Name: Norwegian Runes and Runic Inscriptions
Brand: Terje Spurkland
Price: 29.99 USD
Availability: InStock

Terje Spurkland

Norwegian Runes and Runic Inscriptions

$29.99

Readable, enjoyable and provides a clear overview of runes and their importance to reading the past. EARLY MEDIEVAL EUROPE

Runes, a unique functional writing system, exclusive to northern and eastern Europe, were used for some 1300 years in Scandinavia, from about AD 200 till around the end of the fourteenth century, when the runic alphabet finally gave way to the modern writing system. They were not written, but carved - in stone, and on jewellery, weapons, utensils and wood. The content of the inscriptions is very varied, from owner and carpenter attributions on artefacts to memorials to the deceased on erected stones; contrary to popular belief, they are not necessarily magical or mystical, and the post-it notes of today have their forerunners in such runic reminders as: "Buy salt, and don't forgetgloves for Sigrid." The typical medieval runic inscription varies from the deeply religious to the highly trivial [or perhaps crucial], such as "I slept with Vigdis when I was in Stavanger."
This book presents an accessibleaccount of the Norwegian examples throughout the period of their use. The runic inscriptions are discussed not only from a linguistic point of view but also as sources of information on Norwegian history and culture.

TERJE SPURKLAND is Associate Professor of Nordic Medieval Studies at the University of Oslo.

Terje Spurkland

Norwegian Runes and Runic Inscriptions

$39.95

An accessible account of Norwegian runic inscriptions from their first appearance around AD200 until their demise around 1400.

Runes, a unique functional writing system, exclusive to northern and eastern Europe, were used for some 1300 years in Scandinavia, from about AD 200 till around the end of the fourteenth century, when the runic alphabet, called fuþark after the six first characters, finally gave way to the modern writing system.
Runes were not written, but carved - in stone, and on jewellery, weapons, utensils and wood. The content of the inscriptions is very varied, from owner and carpenter attributions on artefacts to memorials to the deceased on erected stones; contrary to popular belief, they are not necessarily magical or mystical, and the post-it notes of today have their forerunners in such runic reminders as: "Buy salt, and don't forget gloves for Sigrid." The typical medieval runic inscription varies from the deeply religious to the highly trivial [or perhaps crucial], such as "I slept with Vigdis when I wasin Stavanger."
This book presents an accessible account of the Norwegian examples throughout the period of their use. The runic inscriptions are discussed not only from a linguistic point of view but also as sources of information on Norwegian history and culture.

TERJE SPURKLAND is Associate Professor of Nordic Medieval Studies at the University of Oslo.

Roberta Gilchrist

Norwich Cathedral Close

$36.95

Changes in the layout of the cathedral and its close traced over 600 years, using Norwich as a case-study.

Winner of a CHOICE Outstanding Academic Title Award

What explains the layout of the cathedral and its close? What ideas and beliefs shaped this familiar landscape? Through this pioneering study of the development of theclose of Norwich cathedral - one of the most important buildings in medieval England - from its foundation in 1096 up to c.1700, the author looks at changes in cathedral landscape, both sacred and social. Using evidence from history, archaeology and other disciplines, Professor Gilchrist reconstructs both the landscape and buildings of the close, and the transformations in their use and meaning over time. Much emphasis is placed on the layout and the ways in which buildings and spaces were used and perceived by different groups. Patterns observed at Norwich are then placed in the context of other cathedral priories, allowing a broader picture to emerge of the development of the English cathedral landscape over six centuries.

Roberta Gilchrist is Professor of Archaeology and Research Dean at the University of Reading. She is a Fellow of the British Academy and held the post of Archaeologist toNorwich Cathedral for 12 years.

Edited by Harriet Lyon and Alexandra Walsham

Nostalgia in the Early Modern World

$130.00

How can the concept of nostalgia illuminate the culturally specific ways in which societies understand the contested relationship between the past, present, and future?

The word nostalgia was invented in the late seventeenth century to describe the debilitating effects of homesickness. Now widely defined as a sense of longing for a lost past, initially it was more closely linked with dislocation in space. By exploring some of its many textual, visual and musical manifestations in the tumultuous period between c. 1350 and 1800, this volume resists the assumption that nostalgia is a distinctive by-product of modernity. It also forges a fruitful link between three lively areas of current scholarly enquiry: memory, temporality, and emotion.

The contributors deploy nostalgia as a tool for investigating perceptions of the passage of time and historical change, unsettling experiences of migration and geographical displacement, and the connections between remembering and forgetting, affect and imagination. Ranging across Europe and the Atlantic world, they examine the moments, sites and communities in which it arose, alongside how it was used to express both criticism and regret about the religious, political, social and cultural upheavals that shaped the early modern world. They approach it as a complex mixed feeling that opens a new window into individual subjectivities and collective mentalities.

Mark Ain

Not Just in Time

$29.95

How a tiny start-up slayed an industry giant before redefining the way workers are managed around the globe.

This book recounts a success story rooted in one individual's desire to embrace his entrepreneurial spirit and forge his own company. Mark Ain led Kronos Incorporated from concept to the basements and garages of its early core team to a soot-filled ironworks foundry, and from there to its eventual role as a multi-billion-dollar global leader in an industry it refined, then redefined, and ultimately led. The story of Mark Ain and Kronos holds inspiration and insight for any aspiring entrepreneur.
The tale starts not in a boardroom, but with Mark's early upbringing, where his adventurous spirit and fearless nature readied him to be both a risk-taking business pioneer and a leader who recognized the need to take a nontraditional approach to team building, prioritizing fit over resumes and potential over past accomplishments. The result was a company that could and would truly stand the test of time.
His guiding philosophy of "If it isn't broke, fix it anyway!" applied in equal measure to the products and solutions Kronos provided to its ever-expanding customer base and to the way the company was structured and operated to consistently reinvest in its employees.
Kronos, today known as the Ultimate Kronos Group, is now a multi-billion-dollar global organization of almost 13,000 employees. And Mark, the epitome of a triumphant business creator, has decided the time is right to share his own experiences to inspire a next generation of like-minded visionaries.

Rutger Helmers

Not Russian Enough?

$120.00

Offers fresh perspectives on the function of nationalist thought in the cosmopolitan opera world, with particular emphasis on the idea of "Russianness" in four nineteenth-century operas by Glinka, Serov, Tchaikovsky, and Rimsky-Korsakov.

In the nineteenth century, Russian composers and critics were encouraged to cultivate a national style to distinguish their music from the dominant Italian, French, and German traditions. Not Russian Enough? explores this aspiration for a nationalist musical tradition as it was carried out in the cosmopolitan world of opera. Rutger Helmers analyzes the cultural context, music, and reception of four important operas: Glinka's A Life for the Tsar (1836), Serov's Judith (1863), Tchaikovsky's The Maid of Orléans (1881), and Rimsky-Korsakov's The Tsar's Bride (1899). He discusses such issues as the influence of Italian and French opera, the use of foreign subjects, the application of local color, and the adherence to the classics, and considers how these related to a sense of "Russianness." Besides yielding new insights for each of these works, this study offers a fresh perspective on the function of nationalist thought in the nineteenth-century Russian opera world..

Rutger Helmers is Assistant Professor in Historical Musicology at the University of Amsterdam and lectures in literary and cultural studies at Radboud University Nijmegen.

Professor Patricia Mazon

Not So Plain as Black and White

$36.95

Since the Middle Ages, Africans have lived in Germany as slaves and scholars, guest workers and refugees. After Germany became a unified nation in 1871, it acquired several African colonies but lost them after World War I. Children born of German mothers and African fathers during the French occupation of Germany were persecuted by the Nazis. After World War II, many children were born to African American GIs stationed in Germany and German mothers. Todaythere are 500,000 Afro-Germans in Germany out of a population of 80 million. Nevertheless, German society still sees them as "foreigners," assuming they are either African or African American but never German.
In recent years, the subject of Afro-Germans has captured the interest of scholars across the humanities for several reasons. Looking at Afro-Germans allows us to see another dimension of the nineteenth- and early twentieth-century ideas of racethat led to the Holocaust. Furthermore, the experience of Afro-Germans provides insight into contemporary Germany's transformation, willing or not, into a multicultural society. The volume breaks new ground not only by addressing the topic of Afro-Germans but also by combining scholars from many disciplines.

Patricia Mazon is Associate Professor in the Department of History at the State University of New York at Buffalo. Reinhild Steingrover is Assistant Professor in the Department of Humanities at the Eastman School of Music at the University of Rochester.

Professor Patricia Mazon

Not So Plain as Black and White

$130.00

An exploration of the subject of Afro-Germans, which, in recent years has captured the interest of scholars across the humanities for providing insight into contemporary Germany's transformation into a multicultural society.

Since the Middle Ages, Africans have lived in Germany as slaves and scholars, guest workers and refugees. After Germany became a unified nation in 1871, it acquired several African colonies but lost them after World War I. Children born of German mothers and African fathers during the French occupation of Germany were persecuted by the Nazis. After World War II, many children were born to African American GIs stationed in Germany and German mothers. Today there are 500,000 Afro-Germans in Germany out of a population of 80 million. Nevertheless, German society still sees them as "foreigners," assuming they are either African or African American but never German.

In recent years, the subject of Afro-Germans has captured the interest of scholars across the humanities for several reasons. Looking at Afro-Germans allows us to see another dimension of the nineteenth- and early twentieth-century ideas of race that led to the Holocaust. Furthermore, the experience of Afro-Germans provides insight into contemporary Germany's transformation, willing or not, into a multicultural society. The volume breaks new ground not onlyby addressing the topic of Afro-Germans but also by combining scholars from many disciplines.

Patricia Mazon is Associate Professor in the Department of History at the State University of New York at Buffalo.
Reinhild Steingrover is Assistant Professor in the Department of Humanities at the Eastman School of Music at the University of Rochester.

John Beckett

Nottingham: A History of Britain's Global University

$60.00

A fascinating account of the Nottingham story, from its origins as a small college earliest days to the worldwide university of today.

The University College of Nottingham opened in 1881, funded by Nottingham Corporation, and on land in the centre of the town. It expanded in student numbers and in the courses available, and in 1928 it moved to a new site at Highfields, three miles west of Nottingham city centre, given by the pharmaceutical entrepreneur Jesse Boot. In 1948, after much lobbying, the University College was awarded a Royal charter, allowing it to award its own degrees. Student numbers grew through the 1950s and 1960s, but speeded up with the opening of the Medical School in 1977, and then in conjunction with subsequent government policy. New campuses were opened: Jubilee in 1999, Kings Meadow in 2004,Derby Medical School also in 2004, and Malaysia and China the following year, 2005. Today it has roughly 44,000 students globally, of whom about half are from outside of the United Kingdom.
The book traces these developments, but with particular emphasis on students, and what it has been like to study at Nottingham since the 1880s. Based on the university's own sources, including oral testimony, and consistently placing local events in their nationaland international context, the book provides a detailed and entertaining history.

John Beckett is Professor of English Regional History at the University of Nottingham.

Nottingham: A History of Britain's Global University

Sarah Vandegrift Eldridge

Novel Affinities

$120.00

Challenges traditional novel scholarship that emphasizes the individual and the Bildungsroman, broadening the focus to the family and both canonical and non-canonical novels, reading them together with biological, legal and pedagogical texts.

