Name: 'A Marvel to Behold': Gold and Silver at the Court of Henry VIII
Brand: Timothy Schroder
Price: 65.0 USD
Availability: InStock

Brian Short

"Turbulent Foresters"

$190.00

A richly detailed history of Ashdown Forest -- home of Winnie-the-Pooh.

The seeming tranquility of many rural landscapes can hide a combative history. This biography of one such landscape, Ashdown Forest in the Weald of Sussex, exemplifies the evolving conflicts that have taken place over many centuries. Wealth and poverty, power and exclusion, have all characterised this landscape through the ages. When a thirteenth-century boundary was erected to form a hunting park it was imposed upon a landscape which for centuries had provided sustenance for peasant families, for swine herds, for itinerant groups, all of whom had developed grazing and collecting rights and customary ties with the area. Conflict between manorial lords and commoners, "turbulent foresters", was born, and the evolution of this conflict over succeeding centuries is the recurring motif of this book. We move through the exploitation of iron ore and timber during the Tudor period, learn of the real threats of enclosure, of military occupation, to be followed by a landscape aesthetic bringing wealthy incomers, attracted by scenery easily reachable from London by train. All sides felt that the Forest was theirs by right. Victorian law-suits, twentieth-century protective legislation and a growing environmental consciousness have all left their mark. And the struggle for Ashdown continues amid ongoing development pressures. This book demonstrates that multi-layered conflict has been a characteristic feature of what still miraculously remains the largest area of internationally recognised heath in the South-East of England.

Timothy Schroder

'A Marvel to Behold': Gold and Silver at the Court of Henry VIII

$65.00

Bringing the existence and significance of the lost riches of Henry VIII back to life, this book sheds new light on Henrician and Tudor court culture.

Henry VIII amassed the most spectacular collection of gold and silver of any British monarch. Plate and jewels were hugely prominent in medieval and Renaissance courts and played an essential role in dynastic marriages and diplomacy as well as in cementing the bonds between king and court. Ranging from plain domestic wares to extraordinary bejewelled works of art, Henry's collection embraced virtuoso continental objects as well as vast quantities of plate commissioned from London goldsmiths or inherited from his father. But nearly all of these holdings were destroyed over the following century, and of the thousands that he owned no more than a handful have survived to modern times.

This book makes use of the wealth of surviving documentation - inventories, drawings, lists of payments, dispatches by foreign ambassadors and other records - to explore this lost collection and the light it sheds on the monarchy. Starting with an assessment of the young king's inheritance from his father, the book considers the role of plate at state banquets, in great church services and in the regular exchange of gifts between courtiers and ambassadors; the role of plate and jewels as a potent symbol of power; how the king used confiscation as an instrument of humiliation of those who fell from grace, including Cardinal Wolsey and Katherine of Aragon; and how Henry's avaricious seizure of church plate towards the end of his life throws light on his changing character. While the focus is on plate and goldsmiths' work, the context ranges from court ceremonial to rivalry between princes, the role of the church, the vulnerability of persons and institutions with covetable assets, and relations between the king and his own family.

Bringing the existence and significance of these lost riches back to life, the book sheds new light on Henrician and Tudor court culture.

'A Marvel to Behold': Gold and Silver at the Court of Henry VIII

Graham O'Reilly

'Allegri's Miserere' in the Sistine Chapel

$75.00

The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870.

The Miserere attributed to the Italian composer Gregorio Allegri (1582-1652) is one of the most popular, often performed and recorded choral pieces of late Renaissance/early Baroque music. It was composed during the reign of Pope Urban VIII in the 1630s, for the exclusive use of the Papal Choir in the Sistine Chapel during Holy Week, the last of thirteen surviving Misereres sung at the services of Tenebræ since 1514. When the young Mozart visited Rome, so the story goes, he transcribed it from memory, risking excommunication but helping posterity to reclaim the piece. Yet the Miserere known today bears little resemblance to Allegri's original or to its method of performance before 1900.
This book is the first detailed account of this iconic work's performance history in the Sistine Chapel, in particular focussing on its heyday in the eighteenth and nineteenth centuries. Rather than looking at the Miserere as a work on paper, the key to its genesis - as this book reveals - can only be found in a performance context. The book includes consideration both of the implications of that context in recreating it for performance, and of the history and practice of the "English Miserere" - the version commonly heard today. Appendices present key source transcriptions and two performance editions.

'Allegri's Miserere' in the Sistine Chapel

Ciaran Arthur

'Charms', Liturgies, and Secret Rites in Early Medieval England

$130.00

A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites.

Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured textswith hidden spiritual meaning.

Ciaran Arthur is a Research Fellow at Queen's University Belfast.

Ciaran Arthur

'Charms', Liturgies, and Secret Rites in Early Medieval England

$36.95

A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites.

Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured texts with hidden spiritual meaning.

Isobel Woods Preece, Sally Harper

'Our awin Scottis use'

$49.95

Edited from unpublished material after the author's death, this book is of great importance to anyone with an interest in Scotland's musical history.

This collection of studies presents unpublished material from the book Isobel Woods Preece was planning at the time of her death. It contains articles published by her and extracts from her dissertation on the Carvor Choirbook. There are also newly written chapters on medieval chant and polyphony by Warwick Edwards and on the music of the Reformed Church by Gordon Munro. Both scholarly and accessible, this work will be of importance to all with an interestin Scotland's Christian musical heritage.

ISOBEL WOODS PREECE (1956-1997) was a major pioneer within Scottish music research. A graduate of the University of Glasgow, she subsequently become a Rotary International Graduate Fellow at Princeton University, where she wrote her doctoral dissertation under the supervision of Margaret Bent. She held the posts of lecturer, and later senior lecturer, in the Music Department at the University of Newcastle, where she was greatly respected as a scholar, teacher, administrator, conductor and performer.

Clive Burgess

'The Right Ordering of Souls'

$190.00

The relationship between people and parish in the late medieval ages illuminated by this study of a remarkable survival from the period.

In the two centuries preceding the Reformation in England, economic, political and spiritual conditions combined with constructive effect. Endemic plague prompted a demonstrative piety and, in a world enjoying rising disposable incomes, this linked with current teachings - especially the doctrine of Purgatory - to sustain a remarkable devotional generosity. Moreover, political conditions, and particularly war with France, persuaded the government to summonits subjects' assistance, including responses encouraged in England's many parishes. As a result, the wealthier classes invested in and worked for their neighbourhood churches with a degree of largesse - witnessed in parish buildings in many localities - hardly equalled since.
Buildings apart, the scarcity of pre-Reformation parish records means, however, that the resonances of this response, and the manner in which parishioners organised their worship, are ordinarily lost to us. This book, using the remarkable survival of records for one parish - All Saints', Bristol, in the later fifteenth and early sixteenth centuries - scrutinises the investment that the faithful made. Ifnot necessarily typical, it is undeniably revealing, going further than any previous study to expose and explain parishioners' priorities, practices and achievements in the late Middle Ages. In so doing, it also charts a world that would soon vanish.

Dr CLIVE BURGESS holds a Senior Lectureship in late medieval history at Royal Holloway, University of London.

Clive Burgess

'The Right Ordering of Souls'

$54.95

The relationship between people and parish in the late medieval ages illuminated by this study of a remarkable survival from the period.

In the two centuries preceding the Reformation in England, economic, political and spiritual conditions combined with constructive effect. Endemic plague prompted a demonstrative piety and, in a world enjoying rising disposable incomes, this linked with current teachings - especially the doctrine of Purgatory - to sustain a remarkable devotional generosity. Moreover, political conditions, and particularly war with France, persuaded the government to summonits subjects' assistance, including responses encouraged in England's many parishes. As a result, the wealthier classes invested in and worked for their neighbourhood churches with a degree of largesse - witnessed in parish buildings in many localities - hardly equalled since.
Buildings apart, the scarcity of pre-Reformation parish records means, however, that the resonances of this response, and the manner in which parishioners organised their worship, are ordinarily lost to us. This book, using the remarkable survival of records for one parish - All Saints', Bristol, in the later fifteenth and early sixteenth centuries - scrutinises the investment that the faithful made. Ifnot necessarily typical, it is undeniably revealing, going further than any previous study to expose and explain parishioners' priorities, practices and achievements in the late Middle Ages. In so doing, it also charts a world that would soon vanish.

Leonie James

'This Great Firebrand': William Laud and Scotland, 1617-1645

$120.00

Presents Scotland as a case study for a fresh interpretation of Archbishop William Laud, his career and his working partnership with Charles I.

William Laud, Archbishop of Canterbury (1633-45), remains one of the most controversial figures in British ecclesiastical and political history. His rise to prominence under Charles I, his contribution to the shaping and implementation of contentious religious policies and his subsequent and catastrophic downfall are fundamental to our understanding of the religious and political developments which led to the collapse of royal authority in all three of theStuart kingdoms. Events in Scotland were central to this chain of events, and this book presents Scotland as a case study for a fresh interpretation of Laud, his career and his working partnership with Charles I. Casting new andmuch-needed light on Laud's engagement in Scottish affairs, this book reveals that his agency in Scotland was broadly consistent with - although differing in detail from - his approach in England and Ireland. It represents a majorcontribution to key debates on the nature of religion and politics in the 1630s and early 1640s and enhances current thinking on the role of both prince and prelate in the formulation of ecclesiastical policy, the 'British problem', and, indeed, the causes of the British Civil Wars.

LEONIE JAMES is Lecturer in History at the University of Kent, Canterbury.

'This Great Firebrand': William Laud and Scotland, 1617-1645

Ruth E. Mayers

1659: The Crisis of the Commonwealth

$115.00

A review of the evidence for the popularity of the revival of the Commonwealth and the reasons for its ultimate failure.

1659 is one of the most significant years in British history. The return of the remnant of the Long Parliament signalled the reversal of the conservative tendencies of the Protectorate, and the revival of the Commonwealth. Denounced by its enemies as anarchical, the 'Rump Parliament' was nonetheless welcomed by many contemporaries, hoping for a lasting republic. Too often these hopes have been ignored by historians and the Republic dismissed as a chaotic epilogue to the Protectorate, or the prelude to an inevitable Restoration, an approach that neglects considerable evidence for the strength of the regime.
In a comprehensive examination of the restored Commonwealth, Dr Mayers redresses that imbalance. She explores in turn the sources of the Republic's adverse reputation, Parliament's domestic priorities, internal dynamics, and relations with the Army, the City of London, and the English and Welsh provinces, as well as foreign policy, the challenge of ruling Scotland, Ireland and the colonies, and the sophisticated republican endeavour to imagine the future constitution and project a positive political identity through ceremonial, iconography and the print debates. She shows that a functioning, effective regime had been established which attracted support from soldiers and civilians throughout the land for whom republicanism of various kinds remained avital energising force. She concludes with an investigation of the autumn crisis and its aftermath, showing that Parliament's second expulsion left irreconcilable divisions among its supporters which prevented the establishment of an alternative authority.

RUTH E. MAYERS is Assistant Professor of History at Geneva College, Pennsylvania. She did her first degree at Somerville College, Oxford, and the doctoral research upon which much of thebook is based at Washington Univeristy, St Louis. She is now working on a new biography of republican statesman Sir Henry Vane.

Liz Herbert McAvoy

A Revelation of Purgatory

$120.00

Translation and facing text of an important female-authored work from the late middle ages.

A Revelation of Purgatory was written by an unnamed woman, almost certainly an anchoress, in Winchester in 1422. It details from a first-person perspective a series of terrifying visions experienced by the author in which she witnesses the purgatorial sufferings of a former friend named Margaret who makes her way through the blazing fires of purgatory tormented by devils, the "worm of conscience", and - uniquely - her two former pets, a fierce little cat and dog. Through her prayer and the prayers she elicits from her own circle of influential priests, the anchoress is eventually able to deliver Margaret to the doors of the heavenly Jerusalem.
Made available here in accessible parallel-text format with extended introduction and annotation, the Revelation is an important text: not only does it testify to popular and religious concerns with the afterlife in the late Middle Ages but also underscores the significant role played by women in mitigating the suffering of souls in purgatory by means of their personal interventions. The text also bears witness to female friendship, effective intergender dialogue, and the central role played by an anchoress in those communities with which she interacted, be they spiritual, institutional or personal.

