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The idea of the tragic has permeated Western culture for millennia, being closely bound with the concept of the limit of inescapable necessity that has been embodied in and expressed through theatre since the time of the ancient Greeks. This book addresses the question of how the twentieth century – one of the most violent periods of human history – dealt with the fundamental structure that is the tragic. Examining the consciousness of the era through an in-depth analysis of some of the twentieth century’s most outstanding texts – including works by Ibsen, Claudel, O’Neill, Brecht, Camus, Beckett, Pasolini, Grotowski, Delcuvellerie and Josse De Pauw – ‘Modern European Tragedy’ draws a vivid picture of the development that tragedy experienced during this time. Along the way, the book engages with some of the prominent currents of twentieth-century thought and philosophy that can still be found in the varied map of contemporary thought today: the ideas of modern Christianity, psychoanalysis, the theory of the Absurd, nihilism, Marxism and the acceptance of the limit. Together, analyses of these currents serve to support the book’s key avenues of investigation: its explorations of what inspired these key authors to engage with the idea of the tragic; and its explanation of why the contemporary tragic no longer bears the form of classic tragedy.

Modern Persian, Elementary Level is a textbook of the Persian language spoken in Iran. It is intended for university-level learners and features material for two consecutive semesters of elementary Persian. The textbook aims to facilitate the implementation of the most recent trends in language instruction by emphasizing the basic tenets of flipped learning and practicing the communicative language teaching methodology with the student-centric approach to language instruction. With its real-world topics; high-frequency structures and vocabulary; thematic presentation of material; a plethora of engaging speaking activities in each chapter; dedicated listening, reading and writing sections; and integration of cultural material, this textbook is an integrated, straightforward and culture-conscious way to acquiring functional proficiency in spoken and written Persian. Complete with a companion website, over 300 audio and video presentations, answer key, a searchable audio dictionary and a special appendix for instructors that features classroom activity materials for the entire year, this textbook makes for an innovative and modern language-learning resource that is available in print and in an E-book format. Extra features and accompanying online resources make this textbook an effective option for those who wish to learn the language on their own.
The theoretical framework and underlying linguistic philosophy of the book, its methodology and practical approach to language instruction, format, and learning objectives are based on the latest trends in foreign language instruction defined by the Modern Language Association and the American Council on the Teaching of Foreign Languages. The material of the textbook also reflects the 5 Cs of National Standards in Foreign Language Education.

Modern Persian, Elementary Level features all the attributes necessary for the implementation of modern practices in foreign language instruction such as context-based teaching for real-world objectives, integrated approach toward all language skills (speaking, listening, reading, and writing), thematic presentation of material, differentiation between proficiency and competence, and student-centred classrooms. The curriculum, lessons plans, exercises and activities that inspired the material of the chapters have been tested at Cornell University for several years with groups of students from beginners with no background in Persian to Persian-heritage students, undergraduate and graduate students, and even faculty members from other fields. Feedback from students has been considered and incorporated in the development of the textbook. Modern Persian, Elementary Level is inspired by the author’s extensive years of experience in designing and teaching less-commonly-taught language programs and is informed by the experiences, research, and data across various modern languages. The textbook is intended to train literate Persian speakers and teaches familiarity with both colloquial pronunciation and written spelling as practised naturally by Persian native speakers.

Modern Persian, Elementary Level is a textbook of the Persian language spoken in Iran. It is intended for university-level learners and features material for two consecutive semesters of elementary Persian. The textbook aims to facilitate the implementation of the most recent trends in language instruction by emphasizing the basic tenets of flipped learning and practicing the communicative language teaching methodology with the student-centric approach to language instruction. With its real-world topics; high-frequency structures and vocabulary; thematic presentation of material; a plethora of engaging speaking activities in each chapter; dedicated listening, reading and writing sections; and integration of cultural material, this textbook is an integrated, straightforward and culture-conscious way to acquiring functional proficiency in spoken and written Persian. Complete with a companion website, over 300 audio and video presentations, answer key, a searchable audio dictionary and a special appendix for instructors that features classroom activity materials for the entire year, this textbook makes for an innovative and modern language-learning resource that is available in print and in an E-book format. Extra features and accompanying online resources make this textbook an effective option for those who wish to learn the language on their own.
The theoretical framework and underlying linguistic philosophy of the book, its methodology and practical approach to language instruction, format, and learning objectives are based on the latest trends in foreign language instruction defined by the Modern Language Association and the American Council on the Teaching of Foreign Languages. The material of the textbook also reflects the 5 Cs of National Standards in Foreign Language Education.

Modern Persian, Elementary Level features all the attributes necessary for the implementation of modern practices in foreign language instruction such as context-based teaching for real-world objectives, integrated approach toward all language skills (speaking, listening, reading, and writing), thematic presentation of material, differentiation between proficiency and competence, and student-centred classrooms. The curriculum, lessons plans, exercises and activities that inspired the material of the chapters have been tested at Cornell University for several years with groups of students from beginners with no background in Persian to Persian-heritage students, undergraduate and graduate students, and even faculty members from other fields. Feedback from students has been considered and incorporated in the development of the textbook. Modern Persian, Elementary Level is inspired by the author’s extensive years of experience in designing and teaching less-commonly-taught language programs and is informed by the experiences, research, and data across various modern languages. The textbook is intended to train literate Persian speakers and teaches familiarity with both colloquial pronunciation and written spelling as practised naturally by Persian native speakers.

Simply the best atlas for students, Anthem’s ‘Modern World University Atlas’ is the essential reference resource for the contemporary world. This is the only student atlas with fully integrated study maps and other illustrations on: climate and the environment; geological processes; natural disasters; economic and social concerns; health and education; wealth and poverty; travel and tourism; population trends, and maps of the world’s 18 greatest cities.

The ‘Modern World University Atlas’ also benefits from clear, detailed and fresh political and physical digital colour maps of our world and stunning colour imagery of the Earth from space, study maps providing in-depth colour analysis of key regions and themes, a section on map-making, satellites and remote sensing, up-to-date social and economic statistics for every country of the world, a comprehensive, 16-page index of world place names and features, and a flags of the world display.

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.

Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.

Modernist Afterlives in Irish Literature and Culture brings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.

Modernist Afterlives in Irish Literature and Culture explores manifestations of the themes, forms and practices of high modernism in Irish literature and culture produced subsequent to this influential movement.

Modernist Afterlives in Irish Literature and Culture closely examines how Irish writers and artists from the mid-twentieth century onwards grapple with the legacies bequeathed by modernism and seek to forge new modes of expression for modern and contemporary culture.

Modernist Afterlives in Irish Literature and Culture brings together many of the most respected and renowned scholars in Irish and modernist studies, demonstrating the diversity of intellectual approaches to the Irish culture produced in the wake of high modernism.

What happens when the dramatic art of Molière is unleashed onto the stage and explodes into new life? ‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and ours. Written by a professional stage director with over fifty years of experience directing and translating Molière, this original, in-depth study allows the reader to see how the playwright’s lines have been brought to new life on stage throughout the centuries.

The text explores how Molière strove to create a communal experience of shared laughter that fulfilled the universal need for union, and focuses on four key topics: the elements of Molière’s early life that are evidenced in his later theater works; his great central plays that focus on love and lust; his comedic genius and his passion for the theater; and the final words and performances of his vivid and exceptional life. Inspired by the actions of the great French masters, the text pays homage to the interpretations of Molière offered by the playwright himself, Louis Jouvet, Jacques Copeau and Jean-Louis Barrault, as well as those staged by American actors and directors such as Ron Leibman, Stephen Epp, Steven Wadsworth, Robert Falls and the author.

What happens when the dramatic art of Molière is unleashed onto the stage and explodes into new life? ‘Molière on Stage’ takes the reader onstage, backstage and into the audience of Molière’s plays, analyzing the performance of his works in both his own time and ours. Written by a professional stage director with over fifty years of experience directing and translating Molière, this original, in-depth study allows the reader to see how the playwright’s lines have been brought to new life on stage throughout the centuries.

The text explores how Molière strove to create a communal experience of shared laughter that fulfilled the universal need for union, and focuses on four key topics: the elements of Molière’s early life that are evidenced in his later theater works; his great central plays that focus on love and lust; his comedic genius and his passion for the theater; and the final words and performances of his vivid and exceptional life. Inspired by the actions of the great French masters, the text pays homage to the interpretations of Molière offered by the playwright himself, Louis Jouvet, Jacques Copeau and Jean-Louis Barrault, as well as those staged by American actors and directors such as Ron Leibman, Stephen Epp, Steven Wadsworth, Robert Falls and the author.

A war correspondent's breathtaking account of early twentieth-century wars, including the Greek-Turkish War (1897) and the Spanish-American War (1898). These events have fallen into relative obscurity, following the two World Wars, yet remain important forces shaping modern politics. ‘Moments in Hell’ reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides an enlightening background to recent conflicts. Harding Davis was a dashingly fashionable figure in turn-of-the-century New York, and cited as the inspiration for the 'Gibson man' – fitting the adventurous image of the journalist popular in film and literature. While his accounts highlight the brutality and inhumanity of war, they are riveting pieces of reportage. Harding Davis makes it clear that these moments in hell can make heroes and villains of us all.

The Spirit of the Laws not only systematizes the foundational ideas of “separation of powers” and “balances and checks,” it provides the decisive response to the question of whether power in the nation-state can be limited in the aftermath of the Westphalian settlement of 1648. It describes a civilizational change through which power becomes domesticated, with built-in resistance to attempts to absolutize (or make total) political power. As such, it is the Bible of modern politics, now made more accessible to English readers than it ever has been.

There have been in English only two prior translations of this work that first appeared in 1748. The deficiencies of those two efforts have been broadly identified in the scholarship. Although the text is still used with regularity in university instruction (having been recovered after a lull in the 1950s and 60s), it deserves – and now receives – a presentation that enhances its usefulness in the analysis both of politics and the philosophical foundations of human life.

Montesquieu’s singularity – the first secular argument against race-based slavery and only the second secular argument against the servitude of women – provides a special heritage for the modern word to preserve and a key to making operational those fundamental insights within the context of sustained political and cultural development. The replacement of blood and tribe with the universal attributes of humanity (while recognizing the highly variable ecologies of communities) constitutes the single-most important moral and political development of the modern world. And The Spirit of the Laws bears a primary responsibility for that accomplishment.

The book collects almost thirty-two opinion pieces, essays, and two poems written by the author on a wide variety of public policy topics and published in books, magazines, and online between 2006 and 2022. The author, a self-described “militant moderate,” draws on his participation as a commentator in these and many other public debates.

The articles are grouped into six parts, topical groupings that range widely: the growing need for moderate voices in policy debates, the nature of American exceptionalism, the challenge of civic discourse, the depredations of the Trump years, the role of campus debates in the formation of public ideas, and policies concerning immigration, citizenship, and refugees.

In each of the essays (and poems), the author's distinctive voice is resonant. It is militant, emphasizing the major values at stake and explaining why he would resolve them in particular ways. But it is also moderate in patiently but firmly rejecting extreme factual and normative claims. The form and content of these writings model civic engagement in its highest sense: respectful of differences, reasonable in its reliance on sound evidence, appealing to civic virtue, and rejecting the extreme claims of left and right.

Muhammad Ali in Africana Cultural Memory is a contemporary evaluation primarily of Ali in African-American and African diasporic memory, based on the field of Africana studies’ updated critical tools for considering inheritance, mythological structure, memorialization, epic intuitive conduct, hero dynamics, immortalization philosophy, and resistance-based cognitive survival. In terms of how Muhammad Ali, as an historical actor, has left an heroic legacy that bequeaths to us a sort of inheritance, the critical task at hand is to systematically explore this historical actor’s life, feats, philosophy, grit, worldview, and even his folkloric antiheroic, to decipher his Africana cultural memory value. At the core of this edited collection is a commitment to enhance the cultural storytelling about Muhammad Ali and to critically itemize the lessons we garner from his life as allegory. The ancestral life is one that is remembered and recalled. The contributors’ research uncovers Ali’s local, national, and global encounters that are legacy worldviews. These perspectives give us direction for mining the critical depth of Ali’s encounters which map his memory in terms of culturally sustaining confidence, self-esteem, reinvention, immortalization, and empathy. These are the fertile seeds of Africana cultural memory which bloom into powerful markers and monuments of an epic life of hyperheroic activity relevant to cultural memory, sports, history, politics, health, and aesthetics.

Muhammad Ali in Africana Cultural Memory is a contemporary evaluation primarily of Ali in African-American and African diasporic memory, based on the field of Africana studies’ updated critical tools for considering inheritance, mythological structure, memorialization, epic intuitive conduct, hero dynamics, immortalization philosophy, and resistance-based cognitive survival. In terms of how Muhammad Ali, as an historical actor, has left an heroic legacy that bequeaths to us a sort of inheritance, the critical task at hand is to systematically explore this historical actor’s life, feats, philosophy, grit, worldview, and even his folkloric antiheroic, to decipher his Africana cultural memory value. At the core of this edited collection is a commitment to enhance the cultural storytelling about Muhammad Ali and to critically itemize the lessons we garner from his life as allegory. The ancestral life is one that is remembered and recalled. The contributors’ research uncovers Ali’s local, national, and global encounters that are legacy worldviews. These perspectives give us direction for mining the critical depth of Ali’s encounters which map his memory in terms of culturally sustaining confidence, self-esteem, reinvention, immortalization, and empathy. These are the fertile seeds of Africana cultural memory which bloom into powerful markers and monuments of an epic life of hyperheroic activity relevant to cultural memory, sports, history, politics, health, and aesthetics.

The aim of this book is to provide an overview of the principles of multicriteria analysis (MCA), and a series of case studies that illustrate its application to a variety of environmental decision-making problems, ranging from the siting of facilities with critical environmental effects to Natural Park planning, and from the prioritisation of environmental restoration interventions to the assessment of the impact of tourism infrastructures.

Chapter 1 introduces the principles of MCA and describes the main stages of a generalized MCA process, by providing details and references to support the implementation of each stage. Chapter 2 reviews the application of MCA for a specific field of environmental decision-making: nature conservation. The objective is twofold: to take stock of past experiences by investigating how key stages of the MCA process have been performed, and to compare findings with best practices in order to provide recommendations for successful applications.

In Chapter 3, a case study about landfill site selection is presented. The method is based on the combination of stakeholder analysis and spatial MCA to first design possible sites for a landfill, and then rank them according to their suitability. Chapter 4 presents an application of MCA to support protected area planning. The case study illustrates the process of proposing a zoning scheme for a natural park, by combining MCA and multiobjective evaluation. Chapter 5 addresses the problem of forest landscapes restoration. In this case study, spatial and non-spatial MCA are applied to first identify forest reforestation priority areas, and then design landscape-scale reforestation options aimed at improving both ecosystem quality and human living conditions. [NP] The last case study, described in Chapter 6, shows how MCA can be combined with GIS-based indicators to assess and compare the environmental impacts of proposed ski areas in a mountain watershed. Finally, Chapter 7 provides some conclusions about the potential of MCA to support environmental decision-making, and about the set of skills required for successful MCA applications.

