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Explores Jackie Robinson’s compelling and complicated legacy

Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him.

Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

Explores Jackie Robinson’s compelling and complicated legacy

Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him.

Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

Explores Jackie Robinson’s compelling and complicated legacy

Before the United States Supreme Court ruled against segregation in public schools, and before Rosa Parks refused to surrender her bus seat in Montgomery, Alabama, Jackie Robinson walked onto the diamond on April 15, 1947, as first baseman for the Brooklyn Dodgers, making history as the first African American to integrate Major League Baseball in the twentieth century. Today a national icon, Robinson was a complicated man who navigated an even more complicated world that both celebrated and despised him.

Many are familiar with Robinson as a baseball hero. Few, however, know of the inner turmoil that came with his historic status. Featuring piercing essays from a range of distinguished sportswriters, cultural critics, and scholars, this book explores Robinson’s perspectives and legacies on civil rights, sports, faith, youth, and nonviolence, while providing rare glimpses into the struggles and strength of one of the nation’s most athletically gifted and politically significant citizens. Featuring a foreword by celebrated directors and producers Ken Burns, Sarah Burns, and David McMahon, this volume recasts Jackie Robinson’s legacy and establishes how he set a precedent for future civil rights activism, from Black Lives Matter to Colin Kaepernick.

A new facsimile edition of a classic work on New York’s architectural masterpiece—Central Park

Central Park receives millions of visitors every year, tourists and locals alike. A Description of the New York Central Park, published in 1869, is recognized today as the most important book about the park to appear during its early years. The lively, often wry, text was written by Clarence C. Cook, a distinguished Victorian art critic, while the illustrations were drawn by the popular Albert Fitch Bellows. The author and artist examine many sites in the park that survive to this day as well as features that have vanished over time.

In a new Introduction, Maureen Meister reveals how the book came about. In the mid-1860s, the park’s designers, Frederick Law Olmsted and Calvert Vaux, were battling to defend their plan. Of greatest concern was a proposal to build ornate entrances, suggestive of French imperialism. If realized, the gates would have undermined the park’s natural and democratic image. At the same time, the park was threatened by a proliferation of monuments. Meister tells how Olmsted and Vaux advised Cook on what he wrote, and she has found evidence to suggest that they initiated the book’s publication. This book is their book.

While the original volume offers much to delight the modern reader, Meister’s Introduction sheds light on how the book served a greater purpose. It was published to champion Olmsted and Vaux and to advocate for their vision—a dream for a magnificent public park that has come to be regarded as New York City’s achievement and a model for the nation.

Follows centuries of New York activism to reveal the city as a globally influential machine for social change

Activist New York surveys New York City’s long history of social activism from the 1650’s to the 2010’s. Bringing these passionate histories alive, Activist New York is a visual exploration of these movements, serving as a companion book to the highly-praised Museum of the City of New York exhibition of the same name.

New York’s primacy as a metropolis of commerce, finance, industry, media, and ethnic diversity has given it a unique and powerfully influential role in the history of American and global activism. Steven H. Jaffe explores how New York’s evolving identities as an incubator and battleground for activists have made it a “machine for change.” In responding to the city as a site of slavery, immigrant entry, labor conflicts, and wealth disparity, New Yorkers have repeatedly challenged the status quo.

Activist New York brings to life the characters who make up these vibrant histories, including David Ruggles, an African American shopkeeper who helped enslaved fugitives on the city’s Underground Railroad during the 1830s; Clara Lemlich, a Ukrainian Jewish immigrant who helped spark the 1909 “Uprising of 20,000” that forever changed labor relations in the city’s booming garment industry; and Craig Rodwell, Karla Jay, and others who forged a Gay Liberation movement both before and after the Stonewall Riot of June 1969.

The city’s inhabitants have been at the forefront of social change on issues ranging from religious tolerance and minority civil rights to sexual orientation and economic justice. Across 16 lavishly illustrated chronological chapters focusing on specific historical episodes, Jaffe explores how New York and New Yorkers have changed the way Americans think, feel, and act.

2025 Gotham Book Prize Finalist

Meet the Black Brooklynites who defined New York City’s most populous borough through their search for social justice

Before it was a borough, Brooklyn was our nation’s third largest city. Its free Black community attracted people from all walks of life—businesswomen, church leaders, laborers, and writers—who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives of these remarkable citizens and considers their lasting impact on New York City’s most populous borough.

This cultural and social history is told through four ordinary families from Brooklyn’s nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn’s place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family—both the ones we’re born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.

This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.

2025 Gotham Book Prize Finalist

Meet the Black Brooklynites who defined New York City’s most populous borough through their search for social justice

Before it was a borough, Brooklyn was our nation’s third largest city. Its free Black community attracted people from all walks of life—businesswomen, church leaders, laborers, and writers—who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives of these remarkable citizens and considers their lasting impact on New York City’s most populous borough.

This cultural and social history is told through four ordinary families from Brooklyn’s nineteenth-century free Black community: the Crogers, the Hodges, the Wilsons, and the Gloucesters. The book illustrates the depth and scope of their activism, cementing Brooklyn’s place in the history of social justice movements. Their lives offer valuable lessons on freedom, democracy, and family—both the ones we’re born with and the ones we choose. Their powerful stories continue to resonate today, as borough residents fill the streets in search of a more just city.

This is a story of land, home, labor, of New Yorkers past, and the legacy they left us. This is the story of Brooklyn.

A curious gem of 19th-century gothic fiction

Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light.

Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

A curious gem of 19th-century gothic fiction

Cecil Dreeme is one of the queerest American novels of the 19th century. This edition, which includes a new introduction contextualizing the sexual history of the period and queer longings of the book, brings a rare, almost forgotten, sensational gothic novel set in New York’s West Village back to light.