Liz Herbert McAvoy is Professor of Medieval Literature at Swansea University.

Richard North

Beowulf and Grettis saga

$130.00

Investigates the relationship between two texts separated by hundreds of years and nearly two thousand miles.

In the saga, Grettir fights a giant who wields a hepti-sax; in the poem, Beowulf uses a hæft-mēce on Grendel's mother. These two unique words for "hafted blade" appear to be related. Can the same be said for the works that surround them? This book says yes, arguing not that the weapons have a common origin, nor that their likeness is a coincidence, but that Grettis saga has borrowed from Beowulf.

The case for a textual loan begins in the context of England's connection with Denmark in the reign of Cnut the Great (1016-35). This book argues that Cnut took an interest in Scyld and the Scyldings of Beowulf and that his skalds transformed these names into "Skjǫldr" and the "Skjǫldungar". The Beowulf manuscript is placed in Lichfield in 1017, with the suggestion that it was commissioned by Eadric Streona as a gift for Earl Thorkell of Skåne. It is proposed that in 1159 a copy of Beowulf was brought from Lincoln to Iceland to serve the interests of a family that claimed descent from Skjǫldr, that in the 1180s the poem influenced Skjǫldunga saga, and that in the 1190s Beowulf went north to Þingeyrar abbey, where Oddr the Monk, author of Grettis saga, used it to enhance Grettir's fights with Glámr and the trolls of Bárðardalr. This is a daring book that sheds new light on the circulation of Beowulf, on questions of dating and patronage, and on the authorship of Grettis saga.

Cover image for <i>Beowulf</i> and <i>Grettis saga</i>, isbn: 9781843847632

Frank A. Domínguez

Carajicomedia: Parody and Satire in Early Modern Spain

$240.00

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.

Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina.
In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jiménez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520.
In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernán Núñez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language.

Frank A. Domínguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.

<I>Carajicomedia</I>: Parody and Satire in Early Modern Spain

Rachel Scott

Celestina and the Human Condition in Early Modern Spain and Italy

$120.00

Explores Celestina's role as a key interlocutor in European literature and thought in the context of debates about the human condition.

Winner of the 2015 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland.

Celestina by Fernando de Rojas is a canonical work of late medieval Spanish literature and one ofthe earliest European "best-sellers". However, while we have clear evidence of its popularity and influence, scholarship has not adequately answered the question of why it continued to hold such appeal for early modern audiences.This book explores Celestina's role as a key interlocutor in European literature and thought; it argues that the work continued to be meaningful because it engaged with one of the period's defining preoccupations: the human condition, an idea often conceptualised in pro et contra debates about the misery and dignity of man. Taking an ideological and comparative approach that focuses on Celestina's reception in sixteenth-century Spain and Italy, it reads Rojas's work against a network of texts that were translated and printed concurrently in both peninsulas yet which have not previously been examined in depth or detail alongside it, including Baldassare Castiglione'sIl Cortegiano, Fernán Pérez de Oliva's Diálogo de la dignidad del hombre, and Pietro Aretino's Vita delle puttane. Each chapter explores themes common to sixteenth-century debates about the human condition, such as self-knowledge, self-fashioning, the formative role of language, the tension between freedom and constraint, as well as the access to knowledge provided by vernacular fiction in the context of early modern censorship.

Rachel Scott is a Postdoctoral Research Associate at King's College London.

<I>Celestina</I> and the Human Condition in Early Modern Spain and Italy

Albrecht Classen

Der Niederrheinische Orientbericht, c.1350

$75.00

Translation and detailed commentary of a fourteenth-century Low-German work about the Near and Middle East.

That extensive travel took place during the Middle Ages has long been established, via such accounts as, for example, Marco Polo's Devisement du Monde; but there remains a relative paucity of documents or narratives confirming and dealing with this phenomenon. Der Niederrheinische Orientbericht ("An Account of the Middle East"), composed around 1350/55 by an anonymous author in Low German, is powerful evidence of international relations between east and west during this period; it provides extensive information, dealing with such matters as the local culture, fauna and flora, and offers spectacular insights into the co-existence of many different religions and peoples. It is therefore an important source for our knowledge; but it has hitherto been neglected by scholars, not least because of the difficulty of its language.

This volume offers the first translation into English, thereby making the work available to a wider audience; it is accompanied by a detailed commentary on its historical, religious, military, architectural and political elements, elucidating the narrative fully. The volume also contains a contextual introduction, considering what can be known of the author, and the manuscript tradition.

<i>Der Niederrheinische Orientbericht</i>, c.1350

Janet Hadley Williams

Duncane Laideus Testament and other Comic Poems in Older Scots

$60.00

First modern scholarly edition of a number of late medieval Scottish poems, in the comic tradition.

This volume contains eleven Scottish examples of particular kinds of humorous writing - comic, parodic, and satiric - of the late fifteenth and sixteenth centuries. Previously unavailable in modern scholarly editions, these worksare freshly established from diverse sources, including the manuscript that is the earliest extant of John Knox's "Historie of the Reformatioun of Religioun". A manuscript owned by the Campbell of Glenorchy family is the source ofthe volume's most substantial work, Duncane Laideus Testament; the poem's bicultural outlook provides an important reference point for historians, as well as scholars of early Scottish and Gaelic literature. Other texts include David Lyndsay's The Complaint of Bagsche and the anonymous "My gudame wes a gay wif".
To assist study of the development of early Scottish writing, and to chart historical, especially religious, change, the poems are arranged in their probable order of composition. Each is introduced separately, with consideration of witnesses; evidence for date of composition and authorship; title, metre, and genre; and full apparatus. Explanatory notesexamine matters of interest or potential difficulty, including the sense of contemporary expressions, wordplay, legal and Latin terms, and debts to earlier writers.The volume also includes a full Bibliography, Glossary, and Indexof Names and Places.

Dr Janet Hadley Williams is Honorary Visiting Fellow, School of Literature, Languages, and Linguistics, College of Arts and Social Sciences, The Australian National University.

<I>Duncane Laideus Testament</I> and other Comic Poems in Older Scots

David W. Porter

Excerptiones de Prisciano

$170.00

First edition of 10th-century compendium of grammatical lore, second only in importance to Ælfric's own Grammar.

When the famous Anglo-Saxon scholar Ælfric wrote the first grammar in a European vernacular, he used as his direct source the Excerptiones de Prisciano excerpts from major curriculum authors of the medieval schools, including Donatus, Isidore and Priscian himself . The tenth-century text, probably of English origin, most probably compiled by Ælfric, is an ambitious compendium of grammatical lore, and it is, with the exception of Ælfric's own Grammar, arguably the most sophisticated Latin-learning text of the Anglo-Saxon age. Edited here for the first time,the Excerptiones appear with all scholia, an English translation, and a full contextual introduction.

DAVID W. PORTER is Professor of English, Southern University, Baton Rouge.

Gabriele Reuter

From A Good Family

$36.95

First English translation of the famous German novel about a woman's struggle against Victorian social conventions, now in paperback for classroom use.

Upon publication in 1895, Gabriele Reuter's From a Good Family (Aus guter Familie) became something of a cultural event, making its author one of Germany's most talked-about women of letters. Set in the first two decades of the Second German Reich, this story of a Prussian bureaucrat's daughter caught between conformity and rebellion struck at the core of the class that upheld the empire, revealing the hypocrisy and misery at the very heart of the bourgeois family. It recorded the conflicted and ultimately interminable adolescence of a middle-class girl who failed to fulfill the destiny prescribed for her by her gender and class, a young woman who, despite an incipient high-spiritedness and independence of mind, internalized the attitudes of her culture to the point of lethal self-censorship.

Gabriele Reuter (1859-1941) began writing in her teens but did not experience a literary and commercial breakthrough until the publication of From a Good Family in 1895. This success enabled her finally to live as a freelance writer. In addition to a string of popular novels she wrote essays and sketches for German and Austrian newspapers; in the 1920s and 1930s she regularly reviewed German books for the New York Times.

Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanitiesat Washington University in St. Louis.

Friederike Eigler

Heimat, Space, Narrative

$120.00

Explores how contemporary novels dealing with flight and expulsion after the Second World War unsettle traditional notions of Heimat without abandoning place-based notions of belonging.

At the end of the Second World War, millions of Germans and Poles fled or were expelled from the border regions of what had been their countries. This monograph examines how, in Cold War and post-Cold War Europe since the 1970s, writers have responded to memories or postmemories of this traumatic displacement. Friederike Eigler engages with important currents in scholarship -- on "Heimat," the much-debated German concept of "homeland"; on the spatial turnin literary studies; and on German-Polish relations -- arguing for a transnational approach to the legacies of flight and expulsion and for a spatial approach to Heimat. She explores notions of belonging in selected postwar and contemporary German novels, with a comparative look at a Polish novel, Olga Tokarczuk's House of Day, House of Night (1998). Eigler finds dynamic manifestations of place in Tokarczuk's novel, in Horst Bienek's 1972-82 Gleiwitz tetralogy about the historical border region of Upper Silesia, and in contemporary novels by Reinhard Jirgl, Christoph Hein, Kathrin Schmidt, Tanja Dückers, Olaf Müller, and Sabrina Janesch. In a decisive departure from earlierapproaches, Eigler explores how these novels foster an awareness of the regions' multiethnic and multinational histories, unsettling traditional notions of Heimat without altogether abandoning place-based notions of belonging.

Friederike Eigler is Professor of German at Georgetown University.

Ted Johnson South

Historia de Sancto Cuthberto

$120.00

First English translation, with new edition, of a crucial text.

While it retains many of the trappings of a traditional saint's life, the Historia de Sancto Cuthberto is also a remarkable record of the political activities and property acquisitions of a powerful Anglo-Saxon monastery, and it vividly demonstrates the ongoing relationship between the monks and their patron saint. Written in Northumbria in the tenth or eleventh century, the Historia presents a striking contrast with earlier lives of Cuthbertsuch as Bede's, and is a valuable teaching text.
The present edition is the first to make use of all three surviving manuscripts of the Historia, and is also the first English translation of this brief but importanttext. It includes a reassessment of the text's purpose and date, a detailed historical commentary, excerpts of related texts, and a discussion of the patrimony of St Cuthbert, including maps of estates and a catalogue of the morethan one hundred vills listed in the text.

TED JOHNSON SOUTH is Associate Professor of History, Western New England College.

Julia Crick

Historia Regum Britannie of Geoffrey of Monmouth III

$170.00

A fine research tool which has so many applications. SPECULUM

<I>Historia Regum Britannie</I> of Geoffrey of Monmouth III

Edited by Leslie Zarker Morgan and translated by Shira Schwam-Baird with contributions from Philip E. Bennett, Alan E. Bernstein, Michela G. Scattolini and Jean-Claude Vallecalle.

Huon d’Auvergne

$220.00

The first complete edition of a fourteenth-century Franco-Italian chanson de geste, presented with facing page English translation.

The late medieval poem Huon d'Auvergne ("Hugh of Alvernia") belongs linguistically and thematically to both Italian and French literary history. Structurally a chanson de geste, an Old French epic form, Huon was created in the northern Italian peninsula for an audience of its courts and princes.

It is the first poem to quote Dante's Divine Comedy. However, far from merely imitating the Inferno, Huon reworks a long and varied tradition of Otherworld journeys ranging in origin from antiquity to the fourteenth century, its protagonist's voyages echoing those of St Brendan, Virgil and Dante. Sent by King Charles Martel of France to demand tribute from Lucifer, Huon, en route to Hell, travels through multiple fantastic places, fighting serpents, rescuing a lion and being transported by griffons. He meets Prester John, converts multiple eastern cities to his Christian faith, and sees Alexander, Trojan warriors and Old Testament figures. Its lively narrative contains trial by combat, romance and attempted seduction, fights with monsters and human enemies, penance and redemption, sin and punishment.

