In this first comprehensive examination of the music of the most prolific Bach son, David Schulenberg offers new perspectives on the career, style, and originality of Carl Philipp Emanuel Bach.
Of Bach's four sons who became composers, Carl Philipp Emanuel Bach (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This is the first comprehensive study of his music, examining not only the famous keyboard sonatas and concertos but also the songs, the chamber music, and the sacred works, many of which resurfaced only recently and have not previously been evaluated. A compositional biography,the book surveys C. P. E. Bach's extensive output of nearly a thousand works while tracing his musical development-from his student days at Leipzig and Frankfurt (Oder), through his nearly three decades as court musician to Prussian King Frederick "the Great," to his final twenty years as cantor and music director at Hamburg. David Schulenberg, author of important books on the music of J. S. Bach and his first son, W. F. Bach, here considers the legacy of the second son from a compelling new perspective. Focusing on C. P. E. Bach's compositional choices within his social and historical context, Schulenberg shows how C. P. E. Bach deliberately avoided his father's style whileborrowing from the manner of his Berlin colleagues, who were themselves inspired by Italian opera. Schulenberg also shows how C. P. E. Bach, now best known for his virtuoso keyboard works, responded to changing cultural and aesthetic trends by refashioning himself as a writer of vocal music and popular chamber compositions. Audio versions of the book's musical examples, as well as further examples and supplementary tables and texts, are available on a companion website.
David Schulenberg is professor of music at Wagner College and teaches historical performance at the Juilliard School. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).
Fabian Huss
The Music of Frank Bridge
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A detailed and long-overdue study of Frank Bridge's music and its socio-cultural and aesthetic contexts
The English composer, violist, and conductor Frank Bridge (1879-1941), a student of Sir Charles Villiers Stanford, was one of the first modernists in British music, developing the most radical and lastingly modern musical languageof his generation. Bridge was also one of the most accomplished British composers of chamber music in the twentieth century. After the lyrical romanticism of the early period, a notable expansion of style can be observed as earlyas 1913, leading eventually to the radical language of the Piano Sonata and Third String Quartet, drawing on influences such as Debussy, Stravinsky and the Second Viennese School composers.However, Bridge became frustrated that his later, more complex music was often ignored in favour of his earlier 'Edwardian' works; this neglect of his mature music contributed to the growing obscurity into which his music and reputation fell in his last years and afterhis death. Symptomatically, Bridge is still often remembered primarily for privately tutoring Benjamin Britten, who later championed his teacher's music and paid homage to him in the 'Variations on a Theme of Frank Bridge' (1937).This book, the first detailed, and long-overdue, study of Bridge's music and its relevant socio-cultural and aesthetic contexts, encourages a more thorough understanding of Bridge's style and development and will appeal to readers with interests in British music, early twentieth-century modernism and post-romanticism as well as genre and style.
FABIAN HUSS is Visiting Fellow at the University of Bristol and has published widely on British music (particularly EJ Moeran), with an emphasis on cultural history, and aesthetic and analytical issues.
Harold Truscott
The Music of Franz Schmidt
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A major step in the rediscovery of one of the towering composers of the twentieth century; this brings to Schmidt's music the scholarship it so richly merits.
Franz Schmidt is increasingly being recognised as a major composer. His music covers symphonies, quartets, opera and oratorio, and works and organ. In all of these genres he proves himself a master of large-scale symphonic form and one of the most substantial lyric geniuses of all time. Schmidt spent most of his life in Austria [he died in Vienna in 1939] where his importance was universally agreed.
Here, Harold Truscott, the outstanding authorityon Schmidt in the English-speaking world, examines the orchestral works, taking the reader and listener through each of these mighty scores. Introduced by the `Personal Recollections' of Hans Keller, who knew Schmidt well in pre-World-War-II Vienna, the book also features the first-ever translation into English of Schmidt's Autobiographical Sketch, where the composer tells of his early childhood in Hungary, his teenage years near Vienna and his life as acellist in the Vienna Philharmonic.
HAROLD TRUSCOTT is a composer and writer. He was Principal Lecturer in Music at Huddersfield Polytechnic and has performed widely as a pianist in recital, broadcast and concert work.
Jeremy Dibble
The Music of Frederick Delius
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This book examines Delius's individual approaches to genre, form, harmony, orchestration and literary texts which gave the composer's musical style such a unique voice.
Frederick Delius' (1862-1934) music has proved impervious to analytical definition. Delius's approaches to genre, form, harmony, orchestration and literary texts are all highly individual, not to say eccentric in their deliberate aim to avoid conformity. Rarely does Delius follow a conventional line, and though one can readily point to important influences, the larger Gestalt of each work has a syntax and coherence for which conventional analytical methods are mostly inadequate. Delius's musical style has also defied one of the most essential critical tools of his musical epoque - that of national identity. His style bears no relation either to the Victorian or Edwardian aesthetic of British music spearheaded by Parry, Stanford and Elgar before the First World War, nor to the more overtly nationalist, folk-song-orientated pastoralism of post-war Britain in such composers as Vaughan Williams and Holst. In contrast, Delius acknowledged himself a 'stateless' individual and considered that his music refused to belong to any national school or movement. To test these claims, the book explores a number of important factors. Delius's musical education at the Leipzig Conservatorium and the works he produced there. Delius's musical voice, notably his harmonic and melodic style and the close structural relationship between these two factors. The book also explores the question of Delius and 'genre' in which the investigation of form is central, especially in opera, the symphonic poem, the choral work (where words are seminal to the creation of structural design) and the sonata and concerto (to which Delius brought his own individual solution). Other significant factors are Delius's cosmopolitan use of texts, operatic plots and picturesque impressions, his relationship to Nietzsche's writings and the genre of dance, and the role of his 'earlier' works (1888-1896) in which it is possible to plot a course of stylistic change with reference to the influences of Grieg, Sinding, Florent Schmitt, Wagner, Strauss and Debussy.
Phillip A. Cooke
The Music of Herbert Howells
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The first large-scale study of the music of Herbert Howells, prodigiously gifted musician and favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford.
Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the VocalComposer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur.
PHILLIP COOKE is Lecturer in Composition at theUniversity of Aberdeen.
DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges.
CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Phillip A. Cooke
The Music of James MacMillan
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Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making.
James MacMillan appeals across the spectrum of contemporary music making and is particularly celebrated for his orchestral, operatic and choral pieces. This book, published in time to mark the composer's sixtieth birthday, is thefirst in-depth look at his life, work and aesthetic. From his beginnings in rural Ayrshire and his early work with Sir Peter Maxwell Davies, through the international breakthrough success of The Confession of Isobel Gowdie,the continuing success of works such as the percussion concerto Veni, Veni, Emmaneul and his choral pieces, to his current position as one of the most prominent British composers of his generation, the book explores MacMillan's compositional influences over time. It looks closely at his most significant works and sets them in a wider context defined by contemporary composition, culture and the arts in general. The book also considers MacMillan's strong Catholic faith and how this has influenced his work, along with his politics and his on-going relationship with Scottish nationalism. With the support of the composer and his publisher and unprecedented access to interviews and previously unpublished materials, the book not only provides an appraisal of MacMillan's work but also insights into what it means to be a prominent composer and artist in the twenty-first century.
PHILLIP A. COOKE is a Composer and Senior Lecturer and Head of Music at the University of Aberdeen. He has previously co-edited The Music of Herbert Howells for Boydell.
Katharina Uhde
The Music of Joseph Joachim
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Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.
Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim wasalso a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositionalpath through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yetseasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim'saesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, andemerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come.
KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN.
Zdeněk Skoumal
The Music of Leos Janácek
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The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.
The works of Leos Janácek, including Jenufa and several of his other operas, have been widely performed in recent years. But they have rarely been investigated closely from a theoretical perspective, and their musical language remains only partially understood. Zdenek Skoumal here offers a chronological exploration of Janácek's compositions that focuses on musical structure, identifying elements and processes that give the music coherence, character, and interest.
Skoumal demonstrates how the music combines and blends traditional tonal elements, folk-influenced features, and techniques that were forward-looking at the time. In particular, the music is shown to employ highly sophisticated and continually transforming motivic and rhythmic components.
The book's numerous musical analyses are motivically centered and employ various analytical approaches, including ones that involve reduction, structural levels, basic set theory, and rhythmic theory. Discussions of Janácek's works with a libretto or other type of text consider relationships between word and music, revealing their connection to deeper structural issues. The companion website https://zdenekskoumal.wixsite.com/janacek features audio versions of most musical examples, as well as material not included in the book.
Raymond Fearn
The Music of Luigi Dallapiccola
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The first English work dealing in detail with the life and musical influences of the Italian composer Luigi Dallapiccola (1904-1975).
Luigi Dallapiccola (1904-1975) was one of the most important Italian composers of the twentieth century. As well as writing several operas, he composed a large number of works in which the human voice, whether in solo or in chorus, plays an important role. Dallapiccola also set texts by writers as diverse as James Joyce, Salvatore Quasimodo, Antonio Machado, Goethe, and Heine. This book is the first in English to deal with Dallapiccola as a whole, from thefirst, hesitant vocal compositions of his student years up to the works of his last decade, in which Italian lyricism is combined with great formal rigor. The author suggests that Dallapiccola should be understood not only as aninfluential figure in the post-war developments of Italian music, but also as one who renewed and revitalized the older traditions of Italian music.
Raymond Fearn is Professor of Music, Keele University.
Nicholas Jones, Richard McGregor
The Music of Peter Maxwell Davies
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Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive.
Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers generaldiscussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscape. Throughout, the book contends that Davies's works are not created in a vacuum but are intimately connected to, and are a reflection of, 'the past'. This deep engagement occurs on a number of levels, fluctuating and interacting with the composer's own predominantly modernist idiom and evoking a chain of historical resonances. Making sustained reference to Davies's own words, articles and programme notes as well as privileged access to primary source material from his estate, the book illuminates the composer's practices and approaches while shaping a discourse around his music.
David Charlton
The Music of Simon Holt
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Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015.
British composer Simon Holt (b. 1958) has been a leading presence in contemporary music since the early 1980s and Kites. His output is diverse, comprising chamber music, concertos for diverse instruments, songs, piano musicand opera. Holt is a composer who demands unusual commitment from his interpreters - the intricate sound-worlds he creates often contain complex, rich textures, offset by 'still centres' - for the purpose of making music which speaks with extraordinary power. Bringing together well-known writers with composers and performers, this volume gives a complete overview of Holt's creative work up to 2015 and Fool is hurt. It uses a variety of approaches to help readers, listeners and players to find ways into the pieces and to understand the influence of visual art and poetry on Holt's work. Colour illustrations, music examples, tables and sketch facsimiles offer a rounded impression of Holt's inspiration and thought to date. Also included are a wide-ranging conversation between Simon Holt and the artist Julia Bardsley, and a text by the conductor Thierry Fischer. The volume also offers the first detailed catalogue of Holt's compositions, drawn up together with the composer. It reveals that the last twenty years have seen no slowing-up in his rate of creative production, notwithstanding that the nature of his writing has changed during this time. DAVID CHARLTON is Professor Emeritus of Music History, Royal Holloway, University of London.
Contributors: JULIA BARDSLEY, DAVID BEARD, DAVID CHARLTON, THIERRY FISCHER, ANTHONY GILBERT, STEPHEN GUTMAN, MELINDA MAXWELL, RICHARD MCGREGOR, STEPH POWER, PHILIP RUPPRECHT, SIMON SPEARE, REBECCA THUMPSTON, EDWARD VENN
Nola Reed Knouse
The Music of the Moravian Church in America
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The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship,and copied and collected thousands of instrumental works for recreation and instruction.
The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Musicof the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding.
Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith.
Nola Reed Knouse, director of theMoravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.
David Schulenberg
The Music of Wilhelm Friedemann Bach
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The first book in nearly a century dedicated to a close examination of the musical works of Wilhelm Friedemann Bach, first son of Johann Sebastian Bach.
The first-born of the four composer sons of Johann Sebastian Bach, Wilhelm Friedemann was often considered the most brilliant. Yet he left relatively few works and died in obscurity. This monograph, the first on the composer in nearly a century, identifies the unique features of Friedemann's music that make it worth studying and performing. It considers how Friedemann's training and upbringing differed from those of his brothers, leading to a style that diverged from that of his contemporaries. Central to the book are detailed discussions of all Friedemann's extant works: the virtuoso sonatas and concertos for keyboard instruments, the extraordinary chamber compositions (especially for flute), and the hitherto-neglected vocal music, including sacred cantatas and a remarkable work in honor of King Frederick the Great of Prussia. Special sections consider performance questions unique to Friedemann's music and provide a handy list of his works and their sources. Numerous musical examples provide glimpses of many little-known compositions, including a concerto ignored by previous students of Friedemann's music, here restored to hislist of works.
