinct genres of Cree storytelling: word play, humorous accounts of life experiences, and traditional stories about Wisahkecahk, the trickster-hero.



Each story is illustrated and is presented in both Standard Roman Orthography and syllabics, with English translation.

This book is the first comprehensive study of the theatre of contemporary Manitoba, Saskatchewan and Alberta to appear in thirty years. It raises the curtain on western theatre and the accomplishments of the many facets of theatre: educators, writers, performers, and more.

West-words gives the reader a bird’s-eye view of the contemporary theatre scene across the prairies. Eighteen essays written by scholars, educators, dramaturges, publishers, designers, directors and playwrights -- all actively involved in the Canadian prairie theatre – explore the professional, cultural, and aesthetic complexities of creating, producing, performing, and publishing dramatic “words” in the Canadian “west.”

While acknowledging the role of older, established theatres -- like Prairie Theatre Exchange in Manitoba, The Globe and Persephone in Saskatchewan, and Alberta Theatre Projects, Theatre Network, Workshop West and the Citadel in Alberta in generating new work as part of their mandate -- the book also focuses on the role of alternative structures (such as festivals, and dramaturgical centres) and genres (such as radio drama, physical theatre, and children’s theatre) in creating new work outside conventional theatre spaces. Finally the collection also looks at how smaller theatres like Saràsvati, La Troupe du Jour, and the Saskatchewan Native Theatre Company give women, francophones, and aboriginals their own dramatic voice.

How Newfoundlanders became Canadians

Where Once They Stood challenges popular notions that those who voted against Confederation in 1869 and for union in 1948 were uninformed and gullible. Raymond Blake and Melvin Baker demonstrate that voters fully understood the issues at stake in both cases, and women became instrumental in determining the final outcome, voting for Canada in 1948, believing it provided the best opportunities for their children.

"A lively history of Newfoundland politics from the 1860s to the 1940s, with vigorous and persuasive arguments as to why Newfoundlanders were right to reject Confederation in 1869, and right to embrace it in 1949." —Christopher Moore, author of 1867: How the Fathers Made a Deal

"Blake and Baker vigorously bring the exciting fight of ideas in Newfoundland to life. We forget how great the stakes were--nothing less than the survival, security, belonging and recognition of a people. Readers will discover how Newfoundlanders debated for four generations whether Canada was a beau risque." —Patrice Dutil, author of Prime Ministerial Power in Canada

How Newfoundlanders became Canadians

Where Once They Stood challenges popular notions that those who voted against Confederation in 1869 and for union in 1948 were uninformed and gullible. Raymond Blake and Melvin Baker demonstrate that voters fully understood the issues at stake in both cases, and women became instrumental in determining the final outcome, voting for Canada in 1948, believing it provided the best opportunities for their children.

"A lively history of Newfoundland politics from the 1860s to the 1940s, with vigorous and persuasive arguments as to why Newfoundlanders were right to reject Confederation in 1869, and right to embrace it in 1949." —Christopher Moore, author of 1867: How the Fathers Made a Deal

"Blake and Baker vigorously bring the exciting fight of ideas in Newfoundland to life. We forget how great the stakes were--nothing less than the survival, security, belonging and recognition of a people. Readers will discover how Newfoundlanders debated for four generations whether Canada was a beau risque." —Patrice Dutil, author of Prime Ministerial Power in Canada

A moving, unflinching exploration of life in Prince Albert, SK, as told through one family’s multigenerational story

Robert Boschman grew up in the living quarters of the King Koin Launderette in Prince Albert, Saskatchewan, sandwiched between a residential school and a jail built in the aftermath of the Riel Resistance of 1885. White Coal City is the story of this hard hockey-obsessed white-settler town on Treaty Six territory and Boschman’s troubled family who lived within it.

Trauma was palpable but never spoken of in the family, and this silence hounded the psychology of their men and boys. Years later, Boschman discovered the reason behind it: the devastating fate of his grandmother, killed by a hit-and-run driver while she was six months pregnant. Her husband, who saw it happen, was plagued by the crime. Their story is gently shared through letters, journal entries, newspaper clippings, and accounts from the coroner’s inquest.

With its penitentiary, sanatorium, pulp mill, and half-built hydro-electric dam, Boschman describes the city of Prince Albert as a “circle of pain”—one felt by white settlers but more so for the generations of First Nations and Métis people in the city and surrounding lands who were forcibly removed, incarcerated, or abducted. The harms of colonialism touched Boschman’s own family; his Cree sister Crystal was adopted by his parents during the Sixties Scoop when she was just a baby. Careful to tell his own story, not hers, Boschman accounts for his family’s own part in Canada’s shameful past.

White Coal City is a poetic, necessary exploration of the painful landscapes of colonial cities in Canada.

