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Set in the vanished world of the New York City of the 1970s and ‘80s, these stories convey a sense of the enchantment that lurks on the flip side of every moment, as if the meaning of life were hidden within the static being blasted out of the loudspeakers on a subway platform, or a scrap of newspaper preserved under ice on a cold winter’s day.

A girl tries to save the boy she loves from his crippling love for his uncle.  A champion of social justice talks herself into believing that the man she finds sexually repulsive is a perfect fit for her perfectly ordered life. A man kneels on the sidewalk before a memorial he constructed for his girlfriend as a crowd of curious onlookers gather around him. Rosaler deals out the fates of a vivid array of complex characters with unflagging energy, wit and a delight in the details of city life.  

Award-winning author Maxine Rosaler brings wit, heart, and striking originality to literary fiction, offering a poignant exploration of city life and human connection in this timeless short story collection

Set against the vibrant and gritty backdrop of 1970s and 1980s New York City, The Missing Kidney and Other Stories brings to life a kaleidoscope of human experiences with humor, heartbreak, and humanity on every page. This engrossing collection of short stories captures the enchantment in the mundane, exploring how meaning can unexpectedly emerge from everyday moments.

From a girl’s desperate attempt to save the boy she loves from his fixation on his uncle, to a social justice champion rationalizing an imperfect partnership, to a man kneeling by a memorial for his lost love on the busy city sidewalks, Rosaler’s stories spotlight the tangled beauty of human connection and the hidden magic in life’s imperfections.

In this true love letter to NYC, the city’s streets, sounds, and characters come alive, capturing the nostalgic charm of life before the digital age. With sharp, original prose, Rosaler turns the ordinary into the extraordinary, dealing out the fates of a vivid array of complex individuals with unflagging energy, wit and a delight in the details of city life–leaving readers engrossed, reflective, deeply moved, and reminded of what it truly means to be human.

The Monsoon War revisits the futuristic country of Before She Sleeps, where government leaders maintain a stranglehold over women's freedom and reproductive lives. 

In a neglected southern province, a female armed resistance bands together as the Hamiyat, the protectors of those who are too weak to withstand. Now, they plan a courageous attack on the perpetrators of this regime that will free them from its tyranny forever.

Alia Musa is the wife of three husbands in a remote mountain village of Dhofar. When her youngest child, Noor, discovers a group of women who have escaped the regime to take refuge on the mountain, Alia must leave her home, join the Hamiyat resistance, and find out just how far she is willing to go for the daughters she loves, the husband she adores, and the mountain that she calls home.

As a promising young soldier in the Hamiyat, Katy Azadeh has found family and home in the resistance. Kidnapped during an unexpected skirmish and taken from the mountains, Katy is seduced by the ways of wealthy neighboring Eastern Semitia. Despite their veiled promises, Katy must find her way back to the Hamiyat to face the war that threatens their very existence.

Commander Fatima Kara is a veteran of the Hamiyat, leading her women to protect the women of the mountain villages from the government agents and the abuses of polygamy. A once-in-a-lifetime opportunity from Eastern Semitia makes Fatima Kara gamble with the lives of her soldiers, to win the ultimate prize for them all—their freedom.

The Monsoon War is a near-future resistance novel that harnesses the powerful metaphor of women’s bodies as the battleground on which the wars of the future will be played out.

Professor Maxine Sayers once found her personal and professional life so fulfilling that she founded the Institute of Future Studies, a program dedicated to studying the effects of technology on our culture and finding ways to prolong human life. But when her beloved husband dies, she is so devastated she can barely get out of bed. To make matters worse, her son, Zach, has abruptly quit his job in Silicon Valley and been out of contact for seven months. Maxine is jolted from her grief by her sudden suspicion that a favorite former student (and a former close friend of her son) might be a terrorist called the Technobomber and that Zach might either be involved in or become a victim of this extremist’s bombing. Deserting her teaching responsibilities, her ailing mother, and an appealing suitor, Maxine feels compelled to set out and search for her son in order to warn and protect him, even as she knows she should report her suspicions to the FBI to prevent greater carnage.

