The musical, social and political history of the renowned St Thomas School and Church
In the seventeenth and eighteenth centuries, the cantors of the St. Thomas School and Church in Leipzig could be counted among the most significant German composers of their times. But what attracted these artists - from Seth Calvisius to J.S. Bach to Johann Adam Hiller - to the music school and choir and inspired them to explore new repertoire of the highest standing? And how did the cantors influence the musical profile of the school - a profile that often became a bone of contention between school and city hall? The success of the St. Thomas School was not a foregone conclusion; its history is replete with challenges and setbacks as well as triumphs. The school was caughtbetween the conflicting interests of enthusiastic mayors and townspeople, who wanted to showcase the city's musical culture, and opposing parties, including jealous rectors and elitist sponsors, who argued for the traditional subordination of the cantorate to the school system. Drawing on many new, recently discovered sources, Michael Maul explores the phenomenon of the St Thomas School. He shows how cantors, local luminaries and municipal politicians overcame the School's detractors to make it a remarkable success, with a world-famous choir. Illuminating the social and political history of the cantorate and the musical life of an important German city, the book will be ofinterest to scholars of Baroque music and J.S. Bach, cultural historians, choral directors, and musicologists and performers studying historical performance practice.
MICHAEL MAUL is Senior Scholar at the Bach-Archiv Leipzig and lecturer in musicology at the universities of Leipzig/Halle. He is also the artistic director of the annual Leipzig Bach Festival.
Pratik Chakrabarti
Bacteriology in British India
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The first book to provide a social and cultural history of bacteriology in colonial India, situating it at the confluence of colonial medical practices, institutionalization, and social movements.
During the nineteenth century, European scientists and physicians considered the tropics the natural home of pathogens. Hot and miasmic, the tropical world was the locus of disease, for Euopeans the great enemy of civilization. Inthe late nineteenth century when bacteriological laboratories and institutions were introduced to British India, they were therefore as much an imperial mission to cleanse and civilize a tropical colony as a medical one to eradicate disease. Bacteriology offered a panacea in colonial India, a way by which the multifarious political, social, environmental, and medical problems and anxieties, intrinsically linked to its diseases, could have a single resolution. Bacteriology in British India is the first book to provide a social and cultural history of bacteriology in colonial India, situating it within the confluence of advances in germ theory, Pastuerian vaccines, colonial medicine, laboratory science, and British imperialism. It recounts the genesis of bacteriology and laboratory medicine in India through a complex history of conflict and alignment between Pasteurism and British imperial medicine. By investigating an array of laboratory notes, medical literature, and literary sources, the volume links colonial medical research with issues of poverty, race, nationalism, and imperial attitudes toward tropical climate andwildlife, contributing to a wide field of scholarship like the history of science and medicine, sociology of science, and cultural history.
Pratik Chakrabarti is Chair in History of Science and Medicine, University of Manchester.
Edited by Richard Danson Brown and Andrew Hadfield
Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature
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An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.
In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.
Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.
Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present.
Susan B. Edgington
Baldric of Bourgueil: "History of the Jerusalemites"
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The first translation of Baldric's Historia Ierosolimitana, a spirited account of the First Crusade, into modern English.
The Historia Ierosolimitana is a prose narrative of the events of the First Crusade written at the abbey of Bourgueil in the Loire Valley around 1105. Its author, the abbot Baldric, used the anonymous Gesta Francorumfor much of the factual material presented, but provided literary enhancements and amplifications of the historical narrative and the characters found therein, in order, as Baldric says, to make the Historia a more worthy account of the miraculous events it describes. This volume provides the first modern-language translation of the Historia, with a full introduction setting out its historical, social, political and manuscript contexts, and notes. It will contribute to a revised exploration of the First Crusade, and facilitate much wider debates about the place of history writing in medieval culture, textuality and manuscript transmission.
Clare Brant
Balloon Madness
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In this sparkling account, Brant uses the brief moment of balloon madness as a way into a wide-ranging exploration of Enlightenment sensibility in Britain.
All the world is mad about balloons observers recorded during the craze in Britain that lasted from 1783 to 1786. Excitement about the new invention spread rapidly, inspiring hopes, visions, fashions, celebrations, satires, imaginary heroics and real adventures. In this sparkling account, Brant uses the brief moment of balloon madness as a way into a wide-ranging exploration of Enlightenment sensibility in Britain.
She follows the craze as it travelled around the country, spread through crowds and shaped the daily lives and dreams of individuals. From the levity of fashion, political satire and light verse inspired by balloons, she shows how wonders of air and speed alsoconnected with the deeper preoccupations and anxieties of eighteenth-century Britain. An aerial 'view from above' provided new moral perspectives on the place of humans in the universe and the nature of their aspirations; while the success of the French, leaders in aeronautics, unsettled national identity with visions of a new world order.
The practical limitations of balloons soon put an end to one set of possibilities, but their effect on popularculture was more enduring, with meaning even today. With a cast including kings, politicians, charlatans, pickpockets, the beau monde, duellists and animals, Balloon Madness celebrates the excitement and fun of this briefbut world-changing episode of history and its long afterlife in our imagination.
CLARE BRANT is Professor of Eighteenth-Century Literature and Culture at King's College London.
Donald Crummey
Banditry, Rebellion and Social Protest in Africa
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Marks a new stage in African resistance studies.
Previous work has tended to place the subject of resistance studies exclusively within an anticolonial context. This collection broadens the concept to include crime and violence.
Bryan Proksch
Bands in American Musical History
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Essays on the history of bands in America from ca. 1820 to 1930, offering new insights on a major sphere of music making that brought diverse repertories to wide audiences.
The essays in this volume, written by leading scholars in the field of American band history, examine a broad spectrum of issues, including biography, performance, repertoire, and marketing. Detailed studies of key turning points in the evolution of bands examine P. S. Gilmore's 1864 New Orleans concerts, the Kaiser-Cornet-Quartett's 1872 tour, the 1892 transition from Gilmore's Band to Sousa's Band, C. G. Conn's lavish artist-endorsement posters, and the demise of the Sousa Band in the late 1920s.
Additional essays seek to rectify oversights and add insights to the lives of key figures in band history. African American keyed bugler Frank Johnson's earliest works receive close scrutiny, as does the life of neglected cornet superstar Alice Raymond.
A complete reevaluation of Francesco Fanciulli, the US Marine Band leader whose reputation suffered greatly from an 1897 scandal, shows his importance in the realm of conducting and composition. An essay on the repertoire of a town band in antebellum New Hampshire and a documentary study of Civil War bandsmen seek to better understand social aspects of bands in the 1850s and 1860s.
Edited by Bryan Proksch and George Foreman. Contributors: Patricia Backhaus, Margaret Downie Banks, Steve Bornemann, Jim A. Davis, Dave Detwiler, Michael B. O'Connor, Eric Roefs, and Colin Roust.
Edited by Shaun McGuinness
Bangor Episcopal Acta, 1092-1306
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A thorough examination of the acta of the bishops of Bangor in North Wales opens a revealing window into the medieval Welsh church.
This volume provides a first edition of the acta (charters, indulgences, letters, petitions, professions of obedience etc) of the bishops of Bangor in north Wales for the period 1092-1306. A period which witnessed momentous change not only for the prince of Wales but also for the Welsh Church. There are 102 acta in total, 24 of which survive as originals, 6 retaining their original seals. Latin transcriptions of the acta are provided in extenso with English summaries. Textual and historical notes follow the transcriptions, with an explanation of the date ascribed to each document. The volume begins with an introduction to the medieval diocese of Bangor, its geographical extent, structure and the personnel responsible for its administration. There is also an examination of the native Welsh clas, which existed before a chapter was introduced. After brief biographies of the ten bishops who held the see during the period covered by the volume, there is an analysis of the diplomatic of the acta, including sealing arrangements. The volume concludes with the bishops' itineraries.
Steve Boardman, Susan Foran
Barbour's Bruce and its Cultural Contexts
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Fresh approaches to one of the most important poems from medieval Scotland.
John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights.
Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing.
Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Biörn Tjällén, Diana B. Tyson, Emily Wingfield.
John Barbour
Barbour’s Bruce
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Barbour's Bruce (c. 1375) is the oldest substantial piece of literature in Older Scots. It narrates in four-stress couplets the feats of Robert Bruce and his supporters, most notably James Douglas and Thomas Randolph. Their heroic activities, including battles against odds and clever out-manoeuvrings as well as open warfare, provide opportunities for discussion of good leadership, the celebration of freedom, and a construction of Scottishness alongside a narrative with enough verifiable historical detail to make it compelling and convincing. Barbour's narrative implicitly locates Bruce and Douglas against European traditions of the Nine Worthies, particularly Alexander, and shows a sophisticated sense of structure in the central placing of Bannockburn and Bruce's speech on freedom.
This edition by McDiarmid and Stevenson, out of print for several years, is now reissued by the Scottish Text Society. In addition to the text, it provides a full introduction, notes and a glossary.
Xiaoping Fang
Barefoot Doctors and Western Medicine in China
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The first study in English that examines barefoot doctors in China from the perspective of the social history of medicine.
In 1968, at the height of the Cultural Revolution, the Chinese Communist Party endorsed a radical new system of health-care delivery for the rural masses. Soon every village had at least one barefoot doctor to provide basic medical care, creating a national network of health-care services for the very first time. The barefoot doctors were portrayed nationally and internationally as revolutionary heroes, wading undaunted through rice paddies to bring effective, low-cost care to poor peasants. This book is the first comprehensive study to look beyond the nostalgia dominating present scholarship on public health in China and offer a powerful and carefully contextualized critiqueof the prevailing views on the role of barefoot doctors, their legacy, and their impact. Drawing on primary documents from the Cultural Revolution and personal interviews with patients and doctors, Xiaoping Fang examines the evidence within the broader history of medicine in revolutionary and postreform China. He finds that rather than consolidating traditional Chinese medicine, as purported by government propaganda, the barefoot doctor program introducedmodern Western medicine to rural China, effectively modernizing established methods and forms of care. As a result, this volume retrieves from potential oblivion a critical part of the history of Western medicine in China.
Xiaoping Fang is assistant professor of Chinese history at Nanyang Technological University, Singapore.
Jennifer N Brown
Barking Abbey and Medieval Literary Culture
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[An] admirable collection. . For anyone interested in what Wogan-Browne calls "the historiography of female community", nuns' libraries and literacy, and Barking abbey itself, this first-class collection of essays is essential reading. CATHOLIC HISTORICAL REVIEW
Essays on the texts produced at Barking Abbey - one of the most important centres for writings in the Middle Ages.
Barking Abbey (founded c. 666) is hugely significant for those studying the literary production by and patronage of medieval women. It had one of the largest libraries of any English nunnery, and a history of women's education from the Anglo-Saxon period to the Dissolution; it was also the home of women writers of Latin and Anglo-Norman works, as well as of many Middle English manuscript books. The essays in this volume map its literary history, offering a wide-ranging examination of its liturgical, historio-hagiographical, devotional, doctrinal, and administrative texts, with a particular focus on the important hagiographies produced there during the twelfth century. It thusmakes a major contribution to the literary and cultural history of medieval England and a rich resource for the teaching of women's texts.
Professor JENNIFER N. BROWN teaches at Marymount Manhattan College; Professor DONNA ALFANO BUSSELL teaches at University of Illinois-Springfield.
Contributors: Diane Auslander, Alexandra Barratt, Emma Bérat, Jennifer N. Brown, Donna A. Bussell, Thelma Fenster, Stephanie Hollis, Thomas O'Donnell, Delbert Russell, Jill Stevenson, Kay Slocum, Lisa Weston, Jocelyn Wogan-Browne, Anne B. Yardley
Adrian Jobson
Baronial Reform and Revolution in England, 1258-1267
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New investigations into a pivotal era of the thirteenth century.
The years between 1258 and 67 comprise one of the most influential periods in the Middle Ages in England. This turbulent decade witnessed a bitter power struggle between King Henry III and his barons over who should control the government of the realm. Before England eventually descended into civil war, a significant proportion of the baronage had attempted to transform its governance by imposing on the crown a programme of legislative and administrative reform far more radical and wide-ranging than Magna Carta in 1215. Constituting a critical stage in the development of parliament, the reformist movement would remain unsurpassed in its radicalism until the upheavals of the seventeenth century. Simon de Montfort, the baronial champion, became the first leader of a political movement to seize power and govern in the king's name. The essays collected here offer the most recent research into and ideas onthis pivotal period. Several contributions focus upon the roles played in the political struggle by particular sections of thirteenth-century society, including the Midland knights and their political allegiances, aristocratic women, and the merchant elite in London. The events themselves constitute the second major theme of this volume, with subjects such as the secret revolution of 1258, Henry III's recovery of power in 1261, and the little studied maritime theatre during the civil wars of 1263-7 being considered.