This volume presents a complete edition of the earliest known version from 1341, with a full facing-page English translation - making this exciting text available to a wider audience. It also includes a substantial introduction, covering authorship claims, textual tradition, poetic form and reception. Detailed notes offer an explication of particular points of the text.

Neil M R Cartlidge

Ipomedon

$120.00

The first modern English translation of Hugh of Rhuddlan's Ipomedon.

The Anglo-Norman Ipomedon, composed in the late twelfth century by Hugh of Rhuddlan, is a witty, notoriously scabrous romance, set in the Mediterranean. In a version of the Fair Unknown motif, the work's eponymous hero, the son of the king of Apulia, falls in love with the queen of Calabria, conceals his identity and serves in her retinue. He undertakes a number of adventures, including participating in a three-day tournament, each day under different colours, before revealing his true identity and marrying her. Alert to the conventions of Arthurian romance from which it pointedly takes ironic distance, Ipomedon invokes the Continental romans d'antiquité in its protagonists' names and in its surprising claim to be the source material for the chronologically earlier Roman de Thèbes. It was popular amongst its contemporary readers, being translated later into three different Middle English versions.

This book offers the first modern English translation; it also provides explanatory notes, and a full introduction, discussing the author, its audience, dating, sources and analogues, themes, humour and narrative style. It will make this important text, of great interest to medieval romance studies, available to a wider audience.

Cover image for <i>Ipomedon</i>, isbn: 9781843847458

Hjalmar Bergman

Jac the Clown

$75.00

English translation of the last and arguably the most significant of Hjalmar Bergman's works.

Hjalmar Bergman is one of the most important figures in twentieth-century Swedish literature, and his last novel, Jac the Clown (1930), is widely considered to be his best and most innovative work. Shaped by his own experiences as a Hollywood script writer, and tragi-comic in tone, it tells the story of Benjamin 'Benbé' Borck, who travels to America to visit his famous artist cousin, the 'clown' of the title, Jac Tracbac, alias Jonathan Borck, Bergman's alter ego; his trip is bizarre and almost surreal, as is the eponymous Jac, whom Bergman depicts as attempting to break out of the commercial exploitation of Hollywood. In his catechism at the end of the novel Jac makes public the origins and purpose of his (and Bergman's) art; depending on and provoking an audience's laughter, it is shown to spring from and reflect the fear and anguish which are central to the human condition, but also to allow theseemotions to be dispelled through laughter. Dr Weiss's sensitive translation brilliantly conveys the spirit and tone of the original.

M.R. Rambaran-Olm

John the Baptist's Prayer or The Descent into Hell from the Exeter Book

$130.00

Edition, translation and full critical study of a hitherto marginalised text, bringing it to full attention for the first time.

The Old English poem known popularly as the Descent into Hell, found on folios 119v to 121v of the Exeter Book, has to date received little critical attention, perhaps owing to various contextual problems and lacunae on theleaves that contain it.
This first full-length study offers a full account of the poem, together with an edition of the text and facing translation. It aims to resolve some of the poem's vexing issues and provides a varietyof possible interpretations of the poem. The in-depth literary analysis seeks to enrich modern scholarly perceptions of the poem, suggest a more appropriate title, and contribute to continued scholarly discussion and analysis of the Exeter Book and its compilation. It provides a guide towards understanding the poem's main theme, presents the text in light of its position in ecclesiastical history, and sheds fresh light into its place and significance within the corpus of Old English poetry.

M.R. Rambaran-Olm received her PhD from the University of Glasgow.

<I>John the Baptist's Prayer</I> or <I>The Descent into Hell</I> from the Exeter Book

G.B. Gybbon-Monypenny

Libro de Buen Amor Studies

$105.00

Juan Ruiz's Libro de Buen Amor is one of the major literary accomplishments of the Iberian middle ages, and has generated an extensive secondary bibliography. Its uniqueness and diversity have thrilled and perplexed readers, and its influence continues to be reflected in modern letters.

Stephen Lloyd, Diana Sparkes, Brian Sparkes

Music in Their Time: The Memoirs and Letters of Dora and Hubert Foss

$65.00

An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical history

Hubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer.
The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster.
The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing.

STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.

<I>Music in Their Time</I>: The Memoirs and Letters of Dora and Hubert Foss

Penny Eley

Partonopeus de Blois: Romance in the Making

$130.00

First book-length treatment of a fascinating medieval French romance, underlining its influence in the genre.

Partonopeus de Blois is one of the most important works of twelfth-century French fiction; it shaped the development of romance as a genre, gave rise to adaptations in several other medieval languages and even an opera (Massanet's Esclarmonde). However, partly because of its complicated transmission history, and partly due to the fact that it has been overshadowed by the works of Chrétien de Troyes, it has been unjustly neglected. This firstfull-length study of the romance brings together literary, historical and manuscript studies to explore its making as it evolved through seven medieval "editions", the earliest of which probably predated most of Chrétien's romances. The book's thematic analyses show how the Partonopeus poet applied established techniques of rewriting to a wide range of classical, vernacular and Celtic sources, combining this literary fusion with political subtexts to create a new and influential model of romance composition. Detailed studies of the Continuation reveal more ambitious experimentation by the original author, as well as the activities of a series of "editors" who continued to modify the text for over a century. A final discussion of patronage proposes a new reading of the poem's distinct narratorial interventions on women and love, and suggests a link between Partonopeus and a disturbing episode in the history of Blois.

Penny Eley is Professor of Medieval French at the University of Sheffield.

<I>Partonopeus de Blois</I>: Romance in the Making

Wolfram von Eschenbach, Cyril Edwards

Parzival

$170.00

Wolfram's Parzival continues to inspire and influence, in modern times works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino.

Vast in its scope, incomparably dense in its imagery, Wolfram von Eschenbach's Parzival ranks alongside Dante's Divine Comedy as one of the foremost narrative works to emerge from medieval Europe. This book is a newtranslation of Parzival, together with the fragments of the Titurel, an elegiac offshoot of Parzival, and the nine love-songs attributed to Wolfram. Parzival is the greatest of the medieval Grail romances. In its depth and complexity of characterisation this work of the early thirteenth century anticipates the modern novel. It encompasses deeds of chivalry, tournaments and sieges, courtly love, and other erotic undertakings, but also sin and penance, and a deeply moving study in depression. Centre stage are the Grail Castle and Arthur's Round Table, but the pagan world of the Orient also is also reflected.
Parzival has inspired and influenced works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino. Cyril Edwards' thoughtful translation vividlyconveys the power of this complex, wide-ranging medieval masterpiece.

CYRIL EDWARDS is a lecturer in German at St Peter's College and Research Fellow of the Faculty of Medieval and Modern Languages, University of Oxford. He is the author of The Beginnings of German Literature (Camden House, 2002), and numerous articles on the medieval lyric and Old High German. His previous translations include Hans Sachs's "Song of the Nose" for the King's Singers, Bernhard Maier's Dictionary of Celtic Religion and Culture (Boydell & Brewer, 1997) and The Medieval Housebook (Prestel-Verlag, 1997).

Nigel Bryant

Perceforest

$145.00

A highly readable version of this remarkable and largely unexplored work.

Perceforest is one of the largest and certainly the most extraordinary of the late Arthurian romances. Justly described as "an encyclopaedia of 14th-century chivalry" and "a mine of folkloric motifs", it is the subject ofrapidly increasing attention and research. The author of Perceforest draws on Alexander romances, Roman histories and medieval travel writing (not to mention oral tradition, as he gives, for example, the distinctly racy first written version of the Sleeping Beauty story), to create a remarkable prehistory of King Arthur's Britain.
It begins with the arrival in Britain of Alexander the Great. His follower Perceforest, the first of Arthur's Greek ancestors, is made king of the island and finds it infested by the "evil clan" of Darnant the Enchanter. Magic plays a dominant part in the adventures which follow, as Perceforest ousts Darnant's clan despite their supernaturalpowers. He founds the knightly order of the "Franc Palais", an ideal of chivalric civilisation prefiguring the Round Table of Arthur and indeed that of Edward III. But that civilisation is, the author shows, all too fragile.
The vast imaginative scope of Perceforest is matched by its variety of tone, ranging from tales of love and enchantment to bawdy comedy, from glamorous tournaments to unvarnished descriptions of the havoc wrought by war.And the author's surprising view of pagan gods and the coming of Christianity is as fascinating as the prominence he gives to women and his understanding of how the world of chivalry should work.
Because of its enormous length - it runs to over a million words - Nigel Bryant has provided a version which gives a complete account of every episode, linking extensive passages of translation, to make a manageable and highly readable version (including the previously unpublished Books Five and Six), of this remarkable and largely unexplored work.

Nigel Bryant has worked as a producer for BBC Radio 3 and as head of drama at Marlborough College. This is his fourth majortranslation of medieval Arthurian romance.

Sarah Wood

Piers Plowman and its Manuscript Tradition

$130.00

The first full survey of crucial witnesses to the reception of Piers Plowman.

The fifty-plus surviving manuscripts of William Langland's Piers Plowman cast important light on the early public life of this central Middle English work, but they have been relatively neglected by scholarship. This first full study of the subject examines the textual variants, marginal rubrics and companion texts in the manuscripts. It illuminates a reception quite distinct from the reformist poems written by Langland's imitators in "the Piers Plowman tradition". It reveals how the earliest scribes devised various traditional forms of presentation that proved remarkably durable in the poem's subsequent reception, even surviving into the age of print. Exploring Piers Plowman's appearances in the manuscripts, paired unexpectedly with such genres as romance, hagiography and travel literature, the book demonstrates the surprisingly affective responses of medieval readers to the represented lives of the narrator Will and the title figure Piers the Plowman. At the same time, it shows that the evidence for individual scribal agendas in particular copies is more ambiguous than often assumed, with each book reflecting the activities of an unknown number of hands and an uncertain mixture of design and accident. By drawing on evidence from textual scholarship as well as codicological and literary approaches, the author offers fresh insight into Piers Plowman's place in literary history and proposes new ways of understanding the late medieval manuscript as a multi-layered, collaborative product.

Sarah Wood is Associate Professor of Medieval English Literature at the University of Warwick

<i>Piers Plowman</i> and its Manuscript Tradition

Andrew McRae

Poly-Olbion: New Perspectives

$130.00

First collection devoted to the Poly-Olbion, bringing out in particular its concerns with nature and the environment.

Poly-Olbion (1612-1622), the collaborative work of the poet Michael Drayton, the legal scholar John Selden, and the engraver William Hole, ranks among the most remarkable literary productions of early modern England, and arguably among the most important. An ambitious and idiosyncratic survey of the history, topography, and ecology of England and Wales - ranging in its preoccupations from the supernatural conception of Merlin to the curious habits of beavers, and from celebrations of martial glory to laments over the diminishment of woodlands - the book seems determined to pack all of national and natural history between its covers. In the course of thirty songs, Drayton's Muse traverses a varying landscape in which personified rivers, hills, and forests sing of past glories and disasters, pursuing local and regional rivalries whilst propounding a heterogeneous vision of Britain. However, perhaps because of its very uniqueness, it has received relatively little critical attention.
This is the first ever volume of essays on Poly-Olbion, and a reflection of the work's increasing prominence in scholarship on the literature and culture of early modern England: the poem has long been central to critical studies of early modern nationhood and nationalism, but in the last decade it has also assumed a central place in discussions of pre-modern approaches to ecological sustainability and environmental degradation. The contributors here address questions about the form and purpose of Poly-Olbion, as well as engaging with these dominant critical debates, reflecting the extent to which the preoccupations of Drayton and his collaborators have become our own.

Professor Thomas H. Crofts

Sir Tristrem

$170.00

A vibrant revival of a neglected witty and daring medieval gem, and a foundational work for English romance and translation studies. Essential reading for students of medieval literature and manuscript culture.

