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A mid-level exploration of the Argument from Reason, this book challenges naturalism by defending rational agency, freedom, and theism, while engaging contemporary issues such as AI, consciousness, and transhumanism. Suitable for students, scholars, and general readers seeking clarity on mind, meaning, and personhood.

‘The Art and Ideology of the Trade Union Emblem, 1850–1925’ is a ground-breaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal. The volume celebrates working-class culture and shows how it could be both innovative and derivative. Annie Ravenhill-Johnson’s exploration of the artistry of the emblems – the art of and for the toiling masses – sets these images of labour in their historical, cultural and ideological context. Her introductory chapter explores the re-signification of Greco-Roman, medieval and Renaissance architecture, figures and symbols in the emblem tradition, and analyses how these images served as representations of the developing self-awareness of the growing industrial workforces during the nineteenth and early twentieth centuries. The emblems of organized labour followed the traditions set out by Freemasonry and Friendly Societies that had adopted and adapted classical, biblical and medieval depictions of crafts and craftsmen to illustrate the antiquity of their trade and to lend solemnity and legitimacy to the tradition of forming associations for protection and benefits. Renaissance art, architecture and sculpture, the conventions of landscape painting and the more prestigious genres of mythical and biblical subjects all provided settings and structures that sanitized working conditions and idealized the workers themselves.

‘The Art and Ideology of the Trade Union Emblem, 1850–1925’ is a ground-breaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal. The volume celebrates working-class culture and shows how it could be both innovative and derivative. Annie Ravenhill-Johnson’s exploration of the artistry of the emblems – the art of and for the toiling masses – sets these images of labour in their historical, cultural and ideological context. Her introductory chapter explores the re-signification of Greco-Roman, medieval and Renaissance architecture, figures and symbols in the emblem tradition, and analyses how these images served as representations of the developing self-awareness of the growing industrial workforces during the nineteenth and early twentieth centuries. The emblems of organized labour followed the traditions set out by Freemasonry and Friendly Societies that had adopted and adapted classical, biblical and medieval depictions of crafts and craftsmen to illustrate the antiquity of their trade and to lend solemnity and legitimacy to the tradition of forming associations for protection and benefits. Renaissance art, architecture and sculpture, the conventions of landscape painting and the more prestigious genres of mythical and biblical subjects all provided settings and structures that sanitized working conditions and idealized the workers themselves.

The book consists of a volume of essays in honor of the outstanding sociologist, Edward A. Tiryakian; whose work has spanned a considerable number of countries, regions and topics. He has been highly influential, particularly in American and French sociology.

The contributors include such luminaries as Alan Sica, Bryan Turner, George Ritzer, John Simpson, Piotr Sztompka, Hans Joas, Roland Robertson and John Torpey.

The contributions range across the numerous works of Tiryakian. These include his relationship with the great scholar Pitirim Sorokin, his existentialist sociology, metasociology, his contribution to modernization theory, his important work on civilizations, and his mediation between European and American sociology. Other contributions include chapters on global studies, Max Weber, multiple modernities and the axial age and the work of Robert Bellah on human evolution.

The book consists of a volume of essays in honor of the outstanding sociologist, Edward A. Tiryakian; whose work has spanned a considerable number of countries, regions and topics. He has been highly influential, particularly in American and French sociology.

The contributors include such luminaries as Alan Sica, Bryan Turner, George Ritzer, John Simpson, Piotr Sztompka, Hans Joas, Roland Robertson and John Torpey.

The contributions range across the numerous works of Tiryakian. These include his relationship with the great scholar Pitirim Sorokin, his existentialist sociology, metasociology, his contribution to modernization theory, his important work on civilizations, and his mediation between European and American sociology. Other contributions include chapters on global studies, Max Weber, multiple modernities and the axial age and the work of Robert Bellah on human evolution.

Startups are increasingly becoming the engine of innovation across all industries. We are living in an age where an entire generation of young entrepreneurs with different backgrounds and skill sets are coming together and collaborating with a desire to disrupt existing markets, challenge the status quo, replace the old with the new and, above all else, make the world a better place.

Startups, however, are constantly facing the challenge of how to make an impact given their initial small size and limited resources. Nine out of ten startups fail, and more than fifty percent do not reach past the five-year mark. The few that do manage to survive can quickly find themselves swamped in the oversaturated market, unable to make any decent progress. So how can they establish themselves among their immediate competitors, let alone defeat larger, more established companies? Is the story of David and Goliath still relevant in the modern business world? Hence the need to write an engaging book that offers unique, viable solutions to all the problems small startups face especially in their early stages.

This book provide practical teachings on how startups can strengthen their foundations, reach the pinnacle of the business world and, ultimately, become a virtuous leader of startups in the model of Machiavelli’s “The Prince.”

What does a 500-year-old figure from history have to do with the world of startups? I first encountered Machiavelli in high school in Italy. At the time, he did not represent much more to me than just another part of my studies, but he came rushing back when I moved to the US to finish high school in a small town of Ohio. I used to talk to people who knew little about Italy, but who could still quote Machiavelli’s most famous lines: “The end justifies the means” and “It is better to be feared than loved.”

Machiavelli seemed to be even more popular in America than in Italy. This triggered my curiosity and pushed me to do more research on him. I realized that throughout history, politicians, generals, philosophers and other leaders have all harnessed his philosophies in their own fields. He has also been criticized as being overly cynical, cruel or cutthroat. However, I think this is too dismissive and partial. Machiavelli was, more than anything, a pragmatic realist. He devoted himself to finding patterns in human nature and history, and was perfectly aware of what was ethical and unethical, encouraging aspiring leaders to reach their goals through “virtue”; to rely on hard work rather than luck; and to try to be loved rather than feared (while noting it is easier to be feared). He also understood that necessity and emergency compels leaders to make tough decisions.

During my studies at Harvard Business School, I began to apply Machiavelli’s principles to the business world, finding his teachings tremendously modern and useful for my own startup. I realized that as, a serial entrepreneur, I was already applying many of his tactics without even being aware of it. So I started decoding and adapting his writings to the world of startups, testing his teachings in the field.

From this experience, and from Machiavelli’s two most influential books “The Art of War” and “The Prince,” came the idea for “The Art of Startups.”

A revised edition of the classic monograph, 'The Ascendancy of the Congress in Uttar Pradesh' investigates the social contradictions, class forces, and efforts at political organization and mobilization that lay behind the emergence of a powerful nationalist movement in Uttar Pradesh in the late 1920s and early 1930s. It also considers the concurrent emergence of Hindu–Muslim differences as a major factor affecting nationalist politics and the anti-colonial struggle in India.

With a revised introduction and conclusion incorporating material from new research, and corresponding revisions throughout the text, the new edition extends the scope of the original work to cover the entire inter-war period, 1920–40.

A revised edition of the classic monograph, 'The Ascendancy of the Congress in Uttar Pradesh' investigates the social contradictions, class forces, and efforts at political organization and mobilization that lay behind the emergence of a powerful nationalist movement in Uttar Pradesh in the late 1920s and early 1930s. It also considers the concurrent emergence of Hindu–Muslim differences as a major factor affecting nationalist politics and the anti-colonial struggle in India.

With a revised introduction and conclusion incorporating material from new research, and corresponding revisions throughout the text, the new edition extends the scope of the original work to cover the entire inter-war period, 1920–40.

As the age of social media progresses, the Asia Pacific, like the rest of the world, is experiencing an increase in cultural diversity and global connection. Those within the region are witnessing rapid social and cultural changes. As individuals and groups navigate through an increasingly mobile, transnational and multicultural ethnographic landscape, social media provides a sense of belonging for these networked communities.

Social media allows individuals and groups to map and redefine their evolving communal and national identities and thus form sometimes new, vibrant and necessary communities to help create individual and group belonging and agency. While creating a sense of belonging and agency in their respective homeland(s), individuals and groups are also able to connect to global networks. Recognising these layered and intertwined complexities governing societal and cultural cohesion, the authors in this collection each discuss the innate challenges of the social media era on culture, identity and social interaction. This original empirical work documents social media as a user platform for the expression of individual and collective identities.

As the age of social media progresses, the Asia Pacific, like the rest of the world, is experiencing an increase in cultural diversity and global connection. Those within the region are witnessing rapid social and cultural changes. As individuals and groups navigate through an increasingly mobile, transnational and multicultural ethnographic landscape, social media provides a sense of belonging for these networked communities.

Social media allows individuals and groups to map and redefine their evolving communal and national identities and thus form sometimes new, vibrant and necessary communities to help create individual and group belonging and agency. While creating a sense of belonging and agency in their respective homeland(s), individuals and groups are also able to connect to global networks. Recognising these layered and intertwined complexities governing societal and cultural cohesion, the authors in this collection each discuss the innate challenges of the social media era on culture, identity and social interaction. This original empirical work documents social media as a user platform for the expression of individual and collective identities.

This book arises from a European Commission 6th Framework Programme for Research project: 'Global Climate Change Impacts on the Built Heritage and Cultural Landscape - The Noah's Ark Project'. The work recognised that although climate change attracts wide interest at research and policy levels, little attention is paid to its impact on cultural heritage. In a period when enhanced regulation has improved European air quality, it seems important to explore how the threat of climate change to cultural heritage can become better recognised and perceived as relevant. As a non-renewable resource to be transmitted to future generations, cultural heritage includes the built heritage, artefacts inside buildings, archaeological sites and cultural landscapes.

Rather than examining the fate of individual monuments, the 'Noah's Ark Project' took a strategic overview of the changing pressures on heritage.  The results can now be viewed on a wide geographical scale, presented here as a vulnerability atlas and accompanying guidelines. This atlas aims to fill the present gap in studies on the effects of future climate variations on cultural heritage, producing maps that link climate science to the potential damage to our material heritage. [NP] The atlas gathers different types of maps and research outputs of future scenarios. Sections within the atlas include climate maps, displaying traditional climate parameters relevant to cultural heritage, and specific heritage climatologies; damage maps that quantitatively express the damage induced by climate parameters on building materials in future scenarios; risk and multiple-risk maps showing areas of increasing or decreasing risk across European regions; and thematic sections focusing on specific processes of damage that may arise from climate change. The atlas is also supported by key recommendations for policy-makers managing the impact of climate change on European heritage sites.

This book arises from a European Commission 6th Framework Programme for Research project: 'Global Climate Change Impacts on the Built Heritage and Cultural Landscape – The Noah's Ark Project'. The work recognised that although climate change attracts wide interest at research and policy levels, little attention is paid to its impact on cultural heritage. In a period when enhanced regulation has improved European air quality, it seems important to explore how the threat of climate change to cultural heritage can become better recognised and perceived as relevant. As a non-renewable resource to be transmitted to future generations, cultural heritage includes the built heritage, artefacts inside buildings, archaeological sites and cultural landscapes.

Rather than examining the fate of individual monuments, the 'Noah's Ark Project' took a strategic overview of the changing pressures on heritage.  The results can now be viewed on a wide geographical scale, presented here as a vulnerability atlas and accompanying guidelines. This atlas aims to fill the present gap in studies on the effects of future climate variations on cultural heritage, producing maps that link climate science to the potential damage to our material heritage.

