Products

This book contends that the struggle and perseverance of transnational communities occur within and through at least three interrelated dynamic socio-political processes. The first is the pattern in which transnational communities mobilize to access public opportunities. This occurs when communities deal with cross-border and cross-national trajectories. The second relates to transnational community civic mobilization in relation to the prevailing, as well as emerging, socio-political conditions and situations within host and homeland societies, including community encounters and connections with like-minded civic communities. The third concerns immediate local community mobilizations in response, as well as an extension, to existing and emerging local socio-political encounters and connections. Therefore, this work proposes that transnational local, national, and transnational mobilization takes place within the dynamic horizontal processes of mobilizing communities in simultaneously expanding community horizons while preserving community well-being in multiple interrelated contexts.

More significantly, current studies drawing on transnational political sociological frames, as well as public sociopolitical scholarly debates, often consider the relationship between the state and society as inherently hierarchical and oppositional. Such relational and hierarchical conceptions of state–society interactions insist on the idea that formal state structures dominate and often subordinate informal community-oriented socio-political platforms. These top-down institutional priorities and actions limit the horizontal dynamics of transnational communities, including community attempts to balance local, national, and transnational encounters and connections, while avoiding state–society as well as local, national, and transnational extremes. Modern scholarship, thereby, departs from an overemphasis on class distinctions of society, as well as potential class-based interest group mobilizations, as the basis for diverse struggles and perseverance within the dynamics of state–society relations.

Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries deals with courtships and marriages that transcended national, cultural and linguistic boundaries. It deals with the formation of transnational families and transnational spaces. And, finally, because the historical concept of transnational marriage provides a unique prism through which to view the interconnectedness of societies at their most intimate cultural intersections, it deals with the longstanding, complex cultural relations between France and the United States during the 19th and 20th centuries.

In an effort to address not only why Franco-American marriages occurred but also how and why the dynamics that produced them changed over time, this work examines and compares two transnational marriage patterns in different historical contexts: the first, when wealthy American heiresses married French aristocrats during the second half of the 19th century—a period marked by relatively free transatlantic circulation and mobility—and the second, when borders were far more solidified—during the world wars when French women entered into matrimonial contracts with American soldiers.

The purpose of this work is twofold. In an effort to provide new categories of analysis that place the human experience into broader, more global perspectives, the first is to show how concepts of transnational marriage and courtship allow the historian to move further beyond the analytical frameworks of national histories by forcing the researcher to reconsider the ways in which one thinks about family formation and the permeability of national borders during these different stages of the national project. The second is to challenge underlying assumptions in existing historiographical explanations that those who crossed national borders to couple or to marry did so for purely socio-economic reasons. Nicole Leopoldie contends that such rationalizations are simply too narrow and that at the intersection of cross-cultural encounter and transnational coupling stood a profoundly emotional experience. Therefore, greater analytical considerations need to include both cultural and emotional motivations that were always in the background.

Because the social practices of courtship and marriage became mechanisms through which borders were crossed and new cultural spaces were created, they represent important elements of transnational entanglements. Therefore, rather than examining marriage motivation from the perspective of one society or another, this work seeks to examine instead the ways in which patterns of transnational marriage emerged out of social spaces of cross-cultural encounter between the two societies. In order to identify, map and analyze the transnational spaces that produced marriage during the 19th and 20th centuries, this work draws on descriptions of social events found in the French and American press, travel literature, personal accounts and guest lists. By examining where and how couples met and courted one another, these sources provide an important glimpse into not only transnational social networks and cultural rituals but also the ways in which marriage participants perceived, experienced and interpreted these spaces. In this spatial examination, emotions are employed as a category of analysis rather than a narrative device in order to show how complex cultural meanings within transnational spaces were experienced on personal levels among transnational-marriage participants. Because a variety of emotions manifested in both encounter and representations of the “other,” Leopoldie proposes that othering be further considered as not simply a cultural process, but an emotional one. By drawing on French and American literary works, travel literature and personal accounts found in unpublished and published memoirs, letters and interviews collected by contemporary journalists and oral historians, she argues that even though marriage participants from each of the two patterns conceived of the national and cultural boundaries that separated them in very different ways, attraction to notions of difference provoked important emotional responses and largely remained the driving force of marriage and coupling processes in both historical contexts. By participating in a transnational marriage, participants bound themselves not only to their spouse but also to the culture of that spouse. Motivations for transnational marriage were, therefore, still strategic but were largely based on preconceived notions of what they believed the other culture to be.

Transnational Coupling in the Age of Nation Making during the 19th and 20th Centuries deals with courtships and marriages that transcended national, cultural and linguistic boundaries. It deals with the formation of transnational families and transnational spaces. And, finally, because the historical concept of transnational marriage provides a unique prism through which to view the interconnectedness of societies at their most intimate cultural intersections, it deals with the longstanding, complex cultural relations between France and the United States during the 19th and 20th centuries.

In an effort to address not only why Franco-American marriages occurred but also how and why the dynamics that produced them changed over time, this work examines and compares two transnational marriage patterns in different historical contexts: the first, when wealthy American heiresses married French aristocrats during the second half of the 19th century—a period marked by relatively free transatlantic circulation and mobility—and the second, when borders were far more solidified—during the world wars when French women entered into matrimonial contracts with American soldiers.

The purpose of this work is twofold. In an effort to provide new categories of analysis that place the human experience into broader, more global perspectives, the first is to show how concepts of transnational marriage and courtship allow the historian to move further beyond the analytical frameworks of national histories by forcing the researcher to reconsider the ways in which one thinks about family formation and the permeability of national borders during these different stages of the national project. The second is to challenge underlying assumptions in existing historiographical explanations that those who crossed national borders to couple or to marry did so for purely socio-economic reasons. Nicole Leopoldie contends that such rationalizations are simply too narrow and that at the intersection of cross-cultural encounter and transnational coupling stood a profoundly emotional experience. Therefore, greater analytical considerations need to include both cultural and emotional motivations that were always in the background.

Because the social practices of courtship and marriage became mechanisms through which borders were crossed and new cultural spaces were created, they represent important elements of transnational entanglements. Therefore, rather than examining marriage motivation from the perspective of one society or another, this work seeks to examine instead the ways in which patterns of transnational marriage emerged out of social spaces of cross-cultural encounter between the two societies. In order to identify, map and analyze the transnational spaces that produced marriage during the 19th and 20th centuries, this work draws on descriptions of social events found in the French and American press, travel literature, personal accounts and guest lists. By examining where and how couples met and courted one another, these sources provide an important glimpse into not only transnational social networks and cultural rituals but also the ways in which marriage participants perceived, experienced and interpreted these spaces. In this spatial examination, emotions are employed as a category of analysis rather than a narrative device in order to show how complex cultural meanings within transnational spaces were experienced on personal levels among transnational-marriage participants. Because a variety of emotions manifested in both encounter and representations of the “other,” Leopoldie proposes that othering be further considered as not simply a cultural process, but an emotional one. By drawing on French and American literary works, travel literature and personal accounts found in unpublished and published memoirs, letters and interviews collected by contemporary journalists and oral historians, she argues that even though marriage participants from each of the two patterns conceived of the national and cultural boundaries that separated them in very different ways, attraction to notions of difference provoked important emotional responses and largely remained the driving force of marriage and coupling processes in both historical contexts. By participating in a transnational marriage, participants bound themselves not only to their spouse but also to the culture of that spouse. Motivations for transnational marriage were, therefore, still strategic but were largely based on preconceived notions of what they believed the other culture to be.

’Transnational Crimes in the Americas’ emphasizes the importance of working within public, international organizations to combat transnational crimes. It documents the role of international institutions within the Americas to form a united effort against the proliferation of illicit drugs, human trafficking, weapons trafficking, money laundering and terrorism. Selected nation-states and regions in the Western Hemisphere are highlighted to illustrate how individual countries have tried a domestic policy of interdiction and failed to curtail transnational organized crime. Whether a nation is struggling to maintain public confidence in its institutions, or has substantial resources to combat crime beyond its jurisdiction, transnational crimes present a formidable challenge in the region.

Marshall Lloyd argues in ‘Transnational Crimes in the Americas’ that a regional response is the most viable means to combat transnational crimes. First, he demonstrates that the current Organization of American States (OAS) has led the way to orchestrate a united front against transnational crimes, adapting, modifying and expanding the mission of its existing organs. Moreover, the OAS has achieved some success by incorporating a sustainability model to combat illicit drugs among rural farmers. The analysis indicates that despite financial and institutional obstacles, the organization’s stainability programmes show promise in the global effort to combat drug trafficking in the Americas. 

Finally, Lloyd suggests the formation of a regional criminal court to prosecute the more egregious criminal organizations. Establishing an Inter-American Court of Criminal Justice requires some intrusion upon the sovereign powers of OAS members. Unlike the International Court of Criminal Justice, the jurisdiction of a regional tribunal is well established by existing agreements (both international and regional) that have defined transnational crimes discussed in the book. His ideas are timely, thought-provoking ideas that will have a compelling impact on legal and policy decisions about the role of the OAS and other regional organizations to combat what legal scholars have acknowledged is a crisis among all nation-states.

Explores how nationalist projects in the modern Mediterranean absorbed, reshaped or erased shared intercultural identities, offering five historical case studies from Italy, Greece, Turkey, Lebanon and Libya

The study of modern Mediterranean history, society and international relations has long featured debates over whether and which of the values, norms and perspectives found in the region are site-specific or cross-cultural. In the past few decades, scholars have offered new understandings of the Mediterranean’s nationalist era in the 19th and 20th centuries by exploring the tension between national and transnational identities. Recent advances by far-right and authoritarian forces in a wide array of Mediterranean states prove that this tension remains of present-day significance and urgency.
Transnational Nationalism in the Mediterranean Sea: Origins and Aftermaths provides a timely, innovative and concise contribution to these ongoing debates. As it is indisputable that numerous Mediterranean sub-regions entered the nationalist era expressing intercultural characteristics, many questions remain to be answered about, first, the repurposing of pre-nationalist shared identities for nation-building causes and, second, attempts by nationalist forces to divide and erase those same shared identities. In the face of these questions, Schumacher argues that methodologies predicated on critiquing crude dyads like East versus West, North versus South, and Europe versus non-Europe are outmoded and present very little utility in policy-minded spaces.
Schumacher proposes that a case-studies approach has better potential to provide both new insights for scholars and actionable information for policymakers. He provides five historical case studies, centred on the national experiences of Italy, Greece, Turkey, Lebanon and Libya. First, he investigates how Italian nation-building was affected by the Italian peninsula’s pre-unification relations with other Mediterranean locales. Second, he explores the nature of Greekness in the Ottoman world after the emergence of an independent Greek state. Third, he offers a view on how the rise of Turkish nationalism affected the Ottoman role in the Mediterranean Sea. Fourth, he looks at how Lebanon’s colonial and post-colonial history reflects the limits of transnational narratives in nation-building and asserting state sovereignty. Fifth, he examines Libyan nationalists’ attempts to reconcile their country’s desert versus maritime and local versus international identities. The book closes by suggesting that the ongoing refugee crisis in the Mediterranean should lead scholars to question the instrumentality of their work.

In the past years, in a general context featured by anti-migration discourses in immigration countries, sustained economic growth in countries of origin and mobility between migrants’ countries of origin and destination, research on return migration started flourishing.

Return has long been considered the end of a migration cycle. Today, returnees’ continued transnational ties, practices and resources have become increasingly visible. ‘Transnational Return and Social Change’ joins what is now a growing field of research and suggests new ways to understand the dynamics of return migration and the social changes that come along. It pays tribute to the meso-level impacts that follow the practices and resources migrant returnees mobilize across borders. It argues for the need to study the dynamics and impact of return migration by involving also more mundane forms of change, arguing that everyday processes and small-scale changes are as important as the macro-transformations for understanding the societal impact of migration.

This volume thus inquires about the consequences of return for local communities, organizations, social networks and groups, focussing on the changes in social hierarchies, collective identities and cultural capital, norms and knowledge. It presents case studies of migration flows that connect Germany to Turkey, Romania and Ghana, the United Kingdom to Poland, multiple Western countries to Latvia as well as inner-African movements. Against this background, the book contributes new insights into the transnational dynamics of return migration and their societal impact in pluralized societies.

This book addresses several important questions in the fields of modern, comparative, and world literatures. At a time in which “weak theory” and transnationalism are becoming increasingly pressing topics, the volume considers the utility of philosophical logic, literary worlds, and analytic Asian Philosophy to understand world literature. In doing so, it investigates the ways in which Chinese, English, French, and Japanese writers eager to tackle the challenges of modernity gazed both across the Eurasian landmass and back in time to their own traditions.

Transnationalism and Translation in Modern Chinese, English French, and Japanese Literatures contends that world literature consists of many smaller literary worlds that are founded upon and made to conform with the deep-level ontological assumptions of their native tradition. The translation of texts across times and cultures introduces new logical possibilities to literary traditions and the writers who sustain them. Yet each translation also amounts to the creation of a new literary world, in which the ontological assumptions of the original are made to cohere according to the possibilities afforded by the culture into which the text is translated. This clash of ontologies, often overlooked in world literary studies, forms the basis of modern translational literature.

This book presents four comparative case studies. It begins with Ted Hughes’ and Chou-wen Chung’s attempt to make the Bardo Thödol express the desires of an expatriate American-Chinese composer and a rising English poet in the 1950s; passes by Paul Claudel’s and Mishima Yukio’s mid-century adaptations of medieval Nō theatre; looks at Claudel’s and Kuki Shūzō’s efforts to make the poetry of the Kokin Wakashū and premodern Japan accord with the experience of being an expatriate in 1920s Tokyo and Paris; and finishes with Hughes’ and Bei Dao’s endeavours to place themselves as heirs to the traditions of both China and Europe. It is these fortuitous but often ignored points of contact between East and West, ancient and modern, that exemplify the challenges and possibilities of transnationalism, allowing for an innovative new way of comprehending the multidirectional flow of world literature.

This book addresses several important questions in the fields of modern, comparative, and world literatures. At a time in which “weak theory” and transnationalism are becoming increasingly pressing topics, the volume considers the utility of philosophical logic, literary worlds, and analytic Asian Philosophy to understand world literature. In doing so, it investigates the ways in which Chinese, English, French, and Japanese writers eager to tackle the challenges of modernity gazed both across the Eurasian landmass and back in time to their own traditions.

Transnationalism and Translation in Modern Chinese, English French, and Japanese Literatures contends that world literature consists of many smaller literary worlds that are founded upon and made to conform with the deep-level ontological assumptions of their native tradition. The translation of texts across times and cultures introduces new logical possibilities to literary traditions and the writers who sustain them. Yet each translation also amounts to the creation of a new literary world, in which the ontological assumptions of the original are made to cohere according to the possibilities afforded by the culture into which the text is translated. This clash of ontologies, often overlooked in world literary studies, forms the basis of modern translational literature.

This book presents four comparative case studies. It begins with Ted Hughes’ and Chou-wen Chung’s attempt to make the Bardo Thödol express the desires of an expatriate American-Chinese composer and a rising English poet in the 1950s; passes by Paul Claudel’s and Mishima Yukio’s mid-century adaptations of medieval Nō theatre; looks at Claudel’s and Kuki Shūzō’s efforts to make the poetry of the Kokin Wakashū and premodern Japan accord with the experience of being an expatriate in 1920s Tokyo and Paris; and finishes with Hughes’ and Bei Dao’s endeavours to place themselves as heirs to the traditions of both China and Europe. It is these fortuitous but often ignored points of contact between East and West, ancient and modern, that exemplify the challenges and possibilities of transnationalism, allowing for an innovative new way of comprehending the multidirectional flow of world literature.