Published posthumously in 1861, the novel centers on Robert Byng, a young man who moves back to New York after traveling abroad and finds himself unmarried and underemployed, adrift in the heathenish dens of lower Manhattan. When he takes up rooms in “Chrysalis College”—a thinly veiled version of the 19th-century New York University building in Washington Square—he quickly finds himself infatuated with a young painter lodging there, named Cecil Dreeme. As their friendship grows and the novel unfolds against the backdrop of the bohemian West Village, Robert confesses that he “loves Cecil with a love passing the love of women.” Yet, there are dark forces at work in the form of the sinister and magnetic Densdeth, a charismatic figure of bad intention, who seeks to ensnare Robert for his own. Full of romantic entanglements, mistaken identity, blackmail, and the dramas of temptation and submission, Cecil Dreeme is a gothic novel at its finest. Poetically written—with flashes of Walt Whitman, Charles Dickens, and Oscar Wilde—Cecil Dreeme is an early example of that rare bird, a queer novel from the 19th century.

A compelling set of short stories from the author of World War I classic, All Quiet on the Western Front

German-American novelist Erich Maria Remarque captured the emotional anguish of a generation in his World War I masterpiece, All Quiet on the Western Front, as well as in an impressive selection of novels, plays, and short stories. This exquisite collection revives Remarque’s unforgettable voice, presenting a series of short stories that have long ago faded from public memory.

From the haunting description of an abandoned battlefield to the pain of losing a loved one in the war to soldiers’ struggles with what we now recognize as PTSD, the stories offer an unflinching glimpse into the physical, emotional, and even spiritual implications of World War I. In this collection, we follow the trials of naïve war widow Annette Stoll, reflect on the power of small acts of kindness toward a dying soldier, and join Johann Bartok, a weary prisoner of war, in his struggle to reunite with his wife.

Although a century has passed since the end of the Great War, Remarque’s writing offers a timeless reflection on the many costs of war. Eight Stories offers a beautiful tribute to the pain that war inflicts on soldiers and civilians alike, and resurrects the work of a master author whose legacy – like the war itself – will endure for generations to come.

A compelling set of short stories from the author of World War I classic, All Quiet on the Western Front

German-American novelist Erich Maria Remarque captured the emotional anguish of a generation in his World War I masterpiece, All Quiet on the Western Front, as well as in an impressive selection of novels, plays, and short stories. This exquisite collection revives Remarque’s unforgettable voice, presenting a series of short stories that have long ago faded from public memory.

From the haunting description of an abandoned battlefield to the pain of losing a loved one in the war to soldiers’ struggles with what we now recognize as PTSD, the stories offer an unflinching glimpse into the physical, emotional, and even spiritual implications of World War I. In this collection, we follow the trials of naïve war widow Annette Stoll, reflect on the power of small acts of kindness toward a dying soldier, and join Johann Bartok, a weary prisoner of war, in his struggle to reunite with his wife.

Although a century has passed since the end of the Great War, Remarque’s writing offers a timeless reflection on the many costs of war. Eight Stories offers a beautiful tribute to the pain that war inflicts on soldiers and civilians alike, and resurrects the work of a master author whose legacy – like the war itself – will endure for generations to come.

A fantastical field guide to the hidden history of New York's magical past

Manhattan has a pervasive quality of glamour—a heightened sense of personality generated by a place whose cinematic, literary, and commercial celebrity lends an aura of the fantastic to even its most commonplace locales. Enchanted New York chronicles an alternate history of this magical isle. It offers a tour along Broadway, focusing on times and places that illuminate a forgotten and sometimes hidden history of New York through site-specific stories of wizards, illuminati, fortune tellers, magicians, and more.

Progressing up New York’s central thoroughfare, this guidebook to magical Manhattan offers a history you won’t find in your Lonely Planet or Fodor’s guide, tracing the arc of American technological alchemies—from Samuel Morse and Robert Fulton to the Manhattan Project—to Mesmeric physicians, to wonder–working Madame Blavatsky, and seers Helena Roerich and Alice Bailey. Harry Houdini appears and disappears, as the world’s premier stage magician’s feats of prestidigitation fade away to reveal a much more mysterious—and meaningful—marquee of magic.

Unlike old-world cities, New York has no ancient monuments to mark its magical adolescence. There is no local memory embedded in the landscape of celebrated witches, warlocks, gods, or goddesses—no myths of magical metamorphoses. As we follow Kevin Dann in geographical and chronological progression up Broadway from Battery Park to Inwood, each chapter provides a surprising picture of a city whose ever-changing fortunes have always been founded on magical activity.

A fantastical field guide to the hidden history of New York's magical past

Manhattan has a pervasive quality of glamour—a heightened sense of personality generated by a place whose cinematic, literary, and commercial celebrity lends an aura of the fantastic to even its most commonplace locales. Enchanted New York chronicles an alternate history of this magical isle. It offers a tour along Broadway, focusing on times and places that illuminate a forgotten and sometimes hidden history of New York through site-specific stories of wizards, illuminati, fortune tellers, magicians, and more.

Progressing up New York’s central thoroughfare, this guidebook to magical Manhattan offers a history you won’t find in your Lonely Planet or Fodor’s guide, tracing the arc of American technological alchemies—from Samuel Morse and Robert Fulton to the Manhattan Project—to Mesmeric physicians, to wonder–working Madame Blavatsky, and seers Helena Roerich and Alice Bailey. Harry Houdini appears and disappears, as the world’s premier stage magician’s feats of prestidigitation fade away to reveal a much more mysterious—and meaningful—marquee of magic.

Unlike old-world cities, New York has no ancient monuments to mark its magical adolescence. There is no local memory embedded in the landscape of celebrated witches, warlocks, gods, or goddesses—no myths of magical metamorphoses. As we follow Kevin Dann in geographical and chronological progression up Broadway from Battery Park to Inwood, each chapter provides a surprising picture of a city whose ever-changing fortunes have always been founded on magical activity.

A delightful romp through America’s Golden Age of Cocktails

The decades following the American Civil War burst with invention—they saw the dawn of the telephone, the motor car, electric lights, the airplane—but no innovation was more welcome than the beverage heralded as the “cocktail.”

The Gilded Age, as it came to be known, was the Golden Age of Cocktails, giving birth to the classic Manhattan and martini that can be ordered at any bar to this day. Scores of whiskey drinks, cooled with ice chips or cubes that chimed against the glass, proved doubly pleasing when mixed, shaken, or stirred with special flavorings, juices, and fruits. The dazzling new drinks flourished coast to coast at sporting events, luncheons, and balls, on ocean liners and yachts, in barrooms, summer resorts, hotels, railroad train club cars, and private homes.