In the late thirteenth century, as English began to assert itself against Anglo-Norman and French literary traditions, Sir Tristrem emerged as one of the earliest and most inventive Middle English romances. Uniquely preserved in the Auchinleck Manuscript, this poem reimagines the Tristan legend with a bold comic tone, distinctive stanza form, and a sharp awareness of its audience's expectations. Both a translation and a transformation of Thomas of Britain's Tristran (c.1170), it stands alongside the more courtly German and Norwegian retellings by Gottfried von Strassburg and Brother Robert of Norway-yet diverges from both in its brevity, tonal shifts, and performative agility.

This edition pairs a lively modern English verse translation with the complete Middle English text-offering, for the first time, a dual-language format that remains sensitive to the poem's performance-driven origins. The accompanying study reconsiders Sir Tristrem not only as literature, but as a document of transmission: oral, scribal, and manuscript. It explores its triangulated relationship with other Tristan traditions, its place within a manuscript collection of romances shaped by translation, and the formal innovations through which it reshapes a familiar narrative.

Resisting the reductive labels of its critical past, Sir Tristrem, as presented here, reclaims its role as a serious, playful, and quintessentially English contribution to medieval narrative tradition.

Cover image for <i>Sir Tristrem</i>, isbn: 9781914967085

Alan Argent

The Angels' Voice

$85.00

Edition of young men's magazines from just before the First World War, presenting a vivid and touching picture of life at the time.

The Angels' Voice was the title given to a magazine which circulated among a group of some 40 or so young men in Brixton between 1910 and 1913, all members of the Young Men's Bible Class of Trinity Congregational Church there. In its pages they teased each other, their sisters and girlfriends in poetry, drawings and witty, innocent articles. We see them playing football, going on country rambles, roller-skating, cycling, smoking (a lot), arguing about politics and women's rights, taking day trips to France and holidays in the Channel Islands, Belgium and Italy, and even working in Switzerland, India and the Canary Islands.
This magazine offers an unique insight into life in London in general, and the lives and attitudes of lower middle-class young men in one suburb in particular, on the eve of the outbreak of the First World War, during which many of them were to serve and several of them were to die; its pages depict the world lost in the trenches of France and Flanders.
The magazines are presented here with an introduction and full notes, with an appendix providing biographical information on many of those connected with them.

ALAN ARGENT grew up in south London. He is minister of Trinity Congregational Church, Brixton, and Research Fellow at Dr Williams's Library, London. He has written a biography of Elsie Chamberlain, and a history of Congregationalism in the twentieth century.

Jeffrey L. Forgeng

The Art of Swordsmanship by Hans Lecküchner

$54.95

English translation of one of the most significant medieval texts on fighting with swords.

Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.
This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.

JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

<I>The Art of Swordsmanship</I> by Hans Lecküchner

Jeffrey L. Forgeng

The Art of Swordsmanship by Hans Lecküchner

$190.00

English translation of one of the most significant medieval texts on fighting with swords.

Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.
This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.

Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

Translated by Jeffrey L. Forgeng

The Book of Horsemanship by Duarte I of Portugal

$35.00

First full translation of an important treatise on chivalric horsemanship.

Written around 1430, Duarte of Portugal's remarkable treatise on chivalric horsemanship, the Livro do Cavalgar (Book on Riding), is the sole substantial contemporary source to survive on the definitive physical skill of themedieval knight. It also stands out from the body of technical writings of the Middle Ages for its intelligence, insight, and intellectual versatility, ranging from psychological reflections on horsemanship and its implications for human ethics, to the details of how to couch a lance under the arm without getting it caught on armour. Under the general rubric of horsemanship Duarte covers a range of topics that include jousting, tourneying, and hunting, aswell as the physical apparatus of equestrianism and various cultural styles of riding.
However, despite its importance for scholarship, its language and technical content have so far resisted proper translation, a need whichthis book fills. The introduction provides not only the background to make Duarte's text comprehensible, but for the first time offers modern audiences a systematic point of access to the subject of medieval equestrianism in general.

JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and Adjunct Professor of History at Worcester Polytechnic Institute.

<I>The Book of Horsemanship</I> by Duarte I of Portugal

Translated by Jeffrey L. Forgeng

The Book of Horsemanship by Duarte I of Portugal

$24.99

First full translation of an important treatise on chivalric horsemanship.

Written around 1430, Duarte of Portugal's remarkable treatise on chivalric horsemanship, the Livro do Cavalgar (Book on Riding), is the sole substantial contemporary source to survive on the definitive physical skill of themedieval knight. It also stands out from the body of technical writings of the Middle Ages for its intelligence, insight, and intellectual versatility, ranging from psychological reflections on horsemanship and its implications for human ethics, to the details of how to couch a lance under the arm without getting it caught on armour. Under the general rubric of horsemanship Duarte covers a range of topics that include jousting, tourneying, and hunting, aswell as the physical apparatus of equestrianism and various cultural styles of riding.
However, despite its importance for scholarship, its language and technical content have so far resisted proper translation, a need whichthis book fills. The introduction provides not only the background to make Duarte's text comprehensible, but for the first time offers modern audiences a systematic point of access to the subject of medieval equestrianism in general.

JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and Adjunct Professor of History at Worcester Polytechnic Institute.

Liz Herbert McAvoy

The Book of Margery Kempe

$29.99

Margery Kempe's text draws on her maternal, female body to illuminate her relationship to the divine.

A unique narrative of sin, sex and salvation, The Book of Margery Kempe comprises a text which has continued to perplex and fascinate contemporary audiences since its discovery in the library of an English country house in1934. Simultaneously exasperating, endearing, vulnerable and eccentric, Margery Kempe, mother of fourteen children and wife to a bemused John Kempe, provides us with an autobiographical account of her own singular brand of affective piety - excessive weeping, lack of bodily control, compulsive travelling, visionary meditations - and the growth of what she regarded as an individual and privileged mystical relationship with Christ. This new excerpted, thematically organised translation of the challenging text focuses on passages which will contextualise for the reader its author's reliance upon the experiences of her own maternal and sexualised body in an attempt to gain spiritual and literary authority. With detailed introduction and challenging interpretive essay, this volume uncovers in particular the importance of motherhood, sexuality and female orality to the inception and expression of Margery Kempe's singular mystical experiences and adds to contemporary debate regarding the agency of holy women during the later middle ages.
LIZ HERBERT McAVOY is Lecturer in Medieval Language and Literature, University of Leicester.

John Cartwright

The Buik of King Alexander the Conquerour by Sir Gilbert Hay

$39.95

Published by Boydell & Brewer Inc.

<I>The Buik of King Alexander the Conquerour</I> by Sir Gilbert Hay

John Cartwright

The Buik of King Alexander the Conquerour by Sir Gilbert Hay

$39.95

Published by Boydell & Brewer Inc.

Catherine Van Buuren

The Buke of the Chess

$39.95

Published by Boydell & Brewer Inc.

Ralph Hanna

The Buke of the Howlat by Richard Holland

$60.00

Critical edition of an important Scottish poem, highlighting its striking poetic features.

The Buke of the Howlat was composed in the late 1440s for Elizabeth Douglas, wife of Archibald Douglas, earl of Moray. It is one of the great monuments of fifteenth-century Scots verse, perhaps the finest example of Older Scots alliterative poetry, telling a comic fable of an owl's borrowed feathers, his pride and ultimate fall, and a bird parliament which decides his fate. At its centre is a heraldic excurses which leads to a celebration of the virtues of the Douglas family and their service to Robert Bruce in the Scottish Wars of Independence. Its themes therefore focus on Scottish freedom, aristocratic achievement, and good self- and political governance; its influencesare drawn from chanson d'aventure, beast fable and complaint, and embrace the French, Scots, Gaelic and English Chaucerian and northern literary traditions, making it of great significance to anyone interested in the late medieval literature of the British Isles.
This critical edition provides a new text, with full modern annotation and glossary. Its introduction and notes address the textual transmission of the poem in detail, its traditionalalliterative form, the poetic tula, its language, heraldic elements, and historical references and contexts.

Ralph Hanna is Emeritus Professor of Palaeography, University of Oxford.

<I>The Buke of the Howlat</I> by Richard Holland

Henry Adamson

The Muses Threnodie

$85.00

This edition of a seventeenth-century Scottish poem gives modern audiences insight into the ways previous generations perceived and engaged with local nature and architecture.

Henry Adamson's "The Muses Threnodie" (1638) offers insights into the lives, amusements and anxieties of of the residents of the town of Perth. In it, two of Perth's citizens venture out on foot and by boat into the vicinity of their cramped, closely overseen town. In whimsically funny conversations, they observe local natural phenomena and landmarks while discussing the buried, ruined evidence of the region's architectural history. Their perceptions of waterways and landforms highlight their sometimes conflicted understanding of historical change at Perth on the eve of the Scottish National Covenant.

The beguilingly inglorious verse in which Henry Adamson clothes his characters' sentiments serves as the outermost layer of several stylistic misdirections, as if to distract official attention from any dangerous contemporary criticism within.

Archibald Pitcairne

The Phanaticks

$49.95

First modern edition of a highly provocative Scottish drama.

Written at the very end of the seventeenth century, The Phanaticks (previously known as The Assembly) satirises in dramatic form contemporary political and religious affairs, presenting some well-known figures in thethinnest of disguises. Overtly a comedy about two young women opposed by such forces as the Governer of Edinburgh Castle (Lord Huffy), it is an excoriating attack on the hypocrisy and political chicanery of Scottish religious sects, alongside its romance and sexual innuendo. The author, Archibald Pitcairne, was a celebrated physician and wit; this work demonstrates his talent for controversy (he was ejected from the Royal College of Physicians of Edinburgh, an institution which he helped to found, after a dispute about his theoretical approaches to medicine). Indeed, so provocative was it deemed that despite being printed in 1722 and 1752, there is no record of any contemporary performance.
This first modern edition is based on an early manuscript, with corrections possibly in Pitcairne's own hand; it is presented with full contextual and historical notes.

John MacQueen is Emeritus Professor of English, University of Edinburgh.

Ralph Hanna

The Taill of Rauf Coilyear

$60.00

First edition of a lively medieval romance.

The author of the fifteenth-century Older Scots romance of Rauf Coilyear may be unknown, but the popularity of this comic king-in-disguise tale is undisputed; it is cited by William Dunbar and Gavin Douglas at the turn of the century, and again in the mid-sixteenth century Complaynt of Scotland. The disguised king in this case is Charlemagne, and the hero a bluff collier called Ralph, who unwittingly plays host to him for one stormy night and teaches his bemused guest some rough lessons in his own version of courtesy. When Ralph is lured to court, the mistaken identities continue as he encounters the great Sir Roland and battles Saracens. Throughout, the scrappy hero maintains his dignity, as indeed does his king: both parties finish the tale immensely pleased with each other and with the bond they have forged.
The text survives only in a 1572 print by Robert Lekpreuik (whose own career seems tohave been only marginally less exciting than Rauf's: he printed it in St Andrews while attempting to evade imprisonment in Edinburgh, ultimately without success). It is edited here with an introduction and notes.

RALPHHANNA is Emeritus Professor of Palaeography, University of Oxford.

Professor Steven Matthews

The Waste Land after One Hundred Years

$60.00

An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years.

T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on.
Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.

<i>The Waste Land</i> after One Hundred Years

Translated with notes by Robert J. Meindl, Mark T. Riley and R.F. Yeager

Vox Clamantis by John Gower: "The Voice of One Crying"

$36.95

The first English translation into verse of the full Vox Clamantis, with explanatory notes.

John Gower's Vox Clamantis is one of the major poetic achievements of the Middle Ages. Its subject matter ranges from his dream-vision account of the Peasants' Revolt of 1381 to sharp critiques of the clergy, merchants, and lawyers, all with the intention of teaching the lessons of the past as a guide to the present. In Gower's view, everything that is and happens must be read and interpreted for the guidance God provides: history, Scripture and nature are replete with auguries sent by God to guide rulers if they but learn to read them. Ultimately for Gower, rulers - and we ourselves - are responsible for our own choices, for good or ill.

