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A June 2022 Indie Next List Pick

From the international bestselling author of Fresh Water for Flowers, a beautifully told and suspenseful story about the ties that bind us and the choices that make us who we are.

1986: Adrien, Etienne and Nina are 10 years old when they meet at school and quickly become inseparable. They promise each other they will one day leave their provincial backwater, move to Paris, and never part.

2017: A car is pulled up from the bottom of the lake, a body inside. Virginie, a local journalist with an enigmatic past reports on the case while also reflecting on the relationship between the three friends, who were unusually close when younger but now no longer speak. . As Virginie moves closer to the surprising truth, relationships fray and others are formed. 

Valérie Perrin has an unerring gift for delving into life. In Three, she brings readers along with her through a sequence of heart-wrenching events and revelations that span three decades. Three tells a moving story of love and loss, hope and grief, friendship and adversity, and of time as an ineluctable agent of change.

An Indie Next List Pick

From the international bestselling author of Fresh Water for Flowers, a beautifully told and suspenseful story about the ties that bind us and the choices that make us who we are.

1986: Adrien, Etienne and Nina are 10 years old when they meet at school and quickly become inseparable. They promise each other they will one day leave their provincial backwater, move to Paris, and never part.

2017: A car is dragged up from the bottom of the lake, a body inside. Virginie, a local journalist with an enigmatic past reports on the case while also reflecting on the relationship between the three friends, who were unusually close when younger but now no longer speak. As Virginie moves closer to the surprising truth, relationships fray and others are formed. 

Valérie Perrin has an unerring gift for delving into life. In Three, she accompanies readers through a sequence of heart-wrenching events and revelations that span three decades. Three tells a moving story of love and loss, hope and grief, friendship and adversity, and of time as an ineluctable agent of change.

“Two Americans have life-altering experiences in Africa a century apart in this environmentalist adventure novel” by the author of Theory of Bastards (Kirkus Reviews).

In 1899, Jeremy, a young engineer, leaves a small town in Maine to oversee the construction of a railroad across British East Africa. In charge of hundreds of Indian laborers, he becomes the reluctant hunter of two lions that are killing his men in nightly attacks. Plagued by fear and alienated by a secret he can tell no one, Jeremy takes increasing solace in the company of his African scout.
In 2000, Max, an American ethnobotanist, travels to Rwanda where she searches for an obscure vine that could become a lifesaving pharmaceutical. Stationed in the mountains, she shadows a family of gorillas—the last of their group to survive the local poachers. But their precarious freedom is threatened as a violent rebel group from the nearby Congo draws close.
Told in alternating perspectives that interweave the two characters and their fates, Audrey Schulman’s novel deftly confronts the struggle between progress and preservation, idiosyncrasy and acceptance.

A blind woman leads her Naples police colleagues through the darkness in this distinctive crime thriller.

A report has landed on Commissario Martusciello’s desk. The lifeless body of the singer Jerry Vialdi—aka Gennaro Mangiavento—has been found at the Naples football stadium; another corpse, this one a Jane Doe, has been discovered in the Bentegodi Stadium in Verona, hundreds of miles away.
The bodies were left in a fetal position and there are no signs of physical violence: the method and the madness behind it appear to hide some unutterable secret. Conclusion: a daring challenge left by a psychopath for the police—who are stabbing in the dark with no idea where to begin. All except for superintendent Blanca Occhiuzzi: beautiful, blind from birth, forced by the dark that envelops her to perceive the world through only four senses, she feels the fear in people; she feels their guilt and their innocence. It is she who takes Martusciello by the hand, guiding him into the mind of a murderer . . .

When a Japanese scientist dies in a Tuscan resort town, four old card players and their favorite bartender investigate in this comic Italian mystery.