From New York to San Francisco, celebrity bartenders rose to fame, inventing drinks for exclusive universities and exotic locales. Bartenders poured their liquid secrets for dancing girls and such industry tycoons as the newspaper mogul William Randolph Hearst and the railroad king “Commodore” Cornelius Vanderbilt.

Cecelia Tichi offers a tour of the cocktail hours of the Gilded Age, in which industry, innovation, and progress all take a break to enjoy the signature beverage of the age. Gilded Age Cocktails reveals the fascinating history behind each drink as well as bartenders’ formerly secret recipes. Though the Gilded Age cocktail went “underground” during the Prohibition era, it launched the first of many generations whose palates thrilled to a panoply of artistically mixed drinks.

A delightful romp through America’s Golden Age of Cocktails

The decades following the American Civil War burst with invention—they saw the dawn of the telephone, the motor car, electric lights, the airplane—but no innovation was more welcome than the beverage heralded as the “cocktail.”

The Gilded Age, as it came to be known, was the Golden Age of Cocktails, giving birth to the classic Manhattan and martini that can be ordered at any bar to this day. Scores of whiskey drinks, cooled with ice chips or cubes that chimed against the glass, proved doubly pleasing when mixed, shaken, or stirred with special flavorings, juices, and fruits. The dazzling new drinks flourished coast to coast at sporting events, luncheons, and balls, on ocean liners and yachts, in barrooms, summer resorts, hotels, railroad train club cars, and private homes.

From New York to San Francisco, celebrity bartenders rose to fame, inventing drinks for exclusive universities and exotic locales. Bartenders poured their liquid secrets for dancing girls and such industry tycoons as the newspaper mogul William Randolph Hearst and the railroad king “Commodore” Cornelius Vanderbilt.

Cecelia Tichi offers a tour of the cocktail hours of the Gilded Age, in which industry, innovation, and progress all take a break to enjoy the signature beverage of the age. Gilded Age Cocktails reveals the fascinating history behind each drink as well as bartenders’ formerly secret recipes. Though the Gilded Age cocktail went “underground” during the Prohibition era, it launched the first of many generations whose palates thrilled to a panoply of artistically mixed drinks.

New York City’s elite women who turned a feminist cause into a fashionable revolution

In the early twentieth century over two hundred of New York's most glamorous socialites joined the suffrage movement. Their names—Astor, Belmont, Rockefeller, Tiffany, Vanderbilt, Whitney and the like—carried enormous public value. These women were the media darlings of their day because of the extravagance of their costume balls and the opulence of the French couture clothes, and they leveraged their social celebrity for political power, turning women's right to vote into a fashionable cause.

Although they were dismissed by critics as bored socialites “trying on suffrage as they might the latest couture designs from Paris,” these gilded suffragists were at the epicenter of the great reforms known collectively as the Progressive Era. From championing education for women, to pursuing careers, and advocating for the end of marriage, these women were engaged with the swirl of change that swept through the streets of New York City.

Johanna Neuman restores these women to their rightful place in the story of women’s suffrage. Understanding the need for popular approval for any social change, these socialites used their wealth, power, social connections and style to excite mainstream interest and to diffuse resistance to the cause. In the end, as Neuman says, when change was in the air, these women helped push women’s suffrage over the finish line.

New York City’s elite women who turned a feminist cause into a fashionable revolution

In the early twentieth century over two hundred of New York's most glamorous socialites joined the suffrage movement. Their names—Astor, Belmont, Rockefeller, Tiffany, Vanderbilt, Whitney and the like—carried enormous public value. These women were the media darlings of their day because of the extravagance of their costume balls and the opulence of the French couture clothes, and they leveraged their social celebrity for political power, turning women's right to vote into a fashionable cause.

Although they were dismissed by critics as bored socialites “trying on suffrage as they might the latest couture designs from Paris,” these gilded suffragists were at the epicenter of the great reforms known collectively as the Progressive Era. From championing education for women, to pursuing careers, and advocating for the end of marriage, these women were engaged with the swirl of change that swept through the streets of New York City.

Johanna Neuman restores these women to their rightful place in the story of women’s suffrage. Understanding the need for popular approval for any social change, these socialites used their wealth, power, social connections and style to excite mainstream interest and to diffuse resistance to the cause. In the end, as Neuman says, when change was in the air, these women helped push women’s suffrage over the finish line.

A vivid memoir of life in one of New York City’s most dynamic neighborhoods

Growing Up Bank Street is an evocative, tender account of life in Greenwich Village, on a unique street that offered warmth, support, and inspiration to an adventurous and openhearted young girl. Bank Street, a short strip of elegant brownstones and humble tenements in Greenwich Village, can trace its lineage back to the yellow fever epidemics of colonial New York. In the middle of the last century, it became home to a cast of extraordinary characters whose stories intertwine in this spirited narrative.

Growing up, Donna Florio had flamboyant, opera performer parents and even more free-spirited neighbors. As a child, she lived among beatniks, artists, rock musicians, social visionaries, movie stars, and gritty blue-collar workers, who imparted to her their irrepressibly eccentric life rules. The real-life Auntie Mame taught her that she is a divine flame from the universe. John Lennon, who lived down the street, was gracious when she dumped water on his head. Sex Pistols star Sid Vicious lived in the apartment next door, and his heroin overdose death came as a wake-up call during her wild twenties. An elderly Broadway dancer led by brave example as Donna helped him comfort dying Villagers in the terrifying early days of AIDS, and a reclusive writer gave her a path back from the brink when, as a witness to the attacks of 9/11, her world collapsed. These vibrant vignettes weave together a colorful coming of age tale against the backdrop of a historic, iconoclastic street whose residents have been at the heart of the American story.

As Greenwich Village gentrifies and the hallmarks of its colorful past disappear, Growing Up Bank Street gives the reader a captivating glimpse of the thriving culture that once filled its storied streets.

A vivid memoir of life in one of New York City’s most dynamic neighborhoods

Growing Up Bank Street is an evocative, tender account of life in Greenwich Village, on a unique street that offered warmth, support, and inspiration to an adventurous and openhearted young girl. Bank Street, a short strip of elegant brownstones and humble tenements in Greenwich Village, can trace its lineage back to the yellow fever epidemics of colonial New York. In the middle of the last century, it became home to a cast of extraordinary characters whose stories intertwine in this spirited narrative.