This line-by-line translation from the original Latin into Modern English is intended for a wide audience, and to be easily readable by scholars and non-scholars alike. It replicates Gower's Latin meter as closely as possible in English, uses straightforward language, and clarifies many difficult points of medieval legal theory, Classical allusion, and theological interpretation heretofore left unexplained in any previous attempts, full or partial, to translate the poem. Extensive notes trace Gower's sources, from Ovid to Peter Riga's Aurora to Alexander Nequam's De Naturis rerum to Nigel Wireker's Speculum Stultorum and the Bible, among many others. Classical and Biblical allusions are identified and fully but succinctly explained. This book also includes the "Letter to Arundel", translated in verse for the first time.

Cover image for <i>Vox Clamantis</i> by John Gower: "The Voice of One Crying", isbn: 9781843847557

Translated with notes by Robert J. Meindl, Mark T. Riley and R.F. Yeager

Vox Clamantis by John Gower: "The Voice of One Crying"

$130.00

The first English translation into verse of the full Vox Clamantis, with explanatory notes.

John Gower's Vox Clamantis is one of the major poetic achievements of the Middle Ages. Its subject matter ranges from his dream-vision account of the Peasants' Revolt of 1381 to sharp critiques of the clergy, merchants, and lawyers, all with the intention of teaching the lessons of the past as a guide to the present. In Gower's view, everything that is and happens must be read and interpreted for the guidance God provides: history, Scripture and nature are replete with auguries sent by God to guide rulers if they but learn to read them. Ultimately for Gower, rulers - and we ourselves - are responsible for our own choices, for good or ill.

This line-by-line translation from the original Latin into Modern English is intended for a wide audience, and to be easily readable by scholars and non-scholars alike. It replicates Gower's Latin meter as closely as possible in English, uses straightforward language, and clarifies many difficult points of medieval legal theory, Classical allusion, and theological interpretation heretofore left unexplained in any previous attempts, full or partial, to translate the poem. Extensive notes trace Gower's sources, from Ovid to Peter Riga's Aurora to Alexander Nequam's De Naturis rerum to Nigel Wireker's Speculum Stultorum and the Bible, among many others. Classical and Biblical allusions are identified and fully but succinctly explained. This book also includes the "Letter to Arundel", translated in verse for the first time.

Cover image for <i>Vox Clamantis</i> by John Gower: "The Voice of One Crying", isbn: 9781843847540

W. Mark Ormrod

Winner and Waster and its Contexts

$120.00

First recent full-length analysis of a major medieval poem.

The late fourteenth-century English poem Winner and Waster narrates a debate between the forces of avarice (Winner) and generosity (Waster); it ranges widely over a number of major issues in the political life of England during Edward III's reign.

This book sets out to re-date the poem from the 1350s to the 1360s, and in so doing to question whether its principal message really revolves (as so much earlier scholarship has insisted) around the state of public order and the costs of warfare in the 1350s. Instead, it proposes that the poem echoes debates about Edward III's ability to maintain concord between the members of his household, to manage the extravagance in clothing that prompted the sumptuary laws of 1363, and to run his peace-time finances of the 1360s in such a way as to guarantee the solvency of the crown. Drawing extensively on the records of parliament and on contemporary chronicles, this volume sets Winner and Waster within the wider context of other complaint literature of the fourteenth century, and characterizes it as one of the most politically - and socially - engaged works of the period.

<i>Winner and Waster</i> and its Contexts

W. Mark Ormrod

Winner and Waster and its Contexts

$29.99

Full-length analysis of one of the most politically and socially engaged medieval poems

The late fourteenth-century English poem Winner and Waster narrates a debate between the forces of avarice (Winner) and generosity (Waster); it ranges widely over a number of major issues in the political life of England during Edward III's reign.

This book sets out to re-date the poem from the 1350s to the 1360s, and in so doing to question whether its principal message really revolves (as so much earlier scholarship has insisted) around the state of public order and the costs of warfare in the 1350s. Instead, it proposes that the poem echoes debates about Edward III's ability to maintain concord between the members of his household, to manage the extravagance in clothing that prompted the sumptuary laws of 1363, and to run his peace-time finances of the 1360s in such a way as to guarantee the solvency of the crown.

Drawing extensively on the records of parliament and on contemporary chronicles, this volume sets Winner and Waster within the wider context of other complaint literature of the fourteenth century, and characterizes it as one of the most politically - and socially - engaged works of the period.

Nigel Bryant

A Perceforest Reader

$29.99

Perceforest is one of the largest and certainly the most extraordinary of the late Arthurian romances, and is almost completely unknown except to a handful of scholars. But it is a work of exceptional richness and importance, and has been justly described as "an encyclopaedia of 14th-century chivalry" and "a mine of folkloric motifs". Its contents are drawn not only from earlier Arthurian material, but also from romances about Alexander the Great, from Roman histories and from medieval travel writing - not to mention oral tradition, including as it does the first and unexpurgated version of the story of the Sleeping Beauty. Out of this, the author creates a remarkable prehistory of King Arthur's Britain, describing how Alexander the Great gives the island to Perceforest, who has to purge the island of magic-wielding knights descended from Darnant the Enchanter, despite their supernatural powers. Perceforest then founds the knightly order of the "Franc Palais", an ideal of chivalric civilisation which prefigures the Round Table of Arthur and indeed that of Edward III; but that civilisation is, as the author shows, all too fragile. The action all takes place in a pagan world of many gods, but the temple of the Sovereign God, discovered by Perceforest, prefigures the Christian world and the coming of the Grail and Arthur.
Nigel Bryant has recently adapted this immense romance into English; even in his version, which gives a complete account of the whole work but links extensive sections of full translation with compressed accounts of other passages, it runs to nearly half amillion words.
A Perceforest Reader is an ideal introduction to the remarkable world portrayed in this late flowering of the Arthurian imagination.

George J.G. Cheyne

A Bibliographical Study of the Writings of Joaquín Costa (1846-1911)

$60.00

Published by Boydell & Brewer Inc.

A Bibliographical Study of the Writings of Joaquín Costa (1846-1911)

Ann F. Howey, Stephen R. Reimer

A Bibliography of Modern Arthuriana (1500-2000)

$220.00

Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art.

The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material.
This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures.

ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

A Bibliography of Modern Arthuriana (1500-2000)

D. Mary Short

A Bibliography of Printed Items Relating to the City of Lincoln

$36.95

Supplementary to material contained in Corns'Bibliotheca Lincolniensis (1904).

This bibliography builds on material contained in Corns'Bibliotheca Lincolniensis, published in 1904, since which time the main contributions to the bibliographic coverage of the city have been commercial auction and booksellers' lists, the Lincolnshire section of the regional lists formerly produced by the library association, and the East Midlands Bibliography. The bibliography is based on the collections of Lincoln Central Library.

A Bibliography of Printed Items Relating to the City of Lincoln

E.H. Cordeaux

A Bibliography of Printed Works Relating to Oxfordshire (excluding the University and City of Oxford); Supplementary Volume (to second series, no 11, 1949-50)

$35.00

Published by Boydell & Brewer Inc.

A Bibliography of Printed Works Relating to Oxfordshire (excluding the University and City of Oxford); Supplementary Volume (to second series, no 11, 1949-50)

Tony Trowles

A Bibliography of Westminster Abbey

$105.00

First bibliography of all printed material concerned with Westminster Abbey, from parliamentary papers to guide books.

Westminster Abbey is one of the most significant ecclesiastical institutions in Britain and occupies a unique position in the life of Church and Nation. Founded as a Benedictine monastery c.960, it is the coronation church and a royal mausoleum, a place of worship and an architectural masterpiece, a national shrine whose collection of monumental sculpture is of international renown. The Abbey's history is inextricably linked with that of both Westminster School [governed directly by the Dean and Chapter of Westminster until 1868] and of St Margaret's church [built by the Westminster monks for the local community, and closely associated with the Abbey ever since].

Thisfully-indexed bibliography is the first of its kind dedicated to a major church, and is a fundamental contribution to the historiography of Westminster Abbey. It provides full bibliographical details of more than 3300 printed works, including parliamentary papers, editions of archival sources, guide books, theses, historical monographs and journal articles. Covering a huge range of subjects from art and architecture to poetry, sermons and Westminster School grammars, it is an indispensable reference work for anyone seeking to know more about this remarkable institution.

Andrew Hegarty

A Biographical Register of St. John's College, Oxford, 1555-1660

$65.00

Full biographical accounts of the members of St John's College Oxford give much new evidence for academic life of the period.

This volume comprises a register of all who were academically of St John's College, Oxford, from its foundation in 1555 until 1660, as well as of a number of men otherwise associated with it. It includes many figures of nationalimportance, among them William Laud, William Juxon, Edmund Campion, and Bulstrode Whitelocke, scholarly translators of the Bible, five future earls, and many Members of Parliament.
The biographies, based on a very wide rangeof sources, amplify and correct existing work and identify many previously unknown St John's men. The introduction draws on this new research to provide a richer and more nuanced portrayal of an early-modern Oxford college than any so far attempted - and, since the College was both a Catholic Marian foundation and the institution in which Laud spend much of his life, makes a significant contribution to an understanding of the ramifications of early modernEnglish religious loyalties. The College's involvement in early academic drama in Oxford also receives special attention, as do its many Shakespearean connections (both family and Warwickshire affinity). An extensive Glossary provides essential supplementary guidance to the workings of the early-modern academic world.

Andrew Hegarty gained his D.Phil. from the University of Oxford; his research is on the history of European universities in theearly modern period.

A Biographical Register of St. John's College, Oxford, 1555-1660

Michael J.P. Robson

A Biographical Register of the Franciscans in the Custody of York, c.1229-1539

$75.00

Documents assembled from a wide range of sources sheds vivid light on the lives and careers of the Franciscan movement.

The Franciscans, frequently known as Greyfriars, were inspired by the charismatic figure of Francis of Assisi (+1226). Pledged to a life of penitence and evangelical poverty, they strove to bring Christianity to life through theirexample and preaching. In the late summer of 1224 they reached England, where they quickly established a presence at Canterbury, London, Oxford and Northampton. Attracting a large number of recruits from the universities, the regular and secular clergy and laymen, they spread rapidly throughout the country, establishing communities in the cities and principal boroughs. The custody of York, with its friaries of Beverley, Boston, Doncaster, Grimsby, Lincoln, Scarborough and York, a regional cluster, began with the friars' arrival in the cathedral cities of Lincoln and York before 1230. The custody reached from Whitby to Spalding.
Although several monastic ruins adorn the landscape of northern Lincolnshire and much of Yorkshire, the seven friaries have left little visible trace, and there are few vestiges of the friars' once teeming archives and impressive libraries. However, despite the dispersal of these documents, there are other sources which illuminate the friars' ministry and shine a spotlight upon an individual friar. This biographical register of 1,704 friars draws upon a range of materials, including the wardrobe accounts, the episcopal registers, papal documents the probate registers, urban records, chronicles and diverse sources, illuminating their daily lives and activities, from studying the liberal arts and theology to celebrating Mass andhearing confessions. While some friars are represented by a single entry, other lives are better chronicled, particularly those who were active in the universities, the service of the crown and the local community.

MICHAEL ROBSON is a fellow of St Edmund's College, Cambridge.

A Biographical Register of the Franciscans in the Custody of York, c.1229-1539

Phillip Reid

A Boston Schooner in the Royal Navy, 1768-1772

$130.00

Uses rare surviving records, including fully intact logbooks, to situate the customs-enforcement interceptor Sultana within the wider picture of the British Atlantic in this crucial period.

HONORABLE MENTION: 2023 Lyman Book Award for North American Naval History

The small Boston-built schooner Sultana served as a customs-enforcement interceptor on the North American eastern seaboard in the period leading up to the American Declaration of Independence, when British taxation of American trade was a hugely contentious issue. As a typical workaday British American merchant ship taken into naval service, Sultana offers a rare opportunity to understand a technology of paramount importance to this world, where records for merchant ships are scarce, but where in this case a wealth of information, from plan drawings to the fully-intact logbooks, has survived. The book provides a detailed narrative of the ship's activities, and reveals the nature of life on board and the day to day business of operating a small sailing ship. It explores the technology of the ship and her sailing qualities as revealed by the ship's logs and also by the performance of a modern replica. In addition, the book situates Sultana's role within the wider picture of the British Atlantic in this crucial period. It is thereby both naval microhistory and also Atlantic history for all scholars interested in the formation and development of the British Atlantic world.

