Name: The Whistling Blackbird
Brand: Robert Morris
Price: 190.0 USD
Availability: InStock

Robert Morris

The Whistling Blackbird

$190.00

A collection of essays on new music, composers, and issues in American music criticism and aestheticson by composer and music theorist Robert Morris.

The Whistling Blackbird: Essays and Talks on New Music is the long-awaited book of essays from Robert Morris, the greatly admired composer and music theorist. In these essays, Morris presents a new and multifaceted view ofrecent developments in American music. His views on music, as well as his many compositions, defy easy classification, favoring instead a holistic, creative, and critical approach.
The Whistling Blackbird contains fourteen essays and talks, divided into three parts, preceded by an "Overture" that portrays what it means to compose music in the United States today. Part 1 presents essays on American composers John Cage, Milton Babbitt, Richard Swift, and Stefan Wolpe. Part 2 comprises talks on Morris's music that illustrate his ideas and creative approaches over forty years of music composition, including his outdoor compositions, an ongoing project that began in 1999. Part 3 includes four essays in music criticism: on the relation of composition to ethnomusicology; on phenomenology and attention; on music theory at the millennium; and on issues in musical time.
Threaded throughout this collection of essays are Morris's diverse and seemingly disparate interests and influences. English romantic poetry, mathematical combinatorics, group and set theory, hiking, Buddhist philosophy, Chinese and Japanese poetry and painting, jazz and nonwestern music, chaos theory, linguistics, and the American transcendental movement exist side by side in a fascinating and eclectic portrait of American musical composition at the dawn of the new millennium.

Robert Morris is Professor of Music Composition at the Eastman School of Music, University of Rochester.

Shifra Shvarts

The Workers' Health Fund in Eretz Israel

$170.00

The first study to research the history of the health funds established by Jewish laborers in Israel.

The history of Kupat Holim, the health organization of workers in Israel, began at the 2nd Convention of Jewish agricultural workers in Judea in December 1911. Due to the lack of health services within the economic means of the workers, and the refusal of the farmer-employers to extend health services to their employees, the Jewish agricultural workers in Eretz-Israel -- at that time, a distant province of the far-flung Ottoman empire -- decided to establish a workers' health fund [kupat holim in Hebrew]. In the years 1912-15, two funds similar to the ones in Judea were also established in the north and center of the country. In the first years, the health funds did not provide workers with medical assistance on their own. Only in 1913, with the outbreak of the First World War, were the health funds transformed from insuring organizations into ones that provided medical assistance services themselves.
With the establishment of the General Federation of Labor [1920], the health funds were amalgamated into a single organization -- the Federation's Kupat Holim [1921]. The unification of Kupat Holim ultimately determined theorganization's future -- transforming it from a small, local, temporary body with a few dozen members into a national entity and a key factor in health services in Israel to this day. This volume seeks to describe the growth of Kupat Holim up to the point where it was transformed into a central health organization in Israel; its relationship with its parent-organization, the General Federation of Labor and its rivalry with its competitor in the health field, Hadassah; its evolution from an organization solely for laborers to one open to all; the efforts on the part of Kupat Holim during the British Mandate [1918-1948] to bring about legislation for a compulsory health insurance law; and the formulation of the basic principle that underlie the work of Kupit Holim to this day -- the principle of national and social responsibility for the provision of equal health services to all.

Dr. Shifra Shvarts is the head of the Health Systems Management Department of the Faculty of Health Sciences and School of Management at Ben-Gurion University.

The Workers' Health Fund in Eretz Israel

David E. White

The Works of Bishop Butler

$190.00

The complete works of Joseph Butler, newly edited, with an introduction, notes, glossary, and an analytic index.

This edition of Bishop Joseph Butler's [1692-1752] complete works is the first newly edited version to appear in a century, and is the only one to include a single, analytic index to the whole works. The editor's introduction presents Butler's ethics and philosophy of religion as a single, comprehensive system of pastoral philosophy and surveys the vast influence Butler exerted, especially in the nineteenth century.

Included here are all fifteen published sermons from Butler's tenure as Preacher at the Rolls Chapel, the only sermons in English routinely studied by secular ethicists to this day; six additional sermons on the great public institutions; his Charge to the Clergy at Durham, controversial in its day for its defense of external religion; his youthful letters sent anonymously to Samuel Clarke, and the complete text of his Analogy of Religion, an apologetic tour de force, including the famous introduction on probability as the guide to life, the analogical defense of immortality, free will and the moral order of nature, as well as his famous rebuttal of deism and his dissertations on virtue and on personal identify.
Butler's work is among the monuments of classical Anglican theology. He is a major source for work in ethical theory and philosophy of religion, as well as for the background of Victorian literature.

David E. White teaches philosophy at St. John Fisher College and is an officer in the New York State Philosophical Association.

Paul Mark Walker

Theories of Fugue from the Age of Josquin to the Age of Bach

$59.95

Few bodies of Western music are as widely respected, studied, and emulated as the fugues of Johann Sebastian Bach. Despite the esteem which Bach's contributions brought to the genre, however, the origin and early history of the fugue remain poorly understood. Theories of Fugue from the Age of Josquin to the Age of Bach addresses both the history and methodology of the pre-Bach fugue (from roughly 1500 to 1700), and, of greatest significance to the literature, it seeks to present a way out of the methodological dilemma of uncertainty which has plagued previous scholarly attempts by considering what musicians of the time had to say about the fugue: what it was, what it was not, how important it was, and where and how a composer should (or shouldn't) use it.

Paul Mark Walker is director of the Early Music Ensemble at the University of Virginia and an expert on the history of the fugue.

Theories of Fugue from the Age of Josquin to the Age of Bach

Bálint András Varga

Three Questions for Sixty-Five Composers

$49.95

Master interviewer Bálint András Varga poses three probing questions to renowned contemporary composers about their work, and carefully renders their answers in their own words.

Do today's composers draw inspiration from life experiences or from, say, the natural world?
What influences, past and present, have influenced recent composers?
How essential is it for a composer to develop a personal style, and when does this degenerate into self-repetition?
These are questions about which some of the most important composers of the late twentieth and early twenty-first century often have quite strong feelings--but have seldom been asked.
In this pathbreaking book, Bálint András Varga puts these three questions to such renowned composers as Luciano Berio, Pierre Boulez, Alberto Ginastera, Sofia Gubaidulina, Hans Werner Henze, Helmut Lachenmann, György Ligeti, Witold Lutoslawski, Luigi Nono, Krzysztof Penderecki, Wolfgang Rihm, Karlheinz Stockhausen, Toru Takemitsu, and Iannis Xenakis. Varga's sensitive English renderings capture the subtleties of their sometimes confident, sometimes hesitant, answers.
All statements from English-speaking composers -- such as Milton Babbitt, John Cage, Elliott Carter, Sir Peter Maxwell Davies, Morton Feldman, Lukas Foss, Steve Reich, Gunther Schuller, andSir Michael Tippett -- consist of the composers' own carefully chosen words.
Three Questions for Sixty-Five Composers is vital reading for anybody interested in the current state of music and the arts.

TheHungarian music publisher Bálint András Varga has spent nearly forty years working for and with composers. He has published several books, including extensive interviews with Lutoslawski, Berio, and Xenakis. His previous book forthe University of Rochester Press is György Kurtág: Three Interviews and Ligeti Homages.

Three Questions for Sixty-Five Composers

Wendy Roxin Wicks

Tim Draper

$34.95

Tells the interwoven stories of revered dance teacher Timothy Draper, the Rochester City Ballet that he founded, and its predecessor, the Eastman Theatre Ballet, established in 1923 as the first professional ballet company in theUnited States.

In this engaging book, journalist Wendy Wicks tells the story of revered dance teacher Timothy Draper, the Rochester City Ballet that he founded, and its predecessor, the Eastman Theatre Ballet, established in 1923 as the first professional ballet company in the United States. Draper, who died in 2003 at age forty-nine, trained hundreds of young dancers who have gone on to worldwide careers with illustrious companies. Wicks includes touching reminiscencesfrom these former students, interwoven with Draper's own story. The result is a compelling portrait of a complex and brilliant teacher.