In the Italian resort town of Pineta, along the Tuscan coast, one might find the sleepy Bar Lume inhabited by its owner Massimo and its elderly regulars engaged in a game of cards. But this is merely a cover for the true activities of this senile squad. In truth, they are at work analyzing, postulating, gossiping, and chronicling every event that occurs in their small Tuscan town, using the most colorful language and Tuscan slang possible. When a chemistry conference at a local hotel is interrupted by the suspicious death of a Japanese scientist, Massimo is obliged to investigate on behalf of his all-too-curious clientele. The old-timers provide running commentary, demonstrating a cunning for sniffing out lies that can only be honed through decades of playing three-card monte.
The second book in Marco Malvaldi’s beloved Bar Lume series, Three-Card Monte is a comedy, a beguiling mystery, and a vivacious portrayal of small-town Italy.

The Strega Award–winning Italian author’s “scalding and incisive” novel of marriage and family bonds that come undone in the wake of an affair (Library Journal, starred review).

A New York Times Notable Book of the Year

A Sunday Times and Kirkus Reviews Best Book of the Year

Winner of the 2015 Bridge Prize for Best Novel

Italy, 1970s. Like many marriages, Vanda and Aldo’s has been subject to strain, attrition, and the burden of routine. Yet it has survived intact. Or so things appear. The rupture in their marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. It is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact.
Domenico Starnone’s thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one’s actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy’s most prestigious literary award, the Strega.

“The leanest, most understated and emotionally powerful novel by Domenico Starnone.”—The New York Times

SHORTLISTED FOR THE PEOPLE’S BOOK PRIZE

Two homesick Indian boys and their new Scottish friend join a magical tiger on a journey across continents.

Lal and his brother Dilip miss home. They don’t like drizzle, midges, or the tiger skin rug in their creepy new house. All they want is to leave Scotland and go back to India. But that’s before they make friends with Jenny, the girl next door—and before the tiger skin rug comes back to life.

The tiger tells them it will take them home in return for their help, but it must first fulfill an old promise.

An adventure story in which the young protagonists learn not only the true significance of the tiger skin rug’s final message but also come to understand the real meaning of home.

“Elegant and enchanting. This grand, sweeping adventure takes the reader far and wide but, ultimately, is all about finding home.”—Anna Humphrey (author of Quack and the Mega Bat series)

From the acclaimed author of After the Crash— “Harlan Coben fans will enjoy Bussi’s . . . mystery with its intriguing characters and twisty conclusion” (Library Journal).

A fatal accident in the past, broken lives, family secrets . . . Michel Bussi serves up a gripping thriller, set amid the beautiful scenery of Corsica.
In the summer of 2016, Clotilde is spending her vacation in Corsica with her husband, Franck, and her teenage daughter, Valentine. It is the first time she has been back to the island since the car accident in which her parents and her brother were killed decades earlier. She was in the car too, but miraculously escaped with her life. This return plunges Clotilde back into the deepest recesses of her adolescence. She reacquaints herself with her paternal grandparents, Lisabetta and Cassanu, members of a powerful Corsican family that reigns over the island.
When a mysterious letter, signed “Palma”—Clotilde’s mother—arrives, the truth about her family, her parents’ death, and her childhood is called into question. Time Is a Killer is a voyage into the complexities of Corsican society, a compelling portrait of a woman’s awakening, and a masterfully executed novel of psychological suspense.

“Michel Bussi’s writing always rings true. His crime novel is a bomb.”—Le Parisien

“Michel Bussi’s psychological crime novels are beyond masterful.”—Le Figaro Littéraire

“Bathed in the perfumes and flavors of Corsica . . .Time Is a Killer will be read with bated breath until the final twist!”—Le Magazine des Livres

“Don’t open these books if you have anything more pressing to do.”—Elle (France)

“Gripping noir.”—Publishers Weekly

This Orange Prize Finalist novel is both a meditation on time and memory and “a deeply moving portrait of domestic and family life” in Ireland (The Sunday Telegraph).

Ireland, 2006. The economic miracle known as the Celtic Tiger has swept the country into a euphoria of wealth and transformation. But for forty-seven-year-old Dubliner Fintan Buckley, the race toward progress is also a troubling purge of the past. His young daughter, Lucy, and teenage son, Niall, are growing up in an Ireland that is changing as fast as they are.
More and more, Fintan feels the rush of time “like a kind of unholy wind”—so much so that he begins to experience strange, dreamlike visions. Is that his own face he sees on another man? Is that his sister staring back at him from a late-Victorian photograph?
A resonant portrait of a middle-class family in pre-crash Ireland, Deirdre Madden’s latest novel “is a reminder that we’d do best . . . to savor what we can of those passing moments Eliot called the ‘still point of the turning world’” (The New York Times Sunday Book Review).