Adrian Jobson is an Associate Lecturer at Canterbury Christ Church University.
Contributors: Sophie Ambler, Nick Barratt, David Carpenter, PeterCoss, Mario Fernandes, Andrew H. Hershey, Adrian Jobson, Lars Kjær, John A. McEwan, Tony Moore, Fergus Oakes, H.W. Ridgeway, Christopher David Tilley, Benjamin L. Wild, Louise J. Wilkinson.
Lawrence A. Clayton
Bartolomé de las Casas
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A deep look at the impact of Christian scripture on Bartolomé de las Casas, one of the first and strongest critics against Spanish colonialism of the New World and for Indigenous rights.
Theologian, activist, reformer, political philosopher, historian and anthropologist Bartolomé de las Casas, OP (1484-1566) was a polarising figure in his own time and continues to provoke debate today. Arriving in Hispaniola as a settler and friend of conquistadors, in time las Casas became the official "Protector of the Indians" and a zealous advocate for their rights. His writings, in particular the History of the Indies and Brief History of the Destruction of the Indies, today constitute the best source for the first three decades of Spanish exploration and conquest in the Americas.
This book provides an accessible account of las Casas's life, achievements, teachings and legacy. Importantly, it underscores the tremendous influence of Christian scripture on las Casas, a surprisingly overlooked aspect in previous biographies, considering his status as a churchman and missionary. The book places him in his socio-political and religious context and traces the evolution of his thought, showing how his ideas on freedom, just war, natural law, social justice, and evangelisation frequently put him at odds with most of his contemporaries and especially the secular and ecclesiastical elites. Two centuries before Thomas Jefferson announced that "all men are created equal," las Casas proclaimed that "all mankind is one" and wielded the principle of government by consent in defence of Indigenous rights.
Gordon McKelvie
Bastard Feudalism, English Society and the Law
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A fresh look at the idea of bastard feudalism, deploying little-used records to provide new insights.
Regulation of the distribution of liveries and the practice of retaining, which underpinned the so-called system of bastard feudalism in late medieval England, are the subject of this book. Rather than relying primarily on the records of noble estates, as much previous scholarship has done, it draws on the records of the court of King's Bench, covering all 336 known cases of illegal livery and retaining over 130 years. The author examines the political events and legal processes surrounding illegal livery, by exploring the nature of the legislation and its enforcement, particularly the relationship between law-making in parliament and law-enforcement in the localities. The wider social and cultural contexts in which the statutes operated are also investigated, along with the legal processes and outcomes of the cases. Finally, the book considers the importance of retaining in the numerous acts of magnate violence during the fifteenth century, how they shaped the Wars of the Roses and the ways in which Henry VII accepted most noble retaining, save the most extreme cases.
Dr GORDON MCKELVIE is a lecturer in History at the University of Winchester
Lewis Foreman
Bax
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Completely revised and updated from recently discovered archive material, Lewis Foreman's classic biography is the essential handbook to Bax and his contemporaries.
Lewis Foreman's classic biography of the composer Arnold Bax (1883-1953) was first published in 1983. Documenting the life and times of a remarkable figure whose life touched a wide circle in England and Ireland, it was notable for having many of Bax's friends and contemporaries as sources, most of whom have since died. It also informed the remarkable revival of Bax's music and reputation which has taken place over the last twenty years. Now completely revised in the light of much new material including the huge archive of the pianist Harriet Cohen, Bax's mistress, which has only just become available for research, it is a notable portrait of a unique musical milieu. Bax's extensive musical output is now comprehensively recorded and widely known and here all the music is discussed from first hand acquaintance with all the revivals and recordings. This is the essential handbook to Bax and his period.
LEWIS FOREMAN is a freelance author and advisor to record companies.
Anselm Hughes
Bec Missal [The
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The MSS, from the abbey of Bec (Le Bec-Hellouin), written c. 1265-1272 is not strictly a missal, since it lacks an ordo missae and the canon, but in other respects it is close to a missale plenum in its contents, though it includes all the chants. It may have been a precentor's book, but equally well may have been designed for use of the altar. The plainchant melodies are not reproduced here. The English interest of Bec, home to Lanfranc and Anselm, archbishops of Canterbury, and with other strong cross-channel connections, is obvious.
Laurence W. Mazzeno
Becoming John Updike
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A study of the journalistic and academic reception of the writings of one of the great American writers of the late twentieth century.
When John Updike died in 2009, tributes from the literary establishment were immediate and fulsome. However, no one reading reviews of Updike's work in the late 1960s would have predicted that kind of praise for a man who was known then as a brilliant stylist who had nothing to say. What changed? Why? And what is likely to be his legacy? These are the questions that Becoming John Updike pursues by examining the journalistic and academic response tohis writings. Several things about Updike's career make a reception study appropriate. First, he was prolific: he began publishing fiction and essays in 1956, published his first book in 1958, and from then on, brought out atleast one new book each year. Second, his books were reviewed widely - usually in major American newspapers and magazines, and often in foreign ones as well. Third, Updike quickly became a darling of academics; the first book about his work was published in 1967, less than a decade after his own first book. More than three dozen books and hundreds of articles of academic criticism have been devoted to Updike. The present volume will appeal to the continuing interest in Updike's writing among academics and general readers alike.
Laurence W. Mazzeno is President Emeritus of Alvernia University. Among other books, he has written volumes on Austen, Dickens, Tennyson,and Matthew Arnold for Camden House's Literary Criticism in Perspective series.
Alex Priou
Becoming Socrates
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A rigorous investigation of Socrates' early education, pinpointing the thought that led Socrates to turn from natural science to the study of morality, ethics, and politics
Plato's Parmenides is regarded as a canonical work in ontology. Depicting a conversation between Parmenides of Elea and a young Socrates, the dialogue presents a rigorous examination of Socrates' theory of the forms, the most influential account of being in the philosophic tradition.
In this commentary on the Parmenides, Alex Priou argues that the dialogue is, in actuality, a reflection on politics. Priou begins from the accepted view that the conversation consists of two discrete parts -- a critique of the forms, followed by Socrates' philosophical training -- but finds a unity to the dialogue yet to be acknowledged. By paying careful attention to what Parmenides calls the "greatest impasse" facing Socrates' ontology, Priou reveals a political context to the conversation. The need in society for order and good rule includes the need, at a more fundamental level, for an adequate andefficacious explanation of being. Recounting here how a young Socrates first learned of the primacy of political philosophy, which would become the hallmark of his life, Becoming Socrates shows that political philosophy, and not ontology, is "first philosophy."
Alex Priou is an instructor in the Herbst Program in the Humanities in Engineering at the University of Colorado Boulder.
Vicky Gunn
Bede's Historiae
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A reappraisal of Bede's writings, focusing on his use of genre and rhetoric.
The church history of the Anglo-Saxons can only be approached through the lens of a few writers, arguably the greatest of whom is Bede; his works illuminate an otherwise impoverished landscape of ecclesial development from conversion to established Christian church amongst the Anglo-Saxons. Bede, however, had his own agendas - monastic, political, and rhetorical. In her reappraisal of Bede's Ecclesiastical History, Lives of the Saints, History of the Abbots, the Lesser and Greater Chronicles and the Martyrology and the audience for these texts, the author draws out the role played by classical forms of genre and rhetoric in the crafting of his work.Shealso explores the underlying political influences that caused Bede to write historia as he did. In particular, she notes the role of historia in monastic affairs, especially through the generation of a rhetoric of orthodoxy and the power of the cultural capital afforded by this within the relatively newly constituted Christian community in Northumbria.
Dr VICKY GUNN is Senior Lecturer, Learning and Teaching Centre, University of Glasgow.
Donald Burrows
Bedford's Musical Society
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The Bedford (Amateur) Musical Society, now Bedford Choral Society, was formed in 1867.
The Bedford (Amateur) Musical Society, now Bedford Choral Society, was formed in 1867. Its beginnings were not auspicious - an article in a local newspaper reported that 'no one felt very sanguine about the success of the proposed Society ... the idea being that musical people were a quarrelsome lot and could not hold together for any length of time.' Despite this, the Society has had a long and almost continuous history and is still thriving today. This volume records the characters who shaped the Society through the years, the varied musical programmes and the links with well-known performers and musicians. It includes the BBC Music Department's move to Bedford early in the Second World War and its support for the Society as it re-established itself. The volume has an introduction by Donald Burrows, Professor of Music at the Open University who provides an historical setting for the development of the Society within the context of national musical developments.
Edited by Barbara Tearle
Bedfordshire Probate Inventories before 1660
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Fewer than two hundred probate inventories were thought to have survived for Bedfordshire and most were published in Bedfordshire Historical Record Society volumes 20 and 32. Recently more came to light, bringing the total of known pre-1660 inventories to almost six hundred. These additional 432 inventories are published here and provide evidence of the home environment of the minor gentry, clergy, middling sort, tradesmen and the poor of Bedfordshire in the sixteenth and seventeenth centuries. While most inventories are for men, almost sixty are for widows and single women, whose circumstances mirror those of the men. The detailed listings of agricultural equipment, livestock and crops and the comfortable domestic life-style of the farming community, confirm what is already known of the agricultural prosperity of the county. Surviving inventories for shopkeepers and tradesmen are sparse, but the few inventories listing trades, services and manufacturing equipment (for malting, brewing and dyeing) provide a glimpse of thriving industry with links beyond the county. Several inventories stand out including a luxuriously furnished inn and two exceptionally wealthy gentry who were part of the county administration during the Commonwealth period. Not everyone was well-off and the inventories also include many people whose goods reveal them to be poor or living in near poverty. The introduction provides an overview of these varied living conditions, houses, furnishings, clothing, agriculture, prosperity and poverty, and draws on other sources to flesh out the lives of these people. An analysis of the debt culture, which occurred at all levels of society, challenges some of the first impressions of affluence or poverty. Appendices show the distribution of inventories over the county and list all published inventories. Another appendix sets out the process for exhibiting inventories against which local practice is compared in the introduction. The book concludes with an extensive glossary and index.
Kelly St. Pierre
Bedrich Smetana
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This book reveals Czech composer Bedrich Smetana as a dynamic figure whose mythology has been rewritten time and again to suit shifting political perspectives.
Interpretations of Czech composer Bedrich Smetana and his music have shifted as frequently as the political contexts in which they were written. This book examines not just Smetana, but also the scholar-politicians who have imagined and reimagined him and his works since the nineteenth century. During the 1870s, Smetana helped found a powerful nationalist organization called the Umelecká beseda ("Artistic Society," or UB), whose members produced the earliest scholarship on the composer as part of their calls for political action. Within the increasingly radicalized discourses of the twentieth century, individuals including future Minister of Culture and Education Zdenek Nejedlý attacked the UB for not being nationalistic enough, producing their own revisionist histories of Smetana and his works. Kelly St. Pierre investigates Smetana as both nationalist composer and national symbol, revealing the composer'slegacy as a dynamic figure whose mythology has been rewritten time and time again to suit changing political perspectives.
Kelly St. Pierre is assistant professor of musicology at Wichita State University.
Hollie L.S. Morgan
Beds and Chambers in Late Medieval England
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First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages.
The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces.
Hollie L.S. Morgan is a Research Fellow in the School of History and Heritage, University of Lincoln.
Hollie L.S. Morgan
Beds and Chambers in Late Medieval England
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First full-length interdisciplinary study of the effect of these everyday surroundings on literature, culture and the collective consciousness of the late middle ages.
The bed, and the chamber which contained it, was something of a cultural and social phenomenon in late-medieval England. Their introduction into some aristocratic and bourgeois households captured the imagination of late-medievalEnglish society. The bed and chamber stood for much more than simply a place to rest one's head: they were symbols of authority, unparalleled spaces of intimacy, sanctuaries both for the powerless and the powerful. This change inphysical domestic space shaped the ways in which people thought about less tangible concepts such as gender politics, communication, God, sex and emotions. Furthermore, the practical uses of beds and chambers shaped and were shaped by artistic and literary production. This volume offers the first interdisciplinary study of the cultural meanings of beds and chambers in late-medieval England. It draws on a vast array of literary, pragmatic and visual sources, including romances, saints' lives, lyrics, plays, wills, probate inventories, letters, church and civil court documents, manuscript illumination and physical objects, to shed new light on the ways in which beds and chambersfunctioned as both physical and conceptual spaces.