The atlas gathers different types of maps and research outputs of future scenarios. Sections within the atlas include climate maps, displaying traditional climate parameters relevant to cultural heritage, and specific heritage climatologies; damage maps that quantitatively express the damage induced by climate parameters on building materials in future scenarios; risk and multiple-risk maps showing areas of increasing or decreasing risk across European regions; and thematic sections focusing on specific processes of damage that may arise from climate change. The atlas is also supported by key recommendations for policy-makers managing the impact of climate change on European heritage sites.

The book is a firsthand account of Dr. Hannah Jaicks’ journey through western Montana's ranching landscapes to showcase the stories of ranchers and affiliated groups who are pioneering strategies for reducing conflicts with wildlife, while also stewarding the landscape. Americans depend on these people who live by working on the land. Ranchers have the power to shape the future of our lands, waterways, and wildlife communities, but enduring perceptions frame ranching as a unilaterally destructive force to the environment. Perception is slippery ground to base an argument on, however, and reality is far more complicated. Often seen as antithetical to one another, American ranchers and wildlife have long been entangled with another. The book is about producers and partner organizations who are forging new paths in conservation and addressing these seemingly intractable entanglements to sustain working ranch operations alongside healthy wildlife populations. It elevates the voices of these people striving daily to achieve wild and working landscapes in the West and serves as a model for how others can begin to do the same.

The author takes readers on a journey up western Montana to a different valley in each chapter and showcases the place-based stories of everyday conservation heroes who practice regenerative ranching, provide consciously raised agricultural products, advance strategies for collaborative conservation and protect vital habitat for endemic wildlife that would otherwise be developed and subdivided beyond repair. Ethnographic storytelling is interwoven with psychological theories to inform readers about progressive ways to make the world we share – with people and animals – a better place to live. Illustrations by Katie Christiansen of wildlife and conflict-reduction tools accompany the text, helping to underscore the vivid realities of shared landscapes and how they are achieved. 

There is no doubt the history of ranching is laden with problematic examples, and public and private rangelands are not universally in good condition today. This book aims to capture the increasing recognition that strong ranching practices coincide with good land and wildlife stewardship measures, but ranchers need help. If we want to see more of this remarkable work happening, environmentalists and concerned citizens need to step up and ensure these practices are not only possible but also become the norm. Everyone must be willing to come to the table and navigate discussions about how to work together more effectively and collaboratively. This book is a roadmap for how people can begin to do so.

The book is a firsthand account of Dr. Hannah Jaicks’ journey through western Montana's ranching landscapes to showcase the stories of ranchers and affiliated groups who are pioneering strategies for reducing conflicts with wildlife, while also stewarding the landscape. Americans depend on these people who live by working on the land. Ranchers have the power to shape the future of our lands, waterways, and wildlife communities, but enduring perceptions frame ranching as a unilaterally destructive force to the environment. Perception is slippery ground to base an argument on, however, and reality is far more complicated. Often seen as antithetical to one another, American ranchers and wildlife have long been entangled with another. The book is about producers and partner organizations who are forging new paths in conservation and addressing these seemingly intractable entanglements to sustain working ranch operations alongside healthy wildlife populations. It elevates the voices of these people striving daily to achieve wild and working landscapes in the West and serves as a model for how others can begin to do the same.

The author takes readers on a journey up western Montana to a different valley in each chapter and showcases the place-based stories of everyday conservation heroes who practice regenerative ranching, provide consciously raised agricultural products, advance strategies for collaborative conservation and protect vital habitat for endemic wildlife that would otherwise be developed and subdivided beyond repair. Ethnographic storytelling is interwoven with psychological theories to inform readers about progressive ways to make the world we share – with people and animals – a better place to live. Illustrations by Katie Christiansen of wildlife and conflict-reduction tools accompany the text, helping to underscore the vivid realities of shared landscapes and how they are achieved. 

There is no doubt the history of ranching is laden with problematic examples, and public and private rangelands are not universally in good condition today. This book aims to capture the increasing recognition that strong ranching practices coincide with good land and wildlife stewardship measures, but ranchers need help. If we want to see more of this remarkable work happening, environmentalists and concerned citizens need to step up and ensure these practices are not only possible but also become the norm. Everyone must be willing to come to the table and navigate discussions about how to work together more effectively and collaboratively. This book is a roadmap for how people can begin to do so.

'The Bengal Borderland' constitutes the epicentre of the partition of British India. Yet while the forging of international borders between India, Pakistan, Bangladesh and Burma (the 'Bengal Borderland') has been a core theme in Partition studies, these crucial borderlands have, remarkably, been largely ignored by historians. While South Asia is poorly represented in borderland studies, the study of South Asian borderlands appears indispensable because here a major and intensely contested experiment in twentieth-century border making took place. Without direct reference to the borderlands as a historical reality it is not possible to understand how post-colonial societies in South Asia developed, the extent to which South Asian economies actually became bounded by borders, or the ways in which national identities became internalized. In examining this crucial region, Willem van Schendel challenges existing assumptions about the nature of relationships between people, place, identity and culture, and raises particularly urgent questions in the context of globalization, with its predictions of the 'end of geography' and a borderless homogenous world. This book will interest historians, geographers, political scientists and economists, as well as South Asianists and migration experts, and will appeal to academics, students and practitioners.

'The Bengal Borderland' constitutes the epicentre of the partition of British India. Yet while the forging of international borders between India, Pakistan, Bangladesh and Burma (the 'Bengal Borderland') has been a core theme in Partition studies, these crucial borderlands have, remarkably, been largely ignored by historians. While South Asia is poorly represented in borderland studies, the study of South Asian borderlands appears indispensable because here a major and intensely contested experiment in twentieth-century border making took place. Without direct reference to the borderlands as a historical reality it is not possible to understand how post-colonial societies in South Asia developed, the extent to which South Asian economies actually became bounded by borders, or the ways in which national identities became internalized. In examining this crucial region, Willem van Schendel challenges existing assumptions about the nature of relationships between people, place, identity and culture, and raises particularly urgent questions in the context of globalization, with its predictions of the 'end of geography' and a borderless homogenous world. This book will interest historians, geographers, political scientists and economists, as well as South Asianists and migration experts, and will appeal to academics, students and practitioners.

Founded in 2005, Whitehot Magazine has become one of the leading channels for contemporary art criticism. Since its inception, Whitehot has published thousands of reviews covering art from the United States, East Asia, the Middle East, Africa, and South America, with key pieces authored by critical luminaries, including Anthony Haden-Guest, Donald Kuspit, and Phoebe Hoban. The magazine is also uniquely independent in its editorial voice. Unlike other large art world publications, Whitehot is owned and managed by its founding editor rather than by a media holding company.
On the occasion of its upcoming 20th anniversary, founder Noah Becker and contributor Michael Maizels have compiled a critical anthology of the magazine’s writings. The selected articles not only encapsulate the storied history of Whitehot but also provide a significant window into the evolution of art practice and art criticism since the turn of the Millennium.

The book provides an assessment of the first 12 years of BRICS cooperation, from 2008 to 2020, focusing on international financial governance issues and especially on the new financing mechanisms created by the BRICS, the BRICS monetary fund and the development bank. It is shown that Brazil, Russia, India and China, joined later by South Africa, share common traits that led them to cooperate in the reform of the existing international financial architecture, especially the G20 and the IMF. After 2012, in light of the difficulty of having the USA, the European and other advanced countries agreed to move from “tinkering at the margins” to fundamental reform of the Bretton Woods institutions. The BRICS took the momentous decision to establish their own monetary fund, named the BRICS Contingent Reserve Arrangement (CRA), and their own development bank, named the New Development Bank (NDB). The book goes on to describe the difficult negotiations among the BRICS between 2012 and 2014. Some of these difficulties revealed the weaknesses that would lead the CRA and the NDB to make slow progress in the first five years of their existence, from 2015 to 2010. The book provides an overview of the strong points and weaknesses of the initial phase of these financing mechanisms. While they still hold promise, much remains to be done to make the BRICS financing mechanisms fulfill their founders’ plans and intentions. The book ends with a brief discussion of the future of the BRICS as a cooperation mechanism, highlighting that, despite inevitable and foreseeable obstacles, joint action by the five countries is likely to remain an important feature of the international landscape in the decades to come.

The book may be of interest to multiple audiences as it lies at the intersection of economics, international relations and geopolitics. Written in accessible language, avoiding jargon, the book is targeted not only at specialists but also at non-specialists interested in these areas of knowledge and changes in the international economic and financial landscape at the outset of the twenty-first century. 

‘The British National Daily Press and Popular Music, c.1956–1975’ constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ’n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these genres and of helping to shape negative attitudes to the music within wider society. The book questions such charges; in doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a socio-cultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.

Commencing with an analysis of the reactions of various key popular and ‘serious’ daily national papers to the so-called ‘rock ’n’ roll cinema riots’ of 1956, which represented the first occasion on which this musical form became ‘headline news’ in Britain, ‘The British National Daily Press and Popular Music, c.1956–1975’ considers the extent to which ingredients of ‘moral panic’ were present in press coverage of popular music, both in 1956 and at subsequent points throughout the period. However, by examining other factors, such as the more varied coverage which did frequently appear, the relative lack of sustained public concern in response to the more inflammatory reports and the contrasts in perspective among the various individual newspaper titles, each of which possessed its own particular ‘voice’ at this time, a more nuanced picture emerges. The work also considers press coverage of popular music beyond the headlines, focusing particularly on the ‘disc columns’ and pop record review pages which became more prevalent as this period progressed. It notes that, although the ‘serious’ newspapers would ultimately develop a more sophisticated approach to rock criticism, the popular papers –especially the Daily Mirror – played a particularly significant role in bringing the music to a wider, cross-generational reading public during the earlier portion of this period, aiming to devise a suitable vocabulary for the dynamic, ever-changing music styles and ‘scenes’ of this era.

Ultimately, ‘The British National Daily Press and Popular Music, c.1956–1975’ encourages scholars to avoid hasty or sweeping deployment of such phrases as ‘moral panic’ when considering early press reactions to popular music. It also argues that the distinctive and paradoxical mixture of uncertainty, enthusiasm, sensationalism and curiosity which characterised much national press coverage of rock ’n’ roll and other kinds of music helped, in many ways, to set the tone for adult responses to popular music within society at large. Just as the press was not unilaterally hostile towards popular music, so too were members of ‘the older generation’ more varied in their responses to the music than has previously been assumed.

This book makes the case for the independence of Kosova – the former province of 'old Yugoslavia' and now temporarily a United Nations-led International protectorate – at a time in which international diplomacy is deeply involved in solving the contested issue of its 'Final Status'. Negotiations began in January 2006 under the auspices of a United Nations Special Envoy, and have been given renewed impetus by the international community’s determination to arrive at a solution.' The Case for Kosova' aims to contribute to these negotiations, by providing informed arguments for a different approach to the issue of Kosova's status beyond the limitations of current debates. Its aim is to counteract the anti-Albanian propaganda waged by some parties, but never to propose a counter-propaganda hostile to others or to the goals of a democratic Kosova. Debates on Kosova have largely concentrated on a specific aspect of the issue: either on ideology and myth construction (ignoring translations into practice); on geo-politics (missing the deep implications for stability and security); or on policy (lacking a conceptual understanding of both ideologies and processes). Until now, no book has linked these different fields in a persuasive manner. 'The Case for Kosova' fills this gap with an intellectually challenging and politically relevant commentary from key players in the debate.