Transpacific Connections: Literary and Cultural Production by and about Latin American Nikkeijin is a cross-cultural work combining Latin American and Japanese studies. It contains original research on social and cultural relations between Japan and Latin America, ranging from Japanese inspirations in one of the Mexican most renowned poets, Brazilian dekasegi (temporary workers in Japan) described in a variety of testimonials, Japanese community in Brazil and its literary production and a Mexican telenovela, inspired by the Japanese culture to European inspirations in a Nikkei Peruvian writer, Higa Oshiro.

This book is an intellectual, artistic and social journey through Japan, Latin America and Europe, brought by both experienced and promising researchers who have conducted studies, projects and research all over the globe and have worked in multicultural and multilinguistic environments.

Travel Writing in an Age of Global Quarantine is an anthology of travel accounts, by a diverse range of writers and academics. Challenging conventional academic ‘authority’, each contributor writes, from memory during the Covid-19 lockdown, about a place they have previously visited, ‘accompanied’ by an historical traveller who published an account of the same place. As immobility is forced upon us, at least for the immediate future, we have the chance to reflect. Travel Writing in an Age of Global Quarantine presents opportunities to approach a text as a scholar differently. We break with the traditional academic ‘rules’ by inserting ourselves into the narrative and foregrounding the personal, subjective elements of literary scholarship. Each contributor critiques an historical description of a place about which, simultaneously, they write a personal account. 

The travel writer, Philip Marsden, posits a fundamental difference between traditional ‘academic’ writing and travel writing in that travel narratives do not, or ought not anyway, begin by assuming a scholarly authoritative understanding of the places they describe. Instead, they attempt to say what they found and how they felt about it. The very good point we think Marsden makes, and the one this book tries to demonstrate, is that, as a matter of form, the first-person narrative has the ability to expose the research process: to allow the reader to see when and how a scholarly transformation takes place; to give the scholar the opportunity to openly foreground their own subjectivity and say ‘this is the personal journey that led me to my conclusions’; to problematize the unchallenged authority of the scholar. 

Travel Writing in an Age of Global Quarantine challenges the idea of scholarly authority by embracing the subjective nature of research and the first-person element. We address a problematic distance between travel writing practice and travel writing scholarship, in which the latter talks about the former without ever really talking to it. Defining travel writing as a genre has often proved more difficult than it might seem, but Peter Hulme has suggested that it is ethically necessary for the writer to have visited the place described. Hulme asserts that ‘travel writing is certainly literature, but it is never fiction’. If this seems obvious, Travel Writing in an Age of Global Quarantine asks the reader to consider the idea that if visiting the place described is necessary for the writer to claim they have produced a travel account, might it also be necessary, or at least advantageous and valuable, for the writer of a scholarly critique of that account to have done the same.

Travel Writing in an Age of Global Quarantine is an anthology of travel accounts, by a diverse range of writers and academics. Challenging conventional academic ‘authority’, each contributor writes, from memory during the Covid-19 lockdown, about a place they have previously visited, ‘accompanied’ by an historical traveller who published an account of the same place. As immobility is forced upon us, at least for the immediate future, we have the chance to reflect. Travel Writing in an Age of Global Quarantine presents opportunities to approach a text as a scholar differently. We break with the traditional academic ‘rules’ by inserting ourselves into the narrative and foregrounding the personal, subjective elements of literary scholarship. Each contributor critiques an historical description of a place about which, simultaneously, they write a personal account. 

The travel writer, Philip Marsden, posits a fundamental difference between traditional ‘academic’ writing and travel writing in that travel narratives do not, or ought not anyway, begin by assuming a scholarly authoritative understanding of the places they describe. Instead, they attempt to say what they found and how they felt about it. The very good point we think Marsden makes, and the one this book tries to demonstrate, is that, as a matter of form, the first-person narrative has the ability to expose the research process: to allow the reader to see when and how a scholarly transformation takes place; to give the scholar the opportunity to openly foreground their own subjectivity and say ‘this is the personal journey that led me to my conclusions’; to problematize the unchallenged authority of the scholar. 

Travel Writing in an Age of Global Quarantine challenges the idea of scholarly authority by embracing the subjective nature of research and the first-person element. We address a problematic distance between travel writing practice and travel writing scholarship, in which the latter talks about the former without ever really talking to it. Defining travel writing as a genre has often proved more difficult than it might seem, but Peter Hulme has suggested that it is ethically necessary for the writer to have visited the place described. Hulme asserts that ‘travel writing is certainly literature, but it is never fiction’. If this seems obvious, Travel Writing in an Age of Global Quarantine asks the reader to consider the idea that if visiting the place described is necessary for the writer to claim they have produced a travel account, might it also be necessary, or at least advantageous and valuable, for the writer of a scholarly critique of that account to have done the same.

Long popular with a general readership, travel writing has, in the past three decades or so, become firmly established as an object of serious and multi-disciplinary academic inquiry. Few of the scholarly and popular publications that have focused on the nineteenth century have regarded the century as a whole. This broad volume examines the cultural and social aspects of travel writing on Africa, Asia, America, the Balkans and Australasia. An additional key feature of the volume will be its inclusion of different types of traveller. Several types of travellers and travel texts are considered in the collection. The volume includes studies of explorers, missionaries, artists and writers, Romantics and socialists, colonialists and indigenes. It covers, therefore, a range of travels, travellers, and travellers' texts, and aims to establish some of the contexts in which travel took place. This volume is as much about departure points as it is about destinations, revealing the prejudices and precepts of the nineteenth-century traveller.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

'Travelling Home' provides a detailed analysis of the contribution that the mid twentieth-century 'Walkabout' magazine made to Australia’s cultural history.  Spanning five central decades of the twentieth century (1934-1974), 'Walkabout' was integral to Australia’s sense of itself as a nation. By advocating travel—both vicarious and actual—'Walkabout' encouraged settler Australians to broaden their image of the nation and its place in the Pacific region. In this way, 'Walkabout' explicitly aimed to make its readers feel at home in their country, as well as including a diverse picture of Aboriginal and Pacific cultures. Like National Geographic in the United States, Walkabout presented a cornucopia of images and information that was accessible to a broad readership.

Given its wide availability and distribution, together with its accessible and entertaining content, 'Walkabout' changed how Australia was perceived, and the magazine is recalled with nostalgic fondness by most if not all of its former readers. Many urban readers learnt about Indigenous peoples and cultures through the many articles on these topics, and although these representations now seem dated and at times discriminatory, they provide a lens through which to see how contemporary attitudes about race and difference were defined and negotiated.

Drawing on interdisciplinary scholarship, 'Travelling Home' engages with key questions in literary, cultural, and Australian studies about national identity and modernity. The book’s diverse topics demonstrate how 'Walkabout' canvassed subtle and shifting fields of representation. Grounded in the archival history of the magazine’s production, the book addresses questions key to Australian cultural history. These include an investigation of middle-brow print culture and the writers who contributed to Walkabout, and the role of 'Walkabout' in presenting diverse and often conflicting information about Indigenous and other non-white cultures. Other chapters examine how popular natural history enabled scientists and readers alike to define an unique Australian landscape, and to debate how a modernising nation could preserve its bush while advocating industrial and agricultural development. While the nation is central to 'Walkabout' magazine’s imagined world, Australia is always understood to be part of the Pacific region in complex ways that included neo-colonialism, and Pacific content was prominent in the magazine. Through complex and nuanced readings of Australian literary and cultural history, 'Travelling Home' reveals how vernacular understandings of key issues in Australia’s cultural history were developed and debated in this accessible and entertaining magazine.

'Travelling Home' provides a detailed analysis of the contribution that the mid twentieth-century 'Walkabout' magazine made to Australia’s cultural history.  Spanning five central decades of the twentieth century (1934-1974), 'Walkabout' was integral to Australia’s sense of itself as a nation. By advocating travel—both vicarious and actual—'Walkabout' encouraged settler Australians to broaden their image of the nation and its place in the Pacific region. In this way, 'Walkabout' explicitly aimed to make its readers feel at home in their country, as well as including a diverse picture of Aboriginal and Pacific cultures. Like National Geographic in the United States, Walkabout presented a cornucopia of images and information that was accessible to a broad readership.

Given its wide availability and distribution, together with its accessible and entertaining content, 'Walkabout' changed how Australia was perceived, and the magazine is recalled with nostalgic fondness by most if not all of its former readers. Many urban readers learnt about Indigenous peoples and cultures through the many articles on these topics, and although these representations now seem dated and at times discriminatory, they provide a lens through which to see how contemporary attitudes about race and difference were defined and negotiated.

Drawing on interdisciplinary scholarship, 'Travelling Home' engages with key questions in literary, cultural, and Australian studies about national identity and modernity. The book’s diverse topics demonstrate how 'Walkabout' canvassed subtle and shifting fields of representation. Grounded in the archival history of the magazine’s production, the book addresses questions key to Australian cultural history. These include an investigation of middle-brow print culture and the writers who contributed to Walkabout, and the role of 'Walkabout' in presenting diverse and often conflicting information about Indigenous and other non-white cultures. Other chapters examine how popular natural history enabled scientists and readers alike to define an unique Australian landscape, and to debate how a modernising nation could preserve its bush while advocating industrial and agricultural development. While the nation is central to 'Walkabout' magazine’s imagined world, Australia is always understood to be part of the Pacific region in complex ways that included neo-colonialism, and Pacific content was prominent in the magazine. Through complex and nuanced readings of Australian literary and cultural history, 'Travelling Home' reveals how vernacular understandings of key issues in Australia’s cultural history were developed and debated in this accessible and entertaining magazine.

The book fills a gap since there is no quick reference in comparative law and economics at the moment. The book can be seen as a short introduction to comparative law and economics, a helpful guide to additional reading and a textbook for a short course or seminar. Comparative law and economics is a growing field in the interaction between law, economics and comparative political science. It includes both strands of the traditional literature, namely the role of legal families and microeconomic analysis of legal rules in a comparative perspective.

The book opens with a short introduction about the method and the standard discussion between common law and civil law. It brings in the debate over the legal origins’ theory and its consequences in terms of economic growth. It presents the study of courts at the global level and the importance of comparative judicial politics to stimulate a better understanding of comparative law and economics. The book also covers microeconomic analysis of legal rules with a few applications (titling of property, cost-shifting rules, plea-bargaining) and additional reading recommendations to the reader (for additional examples). The book then focuses on lawyering, with an emphasis on varying regulation of the legal profession around the world. The book concludes with a short summary of possible research developments in the next few years, namely behavioral and empirical advancements.

The book fills a gap since there is no quick reference in comparative law and economics at the moment. The book can be seen as a short introduction to comparative law and economics, a helpful guide to additional reading and a textbook for a short course or seminar. Comparative law and economics is a growing field in the interaction between law, economics and comparative political science. It includes both strands of the traditional literature, namely the role of legal families and microeconomic analysis of legal rules in a comparative perspective.

The book opens with a short introduction about the method and the standard discussion between common law and civil law. It brings in the debate over the legal origins’ theory and its consequences in terms of economic growth. It presents the study of courts at the global level and the importance of comparative judicial politics to stimulate a better understanding of comparative law and economics. The book also covers microeconomic analysis of legal rules with a few applications (titling of property, cost-shifting rules, plea-bargaining) and additional reading recommendations to the reader (for additional examples). The book then focuses on lawyering, with an emphasis on varying regulation of the legal profession around the world. The book concludes with a short summary of possible research developments in the next few years, namely behavioral and empirical advancements.

This book deals with a new set of triangular orthogonal functions, which evolved from the set of well-known block pulse functions (BPF), a major member of the piecewise constant orthogonal function (PCOF) family. Unlike PCOF, providing staircase solutions, this new set of triangular functions provides piecewise linear solution with less mean integral squared error (MISE).

After introducing the rich background of PCOF family, which includes Walsh, block pulse and other related functions, fundamentals of the newly proposed set – such as basic properties, function approximation, integral operational metrics, etc. – are presented. This set has been used for integration of functions, analysis and synthesis of dynamic systems and solution of integral equations. The study ends with microprocessor based simulation of SISO control systems using sample-and-hold functions and Dirac delta functions.

Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts is a wildly satiric send-up of the 1960s/1970s Soviet show-trials by one of the most famous Soviet dissidents, who was also sometimes called 20th Century Russia’s ‘greatest living satirist.’ Based upon his reaction to the Sinyavski/Daniel trial in 1966, which caused him to begin to write scathingly critical letters to Premier Leonid Brezhnev and the Soviet Writer’s Union and finally resulted in his expulsion from the Soviet Union in 1981, Voinovich’s Tribunal is a monument to the Soviet dissidents of the Cold War period and a sardonic critique of the censorship and persecution of dissident writers everywhere. Following in the classical tradition of the theatre of the absurd that stretches from Aristophanes to Sartre, Frisch, and Havel, Voinovich’s comedy describes the black humoresque high jinks and wildly outrageous shenanigans that dizzily unfold when an unsuspecting couple of Soviet citizens, Senya and Larissa Suspectnikoff, clutching their free tickets in their innocent hands, walk into a crowded theatre, expecting to watch a Chekhovian comedy, only to become caught up in the sinister machinations of this Soviet criminal tribunal and its madcap version of the Moscow show trials. 

When The Suspectnikoffs arrive at the theater, they are surprised to find that the stage-sets for this curious theatrical production strangely resemble the precincts of a Soviet criminal justice tribunal, complete with tables and benches for The Prosecutor and The Public Defender and a wild beast-cage for The Defendant. There is also a Greek statue of The Goddess of Justice, Themis, who holds in her outstretched hand the wavering scales of Soviet justice, with on one pan, a hammer-&-sickle, and on the other, a Kalashnikoff. After a few uneasy moments while the stagehands put the props in place, The Bard strolls on stage and strums a few tunes on his guitar, in the futile attempt to set the audience at ease. But from outside the theater come the frightening sounds of screaming police-sirens and the flashing red-and-blue lights of an automobile cortege rushing past at great speeds; and when the hysterical rush of the speeding automobiles has passed, The Tribunal Members (The Chairman, The Secretary, and The Prosecutor, et al.) appear from the wings, strutting onstage in a burlesque chorus-line to the accompaniment of thunderous canned applause. And after this chorus-line of Communist Party bureaucrats has taken their places in the theater, the spectators are chilled to watch as black-clad security-police with submachine-guns appear at the theater-doors, blocking all the exits; and they discover, to their dismay, that they have become the captive audience in a mock-up version of a Stalinist show-trial. And so the third wall falls on this courtly theater, blurring the distinction between fiction and fact, falsehood and truth, nightmare and reality, as Voinovich describes the plight of Soviet citizens held hostage in the strange atmosphere of delirium and unreality that was characteristic of the declining and falling Soviet Union during stagnant chill of the 1970s Brezhnev years.

After a few more uneasy moments, Larissa stands up and whispers: “Senya, I don’t understand what’s going on here! Why are there so many people with guns?” To which Senya replies: “Oh, calm down, Lara! Why are you so nervous? It’s just a show!” The Suspectnikoffs do not realize that by questioning this sinister tribunal, they are destined to become the defendants in a Soviet show-trial. But the show-trial must go on! And as The Chairman says, “Where there’s a show-trial, you know, we need somebody to try!” Senya protests his innocence and attempts to get away. But protestations of innocence have no bearing on these proceedings. And by the end of Act I Scene 1, Senya has been arrested and placed in the defendant’s cage, while his faithful wife, Larissa, still stands behind her man, pleading for his release without quite believing in either his guilt or his innocence. And so Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts also goes on, wavering dizzily between the extremes of sardonic comic bathos and seriocomic tragedy, until Suspectnikoff finally becomes a world-famous dissident, calling upon the world’s leaders of to rise to his defense and inspiring protest movements in the Western democracies. But is Suspectnikoff to be admired for his heroic posturing? Or has he simply submitted to the pressures of the Western media to play the stereotyped role of The Soviet Dissident, who then becomes a pawn in the sinister spy-games of the Cold War superpower standoff between the U.S. and the U.S.S.R? The staggering climax of this absurdist melodrama leaves these difficult questions suspended in doubt as Suspectnikoff is dragged offstage and the stage-curtain falls on the whole cast of characters and the no-longer-innocent spectators of Tribunal: A Courtly Comedy in Three Acts.

Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts is a wildly satiric send-up of the 1960s/1970s Soviet show-trials by one of the most famous Soviet dissidents, who was also sometimes called 20th Century Russia’s ‘greatest living satirist.’ Based upon his reaction to the Sinyavski/Daniel trial in 1966, which caused him to begin to write scathingly critical letters to Premier Leonid Brezhnev and the Soviet Writer’s Union and finally resulted in his expulsion from the Soviet Union in 1981, Voinovich’s Tribunal is a monument to the Soviet dissidents of the Cold War period and a sardonic critique of the censorship and persecution of dissident writers everywhere. Following in the classical tradition of the theatre of the absurd that stretches from Aristophanes to Sartre, Frisch, and Havel, Voinovich’s comedy describes the black humoresque high jinks and wildly outrageous shenanigans that dizzily unfold when an unsuspecting couple of Soviet citizens, Senya and Larissa Suspectnikoff, clutching their free tickets in their innocent hands, walk into a crowded theatre, expecting to watch a Chekhovian comedy, only to become caught up in the sinister machinations of this Soviet criminal tribunal and its madcap version of the Moscow show trials. 

When The Suspectnikoffs arrive at the theater, they are surprised to find that the stage-sets for this curious theatrical production strangely resemble the precincts of a Soviet criminal justice tribunal, complete with tables and benches for The Prosecutor and The Public Defender and a wild beast-cage for The Defendant. There is also a Greek statue of The Goddess of Justice, Themis, who holds in her outstretched hand the wavering scales of Soviet justice, with on one pan, a hammer-&-sickle, and on the other, a Kalashnikoff. After a few uneasy moments while the stagehands put the props in place, The Bard strolls on stage and strums a few tunes on his guitar, in the futile attempt to set the audience at ease. But from outside the theater come the frightening sounds of screaming police-sirens and the flashing red-and-blue lights of an automobile cortege rushing past at great speeds; and when the hysterical rush of the speeding automobiles has passed, The Tribunal Members (The Chairman, The Secretary, and The Prosecutor, et al.) appear from the wings, strutting onstage in a burlesque chorus-line to the accompaniment of thunderous canned applause. And after this chorus-line of Communist Party bureaucrats has taken their places in the theater, the spectators are chilled to watch as black-clad security-police with submachine-guns appear at the theater-doors, blocking all the exits; and they discover, to their dismay, that they have become the captive audience in a mock-up version of a Stalinist show-trial. And so the third wall falls on this courtly theater, blurring the distinction between fiction and fact, falsehood and truth, nightmare and reality, as Voinovich describes the plight of Soviet citizens held hostage in the strange atmosphere of delirium and unreality that was characteristic of the declining and falling Soviet Union during stagnant chill of the 1970s Brezhnev years.

After a few more uneasy moments, Larissa stands up and whispers: “Senya, I don’t understand what’s going on here! Why are there so many people with guns?” To which Senya replies: “Oh, calm down, Lara! Why are you so nervous? It’s just a show!” The Suspectnikoffs do not realize that by questioning this sinister tribunal, they are destined to become the defendants in a Soviet show-trial. But the show-trial must go on! And as The Chairman says, “Where there’s a show-trial, you know, we need somebody to try!” Senya protests his innocence and attempts to get away. But protestations of innocence have no bearing on these proceedings. And by the end of Act I Scene 1, Senya has been arrested and placed in the defendant’s cage, while his faithful wife, Larissa, still stands behind her man, pleading for his release without quite believing in either his guilt or his innocence. And so Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts also goes on, wavering dizzily between the extremes of sardonic comic bathos and seriocomic tragedy, until Suspectnikoff finally becomes a world-famous dissident, calling upon the world’s leaders of to rise to his defense and inspiring protest movements in the Western democracies. But is Suspectnikoff to be admired for his heroic posturing? Or has he simply submitted to the pressures of the Western media to play the stereotyped role of The Soviet Dissident, who then becomes a pawn in the sinister spy-games of the Cold War superpower standoff between the U.S. and the U.S.S.R? The staggering climax of this absurdist melodrama leaves these difficult questions suspended in doubt as Suspectnikoff is dragged offstage and the stage-curtain falls on the whole cast of characters and the no-longer-innocent spectators of Tribunal: A Courtly Comedy in Three Acts.

There are many books on screenwriting that suggest to writers there are “secrets of Hollywood” and guaranteed formulas for success. The implication is that with the right recipe and a little luck any student can whip out the script that will provide that triumphant red carpet walk toward financial success and global appreciation. It is rare for a book to tell aspiring writers that they may already know the secret of great stories nestled in their own experience: the people they encounter in life, their observations of events, and their personal reactions to them. The intentions of this book is to provide for the creativity writers already have, to help them see the stories waiting to be recognized, recovered, and shaped into the scripts of visual narrative. While the emphasis of this book is on creating scripts intended for production of moving image media, the guide can be adapted to the creativity of various types of storytellers working in a variety of media. One of the needs for art is the mirror, a reflection of human existence and what is glorious, tragic, wonderful, and funny about life. In an age of “post-truth,” where derivative and grotesquely bogus stories are abundant, globally networked, and digitally streamed, this book examines what it means to both artists and audiences when the mirror is consistently distorted, inaccurate, and biased. The book offers a guide for finding authenticity in fictional narrative, regardless of genre or form. The book is intended as a compass for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create. One element that sets this book apart from others is the use of storyboarding to explain ideas. There are many books that teach fundamentals of writing and producing for the screen, promising the reader great success through formula. This book is a guide for writers in finding their own creative voice.

There are many books on screenwriting that suggest to writers there are “secrets of Hollywood” and guaranteed formulas for success. The implication is that with the right recipe and a little luck any student can whip out the script that will provide that triumphant red carpet walk toward financial success and global appreciation. It is rare for a book to tell aspiring writers that they may already know the secret of great stories nestled in their own experience: the people they encounter in life, their observations of events, and their personal reactions to them. The intentions of this book is to provide for the creativity writers already have, to help them see the stories waiting to be recognized, recovered, and shaped into the scripts of visual narrative. While the emphasis of this book is on creating scripts intended for production of moving image media, the guide can be adapted to the creativity of various types of storytellers working in a variety of media. One of the needs for art is the mirror, a reflection of human existence and what is glorious, tragic, wonderful, and funny about life. In an age of “post-truth,” where derivative and grotesquely bogus stories are abundant, globally networked, and digitally streamed, this book examines what it means to both artists and audiences when the mirror is consistently distorted, inaccurate, and biased. The book offers a guide for finding authenticity in fictional narrative, regardless of genre or form. The book is intended as a compass for writers to better understand and confront the truths they want to reveal through narrative stories and how to find legitimacy in the fictional characters and situations they create. One element that sets this book apart from others is the use of storyboarding to explain ideas. There are many books that teach fundamentals of writing and producing for the screen, promising the reader great success through formula. This book is a guide for writers in finding their own creative voice.

This volume addresses the current configuration of democratic politics in South Asia from a cross-disciplinary perspective. The essays seek to examine the larger questions of how democratic values are embedded in social and political institutions, and how localised and everyday political values inform the multiple ways in which democracy is understood and practised. One of the strengths of this collection is the fact that it does not seek to provide answers to these questions from within one academic discipline only, but rather brings together scholars with backgrounds in a variety of social science disciplines and the humanities.

A number of allied questions and engaging debates emerge throughout the book. How may we distinguish between democracy’s formal and less-than-formal dimensions in the context of South Asia? How do notions of kinship, kingship and community tie in with larger processes of democratic politics and deepening political mobilisation? How do people construe the political in a context where the sphere of the religious seemingly seamlessly overlaps with the political, where the political cannot be separated from the social, and where the boundaries between state and society are blurred? How do people practically engage with the political and with democratic processes at a local level – and what might democracy mean in the vernacular?

What place does Turkey occupy in the world today? Is it a bridge between Asia and Europe, or a bridgehead? Is Turkey part of Europe? In spite of the fine sentiments of Brussels and the desire displayed by all Turkish administrations for the past 15 years to become part of the EU, a game of bluff seems to be unfolding, marked by postponements, hesitations and unspoken agenda. But this bureaucratic approach masks other pressing issues such as the question of military power, Islam, the Kurdish questions, Cyprus and immigration. In the context of these issues, the Turkish question serves to cast the spotlight on new challenges for Europe: where should the frontiers of Europe be drawn? What is the place of Islam in it? What is the best way to deal with minorities? The spectrum of authoritative analyses in this vital new book demonstrates that Turkey presents, to an enlarged Europe, the image of its own contradictions, but also its ambitions.

What place does Turkey occupy in the world today? Is it a bridge between Asia and Europe, or a bridgehead? Is Turkey part of Europe? In spite of the fine sentiments of Brussels and the desire displayed by all Turkish administrations for the past 15 years to become part of the EU, a game of bluff seems to be unfolding, marked by postponements, hesitations and unspoken agenda. But this bureaucratic approach masks other pressing issues such as the question of military power, Islam, the Kurdish questions, Cyprus and immigration. In the context of these issues, the Turkish question serves to cast the spotlight on new challenges for Europe: where should the frontiers of Europe be drawn? What is the place of Islam in it? What is the best way to deal with minorities? The spectrum of authoritative analyses in this vital new book demonstrates that Turkey presents, to an enlarged Europe, the image of its own contradictions, but also its ambitions.

‘Turkey’s Water Diplomacy’ first delineates the institutional and legal foundations of transboundary water policy-making in Turkey. In doing so, major actors of water diplomacy at national, regional and international levels are identified and scrutinized. Specific attention is paid to the evolution of transboundary water politics in the Euphrates–Tigris river basin since Turkish water diplomacy and its basic principles have been largely shaped through practices in this strategically important river basin. Situated at the crossroads of the Middle East, the Caucasus and Europe as the country is, Turkey’s transboundary water policy has also been shaped by geographical determinants. Interestingly, Turkey has reflected her experience in one region (i.e., Europe) on practices in other regions. ‘Turkey’s Water Diplomacy’ analyses how Turkey’s harmonization with the European Union has impacted the transboundary water policy discourses and practices, and how these changes have been reflected in its relations with its Middle Eastern neighbours. A historical account of transboundary water relations in the ET basin is enriched with the analysis of the current state of affairs in the region, such as the Syrian civil war and its repercussions on water issues.

It is striking that Turkey was one of the three countries that rejected the UN Watercourses Convention in 1997. The book elaborates on the reasons why Turkey voted against the UN Watercourses Convention. Yet, since the voting of the convention in 1997, there have been changes in Turkey’s stance vis-à-vis international water law, which the book examines and focuses on.

Turkey’s water diplomacy embodies complex water management problems, which can be best understood as a product of competition, feedback and interconnection among natural and societal variables in a political context. Hence, the book adopts the Water Diplomacy Framework with its key elements in making policy-relevant recommendations specifically for Turkey’s water diplomacy.

‘Turkey’s Water Diplomacy’ first delineates the institutional and legal foundations of transboundary water policy-making in Turkey. In doing so, major actors of water diplomacy at national, regional and international levels are identified and scrutinized. Specific attention is paid to the evolution of transboundary water politics in the Euphrates–Tigris river basin since Turkish water diplomacy and its basic principles have been largely shaped through practices in this strategically important river basin. Situated at the crossroads of the Middle East, the Caucasus and Europe as the country is, Turkey’s transboundary water policy has also been shaped by geographical determinants. Interestingly, Turkey has reflected her experience in one region (i.e., Europe) on practices in other regions. ‘Turkey’s Water Diplomacy’ analyses how Turkey’s harmonization with the European Union has impacted the transboundary water policy discourses and practices, and how these changes have been reflected in its relations with its Middle Eastern neighbours. A historical account of transboundary water relations in the ET basin is enriched with the analysis of the current state of affairs in the region, such as the Syrian civil war and its repercussions on water issues.

It is striking that Turkey was one of the three countries that rejected the UN Watercourses Convention in 1997. The book elaborates on the reasons why Turkey voted against the UN Watercourses Convention. Yet, since the voting of the convention in 1997, there have been changes in Turkey’s stance vis-à-vis international water law, which the book examines and focuses on.

Turkey’s water diplomacy embodies complex water management problems, which can be best understood as a product of competition, feedback and interconnection among natural and societal variables in a political context. Hence, the book adopts the Water Diplomacy Framework with its key elements in making policy-relevant recommendations specifically for Turkey’s water diplomacy.

Have neoliberal policies truly yielded beneficial effects for India? ‘Two Decades of Market Reform in India’ presents a collection of essays that challenge the conventional wisdom of Indian market reforms, examining the effects of neoliberal policies enacted by the Indian government and exploding the myths that surround them.

The volume addresses three key areas. Firstly, it investigates how the high growth rate of the Indian economy has made it uneven, vulnerable and liable to poor employment generation and agrarian crises. The text refutes the hypothesis that growth in India has been driven by domestic factors, and argues against the notion that the Indian economy has remained unaffected by the global economic meltdown. The volume also investigates the reduced demand for food grain during the reform period, questioning whether it was indeed a result of increased income, as suggested by the government, or rather a consequence of increasing poverty and agrarian crisis. [NP]Secondly, the text counters the neoliberal myth that a fiscal deficit is essentially bad, and examines how the government’s focus on preventing a deficit caused a large-scale decline in development expenditures, which in turn had a negative impact on the well-being of the poor. Finally, the volume also argues that there is no evidence that supports denationalization as an effective way to reduce fiscal deficit, as the public sector, it argues, is not necessarily less efficient than the private sector.

Striving to hold India’s market reforms – and those responsible for their implementation – to account, ‘Two Decades of Market Reform in India’ bravely shines a light on the true implications of India’s neoliberal governmental policies. With its rich and insightful analysis, it provides a revealing indication of how policy reform since 1991 has, at times, detrimentally affected the Indian populace, and will serve as an invaluable resource for students, professionals, activists and policymakers interested in the socioeconomic future of the country. 

Have neoliberal policies truly yielded beneficial effects for India? ‘Two Decades of Market Reform in India’ presents a collection of essays that challenge the conventional wisdom of Indian market reforms, examining the effects of neoliberal policies enacted by the Indian government and exploding the myths that surround them.

The volume addresses three key areas. Firstly, it investigates how the high growth rate of the Indian economy has made it uneven, vulnerable and liable to poor employment generation and agrarian crises. The text refutes the hypothesis that growth in India has been driven by domestic factors, and argues against the notion that the Indian economy has remained unaffected by the global economic meltdown. The volume also investigates the reduced demand for food grain during the reform period, questioning whether it was indeed a result of increased income, as suggested by the government, or rather a consequence of increasing poverty and agrarian crisis. [NP]Secondly, the text counters the neoliberal myth that a fiscal deficit is essentially bad, and examines how the government’s focus on preventing a deficit caused a large-scale decline in development expenditures, which in turn had a negative impact on the well-being of the poor. Finally, the volume also argues that there is no evidence that supports denationalization as an effective way to reduce fiscal deficit, as the public sector, it argues, is not necessarily less efficient than the private sector.

Striving to hold India’s market reforms – and those responsible for their implementation – to account, ‘Two Decades of Market Reform in India’ bravely shines a light on the true implications of India’s neoliberal governmental policies. With its rich and insightful analysis, it provides a revealing indication of how policy reform since 1991 has, at times, detrimentally affected the Indian populace, and will serve as an invaluable resource for students, professionals, activists and policymakers interested in the socioeconomic future of the country. 