David Schulenberg, Professor of Music at Wagner College in New York City, has performed much of W. F. Bach's output on harpsichord, clavichord, and fortepiano. His previous writings include The Keyboard Music of J. S. Bach and The Instrumental Music of C. P. E. Bach.
Stephanie Carter
The Music Trade in Regional Britain, 1650–1800
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Explores the breadth, diversity and significance of the commercial music trade and its communities across Britain during the late seventeenth and eighteenth centuries.
Adding to the existing scholarship on music publishers and instrument makers, mostly based in London and the university cities, the collection challenges this historiography by offering the first collective narrative for the commercial trade in musical goods and services - including the printing, publishing and sale of printed music, the sale of manuscript music, musical instruments and related wares, and the tuning and general maintenance of musical instruments such as organs and pianos.
Contributions draw on evidence from across the country of the trade's activities, networks and communities, and recognize the significance of small cities, market towns and regional hubs in cultural dissemination. The Music Trade in Regional Britain therefore contributes to a growing body of work offering a nationwide account of musical culture. It foregrounds a trade that was far more geographically dispersed, economically significant and culturally broad than has previously been acknowledged.
CONTRIBUTORS: Stephanie Carter, Simon D.I. Fleming, David Griffiths, Nancy A. Mace, Martin Perkins, Christopher Roberts, Roz Southey, Matthew Spring, Robert Thompson
Hector Berlioz
The Musical Madhouse
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This is the first complete translation into English of Berlioz's second collection of musical articles, originally published in 1859. The work is a uniquely Berliozian combination of light-hearted journalism and serious musical comment and analysis.
Hector Berlioz's Les Grotesques de la musique is the only one of his books that has never been translated into English in its entirety. It is by far the funniest of all his works, and consists of a number of short anecdotes, witticisms, open letters, and comments on the absurdities of concert life. Alastair Bruce's fluid translation brings to life this important composer and bon vivant. He does a wonderful job of conveying all the puns, jokes, and invective of Berlioz's prose as well as the nuances of his stories. He even imitates a Tahitian accent in the translation, as Berlioz does in the original. The notes will give the reader insight into the innuendos and in-jokes that fill the pages. This translation will take its place among other translations of Berlioz's prose writings, bringing to the reader more lively examples of a still misunderstood composer caught up in the musical life of mid-nineteenth century Paris.
Alastair Bruce is a London-based management consultant and former treasurer of the Berlioz Society. Hugh Macdonald is General Editor of New Berlioz Edition.
Emily Petermann
The Musical Novel
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WINNER: 2014 CHOICE Outstanding Academic Title Award
Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations.
What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations.
Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.
Emily Petermann
The Musical Novel
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$120.00
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WINNER: 2014 CHOICE Outstanding Academic Title Award
Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations.
What is a "musical novel"? This book defines the genre as musical not primarily in terms of its content, but in its form. The musical novel crosses medial boundaries, aspiring to techniques, structures, and impressions similar tothose of music. It takes music as a model for its own construction, borrowing techniques and forms that range from immediately perceptible, essential aspects of music (rhythm, timbre, the simultaneity of multiple voices) to microstructural (jazz riffs, call and response, leitmotifs) and macrostructural elements (themes and variations, symphonies, albums). The musical novel also evokes the performance context by imitating elements of spontaneity that characterize improvised jazz or audience interaction. The Musical Novel builds upon theories of intermediality and semiotics to analyze the musical structures, forms, and techniques in two groups of musical novels, which serve as case studies. The first group imitates an entire musical genre and consists of jazz novels by Toni Morrison, Albert Murray, Xam Wilson Cartiér, Stanley Crouch, Jack Fuller, Michael Ondaatje, and Christian Gailly. The secondgroup of novels, by Richard Powers, Gabriel Josipovici, Rachel Cusk, Nancy Huston, and Thomas Bernhard, imitates a single piece of music, J. S. Bach's Goldberg Variations.
Emily Petermann is Assistant Professor of American Literature at the University of Konstanz.
Mark McFarland
The Musical Relationship between Claude Debussy and Igor Stravinsky
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Stravinsky's influence on Debussy in 1910-13, rarely discussed, is demonstrated here in the many modernistic features of such works as the Preludes Book II, Khamma, and Jeux.
This book reassesses the relationship between Debussy and Stravinsky, two of the most important composers of the early twentieth century. When the Russian composer traveled to France in 1910 to attend the premiere of his first ballet, The Firebird, he was invited to dine at the French composer's house, and a photo of the two commemorates the beginning of their friendship. Stravinsky was already acquainted with many of Debussy's earlier works, and Debussy was introduced to the Russian composer's first three ballets between 1910 and 1913.
Stravinsky's early works contain Debussy-like passages, as in the opening measures of his opera The Nightingale, which echoes the opening measures of Debussy's "Nuages." As author Mark McFarland here shows, however, the adoption on Debussy's part of characteristics from Stravinsky's style is, perhaps surprisingly, no less substantial. Debussy borrowed motifs from both The Firebird and Petrushka as well as the Russian tradition of Leitharmony in his little-known ballet Khamma, and Stravinsky's ballets, including The Rite of Spring, seems to have sparked an exploration into octatonic harmony in Debussy's second book of piano preludes.
McFarland's close analysis of parallel passages and usages in works of the two composers also reveals that Debussy eventually distanced himself from Stravinsky, perhaps fearing to seem like an acolyte rather than an innovator. His borrowings from Stravinsky (and Russian style) gradually disappear, as McFarland demonstrates by close attention to passages in some of the late works, which move in the direction of a neoclassicism that Stravinsky himself would soon adopt and expand further.
Andrea Meyertholen
The Myth of Abstraction
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An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Once upon a time (or more specifically, in 1911!) there was an artist named Wassily Kandinsky who created the world's first abstract artwork and forever altered the course of art history - or so the traditional story goes. A good story, but not the full story. The Myth of Abstraction reveals that abstract art was envisioned long before Kandinsky, in the pages of nineteenth-century German literature. It originated from the written word, described by German writers who portrayed in language what did not yet exist as art. Yet if writers were already writing about abstract art, why were painters not painting it? To solve the riddle, this book features the work of three canonical nineteenth-century authors - Heinrich von Kleist, Johann Wolfgang von Goethe, and Gottfried Keller - who imagine, theorize, and describe abstract art in their literary writing, sometimes warning about the revolution it will cause not just in art, but in all aspects of social life. Through close readings of their textual images and visual analyses of actual paintings, Andrea Meyertholen shows how these writers anticipated the twentieth-century birth of abstract art by establishing the necessary conditions for its production, reception, and consumption. The first study to bring these early descriptions of abstraction together and investigate their significance, The Myth of Abstraction writes an alternative genealogy featuring the crucial role of literature in shaping abstract art in aesthetic, cultural, and social terms.
John H. Turner
The Myth of Icarus in Spanish Renaissance Poetry
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Published by Boydell & Brewer Inc.
J. Ross Dancy
The Myth of the Press Gang
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Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detailon the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a rangeof recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. ROSS DANCY is Director of Graduate Studies in History and Assistant Professor of History at Sam Houston State University
J. Ross Dancy
The Myth of the Press Gang
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$120.00
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Overturns the generally held view that the press gang was the main means of recruiting seamen by the British navy in the late eighteenth century.
SHORTLISTED for the Society for Nautical Research's prestigious Anderson Medal.
The press gang is generally regarded as the means by which the British navy solved the problem of recruiting enough seamen in the late eighteenth century. This book, however, based on extensive original research conducted primarily in a large number of ships' muster books, demonstrates that this view is false. It argues that, in fact, the overwhelming majority of seamen in the navy were there of their own free will. Taking a long view across the late eighteenth century but concentrating on the period of the French Revolutionary and Napoleonic Wars of 1793-1815, the book provides great detail on the sort of men that were recruited and the means by which they were recruited, and includes a number of individuals' stories. It shows how manpower was a major concern for the Admiralty; how the Admiralty put in place a range of recruitment methods including the quota system; how it worried about depleting merchant shipping of sufficient sailors; and how, although most seamen were volunteers, the press gang was resorted to, especially during the initial mobilisation at the beginning of wars and to find certain kinds of particularly skilled seamen. The book also makes comparisons with recruitment methods employed by the navies of other countries and by the British army.
J. Ross Dancy is Assistant Professor of History at Sam Houston State University.
James Walters
The National Covenant and the Solemn League and Covenant, 1660-1696
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Examines how the form and function of the Covenants were shorn of religious implications and repurposed, serving a pluralistic vision of the role of religion in politics and public life.
Until now, scholarship on the Covenants has mainly focussed on their role in the conflicts of the 1640s, with discussion of the Covenants after 1660 mostly limited to the context of violent Scottish radicalism. This book moves beyond a rigid focus on Scotland to explore the legacy of the Covenants in England. It examines the discourse surrounding key events in the Restoration period and traces the influence of the Covenants in the context of radical Presbyterianism, and in mainstream debates around politics, church government, and the constitution of the British kingdoms.
The Covenants continued to have relevance in two primary respects. Firstly, the Covenants were used as reference points for discussing the competing legacies of the English and Scottish Reformations and the confused issues of church and state that defined the Restoration period. Furthermore, the form of the Covenants as solemn individual subscriptions to a constitutional and religious model, and the political ideas that underpinned them, were emulated by those seeking to resist royal authority during the Exclusion Crisis of 1679-81, and during the events surrounding the Revolution of 1688. Thus, this book holds particular interest for students of constitutionalism, legal pluralism or civil religion in seventeenth-century Britain, and for those seeking to deepen their understanding of the intellectual origins of the Wars of the Three Kingdoms and the Revolution of 1688-9.
Chris R. Langley
The National Covenant in Scotland, 1638-1689
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What did it mean to be a Covenanter?
From its first subscription in 1638, the National Covenant was an aspect of life that communities across Scotland encountered on a daily basis. However, how contemporaries understood its significance remains unclear. This edited collection assesses how people interacted with the National Covenant's infamously ambiguous text, the political and religious changes that it provoked, and the legacy that it left behind. This volume contains eleven chapters divided between three themes that reveal the complex processes behind Covenanting: the act of swearing and subscribing the Covenants; the process of self fashioning and identity formation, and, finally, the various acts of remembering and memorialising the history of the National Covenant. The collection reveals different narratives of what it meant to be a Covenanter rather than one, uniform, and unchanging idea. The National Covenant forced contortions in Scottish identities, memories, and attitudes and remained susceptible to changes in the political context. Its impact was dependent upon individual circumstances. The volume's chapters contend that domestic understanding of the National Covenant was far more nuanced, and the conversations very different, from those occurring in a wider British or Irish context. Those who we now call 'Covenanters' were guided by very different expectations and understandings of what the Covenant represented. The rules that governed this interplay were based on local circumstances and long-standing pressures that could be fuelled by short-term expediency. Above all, the nature of Covenanting was volatile. Chapters in this volume are based on extensive archival research of local material that provide a view into the complex, and often highly personalised, ways people understood the act or memory of Covenanting. The chapters explore the religious, political, and social responses to the National Covenant through its creation in 1638, the Cromwellian invasion of 1650 and the Restoration of monarchy in 1660.
Corinne Dale
The Natural World in the Exeter Book Riddles
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An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.
Humanity is a dominant presence in the Exeter Book riddle collection. It is frequently shown using, shaping and binding the physical world in which it lives. The riddles depict master and craftsman and use the familiar human worldas a point of orientation within a vast, overwhelming cosmos. But the riddles also offer an eco-centric perspective, one that considers the natural origins of man-made products and the personal plight of useful human resources. This study offers fresh insights into the collection, investigating humanity's interaction with, and attitudes towards, the rest of the created world. Drawing on the principles of eco-criticism and eco-theology, the study considers the cultural and biblical influences on the depiction of nature in the collection, arguing that the texts engage with post-lapsarian issues of exploitation, suffering and mastery. Depictions of marginalised perspectives ofsentient and non-sentient beings, such as trees, ore and oxen, are not just characteristic of the riddle genre, but are actively used to explore the point of view of the natural world and the impact humanity has on its non-human inhabitants. The author not only explores the riddles' resistance to anthropocentrism, but challenges our own tendency to read these enigmas from a human-centred perspective.
Corinne Dale gained her PhD from Royal Holloway, University of London.
Andrew Isenberg
The Nature of Cities
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Essays that investigate issues of race, class, consumption, and the body in an array of urban places, across a broad period from the late Renaissance to the present.