Wendy Roxin Wicks is a writer, editor, and publicist specializing in the performingarts. Her work has appeared in Dance Magazine and Dance Spirit Magazine. She is a graduate of Cornell University and is currently a student at the University of Rochester's Margaret Warner Graduate School of Education and Human Development.

Wendy Roxin Wicks

Tim Draper

$16.95

Tells the interwoven stories of revered dance teacher Timothy Draper, the Rochester City Ballet that he founded, and its predecessor, the Eastman Theatre Ballet, established in 1923 as the first professional ballet company in theUnited States.

In this engaging book, journalist Wendy Wicks tells the story of revered dance teacher Timothy Draper, the Rochester City Ballet that he founded, and its predecessor, the Eastman Theatre Ballet, established in 1923 as the first professional ballet company in the United States. Draper, who died in 2003 at age forty-nine, trained hundreds of young dancers who have gone on to worldwide careers with illustrious companies. Wicks includes touching reminiscencesfrom these former students, interwoven with Draper's own story. The result is a compelling portrait of a complex and brilliant teacher.

Wendy Roxin Wicks is a writer, editor, and publicist specializing in the performingarts. Her work has appeared in Dance Magazine and Dance Spirit Magazine. She is a graduate of Cornell University and is currently a student at the University of Rochester's Margaret Warner Graduate School of Education and Human Development.

Krzysztof Czyżewski

Toward Xenopolis

$39.95

Essays by a founder of the Borderland Foundation in East-Central Europe explore the meanings of community in a fractured world.

How do we build civil society? How does a society repair itself after violence? How do we live in a world with others different from ourselves? These questions lie at the heart of Krzysztof Czyzewski's writing and his work with Fundacja Pogranicze, the Borderland Foundation, at the border of Lithuania, Poland, and Belarus. Writing from the heartland of Europe's violence and creativity, Czyzewski seeks to explain how we can relate better to each other and to our diverse communities. Building on examples of places and people in East-Central Europe, Czyzewski's essays offer readers concepts such as the invisible bridge, the nejmar (the bridge-builder), and the xenopolis (the city of others), which create community throughout the world. The three sections of the book—concepts, places, and practices—show how this cultural work bridges the divide between concepts and practices and offers a new map of Europe. Ultimately, Czyzewski hopes we can all move toward xenopolis, toward the understanding that others are, in fact, ourselves. This book offers an introduction to Czyzewski's work, with framing essays by specialists in Central and East European history.

Rachel M. Petrocelli

Transactional Culture in Colonial Dakar, 1902-44

$120.00

Examines Dakar's transformation from a small colonial capital to a dynamic city, highlighting how its resourceful residents challenged French control by forging adaptive economic relationships.

During a transformative era in the first half of the twentieth century, Dakar—former capital of French West Africa and present-day capital of Senegal—evolved from a small colonial capital meant to serve the French administration to a dynamic city shaped not solely by colonial planners but also by its resourceful inhabitants. In this important book, historian Rachel Petrocelli introduces the concept of transactional culture, a set of norms and practices forged by Dakar's residents to navigate life under colonial rule. A central element of that culture was transience, a defining feature permeating various facets of life in Dakar, from commerce and employment to housing and interactions with the state.

The book uncovers a central dynamic: economic relationships in Dakar were continually molded by the ebb and flow of diverse individuals, each pursuing their own objectives despite the relentless efforts of the French state to exert control. Both Europeans and Africans embraced adaptability in Dakar over fixed residence, while immigrant communities implanted themselves and became integral to the city's transactional culture. In this examination based on court records and other sources, Petrocelli shows that as the French colonial state sought to shape and control Dakar, it enacted policies to intentionally limit city dwellers' resources. Strategies like pawning possessions and taking out credit, creatively devising housing, and mobilizing identities and affiliations emerged as a result, integrating Dakarois of every background. These practices persisted long after French rule ended, underscoring the enduring impact of Dakar's colonial history.

Transactional Culture in Colonial Dakar, 1902-44

April G. Shelford

Transforming the Republic of Letters

$130.00

A multi-faceted study of intellectual transformation in early modern Europe as seen through the eyes of a leading French scholar and cleric, Pierre-Daniel Huet (1630-1721).

Early modern Europe's most extensive commonwealth -- the Republic of Letters -- could not be found on any map. This republic had patriotic citizens, but no army; it had its own language, but no frontiers. From its birth during theRenaissance, the Republic of Letters long remained a small and close-knit elite community, linked by international networks of correspondence, sharing an erudite neo-Latin culture. In the late seventeenth century, however, it confronted fundamental challenges that influenced its transition to the more public, inclusive, and vernacular discourse of the Enlightenment.

Transforming the Republic of Letters is a cultural and intellectual history that chronicles this transition to "modernity" from the perspective of the internationally renowned scholar Pierre-Daniel Huet (1630-1721). Under Shelford's direction, Huet guides us into the intensely social intellectual worldof salons, scientific academies, and literary academies, while his articulate critiques illumine a combative world of Cartesians versus anti-Cartesians, ancients versus moderns, Jesuits versus Jansenists, and salonnières versus humanist scholars. Transforming the Republic of Letters raises questions of critical importance in Huet's era, and our own, about defining, sharing, and controlling access to knowledge.

April G. Shelford is Assistant Professor in the History Department at American University, Washington, D.C.

Damascus Kafumbe

Tuning the Kingdom

$39.95

Examines how the Kawuugulu Clan-Royal Musical Ensemble uses musical performance and storytelling to manage, structure, model, and legitimize power relations among the Baganda people of south-central Uganda.

Tuning the Kingdom draws on oral and written accounts, archival research, and musical analysis to examine how the Kawuugulu Clan-Royal Musical Ensemble of the Kingdom of Buganda (arguably the kingdom's oldest and longest-surviving performance ensemble) has historically managed, structured, modeled, and legitimized power relations among the Baganda people of south-central Uganda. Damascus Kafumbe argues that the ensemble sustains a complex sociopolitical hierarchy, interweaving and maintaining a delicate balance between kin and clan ties and royal prerogatives through musical performance and storytelling that integrates human and nonhuman stories. He describes this phenomenonas "tuning the kingdom," and he compares it to the process of tensioning or stretching Kiganda drums, which are always moving in and out of tune. Even as Kawuugulu continues to adapt to the rapidly changing world around it, Tuning the Kingdom documents how Kawuugulu has historically articulated and embodied principles of the three inextricably related domains that serve as the backbone of Kiganda politics: kinship, clanship, and kingship.

Winner of the 2020 Kwabena Nketia Book Prize of the African and African Diasporic Music Section of the Society for Ethnomusicology and Honorable Mention for the 2019 Ogot Book Prize of the African Studies Association

Damascus Kafumbe is Assistant Professor of Music at Middlebury College.

Q. Edward Wang

Turning Points in Historiography

$39.95

An examination of how historical thinking has changed in recent years, through a comparison between Eastern and Western epochs.

Until recently almost all histories of historiography have focused on national developments or at best introduced a comparative note from a limited Western perspective. Only in the last few years have there been serious attempts to transcend these borders. The present volume examines turning points in historical thought in a variety of cultures. The essays in the first half of the book deal with fundamental reorientations in historical thinking in the pre-modern period since Antiquity, specifically in ancient Greece and China and in medieval Christian Europe, the Islamic world and again China. The essays all proceed from the premise that historical thought in none of these cultures was static but underwent profound changes over time. The essays in the second part deal with historical writing beginning with the professionalization of history in the nineteenth century. National history researched and composed around a master narrative constituted a major turning point in this period. Although the new paradigm emerged in the West, it was broadly accepted by historians throughout the world.in the twentieth century. Individual chaptersdeal with conceptions of scientific history in the West, a comparison of national histories in Japan, France, and the United States, and the invention of Chinese, African and Indian national histories; finally the critiques of the modern paradigm in postmodernist and postcolonial theory and a consideration of the shortcomings of these critiques.

Georg Iggers is Professor Emeritus of History at the State University of New York at Buffalo; Q. Edward Wang is Associate Professor of History at Rowan University.