‘Music Scenes and Migrations’ brings together new work from Brazilian and European scholars around the themes of musical place and transnationalism across the Atlantic triangle connecting Brazil, Africa and Europe. Moving beyond now-contested models for conceptualizing international musical relations and hierarchies of powers and influence, such as global/local or centre/periphery, the volume draws attention instead to the role of the city, in particular, in producing, signifying and mediating music-making in the colonial and post-colonial Portuguese-speaking world. In considering the roles played by cities as hubs of cultural intersection, socialization, exchange and transformation; as sites of political intervention and contestation; and as homes to large concentrations of consumers, technologies and media, Rio de Janeiro necessarily figures prominently, given its historical importance as an international port at the centre of the Lusophone Atlantic world. The volume also gives attention to other urban centres, within Brazil and abroad, towards which musicians and musical traditions have migrated and converged – such as São Paulo, Lisbon and Madrid – where they have reinvented themselves; where notions of Brazilian and Lusophone identity have been reconfigured; and where independent, peripheral and underground scenes have contested the hegemony of the musical ‘mainstream’.

The contributions to the volume are grouped according to three key thematic areas. ‘Colonial and Post-Colonial Transnationalisms, Migrations and Diasporas’ focuses on the musical movements and fluxes that have traversed the Atlantic world since the colonial period, including the diasporic extensions of African music-making; the role of early forms of mechanical music-recording in mediating between Portuguese and Brazilian popular songs in nineteenth-century Rio de Janeiro; the story of música caipira in articulating the ‘rooting’ and ‘uprooting’ migratory experience of the São Paulo peasantry in the twentieth century; and the contemporary phenomenon of Brazilian musicians living in the cities of Lisbon and Madrid, where they negotiate the needs and expectations of their expatriate communities, tourists and local audiences.

‘Relocating Rio de Janeiro’ considers how, in its identification with key musical traditions such as samba, pagode and choro, the city has been a contested space – geographically, symbolically and politically – whether in the memories and mythologies of key neighbourhoods and locations of music-making as expressed in the musical discourses themselves, through music’s involvement in the material forms of community life and popular culture, including religion, carnival and other festivals, or through the competing claims of official state institutions and policies, the recording industry and grassroots communitarian initiatives.

The essays in ‘Demetropolitanizing the Musical City: Other Scenes, Industries, Technologies’ explore how contemporary developments in the independent, underground and peripheral music scenes in Brazil and Portugal have challenged traditional narratives and hierarchies that dichotomized the field in terms of national tradition v. internationalism, mainstream v. margins, pop v. popular. Genres such as sertaneja universitária, funk, heavy metal, Brazilian jazz and instrumental music, post-Vanguarda Paulista MPB and rap are considered in the light of profound shifts in the economy and technology of the music industry, including fluctuations in the recording sector, the internationalization of audiences, and the rise of YouTube, among other video-based digital platforms, as a predominant medium for the consumption of music.

The gramophone was thought to be perverse because it allowed people to listen to music on their own. Rock ‘n’ Roll was the devil’s music. Home taping supposedly killed music. Copyright piracy is not a victimless crime. Downloading music is stealing. Spotify doesn’t adequately pay artists. YouTube remuneration creates a value gap for artists. Mp3s make music sound flat. TikTok shortens songs. AI steals ideas.
With each new music distribution technology, the powerful corporate interests of the moment try to make people afraid to use it. In Music Technology Panic Narratives Beyond Piracy: From Taping to Napster to TikTok, Dr. David Arditi examines how the major record labels single-out new technologies as if they will bring an end to recorded music. They use what he calls the “piracy panic narrative”—a narrative in which new technologies threaten the very existence of recorded music. The piracy panic narrative is a rhetorical construct that helps to hide the material reality of the recording industry by positioning major record labels and their recording artists as the victims of widespread crime in the form of piracy.
Now, divorced from piracy, the recording industry continues to use the panic narrative to dissuade fans from specific practices and to lobby the government for particular policies. Each time, they use the narrative to change public sentiment, the law, and policy to strengthen their profits. It works because fans feel a connection with their favorite artists. Fans want their artists to be paid a fair wage. But at every moment what gets ignored is labels are the primary exploiter of musicians. Asking why YouTube underpays artists is the wrong question because streaming platforms pay labels. The question that never gets asked: why don’t labels pay artists a livable wage?

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming unpacks the untold stories of musicians who have turned to Twitch as a platform to share their art, engage with audiences and seek financial stability. While on the surface Twitch appears as a hub for creativity and innovation, this book reveals a dichotomous reality where opportunities and challenges are in constant tension.
Through interviews with this new breed of ‘musician-streamers’ and extensive observation of their mediated, online lives, this book explores what it takes to succeed – or simply survive – on a platform originally built for gaming but now home to a vibrant music community.
The journey begins by examining Twitch’s evolution from a gaming-centric site to a space where live music performances have gained traction. Whether driven by creative freedom, financial aspirations or a desire to connect with global audiences, this book examines who these musicians are and what draws them to the platform. Throughout this chapter, key concepts and terms are introduced to provide readers with a clear and accessible framework for understanding and analysing the evolving landscape of online live music.
Building on the exploration of Twitch as a platform for creativity and opportunity, this book also sheds light on the difficult realities faced by musicians on the platform. Beneath Twitch’s innovative and appealing surface lies a stark and often challenging environment. From the ‘happy-few-take-all’ dynamic, where only a small elite garners the majority of audience attention and earnings, to the gamified, attention-driven ecosystem that creates relentless pressure to remain ‘always on’, many musicians are flirting with their breaking point. These challenges are even more pronounced for female streamers and those from minority groups, who often contend with persistent harassment, amplifying the psychological toll in an already demanding, high-pressure environment.
Musicians on Twitch provides a nuanced, unfiltered, at times brutal, exploration of Twitch’s promises and pitfalls for musicians. It is an important read for anyone curious about the intersection of music, technology and creative labour, and what it really means to be a musician today.

As countless alterations have taken place in medicine in the twenty-first century so too have literary artists addressed new understanding of disease and pathology. Dis/ability studies, fat studies, mad studies, end-of-life studies, and critical race studies among other fields have sought to better understand what social factors lead to pathologizing certain conditions while other variations remain “normalized.” While recognizing that these scholarly approaches often speak to identities with radically different experiences of pathologization, this collection of essays is open to all critical engagements with narratives of health in order to facilitate the messiness of cross-disciplinary collaboration and interdisciplinarity. As scientific advances provide insight into a wide range of well-being issues and help extend life, it is vital that we come to question the very categories of healthy and unhealthy. This collection brings together analyses of cultural productions which probe those categorizations and suggest new psychological and philosophical understandings which will help better apply and guide the knowledge being rapidly developed within the life sciences. “Right of health” is a widely accepted human right, but in applying a right to healthcare what care and what sort of health are less universally agreed upon. The contributors share an interest in addressing who controls answers to the questions of “how do we define a healthy body and a healthy life?” and “what are the political forces that influence our definitions of health?”

Although not all contributions take a feminist lens, feminist thought has questioned the medical community’s response to women’s bodies, contributed to the de-stigmatization of difference, and challenged gendered binaries. Consequently, many of the essays are informed by the possibilities enabled through the work of feminist scholars. Just as feminist writing positioned storytelling as a way of overcoming the way women’s bodies were defined as unfit and inferior, so too are literary and visual artists exploring how empowering personal and cultural expressions of dis/abled bodies, mad bodies, trans bodies, fat bodies, racialized bodies, and aged bodies among others can overcome pathologizing normative standards. 

The globalization of healthcare protocols has brought many advances but also challenges to traditional understanding of health within many cultures. This collection includes papers that examine narratives of health from all countries, cultures, and communities and is not limited to a North American or Western locus. Further, just as Edward Said problematized “travelling theory” this book hopes to bring together scholars who look at how literary works also show that medical interventions from a Western perspective need to be challenged when applied to communities whose voices are often not heard or deliberately undermined when those “treatments” are developed.

Narrative medicine is a growing field of research and teaching. It arises from an interdisciplinary interest in person-centered medicine and is regarded as a major innovation in the medical humanities. 

This anthology is the first of its kind which integrates chapters on legitimizing narrative medicine in education, practice and research on analyzing types of patient narratives and on studying interventions applying vulnerable or shared reading, creative writing, or Socratic dialogue as a means of rehabilitation and mental care. In her foreword, Rita Charon, who originally coined the term ‘narrative medicine’ recognizes this expansion of the field and name it ‘system narrative medicine’. 

The anthology is made up of four parts. The first describes narrative medicine as a diverse field. The second presents narrative medicine in the teaching of healthcare professionals. The third part provides examples of the application of narrative medicine in clinical practice, and the final part deals with narrative medicine in intervention research.

Presents the first in-depth study of contemporary English-language Pakistani women’s fiction, exploring how female authors use narrative to critique patriarchal norms and Western stereotypes through spatial and emotional portrayals of women's everyday lives

The title discusses the literary production of contemporary Pakistani women through the analysis of a corpus of novels that provide representations of the ways in which women navigate the complexities of Pakistani society in relation to three different but related domains, the nation, the city and the household. This critical interrogation serves to underscore the inherent value of literary articulations that portray contemporary Pakistani society from an Indigenously situated female perspective. Fictional narratives written by Pakistani women constitute a form of discursive agency that challenges both local patriarchal structures and Western representations of Muslim women as voiceless and powerless. The discussion locates the selected fictional narratives within the broader historical contexts of Pakistani Anglophone and Urdu literary traditions. This perspective shows that women’s contribution to the South Asian literary scene is neither new nor limited in terms of genre or language.

In Pakistan, women have always found themselves at the receiving end of oppressive dynamics of power, something against which they have articulated forms of personal and collective resistance. Seeing fiction as a means of expression that cannot exist outside of a human society, within which it is generated and from which it elaborates its imagery, allows attending to the ways in which the interaction between literature and society contributes to the construction of shared narratives. The study highlights that while the authors reveal the intersectionality of power dynamics, they also show that patriarchal mechanisms of force affect women across the entire social spectrum, even if with different degrees of coercion, and provide their readers with resolute female models pointing out that a positive social transformation is possible through personal acts of resistance.

Employing spatial and affective frameworks, this monograph moves from the macro-level of the nation to the micro-level of the household to analyse three spatial dimensions as crucial contexts for understanding how women’s social bonds are formed and reformed in response to normative pressures exerted by familial and extra-familial agents. In line with the idea expressed by Sara Ahmed (2004) that social interaction cannot be separated from the emotions and feelings that it stimulates in individuals, the discourse pays attention to the nexus between character’s emotions and their behaviour, highlighting how feelings stimulate the questioning of normativity.

Regional integration is gathering momentum in Asia. This study examines the diverse experience of regional integration of South and East Asian economies during the last two decades and offers lessons for latecomers. The global economic crisis is expected to merely dampen rather than halt the pace of Asian integration. Global recovery will give renewed impetus to Asian integration. East and South Asia include the world’s largest and most dynamic open economies alongside several least developed countries. Using a set of country cases based on a similar framework, the study addresses an important policy question: how can each country’s integration with its neighbors and more distant regional economies be improved? Of the eight country studies, five are from South Asia (India, Pakistan, Bangladesh, Nepal, and Sri Lanka) and three are from East Asia (the People’s Republic of China, Thailand, and Singapore). The country cases—which differ by per capita income, country size and location—provide fascinating insights on the relationship between regional economic performance and strategies for regional integration at the country level.

Regional integration is gathering momentum in Asia. This study examines the diverse experience of regional integration of South and East Asian economies during the last two decades and offers lessons for latecomers. The global economic crisis is expected to merely dampen rather than halt the pace of Asian integration. Global recovery will give renewed impetus to Asian integration. East and South Asia include the world’s largest and most dynamic open economies alongside several least developed countries. Using a set of country cases based on a similar framework, the study addresses an important policy question: how can each country’s integration with its neighbors and more distant regional economies be improved? Of the eight country studies, five are from South Asia (India, Pakistan, Bangladesh, Nepal, and Sri Lanka) and three are from East Asia (the People’s Republic of China, Thailand, and Singapore). The country cases—which differ by per capita income, country size and location—provide fascinating insights on the relationship between regional economic performance and strategies for regional integration at the country level.

‘National Systems of Innovation’ presents a new perspective on the dynamics of the national and the global economy. Its starting point is that the international competitiveness of nations is founded on innovation. Which role do different parts of the national system play in determining the long-term dynamics of the economy? What is happening to the coherence of national systems of innovation in an era characterised by far-reaching internationalisation and globalisation?

These and other issues are addressed in this volume. Available for the first time in paperback, the book is an invaluable resource for scholars and policy-makers.

‘National Systems of Innovation’ presents a new perspective on the dynamics of the national and the global economy. Its starting point is that the international competitiveness of nations is founded on innovation. Which role do different parts of the national system play in determining the long-term dynamics of the economy? What is happening to the coherence of national systems of innovation in an era characterised by far-reaching internationalisation and globalisation?

These and other issues are addressed in this volume. Available for the first time in paperback, the book is an invaluable resource for scholars and policy-makers.

‘Nationalizing the Body’ revisits the history of ‘western’ medicine in colonial South Asia through the lives, writings and practice of the numerous Bengali ‘daktars’ who adopted and practised it. Refusing to see ‘western’ medicine as an alienated appendage of the colonial state, this book explores how ‘western’ medicine was vernacularised. It argues that a burgeoning medical market and a medical publishing industry together gave ‘daktari’ medicine a social identity which did not solely derive from its association with the state. Accessing many of the best-known ideas and episodes of colonial South Asian medical history, it seeks to understand how ‘daktari’ medicine re-positioned the colonized bodies as nationalized bodies.

‘Nationalizing the Body’ revisits the history of ‘western’ medicine in colonial South Asia through the lives, writings and practice of the numerous Bengali ‘daktars’ who adopted and practised it. Refusing to see ‘western’ medicine as an alienated appendage of the colonial state, this book explores how ‘western’ medicine was vernacularised. It argues that a burgeoning medical market and a medical publishing industry together gave ‘daktari’ medicine a social identity which did not solely derive from its association with the state. Accessing many of the best-known ideas and episodes of colonial South Asian medical history, it seeks to understand how ‘daktari’ medicine re-positioned the colonized bodies as nationalized bodies.

In the aftermath of considerable seismic unrest caused by the tsunami in the Indian Ocean, this volume focuses on exposing the coastal vulnerability of the region. Despite a plethora of enquiries into natural disasters in different parts of the globe, there is now a more conspicuous concern than ever for the South East Asian region. This global concern has become all the more prevalent since the Hyogo Declaration in January 2005 and the recent Asian Summit in Indonesia. The purpose of this treatise is to bring the characteristics of the disastrous events of the region to the fore, seeking to present not only the continuing fatalities and fragilities of the area, but also the possibilities for coping with natural disasters. The book’s layout is specifically shaped by the nature of the damage and threat caused by these disasters, particularly concerning the communities at risk and their responses. This book will appeal to those involved in both global and local organizations as administrators, facilitators, stakeholders and activists, as well as Governmental / Non Governmental agencies, societies including organizations such as ESCAP, UNDP, WMO, UNESCO, UNCRD.