This volume explores the intersection of cities and the natural environment in an array of urban places, including New York, London, New Orleans, Venice, and Seattle, across a broad period from the late Renaissance to the present.The essays investigate the ecological context of revolts-both real and imagined-by urban squatters and slaves; urban epidemics and their cultural and political consequences; the social and economic impact of natural catastrophesupon urban places; and the environmental history of the rise and fall of cities. The Nature of Cities brings together the work of scholars employing new methods of research in urban and environmental history. The contributors to the volume, who include Karl Appuhn, Joanna Dyl, Ari Kelman, Matthew Klingle, Emmanuel Kreike, Sara Pritchard, Peter Thorsheim, and Ellen Stroud, represent a new generation of scholars in urban environmental history. Their innovative and interdisciplinary work draws on race, class, consumerism, landscape studies, and culture to address such questions as racial and class conflicts in urban public spaces; the cultural construction and control of publicspaces by economic and government powers; and the idealization of cities as apart from nature.
Andrew C. Isenberg is Associate Professor of History at Temple University. He is the author of The Destruction of the Bison: An Environmental History, 1750-1920 (New York, 2000), and Mining California: An Ecological History (New York, 2005).
Stephen C Taylor
The Nature of the English Revolution Revisited
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New insights into the nature of the seventeenth-century English revolution - one of the most contested issues in early modern British history.
The nature of the seventeenth-century English revolution remains one of the most contested of all historical issues. Scholars are unable to agree on what caused it, when precisely it happened, how significant it was in terms of political, social, economic, and intellectual impact, or even whether it merits being described as a "revolution" at all. Over the past twenty years these debates have become more complex, but also richer. This volume brings together new essays by a group of leading scholars of the revolutionary period and will provide readers with a provocative and stimulating introduction to current research. All the essays engage with one or more of three themes which lieat the heart of recent debate: the importance of the connection between individuals and ideas; the power and influence of religious ideas; and the most appropriate chronological context for discussion of the revolution.
STEPHEN TAYLOR is Professor in the History of Early Modern England at the University of Durham.
GRANT TAPSELL is Lecturer in Early Modern History, University of Oxford and Fellow and Tutor at Lady Margaret Hall.
Contributors: Philip Baker, J. C. Davis, Kenneth Fincham, Rachel Foxley, Tim Harris, Ethan H. Shagan, John Spurr, Grant Tapsell, Stephen Taylor, Tim Wales, John Walter, Blair Worden
Ann Coats
The Naval Mutinies of 1797
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A reassessment of the naval mutinies of 1797, arguing that the mutinies were more industrial dispute than expression of French revolution inspired political radicalism.
The naval mutinies of 1797 were unprecedented in scale and impressive in their level of organisation. Under threat of French invasion, crews in the Royal Navy's home fleet, after making clear demands, refused to sail until their demands were met. Subsequent mutinies affected the crews of more than one hundred ships in at least five home anchorages, replicated in the Mediterranean, Atlantic and Indian Ocean. Channel Fleet seamen pursued their grievances of pay and conditions by traditional petitions to their commanding officer, Admiral Richard Howe, but his flawed comprehension and communications were further exacerbated by the Admiralty. The Spithead mutiny became the seamen'slast resort. Ironically Howe acknowledged the justice of their position and was instrumental in resolving the Spithead mutiny, but this did not prevent occurrences at the Nore and elsewhere. The most extensive approach sinceConrad Gill's seminal and eponymous volume of 1913, The Naval Mutinies of 1797 focuses on new research, re-evaluating the causes, events, interpretations, discipline, relationships between officers and men, political inputs and affiliations and crucially, the rôle of the Irish and quota men. It poses new answers to old questions and suggests a new synthesis - self-determination - the seamen on their own terms.
ANN VERONICA COATS is senior lecturer in the the School of Civil Engineering and Surveying at the University of Portsmouth and is Secretary of the Naval Dockyards Society. PHILIP MACDOUGALL is a writer and historian, author of seven books, with a doctorateon naval history from the University of Kent at Canterbury.
Matthew S Seligmann
The Naval Route to the Abyss
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This publication is an essential volume for any serious student of naval policy in the pre-First World War era. The intense rivalry in battleship building that took place between Britain and Germany in the run up to the First World War is seen by many as the most totemic of all armaments races. It has been blamed by numerous commentators during the inter-war years as a major cause of the Great War.'The Great Naval Race' has never been examined from the viewpoint of both of its participants simultaneously and equally. This volume will fill this gap. It draws on documents both English-language and German, and will therefore make the German role in this conflict accessible to an English speaking audience for the very first time. The book addresses the build up of the German Navy and it's threat to Britain. All in all, crucial documents leave no doubt that the Imperial German Navy deliberately challenged the Royal Navy. Tirpitz certainly did not want a war before the navy was ready, which he hoped it would be in the 1920s.
Michael Pitassi
The Navies of Rome
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A groundbreaking new chronological study of the role played by the Navy in the successful development of the Roman Empire.
Both welcome and useful. [...] This is a narrative history as well as a focused study of the development of the ships, officers, and crews and the overall naval establishment. Recommended. CHOICE
This publication represents the first true examination of the Roman Navy as an independent arm of the military. Though many may perceive the Roman Empire as a primarily land-based organisation, an empire forged by the formidable legions of infantry, thetruth is that it was as much a maritime empire as that of the British in the nineteenth century, and in fact the Roman Navy was the most powerful maritime force ever to have existed. It secured the trade routes and maintained thecommunications that allowed the Roman Empire to exist; and it brought previously untouchable and unreachable enemies to battle and enabled the expansion of Imperial power into areas thought hitherto inaccessible. This book, featuring detailed reconstructions of the ships themselves, provides an engaging survey of the craft, their crewmen, and the navy's major contribution to the Empire's growth.
Colin Helling
The Navy and Anglo-Scottish Union, 1603-1707
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Examines the union of England and Scotland by weaving the navy into a political narrative of events between the regal union in 1603 and the parliamentary union in 1707.
This book examines the union of England and Scotland by weaving the navy into a political narrative of events between the regal union in 1603 and the parliamentary union in 1707. For most of the century the Scottish crown had no separate naval force which made the Stuart monarchs' navy, seen by them as a personal not a state force, unusual in being an institution which had a relationship with both kingdoms. This did not necessarily make the navy a shared organisation, as it continued to be financed from and based in England and was predominantly English. Nevertheless, the navy is an unusually good prism through which the nature of the regal union can be interrogated as English commanded ships interacted with Scottish authorities, and as Scots looked to the navy for protection from foreign invaders, such as the Dutch in the Forth in 1667, and for Scottish merchant ships trading with the Baltic and elsewhere. These interactions were often harmonious, but there were also many instances of tensions, particularly in the 1690s. The book illustrates both the ambiguous relationship between England and Scotland in the seventeenth century and also the navy's under-appreciated role in creating the political union of Britain.
Axel Bangert
The Nazi Past in Contemporary German Film
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From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.
How has the German image of the Nazi past changed since the reunification of East and West Germany? And what role have cinema and television played in this process? This intriguing study argues that since 1990, the two media haveturned toward inner German experiences of the Third Reich. From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, German film has focused on portraying the Nazi past from within. Stimulating and accessible, combining close readings with broad contextualization, this monograph shows how profoundly cinema and television have transformed collective remembrance of the Third Reich. The first publication on the topic to embrace the two decades since 1990, it provides a comprehensive account of cinema and television productions, presenting case studies of national film events such as Stalingrad (1993) and Downfall (2004), andassessing the influence of international blockbusters from Schindler's List (1993) to The Reader (2008). Targeted at a wide readership, the book will be a central reference point for university teachers offering courses on German film or cultural memory, will give guidance to both undergraduate and postgraduate students, and will make a lasting impact on research in the field of German screen cultures.
Axel Bangert holds a doctorate from the Faculty of Modern and Medieval Languages, University of Cambridge. Previously a Junior Research Fellow at Homerton College, Cambridge, he is an Adjunct Professor at New York University Berlin where he teaches German Cinema Studies.
L. Stephen Jacyna
The Neurological Patient in History
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Essays from noted contributors trace the evolution of the neurological patient's role, treatment, and place in the history of medicine.
Parkinson's, Alzheimer's, Tourette's, multiple sclerosis, stroke: all are neurological illnesses that create dysfunction, distress, and disability. With their symptoms ranging from impaired movement and paralysis to hallucinationsand dementia, neurological patients present myriad puzzling disorders and medical challenges.
Throughout the nineteenth and twentieth centuries countless stories about neurological patients appeared in newspapers, books, medical papers, and films. Often the patients were romanticized; indeed, it was common for physicians to cast neurological patients in a grand performance, allegedly giving audiences access to deep philosophical insights about the meaning of life and being.
Beyond these romanticized images, however, the neurological patient was difficult to diagnose. Experiments often approached unethical realms, and treatment created challenges for patients, courts, caregivers, and even for patient advocacy organizations.
In this kaleidoscopic study, the contributors illustrate how the neurological patient was constructed in history and came to occupy its role in Western culture.
Stephen T. Casper is assistant professor in Humanities and Social Sciences at Clarkson University. L. Stephen Jacyna is reader in the History of Medicine and Director of the Centre for the History of Medicine at University College London.
Jeremy Yudkin
The New Beethoven
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Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.
Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world.
Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization.
Roger Southall
The New Black Middle Class in South Africa
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Provides the most comprehensive account since the early 1960s of South Africa's "black middle class".
2016 CHOICE Outstanding Academic Title
The "rise of the black middle class" is one of the most visible aspects of post-apartheid society in South Africa. Yet while it has been a major actor in the country's democratic reshaping, analysis of its role has been all but lacking. Rather, the image presented by the media has been of "black diamonds", consumers of the products of advanced industrial economies, and of corrupt "tenderpreneurs" who use their political connections to obtain contracts. This book seeks to complicate that picture with a much-needed analysis that recounts its historical development in colonial society prior to 1994, before examining the size, shape andstructure of the new black middle class in contemporary South Africa and its relation to its counterparts in the Global South.
Roger Southall is Professor Emeritus in Sociology, University of the Witwatersrand.
Southern Africa (South Africa, Namibia, Botswana, Lesotho, Zimbabwe and Swaziland): Jacana
Roger Southall
The New Black Middle Class in South Africa
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$130.00
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Provides the most comprehensive account since the early 1960s of South Africa's "black middle class".
2016 CHOICE Outstanding Academic Title
The "rise of the black middle class" is one of the most visible aspects of post-apartheid society in South Africa. Yet while it has been a major actor in the country's democratic reshaping, analysis of its role has been all but lacking. Rather, the image presented by the media has been of "black diamonds", consumers of the products of advanced industrial economies, and of corrupt "tenderpreneurs" who use their political connections to obtain contracts. This book seeks to complicate that picture with a much-needed analysis that recounts its historical development in colonial society prior to 1994, before examining the size, shape andstructure of the new black middle class in contemporary South Africa and its relation to its counterparts in the Global South.
Roger Southall is Professor Emeritus in Sociology, University of the Witwatersrand.
Southern Africa (South Africa, Namibia, Botswana, Lesotho, Zimbabwe and Swaziland): Jacana
Stuart Taberner
The New German Jewish Literature
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Posits a New German Jewish Literature that has surprising implications for today's German Jewish - and Jewish - identity, including solidarity with others, even after October 7, 2023.
Eighty years after the Holocaust, it is now possible to speak of a New German Jewish Literature. Emerging out of a community that, following the arrival of more than 200,000 people of Jewish ancestry from the former Soviet Union, is now vastly larger, increasingly diverse, and culturally vibrant, German Jewish writers are re-articulating what it means to be Jewish in the "land of the perpetrators." More generally, they are also rethinking Jewish values and Jewish solidarity against the backdrop of global events and trends such as the resurgence of antisemitism, the Israeli-Palestinian conflict, and growing intolerance toward ethnic, religious, and sexual minorities.
Stuart Taberner's book provides the first comprehensive account of the tension between Jewish particularism and Jewish universalism that characterizes this New German Jewish Literature. To what extent should Jewish identity be focused on the "Jewishness" of the Jewish experience, including the Holocaust? Or does "Jewish purpose" reside in expressing solidarity with persecuted minorities everywhere? Taberner argues that this new literature presents an aesthetically engaging and politically nuanced deliberation on Holocaust memory, on worldliness, and on solidarity - with sometimes surprising and radical implications for modern-day German Jewish and Jewish identity. He also examines authors' responses to the Hamas attack on Israel of October 7, 2023, and speculates about the future of German Jewish writing.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
Stuart Taberner
The New German Jewish Literature
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$120.00
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Posits a New German Jewish Literature that has surprising implications for today's German Jewish - and Jewish - identity, including solidarity with others, even after October 7, 2023.