Growing up, Donna Florio had flamboyant, opera performer parents and even more free-spirited neighbors. As a child, she lived among beatniks, artists, rock musicians, social visionaries, movie stars, and gritty blue-collar workers, who imparted to her their irrepressibly eccentric life rules. The real-life Auntie Mame taught her that she is a divine flame from the universe. John Lennon, who lived down the street, was gracious when she dumped water on his head. Sex Pistols star Sid Vicious lived in the apartment next door, and his heroin overdose death came as a wake-up call during her wild twenties. An elderly Broadway dancer led by brave example as Donna helped him comfort dying Villagers in the terrifying early days of AIDS, and a reclusive writer gave her a path back from the brink when, as a witness to the attacks of 9/11, her world collapsed. These vibrant vignettes weave together a colorful coming of age tale against the backdrop of a historic, iconoclastic street whose residents have been at the heart of the American story.

As Greenwich Village gentrifies and the hallmarks of its colorful past disappear, Growing Up Bank Street gives the reader a captivating glimpse of the thriving culture that once filled its storied streets.

How the Prohibition law of 1920 made alcohol, savored in secret, all the more delectable when the cocktail shaker was forced to go “underground”

“Roaring Twenties” America boasted famous firsts: women’s right to vote, jazz music, talking motion pictures, flapper fashions, and wondrous new devices like the safety razor and the electric vacuum cleaner. The privations of the Great War were over, and Wall Street boomed.

The decade opened, nonetheless, with a shock when Prohibition became the law of the land on Friday, January 16, 1920, when the Eighteenth Amendment banned “intoxicating liquors.” Decades-long campaigns to demonize alcoholic beverages finally became law, and America officially went “dry.”

American ingenuity promptly rose to its newest challenge. The law, riddled with loopholes, let the 1920s write a new chapter in the nation’s saga of spirits. Men and women spoke knowingly of the speakeasy, the bootlegger, rum-running, black ships, blind pigs, gin mills, and gallon stills. Passwords (“Oscar sent me”) gave entrée to night spots and supper clubs where cocktails abounded, and bartenders became alchemists of timely new drinks like the Making Whoopee, the Petting Party, the Dance the Charleston. A new social event—the cocktail party staged in a private home—smashed the gender barrier that had long forbidden “ladies” from entering into the gentlemen-only barrooms and cafés.

From the author of Gilded Age Cocktails, this book takes a delightful new romp through the cocktail creations of the early twentieth century, transporting readers into the glitz and (illicit) glamour of the 1920s. Spirited and richly illustrated, Jazz Age Cocktails dazzles with tales of temptation and temperance, and features charming cocktail recipes from the time to be recreated and enjoyed.

How the Prohibition law of 1920 made alcohol, savored in secret, all the more delectable when the cocktail shaker was forced to go “underground”

“Roaring Twenties” America boasted famous firsts: women’s right to vote, jazz music, talking motion pictures, flapper fashions, and wondrous new devices like the safety razor and the electric vacuum cleaner. The privations of the Great War were over, and Wall Street boomed.

The decade opened, nonetheless, with a shock when Prohibition became the law of the land on Friday, January 16, 1920, when the Eighteenth Amendment banned “intoxicating liquors.” Decades-long campaigns to demonize alcoholic beverages finally became law, and America officially went “dry.”

American ingenuity promptly rose to its newest challenge. The law, riddled with loopholes, let the 1920s write a new chapter in the nation’s saga of spirits. Men and women spoke knowingly of the speakeasy, the bootlegger, rum-running, black ships, blind pigs, gin mills, and gallon stills. Passwords (“Oscar sent me”) gave entrée to night spots and supper clubs where cocktails abounded, and bartenders became alchemists of timely new drinks like the Making Whoopee, the Petting Party, the Dance the Charleston. A new social event—the cocktail party staged in a private home—smashed the gender barrier that had long forbidden “ladies” from entering into the gentlemen-only barrooms and cafés.

From the author of Gilded Age Cocktails, this book takes a delightful new romp through the cocktail creations of the early twentieth century, transporting readers into the glitz and (illicit) glamour of the 1920s. Spirited and richly illustrated, Jazz Age Cocktails dazzles with tales of temptation and temperance, and features charming cocktail recipes from the time to be recreated and enjoyed.

An extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century.





Two of the most recognizable images of twentieth-century art are Pablo Picasso’s “Guernica” and the rather modest mass-produced poster by an unassuming illustrator, Lorraine Schneider “War is Not Healthy for Children and Other Living Things.” From Picasso’s masterpiece to a humble piece of poster art, artists have used their talents to express dissent and to protest against injustice and immorality.



As the face of many political movements, posters are essential for fueling recruitment, spreading propaganda, and sustaining morale. Disseminated by governments, political parties, labor unions and other organizations, political posters transcend time and span the entire spectrum of political affiliations and philosophies.



Drawing on the celebrated collection in the Tamiment Library’s Poster and Broadside Collection at New York University, Ralph Young has compiled an extraordinarily visceral collection of posters that represent the progressive protest movements of the twentieth Century: labor, civil rights, the Vietnam War, LGBT rights, feminism and other minority rights.



Make Art Not War can be enjoyed on aesthetic grounds alone, and also offers fascinating and revealing insights into twentieth century cultural, social and political history.

2024 TAFWA Book Award Winner

The first comprehensive biography of the preeminent voice of New York sports

For close to half a century after World War II, Marty Glickman was the voice of New York sports. His distinctive style of broadcasting, on television and especially on the radio, garnered for him legions of fans who would not miss his play-by-play accounts. From the 1940s through the 1990s, he was as iconic a sports figure in town as the Yankees’ Mickey Mantle, the Knicks’ Walt Frazier, or the Jets’ Joe Namath. His vocabulary and method of broadcasting left an indelible mark on the industry, and many of today’s most famous sportscasters were Glickman disciples. To this very day, many fans who grew up listening to his coverage of Knicks basketball and Giants football games, among the myriad of events that Glickman covered, recall fondly, and can still recite, his descriptions of actions in arenas and stadiums. In Marty Glickman, Jeffrey S. Gurock showcases the life of this important contributor to American popular culture.