“An outstanding book.” —Irish Independent

From the winner of the MWA Edgar Award for Best Paperback Original Mystery, Alan Parks, comes a new, gripping installment in the gritty Glasgow-based Harry McCoy series.

A woman enters a Glasgow police station to report her son missing, but no record can be found of the boy. When Detective Harry McCoy, who is on temporary transfer from a station across town, discovers the family is part of the cultish Church of Christ’s Suffering, he suspects there is more to the boy’s disappearance than meets the eye.

Meanwhile reports arrive of a string of poisonings of down-and-outs across the city. The dead are men who few barely notice, let alone care about—but, as McCoy is painfully aware, among this desperate community is his own father.

Even as McCoy searches for the missing boy, he must conceal from his colleagues the real reason for his presence—to investigate corruption in the station. Some people pray for justice, but Detective Harry McCoy hasn't got time to wait for God’s divine intervention.

A novel of a father and son in search of each other on the Australian frontier of the 1870s: “Brutal, brilliant, beautiful” (Minneapolis Star-Tribune).

It is the summer of 1874. Launceston, a colonial outpost on the southern Australian island of Tasmania, hovers on the brink of anarchy, teeming with revolutionaries, convicts, drunks, crooked cops, and poor strugglers looking for a break. Outlaw Thomas Toosey races to this dangerous bedlam to find his motherless twelve-year-old son before the city swallows the child whole, but he is pursued by more than just the law. Hindering his progress at every turn is a man to whom he owes a terrible debt: the vengeful Irishman Fitheal Flynn, whose hooded companion hides a grotesque secret . . .
Based on real events, this prize-winning novel of vengeance and redemption, set against the sweeping, merciless grandeur of the frontier, “brings to mind the prose of Cormac McCarthy, Joseph Conrad and William Faulkner [and] catapults us into the vicious, impoverished world of a colonial town in Tasmania” (Minneapolis Star-Tribune).

“Readers who admired the propulsive plotting, atmospheric sense of place, and fierce family loyalty in Patrick DeWitt’s The Sisters Brothers and Cormac McCarthy’s The Road should be equally taken with Wilson’s superb novel. Highly recommended.”—Library Journal (starred review)

Winner of the Victorian Premier’s Literary Award and the Adelaide Festival Award for Best Novel

Inspired by true events during World War II, Lia Levi’s prize-winning novel of loss, despair, and courage tells the tragic history of mid-century Europe through the eyes and lives of ordinary people.

“An intense, moving book that tells the story of stories: what happens when Fascism befalls a country.”—Esquire (Italy)

1938. Thirty-two countries convene to decide how to deal with the influx of Jews fleeing Nazi Germany and Austria. Good intentions abound, but no government is willing to accept the refugees. At the same time, Fascist Italy is introducing its infamous racial laws.

In this new, stirring novel Lia Levi portrays Italy’s tragic past through the story of a Jewish family, plagued by doubts, passions, weaknesses, impulses, and betrayals. Set in Genoa in the years of the racial laws, the novel follows a would-be genius son, a disappointed, regretful mother, a wise but irresolute father, an eccentric grandfather, nosy uncles, cousins who are always coming and going. How do individuals face the darkest periods of history? Will anyone rebel against the spread of violence and discrimination? Will anyone welcome them if this family flees certain persecution?

A harrowing story that resonates with special urgency in our time.

An ex-cop takes on the mafia in the blockbuster novel that kicks off the Marseilles trilogy with what “may be the most lyrical hard-boiled writing yet” (The Nation).

In Jean-Claude Izzo’s “Mediterranean noir” mysteries, the city of Marseilles is explosive, breathtakingly beautiful, and deadly. Total Chaos introduces readers to Fabio Montale, a disenchanted cop who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands. Ugo, Manu, and Fabio grew up together on the mean streets of Marseilles where friendship means everything. They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe’s toughest and most violent city. When Manu is murdered and Ugo returns from abroad to avenge his friend’s death, only to be killed himself, it is left to the third in this trio, Det. Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He’s going to find their killer no matter the consequences.