Eighty years after the Holocaust, it is now possible to speak of a New German Jewish Literature. Emerging out of a community that, following the arrival of more than 200,000 people of Jewish ancestry from the former Soviet Union, is now vastly larger, increasingly diverse, and culturally vibrant, German Jewish writers are re-articulating what it means to be Jewish in the "land of the perpetrators." More generally, they are also rethinking Jewish values and Jewish solidarity against the backdrop of global events and trends such as the resurgence of antisemitism, the Israeli-Palestinian conflict, and growing intolerance toward ethnic, religious, and sexual minorities.
Stuart Taberner's book provides the first comprehensive account of the tension between Jewish particularism and Jewish universalism that characterizes this New German Jewish Literature. To what extent should Jewish identity be focused on the "Jewishness" of the Jewish experience, including the Holocaust? Or does "Jewish purpose" reside in expressing solidarity with persecuted minorities everywhere? Taberner argues that this new literature presents an aesthetically engaging and politically nuanced deliberation on Holocaust memory, on worldliness, and on solidarity - with sometimes surprising and radical implications for modern-day German Jewish and Jewish identity. He also examines authors' responses to the Hamas attack on Israel of October 7, 2023, and speculates about the future of German Jewish writing.
This book is available as Open Access under the Creative Commons license CC BY-NC-ND.
Peter Damian-Grint
The New Historians of the Twelfth-Century Renaissance
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Examination of the striking new style of writing history in the twelfth century, by men such as Gaimar, Wace and Ambroise.
The mid-twelfth century saw the sudden appearance of a remarkable group of writers: the "new historians", authors such as Geffrei Gaimar, Benoît de Sainte-Maure, Wace, Jordan Fantosme and Ambroise, who were the earliest historicalwriters to use French. Each had his own style and authorial persona; yet together, despite their considerable differences, they pioneered a common form of historical writing which is quite distinct from the styles of previous vernacular writers. This book studies some of the more characteristic elements of the common style used by the vernacular historians. Their detached and "self-conscious" authorial presentation is particularly notable: it is seen both in the prologues and epilogues to their works, where they present their source materials as reliable, themselves as serious scholars, and their works as worthy of belief, and constantly throughout the text as the historians direct audience response to their work. The author shows how this "historical" style fits into both the vernacular and the Latin literature current in the period: the vernacular historians borrowed elements from both the learnedand the popular traditions to produce their own successful and vigorous hybrid, one which was still producing new shoots as late as the fifteenth century and which was widely copied and imitated by both writers of courtly romanceand by writers of prose history.
Dr PETER DAMIAN-GRINT teaches at Brasenose College, Oxford.
Penelope Thwaites
The New Percy Grainger Companion
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A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works.
In the thirty years since his Centenary in 1982 it has become even clearer that Percy Grainger [1882-1961] - composer, pianist and revolutionary - was a man born out of his time. Many of his ideas, both musical and social, sit farmore easily in our contemporary world. Those thirty years have also seen a notable expansion of interest in Grainger's music. Innumerable recordings have been made, including the first complete Grainger recording survey by Chandos in its monumental Grainger Edition. The growth of the internet has made it possible, as never before, for Grainger's music to be heard widely. The central theme of The New Percy Grainger Companion is to give information and help from established musicians for performing and listening to this life-celebrating repertoire. The Companion's fully detailed, up-to-date Catalogue of Works - the most complete of any existing catalogue - givesinvaluable assistance. Authoritative contextual chapters in the Companion offer some surprising new background information, together with thoughtful evaluations which signal a new twenty-first century perspective in Grainger scholarship.
PENELOPE THWAITES is recognised internationally as a leading Grainger exponent. Her research, performances and extensive Grainger discography over four decades reflect a unique understanding of the manand his music.
Contributors: BRIAN ALLISON, TERESA BALOUGH, ROGER COVELL, KAY DREYFUS, LEWIS FOREMAN, PAUL JACKSON, JAMES JUDD, JAMES KOEHNE, ASTRID BRITT KRAUTSCHNEIDER, BARRY PETER OULD, STEWART MANVILLE, MURRAY MCLACHLAN, TIMOTHY REYNISH, BRUCE CLUNIES ROSS, DESMOND SCOTT, PETER SCULTHORPE, GEOFFREY SIMON, RONALD STEVENSON, STEPHEN VARCOE, DAVID WALKER
Nigel Bryant
The New Reynard
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A translation of three works from the second half of the 13th century: Rutebeuf's Renart le Bestourné, the anonymous Le Couronnement de Renart and Jacquemart Gielée's Renart le Nouvel. These savage and highly entertaining satires are in a league of their own, and Renart le Nouvel contains important music which is reproduced in the text.
Rarely can a medieval work have resonated with the mood of the present as uncannily as do these three satires. Acerbic, raging and finally apocalyptic, these poems from the second half of the thirteenth century, richly entertaining and wickedly comic though they are, express a vision of the world and its descent into corruption and disaster which mirrors our own state of rampant alarm. The animal tales of the 12th- and 13th-century Roman de Renart - the Romance of Reynard the Fox - were immensely popular. Any satire in those original tales was generally light of touch, but the characters created in them, fox and wolf and ass and lion to name but four, were an open invitation to anyone of a more scathing satirical bent. The poet Rutebeuf, in his short but startling Renart le Bestourné ('Reynard Transformed'), deploys the beasts to make a venomous attack on the mendicant orders and on 'Saint' Louis IX of France. The anonymous Le Couronnement de Renart ('Reynard Crowned') then has the Fox crowned king, establishing a reign of every vice. And most ambitiously of all, Jacquemart Gielée in his Renart le Nouvel ('The New Reynard'), gripped by an increasingly pervasive sense of apocalypse, ends his poem with the Fox, the epitome of deceit and lying, not merely crowned king, but seated in permanent, malign control of the world atop a chocked, unturning Fortune's Wheel. The New Reynard is of special interest not only to students of medieval literature but also to musicologists. Music, in the form of numerous songs, plays an important part in Renart le Nouvel's satirical and apocalyptic message, and the poem is renowned as the most abundant source of late medieval refrains. The notations have survived, and the music is edited in this volume by Matthew P. Thomson.
Melissa J. de Graaf
The New York Composers' Forum Concerts, 1935-1940
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The first detailed narrative of the Composers' Forum, documenting the vast array of composers, musical styles, ideologies, and audience responses in New York in the 1930s.
The New York Composers' Forum was a weekly series of new-music concerts sponsored by the Federal Music Project and Works Progress Administration. It showcased the music of modern American composers such as Aaron Copland, Amy Beach, Henry Cowell, and Ruth Crawford Seeger, and included question-and-answer sessions between the composers and audiences. These sessions led to discussions, arguments, and sometimes even riots, all documented in nearly complete transcripts. This book is the first to tell the story of the Composers' Forum. Following the fascinating threads of dialogue from the transcripts, Melissa de Graaf explores the remarkable diversity of composers and musical styles represented, including numerous composers who have since been ignored or forgotten. She also examines the composers' and listeners' attitudes toward modernism, politics, gender, race, and American identity. In this important study of a unique and overlooked American institution, de Graaf shows that "modern" aesthetics in the 1930s comprised far more diverse styles and thought than we imagine today.
Melissa J. de Graaf is Associate Professor ofMusicology at the University of Miami.
Lou Charnon-Deutsch
The Nineteenth-Century Spanish Story
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Published by Boydell & Brewer Inc.
Helen E. Mundler
The Noah Myth in Twenty-First-Century Cli-Fi Novels
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Breaks new ground by both analyzing the literary qualities of four recent rewritings of the Noah myth and contextualizing their concern with climate change within the wider crises of the Anthropocene.
With the rise of concern about global warming in recent years, climate-change fiction, or cli-fi, has become increasingly important both as a publishing phenomenon and as an area of academic study and research. Flood narratives have become a subsection of cli-fi in their own right. This book proposes new readings of four recent rewritings of the Noah myth, Odds Against Tomorrow by Nathaniel Rich, Margaret Atwood's Maddaddam trilogy, When the Floods Came by Clare Morrall, and The Flood by Maggie Gee. Helen E. Mundler's book takes into account the wealth of criticism that has appeared on these texts in recent years, acknowledging important contributions from critics including Adam Trexler, Adeline Johns-Putra, and Astrid Bracke. However, her book's strength is that it takes a new approach, going beyond the topicality of the texts and treating them not just as ideological statements but giving them their due as literary artifacts. While the importance of climate change is beyond debate, this book takes a more balanced approach that places it within a wider context of the multiple crises of the Anthropocene.
Elizabeth Gemmill
The Nobility and Ecclesiastical Patronage in Thirteenth-Century England
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A detailed examination of the patronage rights exerted over the church by the nobility, illuminating the complex network of relationships between them, the Church, and the clergy.
While there has been work on the nobility as patrons of monasteries, this is the first real study of them as patrons of parish churches, and is thus the first study to tackle the subject as a whole. Illustrated with a wealth of detail, it will become an indispensable work of reference for those interested in lay patronage and the Church more generally in the middle ages. Professor David Carpenter, Department of History, King's College London
This book provides the first full-length, integrated study of the ecclesiastical patronage rights of the nobility in medieval England. It examines the nature and extent of these rights, how they were used, why and for whom they were valuable, what challenges lay patrons faced, and how they looked to the future in making gifts to the Church. It takes as its focus the thirteenth century, a critical period for the survival and development of these rights, being a time of ambitious Church reform, of great change in patterns of land ownership in the ranks of the higher nobility, and of bold assertion by the English Crown of its claims to control Church property. The thirteenth century also saw a proliferation of record keeping on the part of kings, bishops and nobility, and the author uses new evidence from a range of documentary sources to explore the nature of the relationships between the English nobility, theChurch and its clergy, a relationship in which patronage was the essential feature.
Dr Elizabeth Gemmill is University Lecturer in Local History and Fellow of Kellogg College. University of Oxford.
Georgios Theotokis
The Norman Campaigns in the Balkans, 1081-1108
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First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.
The Norman expansion in eleventh-century Europe was a movement of enormous historical importance, which saw men and women from the duchy of Normandy settling in England, Italy, Sicily and the Middle East. The Norman establishmentin the South is particularly interesting, because it represents the story of a few hundred mercenaries who managed to establish a principality in the Mediterranean that would later develop in to the Kingdom of Sicily. In thisbook the author examines the clash of two different "military cultures" - the Normans and the Byzantines - in one theatre of war - the Balkans. It is the first study to date of the military organization of the Norman and Byzantine states in the Mediterranean, and of their overall strategies and their military tactics in the battlefield. It is also the first to examine the way in which each military culture reacted and adapted to the strategies and tacticsof its enemies in Italy and the Balkans. The author closely follows the campaigns conducted by the Normans in the Byzantine provinces of Illyria and Macedonia and their battles against Imperial armies commanded by the Byzantine Emperor. He also examines the ways in which the Italian-Norman and Byzantine military systems differed, and their relative efficiencies.
Dr GEORGIOS THEOTOKIS is Assistant Professor of European History at Fatih University, Istanbul.
Georgios Theotokis
The Norman Campaigns in the Balkans, 1081-1108
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First full-length analysis of Norman military organisation in the Balkans: events, strategy, and tactics.
The Norman expansion in eleventh-century Europe was a movement of enormous historical importance, which saw men and women from the duchy of Normandy settling in England, Italy, Sicily and the Middle East. The Norman establishmentin the South is particularly interesting, because it represents the story of a few hundred mercenaries who managed to establish a principality in the Mediterranean that would later develop in to the Kingdom of Sicily. In thisbook the author examines the clash of two different "military cultures" - the Normans and the Byzantines - in one theatre of war - the Balkans. It is the first study to date of the military organization of the Norman and Byzantine states in the Mediterranean, and of their overall strategies and their military tactics in the battlefield. It is also the first to examine the way in which each military culture reacted and adapted to the strategies and tacticsof its enemies in Italy and the Balkans. The author closely follows the campaigns conducted by the Normans in the Byzantine provinces of Illyria and Macedonia and their battles against Imperial armies commanded by the Byzantine Emperor. He also examines the ways in which the Italian-Norman and Byzantine military systems differed, and their relative efficiencies.
Dr Georgios Theotokis is Assistant Professor of European History at Fatih University, Istanbul.
R. Allen Brown
The Norman Conquest of England
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R. Allen Brown selects original material - literature, legal documents, letters and objects -to present the Norman Conquest.
This selection of documents offers an insight into the Norman Conquest of England from a variety of perspectives. It is divided into four parts, each dealing with evidence of a different kind: literary and narrative sources (including Norman, Old English and Anglo-Norman texts); documentary sources, such as charters, writs and leases; letters; and the art of the period, principally, though not exclusively, from the Bayeux Tapestry. Both Anglo-Saxon and Norman England are represented, and Normandy itself is the subject of one section. R. Allen Brown's general introduction supplies a broad context for the material, and commentaries are provided with the documents where necessary, explaining points of particular significance, while a select bibliography gives suggestions for further reading. All documents are provided in translation. Reprint; first published in 1984. R. ALLEN BROWNwas professor of history at King's College, London, and founder of the annual Battle conference on Anglo-Norman studies.