In addition to the stories of how he became a master of American sports airwaves, Marty Glickman has also been remembered as a Jewish athlete who, a decade before he sat in front of a microphone, was cynically barred from running in a signature track event in the 1936 Olympics by anti-Semitic American Olympic officials. This lively biography details this traumatic event and explores not only how he coped for decades with that painful rejection but also examines how he dealt with other anti-Semitic and cultural obstacles that threatened to stymie his career. Glickman’s story underscores the complexities that faced his generation of American Jews as these children of immigrants emerged from their ethnic cocoons and strove to succeed in America amid challenges to their professional and social advancement. Marty Glickman is a story of adversity and triumph, of sports and minority group struggles, told within the context of the prejudicial barriers that were common to thousands, if not millions, of fellow Jews of his generation as they aimed to make it in America.

2024 TAFWA Book Award Winner

The first comprehensive biography of the preeminent voice of New York sports

For close to half a century after World War II, Marty Glickman was the voice of New York sports. His distinctive style of broadcasting, on television and especially on the radio, garnered for him legions of fans who would not miss his play-by-play accounts. From the 1940s through the 1990s, he was as iconic a sports figure in town as the Yankees’ Mickey Mantle, the Knicks’ Walt Frazier, or the Jets’ Joe Namath. His vocabulary and method of broadcasting left an indelible mark on the industry, and many of today’s most famous sportscasters were Glickman disciples. To this very day, many fans who grew up listening to his coverage of Knicks basketball and Giants football games, among the myriad of events that Glickman covered, recall fondly, and can still recite, his descriptions of actions in arenas and stadiums. In Marty Glickman, Jeffrey S. Gurock showcases the life of this important contributor to American popular culture.

In addition to the stories of how he became a master of American sports airwaves, Marty Glickman has also been remembered as a Jewish athlete who, a decade before he sat in front of a microphone, was cynically barred from running in a signature track event in the 1936 Olympics by anti-Semitic American Olympic officials. This lively biography details this traumatic event and explores not only how he coped for decades with that painful rejection but also examines how he dealt with other anti-Semitic and cultural obstacles that threatened to stymie his career. Glickman’s story underscores the complexities that faced his generation of American Jews as these children of immigrants emerged from their ethnic cocoons and strove to succeed in America amid challenges to their professional and social advancement. Marty Glickman is a story of adversity and triumph, of sports and minority group struggles, told within the context of the prejudicial barriers that were common to thousands, if not millions, of fellow Jews of his generation as they aimed to make it in America.

A delightful history of cocktails from the era of new interstate highways, sprouting suburbs, and atomic engineering

America at midcentury was a nation on the move, taking to wings and wheels along the new interstate highways and in passenger jets that soared to thirty thousand feet. Anxieties rippled, but this new Atomic Age promised cheap power and future wonders, while the hallmark of the era was the pleasure of an evening imbibing cocktails in mixed company, a middle-class idea of sophisticated leisure. This new age, stretching from the post–World War II baby boom years through the presidency of General Dwight Eisenhower into the increasingly volatile mid-1960s, promised affordable homes for those who had never dreamed of owning property and an array of gleaming appliances to fill them. For many, this was America at its best—innovation, style, and the freedom to enjoy oneself—and the spirit of this time is reflected in the whimsical cocktails that rose to prominence: tiki drinks, Moscow mules, Sea Breezes, Pina Coladas, Pink Squirrels, and Sloe Gin Fizzes.

Of course, not everyone was invited to the party. Though the drinks were getting sweeter, the racial divide was getting more bitter—Black Americans in search of a drink, entertainment, or a hotel room had to depend on the Green Book for advice on places where they would be welcome and safe. And the Cold War and Space Race proceeded ominously throughout this period, as technological advances alternately thrilled and terrified.

The third installment in Cecelia Tichi’s tour of the cocktails enjoyed in various historical eras, Midcentury Cocktails brings a time of limitless possibilities to life though the cocktails created, named, and consumed.

The eight-decade story of a New York neighborhood

In 1940, the Metropolitan Life Insurance Company opened a planned community in the East Bronx, New York. A model of what the neighborhood would become was first displayed to an excited public at the 1939 World’s Fair. Parkchester was celebrated as a “city within a city,” offering many of the attractions and comforts of suburbia, but without the transportation issues that plagued commuters who trekked into New York City every day. This new neighborhood initially constituted a desirable alternative to inner city neighborhoods for white ethnic groups with the means to leave their Depression-era homes. In this bucolic environment within Gotham, the Irish and Italian Catholics, white Protestants and Jews lived together rather harmoniously.

In Parkchester, Jeffrey S. Gurock explains how and why a “get along” spirit prevailed in Parkchester and marked a turning point in ethnic relations in the city.

Gurock is also attuned to, and documents fully, the egregious side to the neighborhood’s early history. Until the late 1960s, Parkchester was off-limits to African Americans and Latinos. He is also sensitive to the processes of integration that took place once the community was opened to all and explains why transition was made without significant turmoil and violence that marked integration in other parts of the city. This eight decade history takes Parkchester’s tale up to the present day and indicates that while the neighborhood is today predominantly African American and Latino, and home to immigrants from all over the world, the spirit of conviviality still prevails on its East Bronx streets.

As a child of Parkchester himself, Gurock couples his critical expertise as leading scholar of New York City’s history with an insider’s insight in producing a thoughtful, nuanced understanding of ethnic and race relations in the city.

The eight-decade story of a New York neighborhood

In 1940, the Metropolitan Life Insurance Company opened a planned community in the East Bronx, New York. A model of what the neighborhood would become was first displayed to an excited public at the 1939 World’s Fair. Parkchester was celebrated as a “city within a city,” offering many of the attractions and comforts of suburbia, but without the transportation issues that plagued commuters who trekked into New York City every day. This new neighborhood initially constituted a desirable alternative to inner city neighborhoods for white ethnic groups with the means to leave their Depression-era homes. In this bucolic environment within Gotham, the Irish and Italian Catholics, white Protestants and Jews lived together rather harmoniously.