Marc D. Moskovitz, R. Larry Todd
Beethoven's Cello: Five Revolutionary Sonatas and Their World
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Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.
Winner of the 2018 CHOICE Outstanding Academic Title Award
In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas - the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composer's late style. In Beethoven's Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric 'Triple' Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composer's cello music published during his lifetime, Beethoven's Cello is the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.
MARC D. MOSKOVITZ is principal cellist of the ProMusica Chamber Orchestra. He has recorded the music of virtuoso cellists David Popperand Alfredo Piatti for the VAI label, and his American premiere of Zemlinsky's Cello Sonata was heralded by the Washington Post as 'an impassioned performance'. Moskovitz has contributed to the New Grove Dictionary of Music and Musicians; and his biography, Alexander Zemlinsky: A Lyric Symphony, was published by Boydell & Brewer in 2010.
Recognized as 'Mendelssohn's most authoritative biographer' (The New Yorker), R. LARRY TODD is Arts and Sciences Professor at Duke University. He is the author of Mendelssohn: A Life in Music, named Best Biography in 2003 by the Association of American Publishers, and Fanny Hensel: The Other Mendelssohn, awarded the ASCAP Nicholas Slonimsky Award for outstanding biography in music. As a pianist, he has recorded with Nancy Green the complete cello works of Mendelssohn and Fanny Hensel for JRI Recordings.
Hugh Macdonald
Beethoven's Century
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Essays by the noted authority on nineteenth-century music, the topics ranging from Beethoven and Schubert to comic opera to Scriabin and Janácek.
In Beethoven's Century: Essays on Composers and Themes, world-renowned musicologist Hugh Macdonald draws together many of his richest essays on music from Beethoven's time into the early twentieth century. The essays are here revised and updated, and some are printed in English for the first time. Beethoven's Century addresses perennial questions of what music meant to the composer and his audiences, how it was intended to be played, andhow today's audiences can usefully approach it. Opening with a revealing analysis of Beethoven's not always generous regard for his listeners, the essays probe aspects of Schubert's musical personality, the brief friendshipbetween Berlioz and Schumann, Liszt's abilities as a conductor, and Viennese views of Wagner as expressed by Hugo Wolf. Essays on comic opera and trends in French opera libretti in the late nineteenth century reflect the author's long-standing sympathy for French music, and strikingly eccentric personalities in the world of music, such as Paganini, Alkan, Skryabin, and Janácek, are brought to life. Beethoven's Century concludes with a wrylook at some startling developments in early twentieth-century music that have often been overlooked.
Hugh Macdonald has taught music at the Universities of Cambridge, Oxford, and Glasgow, and since 1987 has been Avis H. Blewett Distinguished Professor of Music at Washington University, St. Louis. He has written books on Skryabin and Berlioz, and is a regular pre-concert speaker for the Boston and St. Louis Symphony Orchestras.
Angus Watson
Beethoven's Chamber Music in Context
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This comprehensive survey shows how the larger scale works relate to Beethoven's chamber music and how the composer evolved an increasing freedom of form.
Beethoven's Chamber Music in Context provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other. Attention is paid to the influence of such large-scale compositions as the Eroica Symphony and Fidelio on the chamber music of his middle years and the Missa Solemnis and the Ninth Symphony on his late quartets. The author also lays stress on Beethoven's ever-increasing freedom of form - largely a result of his mastery of improvisationand a powerful symbol of the fusion of classical discipline with the subversive spirit of romantic adventure which characterises his mature music. Beethoven's friends were not shy about asking him what his music meant, orwhat inspired him, and it is clear that he attached the greatest importance to the words he used when describing the character of his compositions. 'The tempo is more like the body,' he wrote when commending Malzel's invention ofthe metronome, 'but these indications of character certainly refer to the spirit.'
Angus Watson, a violinist and conductor, has been Director of Music at Stowe School, Winchester College and Wells Cathedral School, one of Britain's specialist music schools. From 1984-1989 he was Dean of Music at the newly founded Hong Kong Academy for Performing Arts.
Theodore Albrecht
Beethoven's Conversation Books Volume 1
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A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets arehere translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand newintroductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these oftenlively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.
Theodore Albrecht
Beethoven's Conversation Books Volume 2
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A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time, covering a period associated with the revolutionary style of what we call "late Beethoven".
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets arehere translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand newintroductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these oftenlively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.
Theodore Albrecht
Beethoven's Conversation Books Volume 3
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$65.00
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A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
Edited and Translated by Theodore Albrecht
Beethoven's Conversation Books Volume 5
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$65.00
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A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
Lewis Lockwood
Beethoven's Lives
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Beethoven's Lives will be required reading for anyone interested in understanding how Beethoven biography has evolved through the ages.
When Ludwig van Beethoven died in March 1827, the world of music felt an intense loss. The composer's funeral procession was one of the largest Vienna had ever witnessed, and the poet Franz Grillparzer's eulogy brought the tensions between the composer's life and music into sharp focus: the deaf and aloof genius, the alienated and eccentric artist, unable to form a lasting relationship with a woman but reaching out to mankind. These apparent contradictions were to attract many Beethoven biographers yet to come.
Here, Lewis Lockwood, himself a much-lauded Beethoven biographer, tells the story of Beethoven biography, from the earliest attempts made directly after the composer's death to the present day. Beethoven's Lives casts a wide net, tracing the story of Beethoven biography from Anton Schindler as biographer and falsifier, through the authoritative Alexander Wheelock Thayer and down to the present. The list includes Gustav Nottebohm, the first scholar to study Beethoven's sketchbooks. With his work, biography could begin to reflect on the inner life of the artist as expressed in his music, and in this sense, sketchbooks could be seen as artistic diaries. Even Richard Wagner thought of writing a Beethoven biography, and the late nineteenth and early twentieth century saw the emergence of French and English traditions of Beethoven biography.
In the tumultuous twentieth century, with world wars and fractured politics, the writing of Beethoven biography was sometimes caught up in the storm. By bringing the story down to our time, Lewis Lockwood identifies traditions of Beethoven biography that today's scholars and writers need to be aware of. As Lockwood shows, each biography reflects not only on the individual writer's knowledge and interests, but also his inner sense of purpose as each writer works within the intellectual framework of his time.
LEWIS H. LOCKWOOD is one of the leading authorities on Beethoven worldwide. Having taught at Princeton and Harvard, some of his key Beethoven publications include: Beethoven: The Music and the Life (Norton, 2003; translated into many languages), as well as Beethoven's Symphonies: An Artistic Vision (Norton, 2015) and with the Julliard String Quartet: Inside Beethoven's Quartets: History, Performance, Interpretation (Harvard University Press, 2008). He is known for his studies of Beethoven's life and work, including the composer's autograph manuscripts and sketchbooks.
Theodore Albrecht
Beethoven's Ninth Symphony
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Brings to life the day-to-day details of staging the premiere of one of the most iconic works of Western classical music.
The Ninth Symphony of Ludwig van Beethoven with its final choral movement is one of the iconic works of Western classical music. And yet, the story never fully told concerns the months leading to the symphony's world premiere in Vienna on 7 May and repeat performance on 23 May 1824. In his new book, Theodore Albrecht brings to life the day-to-day details that it took to stage that premiere. It's a story of negotiating for performance halls and performers' payments, of hand-copying legible scores and individual parts for over 120 performers, of finding financiers, as well as space and time for rehearsals. Importantly, it is also a story of the relationship between Beethoven and the musicians who performed this symphonic masterpiece. In fact, as the maddening rehearsal schedule towards the symphony's premiere shows, it transpires that many passages of the Ninth have been tailored to specific orchestral players.
Many modern-day musicians will recognize familiar situations in rehearsals, many scholars and students will relish unprecedented new detail. All this comes to the fore by reconstructing the story drawing on the (almost) deaf composer's Conversation Books which Beethoven had been using since 1818. In the performance story of the Ninth Symphony's premiere, Albrecht makes full use of these invaluable documents, which are now being translated for the first time into English in a series of 12 volumes published by the Boydell Press.
Max Rostal
Beethoven: The Sonatas for Piano and Violin
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A rich survey of all Beethoven's sonatas for violin and piano.
The first in over half a century to be devoted to a detailed analysis of the complete Beethoven sonatas for violin and piano, this book arose from the author's desire to pass on to a younger generation more than sixty years' experience as a practising musician and teacher. Professor Rostal addresses himself to professional and amateur musicians alike, to students and to listeners, all of whom will derive pleasure and enlightenment from his words.
Each of the ten Sonatas is carefully discussed, the manuscripts and first and later editions meticulously compared. Musicians will find technical and interpretative problems approached and solved and the music-lover a helpful listener's guide to these ever-popular masterpieces. As the Amadeus Quartet's Preface says of this important book, `It is a "must" for all students and performers, and is a "must" for all lovers of Beethoven.'
A renowned violinist and teacher, Professor MAX ROSTAL studied music under Arnold Ros and Carl Flesch. Founder and President of the European String Teachers' Association, he has made many recordings and is the editor of numerous wirks inthe violin repertoire.
Edited and Translated by Theodore Albrecht
Beethoven’s Conversation Books Volume 4
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$65.00
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A complete new edition of Beethoven's conversation books, in 12 volumes, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.
Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer had begun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition.
These important booklets are here translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand new introductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these often lively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table.
Peter Holman
Before the Baton
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How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
This book investigates the ways large-scale music was directed or conducted in Britain before baton conducting took hold in the 1830s. After surveying practice in Italy, Germany and France from Antiquity to the eighteenth century,the focus is on direction in two strands of music making in Stuart and Georgian Britain: choral music from Restoration cathedrals to the oratorio tradition deriving from Handel, and music in the theatre from the Jacobean masque to nineteenth-century opera, ending with an account of how modern baton conducting spread in the 1830s from the pit of the Haymarket Theatre to the Philharmonic Society and to large-scale choral music. Part social and musical history based on new research into surviving performing material, documentary sources and visual evidence, and part polemic intended to question the use of modern baton conducting in pre-nineteenth-century music, Before the Baton throws new light on many hitherto dark areas, though the heart of the book is an extended discussion of the evidence relating to Handel's operas, oratorios and choral music. Contrary to near-universal modern practice, he mostly preferred to play rather than beat time.
Barry M. Goldstein
Being There
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Being There is a collection of photographic portraits of, and interviews with, NYU medical students who volunteered in the New York City Medical Examiner's morgue following 9/11. Dr. Barry Goldstein, who was the Master Scholars Artist-in-Residence during the 2001-2002 academic year, took the photos and conducted the interviews. The volume includes a foreword by Charles Hirsch M.D., the Chief Medical Examiner of the City of New York, who ran the massive effort to identify remains.
Being There is a collection of photographic portraits of, and interviews with, NYU medical students who volunteered in the New York City Medical Examiner's morgue following 9/11, conducted by Barry Goldstein, and with a foreword by Charles Hirsch, M.D., the Chief Medical Examiner of the City of New York, who ran the massive effort to identify remains. Within 24 hours of the attacks, a complex of tents and refrigerated trucks appeared on 30th St. and 1st Ave, adjacent to the Office of the Chief Medical Examiner [OCME]. This makeshift compound housed the temporary morgues that would receive human remains recovered from Ground Zero. Approximately twenty NYU medical students volunteered to work alongside the understaffed OCME, sorting, cataloguing, and identifying human remains. Most of these students had been in medical school for only a few weeks. In June of 2002, Dr. Goldstein photographed and interviewed the volunteers, asking them to describe what they did, what they would remember, how they coped, and how they were changed by the experience.
Barry M. Goldstein is Associate Professor of Biochemistry and Biophysics, Associate Professor of Medical Humanities at the University of Rochester Medical Center, and Adjunct Professor of Humanism in Medicine at NYU School of Medicine. He was Artist-in-Residence at the NYU School of Medicine during the 2001-2002 academic year.
Nicolò Palazzetti
Béla Bartók in Italy
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Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero.
This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music.
The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.
Hayley Rabanal
Belén Gopegui
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This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
This book is the first major study of one of Spain's most celebrated younger novelists, Belén Gopegui, whose work stands apart from other writers of her generation for its uncompromising focus on the social function of literature.