The novel, according to standard scholarly narratives, depicts an individual's path to maturity. Scholarship on the rise of the novel in Germany and in Europe more broadly, from Watt to Moretti, has essentially collapsed the genreinto the individualist Bildungsroman, exemplified by a narrow canon. This study challenges and nuances these narratives, first by expanding the focus from the individual to the family, second by broadening the field of novels treated to include not only canonical works but also so-called trivial literature, and third, by reading novels alongside contemporary biological, legal, and pedagogical texts. This perspective reveals that the novel and the family around 1800 were mutually constitutive and that the two together were instrumental in the development of conceptions of individuality, kinship, and society that are still relevant today. Sarah Vandegrift Eldridge reads novels by Goethe, Wolzogen, Engel, Karoline Fischer, August Lafontaine, and Brentano, showing that they exhibit varying degrees of "imaginative didacticism": suggestions not of what to think and feel, but that thinking and feeling in reaction to literature are central to cultural practices of self-reflection and development. The family is a crucial locus for this practice, and reading novels together with nonliterary texts illuminates how they experiment productively with the infinite possibilities presented by the relationships they portray.

Sarah Vandegrift Eldridge is Associate Professor of German at the University of Tennessee, Knoxville.

Tom Cheesman

Novels of Turkish German Settlement

$99.00

A broad view of the impact of Turkish German writers' "literature of settlement" on the German literary scene and on German society.

Germany has become home to some 2.5 million people of Turkish background since mass recruitments in the 1960s and 1970s to man the "economic miracle." An increasingly settled Turkish German population now asserts a permanent placein Germany: over a third were born there, and a third have German citizenship. At the same time, Turkish German writers have become integral to the German literary scene. They include bestselling novelists Renan Demirkan and AkifPirinçci; prestigious literary prize-winners Emine Sevgi Özdamar and Feridun Zaimoglu; and the critically acclaimed Aras Ören and Zafer Senocak. Tom Cheesman focuses on these and other writers' perspectives on cosmopolitan idealsand aspirations, ranging from glib affirmation to cynical transgression and melancholy nihilism. People of Turkish background are still not always recognized as equal participants in German life, but Turkish German writers' interventions defy marginalizing concepts such as "literature of migration" or "intercultural literature." What Cheesman calls their "literature of settlement" is paradigmatic for European cultures adapting to diversity and negotiatingnew identities. He shows German culture to have moved decisively beyond such "polite fictions" as the term "guest worker" or the slogan "not a country of immigration."

Tom Cheesman is Senior Lecturer in German at Swansea University, Wales.

Stephen Brockmann

Nuremberg

$170.00

Traces the development of ideas of Nuremberg as cultural and spiritual capital, thus offering a coherent view of German cultural and intellectual history.

Nuremberg: The Imaginary Capital is a broad study of German cultural history since 1500, with particular emphasis on the period since 1800. It explores the ways in which Germans have imagined Nuremberg as a cultural and spiritual capital, focusing feelings of national identity and belonging on the city -- or on their image of it. Chapters focus on the city of Dürer and Sachs at the threshold of the modern era, the glory of which became the basis forall the other imaginary Nurembergs; the Romantic rediscovery of the city in the late 18th century and the institutionalization of Nuremberg discourse through the Germanic National Museum in the mid 19th; Wagner's Meistersingervon Nürnberg, the most famous artistic invocation of the Nuremberg myth; the Nazi use and misuse of the Nuremberg myth, along with Leni Riefenstahl's film Triumph des Willens, not only the best-known Nuremberg film butalso the most significant documentary of Hitler's Third Reich; and finally the postwar development in which "Nuremberg" became the symbol of a new kind of international law and justice. Stephen Brockmann analyzes how the city came to be seen, in Germany and elsewhere, as representative of the national whole. He goes beyond the analysis of particular historical periods by showing how successive epochs and their images of Nuremberg built on those precedingthem, thus viewing German cultural and intellectual history as an intelligible unity centered around fascination and veneration for a particular city.

Stephen Brockmann is Professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities.

Vincent A. Lenti

Nurturing the Love of Music

$24.95

The third volume of Vincent Lenti's history of the Eastman School of Music

Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922.
The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

Vincent A. Lenti

Nurturing the Love of Music

$39.95

The third volume of Vincent Lenti's history of the Eastman School of Music

Nurturing the Love of Music is the third volume of Vincent Lenti's history of the Eastman School of Music, being preceded by For the Enrichment of Community Life: George Eastman and the Founding of the Eastman School of Music (2004) and Serving a Great and Noble Art: Howard Hanson and the Eastman School of Music (2009). This most recent addition to the written history of the school is mainly concerned with the period of time when Robert Freeman served as the school's fourth director (that is, dean). Freeman was recruited to lead the Eastman School in the fall of 1972 and officially assumed responsibilities as director on July 1, 1973. He served as director until his resignation in 1996. His was the second longest tenure in the school's history, only being surpassed by that of Howard Hanson. That tenure allowed him to exercise great influence over faculty recruitment, program development, and fundraising, as well as presiding over the most significant expansion of the school's physical presence in downtown Rochester since the original construction of 1921 and 1922.
The publication of Nurturing the Love of Music coincides with the celebration of the Eastman School's one-hundredth anniversary. Because of that anniversary celebration, the book includes as its final chapter a brief summary of the post-Freeman years, a story that will no doubt be told in greater detail sometime in the future.

Thomas Molony

Nyerere

$36.95

A uniquely detailed portrayal of the formative years of Tanzania's first president and the influences that led him to enter politics.

Julius Kambarage Nyerere (1922-1999), the first President of Tanzania, was a man whose political life was uniquely and inextricably bound into the history of the nation he created. This book presents the first truly rounded portrait of Nyerere's early life, from his birth in 1922 until his graduation from Edinburgh in 1952, enabling us to see his later political achievements in a new light. It was after returning to Tanganyika that "Mwalimu" (the teacher)formally entered politics, and led efforts to deliver Tanganyika to independence. Drawing on interviews with his contemporaries and archival sources including his letters as a student and colonial authorities files on him, this biography brings a new perspective on how the scholarship that Nyerere engaged with as a young man influenced his ideas of the uhuru movement against colonial rule and, later, the ujamaa policy of African socialism that so defined his leadership of an independent Tanzania.

Thomas Molony is Senior Lecturer in African Studies at the University of Edinburgh.

Thomas Molony

Nyerere

$95.00

A uniquely detailed portrayal of the formative years of Tanzania's first president and the influences that led him to enter politics.

Julius Kambarage Nyerere (1922-1999), the first President of Tanzania, was a man whose political life was uniquely and inextricably bound into the history of the nation he created. Yet, though 'Baba wa Taifa', Father of the Nation, there is still no adequate biography.
This book presents the first truly rounded portrait of Nyerere's early life, from his birth in 1922 until his graduation from Edinburgh in 1952, helping us to see his later political achievements in a new light. It was after returning to Tanganyika that 'Mwalimu' (the teacher) formally entered politics, and led efforts to deliver Tanganyika to independence. Drawing on interviews with his contemporaries, as wellas archival sources, including his letters as a student and files that the colonial authorities kept on him, this revelatory and engaging account allows us to see Nyerere afresh. It also brings a new perspective on how the scholarship that Nyerere engaged with as a young man in Scotland influenced his ideas of the uhuru movement against colonial rule and, later, the ujamaa policy of African socialism that so defined his leadership of an independent Tanzania.

Thomas Molony is Lecturer in African Studies at the University of Edinburgh.

John Iliffe

Obasanjo, Nigeria and the World

$95.00

This first full account of Obasanjo's life from 1937 to 2010 combines an analysis of an exceptionally vital and complicated man with a history of an exceptionally vital and complicated country.

Olusegun Obasanjo was Nigeria's military head of state (1976-9) and President (1999-2007). His career is made the focus for a history of Nigeria's first fifty years of independence (1960-2010) and of African continental affairs during the same period (Obasanjo having been an active opponent of apartheid and an architect of the African Union).
The most important African leader of his generation, Obasanjo has had an extraordinarily diverse career as soldier, politician, statesman, farmer, author, political prisoner, Baptist preacher, and family patriarch. As a soldier, he secured the victory in Nigeria's civil war. As military head of state, he returned the country to civilian rule. For the next 20 years he was ceaselessly active, before spending three years as a political prisoner.
Released from prison, Obasanjo served Nigeria as elected President from 1999 to 2007, until his growing authoritarianism and his manipulation of his successor's election ruined his reputation among many Nigerians. This book argues that the controversial end to his presidency must be understood in the light of his earlier career.
The author has used mainly published sources, especially Nigerian newspapers and political memoirs, as well as recently released FCO documents in Britain.

John Iliffe is a Fellow of St John's College, Cambridge. He retired as Professor of African History at Cambridge in 2006 and has published widely on African history including: A Modern History of Tanganyika; The Emergence of African Capitalism; The African Poor: A History; Africans: the History of a Continent; Honour in African History and The African Aids Epidemic: A History.

Nigeria: HEBN [PB]

Justin Barr

Of Life and Limb

$130.00

Examining the history of arterial repair, Of Life and Limb investigates the process of surgical innovation by exploring the social, technological, institutional, and martial dynamics shaping the introduction and adoption ofa new operation.

In 1880, patients suffering from vascular disease faced amputation -- or death. By 1960, a suite of revolutionary techniques and technologies empowered surgeons to remedy aneurysms, mend damaged vessels, and treat arteries cloggedwith cholesterol, saving the lives and limbs of patients around the world.

Tracking this remarkable transformation, Of Life and Limb: Surgical Repair of the Arteries in War and Peace, 1880-1960 reveals how social, technological, institutional, and military dynamics interplay to catalyze modern surgical innovation. Author Justin Barr examines each of these phenomena through the complementary perspectives of academic historian andclinical surgeon, marshaling extensive research and incisive analysis into a broadly applicable model that helps frame, illuminate, and forecast change in surgery.

Justin Barr received his PhD in History from Yale University and his MD from the University of Virginia. He is currently in residency for general surgery at Duke University.

Professor Jürgen Thym

Of Poetry and Song

$190.00

Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature.

Singers and pianists never tire of exploring the songs of Schubert and Schumann, Wolf and Mahler. But discussions of these marvelous works have too often given only brief consideration to the artistry of the poems -- by such masters as Goethe, Heine, and Eichendorff -- and to the composers' insightful interaction with that verbal art.
Of Poetry and Song: Approaches to the Nineteenth-Century Lied is an anthology of truly interdisciplinary studies of text-music relations in the German Lied. The chapters gathered in it (including some published here for the first time in English or indeed at all) were written by two musicologists -- Rufus Hallmark and Jürgen Thym -- and two German-literature specialists -- Harry Seelig and the late Ann C. Fehn.
An extensive introduction by the volume's editor, Jürgen Thym, considers the fruitful ways in which the four authors meet the challenge of combining literary and musical analysis.

Jürgen Thym is Professor Emeritus of Musicology at the University of Rochester's Eastman School of Music.

Carol Ingalls Johnston

Of Time and the Artist

$90.00

Investigation of the complex relationship between Thomas Wolfe and his critics, showing the effect of criticism on his career.

This volume takes as its starting point Thomas Wolfe's comment in his 1936 manifesto, The Story of a Novel, that 'there is no such thing as an artistic vacuum', arguing that literature is as much the product of the community in which it evolves as of any individual's experience. In particular, it explores the troubled dialogue between Wolfe and his critics: Wolfe's energies were pitted against the fashionable critical theorists of the 1920s and 1930s, and as a result, the critical debate during those years was particularly bitter, as Wolfe sought to maintain his literary reputation, often using his fiction as a means of responding to them. Johnston describes the depressionsthat Wolfe endured after bad reviews; his response to his critics both in his correspondence and in his fiction; his relationship with his publishers and his critics, and their relationship with him. Her study, which includes material not readily available elsewhere, reveals the nature not only of Wolfe's professional career but of the literary marketplace in America during and after the 1920s.