In the course of one’s life in academia, one tends to formulate insights on various matters one encounters in a succinct form to share with one’s students and colleagues. This book is a collection of such thoughts.

This book explores the philosophy of economic forecasting under uncertainty. In economics the extreme events are difficult and often impossible to predict, especially when leaning upon the past only. Events can be approximately evaluated, as they may be sudden and erratic. The presentation of programs for years ahead is of little value because the uncertainty intervals expand when economic volatility increases, forming uncertainty bands. This book presents the effect of an expanding uncertainty band.

This book reasons that the economic system has sensitivity thresholds - critical states of economic processes at which they significantly alter their characteristics. In those critical states, economic phase transitions may occur. A slowdown in economic growth, especially a tangible recession, can result in negative qualitative changes in the economy, which can have a long-term impact. As in medicine, in economics, the diagnosis must not be rigid and permanent. Vital indicators could and will change throughout therapy. A rigid forecast resulting in an attempt to ensure the rigid stability of indicators is dangerous and fraught with irreparable economic losses.

To solve the issue of inflexible programs, this book presents the minimal uncertainty interval. This method is to open a logical path from the predicament of explaining its quantitatively precise indefinability of the indicators. The aim is to contribute to the flexible and realistic concept about possible dynamics of economic processes with interval forecasts and probabilistic evaluations of those events’ outcomes. It is indicated that exiting the allowable intervals of regulatory indicators contributes to the emergence of economic diseases. This book tries to explore and systematize economic diseases, presents the factors that affect forecast efficiency, and makes the forecast satisfactory. Based on the systematization of the conducted research, this book formulates the ten principles of forecasting, which are necessary for forecasting the economic processes and decision-making under uncertainty.

Charles Edward Russell was a major intellectual and political figure of the late nineteenth- and early twentieth-century United States. As a very well-known American radical, he published many books on the US economy, the condition of workers, social issues, and other subjects. He was an active member of the American socialist movement before 1917, but when the US entered the war in 1917 he moved to support the US war effort, something many radicals had still opposed. When President Woodrow Wilson was preparing a special delegation to Russia in the summer of 1917, he added Russell to the delegation in an effort to include a radical at a time when the Russian Provisional Government was increasingly socialist.

Russell was the only delegation member to write an account of his trip, and he hurried to get it published by early 1918. He managed to communicate the complexity of the situation in 1917 Russia and inform readers about some of the leaders who were not well recognized abroad. He provided an optimistic view of the revolution, Russia’s future, and how it might have a significant positive effect on change in the United States."

Charles Edward Russell was a major intellectual and political figure of the late nineteenth- and early twentieth-century United States. As a very well-known American radical, he published many books on the US economy, the condition of workers, social issues, and other subjects. He was an active member of the American socialist movement before 1917, but when the US entered the war in 1917 he moved to support the US war effort, something many radicals had still opposed. When President Woodrow Wilson was preparing a special delegation to Russia in the summer of 1917, he added Russell to the delegation in an effort to include a radical at a time when the Russian Provisional Government was increasingly socialist.

Russell was the only delegation member to write an account of his trip, and he hurried to get it published by early 1918. He managed to communicate the complexity of the situation in 1917 Russia and inform readers about some of the leaders who were not well recognized abroad. He provided an optimistic view of the revolution, Russia’s future, and how it might have a significant positive effect on change in the United States."

Undisciplined is concerned with questions of the transformative effects of crisis in architecture as a discipline. This concern is addressed through the critical examination of a hybrid body of practice-based work, which, although founded on the discipline of architecture, results from its contingent amalgamation with other fields, including contemporary art, politics, and theory. The book reflects on projects developed in contexts of profound sociopolitical instability (i.e., corruption, violence, poverty, and exile), including informal settlements in Venezuela that provide the background to the discussion of projects undertaken elsewhere. In this process, the book interrogates the volatility of the crisis refrain, articulating a framework to propose an undisciplined form of architectural and spatial practice. 

This framework not only advocates for working across different fields, but also, for practicing rebelliously and nomadically. To practice rebelliously is to exercise the practice of architecture as an act of resistance. In other words, it is to engage with the problem of space from a skeptical point of view, defying architecture’s entrenched structures of power and questioning its notions of authority, expertise, and specialization. Likewise, to practice nomadically suggests the condition of being constantly on the move, not only physically but also intellectually. It is the quality of practicing architecture as anything but as an architectural expert, drawing from experience working in overlooked social and cultural contexts, and infiltrating disciplinary fields located in its periphery. 

As such, Undisciplined questions pre-established disciplinary categories and develops unorthodox methodologies that facilitate the construction of new and increasingly necessary architectural narratives. The book provides examples of such narratives, including speculative and realized projects that illustrate this claim. These examples also provide evidence of how an undisciplined approach is necessary, especially in times when the precepts established by architecture’s intelligentsia and some of its associated structures of disciplinary control need to be questioned and challenged. 

Unfinished Austen is a scholarly monograph which examines four texts left incomplete by Jane Austen: Catharine, or the Bower (1792–-3), Lady Susan (1795?), The Watsons (1803–-4?) and Sanditon (1817). None was published till well after her death. They have never received nearly as much attention as the six novels that appeared between 1811 and 1817, and this is the first study to examine them in detail, and in relation to each other.

These unfinished texts are fascinating for several reasons. Since very little in manuscript form survives from the six famous novels, these four manuscript texts offer insight into the novelist in the process of creation. All of them feature alterations that show Jane Austen refining her language and demonstrating the orientation of her thinking. The unfinished works also problematize the romance plot salient in the published novels by presenting this in a nebulous or incipient state that underlines its artificiality. In doing so, these texts sometimes draw attention to how the romance plot is inflected by the financial condition in which young marriageable women can find themselves. 

Notable as well is the four texts’ handling of place and setting, which become especially prominent in The Watsons and Sanditon. The Watsons creates superbly the life of a small-town family at the edges of gentility, while Sanditon portrays a small seaside town being developed into a tourist resort—a new trend in Austen’s day. Moreover, the stories (other than Catharine) have aroused the interest of many later writers—including writers for theatre and screen—who are eager to complete or to amplify them. Developments on screen include Whit Stillman’s Love and Friendship (which is actually based on Austen’s Lady Susan), and Andrew Davies’s recent continuation of Sanditon. Completions may develop the stories to some kind of dénouement. Perhaps more intriguingly, however, these texts induce some writers to question the very enterprise of concluding an unfinished text.

“Unhomely Cinema” explores how the unhomely nature of contemporary film narrative provides an insight into what it means to dwell in today’s global societies. Drawing from Freud’s concept of the uncanny – that frightful and inexplicable experience of the home as foreign and strange – the unhomely speaks to the spatial dislocation, transience, homelessness and disempowerment symptomatic of contemporary global societies.

While uncanny homes are traditionally associated with the science fiction and horror genres, “Unhomely Cinema” shows how an array of film genres – from Michel Gondry’s comedy “Be Kind Rewind” to Laurent Cantet’s eerie suspense thriller “Time Out” – use the figure of the precarious home to engage with some of the most pertinent social and cultural issues involved in the question of “making home.”

Encounters with the unhomely often result in the painful loss of home, but the unhomely can also offer an ethics of dwelling, whereby the impossibility of narrative closure represents new and more hopeful ways of dwelling in the world.

Universality and Utopia explores the intersection between philosophical universalism and revolutionary politics in twentieth-century Peruvian indigenista literature. It traces a tradition of thought whose basic tenets originate in the philosophical works of José Carlos Mariátegui and are subsequently elaborated in the literary works of César Vallejo and José MaríaArguedas. My central thesis is that, more than a “regionalist” or “provincialist” literature that describes the social reality and historic oppression of the rural Indian since colonial times, the socialist indigenismo is continuous with the invention of a utopian imaginary for a project of alternative modernity, through which urban intellectuals, artists and activists conceived of a national future beyond that of capitalist modernization. Above all, such a future would traverse the prescient division between the urban mestizo and the Indian, and finally the lingering disparity between the nation’s Western and native heritage. In doing so, indigenista writers did not only adapt the tenets of socialist philosophy and avant-garde aesthetics to describe their unique social realities and thinking of the possibility of an emancipatory political practice; they also interrogated the foundations of European Marxism, expressing various figurations of the emancipatory process to come, and different models for the new revolutionary subjectivity that would aid this transition. 

Rejecting assimilation into Western modernization within the urban milieu (“acculturation”) under liberal capitalism imagined by liberal writers—such as Manuel González Prada and ClorindaMatto de Turner, in the late nineteenth century—I argue that the twentieth-century socialist indigenista tradition anticipated a bilateral process of appropriation and mediation between the rural Indian and mestizo, integrating indigenous as well as Western cultural and economic forms. In the first chapter, I assess Mariátegui’s heterodox “Peruvian socialism,” tracing the articulation of a nascentindigenista aesthetics to an emancipatory politics as part of an “active philosophy” driven by what the author names “creative antagonism.” In the second chapter, I explore how César Vallejo’s “materialist poetics” progressively extend the nationalist destiny and social realist aesthetic avowed by Mariátegui onto an internationalist and geopolitical horizon, as part of an “aesthetics of transmutation” that coincides with a plea for humanity as a whole. In the third chapter, I trace how José MaríaArguedas’ novels attempt to reconcile what he named “the magical and rational conceptions of the world,” extending the ideal of a transcultural mediation between the rural Indian and urban mestizo to conceive of a new collectivist and cooperativist ethics of “labor for-itself,” informed by his anthropological and ethnographic research. In the fourth chapter, I propose a general retrospective of the aims and limitations of the ideals guiding this tradition, considering the development of Peruvian indigenista literature after Arguedas, interrogating the legacy and prospects of emancipatory politics in response to the limits of neoliberal capitalism and the crisis of democracy in Latin America today.

Universality and Utopia explores the intersection between philosophical universalism and revolutionary politics in twentieth-century Peruvian indigenista literature. It traces a tradition of thought whose basic tenets originate in the philosophical works of José Carlos Mariátegui and are subsequently elaborated in the literary works of César Vallejo and José MaríaArguedas. My central thesis is that, more than a “regionalist” or “provincialist” literature that describes the social reality and historic oppression of the rural Indian since colonial times, the socialist indigenismo is continuous with the invention of a utopian imaginary for a project of alternative modernity, through which urban intellectuals, artists and activists conceived of a national future beyond that of capitalist modernization. Above all, such a future would traverse the prescient division between the urban mestizo and the Indian, and finally the lingering disparity between the nation’s Western and native heritage. In doing so, indigenista writers did not only adapt the tenets of socialist philosophy and avant-garde aesthetics to describe their unique social realities and thinking of the possibility of an emancipatory political practice; they also interrogated the foundations of European Marxism, expressing various figurations of the emancipatory process to come, and different models for the new revolutionary subjectivity that would aid this transition. 

Rejecting assimilation into Western modernization within the urban milieu (“acculturation”) under liberal capitalism imagined by liberal writers—such as Manuel González Prada and ClorindaMatto de Turner, in the late nineteenth century—I argue that the twentieth-century socialist indigenista tradition anticipated a bilateral process of appropriation and mediation between the rural Indian and mestizo, integrating indigenous as well as Western cultural and economic forms. In the first chapter, I assess Mariátegui’s heterodox “Peruvian socialism,” tracing the articulation of a nascentindigenista aesthetics to an emancipatory politics as part of an “active philosophy” driven by what the author names “creative antagonism.” In the second chapter, I explore how César Vallejo’s “materialist poetics” progressively extend the nationalist destiny and social realist aesthetic avowed by Mariátegui onto an internationalist and geopolitical horizon, as part of an “aesthetics of transmutation” that coincides with a plea for humanity as a whole. In the third chapter, I trace how José MaríaArguedas’ novels attempt to reconcile what he named “the magical and rational conceptions of the world,” extending the ideal of a transcultural mediation between the rural Indian and urban mestizo to conceive of a new collectivist and cooperativist ethics of “labor for-itself,” informed by his anthropological and ethnographic research. In the fourth chapter, I propose a general retrospective of the aims and limitations of the ideals guiding this tradition, considering the development of Peruvian indigenista literature after Arguedas, interrogating the legacy and prospects of emancipatory politics in response to the limits of neoliberal capitalism and the crisis of democracy in Latin America today.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social 'embeddedness' of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social 'embeddedness' of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

Simon J. James examines how Gissing's work reveals an unhappy accommodation with money's underwriting of human existence and culture, and how daily life in all its forms – moral, intellectual, familial and erotic – is transcended or made irrelevant by its commodification. Novels such as 'New Grub Street' expose high culture's dependence on the ruthless Darwinism of late Victorian capitalism: literary and personal success can only be achieved by understanding and adapting to the immanent and irresistible nature of a market hostile to the development of human self-betterment. Situated against nineteenth-century analyses of monetary relations by thinkers such as Ruskin, Mill, Marx and Carlyle, and novels by Dickens, Eliot and Hardy, 'Unsettled Accounts' demonstrates how Gissing's work is engagedly modern, dealing as it does with changes in the nature of the literary market, advertising, imperialism, the New Woman and the condition of the working classes. This groundbreaking new study, published 100 years after Gissing's death, will be of considerable interest to students, researchers and scholars. A valuable introduction to Gissing's work, it claims a prominent place for him in fin-de-siècle Victorian literature.

Simon J. James examines how Gissing's work reveals an unhappy accommodation with money's underwriting of human existence and culture, and how daily life in all its forms – moral, intellectual, familial and erotic – is transcended or made irrelevant by its commodification. Novels such as 'New Grub Street' expose high culture's dependence on the ruthless Darwinism of late Victorian capitalism: literary and personal success can only be achieved by understanding and adapting to the immanent and irresistible nature of a market hostile to the development of human self-betterment. Situated against nineteenth-century analyses of monetary relations by thinkers such as Ruskin, Mill, Marx and Carlyle, and novels by Dickens, Eliot and Hardy, 'Unsettled Accounts' demonstrates how Gissing's work is engagedly modern, dealing as it does with changes in the nature of the literary market, advertising, imperialism, the New Woman and the condition of the working classes. This groundbreaking new study, published 100 years after Gissing's death, will be of considerable interest to students, researchers and scholars. A valuable introduction to Gissing's work, it claims a prominent place for him in fin-de-siècle Victorian literature.

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. [NP] Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. [NP] How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? [NP] Levnî barely remembers his own Christian family before he was selected as a child tribute and raised into high office by the mighty Ottoman Empire. But who is he really? [NP] Will the Grand Vizier’s quest for ultimate power yield results? [NP] How does an imperial wife justify her own wickedness? [NP] And conversely, what makes another so loyal for better, for worse, for richer, for poorer? [NP] For whose shadow will the tulip gardens long when their world comes crashing down? [NP] 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination. 

The book offers a step-by-step blueprint of radical proposals for the U.S.-Mexican border that go far beyond traditional initiatives to ease restrictions on immigration. The book argues that the border with Mexico should be completely open for Mexicans wishing to travel north. Up Against the Wall provides the background to understanding how the border has become a fraud, resulting in nothing more than the criminalization of Mexican and other migrants, the bloating of the mismanaged U.S. Immigration and Customs Enforcement, the deterioration of living standards along the frontier, and the enrichment of American employers. Placing the border in a historical perspective, Laufer shows how circumstances have deteriorated to the present Trump-exacerbated crisis, and why the region and the migration through it cannot be ignored. Over the last several years he has interviewed dozens of authorities and men and women in the street while reporting from Mexico, along the border, and in the United States. He demonstrates that the security of America's southern border is a fallacy; offers vivid examples to illustrate how the chain of misery and lawbreaking for migrants heading north is initiated by U.S. employers, traces many of the border problems to the Guatemalan-Mexican border, and explores the abuses of the Border Patrol and the growing presence of vigilantes on the American side. Up Against the Wall is sure to provoke a lively debate over the future of Mexican immigration and global migration crises.