When the body of Saga Atsushi, Japan’s preeminent connoisseur of ukiyo-e (woodblock prints), is pulled from the ocean off the coast of Tohoku, having apparently committed suicide, the shocked Japanese art world turns out to mourn his death. Among them is Ryohei, an up-and-coming young ukiyo-e scholar and research assistant to Saga’s colleague-turned-rival, Professor Nishijima. But a chance encounter with an old friend makes Ryohei wonder if there might be more to Saga’s death than meets the eye…

This book responds to the some of the twenty-first century’s most assuming problems of our times: global warming, sub-national terrorism, natural resource depletion, and economic, environmental and financial crises. It finds short- and long-term solutions to these global woes by looking to the city as the fulcrum for introducing sustainability around the world. Beginning with an outline of a robust strategy of sustainable cities—or sustainable city-regions—that has emerged out of over two-and-a-half decades of theoretical and practical work, the authors show why these portentous problems can best be addressed at the local-regional scale. In the process, this book cuts through the received wisdom and popular misunderstandings about sustainability and peels away the conceptual fog and ideological confusion about the meaning of sustainability.

Drawing upon extensive fieldwork in North America, Europe and Asia, the authors examine both strong and weak examples of sustainable city approaches that validate their distinctive urban sustainability strategy. They discover keen insights and important lessons in these case studies for sustainability practice across the globe, whether in small towns in the US and Canada, large cities in Europe or tiny Chinese villages in Asia.  Their concluding chapter argues that only the road less travelled holds real promise of creating sustainable city-regions around the world guided by the toolkit of ecological and technological conviviality.

Bringing together a series of essays on the political economy of trade and development policy, this book explores the following research questions: to what extent is the global trading regime reducing the ability of nation-states to pursue policies for financial stability and economic growth; and what political factors explain such changes in policy space over time, across different types of trade treaties, and across nations? Gallagher presents intriguing findings on the policy constraints on the Uruguay Round, as well as the restrictions that the USA places upon the ability of developing nations to deploy a range of development strategies for stability and growth. 

Analyzing the factors which have led to twenty-first-century trade politics being characterized by a “clash of globalizations,” including the standstill of the World Trade Organization over the issue of development strategies in emerging markets, the book sheds light upon the growing opinion among developing nations that it is in their interest to build upon their current advantage in primary commodities and light manufacturing, and to expand into new, value-added intensive areas where they might, someday, have a comparative advantage. 

As this collection of essays demonstrates, developing nations now have, for the first time, the economic and political power to refuse the proposals of industrialized countries and to put forward an alternative set of negotiating demands that industrialized nations have to take seriously. This volume exposes the reality that economic power isn’t the only factor in the difference between recent talks at the Doha Round and previous discussions; however, economic power is still key among a number of converging components, which, along with institutional structure, domestic politics, currency fluctuations and ideas about globalization, are effecting changes to global trade policies.

Bringing together a series of essays on the political economy of trade and development policy, this book explores the following research questions: to what extent is the global trading regime reducing the ability of nation-states to pursue policies for financial stability and economic growth; and what political factors explain such changes in policy space over time, across different types of trade treaties, and across nations? Gallagher presents intriguing findings on the policy constraints on the Uruguay Round, as well as the restrictions that the USA places upon the ability of developing nations to deploy a range of development strategies for stability and growth. 

Analyzing the factors which have led to twenty-first-century trade politics being characterized by a “clash of globalizations,” including the standstill of the World Trade Organization over the issue of development strategies in emerging markets, the book sheds light upon the growing opinion among developing nations that it is in their interest to build upon their current advantage in primary commodities and light manufacturing, and to expand into new, value-added intensive areas where they might, someday, have a comparative advantage. 

As this collection of essays demonstrates, developing nations now have, for the first time, the economic and political power to refuse the proposals of industrialized countries and to put forward an alternative set of negotiating demands that industrialized nations have to take seriously. This volume exposes the reality that economic power isn’t the only factor in the difference between recent talks at the Doha Round and previous discussions; however, economic power is still key among a number of converging components, which, along with institutional structure, domestic politics, currency fluctuations and ideas about globalization, are effecting changes to global trade policies.

The book focuses on the ideological instruments that enabled the United States and the Soviet Union to consolidate their power and to project their geopolitical reach. It provides a comprehensive picture of the geopolitical outcome generated by the actions of the superpowers in the 1950s and how they affected the international political order for the duration of the Cold War. The book explores how in order to project the geopolitical power of the United States, there was a need to ensure that the countries affected by the confrontation that emerged in the 1950s would be persuaded about the good intentions of the United States when it came to promoting the economic and social rehabilitation of vast areas of the world. The 1950s saw the beginning of the idea of a “global commonwealth” of nations, aligned with the geostrategic interests of the United States and willing to accept the political and economic principles projected from Washington. In the 1950s, American Exceptionalism was informed by three distinct particularist components: faith, dominion and managerialism. The particularist markers of American Exceptionalism dictated the course of US foreign policy in the 1950s. American policy makers dealt with the threat posed by the Soviet Union by putting together policies aimed at securing the supremacy of the United States in the global order.

The Superpowers and the Cold War in the 1950s  also argues that Eurasianism became an important instrument to entrench the geopolitical influence of the Soviet Union in Eastern Europe. The cultural rapprochement between the Soviet Union and the countries of the Intermarium was propelled by the need to secure that area of Europe from interference by the Western powers. Eurasianism became an important instrument to legitimize the harmonization of political and economic principles in the Soviet bloc. The concept of “redemptionism” propagated by the Soviet Union during the 1950s relied on a non-universalist notion of history that allowed Moscow to achieve geopolitical preeminence in its sphere of influence. During the 1950s, both superpowers were interested in achieving a situation in which the international political system could be controlled and managed efficiently. In spite of the ideological differences that existed between the United States and the Soviet Union, there was agreement on the need to reduce the possibility of revisionist powers seeking to break the domination of the superpowers and establish independent political guidelines.

‘The Collected Works of Ann Hawkshaw’ brings together Hawkshaw’s four volumes of poetry and republishes them together for the first time. Some two hundred years after her birth into a large family of Dissenters in the West Riding of Yorkshire, the publication of ‘The Collected Works’ reflects the growing interest in Hawkshaw’s poetry and life. As the span of three decades between the first and last examples of Hawkshaw’s writing suggests, her poetry offers an exceptional insight into the changing political and religious landscape of the mid-nineteenth century. The themes of death, religion, science, history and nation that run through Hawkshaw’s poetry demonstrate her capacity for extended critical thought, as she engages with subjects at the heart of nineteenth-century cultural and religious debates whilst challenging the work of established scholars and writers.

Writing in a strong, independent and perceptive voice, Hawkshaw makes a valuable contribution to the Manchester poetic revival of 1830s and 1840s, and to political debates over abolitionism and the Poor Law Amendment. Her defence of natural theology in light of scientific progress and her skilful use of the sonnet sequence to engage with nineteenth-century historiographies of the Anglo-Saxon period are also notable. Elsewhere, Hawkshaw draws on her experience as a mother to write tender and poignant elegies on childhood death, addressing several poems to her own children and grandchild.

As well as providing a biography of Hawkshaw, who was married to the leading Victorian engineer Sir John Hawkshaw and related by marriage to the Darwin-Wedgwood family, the editor’s introduction and notes draw attention to several of Hawkshaw’s most significant poems and their critical reception, making connections between her poetry and the work of Felicia Hemans, Elizabeth Barrett Browning, Wordsworth, Gaskell and Pater. 

‘The Collected Works of Ann Hawkshaw’ brings together Hawkshaw’s four volumes of poetry and republishes them together for the first time. Some two hundred years after her birth into a large family of Dissenters in the West Riding of Yorkshire, the publication of ‘The Collected Works’ reflects the growing interest in Hawkshaw’s poetry and life. As the span of three decades between the first and last examples of Hawkshaw’s writing suggests, her poetry offers an exceptional insight into the changing political and religious landscape of the mid-nineteenth century. The themes of death, religion, science, history and nation that run through Hawkshaw’s poetry demonstrate her capacity for extended critical thought, as she engages with subjects at the heart of nineteenth-century cultural and religious debates whilst challenging the work of established scholars and writers.

Writing in a strong, independent and perceptive voice, Hawkshaw makes a valuable contribution to the Manchester poetic revival of 1830s and 1840s, and to political debates over abolitionism and the Poor Law Amendment. Her defence of natural theology in light of scientific progress and her skilful use of the sonnet sequence to engage with nineteenth-century historiographies of the Anglo-Saxon period are also notable. Elsewhere, Hawkshaw draws on her experience as a mother to write tender and poignant elegies on childhood death, addressing several poems to her own children and grandchild.

As well as providing a biography of Hawkshaw, who was married to the leading Victorian engineer Sir John Hawkshaw and related by marriage to the Darwin-Wedgwood family, the editor’s introduction and notes draw attention to several of Hawkshaw’s most significant poems and their critical reception, making connections between her poetry and the work of Felicia Hemans, Elizabeth Barrett Browning, Wordsworth, Gaskell and Pater. 

Drawing on archival sources, this book provides an anthropological exploration of the National College of Arts (NCA) in Lahore, tracing its evolution from the Mayo School of Arts established in 1875. As a counterpart to London’s South Kensington School of Design (now the Royal College of Art), the Mayo School emerged as a crucial site for the dissemination of colonial art education in British India, alongside similar institutions in Calcutta, Bombay, and Madras. Named to honor Lord Earl of Mayo, the only Viceroy of India assassinated in office, it was founded by Lockwood Kipling and featured a distinguished roster of educators including Ram Singh, Percy Brown, Lionel Heath, S.N. Gupta, B.C. Sanyal, and A.R. Chughtai. The Mayo School also initiated the Journal of Indian Art and Industry, a seminal publication utilizing cutting-edge chromolithography techniques.

The book employs theoretical analysis to understand how the NCA, functioning as a bureaucratic entity, has shaped the landscape of design education, museums, and artistic practices in both colonial and postcolonial contexts. From its roots in British art education, derived from South Kensington, the institution's trajectory reflects its adaptation through American reforms in the early years of Pakistani independence. This analysis critically examines how frameworks of art history and anthropology have been mobilized to construct and objectify Pakistani art and artists.

Furthermore, the book explores the contributions of colonial anthropologists such as Richard Temple, Denzil Ibbetson, and Baden Powell, who were instrumental in the establishment and administration of the Mayo School. Their work in ethnographic reconstruction provided a cultural framework that influenced the education of artisan castes, situating them within a “primitive” Punjabi context. This colonial subtext profoundly impacted the pedagogical approaches of the Mayo School, which also nurtured the emergence of the Indo-Saracenic architectural style and supported traditional Punjabi painting.

Despite its industrial art orientation, the Mayo School was pivotal in the development of a modern Punjab painting tradition recognized at the British Indian Empire Exhibition of 1924. Under the guidance of Lionel Heath, the school began to embrace modern art, with printmaking, graphic design, and sculpture taking root in the 1930s through the efforts of B.C. Sanyal and M.M. Hussain. The Mayo School’s printing press produced a diverse array of materials, reflecting major Western art movements from Arts and Crafts to Art Deco and Bauhaus.

