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Worlds Within tracks the changing forms of novels and nations against a long, postcolonial twentieth century. While globalization has sometimes been understood to supersede national borders, this book distances itself from before-and-after sequences in order to trace the intersection between national and global politics.

Drawing from psychoanalytic and deconstructive accounts of identity, difference, and desire, Worlds Within explores the making and unmaking of ideas of nation, globe, race, and gender in the late imperialism of Joseph Conrad, the anticolonial nationalism and nascent Third-Worldism of W. E. B. Du Bois and Frantz Fanon, and the decolonizing nationalisms and postcolonial cosmopolitanisms of novelistic descendants, such as the Indian and Indo-Caribbean writers Salman Rushdie, Amitav Ghosh, V.S. Naipaul, and David Dabydeen, the anglophone and francophone African writers Chinua Achebe, Nggi wa Thiong'o, Assia Djebar, and Tsitsi Dangarembga, and the Cuban postmodern novelist and theorist Severo Sarduy. Across this global field, national identity is subtended by transnational affiliations and expressed through diverse and intersecting literary forms.

Over the past three decades, jurisdictions across the United States have developed alternatives to traditional criminal procedures and punishments for adults accused of crimes that are associated with substance use and mental health disorders. The Veterans Treatment Court (VTC) is one example of these problem-solving courts. VTCs benefit from the availability of extensive (and free) medical and social services through the Department of Veterans Affairs, as well as the social and political legitimacy that comes with serving veterans.

Worthy of Justice takes this specific form of problem-solving court as lens for examining broader social inequalities in the criminal legal system. Jamie Rowen argues that the rationale for VTCs flows not from what veterans have done but from who they are. Their operations are fueled by the notion that their participants' criminal behavior is the result of military service rather than other personal choices made, thus making them uniquely worthy of public support. In this way, VTCs powerfully expose the contradictions inherent in the idea that criminals deserve punishment.

Rowen draws on fieldwork at three such courts across the US. Ultimately, she illustrates how the politics of crime and the politics of welfare increasingly intersect and, together, construct classes of Americans who are either worthy, or not.

Over the past three decades, jurisdictions across the United States have developed alternatives to traditional criminal procedures and punishments for adults accused of crimes that are associated with substance use and mental health disorders. The Veterans Treatment Court (VTC) is one example of these problem-solving courts. VTCs benefit from the availability of extensive (and free) medical and social services through the Department of Veterans Affairs, as well as the social and political legitimacy that comes with serving veterans.

Worthy of Justice takes this specific form of problem-solving court as lens for examining broader social inequalities in the criminal legal system. Jamie Rowen argues that the rationale for VTCs flows not from what veterans have done but from who they are. Their operations are fueled by the notion that their participants' criminal behavior is the result of military service rather than other personal choices made, thus making them uniquely worthy of public support. In this way, VTCs powerfully expose the contradictions inherent in the idea that criminals deserve punishment.

Rowen draws on fieldwork at three such courts across the US. Ultimately, she illustrates how the politics of crime and the politics of welfare increasingly intersect and, together, construct classes of Americans who are either worthy, or not.

For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers—Keats, Proust, Nabokov, Ashbery—have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scrutinized for insights and the shape of an ideal artwork is pieced together. These writers, voracious in their appetite for any knowledge that will further their goal, find help in unlikely places. The logic of totalitarian regimes, the phenomenology of music, the pathology of addiction, and global commodity exchange furnish them with tools and models for arresting neurobiological time. Reading central works of the past two centuries in light of their shared ambition, Clune produces a revisionary understanding of some of our most important literature.

For centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers—Keats, Proust, Nabokov, Ashbery—have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scrutinized for insights and the shape of an ideal artwork is pieced together. These writers, voracious in their appetite for any knowledge that will further their goal, find help in unlikely places. The logic of totalitarian regimes, the phenomenology of music, the pathology of addiction, and global commodity exchange furnish them with tools and models for arresting neurobiological time. Reading central works of the past two centuries in light of their shared ambition, Clune produces a revisionary understanding of some of our most important literature.

Writing and Madness is Shoshana Felman's most influential work of literary theory and criticism. Exploring the relations between literature, philosophy, and psychoanalysis through brilliant studies of Balzac, Nerval, Flaubert, and James, as well as Lacan, Foucault, and Derrida, this book seeks the specificity of literature in its relation to what culture excludes under the label "madness." Why and how do literary writers reclaim the discourse of the madman, and how does this reclaiming reveal something essential about the relation between literature and power, as well as between literature and knowledge?

Every literary text continues to communicate with madness—with what has been excluded, decreed abnormal, unacceptable, or senseless—by dramatizing a dynamically revitalized relation between sense and nonsense, reason and unreason, the readable and the unreadable. This revelation of the irreducibility of the relation between the readable and the unreadable constitutes what the author calls la chose littéraire—the literary thing.

Writing and Madness is Shoshana Felman's most influential work of literary theory and criticism. Exploring the relations between literature, philosophy, and psychoanalysis through brilliant studies of Balzac, Nerval, Flaubert, and James, as well as Lacan, Foucault, and Derrida, this book seeks the specificity of literature in its relation to what culture excludes under the label "madness." Why and how do literary writers reclaim the discourse of the madman, and how does this reclaiming reveal something essential about the relation between literature and power, as well as between literature and knowledge?

Every literary text continues to communicate with madness—with what has been excluded, decreed abnormal, unacceptable, or senseless—by dramatizing a dynamically revitalized relation between sense and nonsense, reason and unreason, the readable and the unreadable. This revelation of the irreducibility of the relation between the readable and the unreadable constitutes what the author calls la chose littéraire—the literary thing.