“One of the masterpieces of modern noir.”—The Washington Post

“Like the best noir writers—and make no mistake, he is among the best—Izzo not only has a keen eye for detail . . . but also digs deep into what makes men weep.”—Time Out New York

“The holy grail of noir fiction . . . a fast paced and stylishly told modern tragedy.”—NB Magazine

From one of Japan’s rising literary stars, two mesmerizing novellas told with stylistic inventiveness and breathtaking sensitivity about memory, loss, and love.

Touring the Land of the Dead tells the story of Taichi, who was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her part-time wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up for years during her childhood, she, her brother, and her mother lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept their new station in life.  

One day, Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel that Natsuko’s grandfather had taken her mother to when she was little. She decides to take her damaged husband to the spa, despite the cost, but their time there triggers hard but ultimately redemptive memories relating to the complicated history of her family and a reconciliation with her husband. 

Modeled on The Makioka Sisters, Junichiro Tanizaki’s classic story, Ninety-Nine Kisses portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighborhood of contemporary Tokyo. An atmospheric and captivating tail of siblings and women’s lives.

A young slacker decides to live her life according to Robert Louis Stevenson’s classic adventure: “A rollicking tale, shameless, funny and intelligent” (The New York Times).

When a college graduate with a history of hapless jobs (ice cream scooper, gift wrapper, laziest ever part-time clerk at The Pet Library) reads Robert Louis Stevenson’s novel Treasure Island, she is dumbstruck by the timid design of her life. When had she ever dreamed a scheme? When had she ever done a foolish, overbold act? When had she ever, like Jim Hawkins, broken from her friends, raced for the beach, stolen a boat, killed a man, and eliminated an obstacle that stood in the way of her getting a hunk of gold?
Convinced that Stevenson’s book is cosmically intended for her, she redesigns her life according to its Core Values: boldness, resolution, independence, and horn-blowing. Accompanied by her mother, her sister, and a hostile Amazon parrot that refuses to follow the script, our heroine embarks on a domestic adventure more frightening than anything she’d originally planned. Treasure Island!!! is the story of a ferocious obsession, told by an original voice—“insane, hilarious, and irreverent” (Alice Sebold).

“Highly original . . . will keep you entertained in spite of (or more accurately, because of) its toxic narrator.”—Library Journal

“A hoot.”—Kirkus Reviews

A weary man faces the ghosts of his past while caring for his grandson in Naples in this National Book Award finalist novel by the acclaimed author of Ties.

In Trick, Domenico Starnone presents an unusual duel between two formidable minds. One is Daniele Mallarico, a once-successful illustrator who feels his artistic prowess fading. The other is Mario, Daniele’s four-year-old grandson. Daniele is living in virtual solitude in Milan when his daughter asks him to come to Naples to babysit Mario for a few days

Shut inside his childhood home—an apartment in the center of Naples that is filled with memoires of Daniele’s past—grandfather and grandson match wits as Daniele heads toward a reckoning with his own ambitions and life choices. Meanwhile, Naples pulses outside, a wily, passionate city whose influence can never be shaken.

As translator Jhumpa Lahiri says in her introduction, Tricks is “an extremely playful literary composition” by the Strega Prize–winning novelist whom many consider to be one of Italy’s greatest living writers.

A woman goes home to Naples after her mother’s mysterious death in a “tour de force” by the New York Times–bestselling author of My Brilliant Friend (Seattle Times).

Following her mother’s untimely and unexplained drowning, which was preceded by a series of strange phone calls, forty-five-year-old Delia leaves Rome and embarks on a voyage of discovery through the beguiling yet often hostile streets of her native Naples. She is searching for the truth about her family and the men in her mother’s life, past and present, including an abusive husband. What she discovers will be more unsettling than she imagines, but will also reveal truths about herself, in this psychological mystery marked by “tactile, beautifully restrained prose” (Publishers Weekly) about mothers and daughters and the complicated knot of lies and emotions that binds them.