Gopegui's social commitments find expression in her concern for solidarity and collective projects. These become more radical over time in response to a disenchantment with the evolution of the left in Spain and to the global impact of the capitalist economic system, giving rise to increasingly interventionist narrative strategies. The core theme of solidarity is explored in relation to the collective experience of Spain's largely consensualdemocratic transition and to the apparent erosion of collective goals in post-transition society. Gopegui's discourse of solidarity is examined through engagement with theorists of advanced modernity, including Ulrich Beck's 'risksociety' model and various contemporary reflections on the concept of solidarity. Centred on Gopegui's first four novels, the study situates analysis of these within the perspective of her later works and illuminates her artisticand intellectual trajectory by drawing on an extensive array of her non-fiction writings and personal interviews, one of which is published here for the first time.
Hayley Rabanal is Lecturer in Hispanic Studies at the University of Sheffield.
Sylvester Okwunodu Ogbechie
Ben Enwonwu
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Winner - African Studies Association's 2009 Melville J. Herskovits Award
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.
The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.
In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.
First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.
Sylvester Okwunodu Ogbechie
Ben Enwonwu
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Winner - African Studies Association's 2009 Melville J. Herskovits Award
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history.
The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art.
In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression in African cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, and Enwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity.
First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art.
Frederick Aquilina
Benigno Zerafa (1726-1804) and the Neapolitan Galant Style
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This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition.
This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant". Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable.
FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.
Lucy Walker
Benjamin Britten
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An essay collection which examines Britten's juvenilia, influences such as Shostakovich and Verdi, his opera Owen Wingrave and a libretto written by Australian novelist Patrick White with the hope of a future collaboration.
Benjamin Britten: New Perspectives on his Life and Work reveals the extent to which Britten scholarship is reaching outside the confines of Anglo-American criticism. The volume engages with juvenilia and other orchestral works from the 1920s and examines a broad range of influences on Britten, including the works of Shostakovich and Verdi, the poetry of Ovid, and the cinema. Among his operatic works the dramatic qualities of Owen Wingrave arediscussed through a close study of Piper's libretto and we witness the genesis of a libretto written by Australian novelist Patrick White and submitted to Britten with the hope of a future collaboration. The volume uncovers the generally hostile reception Britten's operas received in Paris until around the 1990s. Britten's status as 'outsider' in both the USA and in his own country when he returned in 1942 is discussed: the possibility is that Britten wasbecoming nervous of the gathering US involvement in the war and the real chance he may be called up to serve in the US forces is also discussed here.
Cameron Pyke
Benjamin Britten and Russia
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Explores Benjamin Britten's deeply-felt cultural affinity with Russia and influences on the 'Russian' Britten.
This book explores Benjamin Britten's creative relationship with Russia throughout his life by examining his engagement with Russian composers, musicians and writers in the context of twentieth-century politics. The remarkable relationship between Britten and Shostakovich is a central theme, but it also evaluates other key influences, particularly Britten's passion for Tchaikovsky, his more elusive fascination with Prokofiev, and his ambiguous attitude towards Stravinsky; and it places Britten's enduring friendships with Rostropovich, Vishnevskaya and Richter in the context of his musical output. The book also analyses Britten's responses to various Russian composers and musicians- why, for example, did he dislike Musorgsky? - and considers personal and political perceptions of Britten in the Soviet Union. Finally, it assesses the wider question of Russian influence on Britten's works and in turn whether Britten's music had any influence on the younger generation of Russian composers, such as Alfred Schnittke. This study draws on Foreign Office and British Council files at the National Archives, published and unpublished material from the former Soviet Union, including the Shostakovich Family Archive, and oral history, in addition to the Britten-related archives. Benjamin Britten and Russia will appeal not only to Britten scholars and students but also to those interested in twentieth-century culture, history and politics more widely.
CAMERON PYKE is Deputy Master (External) at Dulwich College and part-time lecturer at the Centre of Russian Music, Goldsmiths, University of London.
Vicki Stroeher
Benjamin Britten Studies: Essays on An Inexplicit Art
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Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.
Benjamin Britten Studies brings together established authorities and new voices to offer a fresh perspective on previous scholarship models and a re-contextualization of previously held beliefs about Britten. Using the mostrecent and innovative historical, musicological, sociological, psychological, and theoretical methodologies, the authors take off the 'protective arm' around Britten and disclose an unprecedented amount of previously unpublishedand disregarded primary source materials. The collection considers difficult questions of identity such as Britten's retreat to America, his re-entry into the British musical scene, and late-life revisions of his American works; scrutinizes the fraught establishing of the English Opera Group contemporaneous with the founding of the Aldeburgh Festival of Music and the Arts; explores his break with Boosey & Hawkes and inspects international copyright concerns in the Soviet Union' investigates sensitive issues of intimacy and Britten's relationships; and combines closer analysis of Britten's musico-rhythmic, harmonic, and compositional practices with a description of the more overtlypolitical context within which he found himself. Benjamin Britten Studies ends by asking what we can actually know about the composer in a reconsideration of the materials he left behind. All of this coalesces into avolume that not only serves as a model of on-going and future Britten research but which generates a greater understanding of the overall trends within the ever-synthesizing and interdisciplinary musicological field of the twenty-first century.
VICKI P. STROEHER is Professor of Music History at Marshall University.
JUSTIN VICKERS is Assistant Professor of Voice at Illinois State University.
Contributors: Byron Adams, Nicholas Clark, Jenny Doctor, Paul Kildea, Christopher Mark, Thornton Miller, Louis Niebur, Philip Reed, Colleen Renihan, Philip Rupprecht, Kevin Salfen, Vicki P. Stroeher, Justin Vickers, Lucy Walker, Danielle Ward-Griffin, Lloyd Whitesell
Donald Sultana
Benjamin Disraeli in Spain, Malta and Albania, 1830-32
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A full study of Disraeli's long and important journey to the East, which exercised a decisive influence upon his personal development as well as affecting his foreign policy when he became price minister. The tour covered Gibraltar and Spain, Malta, Corfu and Albania, and the Middle East.
Kevin Slack
Benjamin Franklin, Natural Right, and the Art of Virtue
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A thorough examination of Benjamin Franklin's works on philosophy and politics, arguing that Franklin was a philosopher of natural right
Benjamin Franklin's writings on politics are voluminous, and his own politics are well known, yet scholars debate -- often fiercely -- whether he had a political philosophy and, if so, what it was. Benjamin Franklin, Natural Right, and the Art of Virtue is a study of Franklin's political and philosophical writings, tracing the development of his political thought and elucidating the political philosophy he came to embrace and put into practice.
Kevin Slack argues that Franklin, despite his reputation as a wit and clever politician, examined the nature of politics, virtue, and morality more deeply than any scholar has given him credit for. Franklin, as Slack demonstrates, rejected metaphysics during a period of youthful skepticism, adopting radical skepticism, but later abandoned that view for a third alternative, Shaftesbury's common-sense philosophy. Engaging in a rigorous critique of religious and political authorities, Franklin rejected all authoritative claims but that of reason, which he used to investigate the nature of justice, or natural right. Slack shows here that Franklin was a thinker in the traditionof Socrates, and thus a political philosopher in the truest and highest sense.
Kevin Slack is assistant professor of politics at Hillsdale College.
Sarah E. Naramore
Benjamin Rush, Civic Health, and Human Illness in the Early American Republic
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Benjamin Rush (1745-1813) casts a long shadow over American medicine as well as over the social and political history of the American republic. The Philadelphia physician involved himself in numerous social, political, and scientific projects while maintaining a busy practice and lecturing to thousands of students over his career. As a result, attempts by historians to make sense of Rush and his world have been complicated and contradictory. Nevertheless, it is within that mixed narrative of the social, medical, and political that Rush's story becomes its most compelling.
At the end of the Revolutionary War, new American citizens found themselves in a new country. For Rush and his colleagues, that newness extended beyond a change in political structure. They believed that the physical challenges of growing cities and western expansion and the psychological challenges of new identities came together in ways that could help or hurt American health. From his vantage point at one of the nation's few medical schools, located in its intellectual capital, Rush developed a reputation as America's physician—while mixing social and scientific ideas for the "improvement" of the country as a whole. Putting Rush in this context, Benjamin Rush, Civic Health, and Human Illness in the Early American Republic goes beyond biography to explore his social and scientific networks and their role in the development of a distinctly American medical profession.
Sarah E. Naramore
Benjamin Rush, Civic Health, and Human Illness in the Early American Republic
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Benjamin Rush (1745-1813) casts a long shadow over American medicine as well as over the social and political history of the American republic. The Philadelphia physician involved himself in numerous social, political, and scientific projects while maintaining a busy practice and lecturing to thousands of students over his career. As a result, attempts by historians to make sense of Rush and his world have been complicated and contradictory. Nevertheless, it is within that mixed narrative of the social, medical, and political that Rush's story becomes its most compelling.
At the end of the Revolutionary War, new American citizens found themselves in a new country. For Rush and his colleagues, that newness extended beyond a change in political structure. They believed that the physical challenges of growing cities and western expansion and the psychological challenges of new identities came together in ways that could help or hurt American health. From his vantage point at one of the nation's few medical schools, located in its intellectual capital, Rush developed a reputation as America's physician—while mixing social and scientific ideas for the "improvement" of the country as a whole. Putting Rush in this context, Benjamin Rush, Civic Health, and Human Illness in the Early American Republic goes beyond biography to explore his social and scientific networks and their role in the development of a distinctly American medical profession.
Christine Rauer
Beowulf and the Dragon: Parallels and Analogues
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This first comprehensive study of the dragon-fight in Old English and related literatures casts fresh light on Beowulf's last battle.
The vivid depiction of a dragon-fight in the Old English poem Beowulf and its relationship with other literary encounters between heroes and dragons has been the subject of much scholarly debate; yet this is the first comprehensive study of the dragon-fight in secular and hagiographical literature. In a series of five detailed studies the author discusses the analogues and possible sources of Beowulf's famous last battle, drawing on hagiographical,historical, liturgical, heroic and other narrative material to explore the prominence of these episodes within the literary milieu of the Beowulf-poet and his audience. She assembles an extensive corpus of fights between saints and dragons, and demonstrates their striking resemblance to Beowulf's actions. A comparison with Scandinavian material is followed by case studies which examine the dragon-fights of St Samson and the archangel St Michael. Theanalogues discussed are presented with facing translations and detailed bibliographies.
Dr CHRISTINE RAUER teaches in the Department of English at the University of St Andrews.
Alexander R. Bay
Beriberi in Modern Japan
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The history of the medical and scientific debate about the etiology of the disease as it played out between diet theorists and contagionists from 1880 to 1940.
In modern Japan, beriberi (or thiamin deficiency) became a public health problem that cut across all social boundaries, afflicting even the Meiji Emperor. During an age of empire building for the Japanese nation, incidence rates in the military ranged from 30 percent in peacetime to 90 percent during war. Doctors and public health officials called beriberi a "national disease" because it festered within the bodies of the people and threatened the health ofthe empire. Nevertheless, they could not agree over what caused the disease, attributing it to a diet deficiency or a microbe.
In Beriberi in Modern Japan, Alexander R. Bay examines the debates over the etiologyof this "national disease" during the late nineteenth and early twentieth centuries. Etiological consensus came after World War I, but the struggle at the national level to direct beriberi prevention continued, peaking during wartime mobilization. War served as the context within which scientific knowledge of beriberi and its prevention was made. The story of beriberi research is not simply about the march toward the inevitable discovery of "the beriberi vitamin," but rather the history of the role of medicine in state-making and empire-building in modern Japan.
Alexander Bay is assistant professor of history at Chapman University.
Peter Bloom
Berlioz in Time
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Fourteen revealing essays by a prominent Berlioz authority on some of the composer's acclaimed compositions (the Symphonie fantastique, Les Nuits d'été, Les Troyens) and writings (the celebrated Mémoires).
Written for both music lovers and scholars, these essays probe some of Berlioz's major works, including the Symphonie fantastique (the period of whose genesis is newly explored), Les Nuits d'été (whose origins are newly clarified by a revelation regarding Berlioz's possible muse), the Symphonie militaire (whose existence is examined in the period before it became the Symphonie funèbre et triomphale), Les Troyens (whose epilogue is seen as a paean to Napoléon III), and Béatrice et Bénédict (whose text reveals extraordinary understanding of the original play).
The essays consider anew Berlioz's relationships with Franz Liszt (with whom the composer shared intimate details of his marriage to Harriet Smithson) and Richard Wagner (by whom the Frenchman was both charmed and alarmed), his travels in Germany (revealed as having had a specifically administrative purpose), his appreciation of English literature and Shakespeare (on whose work he was considered an expert), his modus operandi in composing the Mémoires, and his major twentieth-century biographers. Of conspicuous concern are the "politics" of a man sometimes erroneously viewed as distant from the political arena.