In the formative years of Pakistan, the Mayo School transitioned into the National College of Arts in 1958, modeled after the Bauhaus with departments in Fine Art, Design, and Architecture. Influential figures such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin, and American sculptor Mark Sponenburgh were pivotal in shaping the NCA as Pakistan’s premier institution for art and design. Through a critical examination of art history and anthropological frameworks, this book elucidates how imperial and nationalist discourses have intersected to shape and redefine artistic and cultural identities within Pakistan.

Drawing on archival sources, this book provides an anthropological exploration of the National College of Arts (NCA) in Lahore, tracing its evolution from the Mayo School of Arts established in 1875. As a counterpart to London’s South Kensington School of Design (now the Royal College of Art), the Mayo School emerged as a crucial site for the dissemination of colonial art education in British India, alongside similar institutions in Calcutta, Bombay, and Madras. Named to honor Lord Earl of Mayo, the only Viceroy of India assassinated in office, it was founded by Lockwood Kipling and featured a distinguished roster of educators including Ram Singh, Percy Brown, Lionel Heath, S.N. Gupta, B.C. Sanyal, and A.R. Chughtai. The Mayo School also initiated the Journal of Indian Art and Industry, a seminal publication utilizing cutting-edge chromolithography techniques.

The book employs theoretical analysis to understand how the NCA, functioning as a bureaucratic entity, has shaped the landscape of design education, museums, and artistic practices in both colonial and postcolonial contexts. From its roots in British art education, derived from South Kensington, the institution's trajectory reflects its adaptation through American reforms in the early years of Pakistani independence. This analysis critically examines how frameworks of art history and anthropology have been mobilized to construct and objectify Pakistani art and artists.

Furthermore, the book explores the contributions of colonial anthropologists such as Richard Temple, Denzil Ibbetson, and Baden Powell, who were instrumental in the establishment and administration of the Mayo School. Their work in ethnographic reconstruction provided a cultural framework that influenced the education of artisan castes, situating them within a “primitive” Punjabi context. This colonial subtext profoundly impacted the pedagogical approaches of the Mayo School, which also nurtured the emergence of the Indo-Saracenic architectural style and supported traditional Punjabi painting.

Despite its industrial art orientation, the Mayo School was pivotal in the development of a modern Punjab painting tradition recognized at the British Indian Empire Exhibition of 1924. Under the guidance of Lionel Heath, the school began to embrace modern art, with printmaking, graphic design, and sculpture taking root in the 1930s through the efforts of B.C. Sanyal and M.M. Hussain. The Mayo School’s printing press produced a diverse array of materials, reflecting major Western art movements from Arts and Crafts to Art Deco and Bauhaus.

In the formative years of Pakistan, the Mayo School transitioned into the National College of Arts in 1958, modeled after the Bauhaus with departments in Fine Art, Design, and Architecture. Influential figures such as poet Faiz Ahmed Faiz, painter Shakir Ali, art patron Ghulam Mueenuddin, and American sculptor Mark Sponenburgh were pivotal in shaping the NCA as Pakistan’s premier institution for art and design. Through a critical examination of art history and anthropological frameworks, this book elucidates how imperial and nationalist discourses have intersected to shape and redefine artistic and cultural identities within Pakistan.

‘The Complete Guide to Business School Presenting: What your professors don't tell you... What you absolutely must know’ reveals the secret expectations harbored by business school professors when viewing your presentations. Offering a competitive advantage to anyone interested in a career in business, this award-winning guide provides a truly unique means of developing powerful presentation skills.

The guide identifies the seven verities of speaking that form the bedrock of superior presenting in the twenty-first century, and which imbue any speaker with power, energy and confidence: stance, voice, gesture, expression, movement, appearance and passion. These presentation techniques can transform a person’s professional life, ignite the potential for landing a higher position, and distinguish a business student from the vast majority of their competitors – all by correlating directly with the inherent values of corporate America.

The book also discusses the utility of business analysis tools, such as “SWOT,” “PEST,” “value chain analysis” and Porter’s “Five Forces,” and demonstrates how to work seamlessly and effectively with PowerPoint to deliver concise and persuasive presentations. It also addresses the innate challenges of working as a group and preparing group presentations – a requirement of all business students and a highly sought-after skill amongst corporate recruiters. In addition, a section on preparing for case competitions – a major rite of passage for business majors and MBAs – is included. The result is a masterpiece of business school wisdom and practicality.

Written primarily for undergraduate courses in criminal justice, constitutional law, and government, The Constitution: Major Cases and Conflicts offers the full text of many landmark Supreme Court cases, selected both for the combinations of constitutional issues they involve and for their continuing relevance today.

This text is of particular interest to criminal justice students because it includes civil cases as well. This is important because various situations involving First Amendment issues, such as protest, can give rise to criminal justice issues when protesters are arrested for disorderly conduct. Thus, this book exposes the criminal justice (and any other) student to both civil and criminal Supreme Court cases along with explanations of their social and historical importance.

The decisions in The Constitution: Major Cases and Conflicts, chosen from among the thousands available, involve multiple layers of legal conflict, so that by studying them, the student can come to understand converging ideals within the Constitution. They also offer insights into American culture that remain relevant to present-day society, and provide a road map through the evolution of the Supreme Court and its shifting reasoning on issues such as federalism, protest, the right to counsel, search and seizure, and civil rights.

‘The Constitution of Shelley’s Poetry’ is a close philosophical reading of ‘Prometheus Unbound’ from the perspective of the argument or drama of language played out in its pages. At its heart a four-chapter reading of ‘Prometheus Unbound’, the book is punctuated with readings of other Shelley works and prefaced with two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual Beauty', the companion poems inaugurating Shelley’s poetic maturity; the other on 'Ode to the West Wind' originally published with ‘Prometheus Unbound’ and here represented as 'signature' Shelley. The book’s one most distinguishing feature, from which several others derive, is its bringing the power and pertinence of Stanley Cavell’s thought to Shelley’s poetry and to his explicitly articulated philosophical interest in language.

The book urges and practises close reading, but it provides philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those now most generally assumed in literary studies. The book’s bringing of Cavell’s thought to Shelley’s poetry would make two related but distinguishable contributions. There is, first of all, the reading of Shelley’s poetry, which is new and persuasive both in many of its local moments and in its overall thrust. Second, there is the practical demonstration of the relevance and yield of Cavell’s thought for literary studies.

‘The Constitution of Shelley’s Poetry’ is a close philosophical reading of ‘Prometheus Unbound’ from the perspective of the argument or drama of language played out in its pages. At its heart a four-chapter reading of ‘Prometheus Unbound’, the book is punctuated with readings of other Shelley works and prefaced with two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual Beauty', the companion poems inaugurating Shelley’s poetic maturity; the other on 'Ode to the West Wind' originally published with ‘Prometheus Unbound’ and here represented as 'signature' Shelley. The book’s one most distinguishing feature, from which several others derive, is its bringing the power and pertinence of Stanley Cavell’s thought to Shelley’s poetry and to his explicitly articulated philosophical interest in language.

The book urges and practises close reading, but it provides philosophical grounds for this ostensibly old-fashioned approach, and it implicitly proposes an understanding of language very different from those now most generally assumed in literary studies. The book’s bringing of Cavell’s thought to Shelley’s poetry would make two related but distinguishable contributions. There is, first of all, the reading of Shelley’s poetry, which is new and persuasive both in many of its local moments and in its overall thrust. Second, there is the practical demonstration of the relevance and yield of Cavell’s thought for literary studies.

Publishing is in crisis. Publishing has always been in crisis, but today’s version, fuelled by the digital boom, has some frightening symptoms. Trade publishers see their mid-lists hollowed, academic customers face budgetary pressures from higher education spending cuts, and educational publishers encounter increased competition across their markets. But over the centuries, forced change has been the norm for publishers. Somehow, they continue to adapt.

This ground-breaking study, the first of its kind, outlines a theory of publishing that allows publishing houses to focus on their core competencies in difficult times while building a broader notion of what they are capable of. Tracing the history of publishing from the press works of fifteenth-century Germany to twenty-first-century Silicon Valley, via Venice, Beijing, Paris and London, ‘The Content Machine’ offers a new understanding of media and literature, analysing their many connections to technology and history. In answer to those who insist that publishing has no future in a digital age, this book gives a rejuvenated identity to this ever-changing industry and demonstrates how it can survive and thrive in a period of unprecedented challenges.

‘The Craft of Professional Writing’ is the complete book ever written about the real-life work of writing for a living. It not only provides an in-depth description of every important job in professional writing, from PR and advertising to technical writing to journalism and fiction and non-fiction book authorship, but also includes extensive practical advice and hacks on how to report, prepare, pitch, edit and invoice your work – as well as how to successfully conduct a writing career. There also are extensive models of actual products in each of these fields.

For the student, this is the most wide-ranging and practical textbook on the subject. It is designed to be an instructional text for producing professional-level work – but also a survey of the various writing professions to enable budding writers to make career decisions. The goal is to empower graduates to hit the ground running – and to quickly establish themselves in the professional writing world.

For the professional, this book, written by an author who has been successful in almost every writing discipline, is the ultimate reference work – offering practical tips to their current field, as well as a guide to other writing professions. ‘The Craft of Professional Writing’ also offers these experienced writers work advice they can return to again and again to help them through various phases of their career.

The Craft of Professional Writing, 2nd edition is the most complete manual ever written for every form of professional (and professional quality) writing. Its chapters range from toasts and captions to every form of journalism to novel writing, book authorship and screenplays. The book offers techniques for the writing of each form, sample templates, and the advice on navigating a career in each writing field, including public relations and commercial writing, journalism in all media and self-employment as a freelancer. It also offers sections on the tools of writing, including pacing, editing, pitching, invoicing and managing the highs and lows of the different writing careers.

The Creation of Markets for Ecosystem Services in the United States is a detailed, critical analysis of the most advanced efforts to create ecosystem services markets in the United States. With the help of in-depth case studies of three well-known attempts to create such markets––in the Chesapeake Bay watershed, the Ohio River basin and the Willamette River basin––the book explains why very few of these markets have actually succeeded even after close to two decades of much scholarly enthusiasm, significant federal funding and concerted efforts by NGOs, government agencies and private businesses.

Based on interviews, policy analysis and participatory observation, three features of markets for ecosystem services emerge as particularly problematic. First, the logic of displacement or the idea that particular elements of an ecosystem can be separated, quantified and traded across landscapes or watersheds runs counter to political interests, environmental beliefs and people’s connections to specific places. The second problem is that of measurement. By highlighting the long and often contentious histories of specific measurement systems used in ecosystem services markets, van Maasakkers shows that these quantification methods embed a range of assumptions and decisions about what counts when conserving or restoring (parts of) ecosystems. The third problem is related to participation in environmental decision-making. Since the requirements to buy offsets stem from federal and sometimes state regulations (based on the Clean Water Act or the Endangered Species Act), the opportunities and requirements for public participation are much more in line with typical policy implementation processes as opposed to voluntary decisions about buying and selling in an ideal typical market. How meaningful participation in this hybrid form of regulatory market is possible is not clear and not something that the proponents of markets have successfully dealt with, if at all.

The Creation of Markets for Ecosystem Services in the United States is a detailed, critical analysis of the most advanced efforts to create ecosystem services markets in the United States. With the help of in-depth case studies of three well-known attempts to create such markets––in the Chesapeake Bay watershed, the Ohio River basin and the Willamette River basin––the book explains why very few of these markets have actually succeeded even after close to two decades of much scholarly enthusiasm, significant federal funding and concerted efforts by NGOs, government agencies and private businesses.