“Ferrante’s polished language belies the rawness of her imagery.” —The New Yorker

“With the quick-paced mystery guiding the story, Delia explores her relationship with her mother, unraveling memories and secrets repressed since childhood and coming to terms with an upbringing filled with jealousy and violence . . . Troubling Love is vivid and powerful.” —Library Journal

A MOST ANTICIPATED BOOK OF FALL 2021

Following the international success of Ties and the National Book Award-shortlisted Trick, Domenico Starnone gives readers another searing portrait of human relationships and human folly.

Pietro and Teresa’s love affair is tempestuous and passionate. After yet another terrible argument, she gets an idea: they should tell each other something they’ve never told another person, something they’re too ashamed to tell anyone. They will hear the other’s confessions without judgment and with love in their hearts. In this way, Teresa thinks, they will remain united forever, more intimately connected than ever.

A few days after sharing their shameful secrets, they break up. Not long after, Pietro meets Nadia, falls in love, and proposes. But the shadow of the secret he confessed to Teresa haunts him, and Teresa herself periodically reappears, standing at the crossroads, it seems, of every major moment in his life. Or is it he who seeks her out?

Starnone is a master storyteller and a novelist of the highest order. His gaze is trained unwaveringly on the fault lines in our public personas and the complexities of our private selves. Trust asks how much we are willing to bend to show the world our best side, knowing full well that when we are at our most vulnerable we are also at our most dangerous.

“Portraits of a group of mostly young Muscovites . . . Some of [Panyushkin’s] sketches are political fables of inspiring selflessness and courage” (Star Tribune).

In Twelve Who Don’t Agree, journalist Valery Panyushkin profiles twelve Russians from across the country’s social spectrum, including: a politician, a journalist, an army officer, an author, a bank manager, a laborer, and a university student. Despite varied backgrounds, they all have one thing in common: participation in 2007’s historic March of the Dissidents. Though each of these men and women had personal reasons for joining the demonstration, they shared a belief that the government of Vladimir Putin was betraying the promise of Russia’s future.
Risking the threats and violent retaliation inflicted upon Russian journalists who dare to question the powers that be, Panyushkin boldly illuminates the lives and convictions of these twelve men and women. Their stories reveal how a growing commitment to human rights, equality, the principals of decency and fairness can transform one into a dissident in the eyes of a ruling class that does not value those same principles. And in today’s Russia the dissidents’ journey is one from which there is often no return.

“Panyushkin reveals a great deal about post-Soviet Russia and the kinds of constraints on freedom that most citizens still live with and try to work around. . . . [He] writes in vivid tableaux.”—Los Angeles Times

“His compassionate yet candid outlook lends poignancy to individual portraits, with inflections of wisdom and occasional humor. Remaining defiant in the face of oppression, it is a testament to Panyushkin’s talent that the plight of those involved is what ultimately resonates.”—Publishers Weekly

Commissario Ricciardi, “one of the most interesting and well-drawn detectives in fiction,” returns in this historical mystery by the author of By My Hand (The Daily Beast).

It is one week before Easter, Naples, 1932. At the high-class brothel in the center of town known as Paradiso, Viper, the most famous prostitute of all, is found dead. Suffocated with a pillow. Her last client swears that when he left her she was alive and well. But when her next client arrived, he found her dead. Who killed her and why? Ricciardi has to untangle a complex knot of greed, frustration, jealousy, and rancor in order to solve the riddle of Viper’s death. As he does so, he will discover no end of conflicting emotions just beneath the surface of a city that lives on passion.
De Giovanni’s mysteries unfold with such sinuous ease that they seem to write themselves. They enchant, surprise; they hold readers enthralled. Commissario Ricciardi, whose dubious gift of being able to see and hear the last seconds in the lives of those who have suffered a violent death, is one of the most fascinating investigators to make his appearance in the world of international crime fiction in recent years. And in Viper, the lustful and boisterous city of Naples has never been more seductive.

“Engaging . . . melancholy Ricciardi, Brigadier Raffaele Maione, and other characters are compellingly drawn. New readers and returning fans should savor this novel like a Neapolitan pastiera.”—Publishers Weekly

“De Giovanni is a fantastic discovery and I’m looking forward to reading the series from the start as there’s plenty here to enthrall the reader.”—Crimepieces

A darkly funny, heart-wrenching satire that tears through the guts of the war news industry.