The book offers a step-by-step blueprint of radical proposals for the U.S.-Mexican border that go far beyond traditional initiatives to ease restrictions on immigration. The book argues that the border with Mexico should be completely open for Mexicans wishing to travel north. Up Against the Wall provides the background to understanding how the border has become a fraud, resulting in nothing more than the criminalization of Mexican and other migrants, the bloating of the mismanaged U.S. Immigration and Customs Enforcement, the deterioration of living standards along the frontier, and the enrichment of American employers. Placing the border in a historical perspective, Laufer shows how circumstances have deteriorated to the present Trump-exacerbated crisis, and why the region and the migration through it cannot be ignored. Over the last several years he has interviewed dozens of authorities and men and women in the street while reporting from Mexico, along the border, and in the United States. He demonstrates that the security of America's southern border is a fallacy; offers vivid examples to illustrate how the chain of misery and lawbreaking for migrants heading north is initiated by U.S. employers, traces many of the border problems to the Guatemalan-Mexican border, and explores the abuses of the Border Patrol and the growing presence of vigilantes on the American side. Up Against the Wall is sure to provoke a lively debate over the future of Mexican immigration and global migration crises.

Urban Crisis, Urban Hope resurrects the concept of the city and its neighbourhoods as a crucible for new ideas and a site of innovative action when cities in the UK are struggling with an unfolding crisis, exacerbated by a policy vacuum and lack of strategic vision about how to resolve a series of growing divisions, social problems and injustices. It celebrates what is being achieved against the odds. But it also recognises the desperate need for support, resources and complementary visions at urban and national scales, and sets out an agenda to meet this need.

The collection of essays brings together leading thinkers and doers from across the spectrum of policy and practice to present both critical analysis and an agenda for action. It seeks to reinvigorate a sense of the city as a space where more progressive and fairer futures can be imagined, planned and realised. It aims to challenge stultifying discourses of incremental bureaucratic devolution that frame and delimit current urban debates. It alerts policymakers and the public to the unfolding crisis that has been allowed to develop in our cities and rehumanises the debate on urban futures to focus on citizenship and wellbeing in an age of precarity.

Urban Crisis, Urban Hope resurrects the concept of the city and its neighbourhoods as a crucible for new ideas and a site of innovative action when cities in the UK are struggling with an unfolding crisis, exacerbated by a policy vacuum and lack of strategic vision about how to resolve a series of growing divisions, social problems and injustices. It celebrates what is being achieved against the odds. But it also recognises the desperate need for support, resources and complementary visions at urban and national scales, and sets out an agenda to meet this need.

The collection of essays brings together leading thinkers and doers from across the spectrum of policy and practice to present both critical analysis and an agenda for action. It seeks to reinvigorate a sense of the city as a space where more progressive and fairer futures can be imagined, planned and realised. It aims to challenge stultifying discourses of incremental bureaucratic devolution that frame and delimit current urban debates. It alerts policymakers and the public to the unfolding crisis that has been allowed to develop in our cities and rehumanises the debate on urban futures to focus on citizenship and wellbeing in an age of precarity.

Cities and towns continue to evolve and are utilizing a range of planning and design strategies in urban landscapes that focus on climate change, social accommodation and livability. All of the strategies are potential influences on future urban experience and identity. In order to produce positive results, communities are applying urban planning and design concepts based on current and future environmental prospects. The result is a range of concepts aligned with numerous planning and design standards for urban viability, now and in the future.

Urban Landscape Priorities, Opportunities and Prospect is unique in addressing current priorities and opportunities as standards for the future quality of urban landscape initiatives. A key standard is inductive, bottom-up context applications that produce livable and sustainable urban landscape contexts. Current participants in this vision are planners, designers and fine artists. The result is a text that emphasizes priorities, opportunities and potential prospects as interrelated planning and design influences on current and future urban landscapes.

The book is meticulously researched, drawing mainly on archives in the United States and Britain and includes previously unpublished photographs. It is in three parts. Part I begins with a reminder of the early days of American independence and the formation of the new nation and is a useful backdrop to the rest of the book. This was a period of rapid growth which saw the creation and development of the State Department and the Consular Service. Accounts are given of the frequent legislative changes, the major weaknesses of the early Consular Service, the Spoils System which ensured that political allies or presidential fundraisers were appointed as consuls, the calls for reform, how the Consular Service lost its separate identity in 1924 when it merged with the Diplomatic Service to form the unified Foreign Service, and the amalgamation of the State Department and the Foreign Service in 1954.

Parts II and III form the major section of the book. Part II concentrates on the consulates and the people who served in them in Britain and pre-independence Ireland and is an overview of the American consular presence from 1790 to the present day. Topics covered include the wide-ranging extent of the consular network, British nationals who served as American consuls, consular families, office accommodation, furnishings and equipment of consulates, espionage activities conducted by the consuls in Britain during the American Civil War, how Texas and Hawaii had consulates in Britain before they became States of the Union, inspections of consulates, the dangers faced by consuls during the First and Second World War blitzes, and the lengthy attempts by women to become consuls and diplomats.

Part III consists of detailed histories of consulates in fifteen towns. These include the dates on which the offices were operational, short biographies of staff who served in them and an indication of their routine activities, including a few noteworthy incidents or highlights. The accounts are of varying length reflecting the duration of the consulates’ presence. The extent and scale of the former consular network can be appreciated from the list of locations and categories of consular offices shown in the Appendix. The book concludes with a review of how the consular function has evolved and kept pace with changing demands and needs. Although the Spoils System now exists for only one consular appointment, at a post which is not in the UK but is within the London embassy’s remit, it still thrives in those embassies where career consuls and diplomats report to an ambassador who may be a political appointee. This is particularly the case in a number of European posts.

The book is meticulously researched, drawing mainly on archives in the United States and Britain and includes previously unpublished photographs. It is in three parts. Part I begins with a reminder of the early days of American independence and the formation of the new nation and is a useful backdrop to the rest of the book. This was a period of rapid growth which saw the creation and development of the State Department and the Consular Service. Accounts are given of the frequent legislative changes, the major weaknesses of the early Consular Service, the Spoils System which ensured that political allies or presidential fundraisers were appointed as consuls, the calls for reform, how the Consular Service lost its separate identity in 1924 when it merged with the Diplomatic Service to form the unified Foreign Service, and the amalgamation of the State Department and the Foreign Service in 1954.

Parts II and III form the major section of the book. Part II concentrates on the consulates and the people who served in them in Britain and pre-independence Ireland and is an overview of the American consular presence from 1790 to the present day. Topics covered include the wide-ranging extent of the consular network, British nationals who served as American consuls, consular families, office accommodation, furnishings and equipment of consulates, espionage activities conducted by the consuls in Britain during the American Civil War, how Texas and Hawaii had consulates in Britain before they became States of the Union, inspections of consulates, the dangers faced by consuls during the First and Second World War blitzes, and the lengthy attempts by women to become consuls and diplomats.

Part III consists of detailed histories of consulates in fifteen towns. These include the dates on which the offices were operational, short biographies of staff who served in them and an indication of their routine activities, including a few noteworthy incidents or highlights. The accounts are of varying length reflecting the duration of the consulates’ presence. The extent and scale of the former consular network can be appreciated from the list of locations and categories of consular offices shown in the Appendix. The book concludes with a review of how the consular function has evolved and kept pace with changing demands and needs. Although the Spoils System now exists for only one consular appointment, at a post which is not in the UK but is within the London embassy’s remit, it still thrives in those embassies where career consuls and diplomats report to an ambassador who may be a political appointee. This is particularly the case in a number of European posts.

The book comes at a time when V. S. Naipaul has passed away, and it is important to assess his place within the Caribbean as compared to elsewhere. As the book positions itself in Trinidad, it provides an alternative view of Naipaul’s career from a non-metropolitan point of view. The book contrasts how Naipaul was read and received in the Caribbean against his reputation in the metropolitan centres.

The book is organized decade by decade, with 1950s beginning in 1950 to 1959, 1960s beginning with 1960 to 1969, etc. There are possibly two exceptions: A House for Mr Biswas (1961) is treated as a 1950s novel because it is thematically linked to his writings in the 1950s; “The Killings in Trinidad and The Death of Eva Peron” (1980) are about the happenings in 1970s and were published in 1980 only due to legal issues. 

The book places the writings of Naipaul in a dynamic dialogue with the events taking place in Trinidad. There is no event of political or historical importance in Trinidad (1950s–1990s) that went unnoticed and unwritten about by Naipaul. He was a writer who wrote for his countrymen because he realized that it was his countrymen that most enjoyed his writings. Though he lived in England and was grateful for the global recognition his writing received, he knew that his writing spoke only to the true Trinidadian who appreciated him, his stances and his rebuffs. 

Growing levels of education, increasing availability of capital, diversification and specialization of economic activities, and the numerous support options available to start a business has led to the creation of more and more micro and small businesses across Europe. But while the process of setting up a business is increasingly straightforward, keeping it going is much tougher. In normal times, business entry and business exit are natural processes, inherent to economic life. Yet, the number of bankruptcies peaked during the recent financial crisis. The Lisbon Partnership had identified the key role of overcoming the stigma of business failure as a strategy for growth and jobs.

There is a clear economic and social rationale in providing a second chance to failed entrepreneurs and helping them derive positive experiences from negative situations. First, businesses set up by restarters grow faster than those of first timers in terms of turnover and jobs created. The case studies of Ford, Hershey and Disney are instructive for young entrepreneurs in this matter.

Second, most of the time, the cause of a business failure is not the incompetence but external circumstances such as a slump in demand, financial crisis or rise of a new competitor. However, this professional failure is often confused with personal failure, and low self-esteem causes individuals to withdraw and retreat to safer employment options.

Third, it is accepted that a society does not generate innovation and productivity by steadfastly avoiding mistakes but rather by learning from them. Yet the culture of and incentive system in Europe does not reflect this.

Value of Failure is a comprehensive attempt to understand the various aspects of the phenomenon of business failure. It enables readers to understand business failure from the perspective of institutional theory; economic failure in the process of small business growth in the context of the shadow economy; Schumpeter’s theory of ‘creative destruction’ and the fear of failure; sustainable economic growth and development and system approach to failures and their impact on the enterprise operation.

Growing levels of education, increasing availability of capital, diversification and specialization of economic activities, and the numerous support options available to start a business has led to the creation of more and more micro and small businesses across Europe. But while the process of setting up a business is increasingly straightforward, keeping it going is much tougher. In normal times, business entry and business exit are natural processes, inherent to economic life. Yet, the number of bankruptcies peaked during the recent financial crisis. The Lisbon Partnership had identified the key role of overcoming the stigma of business failure as a strategy for growth and jobs.

There is a clear economic and social rationale in providing a second chance to failed entrepreneurs and helping them derive positive experiences from negative situations. First, businesses set up by restarters grow faster than those of first timers in terms of turnover and jobs created. The case studies of Ford, Hershey and Disney are instructive for young entrepreneurs in this matter.

Second, most of the time, the cause of a business failure is not the incompetence but external circumstances such as a slump in demand, financial crisis or rise of a new competitor. However, this professional failure is often confused with personal failure, and low self-esteem causes individuals to withdraw and retreat to safer employment options.

Third, it is accepted that a society does not generate innovation and productivity by steadfastly avoiding mistakes but rather by learning from them. Yet the culture of and incentive system in Europe does not reflect this.

Value of Failure is a comprehensive attempt to understand the various aspects of the phenomenon of business failure. It enables readers to understand business failure from the perspective of institutional theory; economic failure in the process of small business growth in the context of the shadow economy; Schumpeter’s theory of ‘creative destruction’ and the fear of failure; sustainable economic growth and development and system approach to failures and their impact on the enterprise operation.

The astonishing political rise of Donald Trump sent seasoned observers scurrying for clues and explanations. How did Trump happen? Of course no one guide will suffice, but a surprisingly helpful one, suggests Sidney Plotkin, is the early twentieth-century American radical, Thorstein Veblen. In remarkably vivid ways, Veblen understood the enduring American allure of figures such as Trump. [NP] As Plotkin shows in “Veblen’s America,” Trump’s booming persona springs noisily out the country-town hucksterism that Veblen sardonically depicted, its fabulist habits fitting Trump’s “truthful hyperbole” to a tee. But Veblen saw darker, more ominous forces in American life too––habits of barbaric violence, misogyny and xenophobia––forces that foreshadowed Trump’s appeal to what Veblen called a deep “sclerosis of the American soul.” New Deal liberalism helped mute the strains, but economic crisis and the neoliberal response aggravated them. Donald Trump’s appeal to hate made their revival unmistakable.

To shape the study, Plotkin introduces readers to Veblen’s critical institutional theory and its application to both the American case generally and to the Trump family story in particular. With Veblen as foundation, he examines three generations of Trumps as they engage the forces of American development: Friedrich Trump, the hard-scrabble immigrant grandfather, on the make in the gold mining towns of the Pacific Northwest; Fred Trump, the father, who showed the way in using the loose rules of American housing policy to become a captain of local industry; and Donald J. Trump himself, who, having first burst onto the New York City scene as a burgeoning celebrity entrepreneur of the neoliberal era, then turned against neoliberal globalism, proclaiming himself the one and only savior of working-class America. As Plotkin shows, Trump’s poisonous ascendancy exposed a barbaric malevolence that has long torn at the fabric of American democracy and its aspirations for equality.

The best and most instructive way to learn about philosophy is by examining the history of the field. For it is here that we come to see how its particulars are identified and addressed by some of humankind’s sharpest intellects. Philosophy began hundreds of years BCE, and by now has grown to a scope and scale beyond acceptability by any single mind. But a sampling of episodes and issues can convey some idea of the nature of the field. And it is with this goal in view—clarifying the detail of some key philosophical issues—that these studies are being put into print. It is the aim of these forays into philosophical history to illustrate how contemporary perspectives, methods, and instruments of analysis can clarify some of the key philosophical teachings both by highlighting the difficulties they encounter and by providing instructive means for addressing them.

This book explores the importance of sympathy as a central idea behind Victorian fiction, and an animating principle of novel reading generally. Sympathy, Brigid Lowe argues, deserves a much more important role as both a subject and a guiding principle for literary criticism.

Over the past thirty years, much literary theory has approached literature in general, and Victorian fiction in particular, in a spirit of suspicion. It has tried to purge criticism of the human subject, and of that distinctively human faculty, sympathy. Reading in a contrary, sympathetic mode, Lowe turns the tables on theoretical orthodoxy by submitting some of its central premises to the sympathetic suggestions of novels by Dickens, Gaskell, Eliot, Charlotte Bronte, Charlotte Yonge and Dinah Craik. Their explorations of such diverse issues as history, imagination, individual rights, family, and social responsibility, highlight sympathy as a cornerstone of human nature and humane conduct. Lowe argues that not only literary theory, but our culture more generally, would greatly profit by opening itself up to a sympathetic exchange of ideas with another age, and giving Victorian intimations of sympathy a sympathetic hearing.

Lowe’s exploration of sympathy as part of the dynamics of reading will be of interest to academics and students working on fiction in all periods, and especially to those concerned with aesthetic and critical theory. Her investigation of the role of sympathy in a range of nineteenth-century cultural debates, in particular in relation to gender and the family, should also interest cultural historians. The engaging argumentative momentum of ‘Victorian Fiction and the Insights of Sympathy’ will appeal to anyone interested in why we do, and should, go on reading Victorian fiction.