Based on interviews, policy analysis and participatory observation, three features of markets for ecosystem services emerge as particularly problematic. First, the logic of displacement or the idea that particular elements of an ecosystem can be separated, quantified and traded across landscapes or watersheds runs counter to political interests, environmental beliefs and people’s connections to specific places. The second problem is that of measurement. By highlighting the long and often contentious histories of specific measurement systems used in ecosystem services markets, van Maasakkers shows that these quantification methods embed a range of assumptions and decisions about what counts when conserving or restoring (parts of) ecosystems. The third problem is related to participation in environmental decision-making. Since the requirements to buy offsets stem from federal and sometimes state regulations (based on the Clean Water Act or the Endangered Species Act), the opportunities and requirements for public participation are much more in line with typical policy implementation processes as opposed to voluntary decisions about buying and selling in an ideal typical market. How meaningful participation in this hybrid form of regulatory market is possible is not clear and not something that the proponents of markets have successfully dealt with, if at all.

China preoccupies us; yet its recent past is still relatively unfamiliar. No country has undergone a greater period of sustained and turbulent change than China in the twentieth century, but it has emerged again as a leading global power. It is, therefore, more important than ever to understand the society it has become and its rise to such influence. This timely study uses recent research to explore how China has been transformed from an economic and political backwater at the start of the twentieth century to its current pre-eminent position one hundred years later.

During this convulsive period, China experienced a multitude of political systems: from the final years of the Qing dynasty, it entered a democratic phase in the 1920s when central government was weak and local warlords ruled supreme. As the Nationalist Government struggled to maintain control in the 1930s, the country was subject to invasion and partial occupation by Japan. At the end of the Second World War, the country was again torn apart in a struggle between the Nationalists and the Communists under Mao Zedong. Finally, a new People’s Republic of China was established in 1949, but early social and economic advances were thrown away as Mao initiated the Great Leap Forward and then the Cultural Revolution. These experiments brought the country to the brink of ruin. It was not until the death of Mao in 1976 and the subsequent reforms of Deng Xiaoping that the emphasis finally turned to practical change and the revival of the economy. Uniquely, subsequent success has been achieved through the adoption of capitalist enterprise in a one-party communist state – a fusion which has defied Western scepticism.

This study tackles all these major social, economic and political developments. In the process, it explores regional variation, cultural change and philosophy, as well as contrasting interpretations of Chinese history, the fluctuating role of women and the family and the challenges for the world’s most populous nation as it enters the twenty first century. It portrays a resilient people whom we must understand, for their future is also ours.

We often hear that creative and intellectual innovation is the key to western economic renewal, that cognitive capitalism has succeeded in globalizing the mental-manual division of labour, and that old work – blue-collar, repetitive, de-skilled – is now consigned to the factories of the developing world. At the other end of the long production chains, the West relies increasingly on immaterial labour. From this perspective no rustbelt city can hope to regenerate, no developing nation can ascend to first-world status, without the ‘new oil’ of intellectual property. Workers in general are told to adapt to this transition, to remake themselves for the new economy. Rapid shifts in patterns of consumption, taste and technology can render jobs and skills obsolete in ways that defy the planning and foreclosures of Fordism.

Vocational fortunes depend not only on intellect and creativity but also on entrepreneurial acumen and vocational agility. New capitalism seeks to make a virtue of transience. It has taken up the counter-culture’s critique of the Fordist job-for-life, in order to persuade young people in particular that working life is (and should be) episodic and project-based. The precariat (Standing 2009) must embrace the idea of the improvised post-modern career - a wild vocational ride that unfolds like the levels of a video game. They must become labile labour: opportunistic, excitable, flexible, mobile and ready to flow without protest or friction into the spaces opened up by Post-Fordism. Those who resist or ignore this turbulence and cling to the goal of security are in effect sleepwalking towards redundancy.

‘The Creativity Hoax’ argues that creativity, the leitmotif of new capitalism, has become a key neo-liberal idiom for reorganizing work and working life in ways that erode communal bonds, loyalties and values and blur the boundaries between work and play, public and private. However, the creative economy remains a largely unrealized project, a fantasy of regeneration. Despite the inflated rhetoric of vocational fulfilment, much work performed in the West remains low-skilled and low-paid. Very few make a living exclusively from creative labour whether as employees, freelancers, or entrepreneurs. For the most part it is transnational cultural corporations that reap the patentable or copyrightable bounty, belying the egalitarian myths of the new economy. [NP] The challenge for capital has been to habituate the precariat to the condition of abeyance. In order to tolerate un/underemployment or jobs where skills and talents are underutilized (retail, hospitality or on the edges of creative industries), young workers need to be persuaded that vocational fulfilment and financial security are attainable. ‘The Creativity Hoax’ draws on extensive interview and observation research with creative aspirants – from technical, production and performance fields – who wrestle with the prospect and reality of poverty and unfulfilled ambition.

We often hear that creative and intellectual innovation is the key to western economic renewal, that cognitive capitalism has succeeded in globalizing the mental-manual division of labour, and that old work – blue-collar, repetitive, de-skilled – is now consigned to the factories of the developing world. At the other end of the long production chains, the West relies increasingly on immaterial labour. From this perspective no rustbelt city can hope to regenerate, no developing nation can ascend to first-world status, without the ‘new oil’ of intellectual property. Workers in general are told to adapt to this transition, to remake themselves for the new economy. Rapid shifts in patterns of consumption, taste and technology can render jobs and skills obsolete in ways that defy the planning and foreclosures of Fordism.

Vocational fortunes depend not only on intellect and creativity but also on entrepreneurial acumen and vocational agility. New capitalism seeks to make a virtue of transience. It has taken up the counter-culture’s critique of the Fordist job-for-life, in order to persuade young people in particular that working life is (and should be) episodic and project-based. The precariat (Standing 2009) must embrace the idea of the improvised post-modern career - a wild vocational ride that unfolds like the levels of a video game. They must become labile labour: opportunistic, excitable, flexible, mobile and ready to flow without protest or friction into the spaces opened up by Post-Fordism. Those who resist or ignore this turbulence and cling to the goal of security are in effect sleepwalking towards redundancy.

‘The Creativity Hoax’ argues that creativity, the leitmotif of new capitalism, has become a key neo-liberal idiom for reorganizing work and working life in ways that erode communal bonds, loyalties and values and blur the boundaries between work and play, public and private. However, the creative economy remains a largely unrealized project, a fantasy of regeneration. Despite the inflated rhetoric of vocational fulfilment, much work performed in the West remains low-skilled and low-paid. Very few make a living exclusively from creative labour whether as employees, freelancers, or entrepreneurs. For the most part it is transnational cultural corporations that reap the patentable or copyrightable bounty, belying the egalitarian myths of the new economy. [NP] The challenge for capital has been to habituate the precariat to the condition of abeyance. In order to tolerate un/underemployment or jobs where skills and talents are underutilized (retail, hospitality or on the edges of creative industries), young workers need to be persuaded that vocational fulfilment and financial security are attainable. ‘The Creativity Hoax’ draws on extensive interview and observation research with creative aspirants – from technical, production and performance fields – who wrestle with the prospect and reality of poverty and unfulfilled ambition.

The Critical Situation: Vexed Perspectives in Postmodern Literary Studies comprises a diverse selection of essays that register the situated ness of critical theory and practice amid various intellectual, institutional, and cultural contexts. In recent polemics, postmortems or even celebrations, a number of prominent critics have suggested that “theory” is dead, that the heyday of literary or critical theory is past and its insights passé, and that other less speculative or abstract approaches to literature and literary criticism be embraced. At the same time, however, resistance to these trends in criticism has emphasized the degree to which modern critical theory remains essential for any proper analysis of the present condition. Today’s dynamic world-system, with its ever-shifting components in the age of globalization, presents new challenges to literary and cultural studies for which criticism and theory are ideally suited. That is because a fundamental virtue of critical and theoretical practice lies in its speculative vocation, as theory may offer novel vantages from which to view the past, present and future configurations, while disclosing fresh vistas of the world in which we are situated.

The Critical Situation emphasizes the need for, and the vibrancy of, theory today. The essays in this volume each address situations of critical theory and practice in various ways. Some are more methodological or analytical, others more historical, and still others more speculative, but all contribute to the argument in favor of theory as an essential part of literary studies in the present time. In the United States, the renewed resistance to theory has become somewhat tied to this or that conception of what have been labeled “method wars,” the battlelines of which indicate distinctive factions: those emphasizing historical investigations are then opposed by those insisting on the precedence of form or formalism, while others contest variations of both types of criticism in favor of some sense of unmediated or “surface” reading. These mostly parochial or academic debates have their counterparts in the broader culture, in which powerful forces determine the sense of what is worthy or not, what is real or what is fake or what is suitable for critical study or even attention. The reversal of the situation is, in a sense, built into the nature of the situation itself. At this point, theory enables the recognition that comes with the experience of peripety, an uncertain reversal of fortune which makes possible the suddenly novel perspective. 

The Critical Situation offers examples of situated criticism, which in turn are concerned with the ways in which literary and cultural criticism are and have been situated in relation to a variety of ideological and institutional structures, including those of world literature, American studies, spatial literary studies, cultural critique, globalization and postmodernity. These structures continue to influence the ways that criticism is practiced, and due recognition of their continuing effects seems to me to be crucial to the success of any meaningful critical practice in the twenty-first century.

The Critical Situation: Vexed Perspectives in Postmodern Literary Studies comprises a diverse selection of essays that register the situated ness of critical theory and practice amid various intellectual, institutional, and cultural contexts. In recent polemics, postmortems or even celebrations, a number of prominent critics have suggested that “theory” is dead, that the heyday of literary or critical theory is past and its insights passé, and that other less speculative or abstract approaches to literature and literary criticism be embraced. At the same time, however, resistance to these trends in criticism has emphasized the degree to which modern critical theory remains essential for any proper analysis of the present condition. Today’s dynamic world-system, with its ever-shifting components in the age of globalization, presents new challenges to literary and cultural studies for which criticism and theory are ideally suited. That is because a fundamental virtue of critical and theoretical practice lies in its speculative vocation, as theory may offer novel vantages from which to view the past, present and future configurations, while disclosing fresh vistas of the world in which we are situated.

The Critical Situation emphasizes the need for, and the vibrancy of, theory today. The essays in this volume each address situations of critical theory and practice in various ways. Some are more methodological or analytical, others more historical, and still others more speculative, but all contribute to the argument in favor of theory as an essential part of literary studies in the present time. In the United States, the renewed resistance to theory has become somewhat tied to this or that conception of what have been labeled “method wars,” the battlelines of which indicate distinctive factions: those emphasizing historical investigations are then opposed by those insisting on the precedence of form or formalism, while others contest variations of both types of criticism in favor of some sense of unmediated or “surface” reading. These mostly parochial or academic debates have their counterparts in the broader culture, in which powerful forces determine the sense of what is worthy or not, what is real or what is fake or what is suitable for critical study or even attention. The reversal of the situation is, in a sense, built into the nature of the situation itself. At this point, theory enables the recognition that comes with the experience of peripety, an uncertain reversal of fortune which makes possible the suddenly novel perspective. 