John Canarina

Uncle Sam's Orchestra

$120.00

A humorous look at the accomplishments of America's Seventh Army Symphony during its 10-year, European tour-of-duty from 1952-1962.

The United States once maintained a symphony orchestra, the Seventh Army Symphony, based in Stuttgart, Germany. Formed in 1952 as a public relations measure, it was intended to demonstrate to the Europeans, and the Germans in particular, that American soldiers were young men of culture capable of appreciating and performing the music of Beethoven, Brahms, and other great composers with feeling and understanding. In this the orchestra was extremely successful, touring repeatedly throughout (West) Germany, Denmark, France, Greece, Italy, and the United Kingdom.

In spite of the great acclaim and enthusiasm with which it was received throughout Europe, the orchestra encountered difficulty and some outright hostility from the U.S. Army itself, which did not quite know what to do with a symphony orchestra in its midst. Therefore, in addition to paying tribute to the important work the orchestra did inthe field of cultural relations, this book chronicles the many humorous incidents that arose out of the perennial friction between the rather unmilitary orchestra and the "regular Army" personnel with whom it came in direct contact.

Philippe Huneman

Understanding Purpose

$29.99

A collection of essays investigating key historical and scientific questions relating to the concept of natural purpose in Kant's philosophy of biology.

Understanding Purpose is an exploration of the central concept of natural purpose [Naturzweck] in Kant's philosophy of biology. Kant's work in this area is marked by a strong teleological concern: living organisms, in his view, are qualitatively different from mechanistic devices, and as a result they cannot be understood by means of the same principles. At the same time, Kant's own use of the concept of purpose does not presuppose any theological commitments, and is merely "regulative"; that is, it is employed as a heuristic device. The contributors to this volume also investigate the following key historical questions relating to Kant's philosophy of biology: How does it relate to European work in the life sciences that was done before Kant arrived on the scene? How did Kant's unique approach to the philosophy of biology in turn influence later work in this area?
The issues explored in this volume are as pertinent to the history of philosophy as they are to the history of science -- it is precisely the blurred boundaries between these two disciplines that allows for new perspectives on Kantianism and early nineteenth-century German biology to emerge.

Contributors: Jean-Claude Dupont, Mark Fisher, Philippe Huneman, Robert J. Richards, Phillip R. Sloan, Stéphane Schmitt, and John Zammito.

Philippe Huneman is researcher at the Centre National de la Recherche Scientifique Unit of the Université Paris.

Peter Kaminsky

Unmasking Ravel

$130.00

Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars.

Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, "Orientations and Influences," illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, "Analytical Case Studies," engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, "Interdisciplinary Studies," integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies.

Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää.

Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.

Robert Curry

Variations on the Canon

$170.00

Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.

Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "canonical" repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition.

Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, László Somfai, Leo Treitler, James Webster, and Robert Winter.

Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.

Paul F. Rice

Venanzio Rauzzini in Britain

$170.00

Examines the remarkable career of leading soprano castrato Venanzio Rauzzini (1746-1810), the first castrato to make Britain his home.

Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas.

This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain.

Paul F. Rice is Professor of Musicology at the School of Music, Memorial University of Newfoundland.

Kevin P. Siena

Venereal Disease, Hospitals and the Urban Poor

$39.95

A re-examination of the role of charity and treating venereal disease in public hospitals in early-modern London.

This book explores how London society responded to the dilemma of the rampant spread of the pox among the poor. Some have asserted that public authorities turned their backs on the "foul" and only began to offer care for venerealpatients in the Enlightenment. An exploration of hospitals and workhouses shows a much more impressive public health response. London hospitals established "foul wards" at least as early as the mid-sixteenth century. Reconstruction of these wards shows that, far from banning paupers with the pox, hospitals made treating them one of their primary services. Not merely present in hospitals, venereal patients were omnipresent. Yet the "foul" comprised a unique category of patient. The sexual nature of their ailment guaranteed that they would be treated quite differently than all other patients.

Class and gender informed patients' experiences in crucial ways. The shameful nature of the disease, and the gendered notion of shame itself, meant that men and women faced quite different circumstances. There emerged a gendered geography of London hospitals as men predominated in fee-charging hospitals, while sick women crowded into workhouses. Patients frequently desired to conceal their infection. This generated innovative services for elite patients who could buy medical privacy by hiring their own doctor. However, the public scrutiny that hospitalization demanded forced poor patients to be creative as they sought access to medical care that they could not afford. Thus, Venereal Disease, Hospitals and the Urban Poor offers new insights onpatients' experiences of illness and on London's health care system itself.

Kevin Siena is assistant professor of history at Trent University.

Venereal Disease, Hospitals and the Urban Poor

Steven Huebner

Verdi and the Art of Italian Opera

$130.00

A long-needed and up-to-date overview of the syntax and principles that make Verdi's operas so effective and so beloved today.

Verdi's art emerged from a rich array of dramatic and musical practices operative in the Italy of his day. Drawing the reader into his creative world, this study (translated from the French original by the author himself) begins where Verdi began when it came time to set notes to paper: the libretto. Designed for the non-Italophone reader, Steven Huebner's Verdi and the Art of Italian Opera explains key principles of Italian poetry that shaped his music. From there, Huebner outlines the various musical textures available to the composer, including an exploration of the characteristics of recitative and aria. Working outward, subsequent chapters explore the syntax of Verdi's melodic writing and the larger-level forms that he used. A concluding chapter considers ways of conceiving musical unity in his operas.

George W. Martin

Verdi in America

$190.00

A renowned Verdi authority offers here the often-astounding first history of how Verdi's early operas -- including one of his great masterpieces, Rigoletto -- made their way into America's musical life.

The operas of Giuseppe Verdi stand at the center of today's operatic repertoire, and have done so for more than a century. The story of how the reputation and wide appeal of these operas spread from Western Europe throughout the world has long needed to be told. This latest book by noted Verdi authority George W. Martin, Verdi in America: Oberto through Rigoletto, specifically details the changing fortunes of Verdi's early operas in the theaters andconcert halls of the United States.
Among the important works whose fates Martin traces are Nabucco, Attila, Ernani, Macbeth (in its original version), Luisa Miller, and one of Verdi's immortal masterpieces: Rigoletto, denounced in 1860 as the epitome of immorality.
Martin also explores the astonishing revival of many of these operas in the 1940s and onward (including Macbeth in its revised version of 1865), and the first American productions-sometimes in small opera houses outside the main circuit of some Verdi operas that had never previously managed to cross the Atlantic. Extensive quotations from newspaper reviews testify tothe eventual triumph of these remarkable works. They also reveal the crucial shifts in tastes and expectations that have occurred from Verdi's day to our own.

Independent scholar George W. Martin is the author of several books on Italian opera, including Verdi, His Music, Life and Times, Verdi at the Golden Gate: Opera and San Francisco in the Gold Rush Years, and Aspects of Verdi.

Martin Chusid

Verdi's "Il trovatore"

$120.00

The first comprehensive study of Verdi's perennially popular opera Il trovatore, written by one of the world's great Verdi authorities.

No full-length study has ever been written on Il trovatore, in his day Verdi's most successful stage work. This book by one of the world's great Verdi authorities fills that gap, providing a comprehensive look at the opera,from its genesis and structure to its early performance history and critical reception.

Starting with the background of the opera, the volume traces the origins of the original play by Antonio García Gutiérrez, El trovador, and offers a new, more credible source for the drama. In addition, it examines the evolution of the libretto, the music, and the arrangement of the narrative, revealing innovative musical and dramatic features not seenby other critics. The book also includes a discussion of contemporary reviews and a section on some of the important performers in the twentieth century (for example, Toscanini and Caruso), as well as a consideration of several ofthe more unusual stagings of the work mounted during the final decades of the century.

With these and other explorations, Martin Chusid offers a thorough survey of Verdi's Il trovatore and in the process deepens and enhances our encounter with one of the mainstays of the operatic reparatory.

Martin Chusid is Professor Emeritus of Music, New York University, and founding director of the American Institute for Verdi Studies.