R. Allen Brown
The Normans and the Norman Conquest
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Classic work assessing the impact of the Norman Conquest in European context.
The introduction of Brown's book should be made compulsory reading- LONDON REVIEW OF BOOKSThe `English' who faced the forces of William duke of Normandy on 14 October 1066 were by no means a pure-bred and unified race, norwas the flower of England's manhood laid low by an army of self-seeking Norman opportunists. R. Allen Brown traces the forces and influences that shaped both England and Normandy in the decades before 1066, and shows how the new order, emerging from the aftermath of the battle of Hastings, produced a degree of political unity and social dynamism previously unknown in England, bringing a reinvigorated nation fully into the mainstream of the dynamic expansion of western Latin Christendom.R. ALLEN BROWN was professor of History at King's College, London and founder of the annual Battle Conference on Anglo-Norman studies.
Richard P. Abels
The Normans and their Adversaries at War
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Studies of warfare, armies, logistics and weapons throughout the Norman realms.
The studies in this book examine and illuminate the Anglo-Saxon and Anglo-Norman military institutions that supported and shaped the conduct of war in northwestern Europe in the central middle ages. Taken together they challenge received opinion on a number of issues and force a profound reconsideration of the manner in which the Normans and their adversaries, Anglo-Saxons, Danes, Angevins and the Welsh, prepared for and waged war.
Contributors: RICHARD ABELS, BERNARD BACHRACH, KELLY DEVRIES, JOHN FRANCE, C.M. GILLMOR, ROBERT HELMERICHS, NIELS LUND, STEPHEN MORILLO, MICHAEL PRESTWICH, FREDERICK SUPPE.
Emily Albu
The Normans in their Histories: Propaganda, Myth and Subversion
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Contemporary historians overtly eulogising the Norman achievement are shown to have employed a variety of literary strategies to convey implicitly their treacherous and predatory ways.
The first Normans were Rollo and his fellow Vikings, marauders from the north, who fashioned the county [later the Duchy] of Normandy from lands won at the mouth of the Seine in about 911, making Rouen their capital. The heirs ofthese pagan Northmen contrived a brilliant transformation of themselves into Christian warriors, and went on to conquer England, southern Italy and Sicily, and even distant Antioch, in the process carving out a dynamic reputationthroughout Western Europe and the Mediterranean. Norman princes encouraged the celebration of these remarkable achievements in histories written to verify the legitimacy of their claims to settle and dominate their lands. From Dudo of Saint-Quentin [late tenth/early eleventh centuries] to the twelfth-century vernacular histories of Wace and Benoit, the Norman historical tradition largely acceded to these expectations: beneath the surface, however, virtually all the histories told a contrary story, condemning the Normans as treacherous to kin and ally as well as to foe. Emily Albu examines the myths the historians fashioned, and the other literary strategies they employed, to expose and explain the wolfish predation at the core of Normanness.
EMILY ALBU is Assistant Professor of Classics, University of California, Davis.
Constance M. Fraser
The Northumberland Eyre Roll for 1293
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First full edition of a crucial source for knowledge of the period.
The eyre roll is a major source of information about medieval life, ranging from local courts and land tenure through town customs and the status of women to general neighbourliness. This is especially important for Northumberland, where constant border raiding was detrimental to the accumulation of local records. The survival of the Northumberland Eyre Roll for 1293, recording over eleven hundred law suits, provides a rare glimpse of the county (togetherwith information on Lancashire, Westmorland and Cumberland) on the eve of the outbreak of the Anglo-Scottish wars; as only brief extracts from the roll have been published previously, this full edition will be warmly welcomed. Thetext is accompanied by notes and a subject index providing a full guide to topics of special interest. CONSTANCE FRASER is a retired lecturer.
Kelly DeVries
The Norwegian Invasion of England in 1066
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Three weeks before the battle of Hastings, Harold defeated an invading army of Norwegians at the battle of Stamford Bridge, a victory which was to cost him dear. The events surrounding the battle are discussed in detail.
This very accessible narrative...tells the story of "the first two important battles of 1066", Fulford Gate and Stamford Bridge, and of the leaders of the opposing English and Norwegian factions. CHOICE
The evidence of later 12th- and 13th-century Norse sagas, Snorri Sturlusson's Heimskringla, and the less well known Norwegian Kings Sagas present far more detail about the invasion and its battles than the more widely accepted sources couldpossibly allow... He places the invasion in a broad context. He outlines the Anglo-Scandinavian nature of the English kingdom in the eleventh century, traces the careers of the major leaders, and devotes a chapter each to the English and Norwegian military systems. JOURNAL OF MILITARY HISTORY [US]
William the Conqueror's invasion in 1066 was not the only attack on England that year. On September 25, 1066, less than three weeks before William defeated King Harold II Godwinson at the battle of Hastings, that same Harold had been victorious over his other opponent of 1066, King Haraldr Hardrádi of Norway at the battle of Stamford Bridge. It was an impressive victory, driving an invading army of Norwegians from the earldom of Northumbria; but it was to cost Harold dear. In telling the story of this neglected battle, Kelly DeVries traces the rise and fall of a family of English warlords, the Godwins,as well as that of the equally impressive Norwegian warlord Hardrádi.
KELLY DEVRIES is Associate Professor, Department of History, Loyola College in Maryland.
Kelly DeVries
The Norwegian Invasion of England in 1066
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Three weeks before the battle of Hastings, Harold defeated an invading army of Norwegians at the battle of Stamford Bridge, a victory which was to cost him dear. The events surrounding the battle are discussed in detail.
This very accessible narrative...tells the story of 'the first two important battles of 1066', Fulford Gate and Stamford Bridge, and of the leaders of the opposing English and Norwegian factions. CHOICE He places the invasion in a broad context. He outlines the Anglo-Scandinavian nature of the English kingdom in the eleventh century, traces the careers of the major leaders, and devotes a chapter each to the English and Norwegian military systems. JOURNAL OF MILITARY HISTORY
William the Conqueror's invasion in 1066 was not the only attack on England that year. On September 25, 1066, less than three weeks before William defeated King Harold II Godwinson at the battle of Hastings, that same Harold had been victorious over his other opponent of 1066, King Haraldr Hardrádi of Norway at the battle of Stamford Bridge. It was an impressive victory, driving an invading army of Norwegians from theearldom of Northumbria; but it was to cost Harold dear. In telling the story of this neglected battle, Kelly DeVries traces the rise and fall of a family of English warlords, the Godwins, as well as that of the equally impressiveNorwegian warlord Hardrádi.
KELLY DEVRIES is Associate Professor, Department of History, Loyola College in Maryland.
Ehrhard Bahr
The Novel as Archive
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Goethe's novel defined as a key work anticipating modernist novels of 20th century.
A fresh study of one of the most perplexing and daring novels ever written, one that was largely misunderstood when it first appeared, and which has emerged only in the last two decades as a work that pointed forward, stylistically and structurally, to the modernist novels of the twentieth century. Bahr shows how Goethe subordinated the role of the author-narrator, making use of a variety of sophisticated narrative devices, such as the archive, the interpolated novella (some of whose characters appear as 'real' figures in the novel itself!) to distance himself from the work, thus ironizing its apparent meaning.
Brian Murdoch
The Novels of Erich Maria Remarque
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New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.
Erich Maria Remarque is a writer of great popularity who has rightly been described as a "chronicler of the twentieth century." He is both a German writer and a genuinely international one. Although he spent much of his life in exile from Germany, most of his novels reflect its twentieth-century history: the two world wars and the Weimar and Nazi regimes, and especially their effects on the individual. His portrayals of the lives of refugees from Nazi Germany are especially vivid. His themes are universal, dealing with human relationships, with love in particular, and with the provisional nature of life. Often seen as a one-novel writer due to the immense success of All Quiet onthe Western Front, Remarque wrote many other novels, major works that have nearly all been filmed and have remained popular. Nor should it be ignored that his works are above all else immensely readable: not a negligible criterion. This new study of Remarque's novels treats them as a chronicle of the century, but also looks at them as works that go beyond the reflection of historical events.
Brian Murdoch is Emeritus Professor of German atthe University of Stirling, Scotland.
J.J. Long
The Novels of Thomas Bernhard
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An introduction to the prose works of one of the most important postwar European writers.
Thomas Bernhard (1931-1989) is one of the most important writers of the postwar period, not only in his native Austria, but throughout Europe. Almost all his works have been translated into English, and his novels, plays, and non-fiction works have won international acclaim. The present study provides an accessible introduction to Bernhard's novels for an English-speaking readership, and also makes an original contribution to the ongoing debate on this fascinating author. The book's primary emphasis is on Bernhard's later fiction, but it also explicates the early texts of the 1960s and 1970s. The book makes use of insights from recent approaches to fiction that pay attention to what can be termed 'narrative dynamics.' Earlier studies of Bernhard have tended to remain within the descriptive framework established in narrative studies of the 1950s and 1960s; this book views Bernhard's prose works from a more nuanced vantage point.
Jonathan Long is lecturer in German at the University of Durham, UK.
Michael Ritterson
The Odin Field
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First English translation of a major historical novel by Wilhelm Raabe, famous late 19th-century German novelist.
Wilhelm Raabe (1831-1910) was Germany's greatest realist novelist. He has been called by Jeffrey Sammons "the major novelist in the German language between Goethe and Fontane." Das Odfeld, first published in 1888-89, occupies an undisputed place among Raabe's dozen or so novels of the first rank. The historical novel, set during the Seven Years' War, portrays the socio-political system in eighteenth-century Prussia, the deplorable German habit of inviting calamity, the human effort to preserve and protect what is good, and the paltry success that such efforts usually have. From the question of how one may live in a time of great historical change without sacrificing one's humanity, the book derives its moral and ethical ambivalence, the tension that underlies its calm resignation. The Odin Field deals with a major period of German history: it reveals much about German customs, manners, and outlook during the eighteenth century, and yet it also deals with timeless ethical issues in a subtle and convincing manner. The work has never previously been translated into English. A detailed introduction and a generous number ofnotes provide context and background for the contemporary reader.
Michael Ritterson is associate professor of German at Gettysburg College, Pennsylvania.
Daniel Anlezark, Daniel Anlezark
The Old English Dialogues of Solomon and Saturn
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First modern edition, with facing translation, of two of the most mysterious Old English texts extant.
The dialogues of Solomon and Saturn, found in MSS Corpus Christi College Cambridge 422 and 41, are some of the most complex Old English texts to survive. The first two dialogues, in verse and prose, present the pagan god Saturn inhuman form interrogating King Solomon about the mysterious powers of the Pater Noster, while in a second poem the two discuss in enigmatic terms a range of topics, from the power of books to the limits of free will. This newedition - the first to appear for some 150 years - presents a parallel text and translation, accompanied by notes and commentary. The volume also includes a full introduction, examining the evidence pointing to the influence of Irish continental learning on the dialogues' style and content; arguing that the circle which produced the dialogues was located at Glastonbury in the early tenth century, and included the young Dunstan, future archbishop of Canterbury; and locating the texts in the context of the learned riddling tradition, and philosophical debates current in the ninth and tenth centuries.
Dr DANIEL ANLEZARK teaches in the Department of English at the Universityof Sydney.
Ruth A. Canning
The Old English in Early Modern Ireland
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Examines the divided loyalties of the descendants of Ireland's Anglo-Norman conquerors during the wars against the Irish confederate rebels.
WINNER of the NUI Publication Prize in Irish History 2019
Descendants of Ireland's Anglo-Norman conquerors, the Old English had upheld the authority of the English crown in Ireland for four centuries. Yet the sixteenth century witnessed the demotion of this Irish-born and predominantly Catholic community from places of trust and authority in the Irish administration in favour of English Protestant newcomers. Political alienation and growing religious tensions strained crown-community relations and caused many Old Englishmen to reconsider their future in Ireland.
The Nine Years' War (1594-1603) presented them with an ideal opportunity to reassess their relationshipwith the crown when the Irish Confederates, led by Hugh O'Neill, Earl of Tyrone, sought their support. This book explores the role of the Old English during the Nine Years' War. It discusses the impact of divided loyalties, examines how they responded to political, social, religious, and military pressures, and assesses how the war shaped their sense of identity. The book demonstrates that despite the anxieties of English officials, the Old English remained loyal. More than that, they played a key role in defeating the Irish Confederacy through military and financial support. It argues that their sense of tradition and duty to uphold English rule in Ireland was central to their identity and that appeals to embrace a new Irish Catholic identity, in partnership with the Gaelic Irish, was doomed to failure.