The Critical Situation offers examples of situated criticism, which in turn are concerned with the ways in which literary and cultural criticism are and have been situated in relation to a variety of ideological and institutional structures, including those of world literature, American studies, spatial literary studies, cultural critique, globalization and postmodernity. These structures continue to influence the ways that criticism is practiced, and due recognition of their continuing effects seems to me to be crucial to the success of any meaningful critical practice in the twenty-first century.

Over a century ago, in his examination The Sensational in Modern English Fiction (1919), Walter Clarke Phillips declared, “Whatever sources of appeal may come or go, there is one which from the very structure of modern democratic society seldom bids for applause unheeded—that is, the appeal to fear” (p. 2). It is to this appeal that we owe the abundance of crime writing at our disposal—a trove of mystery that undoubtedly fascinates in its ability to entertain while safely reflecting the ugliest truths about ourselves and the societies in which we live. Thus, crime writing is the perfect vehicle for examining the origins and endurance of those societal fears which are firmly grounded in such conceptions and the perceived boundaries that perpetuate them, and it simultaneously gives us the opportunity to evaluate the full range of those characteristics that differentiate the genre, particularly in its ability to allow us to begin to pick apart social constructions in relation to its own composition.
This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to collective anxieties. The chapters within utilize theories of cultural memory and/or deep mapping in order to explore the interplay of the literary, historical, social, and cultural in various modes of crime writing through the examination of unseen structures and uncertain spaces and provide new insights into the works of iconic authors, such as Agatha Christie, and iconic fictional figures, such as Sherlock Holmes, as well as into underexplored subjects, such as Ukrainian detective fiction of the Soviet period and crime writing by a Bengali police detective at the turn of the twentieth century.
This volume features authors and subjects that are global in scope with original, innovative work on crime writing from the 1890s to as recent as 2017. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find specialized explorations of individual works and authors, while the critical and theoretical approaches and the topical coherence of the collection offer to a wide audience a scholarly overview of crime writing, as a still-growing area of popular interest and a still-evolving field of intellectual exploration.

The Cultural Construction of Monstrous Children raises important questions at the heart of society and culture, and through an interdisciplinary, trans-cultural analysis, presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the 21st century, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the 16th century to the present, spanning real-life and popular culture. to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil.

The linkage between children and horror, or horror-full children, would seem an almost natural connection to make given its popularity in contemporary horror films and novels. However, the intersection between the two categories has a long history going back beyond the more obvious Gothic reimaginings of the 19th century with its under-age ghostly terrors revealing that the idea of the ‘little horror’ is seemingly an inherent demarcation within society between adults and those that are viewed as ‘not adults’. 

However, as seen in this timely and innovative collection, the anomalous child can also be seen in a positive light, and that resistance to easy categorization can be embraced by wider society as a force for change as can be seen in the recent example of a problematic child/adolescence, Greta Thunberg, a singularly focused individual, who is 16 years-old at the time of writing, has consistently refused to act as desired by the adult society around her in pursuit of gaining recognition of the urgent need for action in regard to environmental change. The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the ways in which each discipline intersects and influences the other, as well as viewing all this through a historical lens.

This broad-ranging monograph examines the potential creation, through the arts and culture, of societies that enjoy sustainable, positive peace. It begins with a critique of the pervasive nature of militarism and violence embedded deep in the cultural fabric of many societies, influencing the language and discourses we use, the films we watch, our museums and histories, our journalism, and our education systems. It also examines the roots of violence in our parenting styles, gender roles, and spiritual practices.

It contrasts this with an examination of a number of peaceful societies that already exist, drawing useful lessons from their cultures. It critiques discrepancies in history education with regard to war and peace and examines artistic and cultural processes, institutions, and artifacts designed to create peace, such as peace museums and parks, peace journalism, peace education, and resistance to violence through cultural means, such as film-making, fine arts, satirical theatre, and protest music. It examines the efficacy of these attempts and suggests positive ways forward. It also explores the role of gender in creating cultures of peace and the impacts on peacebuilding of cultivating peace within.

The book commences with an explanation of cultural violence and its underpinning of direct, structural, and ecological violence. Solutions-oriented and optimistic, each chapter begins with a critique of cultural violence in the subject area before moving to examples of positive cultural currents striving to embed sustainable peace deep within societies. It aims to inspire deep understanding, individual reflection, community empowerment, and grassroots action for peace in cultural spheres.

This book explores the ‘culture of caution’ within Islamic television talk show production, with a primary focus on the Islam Channel in the United Kingdom. Drawing on ethnographic research and personal reflections, it unpacks the socio-political, emotional and creative challenges Muslim media producers face in crafting religious and cultural content for diverse audiences. The book highlights how faith-based media operates under constraints shaped by Islamophobia, public scrutiny and regulatory boundaries, while striving for authentic representation.
By analysing content creation, labour dynamics and gendered experiences, this monograph fills a gap in the literature by offering a behind-the-scenes perspective into religious broadcasting rarely documented in academic work. It investigates the pressures of self-censorship, emotional regulation, and the balancing act between tradition and modernity.
Written for academics, media professionals and cultural policy stakeholders, this book sheds light on how Islamic media navigates production in the West, while affirming the value of resilience, faith and critical media practice in shaping public narratives about Muslims.

This is a relatively short work focusing on the metapolitics – the deeper structures – of the Second Cold War. It is designed to prompt discussion and debate, and thoughtful reflection on the current state of international affairs. The earlier Cold War conflict between communism and capitalism has given way to a more amorphous but, paradoxically, more intense struggle between representations of the political good. There is some analysis of diplomatic history and processes in international politics, but the focus is on the underlying attitudes and ideologies that have generated and sustained Cold War 2.

The work begins with some definitions of a Cold War and whether the term is applicable to the current condition of international affairs. There is also some discussion of the term ‘culture’ and how it is applied in this study. The fundamental question is why Cold War has returned, after all the hopes after 1989 and the end the First Cold War for a new peace order. The contesting explanations are examined, including perspectives from the ‘political West’ (the term used to describe the distinctive development of the Atlantic alliance system since 1945), from Russia and China, and later in the work, from the global South.

The work then looks at how this Cold War is being conducted, including renewed militarism, the suppression of dissent, the decline of diplomacy and the reduced opportunities for dialogue. This includes some discussion of ‘double standards’, applied not in a moralistic way but identified as a structural characteristic of international politics today. The instruments of Cold War 2 include sanctions and the reinterpretation of history and memory wars. Many of the familiar methods drawn from Cold War 1 are now applied, but in novel ways to reflect technological change as well as the different ideological contexts. Information management and communicative wars reach deep into public consciousness. However, Cold War 2 leaves much of the global South cold, refusing to be drawn into a conflict that is perceived to be largely a matter internal to the global North. The work ends with some reflections on possible ways this cold war could end.

The Cædmon Manuscript is one of three extant anthologies of English Christian poetry produced in England before 1000 CE. It is formally known as Oxford, Bodleian Library MS Junius 11.

The Cædmon Manuscript was given this name in earlier critical literature because of its assumed association with the cowherd Cædmon, who miraculously received the gift of extemporaneous poetic creativity as described in Bede's Ecclesiastical History IV.24. Bede describes the subjects of the poems created by Cædmon, which corresponded closely to the content of this manuscript, leading earlier scholars to regard this anthology as a remarkable discovery of the earliest surviving religious literature from Anglo-Saxon England.

It is a collection of four religious poems in Old English based on Biblical materials. They have the editorial names Genesis, Exodus, Daniel and Christ and Satan. This edition consists of an Introduction, Bibliography, Codicological and Paleographical Analysis, an Art-Historical Commentary and an edition of the four poems.

Renaissance dance treatises claim that the dance is a language but do not explain how or what dancing communicates. Since the body is the instrument of this hypothetical language, The Dancing Body in Renaissance Choreography problematizes the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeau’s definition of dance as a mute rhetoric in Orchesographie. This book shows that the oratorical model for Arbeau’s definition of the dance is epideictic and that although one cannot equate dance and oratorical action, the ends of oratorical action are those of dance: persuasion through charm and emotion.

The analysis of the rhetorical intertext opens the way to a sociological one. Through a reading of courtesy books as well as a chapter of Tuccaro’s L’Art de Sauter et Voltiger en l’air it is shown that dance and social behavior were not discontinuous in the Renaissance. Instructions for the body can be divided into the categories of the pose and movement. They are examined as a model for the most important and widely practiced dance of the Renaissance: the basse danse. The characteristic motion resides in an opposition as well as an interpenetration of stillness and mobility. This is developed through a reading of fifteenth-century dance theorists’ concept of misura and fantasmata. Stefano Guazzo’s La Civil Conversazione is used as a textual interpretant to ascertain the strategy of movement and the pose in the interaction between dancer and spectator. 

An escalating ecological catastrophe is befalling the biosphere in the twenty-first century.The philosophical roots of this catastrophe lie in the deep structural dualism that has characterized the Western tradition. Dualism conceptually divides mind from matter, culture from nature and the human from the animal, thereby giving rise to an exclusively instrumentalist attitude to the natural environment. Science as the engine of modernity is now the chief global vector of dualism and by its means the instrumentalist attitude has spread around the world.

According to the author, this foundational flaw in Western thinking may be traced ultimately to the Greek discovery of philosophia; that is to say, it may be traced to philosophy itself and to the theoretic orientation to which philosophy led. Any escape from dualism thus requires training in an altogether alternative mode of cognition, a strategic and synergistic mode cultivated not via abstract theorizing but by visceral, sensory, agentically engaged practices of responsive attunement to one’s immediate environment. Such practices were the province of pre-agrarian societies that relied on foraging, and hence on intimate attunement to local ecologies, for their livelihood. Vestiges of this earlier pattern of practice were also preserved in the indigenous Chinese tradition of Daoism via a repertory of psychophysical exercises designed to induce attuned responsiveness to environmental cues.

First-hand opportunities for responsive engagement with local ecologies must rather be routinely available to people today just as they were to earlier peoples. Societies must reconfigure economic praxis so that human agency, in its most routine daily forms of expression, interacts synergistically with the biosphere rather than imposing its own abstractly preconceived designs upon it. This is required not only because such reconfigured praxis will serve and sustain life on earth at a biological level but also because it is what is needed to induct people themselves into ecological awareness. The book includes instances of such alternative, synergistic modes of praxis – in agriculture, manufacture and architecture.

As an emerging super-power whose thought-roots are in strategic as opposed to theoretic modes of cognition, China is in a position to assume world leadership in this connection. The author appeals directly to China to reclaim its Daoist heritage, apply this heritage to the problem of praxis today, and thereby light the way towards forms of civilization more appropriate to our times.

The book argues that the definition of a “fixer” emerges when local journalists are de-professionalized and their field expertise and connections are stripped away to produce a faceless, nameless, set of “eyes and ears” in service of the 24/7 media machine. The fact that we have the same news 24/7 across a range of news channels is an outcome of the simultaneous process of centralized decentralization—media conglomerates controlling news distribution and exhibition by hiring a scattering of fixers to do the groundwork of global news production. But working as a daily wager in journalism is not about risks taken or the self-exploitation endured. Rather, the role is an attack on the basics of the profession itself, the basic dignity of the journalist as an upholder of democracy. A fixer, who must be the eyes and ears of the people against forces of status quo, is reduced to a role and given as an instrument in regular journalists’ hands to be used as a resource. Challenging existing literature on the topic, the book reveals the tension between actual local reporters and the role (read fixer) they are hired to fill. The book argues that fixer as a role emerges in tandem with news practices that leads to decontextualizing local events, people and stories to fit the consumption patterns of market economy, a colonial practice resurging in contemporary capitalism. 