A Boston Schooner in the Royal Navy, 1768-1772

Dennis McCarthy, June Schlueter

A Brief Discourse of Rebellion and Rebels by George North

$95.00

A new source for Shakespeare's plays, only recently uncovered, is investigated here with a full edition and facsimile of the text.

New sources for Shakespeare do not turn up every day... This is a truly significant one that has not heretofore been studied or published. The list of passages now traced back to this source is impressive. - David Bevington, Professor Emeritus, University of Chicago

"A Brief Discourse of Rebellion and Rebels" is the only uniquely existent, unpublished manuscript that can be shown to have been a source for Shakespeare's plays. George North wrote the treatise in 1576 while at Kirtling Hall, the North family estate in Cambridgeshire. His manuscript, newly uncovered by the authors at the British Library, has many implications for our understanding of Shakespeare's plays. for example, not only does it bring clarity to the Fool's mysterious reference to Merlin in King Lear, but also upsets the prevailing opinion that Shakespeare invented the final hours of Jack Cade in 2 Henry VI. Linguistic and thematic correspondences between the North manuscript and Shakespeare's plays make it clear that the playwright borrowed from this document in other plays as well, including Richard III, 3 Henry VI, Henry V, King John, Macbeth, and Coriolanus. The opening chapters of the book investigate such connections; the volume also contains both a transcript and a facsimile of "A Brief Discourse", making this previously unknown document readily available.

DENNIS MCCARTHY is an independent scholar; JUNE SCHLUETER is Charles A. Dana Professor Emerita of English at Lafayette College, Easton, Pennsylvania.

A Brief Discourse of Rebellion and Rebels by George North

David Lepine

A Brotherhood of Canons Serving God

$120.00

A study of the lives of cathedral clergy in the middle ages.

This study focuses on the canons of the nine secular cathedrals in England in the later middle ages, who were amongst the most able and successful clerics of their age. After considering the functions of the cathedrals which provided them with a comfortable income and considerable status, Dr Lepine turns to the canons themselves, tracing their origins and analysing their careers. He examines the canons' residence at their cathedrals, establishing how manywere resident in the close and how much time they spent there. The study concludes by presenting two case studies to show the vigour and diversity of capitular life in the later middle ages: Salisbury between 1398 and 1458 (its so-called golden age) and Lichfield from 1490 to 1540, on the eve of the Reformation.

Dr DAVID LEPINE teaches history at Dartford Grammar School.

Dorothy A. Gardiner

A Calendar of Early Chancery Proceedings relating to West Country Shipping 1388-1493

$36.95

This volume lists proceedings from the royal court of chancery relating to shipping and seafaring activities in Devon and Cornwall in the fourteenth and fifteenth centuries. They include a variety of complaints and requests, manyrelating to the taking of ships and their cargoes during periods of warfare between England and France. They tell us much about medieval maritime history, as well as about the importance of shipping in Devon and Cornwall.

A Calendar of Early Chancery Proceedings relating to West Country Shipping 1388-1493

H.E. Salter

A Cartulary of the Hospital of St John Baptist vol.I

$49.95

Published by Boydell & Brewer Inc.

A Cartulary of the Hospital of St John Baptist vol.I

H.E. Salter

A Cartulary of the Hospital of St John the Baptist vol. II

$49.95

Published by Boydell & Brewer Inc.

Revd H.E. Salter

A Cartulary of the Hospital of St John the Baptist. Vol III

$49.95

Published by Boydell & Brewer Inc.

A Cartulary of the Hospital of St John the Baptist. Vol III

Anthony Richard Wagner

A Catalogue of English Mediaeval Rolls of Arms

$120.00

The editing is done with great skill . . . this is a masterly treatment of the subject. ENGLISH HISTORICAL REVIEW

Aspilogia' means materials of heraldry, and this first volume in the series on heraldry published by the Society of Antiquaries is a comprehensive listing of the known medieval rolls of arms of English origin. The rolls vary fromvery grand and luxurious painted manuscripts to simple records made by heralds using descriptive code, and this book is the best guide to them. It includes details of all known copies and variants, and includes rolls which are only known to us through later transcripts.

A Catalogue of English Mediaeval Rolls of Arms

Jack Baldwin

A Catalogue of Fifteenth-Century Printed Books in Glasgow Libraries and Museums [2 volume set]

$260.00

2022 ILAB Breslauer Prize for Bibliography - First Prize Winner

This catalogue of the substantial collection of the incunabula at the University of Glasgow Library, concentrates, in addition to the usual data, on the copy-specific aspects of the book such as provenance, use, binding and decoration.

The University of Glasgow Library has one of the richest rare book collections in the UK outside London, Oxford, Cambridge and Manchester. There are 1042 incunabula (including many unique items). As witnesses of the first print revolution, these books are fascinating on many levels - as innovative survivors of the technological shift from manuscript to print, as late medieval texts available in duplicate to a commercial mass market for the first time, andas cultural artefacts containing over 500 years of ownership history. A well-presented catalogue is the key to accessing this rich resource for a wide range of historians and researchers. A further 64 itncunabula in other Glasgowmuseums and libraries are also included.

Bibliographically, incunabula have been well documented. The aim of the Glasgow catalogue is to concentrate on the unique aspects of the books. A short-title catalogue approachis taken in providing enough information to identify each edition (with reference to standard bibliographical works such as ISTC) presented in author order. The main focus of each record is on the copy specific features of the book, including full details of provenance (ownership), evidence of use from annotation and other marks, binding, decoration and any other idiosyncratic features (such as hand-colouring of woodcuts or manuscript waste used in endpapers.

A Catalogue of Fifteenth-Century Printed Books in Glasgow Libraries and Museums [2 volume set]

Frank W. Chandler

A Catalogue of Names of Persons in the German Court Epics

$29.95

Published by Boydell & Brewer Inc.

A Catalogue of Names of Persons in the German Court Epics

Prof Rosalind Brown-Grant

A Chivalric Life

$170.00

First English translation of the chivalric biography of the foremost knight of the late Middle Ages.

Jacques de Lalaing (c.1421-53) was undoubtedly the most famous knight at the court of the Burgundian duke, Philip the Good, one who was celebrated in his own lifetime for the dazzling feats of arms that he performed in jousts across Europe during the 1440s. Serving the duke first as a councillor and ambassador to launch a new crusade and then as a fearless military leader on a campaign to put down a revolt by the town of Ghent, Lalaing tragically met his death at the siege of Poeke at a relatively young age.
The chivalric biography of Lalaing, written in the early 1470s, offers an entertaining and informative account of the life of a late medieval knight. Drawing on a variety of sources, it was designed not only to commemorate Jacques's deeds for posterity but also to encourage other young noblemen to imitate his shining example, with lavishly illuminated copies being made for members of his own family and other noble readers.
This first English translation of the text, accompanied by an introduction and extensive notes based on new research into both archival and literary sources, aims to offer the reader an in-depth portrayal of Lalaing in the context of the chivalric, dynastic and political culture of his day.

T. David Curp

A Clean Sweep?

$130.00

An examination of how the Polish state and its people worked together to ethnically cleanse and colonize eastern Germany after 1945.

A Clean Sweep? The Politics of Ethnic Cleansing in Western Poland, 1945-1960 examines the long-term impact of ethnic cleansing on postwar Poland, focusing on the western Polish provinces of Poznan and Zielona Góra. Employing archival materials from multiple sources, including newly available Secret Police archives, it demonstrates how ethnic cleansing solidified Communist rule in the short term while reshaping and "nationalizing" that rule.
The Poles of Poznan played a crucial role in the postwar national revolution in which Poland was ethnically cleansed by a joint effort of the people and state. A resulting national solidarity provided the Communist-dominated regime with an underlying stability, while it transformed what had been a militantly internationalist Polish Communism. This book addresses the legacy of Polish-German conflict that led to ethnic cleansing in East Central Europe, the ramifications within the context of Polish Stalinism's social and cultural revolutions, and the subsequent anti-national counterrevolutionary effort to break the bonds of national solidarity. Finally, it examines how the Poznan milieu undermined and then reversed Stalinist efforts at socioeconomic and cultural revolution. In the aftermath of the Poznan revolt of June 1956, the regime's leadership re-embraced hyper-nationalist politics and activists, and by 1960 Polish authorities had succeeded in stabilizing their rule at the cost of becoming an increasingly national socialist polity.

T. David Curp is Assistant Professor in the Department of History at Ohio University.

John Michael Beers

A Commentary on the Cistercian Hymnal

$65.00

This anonymous Commentary is printed from Troyes, Bibl. munic. 658, a manuscript written at Clairvaux in the late 12th century.It is well known that St Bernard in 1147 revised the monastic hymnal for the use of his Cistercian monks; the anonymous Explanatio is primary evidence for the content of Bernard's hymnal. It is also an invaluable index of Cistercian spirituality in the late 12th century, and provides an index of the range of reading of a Cistercianscholar of that time.

Yoko Wada

A Companion to Ancrene Wisse

$36.95

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise.

The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text.

Contributors: ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.

Anthony Close

A Companion to Don Quixote

$36.95

An introduction to Cervantes's complex masterpiece.

The purpose of this book is to help the English-speaking reader, with an interest in Spanish literature but without specialised knowledge of Cervantes, to understand his long and complex masterpiece: its major themes, its structure, and the inter-connections between its component parts.
Beginning from a review of Don Quixote's relation to Cervantes's life, literary career, and its social and cultural context, Anthony Close goes on to examine the structure and distinctive nature of Part I (1605) and Part II (1615), the conception of the characters of Don Quixote and Sancho, Cervantes's word-play and narrative manner, and the historical evolution of posterity's interpretation of the novel, with particular attention to its influence on the theory of the genre.
One of the principal questions tackled is the paradoxical incongruity between Cervantes's conception of his novel as a light work ofentertainment, without any explicitly acknowledged profundity, and posterity's view of it as a universally symbolic masterpiece, revolutionary in the context of its own time, and capable of meaning something new and different to each succeeding age.

ANTHONY CLOSE, now retired, was Reader in Spanish at the University of Cambridge.

Belinda Wheeler

A Companion to Australian Aboriginal Literature

$120.00

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.

Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America.
Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages.

Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler.

Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

Belinda Wheeler

A Companion to Australian Aboriginal Literature

$29.99

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.

Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America.
Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages.

Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler.

Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

Nicholas Birns

A Companion to Australian Literature since 1900

$54.95

A fresh, twenty-first-century look at Australian literature in a broad, inclusive, and multicultural sense.

Australian literature is one of the world's richest, dealing not only with "local" Australian themes and issues but with those at the forefront of global literary discussion. This book offers a fresh look at Australian literature,taking a broad view of what literature is and viewing it with Australian cultural and societal concerns in mind. Especially relevant is the heightened role of indigenous people and issues following the landmark 1992 Mabo decision on Aboriginal land rights. But attention to other multicultural connections and the competing pull of Australia's continued connection to Great Britain are also enlightening. Chapters are devoted to internationally prominent writers such as Patrick White, Peter Carey, David Malouf, and Christina Stead; fast-rising authors such as Gerald Murnane and Tim Winton; less-publicized writers such as Xavier Herbert and Dorothy Hewett; and on prose fiction,poetry, and drama, women's and gay and lesbian writing, children's literature, and science fiction. The Companion goes beyond Eurocentric ideas of national literary history to reveal the full, resplendent variety of Australian writing.