Robert W. Wason

Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg

$29.99

Published by Boydell & Brewer Inc.

Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg

Steven G. Reinhardt

Violence and Honor in Prerevolutionary Périgord

$130.00

Drawing on rich archival sources, explores the relationship between honor and violence in the Périgord region in prerevolutionary France.

Historians and scholars across other disciplines have long sought an explanation for why late medieval and early modern Europeans experienced elevated rates of violent crime, and for why society apparently tolerated such high levels of interpersonal violence. Most of our existing explanations focus on the macro level, looking at causes like the rise of the state or the concomitant cultural shift toward civility. In this study, author Steven G. Reinhardt utilizes a more micro-level, descriptive approach to examine the intersection of honor and violence in prerevolutionary France, in particular in the Périgord region between 1770 and 1790. Drawing on archival sources (such as interrogations, petitions, and inquests), Reinhardt vividly conveys the texture of ordinary people's everyday experiences.

Based on a sampling of criminal court cases from a region marginally integrated into the emerging capitalist economy, Violence and Honor in Prerevolutionary Périgord presents a series of extraordinarily rich narratives illustrating their subjects' understanding of the imperatives of the honor code. Combining careful scholarship with popular history, the book will interest historians of early modern Europe, legal scholars, and anthropologists of law, as well as students and general readers interested in the history of violence.

Steven G.Reinhardt is associate professor of history at the University of Texas at Arlington.

Violence and Honor in Prerevolutionary Périgord

Toyin Falola

Violence in Nigeria

$45.95

A comprehensive study of religious violence and aggression in Nigeria, notably its causes, consequences, and the options for conflict resolution.

Violence in Nigeria is the most comprehensive study of religious violence and aggression in Nigeria, notably its causes, consequences, and the options for conflict resolution. After an analysis of the links between religionand politics, the book elaborates on all the major cases of violence in the 1980s and 90s, including the Maitatsine, Kano, Bauchi, Kaduna, and Katsina riots. Zones of religious tensions are identified, as well as general characteristics of violence in Nigeria; and issues in inter and intra-religious relations, relious organizations, and the states, and the main actors in the conflicts are explored in great detail. A product of extensive primary research,Violence in Nigeria makes a contribution to contemporary social and political history that no previous study has attempted, and it is written to appeal to specialists and non-specialists alike.
Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. He is the author or editor of over a dozen books dealing with the history of Nigeria, its people, their religion and politics.

Elizabeth Isichei

Voices of the Poor in Africa

$36.95

An ambitious new approach to African studies, utilizing indigenous sources to bring back the voices of the native Africans in their own words rather than that of colonizers and foreigners.

Elizabeth Isichei explores the Atlantic slave trade, as reflected in the poetics of rumour and the poetics of memory -- an approach different from the quantitative and demographic studies which have transformed the subject over the past twenty years. To this and to her study of popular consciousness in the colony and postcolony, she brings together a wide range of disciplines -- ethnography, art and art history, and contemporary literary theory among them -- to look at the intellectual history of Africa, from African rather than European premises. The result is a history of popular consciousness which shows the experiences of ordinary people, often in protest to an ongoing experience of exploitation.

Elizabeth Isichei is Professor of Religious Studies, Otago University, Dunedin, New Zealand and author of over a dozen books on African history and religion. She holds an Oxford doctorate, and aD.Litt from the University of Canterbury, and is a fellow of the Royal Society [N.Z.]

John W. Barker

Wagner and Venice

$190.00

Explores Wagner's lengthy stays in Venice, his death there, and the meaning of his works -- and his death -- for that great city and its mystique.

Richard Wagner had a longstanding love affair with the city of Venice. His sudden death there in 1883 also initiated a process through which Wagner and his reputation were integrated into Venice's own cumulative cultural image.
In Wagner and Venice, John Barker examines the connections between the great composer and the great city. The author traces patterns of Wagner's visits to Venice during his lifetime, considers what the city came to meanto Wagner, and investigates the details surrounding his death. Barker also examines how Venice viewed Wagner, by analyzing the landmark presentation of Wagner's Ring cycle two months after the composer's death, and by consideringVenice's subsequent extensive Wagner celebrations and commemorations.
Throughout the volume, biographical detail from new and previously unavailable sources provides readers with a fresh interpretation of this seminal figure.Those already familiar with Wagner's life will find new information about, and insights into, the man and his career, while simultaneously discovering a neglected corner of Italian and Venetian cultural history.

John W. Barker is Emeritus Professor of History at the University of Wisconsin-Madison, specializing in Medieval (including Venetian) History. He is also a passionate music lover and record collector, and an active music critic and journalist.

John W. Barker

Wagner and Venice Fictionalized

$170.00

The first account of how Wagner's last years and his death in Venice have been mythologized in novels and other works of the creative imagination.

The vast literature about Richard Wagner and his works includes a surprising number of fictional works, including novels, plays, satires, and an opera. Many of these deal with his last years and his death in Venice in 1883 -- andeven a fabricated eleventh-hour romance.

These fictional treatments -- many presented here in English for the first time -- reveal a striking evolution in the way that Wagner's character and reputation have been viewed over more than a century. They offer insights into changing contexts in Western intellectual and cultural history. And they make clear how much Wagner's associations with Venice have become part of the accumulated mythology of "thefloating city."

John Barker's Wagner and Venice Fictionalized: Variations on a Theme will be of interest to all lovers of opera, Venice, and European culture generally.

John W. Barker is Emeritus Professor of History at the University of Wisconsin-Madison, specializing in medieval (including Venetian) history. He is also a passionate music lover and record collector, and an active music critic and journalist.

Hannu Salmi

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces

$130.00

An exploration of how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region.

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces explores how Wagner's operas were performed and received in the theaters of Stockholm and other cities of the region and how excerpts fromthem were arranged for amateur performances in private homes. Wagner's music and his polemical writings aroused lively discussion around the Baltic, as they did everywhere else in the Western world. Thanks to detailed accounts innewspapers, journals, contemporary literature, and writings of music historians [including some by Sibelius's teacher and friend Martin Wegelius], we are privileged, in Hannu Salmi's book, to "listen in" on these debates, which often deal with crucial questions of national self-determination and of cultural independence from Europe.
This text reveals the surprising extent to which music lovers and operagoers from the various countries, many of them women, traveled to Wagner's Bayreuth Festival to attend performances. It also reconstructs the imaginative and patient efforts by which confirmed Wagnerians established Wagner societies in order to promote an understanding of the composer's work. Each country, each city, each local composer and conductor shows a distinctive approach -- welcoming, resistant, or some of each -- to the challenge of Wagner. In the process, we see music history and cultural history in the making.

Hannu Salmi is Professor of Cultural History at the University of Turku, author of Imagined Germany: Richard Wagner's National Utopia, and an editorial board member of wagnerspectrum.

Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces

Nicholas Vazsonyi

Wagner's Meistersinger

$49.95

A volume of collected essays which engage Wagner's Die Meistersinger von Nurnberg from the perspective of both active performers and academics in a wide range of disciplines.

Richard Wagner's Die Meistersinger von Nurnberg has been one of the most performed operas ever since its premiere in 1868. It was adopted as Germany's national opera ("Nationaloper"), not least because of its historical coincidence with the unification of Germany under Bismarck in 1871. The first section of this volume, "Performing Meistersinger," contains three commissioned articles from internationally respected artists - a conductor (Peter Schneider), a stage director (Harry Kupfer) and a singer (Dietrich Fischer-Dieskau), all experienced in the performance of this unusually demanding 5-hour work. The second section, "Meistersinger and History," examines both the representation of German history in the opera and the way the opera has functioned in history through political appropriation and staging practice. The third section, "Representations," is the most eclectic, exploring in the first place the problematic question of genre from the perspective of a theatrical historian. The chronic issue of Wagner's chief opponent, Eduard Hanslick, and his musical and dramatic representation in the opera as Beckmesser, is then addressed, as are gender issues, and Wagner's own utterances concerning the opera.

Contributors: Nicholas Vazsonyi, Peter Schneider, Harry Kupfer, Dietrich Fischer-Dieskau, Hans Rudolf Vaget, Lutz Koepnick, David B. Dennis, Klaus Van Den Berg, Thomas S. Grey, Lydia Goehr, Eva Rieger, Peter Höyng.