This book is openly available in digital format, under Creative Commons license CC BY-NC-ND, thanks to generous funding from The New Berlioz Edition Trust.
Translated by Roger Nichols, edited by Julian Rushton, Introduction by Peter Bloom
Berlioz the Critic
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Hector Berlioz combined writing music with lively and informed music criticism. This collection of articles, engagingly translated by Roger Nichols, covers the middle years of his critical career.
PRESTO MUSIC BOOK OF THE MONTH JUNE 2025
Berlioz's music criticism from 1837 to 1850 covers a period druing which he composed some of his finest works, and travelled abroad to perform them before appreciative audiences in Germany, Russia, and England. Roger Nichols has chosen and translated extracts from fifty-eight articles of particular interest, with commentary and notes identifying people mentioned. Berlioz scholars Peter Bloom and Julian Rushton provide an informative introduction and a comprehensive editorial apparatus.
In the selected articles Berlioz discusses Paris performances of early and modern music, including new operas and revivals, and concerts at the Paris Conservatoire. He comments freely but with understanding on conductors, singers and instrumentalists. The essays demonstrate the composer's concern with innovation in the design of musical instruments and assess the quality of performing venues. Berlioz writes on the musical life of London, France, and Germany, most entertainingly about the inauguration of statues of Beethoven and Rossini. The selection is framed by major articles on "Imitation in Music" and on Gluck's opera Alceste.
Daniel Albright
Berlioz's Semi-Operas
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A full-length study of two of Berlioz's most unique works, which combine the highest goals of both symphony and opera and incorporate two of the greatest classics of Western literature into a total fusion of the arts.
This work studies two works that are among the most challenging of the entire Romantic Movement, not least because they assault the notion of genre: they take place in a sort of limbo between symphony and opera, and try to fulfillthe highest goals of each simultaneously. Berlioz was a composer who strenuously resisted any impediments that stood in the way of complete compositional freedom. Most of his large-scale works nevertheless obey the strictures of some preexistent form, whether opera or symphony or mass or cantata; it is chiefly in these two experiments that Berlioz allowed himself to be Berlioz. One of the central characteristics of Romanticism is the belief that all arts are one, that literature, painting, and music have a common origin and a common goal; and this book tries to show that Berlioz achieved a Gesamtkunstwerk, a fusion of arts, in a manner even more impressive (in certain respects) than that of Wagner, in that Berlioz implicated into his total-art-work texts by two of the greatest poets of Western literature, Shakespeare and Goethe. The method of this book is unusual in that it pays equally close attention to the original text [Romeo and Juliet and Faust] as well as to the musical adaptation; furthermore, it suggests many analogues in the operatic world which Berlioz knew -- the world of Gluck, Mozart, Mehul, Spontini, Cherubini -- in order to show exactly how Berlioz followed or flouted the dramatic conventions of his age. This book aims to contribute to Berlioz studies, to studies of the Romantic Movement, and to the rapidly growing field of comparative arts.
Daniel Albright is Richard L. Turner Professor in the Humanities at the University of Rochester.
Professor Peter Bloom
Berlioz: Past, Present, Future
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A collection of essays commemorating Hector Berlioz's life and work on the 200th anniversary of his birth.
This far-reaching collection of heretofore unpublished studies ushers in the two-hundredth anniversary of the birth of Hector Berlioz [1803-1869]. The contributors include leading music historians and two prominent historians of culture, Peter Gay and Jacques Barzun. The essays discuss Berlioz's views of the music of the "past," Berlioz's interactions with music and musicians of his "present," and views of Berlioz during the several generations after his death [the "future"]. A long-awaited piece by Richard Macnutt meticulously inventories and investigates more than two hundred letters and documents that are now known to have been forged but that have sometimes been accepted as authentic. Further contributions, from David Charlton, Heather Hadlock, Sylvia L'Ecuyer, Katherine Kolb, Catherine Massip, Kerry Murphy, Jean-Michel Nectoux, Cecile Reynaud, and Lesley Wright, consider specific aspects of Berlioz's creative work and critical reception.
The editor, Peter Bloom, is Grace Jarcho Ross 1933 Professor of Humanities in the Department of Music at Smith College. His scholarly work has focused primarily on the life and workof Berlioz. He is a member of the Panel of Advisors of the New Berlioz Edition and the author of The Life of Berlioz.
Professor Peter Bloom
Berlioz: Scenes from the Life and Work
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New studies of the great French composer by Jacques Barzun, David Cairns, Joël-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts.
These twelve essays bring new breadth and depth to our knowledge of the life and work of the composer of the Symphonie fantastique. A distinguished international array of scholars here treat such matters as Berlioz's "aesthetics" and what it means to write about the meaning of his music; the political implications of his fiction and the affinities of his projects as composer and as critic; what the Germans thought of his work before his travels in Germany and what the English made of him when he visited their capital city; what he seems to have written immediately after encountering Shakespeare's Romeo and Juliet (a surprise), and where he profited from Beethoven in what later became Roméo et Juliette. The volume closes with two reflective essays on Berlioz's literary masterpiece, the Mémoires.
Contributors: Lord Aberdare (Alastair Bruce), Jean-Pierre Bartoli, JacquesBarzun, Peter Bloom, David Cairns, Gunther Braam, Gérard Condé, Pepijn van Doesburg, Joël-Marie Fauquet, Frank Heidlberger, Hugh Macdonald, and Julian Rushton
Peter Bloom (Smith College) is author of The Life of Berlioz (1998) and editor of The Cambridge Companion to Berlioz (2000).
April A. Eisman
Bernhard Heisig and the Fight for Modern Art in East Germany
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One of the first books to extend the currently burgeoning scholarship on East Germany to the visual arts, revealing that painting, like literature and film, was a space of contestation.
East German studies today is thriving. Scholars have shown East Germany to be a complex society where culture played an important, if contested, role in the making of the socialist person. In English-language scholarship, however,the visual arts-and especially painting-have been largely ignored, the result of the misperception that East German art was little more than kitsch or propaganda. This book focuses on one of East Germany's most successful artistsas a point of entry into the vibrant art world of the "other" Germany. In the 1980s, Bernhard Heisig (1925-2011) was praised on both sides of the Berlin Wall for his neo-expressionist style and his commitment to German history and art. Chancellor Helmut Schmidt chose him to paint his official portrait, major museums collected his work, and in 1989 he had a major solo exhibition in West Germany. After unification, Heisig was a focal point in the Bilderstreit, a virulent debate over what role East German art should play in the new Germany. Challenging current understandings of Heisig and East German art, this book focuses on Heisig's little-known fight for modern art in EastGermany. Examining major debates of the 1960s, it shows the key role he played in expanding the country's art from the limits of Soviet-style socialist realism to a socialist modernism that later gained recognition in the West.
April A. Eisman is Associate Professor of Art History at Iowa State University.
Sophie Redfern
Bernstein and Robbins
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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.
2022 CHOICE Outstanding Academic Title Winner.
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.
Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Sophie Redfern
Bernstein and Robbins
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The formative early ballets of West Side Story creators Leonard Bernstein and Jerome Robbins explored in detail for the very first time.
2022 CHOICE Outstanding Academic Title Winner.
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years.
Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free andFacsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
John J. White, Ann White
Bertolt Brecht's Furcht und Elend des Dritten Reiches
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First thorough treatment in English of one of Brecht's most important antifascist works.
Brecht's Furcht und Elend des Dritten Reiches (Fear and Misery of the Third Reich) gives a compelling documentary picture of life in Nazi Germany. Close readings of individual scenes are accompanied by a detailed analysis of their role within the play's overall structure. Contrary to the assumption that it is a work of Aristotelian realism, Brecht is shown to employ covert alienation devices that are an integral part of his literary campaign againstThird Reich Germany. This first study in English on the subject of Brecht and fascism offers a corrective to the overconcentration on the play's artistic aspects. It considers Brecht's relationship to the Popular Front's campaign against the National Socialist regime. Attention is paid to the play's genesis, and, in the case of The Private Life of the Master Race, to the partial shift from the Third Reich of 1933-38 to the war period predictedin the original Furcht und Elend cycle. The play's central theme of resistance, its propaganda value, and its political and artistic reception are addressed within their historical and ideological framework. The result is a challenging assessment of the play's strengths and limitations as a response to German totalitarianism.
John J. White is Emeritus Professor of German and Comparative Literature at King's College London, and Ann White is Senior Lecturer in German at Royal Holloway, University of London.
John J. White
Bertolt Brecht's Dramatic Theory
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Detailed analysis of Brecht's extensive theoretical writings on the theater, including newly available works.
As an integral part of his work as a political playwright and dramaturge, Bertolt Brecht concerned himself extensively with the theory of drama. He was convinced that the Aristotelian ideal of audience catharsis through identification with a hero and the resultant experience of terror and pity worked against his goal of bettering society. He did not want his audiences to feel, but to think, and his main theoretical thrusts -- "Verfremdungseffekte" (de-familiarization devices) and epic theater, among others -- were conceived in pursuit of this goal. This is the first detailed study in English of Brecht's writings on the theater to take account of works first made available in the recent German edition of his collected works. It offers in-depth analyses of Brecht's canonical essays on the theater from 1930 to the late 1940s and early GDR years. Close readings of the individual essays are supplemented by surveys of the changing connotations within Brecht's dramaturgical oeuvre of key theoretical terms, including epic and anti-Aristotelian theater, de-familiarization, historicization, and dialectical theater. Brecht's distinct contribution to the theorizing of acting and audience response is examined in detail, and each theoretical essay and concept is placed in the context of the aesthetic debates of the time, subjected to a critical assessment, and consideredin light of subsequent scholarly thinking. In many cases, the playwright's theoretical discourse is shown to employ methods of "epic" presentation and techniques of de-familiarization that are corollaries of the dramatic techniques for which his plays are justly famous.
John J. White is Emeritus Professor of German and Comparative Literature at King's College London.
Richard Barber
Bestiary
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A delightful translation of one of the finest, and most beautiful, examples of a medieval Bestiary.
Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning - the phoenix, for instance, as a symbol of Christ's resurrection.
This Bestiary, MS Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic quality of the later Gothic style, and make dazzling use of colour. This book reproduces the 136 illuminations to the same size and in the same place as the original manuscript, fitting the text around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm.
RICHARD BARBER has written many books on the history of and life in the middle ages, from his Somerset Maugham Award-winning The Knight and Chivalry, by way of biographies of Henry II and the Black Prince, to an anthology of Arthurian literature from England, France and Germany, Arthurian Legends, and an account of the historical Arthur, King Arthur: Hero and Legend.
Izabela Kalinowska
Between East and West
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A comparison between Russian and Polish texts of travels to the Orient in the Nineteenth-Century.
This study analyzes and compares Polish and Russian texts of travel to the Romantic and Biblical Orient and situates Polish and Russian Orientalism within the broader context of contemporary post-colonial studies. At the same time, it elucidates the shortcomings that arise when such theories are applied whole cloth to the Polish and Russian cases.
In the nineteenth century, scholarly and literary Orientalism enjoyed great popularity in Eastern Europe, in part because the 'East Europeans' desired to participate as equals in the intellectual life of Europe as a whole. Historically, both the Polish and Russian nations had always existed in close proximity to the Muslim world, and each of them had experienced extensive exposure to a fusion of Western and Eastern cultural traditions. But while the two cultures shared the intersection of Western and native cultural traditions that in turn played a determinative role in their encounters with the East, the growing political empowerment of Russia and the disenfranchisement of Poland differentiated the Polish and Russian perspectives. It is precisely this striking and fascinating power disparity between the two Slavic nations that has inspired this study's juxtaposition of Polish and Russian texts.
The records of individual Oriental voyages provided in Polish and Russian works of literary Orientalism document a quest for cultural self-definition. This is the case with Adam Mickiewicz's 'Crimean Sonnets,' Aleksandr Pushkin's Caucasian poetry, and with other nineteenth-century accounts that, in spite of their original popularity, subsequently underwent marginalization. East European records of travel constitute a work of interpretation and translation on several levels. As such they provide us with a fascinating repository of the authors' attempts to locate their own cultures in the intermediary space between the East and the West.
Izabela Kalinowska is an assistant professor of Slavic literatures and cultures at Stony Brook University.
David Gramit
Beyond The Art of Finger Dexterity
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The first English-language book on Czerny, and the broadest survey of his activity in any language.