Contributors: Nicholas Birns, Rebecca McNeer, Ali Gumillya Baker, Gus Worby, Anita Heiss, Ruth Feingold, Wenche Ommundsen, Susan Jacobowitz, Deborah Madsen, Marguerite Nolan, Tanya Dalziell, Richard Carr, David McCooey, Maryrose Casey, Brigid Rooney, John Beston, John Scheckter, Werner Senn, Carolyn Bliss, Paul Genono, Lyn Jacobs, Nicole Moore, Ouyang Yu, Jaroslav Kusnir, Brigid Magner, Russel Blackford, Toni Johnson-Woods, Theodore F. Sheckels, Alice Mills, Gary Clark, Damien Barlow, Leigh Dale

Nicholas Birns teaches literature at the New School in New York City and is the editor of Antipodes. Rebecca McNeer is Associate Dean Emerita at Ohio University Southern.

A Companion to Australian Literature since 1900

George Hardin Brown

A Companion to Bede

$29.99

A full and accessibly-written survey of Bede and his works, including a chapter on his legacy for subsequent history.

The Venerable Bede is a crucial figure for Anglo-Saxonists, arguably the most important, known character from the period. A scholar of international standing from an early period of the Anglo-Saxon church [c.672-732], he was the author not only of the well-known Ecclesiastical History of the English People, but also of scriptural commentaries, hagiographies, scientific works, admonitory letters, and poetry. This book provides an informative, comprehensive, and up-to-date guide to Bede and his writings, underlining in particular his importance in the development of European history and culture. It places Bede in his contemporary Northumbria and early Anglo-Saxon England, dedicates individual chapters to his works, and includes a chapter on Bede's legacy for subsequent history.

GEORGE HARDIN BROWN is Professor of English emeritus, Stanford University.

Roy Norton

A Companion to Calderón de la Barca

$170.00

The first comprehensive study of Calderón in English

Pedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain's dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age's ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón's comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright's comic works are as amusing as they are clever.

This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.

Catherine O'Leary

A Companion to Carmen Martín Gaite

$36.95

A comprehensive examination of the full range of Carmen Martín Gaite's work.

Carmen Martín Gaite produced a large body of work in various genres over the course of her five-decade career, though she is primarily known as a novelist, short story writer, and social commentator. Her work at times reflects, and at times defies, the pattern of development in Spanish fiction since the 1950s. This Companion offers a re-reading of Martín Gaite's works, emphasizing her early experimentalism which culminated in mid-career works (notably El cuarto de atrás), and stressing how, in the late 1960s and early 1970s when the majority of Spanish novelists were engaged in a critique of history, Martín Gaite turned to the writing of cultural history, exploring its intersection with narrative fiction in a positivist rather than a nihilistic mode. Her exploration of gender issues, particularly mother-child relations, towards the end of her career anticipated new directions in feminist thought. Discussions of often-ignored works, such as poetry, drama, children's literature, and literary translations, offer insight into sidelined aspects of this writer's literary output.

Catherine O'Leary is Reader in Spanish at the University of St Andrews. Alison Ribeiro de Menezes is Professor of Spanish at the University of Warwick.

Dominic Keown

A Companion to Catalan Culture

$130.00

Why Catalans insist on their identity.

The tragic fate of the millenary personality of Catalonia has rarely been fully appreciated abroad. Since the early eighteenth century its national voice has been submerged and fractured by a centralist state intent on its arbitrary, unitarian vision of a homogenized Spain. Catalan difference has emerged sporadically in the persons of such irrepressible geniuses as Gaudí, Dalí, Miró and Bigas Luna but, in the configuration of modern Europe, the relentlessinevitability of the unified state has imposed and re-imposed its singular cultural voice.
The present volume attempts to equip the English-speaking reader with a fuller understanding of the uniqueness and quality of the culture of Catalonia by providing a comprehensive portfolio of the creative contribution of the nation across a broad spectrum of achievement. Though the artistic wealth of the medieval period is acknowledged appropriately, this study, with its focus on the modern age, privileges excellence not only in the more conventional, academic spheres of history, music, language, literature and the arts but also explores the value of more basic, popular experience inareas such as sport, cinema, festivals, cuisine and the city of Barcelona.

DOMINIC KEOWN is Reader in Catalan at the University of Cambridge.
CONTRIBUTORS: Elisenda Barbé, Robert Davidson, Alexander Ibarz, Louise Johnson, Dominic Keown, Tess Knighton, Jaume Martí-Olivella, Dorothy Noyes, Montserrat Roser i Puig, Antoni Segura, Miquel Strubell.

Arthur Terry

A Companion to Catalan Literature

$95.00

The first and only guide in English to the influential body of Catalan literature, from the middle ages to the present day.

This book is the only one of its kind in English. Part literary history, part literary criticism, it is above all a personal assessment of a rich and important body of work which is still not widely known outside Catalonia. Catalan literature, one of the three major Peninsular literatures, reached an impressive level of excellence in the middle ages, beginning with Ramon Llull and the chronicles, and culminating in the two great fifteenth-century writers,the poet Ausiàs March and Joanot Martorell, the author of Tirant lo Blanc, one of the landmarks in early prose fiction.
After three centuries of relative eclipse, the nineteenth-century Renaixença produced a distinctive version of Romanticism with notable achievements in poetry, theatre and the novel. More recently, Catalan writers have successfully assimilated a number of international tendencies, from Symbolism to Surrealism, while remaining deeply aware of the possibilities of the Catalan language itself. After the cultural disruption caused by the Civil War of 1936-39 and its aftermath, Catalan literature has once again shown its capacity for self-renewal, and the present literary scene is one of great interest and originality.
The book does not presuppose any knowledge of Catalan; all quotations and book titles are translated, and a list of works translated into English is included.

ARTHUR TERRY is Emeritus Professor of Literature at the University of Essex.

Este libro queda sin paralelo en inglés. Una combinación de historia y crítica literarias, es ante todo una valoración personal de una literatura rica e importante que todavía queda poco conocida fuera de Cataluña. La literatura catalana consiguió un nivel de excelencia impresionante en la Edad Media y, a partir de su restablecimiento a principios delsiglo diecinueve, ha demostrado una capacidad extraordinaria de autorenovación que todavía persiste hoy en día. Este libro no presupone saber catalán; cada cita y título de libro queda traducido, y se incluye una lista de obras traducidas al inglés.

Arthur Terry

A Companion to Catalan Literature

$29.99

The first and only guide in English to the influential body of Catalan literature, from the middle ages to the present day.

This book is the only one of its kind in English. Part literary history, part literary criticism, it is above all a personal assessment of a rich and important body of work which is still not widely known outside Catalonia. Catalan literature, one of the three major Peninsular literatures, reached an impressive level of excellence in the middle ages, beginning with Ramon Llull and the chronicles, and culminating in the two great fifteenth-century writers,the poet Ausiàs March and Joanot Martorell, the author of Tirant lo Blanc, one of the landmarks in early prose fiction.
After three centuries of relative eclipse, the nineteenth-century Renaixença produced a distinctive version of Romanticism with notable achievements in poetry, theatre and the novel. More recently, Catalan writers have successfully assimilated a number of international tendencies, from Symbolism to Surrealism, while remaining deeply aware of the possibilities of the Catalan language itself. After the cultural disruption caused by the Civil War of 1936-39 and its aftermath, Catalan literature has once again shown its capacity for self-renewal,and the present literary scene is one of great interest and originality.
The book does not presuppose any knowledge of Catalan; all quotations and book titles are translated, and a list of works translated into English is included.

ARTHUR TERRY is Emeritus Professor of Literature at the University of Essex.

Este libro queda sin paralelo en inglés. Una combinación de historia y crítica literarias, es ante todo una valoración personal de una literatura rica e importante que todavía queda poco conocida fuera de Cataluña. La literatura catalana consiguió un nivel de excelencia impresionante en la Edad Media y, a partir de su restablecimiento a principios del siglo diecinueve, ha demostrado una capacidad extraordinaria de autorenovación que todavía persiste hoy en día. Este libro no presupone saber catalán; cada cita y título de libro queda traducido, y se incluye una lista de obrastraducidas al inglés.

Stephen Boyd

A Companion to Cervantes's Novelas Ejemplares

$36.95

This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading Cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership.

This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership.
An extensive general Introduction places the Novelas in the context of Cervantes's life and work; provides basic information about their content, composition, internal ordering, publication, and critical reception, gives detailed consideration to the contemporary literary-theoretical issues implicit in the title, and outlines and contributes to the key critical debates on their variety, unity, exemplarity,and supposed "hidden mystery". After a series of chapters on the individual stories, the volume concludes with two survey essays devoted, respectively, to the understanding of eutrapelia implicit in the Novelas, andto the dynamics of the character pairing that is one of their salient features. Detailed plot summaries of each of the stories, and a Guide to Further Reading are supplied as appendices.

Stephen Boyd is a lecturer in the Department of Hispanic Studies of University College Cork.

A Companion to Cervantes's <I>Novelas Ejemplares</I>

Stephen Boyd

A Companion to Cervantes's Novelas Ejemplares

$130.00

This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading Cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership.

This edited volume of fourteen specially commissioned essays written from a variety of critical perspectives by leading cervantine scholars seeks to provide an overview of Cervantes's Novelas ejemplares which will be of interest to a broad academic readership.
An extensive general Introduction places the Novelas in the context of Cervantes's life and work; provides basic information about their content, composition, internal ordering, publication, and critical reception, gives detailed consideration to the contemporary literary-theoretical issues implicit in the title, and outlines and contributes to the key critical debates on their variety, unity, exemplarity,and supposed 'hidden mystery'. After a series of chapters on the individual stories, the volume concludes with two survey essays devoted, respectively, to the understanding of eutrapelia implicit in the Novelas, andto the dynamics of the character pairing that is one of their salient features. Detailed plot summaries of each of the stories, and a Guide to Further Reading are supplied as appendices.
Stephen Boyd is a lecturer in the Department of Hispanic Studies of University College Cork.

Ernest N Emenyonu

A Companion to Chimamanda Ngozi Adichie

$130.00

A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence.

Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative styles which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingeniouscraftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations.

Through her writings, she has made herself relevant topeople of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginativecreativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory.

Her contributionsto African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities.

Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA.

Ernest N Emenyonu

A Companion to Chimamanda Ngozi Adichie

$36.95

A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence.

Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative styles which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingeniouscraftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations.

Through her writings, she has made herself relevant topeople of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginativecreativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory.

Her contributionsto African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities.

Dr Robert W Jones

A Companion to Chivalry

$130.00

A comprehensive study of every aspect of chivalry and chivalric culture.

Chivalry lay at the heart of elite society in the Middle Ages, but it is a nebulous concept which defies an easy definition. More than just a code of ethical behaviour, it shaped literary tastes, art and manners, as well as socialhierarchies, political events and religious practices; its impact is everywhere.
This work aims to provide an accessible and holistic survey of the subject. Its chapters, by leading experts in the field, cover a wide range of areas: the tournament, arms and armour, the chivalric society's organisation in peace and war, its literature and its landscape. They also consider the gendered nature of chivalry, its propensity for violence, and its post-medieval decline and reinvention in the early modern and modern periods. It will be invaluable to the student and the scholar of chivalry alike.

ROBERT W. JONES is a Visiting Scholar in History, Franklin and Marshall College; PETER COSS is Emeritus Professor of Medieval History, Cardiff University

Contributors: Richard Barber, Joanna Bellis, Matthew Bennett, Sam Claussen, Peter Coss, Oliver Creighton, David Green, Robert W. Jones, Megan G. Leitch, Ralph Moffat, Helen J. Nicholson, Clare Simmons, David Simpkin, Peter Sposato, Louise J. Wilkinson, Matthew Woodcock

Dr Robert W Jones

A Companion to Chivalry

$36.95

A comprehensive study of every aspect of chivalry and chivalric culture.

Chivalry lay at the heart of elite society in the Middle Ages, but it is a nebulous concept which defies an easy definition. More than just a code of ethical behaviour, it shaped literary tastes, art and manners, as well as social hierarchies, political events and religious practices; its impact is everywhere.
This work aims to provide an accessible and holistic survey of the subject. Its chapters, by leading experts in the field, cover a wide range of areas: the tournament, arms and armour, the chivalric society's organisation in peace and war, its literature and its landscape. They also consider the gendered nature of chivalry, its propensity for violence, and its post-medieval decline and reinvention in the early modern and modern periods. It will be invaluable to the student and the scholar of chivalry alike.