From political sleaze and scandal to West End hits and the 'feel-good' factor, Michael Diamond explores the media stories that gripped Victorian society, in an age when newspapers became cheap, nationally distributed and easily accessible to all classes. Fully illustrated, and drawing on a wealth of original material, 'Victorian Sensation' sheds light on the Victorians' fascination with celebrity culture and their obsession with gruesome and explicit reportage of murders and sex scandals. With a vivid cast of characters, ranging from the serial poisoner William Palmer, to Charles Dickens, Jumbo the Elephant, distinguished politicians and even the Queen herself, this passionate analysis of the period reveals how the reporting methods of our own popular media have their origins in the Victorian press, and shows that sensation was as integral a part of society in the nineteenth century as it is today.

From political sleaze and scandal to West End hits and the 'feel-good' factor, Michael Diamond explores the media stories that gripped Victorian society, in an age when newspapers became cheap, nationally distributed and easily accessible to all classes. Fully illustrated, and drawing on a wealth of original material, 'Victorian Sensation' sheds light on the Victorians' fascination with celebrity culture and their obsession with gruesome and explicit reportage of murders and sex scandals. With a vivid cast of characters, ranging from the serial poisoner William Palmer, to Charles Dickens, Jumbo the Elephant, distinguished politicians and even the Queen herself, this passionate analysis of the period reveals how the reporting methods of our own popular media have their origins in the Victorian press, and shows that sensation was as integral a part of society in the nineteenth century as it is today.

In our book, new voices from the African landscape join the conversation on making peace in spaces often ruined by violence. Academics, mediation professionals and community leaders have come together to share their experiences with mediation. It not only restores or creates relationships but also transforms people’s thoughts about making peace. Some lessons in this book are for sharing lived experiences for public benefit, others are aimed at conceptualising mediations, and some contribute to theory building, but all the contributions inspire peace action.
Overall, peace leaders in Africa manage violent conflict much better than observed from other vantage points outside Africa. Despite long-term poverty, terrorism and internal wars, international contests for Africa’s resources, governance dysfunctions, natural disasters, limited access to technology, and transnational crime, community leaders (some contributing to this book) are coming forward daily to apply their knowledge to mediate peace.
This book will appeal to peace-building students and professionals focusing on socio-economic development in safe and secure conditions. It is also unique in that it intersects and transcends many academic disciplines and is a valuable guidebook for curricula on peace and conflict studies, security studies, law studies, African development studies, public safety management, and public affairs. It demonstrates the interconnections between these dimensions of society. A new shift in the humanities to understand non-Western management approaches makes this book of exceptional value.

'Virtual Voyages' is a fascinating account of the European discovery of the elusive 'great south land' told through the literature of 'imaginary voyages'. Written at the height of the era of European maritime exploration, these bizarre and captivating tales, with their wildly imaginative visions of antipodean inversion and strangeness, reveal a hidden history of attitudes to colonization. By exposing the relationship between myth and reality in the antipodes, this book casts new light on the power of fiction to influence history.

In the post-colonial studies field, books about travel writing and empire have tended to focus on the high period of nineteenth-century imperialism and on the colonial settings of Africa and India. This book offers a fresh perspective by focussing on the eighteenth century, and referring to the geographical region of Australia and the Pacific, which has had far less attention. The book also breaks new ground by being the first to approach the genre of the imaginary voyage from a post-colonial perspective.

In addition to the new insights into European colonialism that it offers, the book illustrates many broader themes in eighteenth-century history and thought. These include connections between the rise of science and modern imperialism, the development of narrative history and fiction and the influence of romanticism, the evolution of the early novel in Britain and France, and the role of mythology in the development of national identity.

'Virtual Voyages' is a fascinating account of the European discovery of the elusive 'great south land' told through the literature of 'imaginary voyages'. Written at the height of the era of European maritime exploration, these bizarre and captivating tales, with their wildly imaginative visions of antipodean inversion and strangeness, reveal a hidden history of attitudes to colonization. By exposing the relationship between myth and reality in the antipodes, this book casts new light on the power of fiction to influence history.

In the post-colonial studies field, books about travel writing and empire have tended to focus on the high period of nineteenth-century imperialism and on the colonial settings of Africa and India. This book offers a fresh perspective by focussing on the eighteenth century, and referring to the geographical region of Australia and the Pacific, which has had far less attention. The book also breaks new ground by being the first to approach the genre of the imaginary voyage from a post-colonial perspective.

In addition to the new insights into European colonialism that it offers, the book illustrates many broader themes in eighteenth-century history and thought. These include connections between the rise of science and modern imperialism, the development of narrative history and fiction and the influence of romanticism, the evolution of the early novel in Britain and France, and the role of mythology in the development of national identity.

During World War II and the Greek Civil War, there was a systemic movement to drain Greece of its infants, babies and children for adoption outside the country. It was a phenomenon further instigated by poverty, and dependence upon other powerful forces, both external and internal. “The total number of Greek war orphans (who had lost one or both parents) was estimated to be 340,000 to 375,000 and by 1950, one out of eight children was orphaned,” according to the Greek Ministry of Social Welfare. Greece had become “a nation of orphans,” and between 1948 through 1962, “had the highest annual per capita adoption ratio in the world.” 

Some adoptions of that time were simple, legal adoptions and private. Others were expensive and complicated. Many were illegal and others had criminal overtones. A profit motive had been created to move babies and children from one place to another in the country and also far beyond Greek borders, internationally. But the issue was more importantly that of human rights. “Birth mothers and adoptive families were routinely deceived in this transnational scene of baby brokering, which left children without protection.” Documents were “concocted” in some cases and, in others, “forged. Some babies were stolen from their birth mothers. Some babies were “re-registered as foundlings and some parents were told their baby had died, but were not shown a body or a death certificate.” Further, “numerous mothers of children born out of wedlock were being denied any meaningful consent in the adoption proceedings.”

This book will reflect this time in Greek history through a collection of essays from these children, now adults, known as the “lost children of Greece.” Many of their stories were harrowing, some fantastic, and have affected and influenced the lives of these individuals for years. Their essays will reflect the times, but will also describe the feelings, experiences, and thoughts about being adopted in such turbulent times, and will chronicle the searches for their biological relatives, in most cases, after their adoptive parents have died. Much has been written about the history of these times, which briefly mentions or refers to the children, but little to none has come from the children themselves. That is this book.

During World War II and the Greek Civil War, there was a systemic movement to drain Greece of its infants, babies and children for adoption outside the country. It was a phenomenon further instigated by poverty, and dependence upon other powerful forces, both external and internal. “The total number of Greek war orphans (who had lost one or both parents) was estimated to be 340,000 to 375,000 and by 1950, one out of eight children was orphaned,” according to the Greek Ministry of Social Welfare. Greece had become “a nation of orphans,” and between 1948 through 1962, “had the highest annual per capita adoption ratio in the world.” 

Some adoptions of that time were simple, legal adoptions and private. Others were expensive and complicated. Many were illegal and others had criminal overtones. A profit motive had been created to move babies and children from one place to another in the country and also far beyond Greek borders, internationally. But the issue was more importantly that of human rights. “Birth mothers and adoptive families were routinely deceived in this transnational scene of baby brokering, which left children without protection.” Documents were “concocted” in some cases and, in others, “forged. Some babies were stolen from their birth mothers. Some babies were “re-registered as foundlings and some parents were told their baby had died, but were not shown a body or a death certificate.” Further, “numerous mothers of children born out of wedlock were being denied any meaningful consent in the adoption proceedings.”

This book will reflect this time in Greek history through a collection of essays from these children, now adults, known as the “lost children of Greece.” Many of their stories were harrowing, some fantastic, and have affected and influenced the lives of these individuals for years. Their essays will reflect the times, but will also describe the feelings, experiences, and thoughts about being adopted in such turbulent times, and will chronicle the searches for their biological relatives, in most cases, after their adoptive parents have died. Much has been written about the history of these times, which briefly mentions or refers to the children, but little to none has come from the children themselves. That is this book.

This book focuses on Pukhtun women’s educational struggle in the traditionalist Pukhtun society to succeed against the odds in Pukhtunkhwa, Pakistan. The study found higher education as a means of women's liberation – their struggle and experiences for higher education give them a unique position in their patriarchal culture. The province is dominated by the culture rather than the teaching of Islam. Therefore, people make decisions according to the Pukhtun culture and social values. Strong roots of patriarchy reinforced a religious misinterpretation that ‘culturalised’ Islam instead of Islamising their culture in the prevailing society. Both the stories of the book concluded patriarchy was the main cause of women's marginalisation, which further granted a fertile ground for the Taliban to sketch a strategic atrocity and ban women's education in the name of Islam in the Swat Valley.

Patriarchy and militarisation have been used as a tool for cultural governance of identity and maintenance of gender stratification by sharing common grounds of gender dynamics and women epistemology under liberal, radical Marxist/socialist, Islamic feminism and feminist peace and conflict theories of women security. Thus, the book discussed feminist approaches concerned about unequal opportunities in higher education that challenged the propagation of male-experience and knowledge.

The scope of the book is broad and focused on women empowerment and emancipation through education. It addresses issues related to young Pukhtun women from disadvantaged areas who aspire to get higher education. The main focus of the book is to hear Pukhtun women’s own voices while discussing the issues related to higher education.

This book investigates the practice of writing and self - translating phenomenon within the context of mobility, through the analysis of a corpus of narratives written by authors who were born in Italy and then moved to English-speaking countries. Emphasizing Writing and self-translating as practices, which exist in conjunction with a process of redefinition of identity, the book illustrates how these authors use language to negotiate and voice their identity in (trans)migratory contexts.
(Trans)migration refers to a process through which mobile subjects are “firmly rooted in their new country,” but at the same time maintain “multiple linkages to their homeland” (Schiller, Basch, and Szanton Blanc 1995: 48). The (trans)migrant experience is at the core of the writing and self-translating performances of the authors. It constitutes the reason behind their writing and self-translating. The need to express their voice in both languages leads them to produce a double text. Indeed, they attempt to achieve a simultaneous existential embeddedness, by means of a simultaneous linguistic embeddedness. On the other hand, the (trans)migrant experience constitutes the object of their activity. It is recreated in the text, on both the level of content and language. From a thematic perspective, it appears in the rethinking of a number of traditional tropes. From a linguistic perspective, it emerges through code-switching, as well as through a specific form of self-translation, which is located at the juncture between writing and translating.
The book investigates the experience of transmigration in relation to what Yildiz calls “the monolingual paradigm” (2012). According to this paradigm, individuals possess one exclusive mother tongue—the language we learn from our parents and grow up with. The mother tongue ties individuals to specific linguistic, cultural, and physical spaces, defining their identity within precise borders and boundaries. Nonetheless, transmigration challenges the monolingual paradigm, as transmigrants forge associations with multiple spaces. Experiencing the “impossibility of the monolingual paradigm” (Yildiz 2012), the authors resort to writing and Self-translating to recreate their transmigrant experience on the page and challenge monolingual assumptions about language and identity. Indeed, their literary productions express and exploit the creative and existential possibilities of a life at the crossroads.

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.

Vyāsa is the primary creative poet of the Sanskrit epic Mahābhārata and 'Vyāsa Redux' examines the many paradoxical dimensions of his narrative virtuosity in the poem where the poet is both the creator of the work and a character within it. The book also studies elements in the poem which have been received by the late Bronze Age poets who composed the figure of Vyāsa, elements that reflect kinship, polity and modes of mnemonic inspiration. Three paired concepts function within the poem’s narrative process: first, the central approach of the book is founded upon the distinction between plot and story, that is, the causal relation of events as opposed to the temporal relation of events. Second, much of the argument then engages with how this distinction relates to the difference between the preliterate and literate phases of our present text. Third, the nature of how inspiration functions and how edition operates becomes another vital component in our analytic process explaining how Vyāsa becomes a dramatic, causal and at times prophetic character in the poem’s narration as well as its originator.

W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. As a sociologist, Du Bois wrote much about the historical and social circumstances of African Americans while often acknowledging the African historical background driving much of African American, or Negro, culture. In 1946, Du Bois published The World and Africa, which was a culmination of previous attempts at penning a narrative of African history beginning with his 1915 publication The Negro, in which he included the social-historical experience of African Americans within the continuity of African history. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois’s writings on African history. The book argues that while Du Bois presented at the time a strong critique of the Eurocentric construction of African history, many of Du Bois’s descriptions and arguments about African people and history were likewise flawed with interpretations that projected the cultural subjectivities of Europe. Further, while Du Bois rightfully presents the historical relationship between African Americans and Africa as a justification for Pan-African activism, this book contends that Du Bois’s failure to center African culture instead of race leads to superficial justifications for Pan-African unity. Due to the history of slavery and colonialism, African Americans and other African diasporic people face unique challenges regarding identity. This book posits that the reconstruction of an African cultural-historical matrix would have served Du Bois in better ways than the use of the racial paradigm. Therefore, Adé offers his own African World Antecedent Methodology (AWAM) as a tool for scholars to assist in piecing together the African cultural-historical matrix of diasporic African people. There are three approaches in the AWAM methodology: Kanna (sameness), Fanna (similarity), and Naani (uniqueness), which applied together functions in providing a framework for reconstructing the past lifeways of African people transgenerationally and transcontinentally, as well as reaffirming the cosmological rationale for various aspects of African cultural continuity and cultural unity extant among the African diaspora.

W. E. B. Du Bois was one of the leading figures of Pan-African thought and activism in the twentieth century. As a sociologist, Du Bois wrote much about the historical and social circumstances of African Americans while often acknowledging the African historical background driving much of African American, or Negro, culture. In 1946, Du Bois published The World and Africa, which was a culmination of previous attempts at penning a narrative of African history beginning with his 1915 publication The Negro, in which he included the social-historical experience of African Americans within the continuity of African history. This book delivers for the first time a comprehensive Afrocentric investigation and critique of Du Bois’s writings on African history. The book argues that while Du Bois presented at the time a strong critique of the Eurocentric construction of African history, many of Du Bois’s descriptions and arguments about African people and history were likewise flawed with interpretations that projected the cultural subjectivities of Europe. Further, while Du Bois rightfully presents the historical relationship between African Americans and Africa as a justification for Pan-African activism, this book contends that Du Bois’s failure to center African culture instead of race leads to superficial justifications for Pan-African unity. Due to the history of slavery and colonialism, African Americans and other African diasporic people face unique challenges regarding identity. This book posits that the reconstruction of an African cultural-historical matrix would have served Du Bois in better ways than the use of the racial paradigm. Therefore, Adé offers his own African World Antecedent Methodology (AWAM) as a tool for scholars to assist in piecing together the African cultural-historical matrix of diasporic African people. There are three approaches in the AWAM methodology: Kanna (sameness), Fanna (similarity), and Naani (uniqueness), which applied together functions in providing a framework for reconstructing the past lifeways of African people transgenerationally and transcontinentally, as well as reaffirming the cosmological rationale for various aspects of African cultural continuity and cultural unity extant among the African diaspora.

This book brings together, for the first time, a collection of articles from leading scholars on the writing, and literary and social contexts, of the ‘tramp-poet’ and memoirist W. H. Davies (1871–1940). Though Davies is a well-known and unique literary figure of the early twentieth century, most famous now for The Autobiography of a Super-Tramp and poems such as ‘Leisure’, which came 14th in the BBC’s search to find ‘The Nation’s Favourite Poems’, no other volume of essays, or other critical monograph, concentrates on his work. This book not only provides a reassessment of Davies, putting him in his literary and cultural context (as a Welsh writer, the ‘tramp-poet’, a prominent Georgian poet, and a disabled writer), but also sheds light on the many more central literary figures he encountered and befriended, among them Edward Thomas, George Bernard Shaw, Edith Sitwell, Alice Meynell, D. H. Lawrence, and Joseph Conrad. The aim of the book is to reconsider the major works of the ‘tramp-poet’ and memoirist W.H. Davies, and his place in the literary and cultural milieu of his period. Davies spent several years in North America as a young man, traversing the continent and living mainly as a tramp, and losing a leg in the process, as he attempted to jump aboard a freight train in Ontario. These experiences are at the heart of his famous memoir, The Autobiography of a Super-Tramp (1908), which was edited by Edward Thomas and introduced by George Bernard Shaw. Davies also established a reputation as a poet and was included in all five of the immensely popular Georgian Poetry anthologies between 1912 and 1922. He continued to write, in particular about his life, and later books include many volumes of poetry and memoirs such as: A Poet’s Pilgrimage (1918), which details a walking tour across southern Britain and the people he encountered; Later Days (1924), about the literary and artistic communities he had recently belonged to; and Young Emma (written in the late 1920s but not published until 1980), a thinly anonymised memoir about how he met his wife, almost thirty years his junior. They are unique products of a unique life.