This text will examine U.S. Supreme Court cases which highlight, feature and illuminate some facets of natural law reasoning since the Court’s decree in Roe v. Wade. For most of our constitutional and legal history, there has been an exhilarating debate about whether natural law commands or encourages certain legal resolutions – even from the time of the Founders. Most would concur that the legal philosophy of Jefferson and other Founders favored a natural law basis for this republic and its corresponding rights. And while the proposed text accepts that the concept and understanding of natural law reasoning has both supporters and detractors in contemporary settings, earlier Supreme Court rulings on controversial subject matter used natural law language with regularity. Since the 1970s, the idea of a perennial, immutable and unassailable natural law has lost favor. And given the recent surge in controversial case law and conflicting decisions on highly charged topics, a return to first principles grounded in nature and natural law might be beneficial. Indeed, the proposed research hopes to gauge its current relevance, usage and reliance in more modern judicial cases.

This text will examine U.S. Supreme Court cases which highlight, feature and illuminate some facets of natural law reasoning since the Court’s decree in Roe v. Wade. For most of our constitutional and legal history, there has been an exhilarating debate about whether natural law commands or encourages certain legal resolutions – even from the time of the Founders. Most would concur that the legal philosophy of Jefferson and other Founders favored a natural law basis for this republic and its corresponding rights. And while the proposed text accepts that the concept and understanding of natural law reasoning has both supporters and detractors in contemporary settings, earlier Supreme Court rulings on controversial subject matter used natural law language with regularity. Since the 1970s, the idea of a perennial, immutable and unassailable natural law has lost favor. And given the recent surge in controversial case law and conflicting decisions on highly charged topics, a return to first principles grounded in nature and natural law might be beneficial. Indeed, the proposed research hopes to gauge its current relevance, usage and reliance in more modern judicial cases.

Examines the evolving landscape of data privacy and ethics, arguing that businesses can build trust and drive growth by adopting transparent, consumer-focused data frameworks beyond legal compliance

Data privacy continues to be an important topic for discussion throughout changing technology, business, and legislation landscapes. The U.S. legislation continues to shift state-by-state, resulting in changes that are often difficult for companies to keep up with. This is (one reason) why businesses should adopt their own data framework principles to guide their business strategy. Developing data guidelines or principles is the practice of a business voluntarily going beyond data privacy legislation to create and implement a data collection and usage framework that prioritizes customer relationships through a lens of transparency and control.
The book explores how consumer data are currently collected from everyday interactions, surveys, website usage, purchases, and more, then examines how that information feeds data and business strategies for companies around the world. Data collection is often complex—it requires different kinds of technology and uses different validation methods, all across different pieces of data—and this complexity can lead to issues with accuracy and tracking of when and how consumer data are used. Data are used to drive business strategies by helping companies find their most loyal users, bring in new customers, and increase usage, among other things. An underlying guide for data principles can lead to improved accuracy in data collection, help businesses stay transparent with consumers, generate more trust, and ultimately, increase business performance.
As consumers become more educated and more aware about what data are collected and how they are used by companies, there is a growing need for businesses to develop a relationship with their consumers built on trust and mutual value. There is currently a gap between the amount of data collected, its usage, and how consumers trust and value the companies with which they do business.
Finally, this book discusses how businesses can bridge that gap, between consumer trust and effective business strategy by developing their own set of data guidelines and principles that can improve business growth. These strategies are designed to help drive consumer trust by treating consumers like real people and understanding the relationship between data collection, usage, and consumer trust.

‘Navigating Social Exclusion and Inclusion in Contemporary India and Beyond’ examines the applicability of the concept of social exclusion in contemporary India, and addresses the following questions: How does an increasingly liberalised Indian economy contribute to processes of social inclusion and exclusion and to the reproduction of poverty and inequality? To what extent does the deepening of Indian democracy offer hitherto marginalised social groups new opportunities for pursuing strategies of inclusion? And how does ‘development’ alter the social terrain on which inequalities are negotiated? These and related discussions form the focal points of the volume. Importantly, the contributors deal explicitly with the simultaneity of processes of exclusion and inclusion, and with their entangled manifestation in social life. By applying the concept of social exclusion to concrete empirical case studies, the contributors expand conceptual horizons by keeping in mind that neither exclusion nor inclusion can be considered without its ‘alter ego’. The volume also challenges narrow conceptualisations of social inclusion and exclusion in terms of singular factors such as caste, policy or the economy. This collaborative endeavour and cross-disciplinary approach, which brings together younger and more established scholars, facilitates a deeper understanding of complex social and political processes in contemporary India.

‘Navigating Social Exclusion and Inclusion in Contemporary India and Beyond’ examines the applicability of the concept of social exclusion in contemporary India, and addresses the following questions: How does an increasingly liberalised Indian economy contribute to processes of social inclusion and exclusion and to the reproduction of poverty and inequality? To what extent does the deepening of Indian democracy offer hitherto marginalised social groups new opportunities for pursuing strategies of inclusion? And how does ‘development’ alter the social terrain on which inequalities are negotiated? These and related discussions form the focal points of the volume. Importantly, the contributors deal explicitly with the simultaneity of processes of exclusion and inclusion, and with their entangled manifestation in social life. By applying the concept of social exclusion to concrete empirical case studies, the contributors expand conceptual horizons by keeping in mind that neither exclusion nor inclusion can be considered without its ‘alter ego’. The volume also challenges narrow conceptualisations of social inclusion and exclusion in terms of singular factors such as caste, policy or the economy. This collaborative endeavour and cross-disciplinary approach, which brings together younger and more established scholars, facilitates a deeper understanding of complex social and political processes in contemporary India.

Doctors, engineers, lawyers, architects, designers, managers, artists, scientists, innovators, inventors, farmers and all other professions and walks of life have the immense possibilities of making it big. And such immense possibilities represent in terms of scale, value, excellence, and tremendous impact upon the larger society. However, quite often, it is observed that the efforts and impact of making it big fail to live up to the expectations of self and others and do not take off the way envisaged. 

Everyone has desires. Spiritual leaders too give up the mundane life. However, they carry the deeply rooted desire to attain insights and enlightenment, eventually. Irrespective of what life one leads, one core but common desire is to enjoy the autonomy to make decisions. However, life introduces one to several ups and downs resulting in both successes and failures. Nonetheless, one desires to be happy throughout and enjoy whatever is in possession. Also, one aspires to achieve all that one feels capable of achieving, thus driving oneself to take risks against the opportunities identified. 

In the backdrop, the present book is for every individual who is either an aspiring entrepreneur or serial entrepreneur, irrespective of the domain expertise or industry one represents. The book attempts to focus and address a pressing pain point of entrepreneurs: the pain point happens to be one of the major gaps towards successful and sustainable entrepreneurship in one’s life. 

A strong but subtle factor impacting in this context is the failure to achieve entrepreneurial success through great deals in all stages, at all levels of entrepreneurial journey. The present book attempts to bridge the gap through the power (soft) skill – ‘negotiation’ for entrepreneurs!

Doctors, engineers, lawyers, architects, designers, managers, artists, scientists, innovators, inventors, farmers and all other professions and walks of life have the immense possibilities of making it big. And such immense possibilities represent in terms of scale, value, excellence, and tremendous impact upon the larger society. However, quite often, it is observed that the efforts and impact of making it big fail to live up to the expectations of self and others and do not take off the way envisaged. 

Everyone has desires. Spiritual leaders too give up the mundane life. However, they carry the deeply rooted desire to attain insights and enlightenment, eventually. Irrespective of what life one leads, one core but common desire is to enjoy the autonomy to make decisions. However, life introduces one to several ups and downs resulting in both successes and failures. Nonetheless, one desires to be happy throughout and enjoy whatever is in possession. Also, one aspires to achieve all that one feels capable of achieving, thus driving oneself to take risks against the opportunities identified. 

In the backdrop, the present book is for every individual who is either an aspiring entrepreneur or serial entrepreneur, irrespective of the domain expertise or industry one represents. The book attempts to focus and address a pressing pain point of entrepreneurs: the pain point happens to be one of the major gaps towards successful and sustainable entrepreneurship in one’s life. 

A strong but subtle factor impacting in this context is the failure to achieve entrepreneurial success through great deals in all stages, at all levels of entrepreneurial journey. The present book attempts to bridge the gap through the power (soft) skill – ‘negotiation’ for entrepreneurs!

Recent years have seen the strong development of Neo-Victorian studies, including its theorisation by such scholars as Cora Kaplan, Sally Shuttleworth, Ann Heilmann, Christian Gutleben, Marie-Louise Kohlke, Mark Llewellyn and others. It is a focus that has engaged literary critics from around the globe like Carmen Veronica Borbély (Romania), Susanne Gruß (Germany), Tiffany Gagliardi Trotman (Spain), Hitomi Nakatani (Japan), Agnieszka Matysiak (Poland), Max Duperray (France), Jeanne Ellis (South Africa) and Van Leavenworth (Sweden) to name just a few. [NP] ‘Neo-Gothic Narratives’ defines and theorizes what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.

Recent years have seen the strong development of Neo-Victorian studies, including its theorisation by such scholars as Cora Kaplan, Sally Shuttleworth, Ann Heilmann, Christian Gutleben, Marie-Louise Kohlke, Mark Llewellyn and others. It is a focus that has engaged literary critics from around the globe like Carmen Veronica Borbély (Romania), Susanne Gruß (Germany), Tiffany Gagliardi Trotman (Spain), Hitomi Nakatani (Japan), Agnieszka Matysiak (Poland), Max Duperray (France), Jeanne Ellis (South Africa) and Van Leavenworth (Sweden) to name just a few. [NP] ‘Neo-Gothic Narratives’ defines and theorizes what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.

If neo-Victorianism is, as Ann Heilmann and Mark Llewellyn remark, ‘more than historical fiction set in the nineteenth century’, then it is because it ‘must in some respect be self-consciously engaged with the act of (re)interpretation, (re)discovery and (re)vision concerning the Victorians’ while keeping in mind the ethical, metafictional and metacritical parameters in ‘acts of (readerly/writerly) appropriation’ in the metafictional mode. They acknowledge the initial definition had to be aware of ‘metafictional and metahistorical concern with the process of narrating/re-imagining/re-visioning histories, and had to be self-conscious about its own position as literary or filmic reconstruction’ but now they are alert to the global, ongoing ‘discourse around nostalgia, heritage and cultural memory’ in other parts of the long-nineteenth century world as portrayed in neo-Victorian narratives. Neo-Victorian Lesbians on Screen argues the portrayal on screen of lesbians situated in the long nineteenth century across various countries is at the very least a dual task; the imperative project of revoicing lesbian silence and female companionship is complicated by the lack of and/or complex representation of such women in the past. The adaptations, with varying degrees of success, carefully manipulate the gaze of the viewer to illustrate both how crucial the act of looking proves to be for lesbian attachment in these films and how the viewer’s own gaze changes the way the lesbian is represented. Texts, subtexts and intertextualities help elucidate the memories and sexualities of the various women. Men – in their silence, abuse, misunderstanding or love – relate to the women with a lack of social roadmap to govern their responses. Maier and Friars consider the adaptations’ awareness of the audience and the ways in which the films implicitly acknowledge the stakes behind bringing the lesbian to life, as it were, in visual media. Because screen adaptations disrupt historical distance by literally picturing Victorian subjects via a medium they did not have, films of novels as well as biofictions, and new narratives are challenged by the lesbian subject’s vivid presence on screen. The lesbian is no longer a contained (neo)Victorian presence in the ‘othered’ nineteenth century, but her very existence on screen signals her effervescent modernity, which filmmakers alternately embrace or reject.

“Network Persistence and the Axis of Hierarchy” reimagines the very nature of social life starting from quite ordinary, even banal considerations, culminating in conclusions that challenge central, universally held tenets. The main argument shows how networks, modestly redefined as a strong, yet imperfect tendency for pairings to recur day after day, that is, stickiness, imply a singular axis of stratification. This is contrary to the nearly universal insistence that stratification is multidimensional. Reanalysis of three central mobility data sets strongly sustains the novel claim. Network concepts provide a supple base for analysis whereby order and regularity are firmly enforced in network neighborhoods by repetitive, often collective, action and mutual regulation but are not necessarily uniform or universal across locales. This provides new takes, often quite radical, on accounts of structure and order by authors such as Bourdieu, Collins and Parsons. The new formulation local rules but not necessarily global rules allows for a plural reality where varied theoretical ideals are possible and could occur but are not inevitable or universal. This tames the otherwise inevitable cacophony of competing foundational accounts whose claims to universality exclude some to much of what is claimed by rivals. Meanwhile, the potential lability of plural possibilities is sharply constrained by the overarching principal axis of stratification which is the joint condition of social life.

This book introduces a new thrilling field–neurocomputional poetics, the scientific ‘marriage’ between cognitive poetics, data science and neuroscience. Its goal is to uncover the secrets of verbal art reception and to explain how readers come to understand and like literary texts. For centuries verbal art reception was considered too subjective for quantitative scientific studies and still nowadays many scholars in the humanities and neurosciences alike view literary reading as too complex for accurate computational prediction of the neuronal, experiential and behavioural aspects of reader responses to texts. This book sets out for changing this view. 

It offers state-of-the-art computational models and methods allowing to predict which crucial textual features of prose and poetry, such as syntactic and semantic complexity or emotion potential, interact with reader features, such as empathy or openness to experience, in shaping a literary reading act. It contains hands-on practical examples on how to do computational text analyses of books and poems that can answer questions like: 

• Which is Jane Austen’s most beautiful book?
• Which poet created the most fitting poetic metaphors? or
• Which author of plays of the nineteenth century was the most literary?

The book’s first chapter about ‘The Two Boons of an Unnatural Daily Activity’ discusses the neuronal bases and other relevant aspects of immersive and aesthetic processes evoked by reading prose and poetry. In the second chapter, the author introduces a comprehensive model of verbal art reception that can explain what makes texts comprehensible and likeable and how they affect our body and mind. The model makes explicit important differences between the reading of prose and poetry and clarifies which text features make prose more immersive and poetry more aesthetic. The next two chapters discuss state-of-the-art methods for quantitative text, reader and reading act analyses from cognitive poetics, data science, psychology and neuroscience and shows how they can be used to dissect the complex author-text-reader nexus that shapes verbal art reception.