The book holds not just the hierarchies in journalism responsible for feeding the dark underbelly of global news production, but also identifies the field inequality that produces violence against those local reporters. The issue is a quite serious challenge. Offering on-the-ground view of the situation from local perspectives, the book examines the consequences of the political economy of corporate media, and the price journalists pay for diminishing the life expectations as well as intellectual labor of journalists working as “fixers.”

This book is unique in that it studies fixers not as a role but rather as a political position, objective condition and subjective experience. Theorizing on the emergence of the fixer as an outcome of colonial capitalism, the book brings Marx, himself a journalist, back into the twenty-first century discourse—taking discussions of intellectual labor back to the origins of capitalism—revealing how structural inequality takes a toll on journalism as a profession. As U.S. Senator Hiram Warren Johnson once declared that the first casualty of war was truth, the book suggests that the sacrifice of truth has become a routine, both in liberal democracies and in the war-torn Global South. The first casualty, in this reckoning, is not truth itself, but the bearers of truth, i.e., journalists, many of whom now find themselves reduced to the category of fixers. 

The Great Irish Famine claimed the lives of one million people, mainly from the lower classes. More than a million others fled the stricken land between 1845 and 1851. This catastrophe ranks among the worst famines to afflict pre-industrial societies, and it retains an important place in the psyche of the Irish people and the Irish diaspora to this day. In recent decades, its history has become the focus of considerable scholarly and popular attention. In particular, a tremendous amount of work has been undertaken on mortality, emigration, relief efforts and the wider political, social and psychological consequences of the calamity. Yet much remains to be retrieved and reconstructed, particularly at the level of the rural poor. This book intends to fill that gap. Astonishingly, there is a large volume of reports on social conditions in the Irish localities, emanating from within those localities, that has never been used systematically by historians. It bears the compelling title of the ‘Death Census’. Most historians are simply unaware of its existence. The outstanding feature of the Death Census is that it was authored by local clergymen who lived among the people they served, and were intimately involved with their lives. 

The census, which has never been published in composite form, is a unique store house of testimonies from near the base of society that awaits the attention of students of famine in Ireland. Ninety-nine clergymen from across Ireland, with marked concentrations in the worst affected parts of the country, contributed to the census. Some of these documents are coloured by politics, which in itself is revealing, but most aspire to more dispassionate representations of the horror facing a famishing people within the ‘little society’ of the parish, accompanied by appeals, explicit or implicit, to the humanitarian instincts of the wider society. In terms of wider significance, this is one of the great unstudied texts of modern Irish history. This book brings the Death Census together in composite form for the first time, and provides a detailed examination of its contents. The result is a new understanding of the Great Famine as it was experienced on the ground.

• Americans perceive the many political dilemmas in our society and corruption in our government, but few understand the causes of these problems. After explaining the constitutional roots of declining governing capacity in our federal system, this book sets out a comprehensive agenda of 25 amendments that can attract wide support across the political spectrum. The “top 10” proposals include reforms to make elections more competitive, reliable, and fair, such as ranked choice voting (“instant runoffs”); semi-open primary races with fixed dates rotating among all states; an anti-gerrymandering formula to make congressional elections more competitive; improved access to the polls through a national voter registry and voter rights; limits to campaign donations and political advertising. 
• Instead of considering them piecemeal, we should understand how the needed amendments form a systemic overhaul that includes major improvements to the House and Senate. This requires a ban on filibusters, creative ways to fix unequal representation in the House of Representatives, and restoring popular access to legislators. Improving the judiciary requires an 18-year term on the Supreme Court and appellate courts, firm deadlines for confirmation votes to reduce partisan pressures on the judiciary, and clarification of judicial review. A national civics education curriculum and fair-and-balanced requirements for mass media would make it much harder to manipulate people through misinformation campaigns.
• The book also argues for direct election of the president, Puerto Rico statehood, and ways to fix our current radical inequalities of voter influence in the Senate. Several common-sense “good government” reforms will reduce corruption. These include mandated financial disclosures; a requirement for federal legislators and officers to hold their assets in blind trusts; penalties for campaigns using stolen information; limits to the president’s pardoning powers; and clearer grounds for impeachment. Beyond the filibuster, there are further steps to break gridlock in Congress and fix the budget process. 
• Finally, we need to improve the amendment process itself, and clarify how a national convention should work as an alternative to Congress for proposing amendments for ratification. When called by 38 states, a convention can reach national compromise on a whole package of amendments to restore responsive, efficient, and effective government.

• Americans perceive the many political dilemmas in our society and corruption in our government, but few understand the causes of these problems. After explaining the constitutional roots of declining governing capacity in our federal system, this book sets out a comprehensive agenda of 25 amendments that can attract wide support across the political spectrum. The “top 10” proposals include reforms to make elections more competitive, reliable, and fair, such as ranked choice voting (“instant runoffs”); semi-open primary races with fixed dates rotating among all states; an anti-gerrymandering formula to make congressional elections more competitive; improved access to the polls through a national voter registry and voter rights; limits to campaign donations and political advertising. 
• Instead of considering them piecemeal, we should understand how the needed amendments form a systemic overhaul that includes major improvements to the House and Senate. This requires a ban on filibusters, creative ways to fix unequal representation in the House of Representatives, and restoring popular access to legislators. Improving the judiciary requires an 18-year term on the Supreme Court and appellate courts, firm deadlines for confirmation votes to reduce partisan pressures on the judiciary, and clarification of judicial review. A national civics education curriculum and fair-and-balanced requirements for mass media would make it much harder to manipulate people through misinformation campaigns.
• The book also argues for direct election of the president, Puerto Rico statehood, and ways to fix our current radical inequalities of voter influence in the Senate. Several common-sense “good government” reforms will reduce corruption. These include mandated financial disclosures; a requirement for federal legislators and officers to hold their assets in blind trusts; penalties for campaigns using stolen information; limits to the president’s pardoning powers; and clearer grounds for impeachment. Beyond the filibuster, there are further steps to break gridlock in Congress and fix the budget process. 
• Finally, we need to improve the amendment process itself, and clarify how a national convention should work as an alternative to Congress for proposing amendments for ratification. When called by 38 states, a convention can reach national compromise on a whole package of amendments to restore responsive, efficient, and effective government.

Democratization is a field where unexpected and sudden events have repeatedly challenged conventional wisdom. For example, who in the mid-1970s would have foreseen the democratization of Cambodia, Albania, South Africa or East Timor? Our current ‘wave’ of democratization is complex and diverse and understanding it requires a variety of theoretical approaches.

Most of the literature on democracy assumes that it is the best form of government. Theoretical works on democratic transition and democratization have also emphasized the internal conflict resolution capacity of democracy. It has been reasoned that democracy reduces the likelihood of discrimination, especially of ethno-political minorities, and thus the possibility of political repression. However, the democratic peace theory has not been explicitly tested with reference to third world post-colonial states, where most internal violent conflicts take place. Certainly, there is a dearth of practical advice for policy makers on how to design and implement democratic levers that can make internal peace and stability endure in the South.

This volume, drawing on the work of a variety of scholars, will contribute to identifying and understanding the challenges and opportunities of this ‘democratization project’ to the peace and development of the world both at the domestic level in selected countries, trends in regions of the world, and in the global system of the post-Cold War Era.

Democratization is a field where unexpected and sudden events have repeatedly challenged conventional wisdom. For example, who in the mid-1970s would have foreseen the democratization of Cambodia, Albania, South Africa or East Timor? Our current ‘wave’ of democratization is complex and diverse and understanding it requires a variety of theoretical approaches.

Most of the literature on democracy assumes that it is the best form of government. Theoretical works on democratic transition and democratization have also emphasized the internal conflict resolution capacity of democracy. It has been reasoned that democracy reduces the likelihood of discrimination, especially of ethno-political minorities, and thus the possibility of political repression. However, the democratic peace theory has not been explicitly tested with reference to third world post-colonial states, where most internal violent conflicts take place. Certainly, there is a dearth of practical advice for policy makers on how to design and implement democratic levers that can make internal peace and stability endure in the South.

This volume, drawing on the work of a variety of scholars, will contribute to identifying and understanding the challenges and opportunities of this ‘democratization project’ to the peace and development of the world both at the domestic level in selected countries, trends in regions of the world, and in the global system of the post-Cold War Era.

The demographic dividend is the name given by Harvard economists David Bloom and David Canning to the boost in economic growth that can result from changes in a country’s population age structure. As fertility rates decrease, a country’s working-age population grows larger relative to the young dependent population. With more people in the labor force and fewer children to support, a country has a window of opportunity for rapid economic growth if the right social and economic investments and policies are made in health, education, governance, and the economy. Conversely, research shows that resource requirements to support a large population of children and youth can depress the pace of economic growth and prevent needed investments in human capital. The discourse on responding to this population growth frequently excludes the youth. The result can be an apathetic community of young people who withdraw from participation in political and democratic processes.

We have compiled a series of articles that address the issue and highlight solutions from different parts of the world, from members of the Global Diplomacy Lab to external contributors: how they see their work promoting, enhancing and contributing to harvesting the demographic dividend.

What stories can they tell that can educate and inspire readers? In defining “harvesting the demographic dividend”, we want to identify ways to increase inclusion, ownership, sustainability and the impact of democracy and together, foster a shared global understanding of the challenge. The essays in the book are couched in language that is accessible, engaging, informative, entertaining, illuminating and inspiring. The book highlights, in particular, exceptional and inspiring stories that share unique perspectives on how work in one’s field seeks to, can or has promoted, provided and preserved human dignity.

In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.

Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.

In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.

Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.

In “The Development of a Theory of Social Structure and Personality,” Melvin Kohn reexamines his 60-year inquiry––conducted across distinct cultures under radically different conditions––into the relationship between people’s location in the social order and their personality. The result of this reexamination is an important refinement of Kohn’s highly regarded theory on the relationship between social class, work and personality, adding key insights about the role of political intervention on personality to his scholarship.

Over the course of his career, Kohn and his collaborators––in the United States, Norway, East and West Germany, Japan, Poland, Ukraine and China––used groundbreaking empirical methodologies to understand the effect of social structure on personality. Beginning in mid-twentieth century America, Kohn established that for employed men and women, the most important aspect of social structure for personality was social status. Kohn confirmed and refined this insight over time and across distinct cultural, economic and changing political conditions. Whether in postwar America, East and West Germany, industrial Japan, Communist Poland or post-Soviet Ukraine, study after study demonstrated the primacy of social class and social stratification in determining people’s values and orientations.

This research also revealed interesting cross-national inconsistencies in people’s reactions to similar social conditions. These inconsistencies did not change the essential relationship of social class and stratification to personality, and repeatedly confirmed Kohn’s findings about the importance of occupational self-direction and substantive complexity on all aspects of personality. In “The Development of a Theory of Social Structure and Personality,” Kohn focuses on these inconsistencies. Based on insights derived from research conducted during the transition to privatization of urban China, Kohn identifies political intervention as the force that modifies, for better or for worse, but does not eliminate the dominant effect of class stratification and the opportunities they provide for self-direction at work on personality.