Inspired by the true story of the Unabomber, Ted Kaczynski, and his studies at the University of Michigan, The Professor of Immortality is a gripping, heartfelt look at the way we might or might not choose to respond to recent advances in science and technology, that, despite their positive impact, also threaten to destroy our environment, our privacy, our ability to connect with nature, and our sense of life’s authentic meaning and purpose.

Inspired by the true story of the Unabomber, Ted Kaczynski, and his studies at the University of Michigan, The Professor of Immortality is a gripping, heartfelt look at the way we might or might not choose to respond to recent advances in science and technology, that, despite their positive impact, also threaten to destroy our environment, our privacy, our ability to connect with nature, and our sense of life’s authentic meaning and purpose.

Newman’s trio of novellas about desert misfits are by turns probing, incandescent, and like her shorter fiction, riotously funny and are certain to broaden her readership.

Newman’s trio of novellas about desert misfits are by turns probing, incandescent, and like her shorter fiction, riotously funny and are certain to broaden her readership.

Newman’s trio of novellas about desert misfits are by turns probing, incandescent, and like her shorter fiction, riotously funny and are certain to broaden her readership.

Soon after, she finds herself at the Sisters of Saint Joseph of the Apparition Hospice in Jaffa, a sanitorium, run by a group of nuns. Unclear as to how she got there, she begins to piece together the events that led her to this moment. From New York to Tel -Aviv, and the Siberian gulag, The World Between explores the landscape of a marriage, friendship, loss, and the way childhood war trauma bleeds into every aspect of the characters’ lives.

As a middle child in a large military family, Christine just wants to dance. Her parents support her dreams, even if they seem beyond their comprehension. At 20, determined and talented, Christine heads across the country from Santa Fe to New York City and, in a made for-Hollywood story, is chosen for the London cast of A Chorus Line. While unwilling to fully cut ties with the traditional life her parents envision for her, she finds a new family with the dancers and more fluid, open characters that fill the theater world in London, and later New York, in the ‘70s & ‘80s. Christine learns that one member of her family is equally at home in her new world: Laughlin, her older brother—divorced, a father, ex-military and a corporate lawyer—also makes his way to New York City, where he meets, and begins to build a life, with rising fashion star Perry Ellis. The two men enjoy a partnership and a financial success that Christine both admires. and envies. She spends much of her free time in their Upper West Side brownstone and Water Island retreat. Soon everyone is talking about a mysterious new disease. As deaths of dancers, theater folk, and eventually friends start to mount, Christine realizes she’s in the middle of an epidemic that neither her traditional family nor the public at large is ready to reckon with. As the AIDS crisis cuts closer and closer, eventually impacting those she loves most, Christine does what she has always done: she strikes her own path. This memoir is an emotional, honest examination of what it takes to succeed in the competitive world of New York theater, how hard-won dreams can be quickly lost, what it means to redefine family, and the devasting toll AIDS exacted on a generation of artists.

As a middle child in a large military family, Christine just wants to dance. Her parents support her dreams, even if they seem beyond their comprehension. At 20, determined and talented, Christine heads across the country from Santa Fe to New York City and, in a made for-Hollywood story, is chosen for the London cast of A Chorus Line. While unwilling to fully cut ties with the traditional life her parents envision for her, she finds a new family with the dancers and more fluid, open characters that fill the theater world in London, and later New York, in the ‘70s & ‘80s. 

Christine learns that one member of her family is equally at home in her new world: Laughlin, her older brother—divorced, a father, ex-military and a corporate lawyer—also makes his way to New York City, where he meets, and begins to build a life, with rising fashion star Perry Ellis. The two men enjoy a partnership and a financial success that Christine both admires. and envies. She spends much of her free time in their Upper West Side brownstone and Water Island retreat. Soon everyone is talking about a mysterious new disease. As deaths of dancers, theater folk, and eventually friends start to mount, Christine realizes she’s in the middle of an epidemic that neither her traditional family nor the public at large is ready to reckon with. 