Catch-22 on speed and set in the Middle East, Vulture is a fast-paced satire of the war news industry and a tragi-comic coming-of-age novel.

In November 2012, Sara Byrne, an ambitious young journalist, is sent to Gaza to cover a war from The Beach. At the four-star hotel, staff work tirelessly to provide safety, comfort and generator-powered internet for the world's media, even as their own homes and families are under threat. 

Sara is determined to use this war to launch her stalling career and win back her lover. So, when her fixer Nasser refuses to set up the dangerous story she thinks will make her name, she turns instead to Fadi, the youngest member of a powerful militant family. Driven by the demons of a damaging, entitled, childhood, Sara will stop at nothing to prove herself, even if it brings disaster upon those around her.

Greenwood’s debut novel draws readers into the dark heart of western media, and with audacity and humour, questions its complicity in the tragedies that feed it.

“Zanily inventive . . . This deeply eccentric comedy belongs in the company of the best novels about wildly precocious kids” (The Seattle Times).

Al Santamaria is a child prodigy, maybe a genius. It is not out of the realm of possibility that he, alone, will save the human race. But first, he has to solve a far more urgent problem: finding a home for his family.
He exists, like many kids, in a realm located somewhere between reality and fantasy, enjoying time with imaginary friends and wielding his magical powers. He has a wonderful relationship with his father, Mario Elvis, and his mother, Agnese, and he’s convinced he has the best family in the world.
But life isn’t all roses for the Santamaria family. They are typical of many Italian families today, whose existences seem suspended between conflicting impulses: on the one hand, delusions of grandeur and immoderate ambition, and on the other nostalgia for a past golden age and the secret wish that somebody, anybody, will come to their rescue. Big dreams, it appears, exist to be crushed.
But Al is not about to give up. He lives in a marvelous world of his own. He has the energy, imagination, and unselfconscious talents of a child. And, although he doesn’t know it yet, he is going to remain a child his entire life.

“An extended, guffaw-inducing, and sometimes tragic trip through Al’s young life. It reads like an Italian sitcom.”—Foreword Reviews

“An amazing novel: it’ll move you and make you laugh.”—Elle

“A plot shot through with the richness of Italian comedy and bright irony.”—La Repubblica

First in the series starring a South African police detective: “[A] picturesque backdrop, cast of authentic characters, and knotty story line” (Publishers Weekly).

Shortlisted for the International Dagger Award and Winner of the University of Johannesburg Debut PrizeInsp.

Albertus Markus Beeslaar is a traumatized cop who has abandoned tough city policing and a broken relationship in Johannesburg for a backwater post on the edge of the Kalahari Desert. But his dream of rural peace is soon shattered by the repeated attacks of a brutally efficient crime syndicate, as he struggles to train and connect with rookie local cops Ghaap and Pyl, who resent his brusqueness and his old-school ways.
A beautiful and eccentric artist and her four-year-old adopted daughter are murdered on a local farm, and angry white farmers point to her enigmatic Bushman farm manager as a key suspect. Along with Ghaap and Pyl, Beeslaar is plunged into the intrigue and racial tensions of the community, and finds that violence knows no geographical or ethnic boundaries.
Weeping Waters marks the beginning of a great new series with a striking setting, a strong ensemble of characters, and suspenseful storylines.

“Brooding. Riveting. Brilliant.”—Deon Meyer, author of Blood Safari

Does the idea of progress still apply to our times? If so, what does progress really mean?

Today, many believe that progress is a word to be avoided, a relic from a past, the dangerous product of an era of intellectual naivety that would be best forgotten. Yet, the idea of progress is rooted in a human impulse that is both profound and essential, a way of interpreting history without which our ability to plan the future, our very identity would be at stake.

Written just before the onset of the Coronavirus pandemic—which is now putting its argument to the hardest of tests—this lucid essay explores how science and technology have been, and can still be, a powerful engine for human and humane advancement. 

SHORTLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2018

LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018

SHORTLISTED FOR THE JHALAK PRIZE 2018

A BEST BOOK OF 2017
Financial Times
The Guardian
The Daily Telegraph
The Observer

“Meena Kandasamy’s vivid, sharp and precise writing makes a triumph of When I Hit You.”—The Guardian

Set in modern India, the unnamed narrator falls in love with a university professor and agrees to be his wife. Based on the author’s own experience of marriage, soon the newly-wed experiences extreme violence at her husband’s hands and finds herself socially isolated. Intellectual and physical cruelty is explored. Yet hope keeps her alive. Writing becomes her salvation, a supreme act of defiance and, as the subtitle suggests, the novel is also about the act of writing itself and the way that fiction and stories can help you escape.

Though a harrowing story, Kandasamy’s writing is also funny, tender, and lyrical. When I Hit You is smart, fierce, and courageous.

A SEPTEMBER 2024 INDIE NEXT PICK

Return to Dalton as Shannon Bowring draws another stunningly human portrait of small town America. 

It’s been five years since Bridget Theroux’s death shocked the small town of Dalton, Maine, leaving behind husband Nate and daughter Sophie, now a vibrant young child. Nate doesn’t always know how to answer her questions, but he is intent on raising her with joy—and shielding her from her grandmother, Annette, who remains dangerously locked away in her grief.

After his first year away at college, Greg Fortin is back in town for the summer to work at the family store. It’s expected he'll take over the hardware business eventually, but finding the words to tell them no—and the truth about who he is—has become his own Everest. Rose’s abusive ex, Tommy finally disappeared a few years ago, though sometimes his presence in the eyes of her oldest son unnerves her. She and Nate are finding themselves drawn together by their children’s playdates, and into a delicate balance between friendship and the possibility of more. 

And Trudy and Bev, always so sure of their love for each other, find themselves rocked when Trudy’s husband Richard suffers a heart attack, bringing into focus all the guilt she has felt about their empty marriage for years.

Shannon Bowring demonstrates once again that she understands exactly where the heart of a story lies. Where the Forest Meets the River is a poignant return to the small town of Dalton, whose inhabitants continue to startle and humble both themselves—and us.

“A wild rumpus of a book . . . an exuberant American tale of brothers wrestling demons and each other on opposite poles of their grab bag of a family” (PANK Magazine).

Lewis Chopik has just graduated from Columbia University. Having been dumped by his girlfriend and in flight from the pressures exerted by his ambitious professor father, Lewis returns to Wichita in search of respite at the home of his New-Ager mother, Abby. But when Abby picks Lewis up from the airport, she reveals that she’s starting a storm-chasing business and indulging a polyamorous lifestyle. Another unexpected arrival is Seth, Lewis’s bipolar younger brother, who shows off a new tattoo on his chest: In Loving Memory of Seth Chopik. Things begin to resemble the land of Oz more than Wichita when Lewis, while minding Seth, joins Abby in the Flint Hills on a storm-chase with her first client.

“[An] honest and raw look at brotherhood and what it means to rediscover your family.”—O, The Oprah Magazine

“The world of Wichita is rich, subtle, and funny, . . . This is a truly striking novel.”—Sam Lipsyte, New York Times–bestselling author

“Wichita is a novel about expectations and outcomes, about what is open and what is veiled. Its emotional terrain is touching and vast.”—The New York Times Book Review

“Ziolkowski’s humor and trenchant observations make for startlingly gorgeous (and often hilarious) prose even in the midst of emergencies.”—Interview Magazine

“[A] sparkling debut . . . There’s never a dull moment in a novel which fires us up with snappy and often very funny dialogue.”—Kirkus Reviews

“[This] beautifully restrained novel, a meditation on aging, marriage and loss, fictionalizes a well-known period in Thomas Hardy’s life” (The New York Times).