Chapters 5 and 6 then present hands-on practical examples on how to do simple and sophisticated computational text analyses including sentiment and topic analyses, cutting-edge machine learning methods, and multivariate predictive modeling using neural nets. Chapters 7 and 8 of the book then present a representative sample of empirical studies in both computational and neurocognitive poetics the author and his collaborators have carried out during the last decade. The results of these studies provide comprehensive insights into the complex workings of the brain during verbal art reception from the processing of single words and sentences to the aesthetic evaluation of metaphors or entire poems and novels, including a qualitative-quantitative analysis of the reading of Shakespeare sonnets that will change the ways of scientific studies of literature. The book ends with a short chapter about conclusions and future developments.

The model and methods introduced in the book offer game-changing insights for both fundamental and applied science that will affect standard metrics of readability and the way text processing and verbal art reception are viewed in literary studies, education, psychology or the media sciences.

This book introduces a new thrilling field–neurocomputional poetics, the scientific ‘marriage’ between cognitive poetics, data science and neuroscience. Its goal is to uncover the secrets of verbal art reception and to explain how readers come to understand and like literary texts. For centuries verbal art reception was considered too subjective for quantitative scientific studies and still nowadays many scholars in the humanities and neurosciences alike view literary reading as too complex for accurate computational prediction of the neuronal, experiential and behavioural aspects of reader responses to texts. This book sets out for changing this view. 

It offers state-of-the-art computational models and methods allowing to predict which crucial textual features of prose and poetry, such as syntactic and semantic complexity or emotion potential, interact with reader features, such as empathy or openness to experience, in shaping a literary reading act. It contains hands-on practical examples on how to do computational text analyses of books and poems that can answer questions like: 

• Which is Jane Austen’s most beautiful book?
• Which poet created the most fitting poetic metaphors? or
• Which author of plays of the nineteenth century was the most literary?

The book’s first chapter about ‘The Two Boons of an Unnatural Daily Activity’ discusses the neuronal bases and other relevant aspects of immersive and aesthetic processes evoked by reading prose and poetry. In the second chapter, the author introduces a comprehensive model of verbal art reception that can explain what makes texts comprehensible and likeable and how they affect our body and mind. The model makes explicit important differences between the reading of prose and poetry and clarifies which text features make prose more immersive and poetry more aesthetic. The next two chapters discuss state-of-the-art methods for quantitative text, reader and reading act analyses from cognitive poetics, data science, psychology and neuroscience and shows how they can be used to dissect the complex author-text-reader nexus that shapes verbal art reception.

Chapters 5 and 6 then present hands-on practical examples on how to do simple and sophisticated computational text analyses including sentiment and topic analyses, cutting-edge machine learning methods, and multivariate predictive modeling using neural nets. Chapters 7 and 8 of the book then present a representative sample of empirical studies in both computational and neurocognitive poetics the author and his collaborators have carried out during the last decade. The results of these studies provide comprehensive insights into the complex workings of the brain during verbal art reception from the processing of single words and sentences to the aesthetic evaluation of metaphors or entire poems and novels, including a qualitative-quantitative analysis of the reading of Shakespeare sonnets that will change the ways of scientific studies of literature. The book ends with a short chapter about conclusions and future developments.

The model and methods introduced in the book offer game-changing insights for both fundamental and applied science that will affect standard metrics of readability and the way text processing and verbal art reception are viewed in literary studies, education, psychology or the media sciences.

Based on detailed ethnographic material, ‘New Lithuania in Old Hands’ analyzes the impact that European Union membership has had upon the country’s ageing small-scale farmers. Addressing the highly relevant themes of European Union enlargement and the ‘Return to Europe’, this book describes how Lithuania’s EU membership has been a far cry from the scenarios of wealth and overabundance once promised.

On the contrary, membership of the EU has in many instances resulted in a return to subsistence production, increased insecurity and a reinforcement of kinship obligations. Within the agrarian sector, such changes threaten to have a large impact upon the future of family structures, and in turn, the future of the farming demographic as a whole.

While political forces have attempted to create a ‘New Lithuania’ in light of Europe’s geopolitical agenda, it has been the country’s ageing ‘Soviet generation’ that has actually brought into effect the restructuring of the agricultural sector. Thus, instead of treating the European Union as an elite project and voicing the support of various other parts of the population, ‘New Lithuania in Old Hands’ shows how the broader parts of the rural population have been affected by and engaged in the processes of change that followed Lithuania’s accession to the EU.

Based on detailed ethnographic material, ‘New Lithuania in Old Hands’ analyzes the impact that European Union membership has had upon the country’s ageing small-scale farmers. Addressing the highly relevant themes of European Union enlargement and the ‘Return to Europe’, this book describes how Lithuania’s EU membership has been a far cry from the scenarios of wealth and overabundance once promised.

On the contrary, membership of the EU has in many instances resulted in a return to subsistence production, increased insecurity and a reinforcement of kinship obligations. Within the agrarian sector, such changes threaten to have a large impact upon the future of family structures, and in turn, the future of the farming demographic as a whole.

While political forces have attempted to create a ‘New Lithuania’ in light of Europe’s geopolitical agenda, it has been the country’s ageing ‘Soviet generation’ that has actually brought into effect the restructuring of the agricultural sector. Thus, instead of treating the European Union as an elite project and voicing the support of various other parts of the population, ‘New Lithuania in Old Hands’ shows how the broader parts of the rural population have been affected by and engaged in the processes of change that followed Lithuania’s accession to the EU.

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in Russian in 1839.  In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire.  

Gretsch had been asked to travel into Western Europe to examine the educational systems and report his findings to the Russian government.  However, he was more than just a functionary.  He was a journalist, novelist, and philologist.  For nearly three decades, he published a journal called Son of the Fatherland, and he was able to convince many influential Russian thinkers of the time to contribute to the periodical.  Later, he would publish The Reader’s Library and then The Northern Bee.  The former was a short-lived magazine, but the latter was a newspaper that remained in circulation for almost three decades.  As these accomplishments suggest, Gretsch was an intellectual—a person who looked beyond the surface-level of his existence to seek deeper meaning.  

In consequence, as he travelled through England, France, and Germany, his sharp mind absorbed far more than just the details of the educational systems he had been sent to investigate.  He noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met.  When he returned to Russia, Gretsch assembled his entertaining and often humorous personal observations into the three-volume edition that was published in St. Petersburg in 1839 — not long after Napoleon’s final defeat.  His astute observations provide a rich contemporary resource for information about the countries he visited.  The observations are all the more relevant since they come from the viewpoint of an outsider.  Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people.  In England, he once found himself in the same room with the future Queen Victoria, for example, and in France, he had lunch with Victor Hugo.  Given the new historicist slant of modern literary and cultural studies, Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to history and literature scholars as well as to general readers interested in cultural interactions during the nineteenth century.  This narrative has never before been translated into English in its entirety. 

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in Russian in 1839. In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire.

Gretsch had been asked to travel into Western Europe to examine the educational systems and report his findings to the Russian government. However, he was more than just a functionary. He was a journalist, novelist, and philologist. For nearly three decades, he published a journal called Son of the Fatherland, and he was able to convince many influential Russian thinkers of the time to contribute to the periodical. Later, he would publish The Reader’s Library and then The Northern Bee. The former was a short-lived magazine, but the latter was a newspaper that remained in circulation for almost three decades. As these accomplishments suggest, Gretsch was an intellectual—a person who looked beyond the surface-level of his existence to seek deeper meaning.

In consequence, as he travelled through England, France, and Germany, his sharp mind absorbed far more than just the details of the educational systems he had been sent to investigate. He noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met. When he returned to Russia, Gretsch assembled his entertaining and often humorous personal observations into the three-volume edition that was published in St. Petersburg in 1839 — not long after Napoleon’s final defeat. His astute observations provide a rich contemporary resource for information about the countries he visited. The observations are all the more relevant since they come from the viewpoint of an outsider. Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people. In England, he once found himself in the same room with the future Queen Victoria, for example, and in France, he had lunch with Victor Hugo. Given the new historicist slant of modern literary and cultural studies, Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to history and literature scholars as well as to general readers interested in cultural interactions during the nineteenth century. This narrative has never before been translated into English in its entirety. 

Nikolai Gretsch's Travel Letters is a fully translated English edition of a three-volume account published by Nikolai Gretsch (1787–1867) in Russian in 1839. In the original Russian, Gretsch describes his travels in post-Napoleonic England, France, and Germany in 1837 at the behest of the Russian Empire.

Gretsch had been asked to travel into Western Europe to examine the educational systems and report his findings to the Russian government. However, he was more than just a functionary. He was a journalist, novelist, and philologist. For nearly three decades, he published a journal called Son of the Fatherland, and he was able to convince many influential Russian thinkers of the time to contribute to the periodical. Later, he would publish The Reader’s Library and then The Northern Bee. The former was a short-lived magazine, but the latter was a newspaper that remained in circulation for almost three decades. As these accomplishments suggest, Gretsch was an intellectual—a person who looked beyond the surface-level of his existence to seek deeper meaning.

In consequence, as he travelled through England, France, and Germany, his sharp mind absorbed far more than just the details of the educational systems he had been sent to investigate. He noticed the cultural norms in his surroundings, the history of each country, and the personal experiences of the people he met. When he returned to Russia, Gretsch assembled his entertaining and often humorous personal observations into the three-volume edition that was published in St. Petersburg in 1839 — not long after Napoleon’s final defeat. His astute observations provide a rich contemporary resource for information about the countries he visited. The observations are all the more relevant since they come from the viewpoint of an outsider. Additionally, as a result of his government position, Gretsch was able to move in social circles that would have been closed to many other people. In England, he once found himself in the same room with the future Queen Victoria, for example, and in France, he had lunch with Victor Hugo. Given the new historicist slant of modern literary and cultural studies, Gretsch’s observations offer a treasure-trove of contextual information that will be valuable to history and literature scholars as well as to general readers interested in cultural interactions during the nineteenth century. This narrative has never before been translated into English in its entirety. 

The gothic is a dark mirror of the fears and taboos of a culture. This collection brings together a dozen chilling tales of the nineteenth-century American South with non-fiction texts that illuminate them and ground them in their historical context. The tales are from writers with enduring, world-wide reputations (Edgar Allan Poe), and others whose work will be unknown to most readers. Indeed, one of the stories has not been reprinted for nearly a hundred years, and little is known about its author, E. Levi Brown.

Similarly, the historical selections are from a range of authors, some canonical, others not, ranging from Thomas Jefferson and the great historian and sociologist W. E. B. DuBois to the relatively obscure Leona Sansay.  Some of these readings are themselves as disturbingly gothic as any of the tales. Indeed, the boundaries between fiction and non-fiction are tenuous in the gothic South. It is our contention that southern gothic fiction is in many ways realistic fiction, and, even at its most grotesque and haunting, is closely linked to the realities of southern life.

In America, and in the American South especially, the great fears, taboos, and boundaries often concern race. Even in stories where black people are not present, as in Poe’s “The Fall of the House of Usher” and “The System of Professor Tarr and Dr. Fether,” slavery hangs in the background as a ghostly metaphor. Our background readings place the fiction in the context of the South and the Caribbean: the revolution in Haiti, Nat Turner’s rebellion, the realities of slavery and the myths spun by its apologists, the aftermath of the Civil War, and the brutalities of Jim Crow laws.

The gothic is a dark mirror of the fears and taboos of a culture. This collection brings together a dozen chilling tales of the nineteenth-century American South with non-fiction texts that illuminate them and ground them in their historical context. The tales are from writers with enduring, world-wide reputations (Edgar Allan Poe), and others whose work will be unknown to most readers. Indeed, one of the stories has not been reprinted for nearly a hundred years, and little is known about its author, E. Levi Brown.

Similarly, the historical selections are from a range of authors, some canonical, others not, ranging from Thomas Jefferson and the great historian and sociologist W. E. B. DuBois to the relatively obscure Leona Sansay.  Some of these readings are themselves as disturbingly gothic as any of the tales. Indeed, the boundaries between fiction and non-fiction are tenuous in the gothic South. It is our contention that southern gothic fiction is in many ways realistic fiction, and, even at its most grotesque and haunting, is closely linked to the realities of southern life.

In America, and in the American South especially, the great fears, taboos, and boundaries often concern race. Even in stories where black people are not present, as in Poe’s “The Fall of the House of Usher” and “The System of Professor Tarr and Dr. Fether,” slavery hangs in the background as a ghostly metaphor. Our background readings place the fiction in the context of the South and the Caribbean: the revolution in Haiti, Nat Turner’s rebellion, the realities of slavery and the myths spun by its apologists, the aftermath of the Civil War, and the brutalities of Jim Crow laws.

“No Size Fits All” is a book that will break the public policy deadlock over federal education standards in the United States. American debates about education policy are focused at the moment on two big policy disputes.

The first big dispute concerns the Common Core testing standards, which force American students into a dreary routine that makes millions of children hate school for no good reason. The second big dispute concerns the proposal of Education Secretary Betsy De Vos to siphon federal public school funding into “vouchers” that parents could use to send their children to private schools. Critics complain that this proposal is inherently a threat to the hard-won right to a tuition-free public education at the elementary and secondary levels.

The politics of federal education policy has devolved into an all-or-nothing fight between defenders of a status quo that its critics condemn as oppressive and proponents of a school choice reform that its critics condemn as subversive. “No Size Fits All” interrupts this all-or-nothing argument with a humane and sensible alternative––one that could lay the groundwork for broad new consensus on federal education policy.

“No Size Fits All” is a book that will break the public policy deadlock over federal education standards in the United States. American debates about education policy are focused at the moment on two big policy disputes.

The first big dispute concerns the Common Core testing standards, which force American students into a dreary routine that makes millions of children hate school for no good reason. The second big dispute concerns the proposal of Education Secretary Betsy De Vos to siphon federal public school funding into “vouchers” that parents could use to send their children to private schools. Critics complain that this proposal is inherently a threat to the hard-won right to a tuition-free public education at the elementary and secondary levels.

The politics of federal education policy has devolved into an all-or-nothing fight between defenders of a status quo that its critics condemn as oppressive and proponents of a school choice reform that its critics condemn as subversive. “No Size Fits All” interrupts this all-or-nothing argument with a humane and sensible alternative––one that could lay the groundwork for broad new consensus on federal education policy.