In Parkchester, Jeffrey S. Gurock explains how and why a “get along” spirit prevailed in Parkchester and marked a turning point in ethnic relations in the city.

Gurock is also attuned to, and documents fully, the egregious side to the neighborhood’s early history. Until the late 1960s, Parkchester was off-limits to African Americans and Latinos. He is also sensitive to the processes of integration that took place once the community was opened to all and explains why transition was made without significant turmoil and violence that marked integration in other parts of the city. This eight decade history takes Parkchester’s tale up to the present day and indicates that while the neighborhood is today predominantly African American and Latino, and home to immigrants from all over the world, the spirit of conviviality still prevails on its East Bronx streets.

As a child of Parkchester himself, Gurock couples his critical expertise as leading scholar of New York City’s history with an insider’s insight in producing a thoughtful, nuanced understanding of ethnic and race relations in the city.

How an engineering crisis threatened a career, a building, and the lives of countless New Yorkers

The Citicorp Center, a fifty-nine-story skyscraper built in 1977, immediately became one of the most recognizable features on the New York City skyline with its distinctive inclined roof and oddly placed support columns. Designed by one of the top structural engineers in the field, William LeMessurier, the tower would become the crown jewel of his professional career; In essence, he created a skyscraper on stilts. The building was a modern marvel – until it was revealed that it had a 1 in 16 chance of collapse.

The Great Miscalculation tells the riveting story of LeMessurier’s discovery of a fatal flaw in his building’s design and his decision to blow the whistle on himself, putting his reputation on the line in a race to save this iconic skyscraper. With hurricane season rapidly approaching, the structural design flaws of the Citicorp Tower posed a menacing danger. Meanwhile, the economic hardships and political turmoil of 1970s New York only compounded the obstacles to a massively expensive, never-before-seen structural redesign in the heart of downtown Manhattan.

A fascinating piece of overlooked New York City history, The Great Miscalculation tells the gripping narrative of a catastrophe averted in the nick of time.

How an engineering crisis threatened a career, a building, and the lives of countless New Yorkers

The Citicorp Center, a fifty-nine-story skyscraper built in 1977, immediately became one of the most recognizable features on the New York City skyline with its distinctive inclined roof and oddly placed support columns. Designed by one of the top structural engineers in the field, William LeMessurier, the tower would become the crown jewel of his professional career; In essence, he created a skyscraper on stilts. The building was a modern marvel – until it was revealed that it had a 1 in 16 chance of collapse.

The Great Miscalculation tells the riveting story of LeMessurier’s discovery of a fatal flaw in his building’s design and his decision to blow the whistle on himself, putting his reputation on the line in a race to save this iconic skyscraper. With hurricane season rapidly approaching, the structural design flaws of the Citicorp Tower posed a menacing danger. Meanwhile, the economic hardships and political turmoil of 1970s New York only compounded the obstacles to a massively expensive, never-before-seen structural redesign in the heart of downtown Manhattan.

A fascinating piece of overlooked New York City history, The Great Miscalculation tells the gripping narrative of a catastrophe averted in the nick of time.

Chronicles the sweeping history of the storied Henry Street Settlement and its enduring vision of a more just society

On a cold March day in 1893, 26-year-old nurse Lillian Wald rushed through the poverty-stricken streets of New York’s Lower East Side to a squalid bedroom where a young mother lay dying—abandoned by her doctor because she could not pay his fee. The misery in the room and the walk to reach it inspired Wald to establish Henry Street Settlement, which would become one of the most influential social welfare organizations in American history.

Through personal narratives, vivid images, and previously untold stories, Ellen M. Snyder-Grenier chronicles Henry Street’s sweeping history from 1893 to today. From the fights for public health and immigrants’ rights that fueled its founding, to advocating for relief during the Great Depression, all the way to tackling homelessness and AIDS in the 1980s, and into today—Henry Street has been a champion for social justice. Its powerful narrative illuminates larger stories about poverty, and who is “worthy” of help; immigration and migration, and who is welcomed; human rights, and whose voice is heard.

For over 125 years, Henry Street Settlement has survived in a changing city and nation because of its ability to change with the times; because of the ingenuity of its guiding principle—that by bridging divides of class, culture, and race we could create a more equitable world; and because of the persistence of poverty, racism, and income disparity that it has pledged to confront. This makes the story of Henry Street as relevant today as it was more than a century ago. The House on Henry Street is not just about the challenges of overcoming hardship, but about the best possibilities of urban life and the hope and ambition it takes to achieve them.

Chronicles the sweeping history of the storied Henry Street Settlement and its enduring vision of a more just society

On a cold March day in 1893, 26-year-old nurse Lillian Wald rushed through the poverty-stricken streets of New York’s Lower East Side to a squalid bedroom where a young mother lay dying—abandoned by her doctor because she could not pay his fee. The misery in the room and the walk to reach it inspired Wald to establish Henry Street Settlement, which would become one of the most influential social welfare organizations in American history.

Through personal narratives, vivid images, and previously untold stories, Ellen M. Snyder-Grenier chronicles Henry Street’s sweeping history from 1893 to today. From the fights for public health and immigrants’ rights that fueled its founding, to advocating for relief during the Great Depression, all the way to tackling homelessness and AIDS in the 1980s, and into today—Henry Street has been a champion for social justice. Its powerful narrative illuminates larger stories about poverty, and who is “worthy” of help; immigration and migration, and who is welcomed; human rights, and whose voice is heard.

For over 125 years, Henry Street Settlement has survived in a changing city and nation because of its ability to change with the times; because of the ingenuity of its guiding principle—that by bridging divides of class, culture, and race we could create a more equitable world; and because of the persistence of poverty, racism, and income disparity that it has pledged to confront. This makes the story of Henry Street as relevant today as it was more than a century ago. The House on Henry Street is not just about the challenges of overcoming hardship, but about the best possibilities of urban life and the hope and ambition it takes to achieve them.

Chronicles the sweeping history of the storied Henry Street Settlement and its enduring vision of a more just society

On a cold March day in 1893, 26-year-old nurse Lillian Wald rushed through the poverty-stricken streets of New York’s Lower East Side to a squalid bedroom where a young mother lay dying—abandoned by her doctor because she could not pay his fee. The misery in the room and the walk to reach it inspired Wald to establish Henry Street Settlement, which would become one of the most influential social welfare organizations in American history.