RUTH CANNING is Lecturer in Early Modern History at Liverpool Hope University.
Kazutomo Karasawa
The Old English Metrical Calendar (Menologium)
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First modern text and English translation of an important Anglo-Saxon poem dealing with the liturgical year.
WINNER of the International Society of Anglo-Saxonists 2017 Publication Prize: Best Edition
The late tenth-century Old English Metrical Calendar (traditionally known as Menologium) summarises, in the characteristicheroic diction and traditional metre of Old English poetry, the major course of the Anglo-Saxon liturgical year. It sets out, in a methodical structure based on the basic temporal framework of the solar/natural year, the locations of the major feasts widely observed in late Anglo-Saxon England. Such a work could have been a practical timepiece for reading the dates of the Anglo-Saxon Chronicle, for which it serves as a kind of prologue in the manuscript.The clearly domestic perspective of the poem, which fits in the manuscript context, is also noteworthy, while the poem also reveals various interesting characteristics in its grammar, vocabulary and prosody. This is the firstfull modern edition of the poem, and is accompanied by a facing translation. The introduction provides an extensive discussion of matter, content, style, and context, while the commentary offers further information. The volume also includes the texts and translations of a number of analogous works.
Kazutomo Karasawa is Professor of English philology at Komazawa University, Tokyo.
Kazutomo Karasawa
The Old English Metrical Calendar (Menologium)
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First modern text and English translation of an important Anglo-Saxon poem dealing with the liturgical year.
WINNER of the International Society of Anglo-Saxonists 2017 Publication Prize: Best Edition
The late tenth-century Old English Metrical Calendar (traditionally known as Menologium) summarises, in the characteristicheroic diction and traditional metre of Old English poetry, the major course of the Anglo-Saxon liturgical year. It sets out, in a methodical structure based on the basic temporal framework of the solar/natural year, the locations of the major feasts widely observed in late Anglo-Saxon England. Such a work could have been a practical timepiece for reading the dates of the Anglo-Saxon Chronicle, for which it serves as a kind of prologue in the manuscript.The clearly domestic perspective of the poem, which fits in the manuscript context, is also noteworthy, while the poem also reveals various interesting characteristics in its grammar, vocabulary and prosody. This is the firstfull modern edition of the poem, and is accompanied by a facing translation. The introduction provides an extensive discussion of matter, content, style, and context, while the commentary offers further information. The volume also includes the texts and translations of a number of analogous works.
Graham D. Caie
The Old English Poem Judgement Day II
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Judgement Day II presented in its manuscript context, with discussion of function of penitential verse.
Critical editions of the Old English poem Judgement Day II, its Latin source, Bede's poem De die iudicii, and the homily in Oxford, Bodleian, Hatton 113, which is based on the vernacular poem, are offered in this volume: Judgement Day IIis thus presented in its manuscript context, highlighting its links with the poems found there, and casting new light on its interpretation. The editions are accompanied with translations, a commentaryon points of linguistic and literary interest, and a glossary. The introduction includes detailed descriptions of the manuscripts in which the works appear; the function of the poems as penitential verse; and a discussion ofeschatological thought in the the early middle ages, especially with regard to Bede. There are also sections on the language, style and metre of the Old English poem, and a full literary analysis.
Professor GRAHAM D. CAIEis Head of the School of English and Scottish Language and Literature at the University of Glasgow.
Sharon M. Rowley
The Old English Version of Bede's Historia Ecclesiastica
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Pioneering examination of the Old English version of Bede's Historia ecclesiastica and its reception in the middle ages, from a theoretically informed, multi-disciplinary perspective.
The first full-length study of the Old English version of Bede's masterwork, dealing with one of the most important texts to survive from Anglo-Saxon England. The subjects treated range from a detailed analysis of the manuscriptsand the medieval use of them to a very satisfying conclusion that summarizes all the major issues related to the work, giving a compelling summary of the value and importance of this independent creation. Dr Rowley convincingly argues that the Old English version is not an inferior imitation of Bede's work, but represents an intelligent reworking of the text for a later generation. An exhaustive study and a major scholarly contribution. GEORGE HARDIN BROWN, Professor of English emeritus, Stanford University.
The Old English version of Bede's Historia ecclesiastica gentis anglorum is one of the earliest and most substantial surviving works of Old English prose. Translated anonymously around the end of the ninth or beginning of the tenth century, the text, which is substantially shorter than Bede's original, was well known and actively used in medieval England, and was highly influential.However, despite its importance, it has been little studied. In this first book on the subject, the author places the work in its manuscript context, arguing that the text was an independent, ecclesiastical translation, thoughtfully revised for its new audience. Rather than looking back on the age of Bede from the perspective of a king centralizing power and building a community by recalling a glorious English past, the Old English version of Bede's Historia transforms its source to focus on local history, key Anglo-Saxon saints, and their miracles. The author argues that its reading reflects an ecclesiastical setting more than a political one, with uses more hagiographical than royal; and that rather than being used as a class-book or crib, it functioned as a resource for vernacular preaching, as a corpus of vernacular saints' lives, for oral performance, and episcopal authority. Sharon M. Rowley is Associate Professor of English at Christopher Newport University.
Siân Elizabeth Grønlie
The Old Testament in Medieval Icelandic Texts
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Demonstrates the essential nature of biblical translation and adaptation to Old-Norse-Icelandic literature.
The historical narratives of the Old Testament/Hebrew Bible have much in common with Icelandic saga literature: both are invested in origins and genealogy, place-names, family history, sibling rivalry, conflict and its resolution. Yet the comparison between these two literatures is rarely made, and biblical translations in Old Norse-Icelandic have been neglected as a focus of literary study. This book aims to redress this neglect. It shows how the likeness between biblical narrative and saga narrative has shaped the reception of the Old Testament in medieval Iceland, even through multiple layers of translation and exegesis.
It draws on a wide variety of texts, including homilies, saints' lives, world histories, encyclopaedic works, and the biblical translations collectively known as Stjórn, to explore how medieval Icelanders engaged with Old Testament narrative in the light of their own vernacular tradition of storytelling. And above all, it argues that the medieval Icelanders understood and recognised in these well-known biblical stories a narrative art that was strikingly akin to their own.
Julia Marvin
The Oldest Anglo-Norman Prose Brut Chronicle
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First modern text and translation of the prose Brut chronicle, the most popular secular vernacular work of the middle ages.
First composed in Anglo-Norman French around the end of the thirteenth century, the anonymous prose Brut chronicle became the most popular secular vernacular work, and the most widespread Arthurian work, of the later middle ages in England: repeatedly expanded, revised, and translated, it remained influential for centuries. Yet it has been little studied, in part because of the lack of any full modern edition. This edition of the Oldest Version of the prose Brut, running from the fall of Troy to the death of Henry III in 1272, provides the Anglo-Norman text with facing-page translation and textual apparatus, a comprehensive introduction, and extensive explanatory notes. It makes new contributions, on, for example, the identification and classification of the manuscripts, the identification and analysis of the sources [far more varied and numerous than had been previously recognised], and the probable circumstances of the chronicle's composition. It will enable scholars to make full use of this remarkable resource for the study of Arthurian tradition, contemporary visions of British history, popular thought about society and government in late-medieval England, and the history of reading itself.
Professor JULIA MARVIN teaches at the University of Notre Dame.
Claire Seymour
The Operas of Benjamin Britten
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This controversial analysis of Britten's operatic works demonstrates how he used music to explore his most private concerns.
Claire Seymour examines ways in which Britten's operas explored and articulated the inherent ambiguity and latent sexuality of music, particularly song, and suggests that they may illustrate his search for a public "voice" which would embody, communicate, and perhaps resolve his private beliefs and anxieties. She demonstrates how the delicate balance between private and public communication, and the tension between art as self-expression and art as moral resolution were key concerns in Britten's music. Analyses of Britten's operas from Paul Bunyan to Death in Venice, the three Church Parables, and several of the "children's operas" offer evidence that, for Britten, opera was the natural medium through which to explore, express and, paradoxically, repress his private concerns.
Christina Guillaumier
The Operas of Sergei Prokofiev
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The first book in the English language to engage with Prokofiev's operatic output in its entirety.
The operas of Sergei Prokofiev (1891-1953) mark a significant contribution to twentieth-century music and theatre. Opera was Prokofiev's preferred genre; not counting juvenile and unfinished works, he wrote a total of eight. Yet,to date, little has been published about the context, rationale or musical and compositional processes behind this output. While systematic studies of Prokofiev's symphonies and his ballets exist, the operas have come under no such scrutiny. This book is the first in the English language to engage with the composer's operatic output in its entirety and provides a contextual, critical and musico-analytical account of all of Prokofiev's operas, including those juvenile works that are unpublished as well as the incomplete works composed towards the end of his life. It also includes synopses of the operas. Drawing on a wealth of archival material and other sources, the book provides the compelling untold story of Prokofiev the opera composer.
H.A. Wilson
The Order of Communion, 1548
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Published by Boydell & Brewer Inc.
Antti Matikkala
The Orders of Knighthood and the Formation of the British Honours System, 1660-1760
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A detailed analysis of the political, social and cultural aspects of the British orders of knighthood in the seventeenth and eighteenth centuries.
`Sheds considerable new light on the nature, development and functions of the orders in a key phase of their history, and goes a long way to explaining how such archaic institutions could flourish in a culture that is commonly thought anti-traditional and especially hostile to the "middle ages"'. Professor JONATHAN BOULTON, University of Notre Dame.
This is the first comprehensive study to set the British orders of knighthood properly into the context of the honours system - by analysing their political, social and cultural functions from the Restoration of the monarchy to the end of George II's reign. It examines the revival of the Order of the Garter and the proposalsto establish the Orders of the Royal Oak and the Esquires of the Martyred King at the Restoration, the foundation [1687] and the revival [1703-4] of the Order of the Thistle as well as the foundation of the Order of the Bath [1725]. It establishes just how central a part the orders played in the British high political life and its comprehensive and multidimensional approach carefully contrasts the idealistic discourse of virtue and honour to the real workings of the honours system; it also makes the case for the 'Chivalric Enlightenment'. The 'orders over the water', the Garter and the Thistle conferred by the Jacobite claimants, are discussed for the first time in the context of the established British honours system. Overall, the comparison between the socially very restricted British and the increasingly meritocratic Continental orders highlights the isolation of the British honours system from the European tendencies.
Abbess of Stanbrook
The Ordinal and Customary of the Abbey of Saint Mary York
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Abbess of Stanbrook, J.B.L. Tolhurst
The Ordinal and Customary of the Abbey of Saint Mary York Volume II
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Published by Boydell & Brewer Inc.
Abbess of Stanbrook, J.B.L. Tolhurst
The Ordinal and Customary of the Abbey of Saint Mary York Volume III
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Published by Boydell & Brewer Inc.
David Chadd
The Ordinal of the Abbey of the Holy Trinity Fécamp (Fécamp, Musée de la Bénédictine, MS 186), I [containing Part I]
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Edition of twelfth-century Ordinal from Fécamp, giving a detailed view of monastic liturgy.
The abbey of Fécamp, reformed in the early years of the eleventh century by William of Volpiano, abbot of St-Bénigne at Dijon, was a key institution in the development of Norman monasticism in the middle ages. As one of the most energetic monastic reformers of his time, William was noted for the attention he paid to the liturgy of the many abbeys he superintended, and his liturgical cursus was influential in English and continental monastic houses. The Fécamp Ordinal, edited here from a manuscript of the early thirteenth century, but transmitting the liturgy observed in the abbey some two centuries earlier, is the first complete source of William's liturgical work tobe printed. It is expanded by readings from complementary Fécamp service books, creating a text which gives a particularly detailed view of medieval monastic liturgy. This first volume contains the Temporal; the remainder of the Ordinal, together with comprehensive indexes, will form the second volume.DAVID CHADDteaches in the School of Music at the University of East Anglia.
David Chadd
The Ordinal of the Abbey of the Holy Trinity, Fécamp (Fécamp, Musée de la Bénédictine, MS 186), II [containing parts II, III and IV]
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Second of two-volume edition of twelfth-century Ordinal from Fécamp, giving a detailed view of monastic liturgy.
The abbey of Fécamp, reformed in the early years of the eleventh century by William of Volpiano, abbot of St-Bénigne at Dijon, was a key institution in the development of Norman monasticism in the middle ages. As one of the most energetic monastic reformers of his time, William was noted for the attention he paid to the liturgy of the many abbeys he superintended, and his liturgical cursus was influential in English and continental monastic houses. The Fécamp Ordinal, edited here from a manuscript of the early thirteenth century, but transmitting the liturgy observed in the abbey some two centuries earlier, is the first complete source of William's liturgical work tobe printed. It is expanded by readings from complementary Fécamp service books, creating a text which gives a particularly detailed view of medieval monastic liturgy. The first volume contains the Temporale; this volume contains the remainder of the Ordinal (Sanctorale, Commune Sanctorum and Miscellanea), together with comprehensive indexes. DAVID CHADD teaches in the School of Music at the University of East Anglia.