Unfolds the relevance of non-violence that is not only limited to the peaceful co-existence of humankind but also signifies the role played by non-violence to build a fundamental interconnectedness between humans and nature

Violence impregnates human life in many ways. We do violence to individuals or groups. We do violence to plants and animals. We do violence to the planet Earth. However, Nature will not survive our arrogance and patterns of exploiting and destroying the biosphere if we do not break the cycle of violence. As such, any moral effort to stop barbaric consumerism and chaotic nihilism is simultaneously the possibility of making life and biodiversity flourish on Earth. The moral imperative is thus also an ecological imperative. Therefore, the question is: how can we talk about non-violence in the current ecological crisis? Put differently, we can also ask: how can non-violence be brought to our ecological concerns? Martin Luther King, Jr. once said, ‘Injustice anywhere is a threat to justice everywhere’. The notion of injustice becomes all the more crucial when applied to excluding animals and plants from the history of our planet. This eco-moral crisis must become more public as the ecological trajectory of the Earth foreshadows a very troublesome future.
Non-violence and Ecological Imperative is a contribution to the relevance and potential of the philosophy of non-violence in showing clearly that our viable ecological future depends on attitudes and strategies that are rooted in the Gandhian moment of civilising humanity as an antidote to the violent modern techno-industrial way of life. The interdependence and cooperation between humans and nature are inevitable. Non-exploitative and non-violent prerequisites of Gandhian ideology entail that interdependence and cooperation must be based on altruistic values and not on self-interest and materialistic values. This signifies immeasurable love not only among humans but also with nature. Thus, absolute love substitutes greed. Non-possession from an absolute love revolutionises the socio-ecological paradigm of human civilisation. Various ecological scientists and economists have asserted the need for revisiting the harmony between human activities and nature.
Stern et.al (1998) concluded that economic growth would never result in improvement in environmental quality. Arrow et.al (1995) concluded that economic growth is not a panacea for environmental quality. Meadows et al. (1972) in his book The Limits to Growth claimed that environmental limits would cause the collapse of the world economic system. Against this backdrop, Gandhi advocated the process of recycling and minimising waste so that humans adopt a lifestyle that integrates with the ecosystem. Humans must dwell in a life that converges with the law of nature and maintains ecological harmony. This notion of continuity of life is inspired by the Gandhian philosophy of non-violence and absolute love. The moment there is a break in continuity, it results in violence leading to unrest or conflict, dismantling the process of continuity.

Develops a new ethical framework for understanding nonviolence through Dostoevsky’s “Legend of the Grand Inquisitor,” bridging literature, philosophy, and activism with insights from thinkers like Gandhi, Žižek, and Judith Butler

In recent years, several high-profile academic outputs related to theory and ethics of nonviolence have emerged. This book adds to theoretical literature on nonviolence through developing a new framework based on concepts drawn from Dostoevsky’s “Legend of the Grand Inquisitor” (LGI) which was originally articulated in the novel The Brothers Karamazov (1880). In doing so, this book accounts for a previously undetected ethical dimension of nonviolence. It repositions Dostoevsky as a vital contributor to theory on nonviolence and uncovers a philosophical stance that defines violence not through political revolution, but by spiritual resistance and self-reproach. This book accounts for principal findings that have been identified in empirical scholarship on nonviolence, and while doing so, it engages with classical political theorists and scholars on nonviolence, including Tolstoy, Gandhi, and Gene Sharp along with contemporary works including Žižek, Atack, Christoyannopoulos, and Butler.This book contributes a new framework to assess the ethical motivations behind nonviolence and its empirical efficacy based on concepts drawn from Dostoevsky’s parable. The analysis of LGI offers an innovative explanation of the historical role of nonviolence and presents new implications for interpreting the efficacy of nonviolence in the contemporary world. Scholars have described the Grand Inquisitor as being representative of an evolution toward a totalitarian state, and it has even been acknowledged that the Grand Inquisitor was an inspiration for several key dystopian works that came afterwards such as Zamiatin’s We (1921), Huxley’s Brave New World (1932), and Orwell’s Nineteen Eighty-Four (1949). Yet with great scholarly and literary emphasis having been placed on the authoritarian symbols of this parable, the LGI contains an under-studied component of nonviolence which, to date, is yet to be identified and theorized.

This collection of essays delves into the central human problem of interpersonal violence, proposing nonviolence as a powerful antidote. Drawing from the author’s personal experiences, philosophical reflections, and scholarly work over the past two decades, the book offers a multifaceted exploration of nonviolence through ethical, spiritual, and practical lenses. Beginning with the author’s early pacifism shaped by the violence of the 1980s and the post-9/11 world, the essays provide insights into the complexities of practicing nonviolence in a violent society.

The book examines various aspects of nonviolence, including the ethical foundations rooted in love and morality, the influence of spirituality and disciplined practice on peacemaking, and the practical challenges of nonviolent parenting. It engages with critical theories of violence, critiques deterministic views of human aggression, and explores the role of somaesthetics and body consciousness in cultivating a nonviolent ethos. The essays also tackle the philosophical underpinnings of political nonviolence, from pacifism and nonresistance to pragmatic approaches that challenge traditional definitions of success in conflict.

Through an interdisciplinary approach, the book weaves together historical analysis, philosophical discourse, and personal narrative to present nonviolence as more than an ideal but as a practical guide for living. It highlights the importance of virtues such as kindness, empathy, and respect, drawing on the works of influential figures such as Gandhi, King, and Nhat Hanh. Ultimately, this collection seeks to inspire readers to consider nonviolence not merely as an ethical stance but as a transformative way of being in the world, offering hope for a less violent future.

Irish author (Eleanor) Norah Hoult (1898–1984) traveled in prominent literary circles and corresponded actively with some of the leading Irish authors of her time, including Brigid Brophy, Sean O’Casey, and Sean O’Faolain. Critics today compare her not only to O’Faolain and Frank O’Connor, but also to novelists Kate O’Brien and Edna O’Brien. Despite her reputation and a forty-four year publishing career, however, Hoult and her work remain surprisingly neglected.

This edition rectifies this critical oversight and introduces Hoult’s short story collection, 'Poor Women!', to a new generation of readers. 'Poor Women!' displays Hoult’s subtlety and humor as an author and her nature as a keen witness to human frailty. In these stories, Hoult unflaggingly highlights the restrictions imposed on her characters by society and its institutions: she thus provides a window into the social, literary and political milieu from which she hails.

Largely cited for its engagement with women’s and religious issues, 'Poor Women!' thus also displays a keen awareness of wider historical issues like the challenges of war and of cultural identity construction. Her incisive portraits capture the emotional paralysis of her characters and their self-delusions. Such thematic and stylistic emphases invite further comparison to better-known contemporary Irish literary giants like James Joyce and Mary Lavin.

Irish author (Eleanor) Norah Hoult (1898–1984) traveled in prominent literary circles and corresponded actively with some of the leading Irish authors of her time, including Brigid Brophy, Sean O’Casey, and Sean O’Faolain. Critics today compare her not only to O’Faolain and Frank O’Connor, but also to novelists Kate O’Brien and Edna O’Brien. Despite her reputation and a forty-four year publishing career, however, Hoult and her work remain surprisingly neglected.

This edition rectifies this critical oversight and introduces Hoult’s short story collection, 'Poor Women!', to a new generation of readers. 'Poor Women!' displays Hoult’s subtlety and humor as an author and her nature as a keen witness to human frailty. In these stories, Hoult unflaggingly highlights the restrictions imposed on her characters by society and its institutions: she thus provides a window into the social, literary and political milieu from which she hails.

Largely cited for its engagement with women’s and religious issues, 'Poor Women!' thus also displays a keen awareness of wider historical issues like the challenges of war and of cultural identity construction. Her incisive portraits capture the emotional paralysis of her characters and their self-delusions. Such thematic and stylistic emphases invite further comparison to better-known contemporary Irish literary giants like James Joyce and Mary Lavin.

In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain’s northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of ‘Otherness’. Nordic texts—chiefly based on the Edda and the supernatural Scandinavian ballad tradition—were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.

A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors’ undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. 

Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis’ The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

This is a collection of essays on Wittgenstein and Wittgensteinian themes that appeared between 1996 and 2019. It is divided into three parts, with a common trajectory laid out in a substantial introduction. The first part links meaning, necessity and normativity. It defends and modifies Wittgenstein’s claim that the idea of a ‘grammatical rule’ holds the key to understanding linguistic meaning and its connection to necessary propositions. The second part elucidates the connections between meaning, concepts and thought in Wittgenstein and beyond. It shows how he laid the grounds for a sound understanding of four contested issues—radical interpretation, concepts, nonsense and the scope and limits of animal thought. The third part provides a qualified defence of Wittgenstein’s influential yet extremely controversial idea that philosophical problems are conceptual, and thereby rooted in confusions concerning the meanings of and semantic relations between linguistic expressions. Against irrationalist interpretations, Glock demonstrates that Wittgenstein’s method is argumentative rather than therapeutic.

The essays reconstruct Wittgenstein’s writings in a way that identifies the often cryptic problems and arguments in his work. This sets them apart from a currently popular trend of therapeutic interpretations, as in the ‘New Wittgenstein’ school. By contrast to other critics of such interpretations, Glock acknowledges that they are to a limited extent warranted by some aspects of Wittgenstein’s work, e.g. concerning the notion of nonsense or what he calls ‘the myth of mere method’. At the same time the essays convincingly criticize these aspects and show that they are not presupposed by the more important lessons that Wittgenstein still has to teach. 

The collection brings out the abiding relevance of Wittgenstein’s reflections to contemporary debates on central themes such as the importance of normativity, the foundations of meaning and necessity, the nature of concepts, the possibility of animal thought and the proper method of philosophy. 

Defining what one means by the notion of ‘otherness’ is no mean feat. Typing the word into JSTOR results in no fewer than 39,000 citations. One can be overwhelmed with notions of what constitutes ‘otherness’.

To a great extent, the essays in ‘Notions of Otherness’ approach specific texts (e.g., Sarraute’s ‘Tropisms’) and philosophies (e.g., Lawrence’s ‘Ranamin’) as reflective of Simmel’s notion of the Stranger whose membership within the group, described in the Spring 2010 issue of ‘Social Research’, involves both being outside it and confronting it.

The entirety of the literary texts that have been written about (Cahan, Woolf, Schulz, Lawrence, Ionesco, Duras, Wittig and Maraini) have been addressed from the perspective of being ‘outside the group’ and ‘confronting’ the group both from a sociological perspective and an aesthetic one. Challenging male authority is one example of being outside the group; challenging traditional notions of writing fiction is another aspect of being outside the group; challenging one’s own loss of culture or being forced to do so is being outside the group and advocating a fascist form of living within a democracy is yet another aspect of being outside the group. Each of these texts challenges ‘codes of otherness’ and by so doing manifest notions of otherness in a distinctly unique manner.

Over the past decade, the impending environmental crisis has given birth to an international consensus on the need to address climate change, accompanied by a renewed interest in carbon emissions, energy consumption and energy production. Many Western countries are now set to transition towards a low-carbon economic structure. Energy choices have become, now and more than ever, highly critical questions due to their fundamentally political, strategic, geopolitical, economic, social and cultural impacts.

Since the mid-2000s, the British government has been actively involved in reforming the country’s energy strategy by encouraging the development of renewables and promoting the revival of the national nuclear industry, which had laid almost dormant until then. Seeing the UK government take back control of its energy strategy represented a rather bold and surprising political move, given the neoliberal dynamics which had spread in the energy sector during the privatisation era of the 1980s and1990s. There are currently about seventy reactors under construction in the world; yet, the British programme is the only one building nuclear reactors (Hinkley Point C) in a liberalised energy market. Consequently, many doubts were raised on the ability of the government to reshape the country’s energy mix through the revival of nuclear power, an industry historically blighted by financial difficulties and its controversial legacy. 

Nuclear Power Policies in Britain analyses the UK state’s capacity to shape energy decision-making using a diverse toolbox of political instruments ranging from legislative, regulatory and communication levers to financial incentives. This case study determines how the current UK public policy on nuclear energy has been debated, legitimised, negotiated and implemented within the constraints of a neoliberal environment. By taking a holistic approach to the nuclear venture, it offers valuable insight on the British approach to energy policy-making and contributes to redefining the country’s ‘technopolitical regime’ in this day and age.

The idea of occupational devotion, or devotee work, was conceptualized and incorporated in the serious leisure perspective as one of the two serious pursuits. The other pursuit is serious leisure itself, with both forms being anchored in activities that are immensely appealing and fulfilling. Despite such desirable qualities the serious pursuits constitute a minority of all work and leisure, these two domains being dominated by disagreeable work and hedonic casual leisure activities. 

The devotee occupations serve as full-time or part-time livelihoods for people fortunate enough to have found them. Such work has so far been observed to exist in four sectors of the economy: the liberal professions, consulting occupations, craft-like trades, and creativity-based small businesses. In ways to be set out in the coming chapters, devotee work roots in serious leisure, and many participants in the latter have no desire to pursue the former. Moreover, some of those who do “quite their day job” to try to make a living at their leisure passion fail to achieve this dream and are forced to return to pure amateur, hobbyist, or career volunteer status. That is, these aspirants fail to make enough money to live as they need to, whether at a level of poverty or near-poverty (eg, the starving artist), passable living, or comfortable living. 

Neither type of serious pursuit offers an unalloyed life of positiveness. Nevertheless, both are hugely attractive, even while the enthusiasts invariably face some costs and unpleasant requirements that weigh against the powerful rewards. So it is that, unlike casual leisure, perseverance and effort number among the defining qualities of the serious pursuits.

Advanced study in the humanities and social sciences discloses a deep ambivalence about Theory. Structurally, of course, the professionalization of young academics is approaching extinction. There are fewer and fewer secure jobs in academia, and thus fewer and fewer students embarking upon advanced study, and, in turn, fewer and fewer programs educating these students. What is offered the remaining students is instructive. Notably, students are expected by their future colleagues to be familiar with, maybe even conversant in Theory, but the structural logic of austerity prompts educators to wonder whether instruction in Theory is an efficient use of dwindling resources, especially now that academic publishing (with important exceptions) behaves as though this future, like the “last” wormhole, is collapsing. Given the Faustian articulation of publishing and promotion can advanced study in the humanities and social sciences even be justified today? Paradoxically, students are still expected to know what is less and less on offer. How is Theory to be “handled” (fingered, worked with, fashioned) under such circumstances?

A reading of Theory that in tracing when and where Theory arises in the event of reading proposes how Theory might best be handled in the context of higher education today. Arguing against those who propose to avoid Theory in the name of its putative obsolescence, this text sets out to challenge two aspects of this avoidance. On the one hand, Theory has been set aside in the name of identity politics, that is, the proposition that its intellectual pertinence has been overshadowed by a sense of political urgency construed as at odds with Theory. Theory itself has assumed an identity, a profile. On the other hand, implicit within the avoidance of Theory is a concept of “context” that calls for reflection. Resisting the tendency to treat context as either negligible or obvious, this text sets out to trace, in the when and where of Theory, the rudiments of a “sociographic” (think “historiographic”) account of context. In relation to it, the reading that is Theory can be usefully situated as part of a politics of higher education in the era of the global crisis of the university.

This argument is advanced through a series of readings that produce eccentric, sociographic accounts of important (some quite unusual) texts or performances of Theory. As such they enact an attention to reading that is advanced as an instance of “offering” as called for in the title.