Through personal narratives, vivid images, and previously untold stories, Ellen M. Snyder-Grenier chronicles Henry Street’s sweeping history from 1893 to today. From the fights for public health and immigrants’ rights that fueled its founding, to advocating for relief during the Great Depression, all the way to tackling homelessness and AIDS in the 1980s, and into today—Henry Street has been a champion for social justice. Its powerful narrative illuminates larger stories about poverty, and who is “worthy” of help; immigration and migration, and who is welcomed; human rights, and whose voice is heard.

For over 125 years, Henry Street Settlement has survived in a changing city and nation because of its ability to change with the times; because of the ingenuity of its guiding principle—that by bridging divides of class, culture, and race we could create a more equitable world; and because of the persistence of poverty, racism, and income disparity that it has pledged to confront. This makes the story of Henry Street as relevant today as it was more than a century ago. The House on Henry Street is not just about the challenges of overcoming hardship, but about the best possibilities of urban life and the hope and ambition it takes to achieve them.

The unknown inside story of the NYPD’s Italian-born detectives who fought both powerful gangsters and the deeply ingrained prejudice against their own beloved immigrant community

The story begins in Sicily, on Friday, March 12, 1909, at 8:45 p.m. Three gunshots thundered in the night, and then a fourth. Two men fled, and investigators soon discovered who they had killed: Giuseppe Petrosino, the legendary American detective whose exploits in New York were celebrated even in Italy.

The Italian Squad, by veteran New York City journalist and historian Paul Moses, explores the lives of the nationally celebrated detectives who followed in the slain Petrosino’s footsteps as leaders of the New York City investigative squad: Anthony Vachris, Charles Corrao, and Michael Fiaschetti. Drawing on new primary sources such as private diaries and city, state, and federal documents, this dramatic narrative history follows the Italian Squad across the first two decades of the twentieth century as its detectives battled increasingly powerful gangsters, political obstacles and deeply ingrained prejudice against their own beloved Italian immigrant community.

Vachris, Corrao, and Fiaschetti became, like Petrosino, famous for meting out tough justice to criminals who comprised the “Black Hand.” Beyond trying to prevent horrific crimes—nighttime bombings in crowded tenements, kidnappings that targeted children at play, gangland shootings that killed innocent bystanders—the Italian Squad commanders hoped to persuade society of what they knew for themselves: that their fellow immigrant Italians, so often maligned, would make good American citizens.

In this explosive story, Moses carefully strips away the mythology that has always enveloped the Italian Squad and offers instead a nuanced portrait of brave but flawed men who fought the good fight for their people and their city.

The unknown inside story of the NYPD’s Italian-born detectives who fought both powerful gangsters and the deeply ingrained prejudice against their own beloved immigrant community

The story begins in Sicily, on Friday, March 12, 1909, at 8:45 p.m. Three gunshots thundered in the night, and then a fourth. Two men fled, and investigators soon discovered who they had killed: Giuseppe Petrosino, the legendary American detective whose exploits in New York were celebrated even in Italy.

The Italian Squad, by veteran New York City journalist and historian Paul Moses, explores the lives of the nationally celebrated detectives who followed in the slain Petrosino’s footsteps as leaders of the New York City investigative squad: Anthony Vachris, Charles Corrao, and Michael Fiaschetti. Drawing on new primary sources such as private diaries and city, state, and federal documents, this dramatic narrative history follows the Italian Squad across the first two decades of the twentieth century as its detectives battled increasingly powerful gangsters, political obstacles and deeply ingrained prejudice against their own beloved Italian immigrant community.

Vachris, Corrao, and Fiaschetti became, like Petrosino, famous for meting out tough justice to criminals who comprised the “Black Hand.” Beyond trying to prevent horrific crimes—nighttime bombings in crowded tenements, kidnappings that targeted children at play, gangland shootings that killed innocent bystanders—the Italian Squad commanders hoped to persuade society of what they knew for themselves: that their fellow immigrant Italians, so often maligned, would make good American citizens.

In this explosive story, Moses carefully strips away the mythology that has always enveloped the Italian Squad and offers instead a nuanced portrait of brave but flawed men who fought the good fight for their people and their city.

The unknown inside story of the NYPD’s Italian-born detectives who fought both powerful gangsters and the deeply ingrained prejudice against their own beloved immigrant community

The story begins in Sicily, on Friday, March 12, 1909, at 8:45 p.m. Three gunshots thundered in the night, and then a fourth. Two men fled, and investigators soon discovered who they had killed: Giuseppe Petrosino, the legendary American detective whose exploits in New York were celebrated even in Italy.

The Italian Squad, by veteran New York City journalist and historian Paul Moses, explores the lives of the nationally celebrated detectives who followed in the slain Petrosino’s footsteps as leaders of the New York City investigative squad: Anthony Vachris, Charles Corrao, and Michael Fiaschetti. Drawing on new primary sources such as private diaries and city, state, and federal documents, this dramatic narrative history follows the Italian Squad across the first two decades of the twentieth century as its detectives battled increasingly powerful gangsters, political obstacles and deeply ingrained prejudice against their own beloved Italian immigrant community.

Vachris, Corrao, and Fiaschetti became, like Petrosino, famous for meting out tough justice to criminals who comprised the “Black Hand.” Beyond trying to prevent horrific crimes—nighttime bombings in crowded tenements, kidnappings that targeted children at play, gangland shootings that killed innocent bystanders—the Italian Squad commanders hoped to persuade society of what they knew for themselves: that their fellow immigrant Italians, so often maligned, would make good American citizens.

In this explosive story, Moses carefully strips away the mythology that has always enveloped the Italian Squad and offers instead a nuanced portrait of brave but flawed men who fought the good fight for their people and their city.

As the definitive resource on the architectural history of New York City, The Landmarks of New York documents and illustrates the 1,352 individual landmarks and 135 historic districts that have been accorded landmark status by the New York City Landmarks Preservation Commission since its establishment in 1965. Arranged chronologically by date of construction, the book offers a sequential overview of the city’s architectural history and richness, presenting a broad range of styles and building types: colonial farmhouses, Gilded Age mansions, churches, schools, libraries, museums, and the great twentieth-century skyscrapers that are recognized throughout the world.