This is the first book of essays to be published on this fascinating author, who has largely been neglected by literary critics, despite his centrality to British memoir, travel writing, and poetry in the early twentieth century. It puts Davies in his literary and cultural context, provides reassessments of the work, and considers his influence as a writer and personality. It will be useful to readers coming new to the author and wanting a critical overview, while at the same time putting forward many new research findings and much new thinking.

This collection of original essays examines the complex historical relationships between religion, war and peace. Taking Tolstoy’s famous novel as its title, the book is divided into two sections. In the first, four chapters explore examples of religion and violence. These include a famous case of violence against Polish Jews by their neighbors, messianic movements in West Papua in response to external cultural and military threats, the American Protestant response to the violence of the Civil War and the ultimate defeat of the Confederate forces, and finally the religion and violence among Plains Indians within the framework of a sociological debate about “civilization.” The second section examines the Quaker doctrine of nonviolence and resistance to war taxes, the diverse attempts to understand the atomic bombing of Japan and the construction of a tourist industry around Hiroshima, the role of religious identity in the laws that influence sectarian tensions in Lebanon, and finally the notion of love in the countercultures of the 1960s that were inspired by Gandhi and Martin Luther King. In his introduction and conclusion, Bryan Turner, reflecting on the analysis of the futility of war in Tolstoy’s novel, looks at various explanations of the role of religion in political violence. These include the idea of a clash of civilizations, the tensions between majorities and minorities, the role of the state in promoting communal violence, and the struggle between different religious worldviews against a background of secularization. 

This collection of original essays examines the complex historical relationships between religion, war and peace. Taking Tolstoy’s famous novel as its title, the book is divided into two sections. In the first, four chapters explore examples of religion and violence. These include a famous case of violence against Polish Jews by their neighbors, messianic movements in West Papua in response to external cultural and military threats, the American Protestant response to the violence of the Civil War and the ultimate defeat of the Confederate forces, and finally the religion and violence among Plains Indians within the framework of a sociological debate about “civilization.” The second section examines the Quaker doctrine of nonviolence and resistance to war taxes, the diverse attempts to understand the atomic bombing of Japan and the construction of a tourist industry around Hiroshima, the role of religious identity in the laws that influence sectarian tensions in Lebanon, and finally the notion of love in the countercultures of the 1960s that were inspired by Gandhi and Martin Luther King. In his introduction and conclusion, Bryan Turner, reflecting on the analysis of the futility of war in Tolstoy’s novel, looks at various explanations of the role of religion in political violence. These include the idea of a clash of civilizations, the tensions between majorities and minorities, the role of the state in promoting communal violence, and the struggle between different religious worldviews against a background of secularization. 

War and Peace in the Worlds of Rudolf H. Sauter is a unique project which complements current trends in scholarship and the insatiable public appetite for books about the experience and impact of war. It is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895–1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an “enemy alien,” and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this cultural biography opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.

War and Peace in the Worlds of Rudolf H. Sauter is a unique project which complements current trends in scholarship and the insatiable public appetite for books about the experience and impact of war. It is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895–1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an “enemy alien,” and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this cultural biography opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.

This book presents the most comprehensive study of the Waffen-SS until this date. It draws on archival studies done in more than 20 archives in 13 different countries over a period of 5 years. The gathered material comprises a wide-ranging selection of data such as records from the SS, contemporary Allied documents, letters from soldiers, as well as diaries and memoirs. Other major groups of material derive from the investigations into war crimes, from intelligence services and other organisations with a stake in the SS soldiers’ post-war networks and veteran societies. All this diverse data has made it possible to study the Waffen-SS not merely as a hierarchical organisation but as a living organisation made up by human beings. Based on this extensive material the book covers the entire history of the Waffen-SS and follows the post-war fate of the SS-veterans as well. The evolution of the Waffen-SS is analysed with special emphasis on the role of Nazi ideology, war crimes and atrocities, as well as the unique multi-ethnic and transnational character of the organization. The book describes the haphazard, opportunistic and sometimes chaotic growth of the Waffen-SS but also analyses how a constant focus on ideology and a continuous brutalization through commitment of war crimes had a considerable integrative power. The SS managed to form a strong ethos with lasting power both among many of the former SS-soldiers and a greater public audience, documented in the book’s study of the post-war veterans’ culture and the popular cultural memory of the Waffen-SS.

This book presents the most comprehensive study of the Waffen-SS until this date. It draws on archival studies done in more than 20 archives in 13 different countries over a period of 5 years. The gathered material comprises a wide-ranging selection of data such as records from the SS, contemporary Allied documents, letters from soldiers, as well as diaries and memoirs. Other major groups of material derive from the investigations into war crimes, from intelligence services and other organisations with a stake in the SS soldiers’ post-war networks and veteran societies. All this diverse data has made it possible to study the Waffen-SS not merely as a hierarchical organisation but as a living organisation made up by human beings. Based on this extensive material the book covers the entire history of the Waffen-SS and follows the post-war fate of the SS-veterans as well. The evolution of the Waffen-SS is analysed with special emphasis on the role of Nazi ideology, war crimes and atrocities, as well as the unique multi-ethnic and transnational character of the organization. The book describes the haphazard, opportunistic and sometimes chaotic growth of the Waffen-SS but also analyses how a constant focus on ideology and a continuous brutalization through commitment of war crimes had a considerable integrative power. The SS managed to form a strong ethos with lasting power both among many of the former SS-soldiers and a greater public audience, documented in the book’s study of the post-war veterans’ culture and the popular cultural memory of the Waffen-SS.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

Water Security in the Middle East explores the extent and nature of water security problems in transboundary water systems in the Middle East. This collection of essays discusses the political and scientific contexts and the limitations of cooperation in water security.

The contributors argue that while conflicts over transboundary water systems in the Middle East do occur, they tend not to be violent nor have they ever been the primary cause of a war in this region. The authors place water disputes in larger political, historical and scientific contexts and discuss how the humanities and social sciences could contribute more towards this understanding. They also contend that international sharing of scientific and technological advances can significantly increase access to water and improve water quality. While scientific advances can and should increase adaptability to changing environmental conditions, especially climate change, national institutional reform and the strengthening of joint commissions are vital. The contributors indicate ways in which transboundary cooperation may move from simple and intermittent coordination to sophisticated, adaptive and equitable modes of water management.

Water Security in the Middle East explores the extent and nature of water security problems in transboundary water systems in the Middle East. This collection of essays discusses the political and scientific contexts and the limitations of cooperation in water security.

The contributors argue that while conflicts over transboundary water systems in the Middle East do occur, they tend not to be violent nor have they ever been the primary cause of a war in this region. The authors place water disputes in larger political, historical and scientific contexts and discuss how the humanities and social sciences could contribute more towards this understanding. They also contend that international sharing of scientific and technological advances can significantly increase access to water and improve water quality. While scientific advances can and should increase adaptability to changing environmental conditions, especially climate change, national institutional reform and the strengthening of joint commissions are vital. The contributors indicate ways in which transboundary cooperation may move from simple and intermittent coordination to sophisticated, adaptive and equitable modes of water management.

Journalist, novelist, poet, artist and art critic, essayist, theologian, propagandist, philosopher, and creator of the wily old Father Brown – G. K. Chesterton is one of the most beguiling authors of the early twentieth century. When asked to perform a lecture tour in 1921, Chesterton was in a slump of depression. He had recently lost his brother to the First World War and his wavering faith in the face of the horrors of the conflict only intensified his malaise. ‘What I Saw in America’ tells us as much about the author and his particular views as it does about his destination. Indeed, Chesterton’s personalised observations – his aversion to imperialism, capitalism, Anglo-Americanism and his commitment to democracy and fraternity – are distinguished by the piercing wit for which he is famed.

Many of Chesterton’s reflections are timeless and startlingly prescient. He was highly critical of both the naïve immigration policies and the grinding dehumanisation brought about by the growth of the economy. Nonetheless, he was enthralled by the glorious ideals of the nation – founded on principles of equality, democracy and freedom – even if the essence of these ideals had been lost somewhere along the way. ‘What I Saw in America’ ranks among the finest of Chesterton’s works, containing all of the author’s virtues and vices: his wry humour, sympathy and intelligence playing devilishly against an irrepressible mischievousness.

Karl von Dalberg (1744–1817) was the scion of a prominent aristocratic family in the Holy Roman Empire. He served as the Empire’s last Reichskanzler (1802–1806) before its dissolution by Napoleon, and subsequently as Prince-Primate of the Confederation of the Rhine (1806–1813), implementing Napoleonic reforms in the Rhineland. In the 1790s, he had been active as a political theorist and a member of Friedrich Schiller’s intellectual circle in Jena. Dalberg’s early text of 1793, ‘Von den wahren Grenzen der Wirksamkeit des Staats’ [‘The True Limits of the Effectiveness of the State’], published anonymously but securely attributed, defends Christian Wolff’s perfectionist theory of the state against Kantian critiques, especially as these were formulated in 1792 by Wilhelm von Humboldt (1767–1835). The confrontation between Dalberg and Humboldt illustrates the early reception of Kant’s moral, political and juridical thought, and varying German responses to the French Revolution. Dalberg offers an insightful defence of the older perfectionism, while distinguishing it from new liberal and republican approaches.
Dalberg himself had encouraged Humboldt to publish his largely Kantian reflections on the role of the state. Humboldt’s text, Ideen zu einem Versuch, die Grenzen der Wirksamkeit des Staats zu bestimmen [An Attempt to Determine the Limits of the Effectiveness of the State], was published in part in 1792, truncated by Prussian censorship, and the complete work appeared posthumously only in 1851. Humboldt advocated a minimalist state, which he took to be consistent with Kant’s repudiation of Wolffian perfectionism in the Groundwork of the Metaphysics of Morals (1785) as inimical to the self-determination of persons. The state was to be the agent of freedom and not of happiness. Dalberg responded with a critique of the minimalist state. He defended Wolffian enlightened absolutism, bolstering Wolff’s position with anthropological arguments about indolence and co-ordination to support the view that without broad state intervention and guidance, society stagnates, and perfection, or happiness, becomes unattainable. Dalberg’s response retains a strongly reformist orientation, differentiating him from other contemporary offshoots of Wolffianism, such as the staunchly conservative Historical School of Law. Dalberg is thus a representative of Enlightened absolutism in the context of the French Revolution, and his subsequent political career exemplifies this position.

The contemporary business and human rights regime speaks almost exclusively to states and business entities. The absence of victim voices has been a consistent challenge within the field in general as well as within the various literature and policy proposals. This challenge is so widely recognized that, for the first time, the UN made affected communities’ access to remedies the central theme at the November 2017 Forum on Business and Human Rights.

“When Business Harms Human Rights” is timely, exploring many of the key themes from the forum and offers an in-depth analysis of business-related human rights impacts and the challenges experienced by rightsholders in accessing remedies. The volume relies on reported narratives of and qualitative data on various incidents where businesses have intersected with affected communities. It allows the voice of the rightsholders to be heard and presents initial ideas regarding best practices that governments and businesses can undertake when engaging with communities. Most importantly, however, this edited volume engages with a larger audience primarily from the perspective of affected rightsholders.

The volume stands as a first-of-its-kind. Indeed, of the scholarly books currently published within the field of business and human rights, none have provided narratives from rightsholders or made their perspectives the center of the narrative.

For most of its history Europe was a thoroughly average part of the world: poor, uncouth, technologically and culturally backward. By contrast, China was always far richer, more sophisticated and advanced. Yet it was Europe that first became modern, and by the nineteenth century China was struggling to catch up. This book explains why. Why did Europe succeed and why was China left behind? The answer, as we will see, does not only solve a long-standing historical puzzle, it also provides an explanation of the contemporary success of East Asia, and it shows what is wrong with current theories of development and modernization.

'Why the Economists Got It Wrong' illustrates the origins and development of the financial crisis, tracing  its cultural origins in mainstream views which favoured financial liberalization policies. These views are contrasted with those of Keynes and Keynesian economists such as Minsky. Thus, among other things, Keynes’s ideas on uncertainty and Minsky’s ideas on financial fragility are taken up. The book points to an interpretation of economic events where uncertainty plays a central role, the dichotomy between real and monetary variables is rejected, and elements from the Classical approach are revived. This implies drastic changes in economic policy recipes, and particularly at economic policies aimed at building institutional and regulatory structures in order to counter financial fragility.

The essays in this volume explain how financial inflation shifts banking and financial markets towards more speculative activity, changing the financial structure of the economy and corroding the social and political values that underlie welfare state capitalism. The essays begin with an article that was published in the Financial Times that highlights the problems of excess debt, which emerges when financial inflation exceeds the rate at which prices and incomes are rising.

Subsequent essays examine the consequences of this for money and international financial, and for financial and accounting techniques such as financial innovation, goodwill and leverage. Among them are critical essays on the role that finance theory has played in covering up the problems caused by finance. These include a portrait of the pioneer of modern finance theorist Fischer Black. Further essays discuss the role of finance in economic inequality, fostering a new political, social and economic divide between the asset-rich and the asset-poor as the housing market (and asset markets in general) become the new 'welfare state of the middle classes'.

A final group of essays looks at how financial inflation finally broke down and financial crisis broke out. A previously unpublished essay examines the limitations of central banks in securing financial stability, while two concluding essays discuss the role of international business in transmitting the crisis around the world, and how developing countries become affected by the crisis.

The essays in this volume explain how financial inflation shifts banking and financial markets towards more speculative activity, changing the financial structure of the economy and corroding the social and political values that underlie welfare state capitalism. The essays begin with an article that was published in the Financial Times that highlights the problems of excess debt, which emerges when financial inflation exceeds the rate at which prices and incomes are rising.

Subsequent essays examine the consequences of this for money and international financial, and for financial and accounting techniques such as financial innovation, goodwill and leverage. Among them are critical essays on the role that finance theory has played in covering up the problems caused by finance. These include a portrait of the pioneer of modern finance theorist Fischer Black. Further essays discuss the role of finance in economic inequality, fostering a new political, social and economic divide between the asset-rich and the asset-poor as the housing market (and asset markets in general) become the new 'welfare state of the middle classes'.

A final group of essays looks at how financial inflation finally broke down and financial crisis broke out. A previously unpublished essay examines the limitations of central banks in securing financial stability, while two concluding essays discuss the role of international business in transmitting the crisis around the world, and how developing countries become affected by the crisis.

This study examines why the Kruger Park struggled to become a leading venue for wildlife filmmaking and then, paradoxically, at a time when South Africa came under increasing political and military pressure, wildlife filmmaking took off very successfully. Another paradox is that the growth in wildlife filmmaking also paralleled the growth of wildlife hunting in Southern Africa. 

The study turns to Actor-Network theory to examine the complex interplay between local filmmakers, international commissioning agents like Mike Rosenberg, international broadcasters and the animals involved. It argues that Southern African filmmakers were often able to aim successfully both at European and North American markets and points to ways in which innovations from Southern Africa influenced broadcasting trends internationally, particularly in the move away from a British blue-chip BBC ethos and style. 

It concludes with an examination of Africam and WildEarth and the vision of founder Graham Wallington about the future of wildlife documentary. 