ROBERT W. JONES is a Visiting Scholar in History, Franklin and Marshall College; PETER COSS is Emeritus Professor of Medieval History, Cardiff University

Contributors: Richard Barber, Joanna Bellis, Matthew Bennett, Sam Claussen, Peter Coss, Oliver Creighton, David Green, Robert W. Jones, Megan G. Leitch, Ralph Moffat, Helen J. Nicholson, Clare Simmons, David Simpkin, Peter Sposato, Louise J. Wilkinson, Matthew Woodcock

Norris J. Lacy, Joan Tasker Grimbert

A Companion to Chrétien de Troyes

$36.95

A fine collection...an excellent introduction to Chrétien's world and work. Highly recommended. CHOICE

Chrétien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chrétien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on the themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chrétien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chrétien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors.

CONTRIBUTORS: JOHN W. BALDWIN, JUNEHALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

Norris J. Lacy, Joan Tasker Grimbert

A Companion to Chrétien de Troyes

$130.00

One of the most important medieval authors studied in historical and literary context.

Chrétien de Troyes is arguably the creator of Arthurian romance, and it is on his work that later writers have based their interpretations. This book offers both crucial information on, and a comprehensive coverage of, all aspectsof the work of Chrétien de Troyes - the literary and historical background, patronage, his influence on other writers, manuscripts and editions of his work and, at the heart of the volume, major essays on his themes, techniques and artistic achievements in each of his compositions; the contributions, all from leading experts in Chrétien and related studies, have been commissioned especially for this volume and are designed to remain accessible to studentswhile also addressing specialists in Arthurian studies and Chrétien de Troyes. They reflect the most current critical and scholarly views on one of the greatest of medieval authors.
CONTRIBUTORS: JOHN W. BALDWIN, JUNE HALL MCCASH, LAURENCE HARF-LANCNER, NORRIS J. LACY, DOUGLAS KELLY, KEITH BUSBY, PETER F. DEMBOWSKI, ROBERTA L. KRUEGER, DONALD MADDOX, SARA STURM-MADDOX, JOAN TASKER GRIMBERT, MATILDA TOMARYN BRUCKNER, TONY HUNT, RUPERT T. PICKENS, ANNIE COMBES, MICHELLE SZKILNIK, EMMANUELE BAUMGARTNER

Dr Mariana Masera

A Companion to Early Iberian Traditional Lyrics

$120.00

Accessible and reliable introduction in English to the earliest vernacular lyric poetry in the Iberian Peninsula.

Dating to the tenth century, the earliest vernacular lyric poems in the Iberian Peninsula have been seen as evidence of an even older, oral, folk tradition and attest to the multicultural, multilingual nature of the genre from its very beginning. Primarily preserved in manuscript and printed songbooks, these poems were widely diffused across the Hispanic world.

This Companion offers an accessible, reliable introduction in English to early Iberian traditional lyrics from a comparative and interdisciplinary perspective, paying special attention to their multicultural origins and their complex nature as both oral and written compositions. The opening chapters discuss the importance of understanding this dual essence in studying traditional lyrics today, provide an outline of their structure and formal features, and offer a contemporary overview of the field. The volume then examines the kharjas, the cantigas de amigo, and the tradition of Catalan lyricism before turning to a comparison of popular lyrics with the poetry of the cancioneros and romanceros and the preservation of the tradition in Sephardic ballads. The final chapters examine the survival of popular lyrics into the modern era and explore a new means of interpreting these poems through musical archaeology and musicological studies.

Cover image for A Companion to Early Iberian Traditional Lyrics, isbn: 9781855663893

Federico Bonaddio

A Companion to Federico García Lorca

$29.99

Lorca, icon and polymath in all his manifestations.

A Companion to Federico García Lorca provides a clear, critical appraisal of the issues and debates surrounding the work of Spain's most celebrated poet and dramatist. It considers past and current approaches to the study of Lorca, and also suggests new directions for further investigation. An introduction on the often contentious subject of Lorca's biography is followed by five chapters - poetry, theatre, music, drawing and cinema - which togetheracknowledge the polymath in Lorca. A further three chapters - religion, gender and sexuality, and politics - complete the volume by covering important thematic concerns across a number of texts, concerns which must be considered in the context of the iconic status that Lorca has acquired and against the background of the cultural shifts affecting his readership. The Companion is a testament to Lorca's enduring appeal and, through its explication oftexts and investigation of the man, demonstrates just why he continues, and should continue, to attract scholarly interest.

FEDERICO BONADDIO lectures in Modern Spanish Studies at King's College London.
CONTRIBUTORS: FEDERICO BONADDIO, JACQUELINE COCKBURN, NIGEL DENNIS, CHRISTOPHER MAURER, ALBERTO MIRA, ANTONIO MONEGAL, CHRIS PERRIAM, XON DE ROS, ERIC SOUTHWORTH, D. GARETH WALTERS, SARAH WRIGHT

Julia Boffey, A.S.G. Edwards

A Companion to Fifteenth-Century English Poetry

$29.99

This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry.

This collection of seventeen original essays by leading authorities offers, for the first time, a comprehensive overview of the significant authors and important aspects of fifteenth-century English poetry. The major poets of thecentury, John Lydgate and Thomas Hoccleve, receive detailed analysis, alongside perhaps lesser-known authors: John Capgrave, Osbern Bokenham, Peter Idley, George Ashby and John Audelay. In addition, several essays examine genres and topics, including romance, popular, historical and scientific poetry, and translations from the classics. Other chapters investigate the crucial contexts for approaching poetry of this period: manuscript circulation, patronageand the influence of Chaucer.

Julia Boffey is Professor of Medieval Studies at Queen Mary, University of London; A.S.G. Edwards is Professor of Medieval Manuscripts at the University of Kent.

Contributors: Anthony Bale, Julia Boffey, A.S.G. Edwards, Susanna Fein, Alfred Hiatt, Simon Horobin, Sarah James, Andrew King, Sheila Lindenbaum, Joanna Martin, Carol Meale, Robert Meyer-Lee, Ad Putter, John Scattergood, Anke Timmermann, DanielWakelin, David Watt.

A Companion to Fifteenth-Century English Poetry

Paul Bishop

A Companion to Friedrich Nietzsche

$54.95

An advanced introduction for students and a re-orientation for Nietzsche scholars and intellectual historians on the development of his thought and the aesthetic construction of his identity as a philosopher.

Nietzsche looms over modern literature and thought; according to Gottfried Benn, "everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion -- allof it had already been said . . . by Nietzsche; all the rest was just exegesis." Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream ofpapers, collections, and monographs. This Companion offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is "the self-confession of its author and a kind of unintended and unremarked memoir."
Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzschescholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher.

Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift.

Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

Paul Bishop

A Companion to Friedrich Nietzsche

$190.00

An advanced introduction for students and a re-orientation for Nietzsche scholars and intellectual historians on the development of his thought and the aesthetic construction of his identity as a philosopher.

Nietzsche looms over modern literature and thought; according to Gottfried Benn, "everything my generation discussed, thought through innerly; one could say: suffered; or one could even say: took to the point of exhaustion -- allof it had already been said . . . by Nietzsche; all the rest was just exegesis." Nietzsche's influence on intellectual life today is arguably as great; witness the various societies, journals, and websites and the steady stream ofpapers, collections, and monographs. This Companion offers new essays from the best Nietzsche scholars, emphasizing the interrelatedness of his life and thought, eschewing a superficial biographical method but taking seriously his claim that great philosophy is "the self-confession of its author and a kind of unintended and unremarked memoir."
Each essay examines a major work by Nietzsche; together, they offer an advanced introduction for students of German Studies, philosophy, and comparative literature as well as for the lay reader. Re-establishing the links between Nietzsche's philosophical texts and their biographical background, the volume alerts Nietzschescholars and intellectual historians to the internal development of his thought and the aesthetic construction of his identity as a philosopher.

Contributors: Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Paul Bishop, Thomas H. Brobjer, Daniel W. Conway, Adrian Del Caro, Carol Diethe, Michael Allen Gillespie and Keegan F. Callanan, Laurence Lampert, Duncan Large, Martin Liebscher, Martine Prange, Alan D. Schrift.

Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

Raymond Leslie Williams

A Companion to Gabriel García Márquez

$29.99

One of the major Latin American writers of the twentieth century.

This book offers discussion and analysis of the subtle writing of Nobel Laureate Gabriel García Márquez - a traditionalist who draws from classic Western texts, a Modernist committed to modernizing the conservative literary tradition in Colombia and Latin America, an internationally recognized major writer of the 1960s Boom, the key figure in popularizing what has been called "magic realism" and, finally, a Modernist who has occasionally engaged in some ofthe strategies of the postmodern.
The author demonstrates that García Márquez is above all a committed and highly accomplished Modernist fiction writer who has successfully synthesized his political vision in his writing and absorbed a vast array of cultural and literary traditions. Drawing on García Márquez's interviews with Williams and others over the years, the book also explores the importance of the non-literary, the presence of oral tradition and the visual arts, thus providing a more complete insight into García Márquez's strategies as a Modernist with heterogeneous aesthetic interests, as well as an understanding of his social and political preoccupations.

RAYMOND LESLIE WILLIAMS is Professor of Latin American Literature at the University of California, Riverside.

Helena Miguélez-Carballeira

A Companion to Galician Culture

$120.00

The first in-depth yet accessible introduction to Galician history and culture for both lay and specialized readers.

Of all the differentiated regions comprising contemporary Spain, Galicia is possibly the most deeply marked by political, economic and cultural inequities throughout the centuries. Possibly due to the absence of a nationally awarelocal bourgeoisie and the enduringly colonial structures informing Spanish-Galician economic and cultural relations, processes of national construction in the region have been patchily successful. However, Galicia's cultural distinctness is easily recognisable to the observer, from the language spoken in the region---the contemporary variant of old Galician-Portuguese---to the specific forms of the Galician built landscape, with its unique mixture of indigenous, imported and hybrid elements.
The present volume offers English-language readers an in-depth introduction to the integral aspects of Galician cultural history, from pre-historical times to the present day. Whilst attention is given to the traditional areas of medieval culture, language, contemporary history and politics, the book also privileges compelling contemporary perspectives on cinema, architecture, the city of Santiago de Compostela and the urban qualities of Galician culture today.

Helena Miguélez-Carballeira is a Senior Lecturer in Hispanic Studies at Bangor University, and Director of the Centre for Galician Studies in Wales.

Todd Kontje

A Companion to German Realism 1848-1900

$45.95

New, specially commissioned essays on representative works of 19th-century German realism.

This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth-century realism. The essays treat the following topics: Stifter's Brigitta and the lesson of realism; Mühlbach, Ranke, and the truth of historical fiction; regional histories as national history in Freytag's DieAhnen; gender and nation in Louise von François's historical fiction; theory, reputation, and the career of Friedrich Spielhagen; Wilhelm Raabe and the German colonial experience; the poetics of work in Freytag, Stifter, andRaabe; Jewish identity in Berthold Auerbach's novels; Eugenie Marlitt's narratives of virtuous desire; the appeal of Karl May in the Wilhelmine Empire; Thomas Mann's portrayal of male-male desire in his early short fiction; and Fontane's Effi Briest and the end of realism.

Contributors: Robert C. Holub, Brent O. Petersen, Lynne Tatlock, Thomas C. Fox, Jeffrey L. Sammons, John Pizer, Hans J. Rindisbacher, Irene S. Di Maio, Kirsten Belgum,Nina Berman, Robert Tobin, Russell A. Berman.

Todd Kontje is Professor of German at the University of California, San Diego.

Paul Bishop

A Companion to Goethe's Faust

$39.95

Cutting-edge criticism on major aspects of Goethe's best-known work.

Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar.

Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schößler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald

Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.