That so many of these structures have endured is due, in large measure, to the efforts of the New York City Landmarks Preservation Commission and hundreds of private sector preservation organizations, large and small. Since the commission was established, New York City has become the leader of the preservation movement in the United States, with more buildings and districts designated and protected than in any other city.

The Landmarks of New York includes such iconic structures as Grand Central Station, the Chrysler Building, the Metropolitan Museum of Art, and Carnegie Hall, as well as those that may be less well known but are of significant historical and architectural value: the Pieter Claesen Wyckoff House in Brooklyn, the oldest structure in New York City; the Bowne House in Queens, the birthplace of American religious freedom; the Watchtower in Marcus Garvey Park in Harlem; the New York Botanical Garden in The Bronx; and Sailors Snug Harbor on Staten Island. The sixth edition adds 106 new individual landmarks, two special addenda on the hotly-contested “back-log” and resultant 30 pending designations, over 150 new photographs, and new historic district maps.

Forages through New England’s most famous foods for the truth behind the region’s culinary myths

Meg Muckenhoupt begins with a simple question: When did Bostonians start making Boston Baked Beans? Storekeepers in Faneuil Hall and Duck Tour guides may tell you that the Pilgrims learned a recipe for beans with maple syrup and bear fat from Native Americans, but in fact, the recipe for Boston Baked Beans is the result of a conscious effort in the late nineteenth century to create New England foods. New England foods were selected and resourcefully reinvented from fanciful stories about what English colonists cooked prior to the American revolution—while pointedly ignoring the foods cooked by contemporary New Englanders, especially the large immigrant populations who were powering industry and taking over farms around the region.

The Truth about Baked Beans explores New England’s culinary myths and reality through some of the region’s most famous foods: baked beans, brown bread, clams, cod and lobster, maple syrup, pies, and Yankee pot roast. From 1870 to 1920, the idea of New England food was carefully constructed in magazines, newspapers, and cookbooks, often through fictitious and sometimes bizarre origin stories touted as time-honored American legends. This toothsome volume reveals the effort that went into the creation of these foods, and lets us begin to reclaim the culinary heritage of immigrant New England—the French Canadians, Irish, Italians, Portuguese, Polish, indigenous people, African-Americans, and other New Englanders whose culinary contributions were erased from this version of New England food. Complete with historic and contemporary recipes, The Truth about Baked Beans delves into the surprising history of this curious cuisine, explaining why and how “New England food” actually came to be.

Forages through New England’s most famous foods for the truth behind the region’s culinary myths

Meg Muckenhoupt begins with a simple question: When did Bostonians start making Boston Baked Beans? Storekeepers in Faneuil Hall and Duck Tour guides may tell you that the Pilgrims learned a recipe for beans with maple syrup and bear fat from Native Americans, but in fact, the recipe for Boston Baked Beans is the result of a conscious effort in the late nineteenth century to create New England foods. New England foods were selected and resourcefully reinvented from fanciful stories about what English colonists cooked prior to the American revolution—while pointedly ignoring the foods cooked by contemporary New Englanders, especially the large immigrant populations who were powering industry and taking over farms around the region.

The Truth about Baked Beans explores New England’s culinary myths and reality through some of the region’s most famous foods: baked beans, brown bread, clams, cod and lobster, maple syrup, pies, and Yankee pot roast. From 1870 to 1920, the idea of New England food was carefully constructed in magazines, newspapers, and cookbooks, often through fictitious and sometimes bizarre origin stories touted as time-honored American legends. This toothsome volume reveals the effort that went into the creation of these foods, and lets us begin to reclaim the culinary heritage of immigrant New England—the French Canadians, Irish, Italians, Portuguese, Polish, indigenous people, African-Americans, and other New Englanders whose culinary contributions were erased from this version of New England food. Complete with historic and contemporary recipes, The Truth about Baked Beans delves into the surprising history of this curious cuisine, explaining why and how “New England food” actually came to be.

A richly illustrated romp with America’s Gilded Age leisure class—and those angling to join it

Mark Twain called it the Gilded Age. Between 1870 and 1900, the United States’ population doubled, accompanied by an unparalleled industrial expansion, and an explosion of wealth unlike any the world had ever seen. America was the foremost nation of the world, and New York City was its beating heart. There, the richest and most influential—Thomas Edison, J. P. Morgan, Edith Wharton, the Vanderbilts, Andrew Carnegie, and more—became icons, whose comings and goings were breathlessly reported in the papers of Joseph Pulitzer and William Randolph Hearst. It was a time of abundance, but also bitter rivalries, in work and play. The Old Money titans found themselves besieged by a vanguard of New Money interlopers eager to gain entrée into their world of formal balls, debutante parties, opera boxes, sailing regattas, and summer gatherings at Newport. Into this morass of money and desire stepped Caroline Astor.

Mrs. Astor, an Old Money heiress of the first order, became convinced that she was uniquely qualified to uphold the manners and mores of Gilded Age America. Wherever she went, Mrs. Astor made her judgments, dictating proper behavior and demeanor, men’s and women’s codes of dress, acceptable patterns of speech and movements of the body, and what and when to eat and drink. The ladies and gentlemen of high society took note. “What would Mrs. Astor do?” became the question every social climber sought to answer. And an invitation to her annual ball was a golden ticket into the ranks of New York’s upper crust. This work serves as a guide to manners as well as an insight to Mrs. Astor’s personal diary and address book, showing everything from the perfect table setting to the array of outfits the elite wore at the time. Channeling the queen of the Gilded Age herself, Cecelia Tichi paints a portrait of New York’s social elite, from the schools to which they sent their children, to their lavish mansions and even their reactions to the political and personal scandals of the day.

Ceceilia Tichi invites us on a beautifully illustrated tour of the Gilded Age, transporting readers to New York at its most fashionable. A colorful tapestry of fun facts and true tales, What Would Mrs. Astor Do? presents a vivid portrait of this remarkable time of social metamorphosis, starring Caroline Astor, the ultimate gatekeeper.