Advanced study in the humanities and social sciences discloses a deep ambivalence about Theory. Structurally, of course, the professionalization of young academics is approaching extinction. There are fewer and fewer secure jobs in academia, and thus fewer and fewer students embarking upon advanced study, and, in turn, fewer and fewer programs educating these students. What is offered the remaining students is instructive. Notably, students are expected by their future colleagues to be familiar with, maybe even conversant in Theory, but the structural logic of austerity prompts educators to wonder whether instruction in Theory is an efficient use of dwindling resources, especially now that academic publishing (with important exceptions) behaves as though this future, like the “last” wormhole, is collapsing. Given the Faustian articulation of publishing and promotion can advanced study in the humanities and social sciences even be justified today? Paradoxically, students are still expected to know what is less and less on offer. How is Theory to be “handled” (fingered, worked with, fashioned) under such circumstances?

A reading of Theory that in tracing when and where Theory arises in the event of reading proposes how Theory might best be handled in the context of higher education today. Arguing against those who propose to avoid Theory in the name of its putative obsolescence, this text sets out to challenge two aspects of this avoidance. On the one hand, Theory has been set aside in the name of identity politics, that is, the proposition that its intellectual pertinence has been overshadowed by a sense of political urgency construed as at odds with Theory. Theory itself has assumed an identity, a profile. On the other hand, implicit within the avoidance of Theory is a concept of “context” that calls for reflection. Resisting the tendency to treat context as either negligible or obvious, this text sets out to trace, in the when and where of Theory, the rudiments of a “sociographic” (think “historiographic”) account of context. In relation to it, the reading that is Theory can be usefully situated as part of a politics of higher education in the era of the global crisis of the university.

This argument is advanced through a series of readings that produce eccentric, sociographic accounts of important (some quite unusual) texts or performances of Theory. As such they enact an attention to reading that is advanced as an instance of “offering” as called for in the title.

“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett.

More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.

The contributors include the names of most of the minds of the twentieth century who have grappled in print with the meaning of the Beckett phenomenon. Among them are many of the artists who had a major role in bringing Beckett’s work to the stage and who worked side-by-side with Beckett, such as Alan Schneider, Roger Blin, Herbert Blau and Jackie MacGowran. Also included are some of the foremost writers of our time, whose encounter with the work of Beckett has produced lasting commentary, such as Georges Bataille, Maurice Blanchot and Martin Esslin. Among the noted Beckett scholars found here are Ruby Cohn, Walter D. Asmus, and James Knowlson. An interview with Susan Sontag and William S. Burroughs completes the book.

“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett.

More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.

The contributors include the names of most of the minds of the twentieth century who have grappled in print with the meaning of the Beckett phenomenon. Among them are many of the artists who had a major role in bringing Beckett’s work to the stage and who worked side-by-side with Beckett, such as Alan Schneider, Roger Blin, Herbert Blau and Jackie MacGowran. Also included are some of the foremost writers of our time, whose encounter with the work of Beckett has produced lasting commentary, such as Georges Bataille, Maurice Blanchot and Martin Esslin. Among the noted Beckett scholars found here are Ruby Cohn, Walter D. Asmus, and James Knowlson. An interview with Susan Sontag and William S. Burroughs completes the book.

Against the backdrop of today’s renewed uncertainty over the present economic system, this timely volume presents Martin Luther’s contribution to the modern economic sciences, providing a detailed introduction and revised translation of his major pamphlet on economic matters, ‘On Commerce and Usury’ (‘Von Kauffshandlung vnd Wucher’, 1524). In his teachings on indulgences Luther picked up on the question of hoarding money, and was among the earliest voices in early modern Europe calling for an ‘ethical’ economics. Luther’s work prefigured many later contributions to modern economic theory, from the mercantilists and cameralists to the German Historical School.

Luther was, apparently, quite near to what the British economist J. M. Keynes developed as a ‘general theory’ in 1936, relating the power of spendthrift and a pro-active state which made people consume and invest in the economy. And Luther was always very clear about the basic fact that – in order for the economy to work well and society to flourish – markets need rules. Luther’s prescience and enduring relevance are brought to the fore in Philipp Robinson Rössner’s authoritative introduction and notes.

Violence exploding in public spaces, corruption by political figures and economic elites, the will of the people thwarted in both elections and votes in the senate, military misadventures abroad, and rampant economic inequality at home diminishing a shared sense of the common good – in sum, a republic in disarray. These descriptions are not only familiar from ancient Roman political and social life but are also recognizable to any United States citizen who follows the news and American civic life. On the Republic proceeds chronologically through the fall of the Roman Republic beginning in 133 BCE and continuing down to around 14 CE, providing a continuous narrative of the fall of the Roman Republic juxtaposed with the contemporary political landscape of the United States.

On the Republic focuses on four constellations of lessons that represent the most significant things which the fall of the Roman Republic has to teach us at this time: the dangers of political violence, the inability of individuals and institutions to save us, the finality of the loss of freedom, and lastly the importance of civic virtue. In 20 short chapters, On the Republic explores how the United States now faces many of the same challenges that toppled the Roman Republic - political divisions, economic inequality, and creeping authoritarianism. How we respond to these challenges today will determine the future of American democracy.

On the Republic is not a book about the fall of ancient Rome to so-called barbarians overrunning the border. It addresses the fall of a democratic society (the Roman Republic) into an autocracy (the Roman empire). This is not a book about sexual debauchery and gluttony, but a serious reading of political events that had serious consequences. On the Republic offers modern readers lessons that, while sobering, can also empower them to participate in political life in new ways. History is a means not to predict the future, but rather to stir the civic imagination of its readers.

Violence exploding in public spaces, corruption by political figures and economic elites, the will of the people thwarted in both elections and votes in the senate, military misadventures abroad, and rampant economic inequality at home diminishing a shared sense of the common good – in sum, a republic in disarray. These descriptions are not only familiar from ancient Roman political and social life but are also recognizable to any United States citizen who follows the news and American civic life. On the Republic proceeds chronologically through the fall of the Roman Republic beginning in 133 BCE and continuing down to around 14 CE, providing a continuous narrative of the fall of the Roman Republic juxtaposed with the contemporary political landscape of the United States.

On the Republic focuses on four constellations of lessons that represent the most significant things which the fall of the Roman Republic has to teach us at this time: the dangers of political violence, the inability of individuals and institutions to save us, the finality of the loss of freedom, and lastly the importance of civic virtue. In 20 short chapters, On the Republic explores how the United States now faces many of the same challenges that toppled the Roman Republic - political divisions, economic inequality, and creeping authoritarianism. How we respond to these challenges today will determine the future of American democracy.

On the Republic is not a book about the fall of ancient Rome to so-called barbarians overrunning the border. It addresses the fall of a democratic society (the Roman Republic) into an autocracy (the Roman empire). This is not a book about sexual debauchery and gluttony, but a serious reading of political events that had serious consequences. On the Republic offers modern readers lessons that, while sobering, can also empower them to participate in political life in new ways. History is a means not to predict the future, but rather to stir the civic imagination of its readers.

In this selection of essays written for a variety of publications and platforms throughout the 1990s (essays, program notes, conferences), Nicole Brenez sets out and applies the tenets of what she dubs the “figurative analysis” of cinema. As the title suggests, her two main interests could broadly be summarized as the “figure” (in general) and the “body” (in particular). An actor performing on screen is, of course, a body, but Brenez goes beyond psychological or purely dramatic considerations, studying how formal elements such as framing, lighting, and editing determine what a body is and an audience’s perception of it as well as how cinematic devices can be used to create new bodies – as in the science fiction films of the 1990s that posit hybrid, post-human forms. At the same time, a body can also be a collective of individuals or even themes and motifs brought together via cinematic means.
The term “figure” also has a broad and rich meaning in Brenez’s work, informing concepts such as “figural analysis,” “figural economy,” “figurative invention,” or pure “figuration.” While glimpses of these concepts have appeared in scattered translations over the years, this collection represents the first comprehensive and expansive selection of her writings on cinema in English.
Brenez is interested in the myriad of shapes that figures take in film: shadows, silhouettes, and contours, but also themes and motifs, and how these are visually and aurally manifested. She is especially interested in the ways in which an individual film produces these figures or figurative constellations. Laying out a methodology in the book’s introduction (a letter to John Ford biographer Tag Gallagher), Brenez goes on to analyze and interpret the myriad of figures found in movies by filmmakers ranging from John Woo to Paul Sharits as well as classics by Orson Welles and Sergei Eisenstein. At once rigorous and open, the originality of the films Brenez studies and her very stimulating intuitions and connections, has produced one of the major studies of cinema of the late 20th century.

In this selection of essays written for a variety of publications and platforms throughout the 1990s (essays, program notes, conferences), Nicole Brenez sets out and applies the tenets of what she dubs the “figurative analysis” of cinema. As the title suggests, her two main interests could broadly be summarized as the “figure” (in general) and the “body” (in particular). An actor performing on screen is, of course, a body, but Brenez goes beyond psychological or purely dramatic considerations, studying how formal elements such as framing, lighting, and editing determine what a body is and an audience’s perception of it as well as how cinematic devices can be used to create new bodies – as in the science fiction films of the 1990s that posit hybrid, post-human forms. At the same time, a body can also be a collective of individuals or even themes and motifs brought together via cinematic means.
The term “figure” also has a broad and rich meaning in Brenez’s work, informing concepts such as “figural analysis,” “figural economy,” “figurative invention,” or pure “figuration.” While glimpses of these concepts have appeared in scattered translations over the years, this collection represents the first comprehensive and expansive selection of her writings on cinema in English.
Brenez is interested in the myriad of shapes that figures take in film: shadows, silhouettes, and contours, but also themes and motifs, and how these are visually and aurally manifested. She is especially interested in the ways in which an individual film produces these figures or figurative constellations. Laying out a methodology in the book’s introduction (a letter to John Ford biographer Tag Gallagher), Brenez goes on to analyze and interpret the myriad of figures found in movies by filmmakers ranging from John Woo to Paul Sharits as well as classics by Orson Welles and Sergei Eisenstein. At once rigorous and open, the originality of the films Brenez studies and her very stimulating intuitions and connections, has produced one of the major studies of cinema of the late 20th century.

The highest art of operational leadership is that of making timely and sound decisions. The act of exercising command consists of making decisions and ordering their execution.

This collection of essays incorporates the insight of an international group of experts to explore the impact of neoliberal ideology upon political, social and economic domains, as well as institutions such as the prison, healthcare and education systems and the voluntary sector. Examining the effects of the emergence of late-modern capitalism in the 1970s, the articles look at how the reaction against post-war Keynesian ideology manifested itself in each of these areas. This neoliberal resurgence has been characterised by competition and free markets, individual and family responsibility, and socioeconomic policies that engender social insecurity, resulting in economic freedom for the few and a strong law-and-order state for those at the bottom of the social hierarchy. Abandoning the all-encompassing, supportive attitude deemed necessary in the immediate aftermath of wartime instability, the neoliberal emphasis on individual responsibility has resulted in numerous social and moral dislocations, including harsher attitudes toward crime and punishment. The essays included in ‘Organising Neoliberalism: Markets, Privatisation and Justice’ explore how neoliberal ideology permeates nearly all aspects of modern life, and produce strong arguments for resistance against it.

This collection of essays incorporates the insight of an international group of experts to explore the impact of neoliberal ideology upon political, social and economic domains, as well as institutions such as the prison, healthcare and education systems and the voluntary sector. Examining the effects of the emergence of late-modern capitalism in the 1970s, the articles look at how the reaction against post-war Keynesian ideology manifested itself in each of these areas. This neoliberal resurgence has been characterised by competition and free markets, individual and family responsibility, and socioeconomic policies that engender social insecurity, resulting in economic freedom for the few and a strong law-and-order state for those at the bottom of the social hierarchy. Abandoning the all-encompassing, supportive attitude deemed necessary in the immediate aftermath of wartime instability, the neoliberal emphasis on individual responsibility has resulted in numerous social and moral dislocations, including harsher attitudes toward crime and punishment. The essays included in ‘Organising Neoliberalism: Markets, Privatisation and Justice’ explore how neoliberal ideology permeates nearly all aspects of modern life, and produce strong arguments for resistance against it.

Ahmedi’s History of the Kings of the Ottoman Lineage and Their Holy Raid(s) against the Infidels is the foundation text for the study of the rise of the Ottoman State. Virtually every scholarly work dealing with the subject refers to his versified account of the early Ottomans. Even though it encompasses only a limited period of the Ottoman dynastic history, its importance derives from the fact that it is the oldest annalistic account of Ottoman history that has come down to us. Because the earliest Ottomans left no accounts of themselves, Ahmedi’s work became the key source—though almost always without a proper reading of the text—for subsequent theories regarding the social and political structure of the early Ottoman State.

The overwhelming religiosity found in Ahmedi’s poem on the Ottomans continues to stir debate among historians. However, his fourteenth-century representation of the ways Ottomans adapted Islam to conform with beliefs of their past reflected a specifically Turkish interpretation of Islam. We can follow that approach in the actions and writings of leaders and poets of succeeding generations of Ottomans all the way to the eighteenth century—that approach was framed by a medieval inheritance whose discursive characteristics continued for centuries. Ahmedi was a discourse-founder and his aim was to represent the Ottoman rulers as pious Muslims.

An understanding of Ahmedi’s representation of the role of Islam among the early Ottomans requires careful contemplation not only by putting the discursive characteristics of his predominantly religious text under a literary and philological microscope but also by making an attempt to place his representation within the much larger context of the making of Turkish Islam in Anatolia. Also, in the writing of histories during the Middle Ages, it was neither unusual nor abnormal to integrate religious concepts as “historical facts.” The medieval author always endeavored to find a creative way of amalgamating the two through the numerous literary devices that were available to him. Theories on the nature and identity of Ahmedi’s text, as well as on the launching of the Ottoman enterprise, surely will continue to evolve in the coming decades—especially when the ongoing Karacahisar excavations in Eskişehir provide us with the archeological record to reconstruct more thoroughly the Ottoman past. Regardless, what we find in the earliest history of the Ottoman State is a pious representation of its founders and a fictional glorification of the jihad as its ideology which continued in subsequent centuries.

This book tackles, for the first time, the complex issues surrounding the phenomenon of orphanage tourism, which is a growing and highly lucrative tourism niche in Nepal and several other economically developing countries. The book explores the occurrence of orphanage tourism in Nepal – how it is experienced, understood, sustained, opposed and, crucially, how it shapes the lives of the children involved. Rather than exploring the motives of tourists who engage in volunteering in orphanages while on holiday as so much extant literature does, the book examines the factors that contribute to the emergence of commercial orphanages and the experiences of the children involved. A central concern is to illustrate the inadequate ways in which orphanage tourism is understood, framed and politicised, especially in terms of who is blamed for its prevalence and how various Western entities position themselves as agents of rescue. By examining Nepal’s socioeconomic and geopolitical landscape, as well as the role of Western international development and structural adjustment and the impacts of tourism, the book presents a deeper and more complete picture of the emergence of orphanage tourism and other forms of child labour.
Furthermore, by examining the everyday realities of life in Nepal, especially for children and young adults who grew up in contact with Western volunteers in commercial orphanages, the simplistic depiction of orphans as victims, who need saving from villains by heroes, is dismantled. The book is especially focused on showing how the historical and everyday realities of life for children compelled to work are all too often ignored, obscured and distorted in the interventionist discourse that is beginning to surround orphanage tourism. I will argue that common orphan tropes, imbued with desperation and vulnerability, are circulated, in no small way, towards predominantly fulfilling the agendas of various Western parties.