As the AIDS crisis cuts closer and closer, eventually impacting those she loves most, Christine does what she has always done: she strikes her own path. This memoir is an emotional, honest examination of what it takes to succeed in the competitive world of New York theater, how hard-won dreams can be quickly lost, what it means to redefine family, and the devasting toll AIDS exacted on a generation of artists.

Recently released from prison, reclusive Blake Alvares returns to the only place she ever felt safe, the now derelict Maine town in which she harbored as a teen. Determined to conceal her secrets and losses, she soon finds herself dragged into others’ lives when she rents a room from an ailing widow and takes a job on a boat owned by a notorious young lobsterman named Leland.

Leland Savard is nearly broke, trying to support himself and 9-year-old Quinnie as he wrestles with a dangerous family legacy. Despite all odds, he and Blake forge a successful working partnership, and as she establishes a timid friendship with widowed Nora, Blake glimpses what it might mean to truly belong. But when Leland's rash actions place her and Quinnie in peril, Blake feels forced to run again. On her quest for home, she must confront a daunting question: can she ever again trust in human connection?

- Winner: 2025 IPPY Silver Medal 

- Honorable Mention: Eric Hoffer Book Award

- Finalist: Foreword Reviews Book of the Year Award

- Finalist: Next Generation Indie Book Award

- Finalist: National Indie Excellence Award

A vibrant novel that portrays the lives of an American woman fleeing the trauma of abuse in her childhood and an Iraqi refugree fleeing the trauma of war, each in the midst of childbirth, that Joyce Carol Oates praises as” breathtaking, heartrending, and finally uplifting” and Richard Ford exclaims “involved me so thoroughly that I began to anticipate how it would end.”

Lorraine and Will, New Yorkers married for 15 years, are having their first baby, via IVF. They are 40, successful in their careers—finance and music—with pasts that have held each of them back from one another until the day While We Were Waiting unfolds: the day in the middle of Lorraine’s sixth month when she is rushed to the high-risk obstetrics unit of Met U Hospital. Over the next hours Lorraine and Will, individually, are compelled to face themselves and their pasts in ways they’d never thought possible.

Into the waiting room where Will struggles with his present and past enters Clement, an archeologist, newly arrived in America—fleeing ISIS in Iraq, plagued by the memories of a terrorist attack, the husband of another patient making his own sense of the extremes that prevail with high-risk births. The agony of this waiting husband stems as much from his own traumatic circumstances as from fear for his wife and unborn child. As the space shared by Will and Clement expands with every hour and revelation. Lorraine’s labor compels her to let go of the terrible harm done to her as a child, making While We Were Waiting a story about the power of acceptance and the resilience of love.

A vibrant novel that portrays the lives of an American woman fleeing the trauma of abuse in her childhood and an Iraqi refugree fleeing the trauma of war, each in the midst of childbirth, that Joyce Carol Oates praises as” breathtaking, heartrending, and finally uplifting” and Richard Ford exclaims “involved me so thoroughly that I began to anticipate how it would end.”

Lorraine and Will, New Yorkers married for 15 years, are having their first baby, via IVF. They are 40, successful in their careers—finance and music—with pasts that have held each of them back from one another until the day While We Were Waiting unfolds: the day in the middle of Lorraine’s sixth month when she is rushed to the high-risk obstetrics unit of Met U Hospital. Over the next hours Lorraine and Will, individually, are compelled to face themselves and their pasts in ways they’d never thought possible.

Into the waiting room where Will struggles with his present and past enters Clement, an archeologist, newly arrived in America—fleeing ISIS in Iraq, plagued by the memories of a terrorist attack, the husband of another patient making his own sense of the extremes that prevail with high-risk births. The agony of this waiting husband stems as much from his own traumatic circumstances as from fear for his wife and unborn child. As the space shared by Will and Clement expands with every hour and revelation. Lorraine’s labor compels her to let go of the terrible harm done to her as a child, making While We Were Waiting a story about the power of acceptance and the resilience of love.