Henrico Austin Wilson

Officium Ecclesiasticum Abbatum

$45.00

Published by Boydell & Brewer Inc.

L. A. Botelho

Old Age and the English Poor Law, 1500-1700

$120.00

Based on documents from two Suffolk villages, this study examines the operation of the poor law and the individual effort the elderly poor needed to make to survive.

This study is a test-case of the old poor law. In its exploration of the virtually unknown world of the aged poor in sixteenth- and seventeenth-century England, it asks how the elderly poor managed to survive in a pre-industrial economy, and answers through focusing on the many factors that make up the experience of old age - status, health, wealth, and local culture - in two Suffolk villages. Botelho demonstrates that the poor law did not, nor did it intend to, provide complete support, and she documents the individual efforts of the poor as they made their own old age arrangements, drawing as heavily upon their own initiatives as upon charity and legislated relief.

LYNN BOTELHO is Associate Professor of History, Indiana University of Pennsylvania.

Old Age and the English Poor Law, 1500-1700

Thijs Porck

Old Age in Early Medieval England

$36.95

First full-length study of the notion and concept of old age in early medieval England.

How did Anglo-Saxons reflect on the experience of growing old? Was it really a golden age for the elderly, as has been suggested? This first full survey of the Anglo-Saxon cultural conceptualisation of old age, as manifested and reflected in the texts and artwork of the inhabitants of early medieval England, presents a more nuanced and complicated picture. The author argues that although senescence was associated with the potential for wisdom and pious living, the Anglo-Saxons also anticipated various social, psychological and physical repercussions of growing old. Their attitude towards elderly men and women - whether they were saints, warriors or kings - was equally ambivalent.
Multidisciplinary in approach, this book makes use of a wide variety of sources, ranging from the visual arts to hagiography, homiletic literature and heroic poetry. Individual chapters deal with early medieval definitions ofthe life cycle; the merits and drawbacks of old age as represented in Anglo-Saxon homilies and wisdom poetry; the hagiographic topos of elderly saints; the portrayal of grey-haired warriors in heroic literature; Beowulf asa mirror for elderly kings; and the cultural roles attributed to old women.

Thijs Porck

Old Age in Early Medieval England

$130.00

First full-length study of the notion and concept of old age in early medieval England.

How did Anglo-Saxons reflect on the experience of growing old? Was it really a golden age for the elderly, as has been suggested? This first full survey of the Anglo-Saxon cultural conceptualisation of old age, as manifested and reflected in the texts and artwork of the inhabitants of early medieval England, presents a more nuanced and complicated picture. The author argues that although senescence was associated with the potential for wisdom and pious living, the Anglo-Saxons also anticipated various social, psychological and physical repercussions of growing old. Their attitude towards elderly men and women - whether they were saints, warriors or kings - was equally ambivalent.
Multidisciplinary in approach, this book makes use of a wide variety of sources, ranging from the visual arts to hagiography, homiletic literature and heroic poetry. Individual chapters deal with early medieval definitions ofthe life cycle; the merits and drawbacks of old age as represented in Anglo-Saxon homilies and wisdom poetry; the hagiographic topos of elderly saints; the portrayal of grey-haired warriors in heroic literature; Beowulf asa mirror for elderly kings; and the cultural roles attributed to old women.

THIJS PORCK is Assistant Professor of Medieval English, Leiden University Centre for the Arts in Society, Leiden University.

Francis Leneghan

Old English Biblical Prose

$130.00

Provides the first in-depth study of the earliest attempts to make the sacred words of the Bible available to English readers, clerical and lay, in prose writing.

"This is a hugely valuable study - deeply informative about an important tradition of biblical translation from the early medieval period, bringing together material that has previously been considered in isolation, and drawing out a big-picture account of the ebb and flow of biblical translations into the vernacular. Will be a useful point of reference for any interested reader and includes surprises and delights for even the most specialist readers." Professor Jonathan Wilcox, University of Iowa

The story of the English Bible begins not with the King James Version or Wycliffe but in the Old English period. Between the ninth and eleventh centuries, a remarkably diverse corpus of biblical translations, paraphrases, adaptations and summaries were produced in Old English. Yet while Old English biblical verse has been extensively studied, the much larger corpus of vernacular biblical prose remains neglected by historians of the Bible and medievalists.

This book provides the first in-depth study of the genre. Dispelling the notion that access to the Bible was restricted to the Latinate clergy in the early medieval period, it demonstrates how Old English biblical prose made key elements of Scripture available and meaningful to laypeople. Through case studies of the Prose Psalms, Mosaic Prologue to the Domboc, Wessex Gospels, Heptateuch and Treatise on the Old and New Testaments, as well as many other works, it highlights the crucial contributions of well-known figures such as King Alfred and Ælfric of Eynsham while also showcasing the work of anonymous authors who translated, adapted and interpreted the Bible, sometimes in creative and surprising ways. Cumulatively, these case studies show how vernacular biblical prose played a central role in the emergence of English national identity before the Norman Conquest.

This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.

Francis Leneghan

Old English Biblical Prose

$36.95

Provides the first in-depth study of the earliest attempts to make the sacred words of the Bible available to English readers, clerical and lay, in prose writing.

"This is a hugely valuable study - deeply informative about an important tradition of biblical translation from the early medieval period, bringing together material that has previously been considered in isolation, and drawing out a big-picture account of the ebb and flow of biblical translations into the vernacular. Will be a useful point of reference for any interested reader and includes surprises and delights for even the most specialist readers." Professor Jonathan Wilcox, University of Iowa

The story of the English Bible begins not with the King James Version or Wycliffe but in the Old English period. Between the ninth and eleventh centuries, a remarkably diverse corpus of biblical translations, paraphrases, adaptations and summaries were produced in Old English. Yet while Old English biblical verse has been extensively studied, the much larger corpus of vernacular biblical prose remains neglected by historians of the Bible and medievalists.

This book provides the first in-depth study of the genre. Dispelling the notion that access to the Bible was restricted to the Latinate clergy in the early medieval period, it demonstrates how Old English biblical prose made key elements of Scripture available and meaningful to laypeople. Through case studies of the Prose Psalms, Mosaic Prologue to the Domboc, Wessex Gospels, Heptateuch and Treatise on the Old and New Testaments, as well as many other works, it highlights the crucial contributions of well-known figures such as King Alfred and Ælfric of Eynsham while also showcasing the work of anonymous authors who translated, adapted and interpreted the Bible, sometimes in creative and surprising ways. Cumulatively, these case studies show how vernacular biblical prose played a central role in the emergence of English national identity before the Norman Conquest.

This book is available as Open Access under the Creative Commons licence CC BY-NC-ND.

Cover image for Old English Biblical Prose, isbn: 9781843847618

Maren Clegg Hyer, Haruko Momma, Samantha Zacher

Old English Lexicology and Lexicography

$130.00

Essays demonstrating how the careful study of individual words can shed immense light on texts more broadly.

Dedicated to honoring the remarkable achievements of Dr Antonette di Paolo Healey, the architect and lexicographer of the Old English Concordance, the Dictionary of Old English Web Corpus, and the Dictionary of Old English, the essays in this volume reflect firsthand the research made possible by Dr. Healey's landmark contributions to her field. Each chapter highlights how the careful consideration and study of words can lead to greater insights, from an understanding of early medieval English concepts of time and identity, to reconceptualizations of canonical Old English poems, reappraisals of early medieval English authors and their works, greater understanding of the semantic fields of Old English words and manuscript traditions, and the solving of lexical puzzles.

MAREN CLEGG HYER is Professor of English at Valdosta State University; HARUKO MOMMA is Professor of English at NewYork University; SAMANTHA ZACHER is Professor of English and Medieval Studies at Cornell University.

Contributors: Brianna Daigneault, Damian Fleming, Roberta Frank, Robert Getz, Joyce Hill, Joan Holland, Maren Clegg Hyer, Christopher A. Jones, R.M. Liuzza, Haruko Momma, Katherine O'Brien O'Keeffe, Andy Orchard, Stephen Pelle, Christine Rauer, Terri Sanderson, Donald Scragg, Paul Szarmach, M. J. Toswell, Audrey Walton, Samantha Zacher.

Dr Rachel A. Fletcher

Old English Medievalism

$130.00

An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.

Old English language and literary style have long been a source of artistic inspiration and fascination, providing modern writers and scholars with the opportunity not only to explore the past but, in doing so, to find new perspectives on the present. This volume brings together thirteen essays on the modern-day afterlives of Old English, exploring how it has been transplanted and recreated in the twentieth and twenty-first centuries by translators, novelists, poets and teachers. These afterlives include the composition of neo-Old English, the evocation in a modern literary context of elements of early medieval English language and style, the fictional depiction of Old English-speaking worlds and world views, and the adaptation and recontextualisation of works of early medieval English literature. The sources covered include W. H. Auden, J. R. R. Tolkien, and Seamus Heaney, alongside more recent writers such as Christopher Patton, Hamish Clayton and Paul Kingsnorth, as well as other media, from museum displays to television. The volume also features the first-hand perspectives of those who are authors and translators themselves in the field of Old English medievalism.

Leonard Neidorf, Rafael J. Pascual, Tom Shippey

Old English Philology

$190.00

Essays bringing out the crucial importance of philology for understanding Old English texts.

Robert D. Fulk is arguably the greatest Old English philologist to emerge during the twentieth century; his corpus of scholarship has fundamentally shaped contemporary understanding of many aspects of Anglo-Saxon literary historyand English historical linguistics.
This volume, in his honour, brings together essays which engage with his work and advance his research interests. Scholarship on historical metrics and the dating, editing, and interpretation of Old English poetry thus forms the core of this book; other topics addressed include syntax, phonology, etymology, lexicology, and paleography. An introductory overview of Professor Fulk's achievements puts these studies in context, alongside essays which assess his contributions to metrical theory and his profound impact on the study of Beowulf. By consolidating and augmenting Fulk's research, this collection takes readers to the cutting edgeof Old English philology.

LEONARD NEIDORF is Professor of English at Nanjing University; RAFAEL J. PASCUAL is a Postdoctoral Research Fellow at Harvard University; TOM SHIPPEY is Professor Emeritus at St Louis University.

Contributors: Thomas Cable, Christopher M. Cain, George Clark, Dennis Cronan, Daniel Donoghue, Aaron Ecay, Mark Griffith, Megan E. Hartman, Stefan Jurasinski, Anatoly Liberman, Donka Minkova, Haruko Momma, Rory Naismith, Leonard Neidorf, Andy Orchard, Rafael J. Pascual, Susan Pintzuk, Geoffrey Russom, Tom Shippey, Jun Terasawa, Charles D. Wright.

B.R. Hutcheson

Old English Poetic Metre

$170.00

Metrical study of Old English poetry drawing on database of almost half the surviving corpus - a uniquely extensive sample.

The primary aim of this study is to provide an improved description of Old English metre. Making use of a computerized database containing 13,044 lines of Old English poetry (about 40% of the total which survives), it is unique among other studies of Old English metre (which have usually confined themselves to Beowulf) for the size of the corpus it examines. Although located firmly within the traditional `five types' theory of Old English metre, itdeparts from previous critical orthodoxies in several respects. It places greater emphasis than is usual on syntax and formulaic diction, and demonstrates, for example, that a coherent metrical system emerges if alliteration is used as a guide to word stress, and that resolution is a metrically significant phenomenon. A secondary aim is to recover the way Anglo-Saxon poets composed their verse, with important implications for oral-formulaic theory; and a revised terminology is suggested.