This book draws together an oral and visual art history of a country that is extremely rich in culture and history but that is often overlooked or underestimated. By observing the country’s history and visual culture and the artistic practices of select artists from the UAE, it considers the development of contemporary art from the UAE. This will increase accessibility to art by Emiratis and underline its wider relevance.
There is a dearth of literature on contemporary art by Emiratis, and this may be one of the reasons contemporary art from the UAE is under-represented globally. In order to help the reader better understand art from the UAE, this book traces the country’s historical make-up, its culture and contemporary art tradition through oral histories based on interviews with a wide variety of artists and people working in the art industries. It also explores this development using global art discourses that are relevant to art produced in the UAE today.
This book also considers how cultural and artistic identities are formed and explores the political and socio-economic interests in the country that have stimulated art practices and appreciation. For so long, an exclusively Western narrative has dominated Art, and popular media portrays the Gulf’s accomplishments in development and modernity with suspicion. Thanks to the UAE’s espousal of the Internet and online communities over the last decade, this book is particularly timely. Following the pandemic, a wider understanding of global art discourses, values and perceptions are increasingly welcomed. Art from the UAE bridges the local and the global, giving a voice and a visual presence to a country’s contemporary art tradition that has been widely overlooked.
The UAE has a distinct visual arts tradition that relates to a broader and inclusive understanding of art centered on development and change.

This book draws together an oral and visual art history of a country that is extremely rich in culture and history but that is often overlooked or underestimated. By observing the country’s history and visual culture and the artistic practices of select artists from the UAE, it considers the development of contemporary art from the UAE. This will increase accessibility to art by Emiratis and underline its wider relevance.
There is a dearth of literature on contemporary art by Emiratis, and this may be one of the reasons contemporary art from the UAE is under-represented globally. In order to help the reader better understand art from the UAE, this book traces the country’s historical make-up, its culture and contemporary art tradition through oral histories based on interviews with a wide variety of artists and people working in the art industries. It also explores this development using global art discourses that are relevant to art produced in the UAE today.
This book also considers how cultural and artistic identities are formed and explores the political and socio-economic interests in the country that have stimulated art practices and appreciation. For so long, an exclusively Western narrative has dominated Art, and popular media portrays the Gulf’s accomplishments in development and modernity with suspicion. Thanks to the UAE’s espousal of the Internet and online communities over the last decade, this book is particularly timely. Following the pandemic, a wider understanding of global art discourses, values and perceptions are increasingly welcomed. Art from the UAE bridges the local and the global, giving a voice and a visual presence to a country’s contemporary art tradition that has been widely overlooked.
The UAE has a distinct visual arts tradition that relates to a broader and inclusive understanding of art centered on development and change.

Frank Hurley is best known today as a photographer and film maker. His major documentary films include ‘The Home of the Blizzard’, ‘In the Grip of the Polar Pack Ice’, ‘Sir Ross Smith’s Flight’ and ‘Pearls and Savages’, while his photographs of Douglas Mawson’s Australasian Antarctic Expedition, Ernest Shackleton’s Imperial Trans-Antarctic Expedition and the two World Wars have been so widely exhibited and reproduced that in many cases they are the principal means by which we have come to see those world-historical events. Yet there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past: it is Hurley’s voluminous manuscript diaries, only brief extracts from which have so far been published. Originally written in the field in Antarctica, South Georgia, England, France, the Middle East, Papua and Australia, and later raided and revised for his many publications and stage performances, they have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

Frank Hurley is best known today as a photographer and film maker. His major documentary films include ‘The Home of the Blizzard’, ‘In the Grip of the Polar Pack Ice’, ‘Sir Ross Smith’s Flight’ and ‘Pearls and Savages’, while his photographs of Douglas Mawson’s Australasian Antarctic Expedition, Ernest Shackleton’s Imperial Trans-Antarctic Expedition and the two World Wars have been so widely exhibited and reproduced that in many cases they are the principal means by which we have come to see those world-historical events. Yet there is another source, so far little known to the public, which also gives us a startling sense of the presence of the past: it is Hurley’s voluminous manuscript diaries, only brief extracts from which have so far been published. Originally written in the field in Antarctica, South Georgia, England, France, the Middle East, Papua and Australia, and later raided and revised for his many publications and stage performances, they have survived years of world travel and are now carefully preserved in the archives of the National Library of Australia in Canberra and the Mitchell Library in Sydney. This illustrated edition of his diaries presents Frank Hurley in his own words, explores his testimony to these significant events, and reviews the part he played in imagining them for an international public.

This book is about how new media, and in particular, digital and social media, has changed the world of sports forever. The way fans receive information, communicate and form communities now predominantly lives online.  

But perhaps even more significant is the evolution of the sports media industry, where digital media has impacted the broader media industry, stimulated new media organisations, changed old media organisations and altered old conventions of journalism in equal measure.

It is no exaggeration to suggest that new media has turned the sports industry on its head. The implications for this are profound – both exciting and disturbing. So too is the impact on the way we form communities, the quality of news created, the way we receive information and prioritise news and content – all fundamental to our democratic processes and social and political lives.

 This study draws on the expertise of academics, scholars, experts and professionals at the forefront of the sports, media, and journalism fields. Calling upon the worldwide appeal of the sporting industry, this book is a prevailing testament to the pure influence of digital media on ALL parts of society.

This book is about how new media, and in particular, digital and social media, has changed the world of sports forever. The way fans receive information, communicate and form communities now predominantly lives online.  

But perhaps even more significant is the evolution of the sports media industry, where digital media has impacted the broader media industry, stimulated new media organisations, changed old media organisations and altered old conventions of journalism in equal measure.

It is no exaggeration to suggest that new media has turned the sports industry on its head. The implications for this are profound – both exciting and disturbing. So too is the impact on the way we form communities, the quality of news created, the way we receive information and prioritise news and content – all fundamental to our democratic processes and social and political lives.

 This study draws on the expertise of academics, scholars, experts and professionals at the forefront of the sports, media, and journalism fields. Calling upon the worldwide appeal of the sporting industry, this book is a prevailing testament to the pure influence of digital media on ALL parts of society.

“The Domains of Identity” defines sixteen simple and comprehensive categories of transactions which cause personally identifiable information to be stored in databases. This research, which builds on the synthesis of over 900 academic articles, addresses the challenges of identity management that involve interactions of almost all people in almost all institutional/organizational contexts. Enumerating the sixteen domains and describing the characteristics of each domain clarifies which problems can arise and how they can be solved within each domain.

Discussions of identity management are often confusing because they mix issues from multiple domains, or because they try unsuccessfully to apply solutions from one domain to problems in another. This book is an attempt to eliminate the confusion and enable clearer conversations about identity management problems and solutions.

Who owns our digital identity? Is ownership even a relevant concept here? Who controls our digital identity (or pieces of it)? What is the correct relationship between the individual, the state, and private actors and organizations, with respect to one’s identity? What do emerging technical architectures do to potentially create alignment? What identity is required to get identity documents? Kaliya Young guides us through these and other questions we need to be asking to solve our society’s complex identity challenges.

“The Domains of Identity” defines sixteen simple and comprehensive categories of transactions which cause personally identifiable information to be stored in databases. This research, which builds on the synthesis of over 900 academic articles, addresses the challenges of identity management that involve interactions of almost all people in almost all institutional/organizational contexts. Enumerating the sixteen domains and describing the characteristics of each domain clarifies which problems can arise and how they can be solved within each domain.

Discussions of identity management are often confusing because they mix issues from multiple domains, or because they try unsuccessfully to apply solutions from one domain to problems in another. This book is an attempt to eliminate the confusion and enable clearer conversations about identity management problems and solutions.

Who owns our digital identity? Is ownership even a relevant concept here? Who controls our digital identity (or pieces of it)? What is the correct relationship between the individual, the state, and private actors and organizations, with respect to one’s identity? What do emerging technical architectures do to potentially create alignment? What identity is required to get identity documents? Kaliya Young guides us through these and other questions we need to be asking to solve our society’s complex identity challenges.

This book looks at the Brazilian international cooperation in health with Mozambique under the South-South Cooperation (SSC) context. It explores the particularities, processes, and interests embedded in the cooperation between these two countries under the lenses of the field of Global Health Diplomacy (GHD). It seeks to understand the profile of each country as a global health actor. While also looking at the main security, economic and trade, and human rights interests of these countries.  It particularly focuses on their cooperation in the HIV/AIDS front. In that sense, this research counts with an in-depth analysis of the implementation of an ARV factory in Mozambique, Sociedade Mocambicana de Medicamentos (SMM).
This research is insightful for those interested in understanding the main aspects that influence decision-making in global health from a Global South perspective, looking at  HIV/AIDS and the establishment of the SSM in Mozambique, as a result of the SSC in health with Brazil. Furthermore, it provides a useful framework for researchers interested in understanding how health and foreign policy are related to each other in different contexts and power relations. 

The Roxburghe Club, founded in 1812, has an unbroken publishing history from 1814 to the present day. Since the Club’s edition of ‘Havelok the Dane’ appeared in 1828, the Roxburghe has gained a reputation as a producer of beautifully printed editions of manuscripts and reprinted early books. The founding period of the Club, however, has been viewed with less approval, often seen as a frivolous, unscholarly period of wasted years when little of value was produced by a membership composed of dilettante aristocrats.

This work offers a new narrative of the formative years of the Roxburghe Club, for the bibliomania of the Romantic period and for early nineteenth-century antiquarian culture and its relationship to the emergent popularity and status of English vernacular literature. It addresses what is shown to be a long-repeated myth: what the Club was and whether its scholarship and editing of early English literature merited respect or mockery. The book covers the make-up and membership of the Club including social and political affinities, literary and scholarly achievements and the substantial contribution made by the Club to widening awareness and understanding of earlier English writers and the establishment of a canon of English literature. This revised history offers an alternative narrative for the move between antiquarian and scholarly areas of influence in the study of English literature, and offers a plausible mechanism for the growing acceptance of vernacular English literature, both in academia and in a more general cultural sense.

The Roxburghe Club, founded in 1812, has an unbroken publishing history from 1814 to the present day. Since the Club’s edition of ‘Havelok the Dane’ appeared in 1828, the Roxburghe has gained a reputation as a producer of beautifully printed editions of manuscripts and reprinted early books. The founding period of the Club, however, has been viewed with less approval, often seen as a frivolous, unscholarly period of wasted years when little of value was produced by a membership composed of dilettante aristocrats.

This work offers a new narrative of the formative years of the Roxburghe Club, for the bibliomania of the Romantic period and for early nineteenth-century antiquarian culture and its relationship to the emergent popularity and status of English vernacular literature. It addresses what is shown to be a long-repeated myth: what the Club was and whether its scholarship and editing of early English literature merited respect or mockery. The book covers the make-up and membership of the Club including social and political affinities, literary and scholarly achievements and the substantial contribution made by the Club to widening awareness and understanding of earlier English writers and the establishment of a canon of English literature. This revised history offers an alternative narrative for the move between antiquarian and scholarly areas of influence in the study of English literature, and offers a plausible mechanism for the growing acceptance of vernacular English literature, both in academia and in a more general cultural sense.