An eye-opening account of the Jewish immigration experience in the 1930s, and one man’s battle against anti-Semitic immigration policies.



In 1930, a young Jewish man, Yehuda Yosef Eisenstein, arrived in Canada from Poland to escape persecution and the rise of Nazism in the hopes of starting a new life for himself and his family. Like countless others who made this journey from “non-preferred” countries, Eisenstein was only granted entry because he claimed to be single, starting his new life with a lie. He trusted that his wife and children would be able to follow after he had gained legal entry and found work. For years, he was given two choices: remain in North America alone, or return home to Poland to be with his family.



Born from years of archival research, Who Gets In is author Norman Ravvin’s deeply personal family memoir, telling the story of his grandfather’s resolute struggle against xenophobic and anti-Semitic government policies. Ravvin also provides a shocking exposé of the true character of nation-building in Canada and directly challenges its reputation as a benevolent, tolerant, and multicultural country.

Cree poet and kēhtē-aya Louise Bernice Halfe – Sky Dancer’s genre-bending collection chronicles her childhood in a cabin on reserve, her experiences in the Indian Residential School system, and finally her reclamation of her nēhiýaw language, culture, and spirituality.


My parents taught us the art of observation. I learned to hunt, skin, and butcher game through non-verbal methods. I also watched my grandparents work on the land and live their spirituality. I helped gather, dry, and grind their medicines. I inhaled the medicines’ power and ingested it. When I left for residential school all this fell asleep.


Poet Louise Bernice Halfe – Sky Dancer tells the story of how she woke up from the trauma of separation in these never-before-collected essays and new poems about her life and the source of her inspiration: her culture and the land. In Cree, inspiration is described as a sudden insight. It can come from visits from spirit, from the charged reciprocal experience of being taught by Elders and teaching the next generation, from speaking Cree which allows the poet to “somersault into memory,” and in the practice of observing and being in relationship with the land
as it “constantly gives birth to itself.” wītāmōwik / Tell Them! is a stunning love song to nēhiýaw ways of knowing—ways which Halfe
has reclaimed from the violence of colonization to celebrate their survival and share their enduring relevance with future generations.

Cree poet and kēhtē-aya Louise Bernice Halfe – Sky Dancer’s genre-bending collection chronicles her childhood in a cabin on reserve, her experiences in the Indian Residential School system, and finally her reclamation of her nēhiýaw language, culture, and spirituality.


My parents taught us the art of observation. I learned to hunt, skin, and butcher game through non-verbal methods. I also watched my grandparents work on the land and live their spirituality. I helped gather, dry, and grind their medicines. I inhaled the medicines’ power and ingested it. When I left for residential school all this fell asleep.


Poet Louise Bernice Halfe – Sky Dancer tells the story of how she woke up from the trauma of separation in these never-before-collected essays and new poems about her life and the source of her inspiration: her culture and the land. In Cree, inspiration is described as a sudden insight. It can come from visits from spirit, from the charged reciprocal experience of being taught by Elders and teaching the next generation, from speaking Cree which allows the poet to “somersault into memory,” and in the practice of observing and being in relationship with the land
as it “constantly gives birth to itself.” wītāmōwik / Tell Them! is a stunning love song to nēhiýaw ways of knowing—ways which Halfe
has reclaimed from the violence of colonization to celebrate their survival and share their enduring relevance with future generations.

Weaving together the narratives of female farmers from across three continents, Women Who Dig offers a critical look at how women are responding to and, increasingly, rising up against, the injustices of the global food system.

Beautifully written with spectacular photos, it examines gender roles, access to land, domestic violence, maternal health, political and economic marginalization, and a rapidly changing climate. It also shows the power of collective action.

With women from Guatemala, Nicaragua, the United States, Canada, Uganda, the Democratic Republic of Congo, India, and Cuba included, it explores the ways women are responding to, as both individuals and in groups, the barriers they face in providing the world a healthy diet.

Humour is not only the best medicine; it is also an exceptionally useful teaching tool.

So often, it is through humour that the big lessons in life are learned--about responsibility, honour, hard work, and respect. Cree people are known for their wit, so the tales in Woods Cree Stories are filled with humour. The book includes nine stories--including Boys Get Lost, Foolishness, and Animals Become Friends--and a Woods Cree-English glossary.

All the stories are presented in Cree syllabics, standard roman orthography, and English translation and can be enjoyed by those new to the language and more advanced learners.

The powerful debut from author and poet M.W. Jaeggle.

Like the coastal zone where high tides deposit organic materials and other debris, M.W. Jaeggle’s Wrack Line traces loss, guilt, and subsequent loneliness, while exploring regenerative possibilities of language, memory, and land, taking readers on a journey that will leave them like “A black horse...winded at the gate” of some new grace.