B.R. HUTCHESON teaches at Macon College, USA.

Elizabeth M. Tyler

Old English Poetics

$120.00

A new approach to the study of Old English Poetry, featuring close reading of the text, its form and style.

Traditions are created and maintained by groups of people living in specific times and places: they do not have a life of their own. In this radical new approach to Old English poetics, the author argues that the apparent timelessness and stability of Old English poetic convention is a striking historical phenomenon that must be accounted for, not assumed, and that the perceived conservatism of Old English poetic conventions is the result of choice. Successive generations of poets deliberately maintained the traditionality of Old English poetry, putting it into dialogue with contemporary conditions to express critique and dissent as well as nostalgia. The author makes particularuse of the rich language of treasure to be found in Anglo-Saxon verse to historicise her argument, but her argument has wide implications for how we approach the role of tradition in the poetry of earlier societies.

DrELIZABETH TYLER teaches in the Department of English and the Centre for Medieval Studies, University of York.

Judith N. Garde

Old English Poetry in Medieval Christian Perspective

$120.00

Dr Garde questions modern interpretations of the nature and purpose of Old English religious poetry.

In this doctrinal appraisal Dr Garde contends that English religious poetry in the early medieval "age of faith" was intended to convey conventional Christian teaching to unlearned audiences. In this reading, Old English religiousverse is dominated by the Christus Victor tradition, the exegetical perceptions often assumed in modern criticism are not justified.
The tradition of Christ's triumphant Descent into hell, regarded as apocryphal by many critics, is discussed in the context of the Resurrection and Christian expectations of eternal life in the Advent lyrics, the Descent poems, Christ II and Phoenix. The Dream of the Rood, Elene and Christ III are seen as describing Christ's Incarnation, death, Descent, Resurrection and Ascension, the Pentecostal phenomenon and the Church in the world. Expectations of judgment, the future resurrection of flesh, and the prospect of eternal bliss for righteous Christians complete the credal sequence.The author suggests that unstated, wholly familiar perceptions of salvation in Christ underlie all Old English religious verse, and that interpreters ignore these traditions at their peril.

JUDITH GARDE's published work includes contributions to the Journal of Literature and Theology and Neophilologus.

Old English Poetry in Medieval Christian Perspective

Rebecca Brackmann

Old English Scholarship in the Seventeenth Century

$120.00

Old English scholars of the mid-seventeenth century lived through some of the most turbulent times in English history, but the upheaval inspired them to produce landmark texts in early Old English studies.

England in the 1640s and 1650s experienced civil wars, regicide, and unprecedented debate over religious and social structures, but it also saw several milestones in the field of early medieval English studies. This book argues that the scholars of Old English who produced these works did so not in spite but because of the intense political upheaval surrounding them. The opening chapters examine the book collecting and lexicographic endeavors of the Parliamentarian Simonds D'Ewes, sponsor of the professorship of "Saxon" at Cambridge University, and Abraham Wheelock's pro-Stuart "Old English" poetry and the puritan overtones of his edition of the Old English Historia Ecclesiastica. It then moves on to consider the constitutionalist Roger Twysden's depiction of early English laws as the cornerstone for English identity in his edition of Archaionomia and the Leges Henrici Primi; and the royalist and Laudian bent of both William Somner's chorographic work and his Dictionarium Saxonico-Latino-Anglicum, the first printed dictionary of Old English. It concludes by an exploration of the way in which William Dugdale deployed early medieval events to comment on his present day in his monumental county history, Antiquities of Warwickshire. The volume as a whole suggests that the crises through which these scholars lived and worked spurred their research to engage with both the past and present, using Old English texts as a lens through which to view understand and contribute to contemporary debates about the English church and state.

Old English Scholarship in the Seventeenth Century

Robert E. Bjork

Old English Studies and its Scandinavian Practitioners

$170.00

An account of the Scandinavian contributions to the field of Old English studies from the eighteenth century onwards.

The discipline of Old English Studies began in Scandinavia, not England, pioneered by the work of the great Danish scholar, N.F.S. Grundtvig (1783-1872) and continues to flourish in the languages of the region (including Finland). This book offers a history of Scandinavian scholarship, in Neo-Latin, Danish, Swedish, Norwegian, Icelandic, as well as Finnish and Sámi, from 1733 to the present day. It surveys the major events and texts in the discipline, and evaluates translations of Beowulf and other Old English prose and verse texts. It argues that nationalism, aesthetics, and spirituality are the chief motivators for Old English studies in the Nordic countries; although Romantic nationalism was a first mover for Old English studies, the qualities Scandinavians now seek in Old English literature-that we all seek-are transnational, existential, spiritual, and human. The study concludes with complete bibliographies of contributions in the Scandinavian languages to Old English studies and of translations of Old English literature into the Scandinavian languages.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Robert E. Bjork

Old English Studies and its Scandinavian Practitioners

$29.99

An account of the Scandinavian contributions to the field of Old English studies from the eighteenth century onwards.

The discipline of Old English Studies began in Scandinavia, not England, pioneered by the work of the great Danish scholar, N.F.S. Grundtvig (1783-1872) and continues to flourish in the languages of the region (including Finland). This book offers a history of Scandinavian scholarship, in Neo-Latin, Danish, Swedish, Norwegian, Icelandic, as well as Finnish and Sámi, from 1733 to the present day. It surveys the major events and texts in the discipline, and evaluates translations of Beowulf and other Old English prose and verse texts. It argues that nationalism, aesthetics, and spirituality are the chief motivators for Old English studies in the Nordic countries; although Romantic nationalism was a first mover for Old English studies, the qualities Scandinavians now seek in Old English literature-that we all seek-are transnational, existential, spiritual, and human. The study concludes with complete bibliographies of contributions in the Scandinavian languages to Old English studies and of translations of Old English literature into the Scandinavian languages.

This book is available as Open Access under the Creative Commons license CC BY-NC-ND.

Russell Poole

Old English Wisdom Poetry

$190.00

Bibliography and guide to scholarly literature on the genre of Old English wisdom poetry.

Wisdom literature played a crucial role in the evolution of traditional societies, contributing to the structure of society and to the acceptance of new ideas within a culture, a function that has become increasingly understood. Old English wisdom literature is the focus of this volume, which offers an bibliography of the scholarly criticism between 1800 and 1990 of a group of largely secular poems comprising the metrical Charms, The Fortunes of Men, The Gifts of Men, Homiletic Fragments I and II, Maxims I and II, The Order of the World, Precepts, the metrical Proverbs, the Riddles of the Exeter Book, the Rune Poem, Solomon and Saturn, and Vainglory. A General Introduction investigates debates between scholars and establishes overall trends; it is followed by the bibliography proper, divided into chapters, each with its own introduction, focusing on a major text or collection of texts, with entries arranged chronologically.
Dr RUSSELL POOLEteaches in the School of English and Media Studies at Massey University, New Zealand.

Luke Sunderland

Old French Narrative Cycles

$120.00

Detailed readings of four major medieval cycles.

This is a study of four colossal medieval works - the Cycle de Guillaume d'Orange, the Vulgate Cycle, the Prose Tristan and the Roman de Renart - which are normally considered separately. By placing them side-by-side for analysis, Luke Sunderland is able to argue for an aesthetic of cyclicity that cuts across genre. He combines detailed readings of the narrative infrastructure of each cycle with attention to the shifts and transformations that come with successive acts of rewriting.
Old French Narrative Cycles focuses in particular on revisions and controversies around heroic figures, arguing that competition between alternative heroes within these texts makes them a discourse on heroism. Using a theoretical framework deriving from Lacanian psychoanalysis, the study reveals anxieties surrounding the hero's relationship to the "good": the hero oscillates between support for moral ideals and subversive assertions of freedom that can lead to evil and death. Ultimately, it is contended that the instability of the hero as conduit for morality produces textual confusion and generates the myriad differing versions of these vast and perplexing works.

LUKE SUNDERLAND is Lecturer in the School of Modern Languages and Cultures, University of Durham.

Sandra Ballif Straubhaar

Old Norse Women's Poetry

$120.00

Text, with English translation in two formats, of all the Old Norse poetry attributed to women - skáldkonur.

The rich and compelling corpus of Old Norse poetry is one of the most important and influential areas of medieval European literature. What is less well known, however, is the quantity of the material which can be attributed to women skalds. This book, intended for a broad audience, presents a bilingual edition (Old Norse and English) of this material, from the ninth to the thirteenth century and beyond, with commentary and notes. The poems here reflect the dramatic and often violent nature of the sagas: their subject matter features Viking Age shipboard adventures and shipwrecks; prophecies; curses; declarations of love and of revenge; duels, feuds and battles; encounters with ghosts; marital and family discord; and religious insults, among many other topics. Their authors fall into four main categories: pre-Christian Norwegian and Icelandic skáldkonur of the Viking Age; Icelandic skáldkonur of the Sturlung Age (thirteenth century); additional early skáldkonur from the Islendingasögur and related material, not as historically verifiable as the first group; and mythical figures cited as reciting verse in the legendary sagas (fornaldarsögur).

Sandra Ballif Straubhaar is Senior Lecturer in Germanic Studies at the University of Texas at Austin.

Jeremy J. Smith

Older Scots: A Linguistic Reader

$37.95

A full introduction to Older Scots language and literature, with a wide selection of copiously annotated texts from the period.

This book enables both students and more advanced scholars to develop a comprehensive understanding of Older Scots, the form of Scots which survives in records up to around 1700. It provides the means of understanding the language's essential characteristics, and enables readers to engage with the fascinating textual and linguistic problems which it presents. The volume contains an extensive set of annotated texts from the period, inviting closer engagement with the detail of the language, which are preceded by a comprehensive introduction to and discussion of the subject; it also looks at the linguistic detail (in the broadest sense) of the reception and afterlife of medieval andearly modern Scottish texts. Those interested in literary form in Older Scottish literature will find it a "kit" for stylistic analysis; book historians will appreciate the detailed studies of processes of production and reception, and be reminded of the importance of integrating disciplines such as textual criticism, codicology, paleography and philology; and for linguists, there is access to an unrivalled body of up-to-date textual information, previously hard to find in a single place.

Jeremy J. Smith is Professor of English Philology, University of Glasgow.

Ralph Callebert

On Durban's Docks

$120.00

Offers a new approach to the study of labor on the subcontinent and globally, questioning the relevance of the predominant wage labor paradigm for Africa and the Global South.

On Durban's Docks focuses on dock labor in early apartheid Durban, South Africa's main port city and a crucial node in the trade and communication networks of the Indian Ocean and the British Empire. Although the labor of Zulu migrant dock workers made global trade possible, they lived their lives largely in isolation, both socially and economically, from these global networks.

Using seventy-seven oral histories and extensive archival research, Ralph Callebert examines the working and living conditions of Durban's dock workers and the livelihoods of their rural households. These households relied on a combination of wage labor, pilferage, informal trade, and the rural economy. Dock workers' experiences were thus more intricate than a focus on wage labor alone could capture. Foregrounding such multifaceted livelihoods, Callebert considers the dynamics of gender within dock workers' householdsas well as their complicated political identities, including their economic nationalism and fervent anti-Indian sentiments. On Durban's Docks thus offers a new approach to the study of labor on the subcontinent and globally, questioning the relevance of the predominant wage labor paradigm for Africa and for the Global South.

Ralph Callebert teaches history at the University of Toronto.

Ewald Mengel

On First Looking into Arden's Goethe

$75.00

Critical comparison of English translations, by distinguished contemporary playwrights, of plays from the German repository.