In this highly readable book, Doyle McCarthy covers some of the main ways that emotions have become important in our global societies. She explains that emotional culture is important for understanding today’s world, its markets, its politics and its mass media. To live today is to be emotionally intelligent in our relations and in our workplaces. In the modern age, global capitalism and mass media have shaped our emotions and made us more emotional. Public life has become a place where we search out emotional happenings: at shopping malls, concerts, sports events, memorials to death and disaster and in the pursuit of sports.

In this highly readable book, Doyle McCarthy covers some of the main ways that emotions have become important in our global societies. She explains that emotional culture is important for understanding today’s world, its markets, its politics and its mass media. To live today is to be emotionally intelligent in our relations and in our workplaces. In the modern age, global capitalism and mass media have shaped our emotions and made us more emotional. Public life has become a place where we search out emotional happenings: at shopping malls, concerts, sports events, memorials to death and disaster and in the pursuit of sports.

This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism.

The book also presents a more general argument related to the importance of understanding folk and popular mythologies in historical contexts. Outlaw heroes have a strong purchase in high and popular culture, appearing in film, books, plays, music, drama, art, even ballet. To simply ignore and discard such powerful expressions without understanding their origins, persistence and especially their ongoing cultural consequences, is to refuse the opportunity to comprehend some profoundly important aspects of human behaviour. These issues are pursued through discussion of the processes through which real and mythical outlaw heroes are romanticised, sentimentalised, sanitised, commodified and mythologised. The result is a new position in the continuing controversy over the existence the ‘social bandit’ that highlights the central role of mythology in the creation and perpetuation of outlaw heroes.

The essays in this volume demonstrate how the Rossettis – from the celebrated Dante Gabriel and Christina to the comparatively neglected Maria and William – drew upon a shared cultural experience, and describe how each contributed to the intellectual debates of the age and played a substantial role in their various fields. Bringing together significant contributions from some of the most renowned experts on the Rossettis, 'Outsiders Looking In' provides important new perspectives on this talented family and their brilliant legacy.

The essays in this volume demonstrate how the Rossettis – from the celebrated Dante Gabriel and Christina to the comparatively neglected Maria and William – drew upon a shared cultural experience, and describe how each contributed to the intellectual debates of the age and played a substantial role in their various fields. Bringing together significant contributions from some of the most renowned experts on the Rossettis, 'Outsiders Looking In' provides important new perspectives on this talented family and their brilliant legacy.

Inspired by Max Weber’s thesis on the Protestant ethic, ‘Overseas Chinese Christian Entrepreneurs in Modern China’ sets out to understand the role and influence of Christianity on Overseas Chinese businesspeople working in contemporary China. Through its in-depth interviews and participant observations (involving 60 Overseas Chinese entrepreneurs from Hong Kong, Taiwan, Southeast Asia and the United States), the text discusses how Christianity has come to fulfill an increasingly visible and dynamic function in the country, most notably as a new source of business morality.

Recognizing that China’s economic transition toward a market-oriented economy was not initiated by Christians (or indeed any other religious group), this volume demonstrates the importance of exploring the impact of religious ethics on economics at micro and organizational levels, via the subjective understandings of individuals and small businesses. Significant but often neglected facets of Weber’s thesis arise as a result. Of key importance is the issue of gender differences within the Christian ethos – a crucial aspect of the Protestant ethic that has yet to be systematically studied, but which offers great potential to enhance our understanding of Weber’s work. As a result, the text’s novel application of Weberian sociology to the context of contemporary China can be seen to offer a double return, elucidating both the theory and its subject.

Inspired by Max Weber’s thesis on the Protestant ethic, ‘Overseas Chinese Christian Entrepreneurs in Modern China’ sets out to understand the role and influence of Christianity on Overseas Chinese businesspeople working in contemporary China. Through its in-depth interviews and participant observations (involving 60 Overseas Chinese entrepreneurs from Hong Kong, Taiwan, Southeast Asia and the United States), the text discusses how Christianity has come to fulfill an increasingly visible and dynamic function in the country, most notably as a new source of business morality.

Recognizing that China’s economic transition toward a market-oriented economy was not initiated by Christians (or indeed any other religious group), this volume demonstrates the importance of exploring the impact of religious ethics on economics at micro and organizational levels, via the subjective understandings of individuals and small businesses. Significant but often neglected facets of Weber’s thesis arise as a result. Of key importance is the issue of gender differences within the Christian ethos – a crucial aspect of the Protestant ethic that has yet to be systematically studied, but which offers great potential to enhance our understanding of Weber’s work. As a result, the text’s novel application of Weberian sociology to the context of contemporary China can be seen to offer a double return, elucidating both the theory and its subject.

'P. S. O'Hegarty (1879-1955)' provides a well-researched and engaging biography of a major figure within Irish nationalist politics. Standing at the epicentre of Ireland's revolution, this ardent separatist provided much original thinking on the central concerns of his day. Using O’Hegarty's fertile mind and prodigious literary works as a guide, this book explores the far-reaching political and cultural issues of early 20th century Ireland, such as what is meant by 'nation' and national identity, cultural and political tolerance, Republican Liberalism, and the nature (as well as the clash) of religion and the state. Of these and other important subjects still relevant today, O'Hegarty was a prolific writer and essayist, notably championing liberal and progressive ideas far ahead of his separatist contemporaries. Spanning Ireland’s cultural and political revolution in the early 20th century, his career offers interesting insights into this crucial period, as well as the social and political clime of the Free State.  His writings cast a keen and often iconoclastic eye on the developing Irish nation he helped create both as a noted Civil Servant and a social and literary critic.

Given that O’Hegarty is a name known to many Irish specialists, this full review of his separatist career will be a welcome addition to the growing canon of historical biographies of previously overlooked leading figures in this period. This biography also breaks new ground in revealing unknown aspects of this great figure's personality and life story. O'Hegarty has remained largely absent in the literature dealing with a revolutionary period to which he greatly contributed. O'Hegarty counted among his inner circle political heavyweights such as Sinn Féin leader Arthur Griffith, IRB leader Michael Collins, and Bulmer Hobson, arguably the individual with whom he stood closest in political outlook. Despite sometimes quarrelling, O'Hegarty remained a source of wise counsel to all these men. Admired by both Griffith and Collins, O'Hegarty was privy to many private conversations and documents that reveal exciting new source material for the study of this crucial period relevant in shaping modern Ireland. Working within hugely influential movements such as Sinn Féin, the IRB, and the Gaelic League, P. S. O'Hegarty was often the thrusting sword from which the most stinging precise blows landed against the Irish Party and British rule in Ireland.

'P. S. O'Hegarty (1879-1955)' provides a well-researched and engaging biography of a major figure within Irish nationalist politics. Standing at the epicentre of Ireland's revolution, this ardent separatist provided much original thinking on the central concerns of his day. Using O’Hegarty's fertile mind and prodigious literary works as a guide, this book explores the far-reaching political and cultural issues of early 20th century Ireland, such as what is meant by 'nation' and national identity, cultural and political tolerance, Republican Liberalism, and the nature (as well as the clash) of religion and the state. Of these and other important subjects still relevant today, O'Hegarty was a prolific writer and essayist, notably championing liberal and progressive ideas far ahead of his separatist contemporaries. Spanning Ireland’s cultural and political revolution in the early 20th century, his career offers interesting insights into this crucial period, as well as the social and political clime of the Free State.  His writings cast a keen and often iconoclastic eye on the developing Irish nation he helped create both as a noted Civil Servant and a social and literary critic.

Given that O’Hegarty is a name known to many Irish specialists, this full review of his separatist career will be a welcome addition to the growing canon of historical biographies of previously overlooked leading figures in this period. This biography also breaks new ground in revealing unknown aspects of this great figure's personality and life story. O'Hegarty has remained largely absent in the literature dealing with a revolutionary period to which he greatly contributed. O'Hegarty counted among his inner circle political heavyweights such as Sinn Féin leader Arthur Griffith, IRB leader Michael Collins, and Bulmer Hobson, arguably the individual with whom he stood closest in political outlook. Despite sometimes quarrelling, O'Hegarty remained a source of wise counsel to all these men. Admired by both Griffith and Collins, O'Hegarty was privy to many private conversations and documents that reveal exciting new source material for the study of this crucial period relevant in shaping modern Ireland. Working within hugely influential movements such as Sinn Féin, the IRB, and the Gaelic League, P. S. O'Hegarty was often the thrusting sword from which the most stinging precise blows landed against the Irish Party and British rule in Ireland.

“Paradoxes of Populism” argues that populism, far-from-random similarities with ordinary manifestations of nationalism, should be approached not as a venture into the classical structures of nation-states and identities, but as a disruptive and destabilizing consequence of some of the constituent elements of sovereign nation-states becoming eroded and prised apart by contextual global processes and their agents. The book demonstrates that populism, in its many varieties, is riddled with even more paradoxes and inconsistencies than mainstream nationalism itself––confusing causes and appearances, realities and fantasies and turning the world inside out. This book definitively engages with real-world challenges that the age of populism, the Second Coming of Nationalism, poses in liberal democracies states as well as their political and cultural interpretations in the populist fantasia.

The book argues that contrary to its self-image, populism does not represent a return to a peaceful, well-ordered and secure place of identity, progress and belonging, but, first, the introduction of irreconcilable division into the domestic arena; second, the breakdown of trust and civilized communication between governors and governed elites and people; and third, the exposure of the increasing powerlessness of the international order.

“Paradoxes of Populism” is a book about the fantasies, promises and contradictions of populism, as also about its backgrounds and causes in liberal democracies. While demonstrating its many varieties, the book explains populism’s rising popularity and steers the reader through the many myths and misconceptions surrounding it.

An anthology that presents 25 years of Lou Marinoff’s work addressing foundational paradoxes and dilemmas in rational choice, probability, and utility theory, offering original analyses of and/or resolutions to classic problems like the Prisoner’s Dilemma, Newcomb’s Problem, and the Two Envelopes Problem

This unique anthology reflects the author’s resolutions of some of the most perplexing, interesting, and widely discussed problems arising in rational choice theory, probability theory, and utility theory. It spans 25 years of his research and publications in these related fields. Part One treats the Prisoner’s Dilemma (PD). It disproves Axelrod’s and Hamilton’s landmark but mistaken claim (Science, 1981) that Rapoport’s legendary Tit-for-Tat is an evolutionarily stable strategy and introduces a family of optimal strategies for iterated computer tournaments. Their members maximize expected utilities, embodying the properties of provocability, forgiveness, and exploitiveness. The leading member outperforms Tit-for-Tat. However, members of this family surprisingly fail to perform well against their own twins and siblings, thus reinforcing Axelrod’s lemma that there is no “best” strategy for iterated PDs independent of the competing population.
Part Two decouples Newcomb’s problem from Braess’s paradox, the Cohen–Kelly queuing paradox, and the PD, thus illustrating (contra Irvine, 1993) that Braess’s paradox does not resolve Newcomb’s problem. It then describes an innovative experiment with rationality in cyberspace, analogous to Hardin’s Tragedy of the Commons. The experiment shows that ostensibly “rational” actors consistently make irrational choices, even (and sometimes especially) when their irrationality is revealed to them. Part Two concludes with a computer model that reveals why some players always defect in non-cooperative games, holding implications for social and political stability. The model shows that even an initial majority of 67% cooperators can degenerate into a 100% non-cooperative population, while higher initial percentages of cooperators can maintain majority cooperation yet must still endure “resistant” nuclei of permanently defecting players.
Part Three presents a (1994) resolution of Bertrand’s random chord paradox, which still stands among the most convincing treatments since the problem was originally posed in 1889. A recent noteworthy challenge (Shackel, 2024) is summarized with a response. Part Three then dissects divergent solutions by Elga and Lewis to the perplexing Sleeping Beauty problem, presenting new arguments against Elga’s solution that decide the issue in favor of Lewis. Part Three ends by decisively resolving the notorious Two Envelopes paradox—still hotly debated after more than 30 years—by exposing a fundamental and fatal mis-application of the Principle of Indifference.
Part Four takes up a moral question debated by Hobbes, Spinoza, and Kant—“Should one lie to a highway robber to gain one’s release?”—and in so doing exposes a fissure in Gauthier’s otherwise well-received ethics of constrained maximization. It then develops a holistic interpretation of meaning, using a reverse Turing test to rebut if not disprove the Strong AI thesis. The central question is not how well Turing machines can simulate human intelligence; rather, how badly humans can fail to simulate machine intelligence. Finally, Part Four explores amusingly counter-intuitive ontological implications of an old Cambridge challenge puzzle—The Coconut Problem—including an ingenious but “impossible” negative solution by quantum physicist Wolfgang Pauli.

‘Pashtun Identity and Geopolitics in Southwest Asia’ brings together Pakistan and Afghanistan as two inseparable entities by investigating areas such as the evolution and persistence of the Taliban, quest for Pashtun identity, the ambivalent status of the tribal region and the state of civic clusters on both sides. In addition to their relations with the United States and the EU, a due attention has been devoted to regional realties while looking at relations with India and China. The study explores vital disciplines of ethnography, history, Islamic studies, and international relations and benefits from a wide variety of source material. The volume takes into account the salient subjects including political Islam, nature and extent of violence since 9/11, failure of Western policies in the region, the Drone warfare, and the emergence of new regimes in Kabul, Islamabad and Delhi offering fresh opportunities as well as new threat perceptions.

‘Pashtun Identity and Geopolitics in Southwest Asia’ brings together Pakistan and Afghanistan as two inseparable entities by investigating areas such as the evolution and persistence of the Taliban, quest for Pashtun identity, the ambivalent status of the tribal region and the state of civic clusters on both sides. In addition to their relations with the United States and the EU, a due attention has been devoted to regional realties while looking at relations with India and China. The study explores vital disciplines of ethnography, history, Islamic studies, and international relations and benefits from a wide variety of source material. The volume takes into account the salient subjects including political Islam, nature and extent of violence since 9/11, failure of Western policies in the region, the Drone warfare, and the emergence of new regimes in Kabul, Islamabad and Delhi offering fresh opportunities as well as new threat perceptions.

A wide-ranging collection of concise essays, ‘Past Forward’ introduces core features of Korean history that illuminate current issues and pressing concerns, including recent political upheavals, social developments and cultural shifts. Adapted from Kyung Moon Hwang’s regular columns in the ‘Korea Times’ of Seoul, the essays forward interpretative points concerning historical debates and controversies in order to generate thinking about the ongoing impact of the past on the present, and vice versa: how Korea’s present circumstances reflect and shape the evolving understanding of its past. In taking the reader on a compelling journey through history, ‘Past Forward’ paints a distinctive, fascinating portrait of Korea and Koreans both yesterday and today.