Within the history of European music, Carl Czerny (1791-1857) is simultaneously all too familiar and virtually invisible. During his lifetime, he was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music, which recent performances and recordings have shown to hold real musical interest. Beyond "The Art of Finger Dexterity" explores Czerny's multifaceted career and its legacy and provides the first broad assessment of his work as a composer. Prominent North American and European musicians and scholars explore topics including Czerny's life and its context; his autobiographical writings and efforts to promote his teacher, Beethoven; his activity as a pedagogue, both as teacher of Liszt and as the authority held up to innumerable amateur women pianists; his role in shaping performance traditions of classical music; the development of his image during and after his lifetime; and his work in genres including the Mass, the symphony, the string quartet, and the piano fantasy. This is the first English-language book on Czerny, and the broadest survey of his activity in any language.
Contributors: George Barth, Otto Biba, Attilio Bottegal, Deanna C. Davis, James Deaville, Ingrid Fuchs, David Gramit, Alice M. Hanson, Anton Kuerti, Marie Sumner Lott, James Parakilas, Michael Saffle, Franz A. J. Szabo, Douglas Townsend, and John Wiebe.
DavidGramit [University of Alberta] is the author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848.
Marie von Ebner-Eschenbach, Vanessa Van Ornam, Vanessa Van Ornam
Beyond Atonement
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19th-century novel of adultery and remorse.
Marie von Ebner-Eschenbach (1830-1916) was celebrated even in her own lifetime as Austria's foremost nineteenth-century woman writer.Beyond Atonement (Unsühnbar, 1889), loosely based on an actual event in a high-class Austrian family,is a novel about adultery: Maria marries Hermann Dornach, though she is in love with Felix Tessin; two years later, she commits adultery with Tessin, conceiving a child whom she alone knows to be illegitimate; when her husband and their legitimate son die in an accident, she reveals her infidelity. Her unforgiving family and her own remorse set Maria apart from the protagonists of other nineteenth-century novels of adultery such as Goethe's Elective Affinities and Tolstoy's Anna Karenina. Beyond Atonement is a companion piece to Ebner's best-known tale of village life, Their Pavel (Das Gemeindekind), also published by Camden House. Dr VANESSA VAN ORNAM is a translator for the city government of Berlin.
Peter Wiegold, Ghislaine Kenyon
Beyond Britten: The Composer and the Community
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With his Aspen award lecture (1964), Benjamin Britten expressed a unique commitment to community and place. This book revisits this seminal lecture, but then uses it as a starting point of reflection, inviting leading composers, producers and writers to consider the role of the composer in the community in Britain in the last fifty years. Colin Matthews, Jonathan Reekie and John Barber reflect on Britten's aspirations as a composer and the impact of his legacy, and Gillian Moore surveys the ideals of composers since the 1960s. Eugene Skeef and Tommy Pearson discuss the influence of the London Sinfonietta, while Katie Tearle reviews the tradition of community opera at Glyndebourne. Nigel Osborne and Judith Webster explore the role of music as therapy, and James Redwood, Amoret Abis, Sean Gregory and Douglas Mitchell look at music in the classroom and creative workshops. John Sloboda, Detta Danford and Natasha Zielazinski discuss collaboration in music-making and ways of facilitating exchanges between the composer and the audience, while Christopher Fox and Howard Skempton examine the role of modernism and the use of 'other', radical techniques to stimulate new dialogues between composer and community. Peter Wiegold and Amoret Abis interview Sir Harrison Birtwistle, John Woolrich and Phillip Cashian, and Wiegold discusses his formative experiences in encountering music-making in other cultures. All of these approaches to the role and identity of the composer throw a different light on how we address 'the composer and the community': the varied, sometimes contradictory, motivations of composers; the role of music in 'enhancing lives'; the concept of 'outreach' and the different ways this is pursued; and, finally, the meaning of 'community'. Underpinning each are genuine questions about the relationship of arts to society. This book will appeal not only to composers, performers and practitioners of contemporary music but to anyone interested in the changes in twentieth-century music practice, music in education, and the role ofmusic and the arts in the wider community and society. PETER WIEGOLD is a composer, conductor and the director of Club Inégales and the Institute of Composing. He is a Research Professor of Music at Brunel University, and also director of the 'Brunel Institute for Contemporary Middle-Eastern Music' (BICMEM). GHISLAINE KENYON is an author, freelance arts education consultant and curator.
Julia Simon
Beyond Contractual Morality
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Beyond Contractual Morality looks at current debates over the meaning of liberalism by reexamining their roots in eighteenth-century texts, which demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of public and private lives. Writers such as Rousseau, Voltaire, Sade, and Montesquieu are discussed.
In light of contemporary debates over liberalism, and informed by the problems of contemporary democratic, pluralistic culture, Beyond Contractual Morality reexamines the roots of these current discussions in eighteenth-century texts. Enlightenment texts demonstrate the historical intertwining of political, legal and moral problems in their extension of social contract theory into various realms of private and public life. Specifically, these textspoint to an over-reliance on the notion of contract to resolve ethical dilemmas. A range of issues and authors is discussed, including: the historical development of social contract theory from Hobbes to Rousseau; conflicting conceptions of education in Rousseau's writings; the rise of professional ethics; the concept of tolerance as discussed by Montesquieu, Voltaire, and Rousseau; the divide between the public and private realms in the writings of Charriere and Sade. Beyond Contractual Morality concludes with a reemphasis on the contemporary context of debate and proposes a defense of a revised version of liberalism that can take account of positive duties without sacrificing individual autonomy.Julia Simon is Associate Professor of French at the Pennsylvania State University.
James Porter
Beyond Fingal's Cave
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Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.
Beyond Fingal's Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s and attributed to a purported ancient Scottish bard named Ossian. From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment. The admiration for Ossian's poems -shared by Napoleon, Goethe, and Thomas Jefferson - was an important stimulus in the development of Romanticism and the music that was a central part of it. More important still was the view of the German cultural philosopher Johann Gottfried Herder, who saw past the controversy over the poems' authenticity to the traditional elements in these heroic poems and their mood of lament.
James Porter's long-awaited book traces the traditional sources used by James Macpherson for his epoch-making prose poems and examines crucial works by composers such as Beethoven, Schubert, Mendelssohn, Brahms, and Massenet. Many other relatively unknown composers were also moved to write operas, cantatas, songs, and instrumental pieces, some of which have proven to be powerfully evocative and well worth performing and recording.
James Porter
Beyond Fingal's Cave
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Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.
Beyond Fingal's Cave: Ossian in the Musical Imagination is the first study in English of musical compositions inspired by the poems published in the 1760s and attributed to a purported ancient Scottish bard named Ossian. From around 1780 onwards, the poems stimulated poets, artists, and composers in Europe as well as North America to break away from the formality of the Enlightenment. The admiration for Ossian's poems -shared by Napoleon, Goethe, and Thomas Jefferson - was an important stimulus in the development of Romanticism and the music that was a central part of it. More important still was the view of the German cultural philosopher Johann Gottfried Herder, who saw past the controversy over the poems' authenticity to the traditional elements in these heroic poems and their mood of lament.
James Porter's long-awaited book traces the traditional sources used by James Macpherson for his epoch-making prose poems and examines crucial works by composers such as Beethoven, Schubert, Mendelssohn, Brahms, and Massenet. Many other relatively unknown composers were also moved to write operas, cantatas, songs, and instrumental pieces, some of which have proven to be powerfully evocative and well worth performing and recording.
Insa Nolte
Beyond Religious Tolerance
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A counterbalance to the predominant study of Islam's role in social and political struggles, this book examines life in Ede, south-west Nigeria, offering important analyses of religious co-existence.
Since the end of the Cold War, and especially since 9/11, religion has become an increasingly important factor of personal and group identification. Based on an African case study, this book calls for new ways of thinking about diversity that go "beyond religious tolerance". Focusing on the predominantly Muslim Yoruba town of Ede, the authors challenge the assumption that religious difference automatically leads to conflict: in south-west Nigeria, Muslims,Christians and traditionalists have co-existed largely peacefully since the early twentieth century. In some contexts, Ede's citizens emphasise the importance and significance of religious difference, and the need for tolerance.But elsewhere they refer to religious boundaries in passing, or even celebrate and transcend religious divisions. Drawing on detailed ethnographic and historical research, survey work, oral histories and poetry by UK- and Nigeria- based researchers, the book examines how Ede's citizens experience religious difference in their everyday lives. It examines the town's royal history and relationship with the deity Sàngó, its old Islamic compounds and itsChristian institutions, as well as marriage and family life across religious boundaries, to illustrate the multiplicity of religious practices in the life of the town and its citizens and to suggest an alternative approach to religious difference.
INSA NOLTE is Reader in African Studies, University of Birmingham, and Visiting Research Professor, Osun State University, Osogbo. OLUKOYA OGEN is Former Provost, Adeyemi College of Education, Ondo,Professor of History, Osun State University, Osogbo, and Visiting Senior Research Fellow, University of Birmingham. REBECCA JONES, Postdoctoral Research Fellow, University of Birmingham, is author of At the Crossroads: NigerianTravel Writing and Literary Culture in Yoruba and English, published by James Currey in 2019. All three editors worked on the ERC project 'Knowing Each Other: Everyday Religious Encounters, Social Identities and Tolerance in Southwest Nigeria'. Nigeria: Adeyemi College Academic Press (paperback)
Insa Nolte
Beyond Religious Tolerance
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$130.00
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A counterbalance to the predominant study of Islam's role in social and political struggles, this book examines life in Ede, south-west Nigeria, offering important analyses of religious co-existence.
Since the end of the Cold War, and especially since 9/11, religion has become an increasingly important factor of personal and group identification. Based on an African case study, this book calls for new ways of thinking about diversity that go "beyond religious tolerance". Focusing on the predominantly Muslim Yoruba town of Ede, the authors challenge the assumption that religious difference automatically leads to conflict: in south-west Nigeria, Muslims,Christians and traditionalists have co-existed largely peacefully since the early twentieth century. In some contexts, Ede's citizens emphasise the importance and significance of religious difference, and the need for tolerance.But elsewhere they refer to religious boundaries in passing, or even celebrate and transcend religious divisions. Drawing on detailed ethnographic and historical research, survey work, oral histories and poetry by UK- and Nigeria- based researchers, the book examines how Ede's citizens experience religious difference in their everyday lives. It examines the town's royal history and relationship with the deity Sàngó, its old Islamic compounds and itsChristian institutions, as well as marriage and family life across religious boundaries, to illustrate the multiplicity of religious practices in the life of the town and its citizens and to suggest an alternative approach to religious difference.
Insa Nolte is Reader in African Studies at the University of Birmingham, and Visiting Research Professor at Osun State University, Osogbo. She is President of the African Studies Association of the UK(2016-18) and Principal Investigator of the ERC project "Knowing Each Other: Everyday Religious Encounters, Social Identities and Tolerance in Southwest Nigeria". Olukoya Ogen is Provost of Adeyemi College of Education, Ondo; Professor of History at Osun State University, Osogbo; and Visiting Senior Research Fellow at the University of Birmingham. He is the Nigerian coordinator of the "Knowing Each Other" project. Rebecca Jones is Postdoctoral Research Fellow on the "Knowing Each Other" project. Her book, A Cultural History of Nigerian Travel Writing, will be published by James Currey in 2017.
Nigeria: Adeyemi College Academic Press (paperback)
Susan Tomes
Beyond the Notes
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We knew from her recordings that Susan Tomes is a superb chamber player; now we know that she's a superb writer too. Michael Church, INDEPENDENT In this widely acclaimed volume, Susan Tomes, a rare example of a leading musicianwho writes about the craft of performance, describes her experience of twenty years of rehearsal, concerts and recording.
We knew from her recordings that Susan Tomes is a superb chamber player; now we know that she's a superb writer too. Michael Church, INDEPENDENT She is as sensitive an observer and as subtle a writer as she is one of our finest chamber musicians...This is a book that should be read by practising musicians and music-lovers alike: here's one performer who really can communicate in words as well as music. JAMES JOLLY, GRAMOPHONE Susan Tomes's bookgives you an intensely illuminating picture of the life of a pianist...she is a brilliant writer...Just as she magnetises with her playing, so too with her words. EDWARD GREENFIELD, GUARDIAN
In this widely acclaimed volume, Susan Tomes, a rare example of a leading musician who writes about the craft of performance, describes her experience of twenty years of rehearsal, concerts and recording. Her performing life has been centred on chamber music and the need to communicate it fully to an audience hungry for meaningful musical experience. She was a founder member and the pianist of both Domus and the Florestan Trio, award-winning groups at the top of their field. Part One is a series of diaries describing their travels and performances: Domus in the 1980s with its own portable concert hall, struggling to create the conditions for informal but intense concert performances, and the Florestan Trio, currently one of the world's finest piano trios. Part Two is a collection of thought-provoking essays about teachers, making records, practising and rehearsing, audiences, earning a living, and the particular challenges of being a concert pianist. Beyond the Notes gives an unusually candid view of the complexities of a life in music.