Translations and adaptations have been generally neglected by literary criticism, and scholarly work on this topic is rare. Professor Mengel's pioneering critical study of ten translations of classical German plays by contemporaryand distinguished English dramatists - including Bond, Mortimer and Stoppard - answers a real need in literary research and constitutes a breakthrough in scholarship and criticism. In his introduction, Mengel makes use of new tendencies in translation theory and outlines his descriptive approach, which avoids the pitfalls of traditional translation criticism and allows him to do justice to adaptations and translations as 'derived' genres. He also pays meticulous attention to the texts themselves, and by close comparison of the source text and target text he pinpoints crucial linguistic, literary and cultural differences; these, he argues, should be taken as the starting point fortranslation analysis, enabling greater understanding of different cultures and communication between them, which paradoxically the notion of 'faithful translation' can discourage. The book will be of interest to students and scholars concerned with English and German drama, with translation theory and with drama translation, and to the comparatist specializing in German/English literary relations. EWALD MENGEL is Professor of English Literature atthe University of Bayreuth, Germany.

Philip Reed

On Mahler and Britten

$39.95

Critical essays and studies reflecting the latest thinking on two major figures in 20c music.

In this Festschrift for Donald Mitchell, the foremost authority on the life and works of Gustav Mahler and Benjamin Britten, distinguished composers, scholars, colleagues and friends from around the world have written on aspects of these two composers closest to Mitchell's heart, producing a volume which not only reflects some of the latest thinking on this pair of remarkable figures in the music of our century, but which also pays full tribute to the impact of Mitchell's own work on these composers over the last fifty years. The volume includes the fullest bibliography of Mitchell's writings yet compiled.

Markand Thakar

On the Principles and Practice of Conducting

$29.95

A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.

This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.

Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

Markand Thakar

On the Principles and Practice of Conducting

$29.99

A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development.

This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills.
Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable.

Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A protégé of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).

William C. Lubenow

Only Connect: Learned Societies in Nineteenth-Century Britain

$130.00

In nineteenth-century Britain, learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of the scholar, of the intellectual.

In the early modern period the subject of knowledge was dogma. Early modern knowledge was often tied to confessional tests and state-building. One road to modernity could be read as escape from institutional and confessional restraints to the freedom of reason. A second one could be read as escape to networks of association and belonging. In the nineteenth century, the latter space was filled in Britain by learned societies (within or outside universities)or even clubs. It was a movement toward a different kind of method and a different kind of learning. Learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of thescholar, of the intellectual. The history of cognition in nineteenth-century Britain became a history of various intellectual enclaves and the people who occupied them.
This book examines the nature of knowledge in nineteenth-century Britain and the role of learned societies, clubs and coteries in its formation, organization and dissolution. Drawing on numerous, unpublished, private papers and manuscripts, it looks predominantly at societies in the metropolitan centres of London, Oxford and Cambridge. It also takes up the relation of British styles of learning, in contrast to Continental forms, which aimed to produce people of culture and character suited for positions of public authority. While the British owed much to German exemplars, a tension in these intellectual exchanges remained, magnified by the Great War. The study concludes by comparing British cognitive niches with similar social formations in Germany, France and the United States.

WILLIAM C. LUBENOW is Distinguished Professor of History at Stockton College of New Jersey. His previous books include Liberal Intellectuals and Public Culture in Modern Britain (Boydell, 2010), The Cambridge Apostles, 1820-1914 (1998) and Parliamentary Politics and the Home Rule Crisis (1988). He has been president of the North American Conference on British Studies.

Only Connect: Learned Societies in Nineteenth-Century Britain

Joanne Edge

Onomantic Divination in Late Medieval Britain

$130.00

Demonstrates the wide prevalence of supposedly impermissible divination techniques found in a wide range of manuscripts from medieval Britain.

When will I die? What is the sex of my unborn child? Which of two rivals will win a duel?As today, people in the later Middle Ages approached their uncertainties about the future, from the serious to the mundane, in a variety of ways. One of the most commonly surviving prognostic methods in medieval manuscripts is onomancy: the branch of divination that predicts the future from calculations based on the numbers that correlate to the letters of personal names. However, despite its ubiquity, it has been relatively little studied.

This book analyses the intellectual and physical contexts of onomantic texts in some 65 manuscripts of British provenance between around 1150 and 1500, focusing on its two main varieties It demonstrates that onomancies were copied, owned and used by a people from a wide range of literate society in late medieval England: medical practitioners; the gentry and aristocracy; university scholars; and monks. And it seeks to answer the question of why a divinatory device, condemned in canon law as "Pythagorean necromancy", enjoyed such popularity in mainstream books of religion, medicine, and scholasticism.

Onomantic Divination in Late Medieval Britain

Eugene England, Peter Makuck

Open World

$75.00

Essays of American-domiciled Anglo-Welsh poet.

This collection of essays, interviews and poems explores the life and work of Leslie Norris, one of the foremost Anglo-Welsh poets writing today. His teaching career has been mainly in the United States, as visiting professor at anumber of universities, and his work appears regularly in the New Yorker and Atlantic Monthly. Norris is currently Humanities Professor of Creative Writing at Brigham Young University; the author of thirteen volumesof poetry, he has won the Alice Hunt Bartlett and Cholmondeley Prizes in poetry and the Katherine Mansfield Award for short stories.
An Open World introduces Norris's unique life and career, with poems by William Stafford and Ted Hughes and essays by Glyn Jones, Judith Kitchen, Peter Davison, Ted Walker, Brendan Galvin, William Matthews, Mark Jarman, and Fred Chappell.

Brian S. Locke

Opera and Ideology in Prague

$190.00

An overview of the history of the Prague musical community from 1900 until the end of democracy in 1938, with attention to polemics about "Czechness" and "modernism."

This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. Opera and Ideology in Prague not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe.
The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing "legacies" of Smetana and Dvorák and the merits of modernism.After Czech independence in 1918, a new generation of musicians accepted modernist foreign influences only with extreme hesitation.
The 1926 Prague premiere of Berg's opera Wozzeck and the ascendancy of a young groupof avant-garde composers changed the cultural climate entirely, providing new ground for the exploration of jazz, neo-classicism, quarter tones, and socialist music. As the Czechoslovak Republic drew to a close, a resurgence of nationalism appeared in the musical expressions of both Czechs and German-Bohemians.
The analyses of operas and tone poems by Novák, Ostrcil, Zich, Jeremiás, Hába, Kricka, and Suk provide a cross-section of musical life in early twentieth-century Prague, as well as a series of interpretations of Czech cultural identity. Populist endeavors such as jazz and neo-classicism represented some of the ways in which composers of the 1930s attempted to regain anaudience alienated by modernism: in this respect, the trends in Prague mirrored those of the rest of Europe.

Brian Locke is Assistant Professor of Music History at Western Illinois University, Macomb. He has written extensively on twentieth-century music, including Czech operatic and symphonic works and Alban Berg's Wozzeck.

Thomas McGeary

Opera and Politics in Queen Anne's Britain, 1705-1714

$190.00

Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

The reign of Queen Anne (1702-1714) was pivotal for both politics and opera in Britain. In this study, Thomas McGeary brings together a wide range of sources to show how the worlds of politics and opera were entwined. The associations that Italian singing and singers acquired by the 1690s were used in partisan Whig-Tory writings. Rather than a foreign invasion, McGeary shows how the introduction of Italian-style opera was a native product that grew out of plans for a new theatre in the Haymarket. A crucial event for opera was Handel's arrival in London in 1710.

While the criticism of opera by Whig writers such as Richard Steele and Joseph Addison is well known, McGeary uncovers how the early promotion and sponsorship of opera was, in fact, largely a Whig enterprise and cultural program. Indeed, major political figures (mostly Whigs) participated in the support and patronage of opera.

Opera and Politics in Queen Anne's Britain will be required reading for opera scholars and cultural and political historians of eighteenth-century Britain, as well those interested in the vibrant literature culture of the period.

Opera and Politics in Queen Anne's Britain, 1705-1714

Katharina Clausius

Opera and the Politics of Tragedy

$130.00

A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes.

Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781).

Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern."

Susan C Cook

Opera for a New Republic

$38.95

An exploration of avant-garde music and operatic form in Weimar Germany

Weimar Germany -- the age of Bauhaus and Brecht -- was a time of significant activity in all areas of the artistic avant-garde. Musicologist Susan Cook explores this intriguing period in a look at Zeitoper (topical opera)and its primary exponents, Ernst Krenek, Kurt Weill and Paul Hindemith. Zeitoper has proved to be of importance as an experimental form that broadened the definition of modern opera and musical theatre, incorporating elements previously thought unsuitable. Celebrating modern life in its libretti, its scores borrowed heavily from American dance music and jazz.
Opera for a New Republic is the first book to provide a broad historical,cultural and artistic context for the development of this operatic genre. Through it we learn that Zeitoper, although short-lived, has proved to be a vital component in the development of twentieth-century operatic style.

Susan Cook is Professor of Musicology at the University of Wisconsin.

Tyler Fleming

Opposing Apartheid on Stage

$190.00

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.

In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures.

Widely considered a watershed moment within the history of South African theater and music, King Kong encapsulated key currents within South African cultural history. Author Tyler Fleming's gripping narrative unpacks the life of the musical, from the emergence of the heavyweight boxer "King Kong" Dlamini to the behind-the-scenes dynamics of rehearsals to the musical's 1961 tour of Britain and the later experience of cast members living in exile for their opposition to apartheid. Opposing Apartheid on Stage: "King Kong" the Musical explores the history of this jazz opera and its enduring legacy in both South African history and global popular culture.

Tyler Fleming

Opposing Apartheid on Stage

$49.95

A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.

In 1959, King Kong, an interracial jazz opera, swept across South Africa and became a countrywide phenomenon. Its performances sold out, its LP record was widely heard, and its cast became recognized celebrities. Featuring an African composer, cast, and orchestra but predominantly white directors and producers, this interracial production seemed completely distinct from any other theatrical production in the country's history. Despite being staged over a decade after the enacting of apartheid, the interracial collaboration met widespread acclaim that bridged South Africa's racial, political, ethnic, and class fissures.

Widely considered a watershed moment within the history of South African theater and music, King Kong encapsulated key currents within South African cultural history. Author Tyler Fleming's gripping narrative unpacks the life of the musical, from the emergence of the heavyweight boxer "King Kong" Dlamini to the behind-the-scenes dynamics of rehearsals to the musical's 1961 tour of Britain and the later experience of cast members living in exile for their opposition to apartheid. Opposing Apartheid on Stage: "King Kong" the Musical explores the history of this jazz opera and its enduring legacy in both South African history and global popular culture.

Dietrich Scheunemann

Orality, Literacy, and Modern Media

$99.00

Essays offering new approaches to the debate on orality and literacy, taking in recent developments in modern electronic media.

This collection of essays, the outcome of an international research project by the University of Freiburg, the German Film Museum in Frankfurt, and an interdisciplinary research group for Media Studies at the University of Edinburgh, contributes new insights and analytical categories to the ongoing debate on orality and literacy, extending it to the realm of modern electronic media. Taking up ideas developed by such important critics as Benjamin, Parry, Lord, Ong, McLuhan, and the Russian Formalist Eikhenbaum, the essays suggest a new integrated approach to the study of presentational forms and media of communication from all ages of civilisation.

Jonathan Del Mar

Orchestral Masterpieces under the Microscope

$95.00

WINNER: International Association of Music Libraries, UK & Ireland (IAML UK & Irl) C.B. Oldman Award
For an outstanding work of music bibliography, music reference or music librarianship

A must-have for any conductor, conducting student and orchestral librarian.

How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship.

Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition.

Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike.