A November morning in the 1920s finds an elderly man walking the grounds of his Dorchester home, pondering his past and future with deep despondence. That man is the revered novelist and poet Thomas Hardy, and this is a fictionalized account of his final years from the celebrated author of The Elephant Keeper.
The novel focuses on true events surrounding the London theater dramatization of Hardy’s acclaimed novel Tess of the D’Urbervilles, including Hardy’s hand-picked casting of the young, alluring Gertrude Bugler to play Tess. As plans for the play solidify, Hardy’s interest in Gertie becomes a voyeuristic infatuation, causing him to write some of the best poems of his career. However, when Hardy’s reclusive, neglected wife, Florence, catches wind of Hardy’s desire for Gertie to take the London stage, a tangled web of jealousy and missed opportunity ensnares all three characters—with devastating results.

Told from the perspectives of Hardy, Gertie, and Florence, Winter is “a meditation on love, regret, and an elusive yearning for happiness” (Kirkus Reviews, starred review).

“A book for grown-ups, one that finds the acme of human happiness in a young mother looking out at a starry winter’s night, while she holds her baby in her arms.”—The Washington Post

“Winter is quietly intelligent and compassionate, but what stands out most is that it is gorgeously, gorgeously written in prose so elegantly crafted that it becomes, paradoxically, almost invisible. It never shouts, never startles, just moves lithely along with an almost miraculous sense of rightness.”—Minneapolis Star-Tribune

The tenth Commissario Ricciardi Neapolitan mystery is “endlessly surprising… a delicate balancing act between love and pain, horror and beauty.”—ThrillerNord

Christmas has just passed and the city is preparing to celebrate New Year when, on the stage of a variety show, famous actor Michelangelo Gelmi fires a gun at his wife,  Fedora Marra.

The shooting itself would be nothing strange: it is repeated every evening as part of their performance. But this time, someone replaced one of the blanks with a real bullet. Gelmi swears his innocence, but few believe him. Approaching old age and with a career in decline, the actor has become increasingly dependent on his wife, much younger than him and at the height of her fame. However, rumor has it that she had fallen in love with another man and was preparing to leave Gelmi. A straightforward case of infidelity and marital jealousy? Commissario Ricciardi has more than one doubt.

A mystery made darker by the sudden fog that envelops an almost gothic Naples, Commissario Riccardi’s latest adventure will enrapture readers until its final, dramatic act.

A transcendent love letter to literature and music, Xstabeth is an exciting new work from a writer who, book-by-book, is rewriting the rules of contemporary fiction.

Aneliya’s father dreams of becoming a great musician but his naivete and his unfashionable music suggest he will never be taken seriously. Her father’s best friend, on the other hand, has a penchant for vodka, strip clubs, and moral philosophy. Aneliya is torn between love of the former and passion for the latter.

When an angelic presence named Xstabeth enters their lives Aneliya and her father’s world is transformed.

A short, stylish novel with a big heart, humor, Xstabeth moves from Russia to Scotland, touching upon the pathos of Russian literature and the Russian soul, the power of art and music to shape reality, and the metaphysics of golf while telling a moving father-daughter story in highly-charged, torrential prose. 

A father follows his runaway daughter into a world of crime and espionage in this thriller by “one of the more sophisticated writers in his field” (Kirkus Reviews).

Amy Boxer, the precocious, frustrated daughter of kidnap consultant Charles Boxer and DI Mercy Danquah, has decided on drastic action: she’s leaving home. But Amy can’t just walk out. First she goads her parents with a challenge: YOU WILL NEVER FIND ME.
Amy’s destination: Madrid. Here, in the strobe lights of bars and crowded dance clubs, she’s anonymous and untraceable. Except to a volatile, unpredictable leader in the city’s drug trade, the man known only as El Osito.
Boxer will use his very specific set of skills to retrace Amy’s quickly vanishing steps. Meanwhile, Detective Inspector Danquah has her own missing person case in London: the young son of a retired Russian secret service agent who’s trying to learn who poisoned his colleague, Alexander Tereshchenko. As the detective begins her search, a body is found in Madrid. And Amy’s father may be the next target . . .

The Gold Dagger Award–winning author of A Small Death in Lisbon “demonstrates, as Graham Greene did long ago, that thrillers are the liveliest, most gripping, most thought-provoking literary enterprises going today” (Los Angeles Times Book Review).

“Few writers—in any genre—can match Wilson’s depth of character and plot or his evocation of place.”—The Boston Globe