J.B.L. Tolhurst
The Ordinale and Customary of the Benedictine Nuns of Barking Abbey I
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J.B.L. Tolhurst
The Ordinale and Customary of the Benedictine Nuns of Barking Abbey II
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The Ordinal and Customary of Barking Abbey, one of a number of its liturgical manuscripts which survive, was written on the instructions of Sibille Fenton, who was abbess from 1394 to 1419, and the manuscript was presented to theabbey in 1404; its liturgical usages deal mainly with the functioning of the choir.
Carol F. Heffernan
The Orient in Chaucer and Medieval Romance
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A study of romance and the Orient in Chaucer and in anonymous popular metrical romances.
The idea of the Orient is a major motif in Chaucer and medieval romance, and this new study reveals much about its use and significance, setting the literature in its historical context and thereby offering fresh new readings of anumber of texts. The author begins by looking at Chaucer's and Gower's treatment of the legend of Constance, as told by the Man of Law, demonstrating that Chaucer's addition of a pattern of mercantile details highlights the commercial context of the eastern Mediterranean in which the heroine is placed; she goes on to show how Chaucer's portraits of Cleopatra and Dido from the Legend of Good Women, read against parallel texts, especially in Boccaccio, reveal them to be loci of medieval orientalism. She then examines Chaucer's inventive handling of details taken from Eastern sources and analogues in the Squire's Tale, showing how he shapes them into the western form ofinterlace. The author concludes by looking at two romances, Floris and Blauncheflur and Le Bone Florence of Rome; she argues that elements in Floris of sibling incest are legitimised into a quest for the beloved, and demonstrates that Le Bone Florence be related to analogous oriental tales about heroic women who remain steadfast in virtue against persecution and adversity.
Professor CAROL F. HEFFERNAN teaches in the Department ofEnglish, Rutgers University.
Sam Newton
The Origins of Beowulf
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A detailed and passionate argument suggesting that Beowulf originated in the pre-Viking kingdom of 8th-century East Anglia.
Where did Beowulf, unique and thrilling example of an Old English epic poem come from? In whose hall did the poem's maker first tell the tale? The poem exists now in just one manuscript, but careful study of the literary and historical associations reveals striking details which lead Dr Newton to claim, as he pieces together the various clues, a specific origin for the poem. Dr Newton suggests that references in Beowulf to the heroes whose names are listed in Anglo-Saxon royal genealogies indicate that such Northern dynastic concerns are most likely to have been fostered in the kingdom of East Anglia. He supports his thesis with evidence drawn from East Anglianarchaeology, hagiography and folklore. His argument, detailed and passionate, offers the exciting possibility that he has discovered the lost origins of the poem in the pre-Viking kingdom of 8th-century East Anglia.
SAMNEWTON was awarded his Ph.D. for work on Beowulf.
Terry Gunnell
The Origins of Drama in Scandinavia
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A fresh look at early dramatic activity in Scandinavia, using archaeological, historical and literary evidence.
This book takes a new approach to the question of whether some form of drama existed in early Scandinavia. Dr Gunnell examines the dialogic poems of the Poetic Edda, preserved in manuscripts from the late thirteenth century, fromthe viewpoints of both performer and audience. He argues that in order to be fully understood by the audience, the poems must have been presented in some dramatic fashion, and not merely chanted. He substantiates his claims by exploring characteristics found only in the manuscripts of these dialogic poems and in contemporary manuscripts of dramatic works from England and Northern France, suggesting that even in the thirteenth century, the dialogic poems must have been regarded as dramatic works. The examination is accompanied by the most complete review to date of the evidence for some kind of ritual drama having existed in pagan Scandinavia, looking at archaeological evidence forthe use of masks and costumes, information contained in the sagas, and contemporary historical accounts.
TERRY GUNNELL is Professor of Folkloristics at the University of Iceland.
Thomas Schlich
The Origins of Organ Transplantation
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A history of the little-known or forgotten academic origins of modern organ transplant surgery.
This book investigates a crucial -- but forgotten -- episode in the history of medicine. In it, Thomas Schlich systematically documents and analyzes the earliest clinical and experimental organ transplant surgeries. In so doing helays open the historical origins of modern transplantation, offering a new and original analysis of its conceptual basis within a broader historical context. This first comprehensive account of the birth of modern transplantmedicine examines how doctors and scientists between 1880 and 1930 developed the technology and rationale for performing surgical organ replacement within the epistemological and social context of experimental university medicine. The clinical application of organ replacement, however, met with formidable obstacles even as the procedure became more widely recognized. Schlich highlights various attempts to overcome these obstacles, including immunologicalexplanations and new technologies of immune suppression, and documents the changes in surgical technique and research standards that led to the temporary abandonment of organ transplantation by the 1930s.
Thomas Schlichis Professor and Canada Research Chair in the History of Medicine at McGill University.
Sandy Calder
The Origins of Primitive Methodism
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The Primitive Methodist Connexion's mature social character may have been working-class, but this did not reflect its social origins.
This book shows that while the Primitive Methodist Connexion's mature social character was working-class, this did not reflect its social origins. It was never the church of the working class, the great majority of whose churchgoers went elsewhere: rather it was the church whose commitment to its emotional witness was increasingly incompatible with middle-class pretensions. Sandy Calder shows that the Primitive Methodist Connexion was a religious movementled by a fairly prosperous elite of middle-class preachers and lay officials appealing to a respectable working-class constituency. This reality has been obscured by the movement's self-image as a persecuted community of humble Christians, an image crafted by Hugh Bourne, and accepted by later historians, whether Methodists with a denominational agenda to promote or scholars in search of working-class radicals. Primitive Methodists exaggerated their hardships and deliberately under-played their social status and financial success. Primitive Methodism in the later nineteenth and early twentieth centuries became the victim of its own founding mythology, because the legend of a community of persecuted outcasts, concealing its actual respectability, deterred potential recruits.
SANDY CALDER graduated with a PhD in Religious Studies from the Open University and has previously worked in the private sector.
Mohammed Hassen
The Oromo and the Christian Kingdom of Ethiopia
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First full-length history of the Oromo 1300-1700; explains their key part in the medieval Christian kingdom and demonstrates their importance in shaping Ethiopian history.
This revisionary account of the Oromo people and the Christian kingdom of Ethiopia transforms our perception of the country's development, rebutting the common depiction of the Oromo as no more than a destructive force and demonstrating their significant role in shaping the course of Ethiopian history. Tracing the early history of the Oromo as part of the Cushitic language speaking family of peoples, it establishes that they were neither foreigners nor newcomers to Ethiopia, but have been an integral part of the indigenous population since at least the first half of the 14th century. The massive 16th-century pastoral Oromo population movement revolutionized relations between the Christians and the Oromo. During the long process of assimilation that followed, with periods of both war and peace in central and southern Ethiopia, Oromo society was able to absorb and assimilate Cushitic and Semitic languagespeakers and Oromize them through the open, democratic and egalitarian Gada system; while in northern Ethiopia the Oromo themselves were absorbed into Christian Amhara society.
Mohammed Hassen is Associate Professor in the Department of History, Georgia State University. His books include The Oromo of Ethiopia: A History, 1570 to 1860 (Cambridge University Press, 1990). He is a Contributing Editor of The Journal of Oromo Studies and The Horn of Africa journal.
Mohammed Hassen
The Oromo and the Christian Kingdom of Ethiopia
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First full-length history of the Oromo 1300-1700; explains their key part in the medieval Christian kingdom and demonstrates their importance in shaping Ethiopian history.
This revisionary account of the Oromo people and the Christian kingdom of Ethiopia transforms our perception of the country's development, rebutting the common depiction of the Oromo as no more than a destructive force and demonstrating their significant role in shaping the course of Ethiopian history. Tracing the early history of the Oromo as part of the Cushitic language speaking family of peoples, it establishes that they were neither foreigners nor newcomers to Ethiopia, but have been an integral part of the indigenous population since at least the first half of the 14th century. The massive 16th-century pastoral Oromo population movement revolutionized relations between the Christians and the Oromo. During the long process of assimilation that followed, with periods of both war and peace in central and southern Ethiopia, Oromo society was able to absorb and assimilate Cushitic and Semitic languagespeakers and Oromize them through the open, democratic and egalitarian Gada system; while in northern Ethiopia the Oromo themselves were absorbed into Christian Amhara society.
Mohammed Hassen is Associate Professor in the Department of History, Georgia State University. His books include The Oromo of Ethiopia: A History, 1570 to 1860 (Cambridge University Press, 1990). He is a Contributing Editor of The Journal of Oromo Studies and The Horn of Africa journal.
Revd H.E. Salter
The Oseney Cartulary. Vol I
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Published by Boydell & Brewer Inc.
Revd H.E. Salter
The Oseney Cartulary. Vol II
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$49.95
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Published by Boydell & Brewer Inc.
Revd H.E. Salter
The Oseney Cartulary. Vol III
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$49.95
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Published by Boydell & Brewer Inc.
Samuel Barnish
The Ostrogoths from the Migration Period to the Sixth Century
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Essays examining the Ostrogoths, the richest and most powerful Germanic tribe to emerge after the fall of the Roman Empire, and their role in the evolution of medieval Europe.
Among the Germanic tribes who ruled the fragments of the western Roman empire, the Ostrogoths enjoyed the greatest wealth and splendour. Conquering Italy itself from the warlord Odoacer, they inherited the buildings, traditions, and administrative apparatus of imperial rule, and revived the empire in Spain, southern Gaul and the northwest Balkans. Aspects of their history and empire examined here include their ethnic identity in Italy and relations (as Asian heretics) with the Catholic Church; the vicissitudes of sixth century Rome, the monuments of the period in Ravenna; their influence on the economy, settlements, and social structures throughout Italy; the interweaving of society and administration with their internal and external politics; and the history of their Spanish empire. There are also studies of the Goths in eastern Europe before the emergence of the Ostrogoths, and under Hunnic rule. The whole significantly advances an understanding of how medieval Europe evolved from the combination of Roman civilisation with Germanic outsiders.
Contributors: S. BARNISH, G.P. BROGLIO, T.S. BROWN, P.C. DIAZ, D.H. GREEN, W. HAUBRICHS, P. HEATHER, M. KAZANSKI, A. KOKOWSKI, F. MARAZZI, G. NOYE, I. WOOD
Brian J. Yates
The Other Abyssinians
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Reframes the story of modern Ethiopia around the contributions of the Oromo people and the culturally fluid union of communities that shaped the nation's politics and society.
Although the Oromo are the largest ethnic group in Ethiopia, their history has been distorted in order to buttress twentieth-century notions of a homogeneous Ethiopian state. The Other Abyssinians tells the story of the Oromo people's contribution to modern Ethiopia, tracing their experiences from the early nineteenth century onward and detailing the varied interactions of Oromo groups throughout the Ethiopian highlands. Focusing on the historic provinces of Wällo and Shäwa, this well-researched work elucidates the importance of these territories in the creation of Ethiopia and the history of the Oromo. It casts the Oromo as Abyssinians and central in all aspects of modernEthiopian life, while making a case for Ethiopia, a nation without a colonial legacy, as an example of indigenous African identity formation that challenges notions of "tribal" or ethnic identities.
Author Brian J. Yates details the cultural practices that integrated the populations of the highlands into the Abyssinian group; in addition, he analyzes the political structures that evolved concurrently. The book, notably, utilizes a community-based framework to underscore the fluidity of modern national identity. All in all, the work offers a close study of Ethiopian modernization policies and illuminates how Africans might have crafted their nations without the legaciesof colonialism.
Michael Church
The Other Classical Musics
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The Other Classical Musics offers challenging new perspectives on classical music by presenting the history of fifteen parallel traditions.
Winner of the Royal Philharmonic Society Music Award for Creative Communication 2015
There is a treasure trove of underappreciated music out there; this book will convince many to explore it. The Economist
What is classical music? This book answers the question in a manner never before attempted, by presenting the history of fifteen parallel traditions, of which Western classical music is just one. Each music is analysed in terms of its modes, scales, and theory; its instruments, forms, and aesthetic goals; its historical development, golden age, and condition today; and the conventions governing its performance. The writers are leading ethnomusicologists, and their approach is based on the belief that music is best understood in the context of the culture which gave rise to it.