Orchestral Masterpieces under the Microscope

Daniel J. Koury

Orchestral Performance Practices in the Nineteenth Century

$49.95

Published by Boydell & Brewer Inc.

Orchestral Performance Practices in the Nineteenth Century

Thomas Malcomson

Order and Disorder in the British Navy, 1793-1815

$130.00

How did the British navy maintain authority among its potentially disorderly crews? And what order exactly did it wish to establish?

Churchill once famously remarked that he would not join the navy because it was "all rum, sodomy and the lash". How far this was true of the navy during the French Revolutionary and Napoleonic Wars is the subject of this important new book.

Summary punishments, courts martial, flogging and hanging were regularly made use of in this period to establish order in the navy. Based on extensive original research, including a detailed study of ships' captain's logs and muster tables, this book explores the concepts of order and disorder aboard ships and examines how order was preserved. It discusses the different sorts of disorder and why they occurred; argues that officers toosometimes pushed against the official order; and demonstrates that order was much more than the simple enforcement of the Articles of War.

The book argues that the behaviours that were punished, how and to what degree reveal what the navy saw as most resistive or dangerous to its authority and the order it wanted established. In addition, it considers the role of patronage in shaping order, outlining how this was affected by Admiralty moves to centralise appointments, and shows that acts of disorder were plentiful, and increasing, in this period, and that the imbalance in court martial outcomes for sailors, marines and warrant officers, in comparison to commissioned officers, points to a flawed system of justice. Overall, the book provides an extremely nuanced picture of order and how it was preserved.

Thomas Malcomson is a Professor in the School of Liberal Arts and Sciences at George Brown College, Toronto, Ontario. He completed his doctorate in history at York University, Toronto.

Order and Disorder in the British Navy, 1793-1815

Charles C. Rozier

Orderic Vitalis: Life, Works and Interpretations

$49.95

First full-length collection on one of the most significant and influential historians of the medieval period.

The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings.

Charles C. Rozier gained hisPhD from the University of Durham; Daniel Roach gained his PhD from the University of Exeter; Giles E.M. Gasper is Senior Lecturer in History, University of Durham; Elizabeth van Houts is Honorary Professor of Medieval European History, University of Cambridge.

Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

Charles C. Rozier

Orderic Vitalis: Life, Works and Interpretations

$190.00

First full-length collection on one of the most significant and influential historians of the medieval period.

The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings.

CHARLES C. ROZIER gained hisPhD from the University of Durham; DANIEL ROACH gained his PhD from the University of Exeter; GILES E.M. GASPER is Senior Lecturer in History, University of Durham; ELIZABETH VAN HOUTS is Honorary Professor of Medieval European History, University of Cambridge.

Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Véronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Mégier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjørn Olsen Sønnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

G.H. Doble

Ordinale Exon.

$50.00

Published by Boydell & Brewer Inc.

John Neale Dalton

Ordinale Exoni. Volume I

$75.00

The Exeter Ordinale is a huge ordinal issued by John de Grandisson, bishop of Exeter [1327-69], in 1337; it is edited on the basis of manuscripts that belonged to, and were annotated by, the bishop himself. The compilationmarked an important point in medieval study of the liturgy, and the Legenda [liturgical readings for saints' days] which it contains are regarded as one of the most important sources for the study of English medieval hagiography, particularly for saints of English origin.

John Neale Dalton

Ordinale Exoni. Volume II

$60.00

The Exeter Ordinale is a huge ordinal issued by John de Grandisson, bishop of Exeter [1327-69], in 1337; it is edited on the basis of manuscripts that belonged to, and were annotated by, the bishop himself. The compilationmarked an important point in medieval study of the liturgy, and the Legenda [liturgical readings for saints' days] which it contains are regarded as one of the most important sources for the study of English medieval hagiography, particularly for saints of English origin.

John Neale Dalton

Ordinale Exoniense III: Appendix

$75.00

The Exeter Ordinale is a huge ordinal issued by John de Grandisson, bishop of Exeter [1327-69], in 1337; it is edited on the basis of manuscripts that belonged to, and were annotated by, the bishop himself. The compilationmarked an important point in medieval study of the liturgy, and the Legenda [liturgical readings for saints' days] which it contains are regarded as one of the most important sources for the study of English medieval hagiography, particularly for saints of English origin.

Christoper Wordsworth

Ordinale Sarum

$55.00

Published by Boydell & Brewer Inc.

Christopher Wordsworth

Ordinale Sarum, sive Directorium Sacerdotum

$75.00

Published by Boydell & Brewer Inc.

Ordinale Sarum, sive Directorium Sacerdotum

Henry Bradshaw Society

Ordines of Haymo of Faversham

$50.00

Published by Boydell & Brewer Inc.

Nicholas Thistlethwaite

Organ-building in Georgian and Victorian England

$240.00

The London firm of Gray (later Gray & Davison) was one of Britain's leading organ-makers between the 1790s and the 1880s.

Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States.
In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management,the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work.
This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians.

Organ-building in Georgian and Victorian England

Debra N. Prager

Orienting the Self

$130.00

Follows the evolution of the Orient as a positive literary device in German literature and demonstrates how it was used to explore subjectivity and the possibility of wholeness.

For centuries, Europe's eastward gaze has been wary if not hostile. Medieval man envisaged grotesque beings at the world's edge and scanned the steppes and straits on the immediate horizon for the Asian or Arab hordes that might swarm across them. Through the Crusades, the early modern era, and the age of imperialism, Europeans regarded the Eastern subject as requiring both "discovery" and conquest. Conveniently, the "Oriental" came to represent fanaticism, terrorism, moral laxity, and inscrutability, among other stereotypes. The list of German literary works that reinforced negative clichés about the East is long, but Orienting the Self argues for the presence in the Germanliterary tradition of a powerful perception of the East as the scene of desire, fantasy, and fulfillment. It follows the evolution of the Orient as a literary device and demonstrates how it was used to explore subjectivity and the possibility of wholeness. The five works treated in this study - Parzival, Fortunatus, Effi Briest, Heinrich von Ofterdingen, and The Magic Mountain - are narratives of development in which the encounter with the East is central to the progression toward selfhood and the promise of fulfillment.

Debra N. Prager is Associate Professor of German at Washington and Lee University.

Melissa Knox

Oscar Wilde in the 1990s

$120.00

An examination of the most significant literary criticism on Wilde at the turn of the century.

In 1891, Oscar Wilde defined 'the highest criticism' as 'the record of one's own soul, and insisted that only by 'intensifying his own personality' could the critic interpret the personality and work of others. This book exploreswhat Wilde meant by that statement, arguing that it provides the best standard for judging literary criticism about Wilde a century after his death. Melissa Knox examines a range of Wilde criticism in English -- including the work of Lawrence Danson, Michael Patrick Gillespie, Ed Cohen, and Julia Prewitt Brown. Applying Wilde's standards to his critics, Knox discovers that the best of them take to heart Wilde's idea of the aim of criticism -- 'to see theobject as in itself it really is not.' By this, Wilde appreciates Walter Pater's profound observation that everyone sees through a 'thick wall of personality' and that, therefore, objectivity as conceived by Matthew Arnold does not exist. Admiring Pater, Wilde became a prophet for Freud, his exact contemporary. Their intellectual sympathies, made obvious in Knox's exegesis, help to make the case for Wilde as a modern, not a Victorian.

Melissa Knox's book Oscar Wilde: A Long and Lovely Suicide was published in 1994. She teaches at the University of Duisburg-Essen, Germany.

Chris Walton

Othmar Schoeck

$190.00

Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.

The work of the late-Romantic Swiss composer Othmar Schoeck (1886-1957) has in recent years enjoyed a surge of interest. His 300 songs with piano accompaniment are now all on CD, as are his orchestral song cycles and five of his eight stage works. Yet despite an impressive discography featuring names such as Dietrich Fischer-Dieskau, Lucia Popp and Ian Bostridge, no biographical study of Schoeck has ever been available in English.
Chris Walton, authorof Richard Wagner in Zurich: The Muse of Place, charts the turbulent course of Schoeck's life and career with care and candor, from a rampant youth to midlife monogamy and an old age ravaged by fears of neglect. He tracesSchoeck's relationships to musicians such as Max Reger, Ferruccio Busoni, Wilhelm Furtwängler, Paul Hindemith, and Igor Stravinsky, and to writers Thomas Mann, Hermann Hesse, and James Joyce. New light is also shed on Schoeck's uneasy relationship with Nazi Germany and its culmination, for him, in public humiliation and private catastrophe.
As an accompanist, Schoeck was an arch-Romantic master of rubato; as a conductor, he was a fervent champion of the new; and in his compositions, he moved from late-Romanticism through a modernist vortex to emerge in full mastery of an individual musical language both sensuous and stringent.
In this thorough new biography, Waltonplaces Schoeck the man and the artist squarely in the context of his time.

Chris Walton is Extraordinary Professor at the University of Stellenbosch in South Africa and Managing Director of the Orchestre Symphonique Bienne in Switzerland. He is the recipient of the 2010 Max Geilinger Prize honoring exemplary contributions to the literary and cultural relationship between Switzerland and the English-speaking world.

Paul Lauter

Our Sixties

$29.95

The social movements of the 1960s - still vital and challenging - seen through the author's experiences as a civil rights activist, a feminist, an antiwar organizer, and a radical teacher.

Today, some fifty years after, we celebrate - or excoriate - "the Sixties." Using his wide-ranging experience as an activist and writer, Paul Lauter examines the values, the exploits, the victories, the implications, and sometimes the failings, of the "Movement" of that conflicted time. In Our Sixties, Lauter writes about movement activities from the perspective of a full-time participant: 1964 Mississippi freedom schools; Students for a Democratic Society (SDS); the Morgan community school in Washington, DC, which he headed; a variety of antiwar, antidraft actions; the New University Conference, a radical group of faculty and graduate students; The Feminist Press, which he helped found; and the United States Servicemen's Fund, an organization supporting antiwar GIs. He got fired, got busted, got published, and even got tenure. He honed his skills writing for the New York Review of Books among other magazines. As a teacher he created innovative courses ranging from "Revolutionary Literature" and "Contesting the Canon" to "The Sixties in Fiction, Poetry, and Film." He led the development of the groundbreaking Heath Anthology of American Literature and remains its general editor.

Lauter's book offers both a retrospective look at the social justice struggles of the Sixties and an account of how his participation in these struggles has shaped his life. Social history as well as personal chronicle, this account is for those who recall that turbulent decade as well as for those who seek to better understand its impact on American politics and society in our current era.

Janice Bullard Pieterse

Our Work Is But Begun

$49.95

Traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005.

This volume traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005. The story is told in eight chapters, each of which chronicles the major issues and decisions the University's leaders faced. Highlights of the story include the University's founding in a city known as the first "western" boomtown; the university's relationship in the early twentieth century with Rochester benefactor George Eastman, which enabled the establishment of world-class schools of music and medicine; and the achievements of Rochester faculty members as researchers on war-related endeavors during World WarII. Author Janice Bullard Pieterse sets her history of the university in the context not only of the fortunes of its home city but of trends and issues in American higher education over the last 150 years.

Janice Bullard Pieterse is a freelance writer and journalist in Rochester, New York.

Janice Bullard Pieterse

Our Work Is But Begun

$34.95

Traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005.

This volume traces the University of Rochester's development from a small college housed in a former hotel in 1850 to its place as a leading research university in 2005. The story is told in eight chapters, each of which chronicles the major issues and decisions the University's leaders faced. Highlights of the story include the University's founding in a city known as the first "western" boomtown; the university's relationship in the early twentieth century with Rochester benefactor George Eastman, which enabled the establishment of world-class schools of music and medicine; and the achievements of Rochester faculty members as researchers on war-related endeavors during World WarII. Author Janice Pieterse sets her history of the university in the context not only of the fortunes of its home city but of trends and issues in American higher education over the last 150 years.