Nicholas Vazsonyi is associate professor of German and comparative literature, University of South Carolina.

Katherine R. Syer

Wagner's Visions

$130.00

Examines the impact of contemporary ideas about the psyche and neglected yet crucial artistic influences on the psychological dimension of Wagner's operas, especially Die Feen, Der fliegende Holländer, Tannhäuser, Lohengrin, and the Ring.

Wagner's Visions studies crucial influences on Wagner's dramatic style during the years before and just after the failed Dresden revolutionary uprising of 1849. Offering a detailed examination of Die Feen, Wagner's least-known complete opera, together with analysis of Der fliegende Holländer, Tannhäuser, Lohengrin, and the four Ring dramas, Katherine Syer explores the inner experiences of Wagner's protagonists. Sources ofparticular political significance include the fables of the eighteenth-century Venetian playwright Carlo Gozzi, the Iphigenia operas of Christoph Willibald Gluck, and the legacy of the martyr Theodor Körner, whose poetry became the lingua franca of the revolutionary movement to liberate and unify Germany. Syer's book offers fresh insights into the historical context that gave rise to Wagner's dramatic art, revealing how his distinct and powerful imagery is intimately bound up with the crises and instabilities of his era.

Katherine R. Syer is associate professor of theatre and musicology at the University of Illinois at Urbana-Champaign.

Ama Oforiwaa Aduonum

Walking with Asafo in Ghana

$45.95

WINNER: Society for Ethnomusicology - 2024 Nketia Book Prize

The first full-length study of the musical pasts of Asafo warrior associations based on the author's "ways of walking" with local scholars along the Ghanaian littoral.

What is Asafo ndwom (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan, Ewe, and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions, Walking with Asafo in Ghana investigates the musical pasts of Asafo. The book is an ethnography of walking, organized into eight chapters. Each chapter ends with a piece of creative writing in the author's "ethnographic voice," in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology, one that subverts and decenters white racial framing of research, analysis, and presentation, disrupting how Euro-American concepts frame our ways of telling and experiencing ndwom.

Aduonum's goal on this trajectory is to tell her story, create something new, and chart a new path. Through this fluid and complex book, she repositions African Elders' knowledge as "epistemologies of decolonization and de-coloniality" and centers the stories shared by local Fante scholars. The text is polyvocal, multimodal, multiperspective, performative, reflexive, and dialogic, informed by the structure of Asafo ndwom, appellations, proverbs, her mentors' tellings, and "embodied" calling and responding. It is a performative scholarly discourse, ndwom-based: a performance. As a celebration of Asafo, those warriors who insisted their lives matter, the text is meant to be read and performed.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

Arthur Farwell, Thomas Stoner

Wanderjahre of a Revolutionist and Other Essays on American Music

$95.00

Selected autobiographical and critical essays by the important early 20c American composer/campaigner Arthur Farwell: a major narrative of American musical life c.1900.

Arthur Farwell was the great apostle of American music. He published works by American composers in his Wa-Wan Press, he lectured widely on the need to develop a national style, and he spearheaded the American Music Society's drive to promote the country's composers. The twenty-year crusade covered in `Wanderjahre,' originally published as articles in Musical America, begins in 1889 when Farwell's musical interest first developed, continues throughhis Bohemian days in Boston as a budding composer and his trip to Europe for further study, then chronicles his work in America on his return in 1899. Later critical articles and reviews confirm Farwell as an original, often audacious voice, frequently at odds with the musical establishment but raising key issues of American musical life in his day, and giving valuable insights into that milieu.

Wanderjahre of a Revolutionist and Other Essays on American Music

Rebecca Schmid

Weill, Blitzstein, and Bernstein

$120.00

The first study to explore the crucial influence of Kurt Weill on operas and musicals by Marc Blitzstein and Leonard Bernstein.

Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre.

Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill.

Raphael Chijioke Njoku

West African Masking Traditions and Diaspora Masquerade Carnivals

$36.95

A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts

In recent decades, there has been an explosion of scholarly interest in African-styled traditions and the influence of these traditions upon the African diaspora. In this important new analysis, author Raphael Njoku explores the transnational connections between masquerade narratives and memory over the past four centuries to show how enslaved Africans became culture carriers of inherited African traditions. In doing so, he questions the scholarly predisposition toward ethnicization of African cultural artifacts in the Americas. As Njoku's research shows, the practices reenacted by the Igbo and Bight of Biafra modelers in the Americas were not exact replicas of the African prototypes. Cultural modeling is dynamic, and the inheritors of West African traditions often adapted their customs to their circumstances--altering and transforming the meaning and purpose of the customs they initially represented.

With the Bantu migrations serving as a catalyst for ethnic mixing and change prior to the trans-Atlantic slave trade, African-themed cultural activities in the New World became dilutions of practices from several ethnic African and European nations. African cultures were already experiencing changes through Bantuization; in this well-researched and engagingly written scholarly work, the author explores the extension of this process beyond the African continent.

This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

West African Masking Traditions and Diaspora Masquerade Carnivals

Timothy Stapleton

West African Soldiers in Britain’s Colonial Army, 1860-1960

$170.00

Explores the history of Britain's colonial army in West Africa, especially the experiences of ordinary soldiers recruited in the region.

West African Soldiers in Britain's Colonial Army explores the complex and constantly changing experience of West African soldiers under British command in Nigeria, the Gold Coast (now Ghana), Sierra Leone, and the Gambia. Since cost and tropical disease limited the deployment of British metropolitan troops to the region, British colonial rule in West Africa depended heavily on locally recruited soldiers and their families. This force became Britain's largest colonial army in Sub-Saharan Africa.
West African Soldiers looks at the development of this colonial military from the conquest era of the late nineteenth century to decolonization in the 1950s. Rather than describing the many battles fought by this army both regionally and overseas, and informed by the concept of military culture, the book looks at the broad and overlapping themes of identity, culture, daily life, and violence. Chapter topics include the enslaved origins of the force, military identities including the myth of martial races, religious life, visual symbols like uniforms and insignia, health care related to tropical and sexually transmitted diseases, the experience of army wives, disciplinary flogging, mutiny, day-to-day violence committed by troops, and the employment of former soldiers by the colonial state. Based on archival research in five countries, the book derives inspiration from previous work on ordinary African soldiers in the British and German colonies of East Africa and in French West Africa.

West African Soldiers in Britain’s Colonial Army, 1860-1960

Nemata Blyden

West Indians in West Africa, 1808-1880

$130.00

A history of the West Indians who migrated to Sierra Leone from the Caribbean after the abolition of slavery in 1807.

An examination of the trans-oceanic migration of West Indians from the Caribbean to Sierra Leone in the decades following the abolition of slavery in the British colonies in 1807. The West Indians who immigrated to Sierra Leone during this period came to occupy many positions in the colonial government of the colony, and, in time, they were an important [although not always liked] minority. Nemata Blyden is a Professor in the School of Arts and Humanities, University of Texas at Dallas.

Moyo Okediji

Western Frontiers of African Art

$170.00

Western Frontiers of African Art navigates the problems and prospects of prometheusis in creative cultural productions. Artists, writers, musicians, and other creative practitioners share icons, ideas, images, and paraphernalia across cultures, mediums, and disciplines in many ways including borrowing, copying, adoption, adaptation, abbreviation, distortion, and even outright pilfering. Their reasons for sharing creative elements range from admiration to subversion, pedagogical innovation, criticism, hegemony, revenge, anger, fear, malice, and even pathology. Once shared these artistic materials become links and crossroads that complicate creativity and culture with prometheusis. But what is prometheusis? How does it work and how is it evaluated? Drawing on the visual arts, this book elaborates on prometheusis as a general theory of cultural exchange, productivity, and analysis. Examples focus on theintersections and frontiers of western modernity and African art.

Moyo Okediji is Director of the Center for Art of Africa and its Diasporas at the University of Texas at Austin and the author of several books on African art.