William Blake as Natural Philosopher, 1788-1795 takes seriously William Blake’s wish to be read as a natural philosopher, particularly in his early works, and illuminates the way that poetry and visual art were for Blake an imaginative way of philosophizing. Blake’s poetry and designs reveal a consistent preoccupation with eighteenth-century natural philosophical debates concerning the properties of the physical world, the nature of the soul, and God’s relationship to the material universe. This book traces the history of these debates, and examines images and ideas in Blake’s illuminated books that mark the development of the monist pantheism in his early works, which contend that every material thing is in its essence God, to the idealism of his later period, which casts the natural world as degenerate and illusory. The book argues that Blake’s philosophical thought was not as monolithic as has been previously characterized, and that his deepening engagement with late eighteenth-century vitalist life sciences, including studies of the asexual propagation of the marine polyp, marks his metaphysical turn. 

In contrast to the vast body of scholarship that emphasizes Blake’s early religious and political positions, William Blake as Natural Philosopher draws out the metaphysics underlying his commitments. In so doing, the book demonstrates that pantheism is important because it entails an ethics that respects the interconnected divinity of all material objects – not just humans – which in turn spurns hierarchical power structures. If everything is alive and essentially divine, Blake’s early work implies, then everything is worthy of respect and capable of giving and receiving infinite delight. Therefore, one should imaginatively and joyfully immerse oneself in the community of other beings in which one is already enmeshed. Often in the works discussed in this book, Blake offers negative examples to suggest his moral philosophy; he dramatizes the disastrous individual and social consequences of humans behaving as if God were a transcendent, immaterial, nonhuman demiurge, and as if they were separate from and ontologically superior to the degraded material universe that they see as composed of inert, lifeless atoms. 

William Blake as Natural Philosopher traces the evolution of eighteenth-century debates over the vitalist qualities of life and the nature of the soul both in the United Kingdom and on the continent, devoting significant attention to the natural philosophy of Newton, Locke, Berkeley, Leibniz, Buffon, La Mettrie, Hume, Joseph Priestley, Erasmus Darwin, and many others. 

‘William Morris and the Uses of Violence, 1856–1890’ offers a new reading of Morris’s work, foregrounding his commitment to the idea of transformative violence. Hanson argues, contrary to prevailing critical opinion, that Morris’s work demonstrates an enduring commitment to an ideal of violent battle and that combat, both imaginary and actual, is represented as a potentially renewing and generative force in his writings, from the earliest short stories to the late propaganda poems and political romances.

Hanson examines Morris’s imagination of violence as a way of understanding the world and the self. The interactions of combat, work and play, of self-sacrifice and hope, class war and prowess in his writings draw together conflicting cultural narratives about individual and political identity in a way that complicates or reframes their meanings.

Moving chronologically through his works, the book discusses the philosophy and phenomenology of violence by which Morris delineates his ethical and aesthetic positions, as well as examining the ways in which they intersect with those of his contemporaries. It combines close readings of his work with historical and contextual analysis to suggest that Morris’s paradoxical commitment to violence as a means to wholeness shapes the form and style of his works as well as their content and reception.

‘William Morris and the Uses of Violence, 1856–1890’ offers a new reading of Morris’s work, foregrounding his commitment to the idea of transformative violence. Hanson argues, contrary to prevailing critical opinion, that Morris’s work demonstrates an enduring commitment to an ideal of violent battle and that combat, both imaginary and actual, is represented as a potentially renewing and generative force in his writings, from the earliest short stories to the late propaganda poems and political romances.

Hanson examines Morris’s imagination of violence as a way of understanding the world and the self. The interactions of combat, work and play, of self-sacrifice and hope, class war and prowess in his writings draw together conflicting cultural narratives about individual and political identity in a way that complicates or reframes their meanings.

Moving chronologically through his works, the book discusses the philosophy and phenomenology of violence by which Morris delineates his ethical and aesthetic positions, as well as examining the ways in which they intersect with those of his contemporaries. It combines close readings of his work with historical and contextual analysis to suggest that Morris’s paradoxical commitment to violence as a means to wholeness shapes the form and style of his works as well as their content and reception.

The two volumes on Wittgenstein and AI aim to trace and suggest Wittgensteinian influences in some of the most cutting-edge areas of research in Artificial Intelligence (such as Computation, Machine Learning, Natural Language Processing and the use of automation in legal settings). The collection is driven by an essentially interdisciplinary approach, featuring articles from philosophers, computer scientists and legal scholars, writing on a broad range of topics in AI.

The chapters across these two volumes are grouped into two sets of themes: Mind and Language and Value and Governance. These themes correspond to two major areas of research in the philosophical study of AI: the computational mind and the ethics of artificial intelligence. These volumes make a significant and unprecedented contribution to the question of what Wittgenstein’s philosophy can offer to the ever-growing field of AI. It aims to provide insight for both philosophers and non-philosophers alike, offering reflection on the significance of Wittgenstein’s work for AI, and on the implications of advancements in AI technology for Wittgenstein’s philosophy and philosophy influenced by Wittgenstein.

VOLUME I: Wittgenstein and AI (Volume I): Mind and Language. This volume includes chapters on Wittgenstein and Turing’s views on AI, the question of whether machines can think, intentionality, AI language models, analogical reasoning and logic.

The two volumes on Wittgenstein and AI aim to trace and suggest Wittgensteinian influences in some of the most cutting-edge areas of research in Artificial Intelligence (such as Computation, Machine Learning, Natural Language Processing and the use of automation in legal settings). The collection is driven by an essentially interdisciplinary approach, featuring articles from philosophers, computer scientists and legal scholars, writing on a broad range of topics in AI.

The chapters across these two volumes are grouped into two sets of themes: Mind and Language and Value and Governance. These themes correspond to two major areas of research in the philosophical study of AI: the computational mind and the ethics of artificial intelligence. These volumes make a significant and unprecedented contribution to the question of what Wittgenstein’s philosophy can offer to the ever-growing field of AI. It aims to provide insight for both philosophers and non-philosophers alike, offering reflection on the significance of Wittgenstein’s work for AI, and on the implications of advancements in AI technology for Wittgenstein’s philosophy and philosophy influenced by Wittgenstein.

VOLUME II: Wittgenstein and AI (Volume II): Value and Governance. This volume includes chapters on ethical AI, rules in AI, rules and the law, human-AI interaction, the moral implications of robotics and the status of AI art.

Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how early twentieth-century economic and social upheaval prompted new ways of conceptualizing the purposes and powers of language. Scholars have long held that formally experimental novels written in the early twentieth century reflect how the period’s material crises—from world wars to the spread of industrial capitalism—call into question the capacity of language to picture the world accurately. This book argues that this standard scholarly narrative tells only a partial story. Even as signal modernist works by Virginia Woolf, Nella Larsen, William Faulkner, and others move away from a view of language as a means of gaining knowledge, they also underscore its capacity to grant acknowledgment. They show how language might matter less as a medium for representing reality than as a tool for recognizing others. 

The book develops this claim by engaging with the philosophy of Ludwig Wittgenstein. Writing in 1945, in the preface to Philosophical Investigations, Wittgenstein laments, “It is not impossible that it should fall to the lot of this work, in its poverty and in the darkness of this time, to bring light into one brain or another—but, of course, it is not likely.” Worrying that “the darkness” of this historical moment renders his words unintelligible, Wittgenstein echoes the linguistic skepticism that scholars have found in literary modernism. But the Investigations ultimately pushes back against such skeptical doubts by offering a vision of language as a set of shared human practices. Even when it comes to a word like “pain,” which seemingly gestures toward something absolutely private and individual, Wittgenstein indicates that we learn what “pain” means by familiarizing ourselves with the contexts in which people use the term. In his pioneering reading of the Investigations as a “modernist” work, Stanley Cavell argues that Wittgenstein’s distinctive response to the problem of skepticism consists in the view that “other minds [are] not to be known, but acknowledged.”

The book argues that this concept of acknowledgment, as articulated implicitly by Wittgenstein and explicitly by Cavell, enables a broader reconceptualization of modernist fiction’s stance toward the referential capacities of language, and it bears out this claim by reading a series of modernist novels through the lens of Wittgenstein’s philosophy. From the residence halls of Cambridge to the farmsteads of rural Mississippians, the early decades of the twentieth century sowed serious doubts about the ability of individuals to find shared criteria for the meanings of words: the greater convenience of travel led to increased cross-cultural misunderstandings; technological developments facilitated new modes of race-, class-, and gender-based oppression, and two world wars irrevocably shattered an earlier generation’s optimism about the inevitability of political and moral progress. In this light, Wittgenstein and Modernist Fiction contends that modernist representations of consciousness strive to capture the inner lives of socially marginalized figures, seeking to facilitate new forms of intimacy and community amongst those who have survived crushing losses and been subject to deeply isolating social forces. 

This collected volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy. It focuses on Wittgenstein as a philosopher deeply concerned with culture, and aims to establish his work as an alternative to existing (Marxist, post-structuralist, etc.) approaches to the study and criticism of popular culture. In a series of essays, this volume showcases the great – and largely overlooked – potential of Wittgenstein’s philosophical method for cultural studies: Here, we find a particularist methodology for studying popular culture that ‘clarifies’ standards of measurement in discussing such issues as the ‘quality’ of art. Through conceptual clarification, we can gain a properly pluralistic understanding of normative dimensions in culture without collapsing into either relativism or generalised constructivism. In avoiding what Wittgenstein characterises as ‘void and unfair’ generalisations, his philosophy seems very well suited to the study of popular mass art, mass media and popular subcultures.
The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom, and by engaging with and analysing approaches to criticism of pop in a Wittgensteinian way (e.g., following up on work by the Frankfurt school, Roger Scruton).
Section 1 (‘Wittgenstein on culture and the popular’) lays the conceptual groundwork in highlighting the pluralistic ways in which Wittgenstein conceives ‘culture’. Section 2 (‘Wittgenstein and popular culture’) focusses on how Wittgensteinian methods of analysis and criticism enhance our understanding of popular culture either by offering an application of Wittgensteinian thinking to concrete examples out of a wide range of possible materials or by confronting Wittgenstein with another theoretical approach to the field of popular culture. The essays in section 3 (‘Wittgenstein in popular culture’) will showcase, then, the different ways in which Wittgenstein and his work have themselves become points of reference in popular culture, including (but not limited to) the iconicity of the philosophical genius writing his masterpiece in the trenches of the First World War, the appropriation of isolated concepts outside their philosophical context (‘family resemblance’) or the uses of Wittgenstein’s gnomic sentences in the form of quotes wavering between brilliance and banality (‘What one cannot speak of, thereof one must be silent’).

This work is guided by the idea that Wittgenstein’s thought opens the door to a more profound break with the philosophical tradition than has been generally recognized. It brings this insight to bear on some basic problems of philosophy. 

Wittgenstein’s work has been assimilated to the analytic tradition in such a way that its radical character has been made nearly invisible. In fact, Wittgenstein formulates a basic critique of a predominant conception in contemporary analytic philosophy, according to which language can be seen as a formal structure describable in general terms. This conception neglects the profound context-dependence of the way things said are to be understood, thus imposing a schematic view of the connections between words and life. By distancing us from the life we live with language, it makes the problems of philosophy come to appear intractable. In this work, the attempt is made to show how philosophical confusions are to be overcome through attending to the actual use of words in conversation. The questions discussed belong to what would commonly be called the philosophy of language and of logic, ethics, philosophical anthropology, philosophy of religion and aesthetics. 

The formal view of language is connected with a tendency, deeply entrenched in the Western philosophical tradition, to view human life in terms of dichotomies such as that between thought and behaviour, between the intentional and the non-intentional, between the mental and the corporeal, dichotomies which have given rise to philosophical bewilderment. The road to liberation from that bewilderment goes through the dissolution of those dichotomies by taking note of the variety of ways in which human thought and speech are bound up with human action and reaction.

Several of the essays will contain attempts at interpreting key passages from Wittgenstein’s work, but they will also contain some criticisms of Wittgenstein as well as of certain common ways of reading him; however, their main purpose is not to interpret Wittgenstein but to address the problems raised in their own right. 

In Wittgenstein and the Social Sciences, Robert Vinten takes a fresh look at the relationship between Wittgenstein’s philosophy and the social sciences. The book locates Wittgenstein’s philosophy in relation to the social sciences. This involves getting clear about what Wittgenstein was doing in his philosophical work as well as about the nature of the social sciences. Vinten argues that the social sciences can be considered scientific despite the fact that social sciences have different methods and subject matter to the natural sciences. He then examines problems associated with relativism within the social sciences and considers whether Wittgenstein might be a relativist of some sort. 

The book goes on to consider whether Wittgenstein’s philosophy lends support to any particular political ideology and asks an important question: whether Wittgenstein himself was a conservative, liberal, or socialist. This question is explored involving a critical engagement with Wittgenstein scholars, cultural theorists, and political philosophers such as J. C. Nyiri, Richard Rorty, Alex Callinicos, Perry Anderson, and Terry Eagleton.

Finally, the book considers how Wittgenstein’s philosophical remarks can help us in getting to grips with problems in the social sciences and political philosophy. A criticism of Patricia Churchland and Christopher Suhler’s neurobiological account of control suggests that Wittgenstein’s work can be useful in getting rid of problems concerning freedom of the will. A critical engagement with thinkers like John Rawls and Chantal Mouffe is used to examine the relevance of Wittgenstein’s philosophy to discussions of justice. Wittgenstein’s work is clearly relevant to issues of injustice that are with us today.

In Wittgenstein and the Social Sciences, Robert Vinten takes a fresh look at the relationship between Wittgenstein’s philosophy and the social sciences. The book locates Wittgenstein’s philosophy in relation to the social sciences. This involves getting clear about what Wittgenstein was doing in his philosophical work as well as about the nature of the social sciences. Vinten argues that the social sciences can be considered scientific despite the fact that social sciences have different methods and subject matter to the natural sciences. He then examines problems associated with relativism within the social sciences and considers whether Wittgenstein might be a relativist of some sort. 

The book goes on to consider whether Wittgenstein’s philosophy lends support to any particular political ideology and asks an important question: whether Wittgenstein himself was a conservative, liberal, or socialist. This question is explored involving a critical engagement with Wittgenstein scholars, cultural theorists, and political philosophers such as J. C. Nyiri, Richard Rorty, Alex Callinicos, Perry Anderson, and Terry Eagleton.

Finally, the book considers how Wittgenstein’s philosophical remarks can help us in getting to grips with problems in the social sciences and political philosophy. A criticism of Patricia Churchland and Christopher Suhler’s neurobiological account of control suggests that Wittgenstein’s work can be useful in getting rid of problems concerning freedom of the will. A critical engagement with thinkers like John Rawls and Chantal Mouffe is used to examine the relevance of Wittgenstein’s philosophy to discussions of justice. Wittgenstein’s work is clearly relevant to issues of injustice that are with us today.

Constantine Sandis has been working on Wittgenstein’s approach to other minds for over a decade. This volume collects his best writings on the topic. It sketches a picture of Wittgenstein’s approach to understanding others which explains how his anti-scepticism with regard to the philosophical problem of ‘other minds’ is not only compatible with but also supported by his scepticism concerning the real-life difficulty of understanding others (and vice versa). 

While each individual essay focuses on particular issues in Wittgenstein (including philosophical anthropology, interpersonal psychology, communication theory, and animal minds), they collectively paint a picture of what he takes the real problem of other minds to be, how to overcome it, and the limitations of our understanding. 

The book not only offers a fresh exegesis of Wittgenstein’s public and private writings on these matters but also proceeds to show the relevance of Wittgenstein beyond the remit of philosophy and the academy as a whole. These include issues in ethology, anthropology, AI intelligibility, psychology, and intercultural studies.