Janice Pieterse is afreelance writer and journalist in Rochester, NY.

Chantal Zabus

Out in Africa

$130.00

Homophobia is still rife and it remains dangerous and even life-threatening to be out in Africa, but Chantal Zabus here traces the range of representations of same-sex desire in Africa through historic and contemporary sources.

Homosexuality was and still is thought to be quintessentially 'un-African'. Yet in this book Chantal Zabus examines the anthropological, cultural and literary representations of male and female same-sex desire in a pan-African context from the nineteenth century to the present. Reaching back to early colonial contacts between Europe and Africa, and covering a broad geographical spectrum, along a north-south axis from Mali to South Africa and an east-west axis from Senegal to Kenya, here is a comparative approach encompassing two colonial languages (English and French) and some African languages.
Out in Africa charts developments in Sub-Saharan African texts and contextsthrough the work of 7 colonial writers and some 25 postcolonial writers. These texts grow in complexity from roughly the 1860s, through the 1990s with the advent of queer theory, up to 2010. The author identifies those texts thatpresent, in a subterraneous way at first and then with increased confidence, homosexuality-as-an-identity rather than an occasional or ritualized practice, as was the case in the early ethnographic imagination. The work sketchesout an evolutionary pattern in representing male and female same-sex desire in the novel and other texts, as well as in the cultural and political contexts that oppose such desires.

Susan Tomes

Out of Silence

$39.95

The author of Beyond the Notes demonstrates how a working musician draws energy from the events of daily life, and sometimes seeks a refuge from them in music.

Out of Silence is a diary of a year in Susan Tomes's life as a performer. Taking as its inspiration Schumann's remark that 'I am affected by everything that goes on in the world, and I think it all over in my own way', it aims to show how a working musician mulls over and draws energy from the events of everyday life.

We follow this internationally renowned pianist as she prepares for concerts and performs, both as a soloist and as part of a chamber ensemble; we experience the highs and lows of practising and the challenges of live performance, we see her planning masterclasses and interacting with both musicians and audiences. She casts her mind back to her childhood - practicing before school on cold Edinburgh mornings, playing 'Danny Boy' for a relative - and reflects on paintings, dance, books, sport and gardening.

'A delight and a revelation...She writes with Schubertian intimacy, modesty and grace,' said the Independent of her first book, Beyond the Notes. Here Susan Tomes strives to unlock the secrets of great music and to understand its place in the wider world.

SUSAN TOMES has won a number of awards for her recordings of chamber music. For fifteen years she was the pianist of Domus, and for another fifteen she has been the pianist of the Florestan Trio, one of the world's leading piano trios. She is the author of Beyond the Notes and A Musician's Alphabet. She writes occasionally for the Guardian and on a blog on her own website, www.susantomes.com.

Gordon Van Ness

Outbelieving Existence

$90.00

Surveys the scholarship and criticism surrounding Dickey's work, detailing the poet's intent as well as the critical reception.

In their analysis of James Dickey's work, critics have often assumed too narrow a focus, concerning themselves with a reputation as a man larger than life, who hunts rattlesnakes with a blowgun and who shoots white-water rapids.Such critics do not see the forest at all; they mistake the tree for the forest.
In the more than thirty years since Dickey's first volume of poetry appeared, he has endeavoured to push himself and language into new realms. What he has said, and how he has said it, have evolved; it is what Dickey terms the "motion" of his poetry. And it has generated both solid scholarship and superficial criticism.
Van Ness' study surveys the scholarship and criticism surrounding Dickey's work in a chronological and methodological manner. Its intent is to synthesise and assess and to suggest areas where further study remains. As it measures the motion, Outbelieving Existence details Dickey's intent as well as the critical reception. No other book has done this.

Professor Abdul Raufu Mustapha

Overcoming Boko Haram

$39.95

A comparative, whole-of-society approach to the Boko Haram insurgency that offers a more nuanced understanding of the risks, resilience and resolution of violent radicalization in Nigeria and beyond.

It is now more than a decade since the violent Islamic group Boko Haram launched its reign of terror across northern Nigeria, claiming more than 27,000 lives and displacing over 2 million people. While its territorial gains have largely been recaptured, the insurgency rages on, devastating communities across vast stretches of the north-east and disrupting governance, livelihoods and food security, as well as posing a security risk to Niger, Chad and Cameroon.
Less attention is paid to the pervasive popular rejection of violent extremism on the ground. How did a diverse and economically dynamic West African society unravel so violently, and for so long? Why does radicalizationhave so little influence on large Muslim populations in surrounding areas, such as the Yoruba in south-western Nigeria, or the poor ethnically similar Muslim majority in central Niger just north of the border? This book looks beyond the details of the insurgency to examine the wider social and political processes that explain why Boko Haram emerged when and where it did, and what forces exist within society to contain it. Drawing on the detailed fieldworkof specialist Nigerian and Nigerianist scholars from Nigeria, connecting the worst of Boko Haram violence to the wider realities of the present, the book offers new insights into the drivers of Islamic extremism in Nigeria - poverty, regional inequality, environmental stress, migration, youth unemployment, and state corruption and human rights abuses - with a view to charting more sustainable paths out of the conflict.

Nigeria: Premium Times Books

Professor Abdul Raufu Mustapha

Overcoming Boko Haram

$170.00

A comparative, whole-of-society approach to the Boko Haram insurgency that offers a more nuanced understanding of the risks, resilience and resolution of violent radicalization in Nigeria and beyond.

It is now more than a decade since the violent Islamic group Boko Haram launched its reign of terror across northern Nigeria, claiming more than 27,000 lives and displacing over 2 million people. While its territorial gains have largely been recaptured, the insurgency rages on, devastating communities across vast stretches of the north-east and disrupting governance, livelihoods and food security, as well as posing a security risk to Niger, Chad and Cameroon.
Less attention is paid to the pervasive popular rejection of violent extremism on the ground. How did a diverse and economically dynamic West African society unravel so violently, and for so long? Why does radicalizationhave so little influence on large Muslim populations in surrounding areas, such as the Yoruba in south-western Nigeria, or the poor ethnically similar Muslim majority in central Niger just north of the border? This book looks beyond the details of the insurgency to examine the wider social and political processes that explain why Boko Haram emerged when and where it did, and what forces exist within society to contain it. Drawing on the detailed fieldworkof specialist Nigerian and Nigerianist scholars from Nigeria, connecting the worst of Boko Haram violence to the wider realities of the present, the book offers new insights into the drivers of Islamic extremism in Nigeria - poverty, regional inequality, environmental stress, migration, youth unemployment, and state corruption and human rights abuses - with a view to charting more sustainable paths out of the conflict.

Nigeria: Premium Times Books

Frances Lee

Overturning Dr. Faustus

$130.00

A radically new view of Mann's last major novel.

Thomas Mann's last major novel, Doktor Faustus, revolves around the transformation of traditional German culture into Hitler's fascist Germany, a process that intrigues and confounds thinking people still today. Mann has always been considered an exemplary and authoritative portrayer of German culture, and his opinion on the rise of fascism carries considerable weight. Unfortunately, the novel has always been interpreted as saying the opposite of what it does in fact say. Frances Lee provides a radically new interpretation by relating in a detailed manner to the text of Doktor Faustus the arguments expressed by Mann in his Observations of a Non-Political Man -- a bookof political essays published in 1918. This approach resolves many of the features that have been seen by critics as flaws or contradictions in the novel. Lee establishes what is actually happening in the novel in its historicalsetting, showing Mann's view of how the acceptance of fascism occurred and the determining role he attributed to the academic community in bringing about the disaster. Her book will be of interest to both amateur and professionalstudents of Mann, particularly because it points to rich new directions for study.

Frances Ann Ray Lee received the Ph.D. in German literature from the University of Toronto in 2005.

Alan Crossley

Oxford City Apprentices, 1513-1602

$49.95

Edition of records of Oxford apprentices provides valuable evidence for historians.

Oxford greatly expanded and flourished under the Tudors, as the reviving University provided a growing body of consumers and trade for shopkeepers and craftsmen. They needed apprentices - and in huge numbers, as the material inthis volume demonstrates. It calendars the enrolments of over two thousand apprenticeship contracts made during this period; they are a familiar source for social and economic history and genealogy, but the Oxford material, in both quantity and detail, is quite exceptional. Moreover, sixteenth-century enrolments are much fuller than their more familiar seventeenth-century successors, containing miscellaneous information of great interest, notably lists ofworking tools, details of journeymen's wages, and stipulations about apprentices' behaviour.
The data is discussed in an Introduction which re-examines the apprenticeship system on the basis of the unusually plentiful statistics, throwing new light on such matters as length of service, payment of premiums, and the rates of career failure and success. Oxford recruited apprentices from an astonishingly wide area; their places of origin are identified and mapped, and an analysis of their social and geographical origins breaks new ground in the field of migration studies. More prosaically the calendar provides the genealogist and local historian with the names, parentage, and places of origin of thousands of young men from all over England and Wales - crucial raw material for much-needed further research.on the later movements of qualified apprentices.

Alan Crossley is a member of the modern history faculty, University of Oxford.

Revd H.E. Salter

Oxford Council Acts (1583-1626)

$49.95

Published by Boydell & Brewer Inc.

Revd H.E. Salter

Oxford Council Acts (1626-66)

$35.00

Published by Boydell & Brewer Inc.

M.G. Hobson

Oxford Council Acts (1701-1752)

$49.95

Published by Boydell & Brewer Inc.

M.G. Hobson

Oxford Council Acts (1752-1801)

$49.95

Published by Boydell & Brewer Inc.

Oxford Historical

Oxford Studies Presented to Daniel Callus. 1959-60

$49.95

Published by Boydell & Brewer Inc.

Oxford Studies Presented to Daniel Callus. 1959-60

Mai Kawabata

Paganini

$95.00

Separating fact from fiction, this book explores how the legendary violinist challenged the very notion of what it meant to be a musician.

Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? This book investigates the legend of Paganini. Separating fact from fiction, it explains how the virtuoso violinist challenged the very notion of what it meant to be a musician.
Mai Kawabata considers Paganini's performance innovations, violin techniques and musical ethos in the light of contemporary attitudes towards musicand the supernatural, gender, sexuality, violence, heroism and masculinity as well as conceptions of power. The many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. A swirl of cultural factors coalesced in the performer to create that phenomenon of Romanticism, a larger-than-life Gothic villain. Kawabata shows how the idea of virtuosity spiralled out of control, acquiring a potent, overwhelmingly negative aura in the process, as the mythology surrounding Paganini outlived and outgrew the man to monstrous proportions. An appendix brings together late nineteenth-century British press and literature coverage of Paganini that contributed to the developing myth surrounding the now famous composer and performer.

MAI KAWABATA is Lecturer in Music at the University of East Anglia and a professional violinist.

John Darrah

Paganism in Arthurian Romance

$36.95

Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend.

`Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH
`Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE

The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals.
Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court.

JOHN DARRAH has also written The Real Camelot.

Jan Frans van Dijkhuizen

Pain and Compassion in Early Modern English Literature and Culture

$130.00

An examination of the themes of pain and compassion in key Renaissance writers, at a time when religious attitudes to suffering were changing.