Thomas V. McClendon

White Chief, Black Lords

$120.00

A study of colonial Natal, focused on the contradictions related to indirect rule, the legacy of which continues to inform the political and social climate of post-apartheid South Africa.

White Chief, Black Lords explores the tensions and contradictions between the British colonial civilizing mission and the practice of indirect rule. While the colonial imperative was to transform colonized societies and bring them within "civilized" norms, fiscal limitations frequently resulted in ruling through indigenous authorities and customs. In this book, Thomas McClendon analyzes this deep contradiction by looking at several crises and key turning points in the early decades of colonial rule in the British colony of Natal, later part of South Africa. He focuses a keen eye on the tenure of Theophilus Shepstone as that colony's Secretary for Native affairs, examining his interactions with subject African communities.
In a series of case studies, including high drama over rebellions by African "chiefs" and their followers and intense debates over the control of witchcraft, White Chief,Black Lords shows that these colonial imperatives led to a self-defeating conundrum. In the process of attempting to rule through African leaders and norms yet to discipline and transform African subjects, the colonial state inevitably was itself transformed and became, in part, an African state. McClendon concludes by spotlighting the continuing importance of these unresolved contradictions in post-apartheid South Africa.

Thomas McClendonis Professor of History at Southwestern University in Georgetown, Texas.

John R. Near

Widor

$49.95

Brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor.

Widor: A Life beyond the Toccata brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. He is considered one of the greatestorganists of his time, a prolific composer in nearly every genre, professor of organ and composition at the Paris Conservatory, academician and administrator at the Institute of France, journalist, conductor, music editor, scholar, correspondent, inspired visionary, and man of deep culture.
An appendix constitutes the most complete listing ever compiled of Widor's oeuvre. Each work is dated as accurately as possible and includes the publisher, platenumber, dedicatee, and relevant commentary. Another appendix lists Widor's complete published writings, other than the scores of press reviews he penned over several decades.
Widor: A Life beyond the Toccata illuminates the life and work of one of France's most distinguished yet neglected musicians of the belle époque.

JOHN R. NEAR is Professor Emeritus of Music, Principia College.

John R. Near

Widor

$240.00

Brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor.

Widor: A Life beyond the Toccata brings to light the life and work of one of France's most distinguished musicians in the most complete biography in any language of Charles-Marie Widor. He is considered one of the greatestorganists of his time, a prolific composer in nearly every genre, professor of organ and composition at the Paris Conservatory, academician and administrator at the Institute of France, journalist, conductor, music editor, scholar, correspondent, inspired visionary, and man of deep culture.
An appendix constitutes the most complete listing ever compiled of Widor's oeuvre. Each work is dated as accurately as possible and includes the publisher, platenumber, dedicatee, and relevant commentary. Another appendix lists Widor's complete published writings, other than the scores of press reviews he penned over several decades.
Widor: A Life beyond the Toccata illuminates the life and work of one of France's most distinguished yet neglected musicians of the belle époque.

JOHN R. NEAR is Professor Emeritus of Music, Principia College.

John R. Near

Widor on Organ Performance Practice and Technique

$75.00

Widor's pedagogical writings, translated for the first time, offer essential guidance for interpreting his organ compositions as well as those of his followers in the French Romantic organ school.

Renowned organist, composer, and Paris Conservatory professor Charles-Marie Widor (1844-1937) was a leading figure of the French Romantic organ school. In the extensive Preface he wrote for his edition of the complete organ worksof J. S. Bach, Widor conveyed what he considered to be the essential maxims of organ performance practice and technique. Given that he felt that "the art of organ playing has not changed at all since Johann Sebastian Bach," the principles detailed in his highly articulate writings can be seen today as relevant to his own organ compositions as well as those of his circle of followers.

In Widor on Organ Performance Practice and Technique,John Near translates for the first time all the statements from Widor's Bach Preface that reflect his distinctive and influential approach to performance style and artistic awareness. Correlative source material that clarifies andaugments these passages is included after the translations.

To complement the pedagogical material and bring a broader view of Widor's involvement in all things pertaining to the organ, his four most significant writings about the organ and organ playing are included in the appendixes.

JOHN R. NEAR is Professor Emeritus of Music, Principia College. His publications include Widor: A Life beyond the Toccata, available from theUniversity of Rochester Press.

Widor on Organ Performance Practice and Technique

James S. Fleming

Window on Congress

$55.00

An analysis of the congressional career of Barber B. Conable, Jr., one of the most-respected legislators of modern times.

Barber B. Conable Jr. served as a Republican congressman from western New York from 1965 to 1985. He is recognized as one of the most respected members of the House of Representatives in recent years. This biography explores his twenty-year congressional career, focusing on his remarkable educational abilities as a gifted teacher-legislator. Using excerpts from Conable's private journal, his newsletters and news columns, and from personal interviews, JamesS. Fleming has crafted a book that enables readers to appreciate why Conable was held in high regard by his constituents, his colleagues, the press, and congressional scholars. Political scientist Charles O. Jones expressed the opinion of many when he observed that "Barber Conable was just about everybody's idea of what a congressman should be."
Recognizing the importance of Conable's western New York heritage, James Fleming traces Conable's story from his childhood in Warsaw, New York, to his election to the historic Eighty-ninth Congress of 1965-1966. Fleming's chronicle of Conable's subsequent legislative career offers a window on Congress and on an historic period in American history. As the fourth-ranking Republican leader in the House, Conable played a critical role in the Watergate investigation that led to the resignation of President Richard M. Nixon. As the ranking Republican leader of the Ways and Means Committee, he was a key contributor to the tax legislation passed during the Ford, Carter, and Reagan administrations. The highlight of his legislative career was his crucial work in solving the 1983 Social Securitycrisis. Fleming concludes the biography with a look at Conable's service as World Bank President and his retirement to his beloved western New York home.

In his foreword the renowned congressional scholar, Richard F. Fenno Jr. writes, "Barber Conable was an especially admirable United States Representative; and Jim Fleming has written an especially admirable congressional biography. This book is, therefore, a special gift."

Nicolae Margineanu

Witnessing Romania's Century of Turmoil

$130.00

Combining the intimacy of memoir and the precision of history, the story of psychologist Nicolae Margineanu's imprisonment and survival conveys in striking detail the corrosive impact of Communist rule in Romania.

Nicolae Margineanu's journey started in 1905 in the village of Obreja in Transylvania and ended in 1980 in Cluj-Napoca, Romania. He began his life under Austro-Hungarian rule, was witness to the 1918 Union, lived under three kings(Ferdinand, Carol II, and Mihai), and survived all of Romania's dictatorships, from absolute monarchy to the Legionnaires' rebellion, the Antonescian dictatorship, and finally the years under Communist rule. Margineanu studied psychology at the University of Cluj and attended postgraduate courses in Leipzig, Berlin, Hamburg, Paris, and London. He was awarded a Rockefeller Foundation fellowship that enabled him to do research for two years in the United States, at Harvard, Yale, Columbia, the University of Chicago, and Duke. He returned to Romania and became chair of the psychology department at the University of Cluj.

In 1948, Margineanu was arrested on a charge of "high treason," based on his alleged membership in a resistance movement against Communist rule. He was sentenced to twenty-five years' imprisonment, of which he served sixteen, passing through the jails at Malmaison, Jilava, Pitesti,Aiud, and Gherla. This book, his autobiography, is a shocking testimony to the fate of the intellectual elite of Romania during the Communist dictatorship. It is a unique and invaluable addition to the literature in English on the experience of political prisoners, not only in Communist Romania but in authoritarian states in general.

Nicolae Margineanu (1905-1980) was a Romanian psychologist and writer who was a political prisoner during theperiod of Communist rule. Dennis Deletant is the Visiting Ratiu Professor of Romanian Studies at Georgetown University. Calin Cotoiu is a translator based in Bucharest, Romania.

Sarah L. Franklin

Women and Slavery in Nineteenth-Century Colonial Cuba

$120.00

Investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves

Scholars have long recognized the importance of gender and hierarchy in the slave societies of the New World, yet gendered analysis of Cuba has lagged behind study of other regions. Cuban elites recognized that creating and maintaining the Cuban slave society required a rigid social hierarchy based on race, gender, and legal status. Given the dramatic changes that came to Cuba in the wake of the Haitian Revolution and the growth of the enslaved population,the maintenance of order required a patriarchy that placed both women and slaves among the lower ranks.