Containing both extensive chronological and subject tables of contents, the essays are grouped into themes demonstrating a particular facet of the recurring connections between the past and the present. In addition, the book contains a timeline of contents that situates the essays in chronological context and a subject index. While all the self-contained essays introduce particular facets of Korean history and society, they are free of jargon and written for the general reader.

A wide-ranging collection of concise essays, ‘Past Forward’ introduces core features of Korean history that illuminate current issues and pressing concerns, including recent political upheavals, social developments and cultural shifts. Adapted from Kyung Moon Hwang’s regular columns in the ‘Korea Times’ of Seoul, the essays forward interpretative points concerning historical debates and controversies in order to generate thinking about the ongoing impact of the past on the present, and vice versa: how Korea’s present circumstances reflect and shape the evolving understanding of its past. In taking the reader on a compelling journey through history, ‘Past Forward’ paints a distinctive, fascinating portrait of Korea and Koreans both yesterday and today.

Containing both extensive chronological and subject tables of contents, the essays are grouped into themes demonstrating a particular facet of the recurring connections between the past and the present. In addition, the book contains a timeline of contents that situates the essays in chronological context and a subject index. While all the self-contained essays introduce particular facets of Korean history and society, they are free of jargon and written for the general reader.

This book sets forth how the “greening” of Wharton’s private and public writings contributes to exciting strands in cultural geography and recent postcolonial theory: for example, biological and political constructions of citizenship, mobility, race, and nation; hospitality and hostility toward the “Other”; fraught experiences of exile and competing conceptions of home/land; trans/national selfhood; the figure of the nomad, the outcast, or the wanderer. Ultimately, it will address this question: What are the issues, broadly speaking what motivates an ecocriticism, how does that address the challenges of cultural geography, why can we uncover meaning by turning to Wharton? The argument made is that a reading of Wharton’s fiction can help reveal how to understand those issues. This book situates Wharton as an author who is acutely responsive to pastoral tropes and terrain, among other species of spaces. She addresses the affective and geographical resonances of such sites, especially sparsely populated localities and landforms—voguish mountain resorts, private ornamental gardens, lush public parks, monumental and “sham” ruins—which offered pampered American socialites a brief escape from the “welter.” I wish to complicate popular perceptions of “Wharton’s world”—reinforced by numerous handsomely produced cinematic and television adaptations of her novels—as one rooted in often-opulent domestic interiors with their waspish social cliques, strict rules of politesse, and elaborate hierarchies.

Indeed, one of the central aims of this book is to treat pastoral as a kind of palimpsest—a “parchment” upon which successive generations of artist-pilgrims have etched their impressions, constantly revising its imagery, formal procedures, and lyrical effects. This notion of the palimpsest also reinforces how my research seeks to extend the range of Wharton studies. First of all, my close reading of selected texts adds another “layer” of sophistication to the ever-evolving field of ecocriticism, whose core ideas and critical standpoints have assumed both an urgency and galvanizing potency given the seismic upheaval to our material localities around the globe—some of the most damaging tornadoes in US history; flooding in the American Midwest; devastating earthquakes in Haiti, China, and Japan; stronger and more extensive wildfires in the American Southwest.

Climate change is like no other challenge we have ever faced. We have seen technology change driven by computers and information systems. The rate of change is determined by market acceptance and economics. We have also witnessed social changes in areas like voting rights, civil rights, child labor and gender equality. However, these social transformations have been much slower and in many cases are only partially accepted even after a century or more of effort. 

Climate change is unique because global warming doesn’t care if we agree with the science, and it doesn’t slow down because we are unwilling to act. The science is not driven by our focus on quarterly earnings and is not determined by public opinion. 

The purpose of Pathways to Action is to engage the reader in ideas about accelerating action. How can we prioritize certain approaches that allow for faster change at an industrial level? What are the biggest targets? Who can do more? What is the blueprint for action? The actions we take or don’t take will be this generation’s legacy for our children and grandchildren.

Patrick White (1912–1990) won the Nobel Prize for Literature in 1973 and remains one of Australia’s most celebrated writers. This book represents new work by an outstanding list of White scholars from around the globe. White’s centenary revived mainstream interest in White in Australia and included a major exhibition on his life at the National Library of Australia. So too did the discovery of a highly significant hoard of hitherto unknown papers which were released by White’s literary executor Barbara Mobbs in 2006. The book aims to carry this momentum outwards to the rest of the world.

The contributors’ research is lodged in forwards-oriented methodologies and expressed in accessible language. On the whole, the collection is notable for its acknowledgement of White’s homosexuality in relation to the development of his literary style, in its consideration of the way his writing ‘works’ on/with readers, and for its contextualizing of his life and oeuvre in relation to London and to London life.

The title of the book reflects the effect on White scholarship of the newly discovered papers, the focus of numerous chapters on the farcical and ‘knockabout’ qualities of White’s work, and the contributors’ intention to inspire further work on White from a rising generation of scholars of twentieth-century literature beyond Australia.

Patrick White (1912–1990) won the Nobel Prize for Literature in 1973 and remains one of Australia’s most celebrated writers. This book represents new work by an outstanding list of White scholars from around the globe. White’s centenary revived mainstream interest in White in Australia and included a major exhibition on his life at the National Library of Australia. So too did the discovery of a highly significant hoard of hitherto unknown papers which were released by White’s literary executor Barbara Mobbs in 2006. The book aims to carry this momentum outwards to the rest of the world.

The contributors’ research is lodged in forwards-oriented methodologies and expressed in accessible language. On the whole, the collection is notable for its acknowledgement of White’s homosexuality in relation to the development of his literary style, in its consideration of the way his writing ‘works’ on/with readers, and for its contextualizing of his life and oeuvre in relation to London and to London life.

The title of the book reflects the effect on White scholarship of the newly discovered papers, the focus of numerous chapters on the farcical and ‘knockabout’ qualities of White’s work, and the contributors’ intention to inspire further work on White from a rising generation of scholars of twentieth-century literature beyond Australia.

This study participates in the ongoing scholarly effort to re-appraise the penny dreadful phenomenon as a cornerstone of literary history and of popular culture, both within the nineteenth century and the development of Victorian popular fiction and beyond its specific context. The growing presence of these cheap entertaining Victorian texts in contemporary popular culture – through television series, musicals and literature – signals that it is high time to bestow more systematic and comprehensive attention to these publications. To do so, Penny Dreadfuls: The Circulation Patterns of a Victorian Popular Literature conceptualises the notion of circulation as a tool for analysis.
This book considers different aspects of circulation. The weaponisation of the penny dreadfuls’ successful circulation by its critics highlights tensions in the literary marketplace over the hegemonic discourse of what should and should not be read, which mirror the broader issue of contemporary changes on a social, cultural and political level. In addition, the penny dreadfuls’ consumption patterns and behaviour within the literary marketplace and within society are also marked by their circulation between different historically popular genres: within the network of late-eighteenth-century and early-nineteenth-century literature and culture, they refuse to remain within clear boundaries and constantly reinvent themselves at the intersection of several trends that constituted the popular, such as oral storytelling, sensationalism and the Gothic. Beyond the nineteenth century, their patterns of circulation develop diachronically, too, in the open-ended circulation of the penny dreadfuls across time through neo-Victorianism and the gradual transformation of the penny dreadfuls into a cultural reference.
Through the lens of the concept of circulation which pervades the penny dreadfuls’ history and content, this book reassesses the impact of the penny dreadfuls on nineteenth-century print culture and entertainment, as well as on contemporary popular culture. This book demonstrates the importance of these publications to better understand broader notions of popular culture and to keep deconstructing such binaries as ‘high’ and ‘low’ culture. Further than sales numbers, circulation interweaves numerous aspects of popular culture and of this publishing phenomenon. An analysis of these patterns helps decode many aspects of the penny dreadfuls’ life and afterlife, as it reveals how their material aspect is intimately interwoven with their seriality, their cultural significance, the reactions they provoked and their actual content. The resulting picture informs us about the nineteenth century’s social history and culture, about class warfare and political change, and about the evolution of literature over the past two hundred and fifty years.

The diverse essays in this book reflect Jonathan Steinberg’s methodological pluralism and insatiable curiosity for historical questions which cross disciplinary and geographical boundaries. Animating students, colleagues, friends and wider audiences with his enthusiasm for ‘thinking about the past’ was his vocation, one that he pursued with unmatched enthusiasm. Through this collection of essays, the book hopes to convey something of the intellectual range, analytical purchase and moral purpose of his historical writing and teaching.

One feature of Steinberg’s inspiring and charismatic lectures was his unique ability to combine an analysis – always fresh, never pre-cooked – of big historical structures and trends with an acute awareness of the importance of individual personalities. Jonathan Steinberg also believed in contingency, the importance of chance, and was keen to reject any form of historical determinism. The third salient feature of his work was his sense of moral purpose. He understood history as a hermeneutic science and was appropriately cautious about the epistemological status of historical claims, but he nevertheless saw the correctness of historical arguments and the probity of historical claims to be moral as well as empirical questions. His ethical sensibilities, his openness to interdisciplinary work and the humane and nuanced understanding of human motivation equipped him to tackle some of the most difficult subjects of nineteenth- and twentieth-century European history.

This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals.

The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally.

The essays also examine the impact of outside forces – including technology, taxation, capitalism and compulsory education – whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior – an endemic trait that appears to have survived well into the twenty-first century.

This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals.

The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally.

The essays also examine the impact of outside forces – including technology, taxation, capitalism and compulsory education – whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior – an endemic trait that appears to have survived well into the twenty-first century.

Highlights the crucial role of Constitutional Amendments in shaping American history, rights, and social justice, presenting their development and impact in an accessible and engaging way.

The debt we owe to the brilliant men who drafted their Constitution is incalculable. Recognizing that, with the passage of time, their document would likely require modifications, the Framers included provisions for amending the Constitution. The twenty-seven amendments that have been ratified to date have played a pivotal role in the continuing effort to perfect our Constitution. This book looks at U.S. history and the American experience through the lens of our Constitutional Amendments. It discusses why each Amendment was adopted, the importance of each Amendment, how the Amendments have been interpreted, and the impact they have had on American society. The Amendments are too important to be treated as afterthoughts, and this book seeks to rectify that by giving them the attention they deserve.
The Amendments have shaped and continue to shape the development of our nation. They guarantee the fundamental rights and liberties that Americans enjoy. They tell America’s story from the abolition of slavery to women’s suffrage, and to granting young men and women who are old enough to fight and even die for their country, the right to vote. The Amendments play a vital role in the quest for gender and racial equity, and the continuing struggle to achieve social justice. The story of the Amendments includes America’s dalliance with abstinence, the fourteen years of prohibition. They detail the changes in presidential elections, succession, and term limits; the direct election of senators; and the imposition of a federal income tax.
The Amendments are the result of the American people’s continuing efforts to perfect our Constitution, first through Acts of Congress, then through ratifications by State Legislatures, and finally by judicial review and interpretation.

Highlights the crucial role of Constitutional Amendments in shaping American history, rights, and social justice, presenting their development and impact in an accessible and engaging way.

The debt we owe to the brilliant men who drafted their Constitution is incalculable. Recognizing that, with the passage of time, their document would likely require modifications, the Framers included provisions for amending the Constitution. The twenty-seven amendments that have been ratified to date have played a pivotal role in the continuing effort to perfect our Constitution. This book looks at U.S. history and the American experience through the lens of our Constitutional Amendments. It discusses why each Amendment was adopted, the importance of each Amendment, how the Amendments have been interpreted, and the impact they have had on American society. The Amendments are too important to be treated as afterthoughts, and this book seeks to rectify that by giving them the attention they deserve.
The Amendments have shaped and continue to shape the development of our nation. They guarantee the fundamental rights and liberties that Americans enjoy. They tell America’s story from the abolition of slavery to women’s suffrage, and to granting young men and women who are old enough to fight and even die for their country, the right to vote. The Amendments play a vital role in the quest for gender and racial equity, and the continuing struggle to achieve social justice. The story of the Amendments includes America’s dalliance with abstinence, the fourteen years of prohibition. They detail the changes in presidential elections, succession, and term limits; the direct election of senators; and the imposition of a federal income tax.
The Amendments are the result of the American people’s continuing efforts to perfect our Constitution, first through Acts of Congress, then through ratifications by State Legislatures, and finally by judicial review and interpretation.

Usually, discourses on the planetary evolution and the movements of slaves remain restricted within the narratives and scholarships of the Trans-Atlantic slave trade and hardly engage with the evolution, movements, and shifts about the Indian Ocean World (IOW) slave trade. But multiple published, unpublished, authored, and non-authored historical documents like the historical records of Greco-Egyptian monk Cosmos Indicopleustes (sixthcentury BC), the Periplus of the Erythrean Sea (firstcentury CE), the travelogues of Ibn Battuta (fourteenthcentury), historical records of Tome Pires (sixteenthcentury), accounts of British historians William Hawkins and Sir Thomas Roe (seventeenthcentury), accounts of French historian Abbe Carre (seventeenthcentury), accounts of French Lieutenant de Grandpre (nineteenthcentury), and many more mention about the trade relations between India and different parts for Africa. The items of trade involved exotic stones, exotic spices, domestic objects, and local people.

Despite the existence of these diverse archival documents on the IOW trade activities, any discourses on the IOW continue to remain an understatement. The narratives on the IOW, to a vast extent, have been shaped by Western/colonial historians, who have imaginatively constructed the IOW within separate geographical, cultural, epistemological, and ontological enclaves. Based on these socio-historical arguments, this book unearths how Siddis in Gujarat and the South African Indians in South Africa preserve their ancestral memories through spiritual, culinary, and musical practices on the one side, and generate creolized socio-cultural spaces of collective decolonial resistance and well-being on the other.

This exacting study makes the case that a diverse range of theatre, film and activism engaged in the portrayal or participation of asylum seekers and refugees since 2001 has been informed by and contributed to the consolidation of ‘irregular’ noncitizenship as a cornerstone idea in contemporary Australian political and social life. This idea has been reified as a direct consequence of the asylum seeker–related public discourse that has been prominent in twenty-first century Australia, to the extent that it has become impossible to imagine what Australia means without it. ‘Performing Noncitizenship’ is the first book-length study of its kind to focus on Australia’s urgent and fraught asylum politics, and its implications extend beyond one country’s problems. To date, there has been little attention paid to theatre and performance’s implicatedness in how irregular noncitizenship has been taken up in Western neoliberal democracies as a core diagnosis for the ills of a precarious social and economic status quo. This study is unique among studies of asylum seeker and refugee representation in theatre, film and activism in its interest in the ways representations of asylum seekers are informed by and inform identity politics among citizens. The book’s purpose is to identify and illuminate the increasing leverage of noncitizenship as a marker of twenty-first century human illegitimacy.