By including Mande and Uzbek-Tajik music - plus North American jazz - in addition to the better-known styles of the Middle East, the Indian sub-continent, the Far East, and South-East Asia, this book offers challenging new perspectives on the word 'classical'. It shows the extent to which most classical traditions are underpinned by improvisation, and reveals the cognate origins of seemingly unrelated musics; it reflects the multifarious ways in which colonialism, migration, and new technology have affected musical development, and continue to do today. With specialist language kept to a minimum, it's designed to help both students and general readers to appreciate musical traditions which may be unfamiliar to them, and to encounter the reality which lies behind that lazy adjective 'exotic'.
MICHAEL CHURCH has spent much of his career in newspapers as a literary and arts editor; since 2010 he has been the music and opera critic of The Independent. From 1992 to 2005 he reported on traditional musics all over the world for the BBC World Service; in 2004, Topic Records released a CD of his Kazakh field recordings and, in 2007, two further CDs of his recordings in Georgia and Chechnya.
Contributors: Michael Church, Scott DeVeaux, Ivan Hewett, David W. Hughes, Jonathan Katz, Roderic Knight, Frank Kouwenhoven, Robert Labaree, Scott Marcus, Terry E. Miller, Dwight F. Reynolds, Neil Sorrell, Will Sumits, Richard Widdess, Ameneh Youssefzadeh
Frances Andrews
The Other Friars
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A concise and accessible history of four of the monastic orders in the middle ages.
In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.
This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.
FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).
Frances Andrews
The Other Friars
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$39.95
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A concise and accessible history of four of the monastic orders in the middle ages.
In 1274 the Council of Lyons decreed the end of various 'new orders' of Mendicants which had emerged during the great push for evangelism and poverty in the thirteenth-century Latin Church. The Franciscans and Dominicans were explicitly excluded, while the Carmelites and Austin friars were allowed a stay of execution. These last two were eventually able to acquire approval, but other smaller groups, in particular the Friars of the Sack and Pied Friars, were forced to disband.
This book outlines the history of those who were threatened by 1274, tracing the development of the two larger orders down to the Council of Trent, and following the fragmentary sources for the brief histories of the discontinued friaries. For the first time these orders are treated comparatively: the volume offers a total history, from their origins, spirituality and pastoral impact, to their music, buildings and runaways.
FRANCES ANDREWS teaches at the University of St Andrews and is the author of The Early Humiliati (CUP 1999).
Helen E. Mundler
The Otherworlds of Liz Jensen
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The first study of one of the most innovative of contemporary novelists, Liz Jensen, and of the "otherworlds" in her fiction.
Liz Jensen, a British author of eight novels, is among today's most innovative writers. Her literary thrillers occupy the terrain between realism and science fiction. This first study of Jensen centers on the very diverse "otherworlds" she creates in each of her novels, which can consist of an indeterminate space of ontological instability, a zone in which real and unreal converge to destabilize the realist text, as in Egg Dancing (1995) and TheNinth Life of Louis Drax (2004). In other novels the otherworld relies on defamiliarization: thus in War Crimes for the Home (2002) the experience of war is transformed by being seen from a woman's perspective. In stillother cases, the otherworld spans the novel's entire topos, as in The Paper Eater (2000), the full-blown utopia at the center of Jensen's oeuvre. Jensen's work approaches contemporary social issues such as religious fundamentalism, ecological disaster, and assisted procreation. Simultaneously, it displays a number of characteristics of erudite fiction, including self-reflexivity, inter- and intratextual reference, parody, pastiche, and burlesque. Notwithstanding the "popular" elements of Jensen's work, Helen E. Mundler's study adopts a rigorously academic approach to it, referencing canonical works but also more innovative texts, particularly by contemporary women writers, as points of comparison.
Helen E. Mundler is Senior Lecturer in English Studies at UPEC (Université Paris-Est Créteil) with a research affiliation at the Université Paris-X Nanterre-La Défense.
H.S. Cobb
The Overseas Trade of London Exchequer Customs Accounts 1480-1
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The documents calendared in this volume consist of Petty Custom recordings of general imports and exports (other than wine, wool and hides) by alien merchants, and of cloth exports by alien and denizen merchants, in the port of London from Michaelmas 1480 to Michaelmas 1481; together with less detailed accounts for wool, wine and other commodities. Petty Custom accounts were kept by royal officials in each customs port, who recorded each ship entering or leaving, the merchant in whose name goods were shipped and each item of customable cargo.
Ludo J.R. Milis, Tanis Guest
The Pagan Middle Ages
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Evidence for the survival of paganism in the medieval world.
Many aspects of the pagan past continued to survive into the middle ages despite the introduction of Christianity, influencing forms of behaviour and the whole mentalitéof the period. The essays collected in this stimulating volume seek to explore aspects of the way paganism mingled with Christian teaching to affect many different aspects of medieval society, through a focus on such topics as archaeology, the afterlife and sexuality, scientific knowledge, and visionary activity. Tr. TANIS GUEST.Professor LUDO J.R. MILIS teaches at the University of Ghent.Contributors: LUDO J.R. MILIS, MARTINE DE REU, ALAIN DIERKENS, CHRISTOPHE LEBBE, ANNICK WAEGEMAN, VÉRONIQUE CHARON
Merrill Kaplan
The Paganesque and The Tale of Vǫlsi
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Challenges the concept that the notorious horse penis is key to understanding the Tale of Vǫlsi, via the concept of the "paganesque".
A family of Norwegian pagans, stubbornly resisting the new Christian religion, worship a diabolically animated preserved horse penis, intoning verses as they pass it from hand to hand until King Olaf the Saint intervenes. This is the matter of the medieval Tale of Vǫlsi. Traditionally, it has been read as evidence of a pre-Christian fertility cult - or simply dismissed as an obscene trifle. This book takes a new approach by developing the concept of the "paganesque" - the air of a religious culture older than and inimical to Christianity. It shows how the Tale of Vǫlsi deploys a range of vernacular genres, from verbal dueling and mythological poetry to folk belief about milk-stealing witches and the reanimated dead, to create the flavor of paganism for a fourteenth-century Icelandic audience: an imagined paganism that has theological stakes as well as satirical bite. Throughout, the study challenges the notion that the horse penis is the key to understanding the narrative. Once the object is removed from the center of interpretation, the artistry and wit of the tale's "Paganesque" come fully into view.
Kathryn A. Smith
The Painted Histories of the Welles-Ros Bible (Paris, BnF Fr.1)
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A lavishly illustrated study of the Welles-Ros Bible, exploring its provenance, ownership, design and production.
At some point between c.1366 and 1373, the noblewoman Maud de Ros, widow of the Lincolnshire baron John de Welles, commissioned what is now the earliest surviving entire translated Bible from England. The Welles-Ros Bible contains the most complete edition of the Anglo-Norman Bible - a close, often literal translation of the Vulgate into insular French - as well as 82 narrative, highly personalized illustrations.
As this first long-form study of the manuscript argues, Maud commissioned the Bible to serve as a mirror, guide, family archive, dynastic chronicle, and source of spiritual instruction and consolation for her youthful son, John, 5th Baron Welles (1352-1421). Moreover, Maud played a key role in the production of the text edition and the design of many of the images. This book analyzes the manuscript, its text, and its vivid illuminations in the context of rich traditions of medieval biblical translation, production, and illustration, offering fresh insights into the roles of images in shaping and mediating scripture and religious experience. Adding to our understandings of life among the lower nobility in later fourteenth-century England, this cultural history of a major artefact also expands our picture of the cultural patronage and creative agency of laywomen, as well as medieval strategies of memorialization, responses to the Plague, and ideas about gender, identity, sexuality and the emotions.
C.J. Cook
The Palfrey Notebook
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Fully annotated edition of a Cambridge student's notebook from the seventeenth century sheds important light on developments in philosophy during the period, as well as on the structure and content of a university education.
The Palfrey Notebook is a unique survival from the early seventeenth century. Compiled in around 1623 by George Palfrey of Sidney Sussex College, Cambridge, probably as a record of his studies for his Master's degree, it covers many of the widely-used texts of the period. Although primarily devoted to a detailed evaluation of Aristotelian natural philosophy, it includes an extended survey of the literature on Natural Magic, records of orations and disputations (including Palfrey's own) delivered in college or at the Schools, notes on logic and ethics, personal notes, and anti-papal diatribe. Since the Master of the college at the time was the renowned, moderate-Calvinist scholar Samuel Ward, Palfrey's views, as reflected in the Notebook, can be taken to represent this aspect of Anglicanism, although most of the sources are Roman Catholic, specifically Jesuit texts. A full transcript of the Notebook ispresented here, with detailed commentary and extensive notes which illuminate Palfrey's material and explain its relationship to contemporary texts. A substantial introduction places the Notebook in its historical, educational andphilosophical contexts, examines the apparent contradictions between Palfrey's Aristotelianism and interest in magic, his Calvinism and use of Jesuit material, and suggests that the notebook represents a coherent response to thesocial and intellectual challenges of the times.
C. J. Cook holds a Doctorate in the History of Philosophy from Cambridge University.
Enrico Veneziani
The Papacy and Ecclesiology of Honorius II (1124-1130)
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A complete reappraisal of the papacy of Honorius II, highlighting the strategies to which this pontificate turned in order to govern ecclesiastical institutions and to deal with secular matters.
The papacy of Honorius II (1124-1130) has often been overlooked by historians, usually considered uneventful, transitional and colourless. This book offers a complete reappraisal, drawing on a detailed examination of the surviving letters produced by the papal chancery to show that conversely, it was a vital and innovative pontificate. It argues that during what was a stabilising period for the papacy in an era of peace, Honorius and the chancery were able to enact the instruments and ecclesiological claims dictated by external threats and produced during previous papacies. In particular, it shows that by adapting the content and form of the letters it issued, Honorius's chancery, led by the official Haimeric, played a decisive role in extending the ecclesiological thinking of the papacy. Furthermore, these years paved the way for ideas which were further developed later in the twelfth century, especially the arguments created by the warring parties in the Schism of 1130 to legitimise their respective popes. This study thus presents a different view of Honorius' administration, highlighting the strategies to which the papacy turned in order both to govern ecclesiastical institutions and to deal with secular matters, when previous protocols and routines could no longer be relied upon.
Sarah E. Thomas
The Parish and the Chapel in Medieval Britain and Norway
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Interdisciplinary study of chapels provides a more complex and fuller picture of engagement with the Church and Christianity in the Middle Ages.
From the eleventh and twelfth centuries, Latin Christendom was increasingly focussed, both institutionally and culturally, on Rome and the papacy. A key element of these changes was a growing concern with the provision of pastoralcare and the standardisation of practices and beliefs. However, whilst parish churches have received considerable scholarly attention, chapels have been largely neglected, despite the fact that they were widespread in the landscape of medieval Britain and Norway, found in locations ranging from villages to castles, and central to the life of many. This book, the first major comparative study of the subject, begins by examining what a chapel was, whoused them, and their purpose. Using archaeological remains, the wider parish landscape - settlements, transport and geography - and historical records such as papal letters, it then categorises chapels according to function and their relationship with the parish church, showing that they served a far greater range of purposes than has previously been assumed. The author also considers whether the drive for uniformity had an impact on religious landscapesin Britain and Norway, arguing that there is little evidence of a Viking impact on chapel organisation in the British Isles, with the evidence pointing towards Scandinavian adoption of pre-existing organisation and local cults.
Sarah Thomas gained her PhD from the University of Glasgow; she is currently a postdoctoral researcher at the University of Stirling.
![The Ordinal of the Abbey of the Holy Trinity Fécamp (Fécamp, Musée de la Bénédictine, MS 186), I [containing Part I]](http://indiepubs.com/cdn/shop/files/9781783273454_8d510513-2a6d-44e1-8ed2-8d0a8d08b4c7_400x.jpg?v=1721433441)
![The Ordinal of the Abbey of the Holy Trinity, Fécamp (Fécamp, Musée de la Bénédictine, MS 186), II [containing parts II, III and IV]](http://indiepubs.com/cdn/shop/files/9781783273447_47e22f3a-7b2c-434f-b64d-8f217a1d7659_400x.jpg?v=1721433462)
![The Ordinal of the Abbey of the Holy Trinity Fécamp (Fécamp, Musée de la Bénédictine, MS 186), I [containing Part I]](http://indiepubs.com/cdn/shop/files/9781783273454_8d510513-2a6d-44e1-8ed2-8d0a8d08b4c7_{width}x.jpg?v=1721433441)
![The Ordinal of the Abbey of the Holy Trinity, Fécamp (Fécamp, Musée de la Bénédictine, MS 186), II [containing parts II, III and IV]](http://indiepubs.com/cdn/shop/files/9781783273447_47e22f3a-7b2c-434f-b64d-8f217a1d7659_{width}x.jpg?v=1721433462)