Based on a variety of archival and printed primary sources, this book examines how patriarchy functioned outside the confines of the family unit by scrutinizing the foundation on which nineteenth-century Cuban patriarchy rested. This book investigates how patriarchy operated in the lives of the women of Cuba, from elite women to slaves. Through chapters on motherhood, marriage, education, public charity, and the sale of slaves, insight is gained into the role of patriarchy both as a guiding ideology and lived history in the Caribbean's longest lasting slave society.

Sarah L. Franklin is assistant professor of history at the University of North Alabama.

Women and Slavery in Nineteenth-Century Colonial Cuba

Monica A. Hershberger

Women in American Operas of the 1950s

$120.00

The first feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life.

In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims.

Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles.

With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.

Monica A. Hershberger

Women in American Operas of the 1950s

$29.99

Feminist analysis of some of the most performed works in the American-opera canon, emphasizing the voices and perspectives of the sopranos who brought these operas to life.

In the 1950s, composers and librettists in the United States were busy seeking to create an opera repertory that would be deeply responsive to American culture and American concerns. They did not break free, however, of the age-old paradigm so typically expressed in European opera: that is, of women as either saintly and pure or sexually corrupt, with no middle ground. As a result, in American opera of the 1950s, women risked becoming once again opera's inevitable victims.

Yet the sopranos who were tasked with portraying these paragons of virtue and their opposites did not always take them as their composers and librettists made them. Sometimes they rewrote, through their performances, the roles they had been assigned. Sometimes they used their lived experiences to invest greater authenticity in the roles.

With chapters on The Tender Land, Susannah, The Ballad of Baby Doe, and Lizzie Borden, this book analyzes some of the most performed yet understudied works in the American-opera canon. It acknowledges Catherine Clément's famous description of opera as "the undoing of women," while at the same time illuminating how singers like Beverly Sills and Phyllis Curtin worked to resist such undoing, years before the official resurgence of the American feminist movement. In short, they ended up helping to dismantle powerful gendered stereotypes that had often reigned unquestioned in opera houses until then.

Edward C. Atwater

Women Medical Doctors in the United States before the Civil War

$50.00

An invaluable reference work chronicling the lives of over 200 women who received medical degrees in the United States before the Civil War.

This groundbreaking reference work contains brief biographical articles for over two hundred women, most of them little known, who graduated from schools of medicine in the United States before the Civil War. The volume includes an introductory essay examining the social and religious backgrounds of the women graduates, as well as their motivations for becoming physicians and their varying degrees of success as practitioners. In addition, the essay offersinformation on what physician training and practice were like during the period, as well as on the need for reform that provided a setting for women's entry into the profession. The biographical entries are supplemented by a chronological table of female medical graduates and a geographical table indicating the places in which they practiced.

Edward C. Atwater is emeritus professor of medicine and the history of medicine at the University of Rochester School of Medicine.

Women Medical Doctors in the United States before the Civil War

Nancy Wharton Bolger

Women of Rochester Pediatrics

$9.95

A helpful road map to a future successful career through life stories shared by a group of distinguished university women, all professors of Pediatrics at the University of Rochester.

In this inspiring collection of life stories, distinguished women pediatricians reflect on how following their passion for caring for children has led to satisfying and successful careers in the vibrant, ever-changing arena of academic medicine. While some were challenged by a bias against women physicians, themes of optimism and confidence shine as each tells her story.

The career paths of these women are as rich and varied as their diverse backgrounds. Several lead federally funded research teams. One is internationally known as a major figure in the "Back to Breastfeeding" movement of the 1960s. Another partners with engineering faculty to create miniature medical devices for newborns. Some are deeply involved in community and international health issues, while others work at the national level to determine how best to teach Pediatrics to medical students in this era of rapid technological andsocial change.

Throughout the stories runs a strong connective thread. These doctors discovered at the University of Rochester an environment where their skills would blossom and where they could create satisfying lives for themselves and their families, while working to improve healthcare for the world's children. The strategies they used to overcome old barriers and meet new challenges make this a useful handbook for those looking for a career in any profession.

Nancy Wharton Bolger is a writer and editor associated with the University of Rochester Medical Center.

Christine Saidi

Women's Authority and Society in Early East-Central Africa

$120.00

A radical reassessment of the importance of women in East-Central African society during the precolonial period.

This study of more than two thousand years of African social history weaves together evidence from historical linguistics, archaeology, comparative ethnography, oral tradition, and art history to challenge the assumptions that allAfrican societies were patriarchal and that the status of women in precolonial Africa is beyond the scope of historical research. In East-Central Africa, women played key roles in technological and economic developments during the long precolonial period. Female political leaders were as common as male rulers, and women, especially mothers, were central to religious ceremonies and beliefs. These conclusions contribute a new and critical element to our understanding of Africa's precolonial history.

Christine Saidi is Assistant Professor of History at Kutztown University.

Women's Authority and Society in Early East-Central Africa

Rebecca Cypess, Beth L. Glixon, Nathan Link

Word, Image, and Song [2 volume set]

$180.00

New essays by noted authorities explore music and related arts in early modern Italy, the concept of musical voice, the role of singing in musical life, and the many ways of experiencing music.

This two-volume set explores the relationship between words and music -- and the roles they play in culture and society -- from the Renaissance through the nineteenth century. The first volume, Word, Image, and Song: Essays onEarly Modern Italy, presents a broad range of approaches to the study of music and related arts during that era. Chapters are devoted to such topics as musical source studies, issues of performance, poetry, and linguistics, influences on music from the Classical tradition, and the interconnectedness of music and visual art. Volume 2, Word, Image, and Song: Essays on Musical Voices, takes the notion of musical voice as a starting point and applies it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Essays in this volume present a range of interpretive strategies with respect to the "voices" that one might hear and understand as emerging from a musical work, from the historical contexts of music, and from the reception of music and musical ideaswithin societies.

Rebecca Cypess is assistant professor of music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Rebecca Cypess

Word, Image, and Song, Vol. 1

$170.00

New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.

The rich cultural environment of early modern Italy inspired a vast array of musical innovations: this was the first age of the virtuoso performer, the era that witnessed the beginnings of opera, and a moment that saw the intersection and cross-fertilization of madrigals and songs of all sorts. Word, Image, and Song: Essays on Early Modern Italy presents a broad range of approaches to the study of music and related arts in that era. Topics include musical source studies, issues of performance, poetry and linguistics, influences on music from the classical tradition, and the interconnectedness of music and visual art. Their points of departure include well-known musical workssuch as Monteverdi's madrigals, librettos of seventeenth-century operas, the poetry of Giambattista Marino, and the paintings of Titian and his contemporaries.

Contributors: Jennifer Williams Brown, Mauro Calcagno, Alan Curtis, Suzanne G. Cusick, Ruth I. DeFord, Dinko Fabris, Beth L. Glixon, Jonathan E. Glixon, Barbara Russano Hanning, Wendy Heller, Robert R. Holzer, Deborah Howard, Giuseppe Mazzotta, Margaret Murata, David Rosand, Susan ParkerShimp, Gary Tomlinson, Alvaro Torrente, Andrew H. Weaver.

Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is Instructor in Musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Rebecca Cypess

Word, Image, and Song, Vol. 2

$130.00

Applies the notion of musical "voice" to diverse repertoires, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild.

The concept of musical voice has been a subject of controversy in recent decades, as the primacy of the composer's place in the creation of the work has been called into question. The essays in Word, Image, and Song: Essays onMusical Voices take the notion of musical voice as a starting point, and apply it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Rather than attributing interpretive control to the composer, performer, or audience alone, these essays present a range of interpretive strategies with respect to the various voices that one might hear and understand as emerging from a musical work: the composer's voice, the performer's voice, the patron's voice, the collector's voice, and the social or receptive voice.