A deeply original work of scholarship. Through fine close readings of primary and secondary texts, the author offers the fullest account we have of the related phenomena of pain, sympathy, and sensation in early modern culture.Michael Schoenfeldt, John R. Knott, Jr., Professor of English, University of Michigan, Ann Arbor

In late medieval Catholicism, pain was seen as a way of imitating Christ, and as an avenue to salvation. During the earlymodern period, Protestant theologians came to reject these assumptions, and attempted to redefine and circumscribe the spiritual meaning of suffering. The rethinking of the meaning of pain during the early modern era is the central theme of this book. The author pays particular attention to how literary writers explored the issue of pain, by placing their work in a broad context of devotional, theological, philosophical and medical texts on suffering. In detailed readings of Alabaster, Donne, Herbert, Crashaw, Lanyer, Spenser, Milton and Montaigne, he shows that early modern culture located the meaning of pain in its capacity to elicit compassion in others - yet the nature of thiscompassion was also fiercely contested.

Dr JAN FRANS VAN DIJKHUIZEN is Lecturer in English Literature at the University of Leiden.

Pain and Compassion in Early Modern English Literature and Culture

Donald Mowbray

Pain and Suffering in Medieval Theology

$120.00

Examines the works of Paris theologians to show how they dealt with the questions of human pain and suffering.

Questions of pain and suffering occur frequently in medieval theological debate. Here, Dr Mowbray examines the innovative views of Paris's masters of theology in the thirteenth century, illuminating how they constructed notions ofpain and suffering by building a standard terminology and conceptual framework. Such issues as the Passion of Christ, penitential suffering, suffering and gender, the fate of unbaptized children, and the pain and suffering of souls and resurrected bodies in hell are all considered, to demonstrate how the masters established a clear and precise consensus for their explanations of the human condition.

DONALD MOWBRAY gained his PhD from the University of Bristol.

Robert Tittler

Painting for a Living in Tudor and Early Stuart England

$130.00

A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and worked

While famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and sometimes women, celebrity artists and 'mere painters' - this book offers an account of what it meant to paint for a living in early modern England. It considers the origins of these painters as well as their geographical location, the varieties of their expertise, and the personnel and spatial arrangements of their workshops. Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.

Painting for a Living in Tudor and Early Stuart England

Susan Twyman

Papal Ceremonial at Rome in the Twelfth Century

$75.00

An examination of the papal adventus ceremony, deriving from the ritual reception performed for the ruler in antiquity, and the changes it underwent during the century.

This book examines the character and significance of the adventus ceremonies which were accorded to medieval popes and for which there is much evidence in the twelfth-century sources. The papal adventus, hitherto unstudied in anylanguage, retained the framework and much of the familiar symbolism of the ritual reception performed for the ruler in antiquity. During the twelfth century it was performed for popes with unprecedented frequency, providing, in particular, a vital part of the papal accession ritual. On such occasions adventus represented a demonstration of consent to rule, a sense that was expressed through traditional idioms evoking the triumph of the ruler. But the meaning of the ritual altered towards the end of the century as a result of the breakdown of relations between the papacy and the Romans, and the adventus provided an opportunity for the Romans to express their own agenda wherein consent meant the right of acceptance or veto by the people.

Dr SUSAN TWYMAN teaches in the Faculty of Continuing Education, Birkbeck College, London University.

Papal Ceremonial at Rome in the Twelfth Century

Walter Holtzmann

Papal Decretals relating to the Diocese of Lincoln in the 12th Century

$36.95

Editions (in Latin and translation) of papal letters expressing some principal of law, culled from collections of legally important documents which served the universities and the medieval church as law and text books.

Papal Decretals relating to the Diocese of Lincoln in the 12th Century

Danielle E.A. Park

Papal Protection and the Crusader

$120.00

Those on Crusade needed their interests at home to be protected; this volume looks at how this could be achieved, in both theory and practice.

On taking the cross, crusaders received a diverse set of privileges designed to appeal to both spiritual and more temporal concerns. Among these was the papal protection granted to them and extended over their families and possessions at home.
This book is the first full length investigation of this protection. It begins by examining the privilege from its inception in around 1095, and its development and consolidation through to 1222. It then moves on to illustrate how this privilege operated in practice through the appointments of regency governments and close communication with both the papacy and local ecclesiastical officials, centring on the rich crusading evidence fromFlanders, Champagne and the Kingdom of France. While the protection privilege has been seen as unwieldy and over ambitious, close analysis of particular cases and individuals reveals that not only were regents well aware of theirprivileged status, but that the papacy could directly intervene when its protection was contravened.

DANIELLE PARK is Lecturer in Medieval History at the University of York.

Julia C. Walworth

Parallel Narratives: Function and Form in the Munich Illustrated Manuscripts of Tristan and Willehalm von Orlens

$75.00

Parallel Narratives examines several richly illustrated manuscripts as reflections of a transitional moment in the history of the book in medieval Germany. In the thirteenth century the nobility and their emulators had aspirations to own and to read books privately as an alternative to the traditional social experience of listening to recitation or to a reading in a group, large or small. But comfortable reading skills were not yet widespread. One solution was to `read' privately an illustrated book in which the images could carry the storyline without recourse to the written text. The focus of this study is a mid-thirteenth-century illustrated manuscript of Gottfried's Tristan. A close analysis of the visual narrative and its relation to the text demonstrates that the pictorial narrative presents a parallel independent telling of the Tristan story. A foil to the unusual Tristan is provided by a slightly later illuminated manuscript of the Willehalm von Orlens of Rudolph von Ems, in which the written text takes communicative precedence over sumptuous illuminations. In the course of developing its argumentthis book provides an introduction to the whole subject of the early manuscript illumination of vernacular German secular narratives.

Julia C. Walworth is Research Fellow and Librarian at Merton College Oxford.

Parallel Narratives: Function and Form in the Munich Illustrated Manuscripts of <I>Tristan</I> and <I>Willehalm von Orlens</I>

Patricia Basing

Parish Fraternity Register

$85.00

Published by Boydell & Brewer Inc.

Sarah Gutsche-Miller

Parisian Music-Hall Ballet, 1871-1913

$170.00

This pioneering study of ballets staged in Parisian music halls brings to light a vibrant dance culture central to the renewal of French choreography at the fin de siècle.

This pioneering study of Parisian music-hall ballet brings to light a vibrant dance culture that was central to the renewal of French ballet at the turn of the twentieth century. Long thought a lost period for ballet in France, the fin de siècle in fact saw a flourishing of choreographic activity. More than four hundred ballets were created to great acclaim, half of which were full-scale pantomime-ballets, with entertaining narratives, catchy music, titillating choreography, lavish sets and costumes, appealing corps girls, and star ballerinas. Most of these productions were staged not at the elite Paris Opéra but in the city's trendiest commercial venues: music halls.

Between 1871 and 1913, the Folies-Bergère, the Olympia, and the Casino de Paris brought together the era's leading authors of light theater and comic opera to produce a flurry of imaginative ballets that combined the conventional structures of high art with the popular idioms of mass entertainment. They also drew unprecedented numbers of people who had never before attended ballet. Parisian Music-Hall Ballet, 1871-1913 rediscovers this repertoire and culture, supplying a missing chapter in the history of French dance.

Sarah Gutsche-Miller is Assistant Professor of Musicology at the University of Toronto.

Chris R. Chris R. Kyle

Parliament at Work

$120.00

The political, social and economic changes which overtook England in the early seventeenth century forced Parliament to adapt from a medieval institution into one with authority over all facets of society; studies focus on particular cases.

The political, social and economic changes which overtook England in the early seventeenth century were both powerful and dramatic, forcing Parliament to adapt from a medieval institution into one with authority over all facets ofsociety. Dynastic change, union with Scotland, fiscal reform, civil war, revolution and Restoration required Parliament not only to be at work, but also to discover how to work. These studies focus on change and development in three areas: firstly, the institution of Parliament itself, exploring its growing institutional sophistication and the problems connected with attendance, workload and physical environment; secondly, on Parliament's role within theinstitutional set-up of the constitution, and the structure and relationships of power within the governance of the country; and thirdly, on the public perception of Parliament, and the practicalities of the relationship between Parliament and the wider world.

Contributors: JOHN ADAMSON, ROBERT ARMSTRONG, DAVID DEAN, MICHAEL GRAVES, PAUL M. HUNNYBALL, SEAN KELSEY, CHRISTOPHER KYLE, JASON PEACEY, PAUL SEAWARD.

D.A. Kirby

Parliamentary Surveys of the Bishopric of Durham. Volume I

$36.95

In 1646 Parliament negotiated a substantial loan from the city of London, secured by the sale of ecclesiastical temporalities. An ordinance was passed abolishing archbishops and bishops and transferring their lands and possessions for the use of the Commonwealth. These surveys represent the examinations conducted in this connection in the Darlington Ward of the bishopric, which at the time was beleaguered by the Scots. Covers the manors of Auckland, Darlington, Evenwood and Wolsingham. Significant in assessing the effects of the Civil War on grass-roots society in the North-East.

Parliamentary Surveys of the Bishopric of Durham. Volume I

Trevor Hold

Parry to Finzi: Twenty English Song-Composers

$39.95

The works of twenty composers from the golden age of English romantic song, major figures - Parry, Stanford, Vaughan Williams, Quilter, Ireland, Gurney, Warlock and Finzi - studied alongside the lesser-known.

Constantly illuminating. JOHN STEANE, GRAMOPHONE
The composers in this book represent the outstanding songwriters from what we can now see as the golden age of English romantic song. As well as the major figures - Parry, Stanford, Vaughan Williams, Quilter, Ireland, Gurney, Warlock and Finzi - there are chapters on lesser-known composers, such as Denis Browne and Charles Orr.
Detailed consideration is given to three songwriters who have sufferedunaccountable neglect, Arthur Somervell, Armstrong Gibbs and Herbert Howells, and there are chapters on Elgar, Delius and Holst, whose reputations were made in other fields but whose contribution to English song is nevertheless important. Also taking their rightful places in the book are Frank Bridge, Arnold Bax, George Butterworth and E.J. Moeran.
Each chapter begins with a discussion of its composer's song-output and of the poets and poetry he sets, and goes on to give an account of the influences on him and the hallmarks of his style; the songs are then discussed in detail, focusing on the major works. The text is illustrated with musical examples and there is a comprehensive bibliography and index.
TREVOR HOLD was a composer and poet who wrote extensively on English song. His setting of Laurie Lee's 'Day of these Days' won the English Poetry and Song Society/English Music Society 2002 GoldenJubilee Song Competition. He died in January 2004.

Parry to Finzi: Twenty English Song-Composers

Kathryn Rix

Parties, Agents and Electoral Culture in England, 1880-1910

$130.00

A study of how the role of party agents grew and became professionalised in local political parties.

The electoral reforms of 1883-5 created a mass electorate and transformed English political culture. A new breed of professional organisers emerged in the constituencies in the form of full-time party agents, who handled registration, electioneering and the day-to-day political, social and educational work of local parties; they performed a vital role as intermediaries between politics at Westminster and at grass-roots level, bridging the gap between "high" and "low" politics.
This book examines the agents not only as political figures, but also as men (and occasionally women) determined to establish their status as professionals. It addresses key questions about the nationalisation of electoral politics in this period, demonstrating the importance of understanding the interactions between the centre and the constituencies, and showing that while the agents' professional networks contributed to a growing uniformity in certain aspects of party organisation, local forces continued to play a vital role in British political life. It also provides a fresh perspective on the evolution of the modern British political system, sheddingnew light on debates about how effectively the Liberal and Conservative parties adapted to the challenges of mass politics after 1885.

Dr Kathryn Rix is Assistant Editor of the House of Commons, 1832-1945 project at the History of Parliament.