SUSAN TOMES, alongside her packed concert schedule, is a frequent contributor, on music and other subjects, to a number of publications.
Crispin Brooks
Beyond the Pale
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The first book devoted exclusively to the Holocaust in the North Caucasus, exploring mass killings, Jewish responses, collaboration, and memory in a region barely known in this context
When war between the Soviet Union and Germany broke out in 1941, thousands of refugees - many of whom were Jews - poured from war-stricken Ukraine, Crimea, and other parts of Russia into the North Caucasus. Hoping to find safety, they came to a region the Soviets had struggled to pacify over the preceding 20 years of their rule. The Jewish refugees were in especially unfamiliar territory, as the North Caucasus had been mostly off-limits to Jews before the Soviets arrived, and most local Jewish communities were thus small. The region was not known as a hotbed of traditional antisemitism. Nevertheless, after occupying the North Caucasus in the summer and autumn of 1942, the Germans exterminated all the Jews they found - at least 30,000 - aided by local collaborators.
While scholars have focused on local collaboration during the German occupation and on the subsequent Soviet deportations of entire North Caucasian ethnic groups, the region has largely escaped the attention of Holocaust researchers. This volume, the first book-length study devoted exclusively to the Holocaust in the North Caucasus, addresses that gap. Contributors present richly documented essays on such topics as German killing operations, decision-making by Jewish refugees, local collaboration, rescue, and memory, taking care to integrate their findings into the broader contexts of Holocaust, North Caucasian, Russian, and Soviet history.
Ingo Cornils
Beyond Tomorrow
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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
Since its beginnings, German Science Fiction (or SF) has engaged with social change and technological progress, often drawing from utopian thought. The writer Kurd Laßwitz challenged the authoritarian Wilhelmine order; later, film director Fritz Lang provided a searing critique of Weimar society. Meanwhile utopian thinkers like Ernst Bloch and Herbert Marcuse insisted on the possibility of hope, even in the face of totalitarianism. During the Cold War, German utopian writing and filmmaking were vital both as a warning and as a creative imagining of possible futures. More recently, as rapid scientific and technological advances have continued, literary and cinematic responses have become increasingly dystopian in outlook, reflecting fears connected with globalization, advances in artificial intelligence and genetic engineering, and persistent challenges like climate change, hunger, migration, and terrorism. This book explores German SF's responses to the question how humanity can match technological advances with social, ethical, and moral progress. It surveys German utopian thought and the German SF tradition-both literary and cinematic-providing close readings of selected works that paradoxically reflect boundless optimism for the possibility of change and increasing pessimism in its likelihood. English translations are provided throughout. Building on its rich tradition but now confidently entering the mainstream, German SF attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
Karl F. Otto
Bibliographia Kleschiana
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Bibliography, with introduction, of the literary works of two generations of the Klesch family: writers, preachers, poets and scholars.
During the second half of the seventeenth century two generations of the extraordinary Klesch family produced hundreds of literary works; they chronicle the hardships of war and exile, and contributed significantly to the development of a distinctive Protestant literary tradition centred in the Zips area of present-day Slovakia. The Kleschs' works also offer unique insights into German exiles and the role of German language societies in aiding them; the Lutheran community and the Catholic Counter-Reformation in Hungary; sermons and spiritualistic literature; and apocalypticism in the late seventeenth century. This volume provides a bibliography to the writings of the Klesch family; the introduction explains the significance of the family and its works and outlines their lives.
E.H. Cordeaux
Bibliography of Printed Works Relating to Oxfordshire (excluding the University and City of Oxford)
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Published by Boydell & Brewer Inc.
E.H. Cordeaux, D.H. Merry
Bibliography of Printed Works Relating to the City of Oxford
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Published by Boydell & Brewer Inc.
Martin Middeke
Biofictions
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A pioneering collection of articles on fictionalized biographies of the Romantics in contemporary fiction and drama.
It appears that the lives of the British Romantics and the myths surrounding them have a special appeal for contemporary writers.The present volume sets out to explore this renewed interest in Romantic artist-figures in the context of the current renaissance of 'life-writing'. The essays collected here deal with Romantic 'biofictions' by such authors as Peter Ackroyd, Adrian Mitchell, Ann Jellicoe, Liz Lochhead, Judith Chernaik, Amanda Prantera, Robert Nye, Tom Stoppard, Howard Brenton, Edward Bond, and others. Thomas Chatterton, William Blake, James Hogg, Sir Walter Scott, Percy Bysshe Shelley, Mary Shelley, John Polidori, John Clare, and -- most prominently -- Lord Byron featureas the 'biographical subjects' in the works discussed.
Michael J. Warren
Birds in Medieval English Poetry
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First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
Birds featured in many aspects of medieval people's lives, not least in their poetry. But despite their familiar presence in literary culture, it is still often assumed that these representations have little to do with the real natural world. By attending to the ways in which birds were actually observed and experienced, this book aims to offer new perspectives on how and why they were meaningful in five major poems -- The Seafarer, the Exeter Book Riddles, The Owl and the Nightingale, The Parliament of Fowls and Confessio Amantis. In a consideration of sources from Isidore of Seville and Anglo-Saxon place-names to animal-sound word lists and Bartholomew the Englishman, the author shows how ornithological truth and knowledge are integral to our understandings of his chosen poems. Birds, he argues, are relevant to the medieval mind because their unique properties align them with important religious and secular themes: seabirds that inspire the forlorn Anglo-Saxon pilgrim; unnamed species that confound riddling taxonomies; a belligerent owl who speaks out against unflattering literary portraits. In these poems, human actions and perceptions are deeply affected by the remarkable flights and voices of birds.
Michael J. Warren
Birds in Medieval English Poetry
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First full-length study of birds and their metamorphoses as treated in a wide range of medieval poetry, from the Anglo-Saxons to Chaucer and Gower.
Birds featured in many aspects of medieval people's lives, not least in their poetry. But despite their familiar presence in literary culture, it is still often assumed that these representations have little to do with the real natural world. By attending to the ways in which birds were actually observed and experienced, this book aims to offer new perspectives on how and why they were meaningful in five major poems -- The Seafarer, the Exeter Book Riddles, The Owl and the Nightingale, The Parliament of Fowls and Confessio Amantis. In a consideration of sources from Isidore of Seville and Anglo-Saxon place-names to animal-sound word lists and Bartholomew the Englishman, the author shows how ornithological truth and knowledge are integral to our understandings of his chosen poems. Birds, he argues, are relevant to the medieval mind because their unique properties align them with important religious and secular themes: seabirds that inspire the forlorn Anglo-Saxon pilgrim; unnamed species that confound riddling taxonomies; a belligerent owl who speaks out against unflattering literary portraits. In these poems, human actions and perceptions are deeply affected by the remarkable flights and voices of birds.
MICHAEL J. WARREN is currently Visiting Lecturer at Royal Holloway University, where he gained his PhD.
Alec Cobbe
Birds, Bugs and Butterflies: Lady Betty Cobbe's 'Peacock' China
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A major contribution to our knowledge of the Worcester porcelain factory in its early years, based on a single large and elaborate dinner service commissioned by an Irish family.
2020 Winner of the American Ceramic Circle Book Award
The early years of the famous Worcester porcelain factory established by Dr Wall have always been a little mysterious, owing to the destruction of the records of thebusiness for this period. Alec Cobbe's discovery of family papers listing the purchases over a period of years of a particularly beautiful and ornate table set have enabled him to give a vivid glimpse of how the factory interacted with its customers. He is able to describe the commissioning of perhaps the largest service of first period Worcester porcelain on record by Thomas and Lady Betty Cobbe for Newbridge House Co. Dublin. It was bought in stages from 1763 as the family travelled from Dublin to Bath each year, stopping at Worcester en route, as other Irish gentry did. The Cobbe service, uniquely in the context of British porcelain, was accompanied by a full set of Irish silver and steel cutlery fitted with Worcester porcelain handles matching the service. The various pieces of porcelain and their historical context are described as well as their painted decoration, and the sources for it. The later history of the service is outlined and its gradual dispersal in the nineteenth century, culminating in a final sale of the remaining pieces lot by lot in a Christie's sale in 1920. This book celebrates Cobbe's reassembly of more than 160 pieces of the original service over a period of more than thirty years and their return to Newbridge following their exhibition in the State Apartments at Dublin Castle. Overall, the book gives an important insight into Irish social life and patronage in the mid-eighteenth century.
Alec Cobbe was born in Ireland and still resides in Newbridge House, Co. Dublin, where his ancestors have lived since it was built in the middle of the eighteenth century. He practises as an artist and designer. As a passionate collector, he added to his family's historic collections and assembled the world's largest group of composer-owned keyboard instruments.
Claire L. Sahlin
Birgitta of Sweden and the Voice of Prophecy
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Birgitta's religious authority considered, with regard to her prophetic mission and her authenticity as a medium of divine revelation in 14c Europe.
This book examines the religious authority of St Birgitta of Sweden, the charismatic moral reformer and controversial female visionary of the fourteenth century, emphasising both representations of her prophetic mission and debates about her authenticity as a medium of divine revelation. It illuminates Birgitta's view of herself as a prophet of moral reform by explaining how her Revelations depict her religious mission and place in salvation history, goingon to reconstruct interactions between Birgitta and her contemporaries, including the significance of her prophetic authority vis-a-vis the priestly authority of her male clerical associates. Finally, it analyses arguments aboutwomen's suitability for mediating the divine word in posthumous attacks and defences of her claims to prophesy. Through a close examination of Birgitta's lengthy Revelations, canonization documents, and texts by her posthumous defenders and detractors, this study demonstrates that members of her audience perceived her to be both a vibrant source of supernatural power and a dangerous transgressor of conventional boundaries. Informed by sociological studies of prophetic authority, it contributes to our knowledge of Birgitta herself as well as to our understanding of the dynamics of women's spiritual authority.
Professor CLAIRE SAHLIN teaches at Texas Woman's University.
Barbara Yorke
Bishop Aethelwold
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[This] exemplary interdisciplinary approach to Aethelwold and his impart on the cultural, religious and political life of southern England in his own day is to be applauded. JOURNAL OF ECCLESIASTICAL HISTORY
Æthelwold's life and his political and ecclesiastical importance in the 10th-century reformation receive thorough scholarly scrutiny in this appraisal of his life and work. The studies include a comparison of Æthelwold's career with that of other European monastic reformers; a study of Æthelwold's foundation at Abingdon; and of his involvement with the political crises of the 10th century. Æthelwold's skills as a scholar are assessed through surviving Latin and Old Englist texts, and as a teacher from the writings of his pupils. The scholarly work of his foundations is highlighted by a detailed study of the text of the Benedictional of St Æthelwold; other essays look at themusic and sculpture performed and produced at Æthelwold's foundations. Contributors: PATRICK WORMALD, ALAN THACKER, BARBARA YORKE, MICHAEL LAPIDGE, ANDREW PRESCOTT, MARY BERRY, ELIZABETH COATSWORTH
William Greenwell
Bishop Hatfield's Survey, A Record of the Possessions of the See of Durham, Made by Order of Thomas de Hatfield, Bishop of Durham. With an Appendix of Original Documents, and a Glossary.
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Survey made 1377-1380 by Bishop Hatfield (1345-1382). Much more extensive than Boldon Buke. Contains full list of all tenants, with quantity of land they held and enumeration of services belonging to each manor. 'Singularly curious as a repertory of names during the fourteenth century.' Appendices include bailiff's roll of manor of Auckland 1337-8, bailiff's rolls for various episcopal manors, 1349-50, and a general receiver's roll for 1385-6.
Martin John Broadley
Bishop Herbert Vaughan and the Jesuits
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First published edition of documents and letters from a highly-significant incident within the nineteenth-century Catholic church.
The row between Bishop Herbert Vaughan of Salford and the Jesuits became a cause celebre in the 1870s and was only settled eventually in Rome after the personal intervention of the pope. While the immediate issue was the provision of secondary education, at stake were key questions of authority that had troubled the English Catholic community for centuries; the solution played a major part in determining the relationship between the newly restored bishops and the Religious Orders. This volume brings together for the first time all the relevant English and foreign archival sources and enables the reader to take a balanced view of the whole issue. The documents and letters [including Vaughan's private diary] paint an intriguing and not always flattering picture of the principal combatants. Bishop Vaughan [later Cardinal Archbishop of Westminster] was a determined champion of his own and his fellow-bishops' rights as diocesan bishops. Against him stood the leaders of the Jesuit Order, jealous of their traditional privileges and heirs to centuries of service to the English Catholic community. By the 1870s that community wasbeginning to develop a commercial and professional middle class who demanded secondary education for their children. Many of them looked to the Jesuits to provide it and they claimed the right to do so, irrespective of the wishesand rights of the bishop. The source material is accompanied by an introduction placing them into their social and historical context, and explanatory notes. It forms an important addition to an understanding of the nineteenth-century English Catholic Church.