Contributors: Bathia Churgin, Rebecca Cypess, Roger Freitas, Philip Gossett, Ellen T. Harris, Joseph Kerman, Nathan Link, Daniel R. Melamed, Giovanni Morelli, Kristina Muxfeldt, Ruth Smith, Ruth A. Solie.

Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

Larry E. Hudson Jr.

Working Toward Freedom

$29.95

Slaves had, sometimes, the opportunity to produce their own goods. These studies demonstrate the importance of that economy in reinforcing family ties and preparation for freedom.

The opportunity for slaves to produce goods, for their own use or for sale, facilitated the development of a domestic economy largely independent of their masters and the wider white community. Drawing from a range of primary sources, these essays show how slaves organised their domestic economy and created an economic and social space for themselves under slavery which profoundly affected family and gender relations. In their efforts to protect the integrity of their families they became primary actors in their preparation for freedom. Selected and revised for publication, this collection of essays stems from the University of Rochester conference, "African-American Work and Culture in the 18th and 19th Centuries."

Contributors include: Josephine A. Beoku Betts, Kenneth L. Brown, John Campbell, Cheryll Ann Cody, Mary Beth Corrigan, Stanley, L. Engerman, Sharon Ann Holt, Larry E. Hudson Jr, Robert Olwell, Lorena S. Walsh

John Edward Philips

Writing African History

$64.95

A comprehensive evaluation of how to read African history.

Writing African History is an essential work for anyone who wants to write, or even seriously read, African history. It will replace Daniel McCall's classic Africa in Time Perspective as the introduction to African history for the next generation and as a reference for professional historians, interested readers, and anyone who wants to understand how African history is written.
Africa in Time Perspective was written in the 1960s, when African history was a new field of research. This new book reflects the development of African history since then. It opens with a comprehensive introduction by Daniel McCall, followed by a chapter by the editor explainingwhat African history is [and is not] in the context of historical theory and the development of historical narrative, the humanities, and social sciences. The first half of the book focuses on sources of historical data while thesecond half examines different perspectives on history. The editor's final chapter explains how to combine various sorts of evidence into a coherent account of African history. Writing African History will become the most important guide to African history for the 21st century.

Contributors: Bala Achi, Isaac Olawale Albert, Diedre L. Badéjo, Dorothea Bedigian, Barbara M. Cooper, Henry John Drewal, Christopher Ehret, Toyin Falola, David Henige, Joseph E. Holloway, John Hunwick, S. O. Y. Keita, William G. Martin, Daniel McCall, Susan Keech McIntosh, Donatien Dibwe Dia Mwembu, Kathleen Sheldon, John Thornton, and Masao Yoshida.

John Edwards Philips is professor of international society, Hirosaki University, and author of Spurious Arabic: Hausa and Colonial Nigeria [Madison, University of Wisconsin African Studies Center, 2000].

Kwaku Larbi Korang

Writing Ghana, Imagining Africa

$39.95

This book makes Africa the centerpiece of an intercultural investigation of modern colonial power and its resistance, focusing on the writings of Ghanaian intellectuals.

Writing Ghana, Imagining Africa changes dominant ideas about Africa's relations with modernity and the global history of nationalism by recovering, and bringing fresh interpretations to, a modern genealogy of African nationalist theory. Author Kwaku Larbi Korang examines the writing of intellectuals from preindependence Ghana from the latter half of the nineteenth century to the mid-twentieth, writers who operated self-consciously in a Pan-African ideological framework. By confronting the concept of "the African Nation" under the colonial order, Korang contends that these writer-intellectuals were also confronting modernity in ways that would be important to the late twentieth and early twenty-first centuries.
Through its affiliation with recent revisionary works that have demonstrated the conceptual and existential validity of "alternative modernities," the volume shifts our understanding of the modern from a securely and exclusively Western mode of being to the modern as relational and inclusively intercultural. It mobilizes this relational and intercultural conception to locate and outline "African modernity."
Additionally,Writing Ghana, Imagining Africa demonstrates why and how projections of, and debates about, "African modernity" have been more than a continental affair. Korang comprehensively relates the thought of African Americans (Martin Delany, Alexander Crummell, W. E. B. Du Bois, Richard Wright), and West Indians (George Padmore, C.L.R. James), to that of seminal anglophone West African thinkers like E. W. Blyden, Africanus Horton, J. E. Casely Hayford, and Kwame Nkrumah.

Kwaku Larbi Korang is associate professor in the Department of African and African American Studies at Ohio State University.

Ann Genova

Yorùbá Identity and Power Politics

$170.00

Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa.

Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods,narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics.

Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin.

Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin.
Ann Genova is a Ph.D. candidate at the University of Texas at Austin.

Bode Omojola

Yorùbá Music in the Twentieth Century

$36.95

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorùbá genres of music.

From the primeval age of Ayànàgalú (the Yorùbá pioneer-drummer-turned-deity-of-drumming) to the modern era, Yorùbá musical traditions have been shaped by individual performers: drummers, dancers, singers, and chanters, wself-mediated visions of their social and cultural environment. Yorùbá Music in the Twentieth Century explores the role of the performer and the performing group in creating these traditions, contributing to the ongoing reorientation of scholarship on African music toward individual creativity within a larger social network.

Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional Yorùbá genres such as bàtá and dùndún drumming as well as more contemporary genres such as Yorùbá popular music. The book also addresses a spectrum of social issues, ranging from gender inequality to the impactianity and Islam on Yorùbá musical practice. Throughout, Omojola emphasizes the interrelatedness of the different components of the Yorùbá musical landscape, as well as the role of specific individuals and groups of musicians, whohave continued to draw from indigenous Yorùbá musical resources to create new musical forms in the process of engaging the social dynamics of a rapidly changing environment.

Awarded honorable mention in the 2014 Kwabena Nketia Book Competition of the African Music Section of the Society for Ethnomusicology.

Bode Omojola is a Five College Associate Professor of Music at Mt. Holyoke College.

Claire P. Ayelotan

Yoruba Pentecostalism and Child Witchcraft Accusations

$130.00

An exploration of Yoruba Pentecostalism's role in child witchcraft accusations, examining migration, leadership, and collective responsibility to address faith-based child abuse globally.

What drives communities to accuse children of witchcraft, and how do religious beliefs and leadership dynamics perpetuate this phenomenon across borders? Claire Ayelotan delves into the involvement of Yoruba (Nigerian) Pentecostal leaders in accusations of child witchcraft in Nigeria and the UK. Using a multidisciplinary approach, her research examines the theological, cultural, socioeconomic, and legal influences that drive such behaviours. Ethnographic studies and interviews with pastors and practitioners reveal how power dynamics, gender roles, and international migration intersect to perpetuate these harmful beliefs. The book uncovers gaps in current literature and presents original insights on the collective responsibility, shared beliefs, and complexities of Pentecostal leadership in this context. By focusing on the global aspects of child witchcraft accusations, it sheds new light on how migration impacts these practices and the negative consequences they have on vulnerable children.

An important read for academics, policymakers, and child welfare professionals, this book challenges assumptions and urges immediate action to combat faith-based child abuse in all its manifestations.

Cover image for Yoruba Pentecostalism and Child Witchcraft Accusations, isbn: 9781648251238

Professor Paul Ugor

Youth and Popular Culture in Africa

$170.00

Explores the range of vibrant cultural production and political activism of youth in Africa today, as expressed through art, music, theater, and online media.

This edited collection focuses on the links between youth and African popular culture. Contributions by a distinguished group of scholars explore popular culture produced and consumed by young people in contemporary Africa. Essays cover a variety of cultural representations--visual, oral, written, performative, fictional, social, and virtual--created by African youth, mostly about their lives and their immediate societies, and for themselves, but also consumed by the larger public and shared locally and globally. The volume examines the range of music, art, and media African youth produce, under what conditions or contexts they produce such work, and the aesthetic dimensions of these texts as cultural artifacts. Essays further explore why these textual practices matter as social facts, as interpretive acts, and as symbols of the cultural activism of young people in a rapidly changing world—a world where the global cultural economy is the prime terrain for the relentless struggles over the meanings that come to shape political-economic and social systems.