Father Martin John Broadley is a priest in the Catholic diocese of Salford; he also lectures at the University of Manchester.
Alison Hudson
Bishop Æthelwold, his Followers, and Saints' Cults in Early Medieval England
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An exploration of how Æthelwold and those he influenced deployed the promotion of saints to implement religious reform.
Bishop Æthelwold of Winchester and his associates were some of the most radical monastic reformers in tenth-century Europe. In two generations, they took over most of the powerful churches in the kingdom of England and implemented a number of the policies found in their ambitious monastic manifestos. They also had a major impact on the early development of the kingdom itself, taking a role in the establishment of a shire system that lasted a thousand years, negotiations with invaders, and attempts to create a standardized English language. Æthelwold and his circle were also enthusiastic venerators of saints. This book examines a range of sources, from hagiographies to charters, from liturgy to archaeological remains, to argue that saints' cults helped these men and women secure their power, wealth, and relationships with groups outside their monasteries. The saints that Æthelwold's circle promoted most lavishly were not necessarily the ones that they studied or the ones that matched their ideological agenda. Rather, Æthelwold's monks and nuns connected themselves to a wide range of saints, including the Virgin Mary, St Swithun, Æthelthryth of Ely, Iudoc, Grimbald, Botulf, Cuthbert, and many others. Venerating these saints helped Æthelwold and his followers appeal to other groups in society, including unreformed ecclesiastics, lay nobles, and the workers on their estates. This book therefore not only has implications for the study of early English history and literature, but also for the history of western European monasticism and saints' cults more generally.
Kenneth Carleton
Bishops and Reform in the English Church, 1520-1559
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The role of bishops in the process of Reformation in the 16th century, studied from their surviving writings and contemporary discussion.
The English bishops played a crucial role in the process of Reformation in the sixteenth century, from the first arrival of continental Reformed thought to the virtual extinction of the office in 1559. This work has at its core the bishops' own understanding of the episcopate, drawn from their surviving writings and other contemporary discussions; such a study is key to understanding what became of the English Church of the middle ages and what it was to become under Elizabeth. Carleton examines the interplay between bishop and king, the episcopate in the context of other orders, and the social context of the office; he studies episcopal activity in key areas such as preaching, ordaining, and opposing heresy; and he notes the influence of the models which the bishops themselves set up as ideals, most notably Christ himself as the ideal bishop. The backgrounds of the bishops are set out in the appendix.
Hugh Macdonald
Bizet in Italy
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The first English translation of Bizet's letters and journals from his stay in Italy, with explanatory texts from one of the leading authorities on the composer's life and music.
In 1857, Georges Bizet (1838-1875) won the prestigious Prix de Rome scholarship which allowed him to study in Italy for a few years at the expense of the French state. While Bizet's correspondence from this time suggests that he was not fond of Italian music, he was especially drawn to the landscape and Italian Renaissance art and painting. Though Bizet's thoughts later turned away from rural life and the masterpieces of the Renaissance, his letters and journals from this period document the growth of a young musician who would eventually write Carmen.
Translated into English for the first time, Bizet's letters from his stay in Italy (at the Villa Medici in Rome, with expeditions to various other parts of the country) reveal much about his character and tastes. These extraordinary documents are fully annotated, and presented alongside never-before-published translations of Bizet's journals from the same years. Linking textual guides supplied by one of the leading authorities on the composer provide unique insights into the composer's formative years that cannot be found anywhere else.
Richard Langham Smith
Bizet's Carmen Uncovered
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Bizet's Carmen Uncovered exposes the myths and stereotypes that so often surround this much loved opera by exploring its first staging, and the particularly Spanish contexts in which the opera was conceived, written, and staged.
What were the forces that brought Carmen to the Operatic stage? There were certainly many: for example, the liberation of Spain from the Napoleonic rule in 1813; the subsequent emigration of Spanish artists and musicians to form an active community in Paris; the mid-century mushrooming of interest in visiting Spain facilitated by the establishment of railways. The first part of this book explores the reasons behind the French mania for Spain, and the second demonstrates how the travels and writings of Prosper Mérimée, particularly in his novella Carmen, but also in his earlier writings sent back to Paris from his first visit to Spain in the 1830s, were incorporated into the opera. What were the stories he incorporated into the fateful tale of the soldier who murders his gypsy lover? And how important was the Spanish background to this tragic tale?
This book explores how the stereotypes of Andalusian-gypsy spectacle, banditry, and the fiestas of the bullfight contributed to the eventual success of Bizet's opera. How did Bizet and his librettists, Meilhac and Halévy -- and the scenographic team -- capture the spirit of Spain so strongly as to seduce opera-goers around the world? And how did it hybridise real Spanish music and French Opera with the essential 'moments' of Spanish life so important to Mérimée and his librettists? The original staging of the opera is used to examine both 'places' and characters, in particular of realities and mythologies about gypsies in the nineteenth century. It concludes with the first ways in which the opera reached the stage, both in terms of its scenography and how it was sung, played, and acted.
Copiously illustrated with materials emanating from before the first production, the book reveals some of the realities of the Spain which went into this ground-breaking opera, to this day continually re-invented with new angles, new settings, and new interpretations.
Bernth Lindfors
Black African Literature in English 1997-1999
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This volume lists the work produced on anglophone black African literature between 1997 and 1999.
This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
Bernth Lindfors
Black African Literature in English, 1992-1996
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This volume lists all the important work produced on anglophone black African literature between 1992 and 1996.
This bibliographic work is a continuation of the earlier volumes compiled by Bernth Lindfors. Containing about 9000 entries, some of which areannotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources. Also included are a substantial number of African newspaper and magazine articles.
Basil Davidson
Black Star
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Basil Davidson's Black Star remains one of the most thoughtful and insightful views into the life and times of Kwame Nkrumah (1909-1972)'.- Emmanuel Akyeampong, from the book's new Foreword
Prime Minister Kwame Nkrumah seized opportunities to lead the countries of sub-Saharan Africa away from colonialism. In 1957, he became the first Prime Minister of Ghana. By the time he was overthrown in a coup in 1966 most African countries, outside the settler-dominated South, had also achieved independence. ' As a visionary Nkrumah was ahead of his times, with an astute understanding of colonialism that made the twin goals of socialism at home (Ghana) and African unity the abiding principles of his work and life.... Nkrumah's monumental role and place in modern Ghana's history mystifies him as a national hero; Black Star humanizes Nkrumah in important ways, and the reader gains a new understanding of a great man, but still a man.' - From the new Foreword by Emmanuel Kwaku Akyeampong, Professor of History, Harvard University
Donna J. Nicol
Black Woman on Board
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Offers a rare view inside the university boardroom, uncovering the vital role Black women educational leaders have played in ensuring access and equity for all.
LONGLISTED: 2025 PEN American Open Book Award WINNER: 2024 Best Indie Book Award in Non-Fiction: History, Politics, and Social Sciences
Black Woman on Board: Claudia Hampton, the California State University, and the Fight to Save Affirmative Action examines the leadership strategies that Black women educators have employed as influential power brokers in predominantly white colleges and universities in the United States. Author Donna J. Nicol tells the extraordinary story of Dr. Claudia H. Hampton, the California State University (CSU) system's first Black woman trustee, who later became the board's first woman chair, and her twenty-year fight (1974–94) to increase access within the CSU for historically marginalized and underrepresented groups. Amid a growing white backlash against changes brought on by the 1960s Civil Rights and Black Power Movements, Nicol argues that Hampton enacted "sly civility" to persuade fellow trustees, CSU system officials, and state lawmakers to enforce federal and state affirmative action mandates.
Black Woman on Board explores how Hampton methodically "played the game of boardsmanship," using the soft power she cultivated amongst her peers to remove barriers that might have impeded the implementation and expansion of affirmative action policies and programs. In illuminating the ways that Hampton transformed the CSU as the "affirmative action trustee," this remarkable book makes an important contribution to the history of higher education and to the historiography of Black women's educational leadership in the post-Civil Rights era.
Julie Singer
Blindness and Therapy in Late Medieval French and Italian Poetry
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An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory.
This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy.
Julie Singer is Assistant Professor of French at Washington University, St Louis.
Nicholas Rogers
Blood Waters
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Far from the romanticised image of the swashbuckling genre of maritime history, the eighteenth-century Caribbean was a 'marchlands' in which violence was a way of life and where solidarities were transitory and highly volatile.
This book paints a picture of the eighteenth-century British Caribbean as a frontier zone in which war, international rivalry, disease and slavery are paramount themes. It explores the lure of the region as a vaunted site of potential wealth and derring-do, the fragility of tropical campaigns, the nature of slave insurrection, and the efforts of indigenous peoples (here, the Miskito of the Mosquito Coast and the Black Caribs of St Vincent) to carve out some autonomy from the British and Bourbon powers. It also explores the mutiny of a slave-ship and its unsuccessful raiding ventures in order to show how the dominant European powers sought to contain piracy in an expanding plantation complex. The book emphasizes the contrarieties of struggle, the difficulties preventing subaltern groups, whether slaves, free blacks, indigenous peoples or soldiers and sailors, from forging broader alliances, and the importance of tropical disease in shaping military outcomes. It warns against romanticizing resistance in the eighteenth-century Caribbean, showing that it was instead a 'marchlands' in which violence was a way of life and where solidarities were transitory and highly volatile.
Robert W. Jones
Bloodied Banners: Martial Display on the Medieval Battlefield
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Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.
A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is theauthor's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that `host of many colours' that was a medieval army, it adds a new dimension to our understanding of medieval warfare. ANDREW AYTON, University of Hull
The medieval battlefield was a place of spectacle and splendour. The fully-armed knight,bedecked in his vivid heraldic colours, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite. Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed,showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.
Dr ROBERT W. JONES teaches Medieval History at Advanced Studies in England, a branch campus of Franklinand Marshall College, in Bath. He was formerly a Visiting Research Fellow at the University of Leeds, and an Associate Lecturer at Cardiff University.
Robert W. Jones
Bloodied Banners: Martial Display on the Medieval Battlefield
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Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance.
`A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull
The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite.
Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning.
ROBERT W. JONES gained his PhD from Cardiff University.
Edited by Markman Ellis and Jack Orchard
Bluestockings and Landscape in Eighteenth-Century Britain
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Captures in unprecedented depth the cultural significance of the designed landscape and its relationship with Bluestocking philosophy.
Situated within the broader context of eighteenth-century intellectual and cultural history, this collection redefines the role of the Bluestocking circle in shaping Britain's landscapes and social ideals. Against the backdrop of Whiggish notions of "improvement"-encompassing agricultural innovation, aesthetic refinement, and moral progress-it explores how women such as Elizabeth Montagu, Mary Delany, and Elizabeth Carter navigated the intersections of polite sociability, intellectual production, and estate management. Their contributions reveal a dynamic interplay between cultural critique and practical reform, positioning them as active participants in the period's debates on land, labour, and national identity.
Drawing on insights from the Elizabeth Montagu's Correspondence Online (EMCO) project, these essays uncover the creative and social tensions embedded in iconic estates such as Montagu's Sandleford and Lord Lyttelton's Hagley Hall. They delve into the poetic and philosophical musings of James Woodhouse, the sociable artistry of Mary Delany, and the symbolic landscapes of Wrest Park. By examining correspondence, poetry, visual arts, and cartography, this volume offers an unprecedented exploration of the ways Bluestocking women engaged with and redefined the designed landscape as a site of intellectual and environmental innovation.
This interdisciplinary collection reshapes the historiography of gender, environment, and cultural progress, offering fresh insights into the enduring significance of eighteenth-century landscapes and the intellectual communities that shaped them.
Christopher Harper-Bill
Blythburgh Priory Cartulary Part One
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Cartulary of one of the earliest houses of Augustian canons to be established in the diocese of Norwich.
The priory of the Blessed Virgin Mary at Blythburgh was one of the earliest of the many houses of Augustinian canons established in the diocese of Norwich; the beginnings of conventual life most likely date from the mid-12th century.