A Stanford University Press classic.

Proposing a new interpretation of literature and mass culture in nineteenth-century Europe, this work focuses on works by Marx, Balzac, Dickens, Adorno, and Benjamin to explore in them a complex "mimetic" disposition toward commodification in the realm of culture. The aim of the book is twofold: to explicate in the work of Balzac and Dickens subtle and profoundly ambivalent attitudes toward the rapidly expanding mass culture of the 1830's in France and England, and to identify through this reading of the novelists a common mimetic element that has eluded a certain dialectical approach to art's overcoming of mass culture - an approach best exemplified in Horkheimer and Adorno's influential essay on the "culture industry."

This book examines cultural representations of African American and Asian American masculinity, focusing primarily on the major works of two influential figures, Ralph Ellison and Frank Chin. It highlights the language of gender and sexuality that writers use to depict the psychological injuries inflicted by racism on men of color—a language that relies on metaphors of emasculation.

The book focuses on how homosexuality comes to function as a powerful symbol for a feminizing racism, and explains why this disturbing symbolism proves to be so rhetorically and emotionally effective. This study also explores the influential concept of literature that these writers promote—a view of writing as a cultural and political activity capable of producing the most virile and racially authentic forms of manhood. In comparing African American and Asian American writings, this book offers the first scholarly account of how black and yellow conceptions of masculinity are constructed in relation to each other.

This book examines cultural representations of African American and Asian American masculinity, focusing primarily on the major works of two influential figures, Ralph Ellison and Frank Chin. It highlights the language of gender and sexuality that writers use to depict the psychological injuries inflicted by racism on men of color—a language that relies on metaphors of emasculation.

The book focuses on how homosexuality comes to function as a powerful symbol for a feminizing racism, and explains why this disturbing symbolism proves to be so rhetorically and emotionally effective. This study also explores the influential concept of literature that these writers promote—a view of writing as a cultural and political activity capable of producing the most virile and racially authentic forms of manhood. In comparing African American and Asian American writings, this book offers the first scholarly account of how black and yellow conceptions of masculinity are constructed in relation to each other.

A Stanford University Press classic.

A Stanford University Press classic.

This collection brings together a group of important and influential essays on Mexican history and historiography by Eric Van Young, a leading scholar in the field. The essays, several of which appear here in English for the first time, are primarily historiographical; that is, they address the ways in which separate historical literatures have developed over time. They cover a wide range of topics: the historiography of the colonial and nineteenth-century Mexican and Latin American countryside; historical writing in English on the history of colonial Mexico; British, American, and Mexican historical writing on the Mexican Independence movement; the methodology of regional and cultural history; and the relationship of cultural to economic history. Some of the essays have been and will continue to be controversial, while others—for example, those on studies of the Mexican hacienda since 1980, on the theory and method of regional history, and on the "new cultural history" of Mexico—are widely considered classics of the genre.

This collection brings together a group of important and influential essays on Mexican history and historiography by Eric Van Young, a leading scholar in the field. The essays, several of which appear here in English for the first time, are primarily historiographical; that is, they address the ways in which separate historical literatures have developed over time. They cover a wide range of topics: the historiography of the colonial and nineteenth-century Mexican and Latin American countryside; historical writing in English on the history of colonial Mexico; British, American, and Mexican historical writing on the Mexican Independence movement; the methodology of regional and cultural history; and the relationship of cultural to economic history. Some of the essays have been and will continue to be controversial, while others—for example, those on studies of the Mexican hacienda since 1980, on the theory and method of regional history, and on the "new cultural history" of Mexico—are widely considered classics of the genre.

Among the Jewish writers who emigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers—among them Irène Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet—continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In this book, Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote.

The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life in the occupied and southern zones, the roundups and internment camps, and the Resistance in France and in London. Writing in French, they expressed multiple cultural, religious, and linguistic identities, challenging the boundaries between center and periphery, between French and foreign, even when their sense of belonging was being violently denied.

Mid-twentieth-century developments in science and technology produced new understandings and images of the planet that circulated the globe, giving rise to a modern ecological consciousness; but they also contributed to accelerating crises in the global environment, including climate change, pollution, and waste. In this new work, Patrick Whitmarsh analyzes postwar narrative fictions that describe, depict, or express the earth from above (the aerial) and below (the subterranean), revealing the ways that literature has engaged this history of vertical science and linked it to increasing environmental precarity, up to and including the extinction of humankind.

Whitmarsh examines works by writers such as Don DeLillo, Karen Tei Yamashita, Reza Negarestani, and Colson Whitehead alongside postwar scientific programs including the Space Race, atmospheric and underground nuclear testing, and geological expeditions such as Project Mohole (which attempted to drill to the earth's mantle). As Whitmarsh argues, by focusing readers' attention on the fragility of postwar life through a vertical lens, Anthropocene fiction highlights the interconnections between human behavior and planetary change. These fictions situate industrial history within the much longer narrative of geological time and reframe scientific progress as a story through which humankind writes itself out of existence.

Mid-twentieth-century developments in science and technology produced new understandings and images of the planet that circulated the globe, giving rise to a modern ecological consciousness; but they also contributed to accelerating crises in the global environment, including climate change, pollution, and waste. In this new work, Patrick Whitmarsh analyzes postwar narrative fictions that describe, depict, or express the earth from above (the aerial) and below (the subterranean), revealing the ways that literature has engaged this history of vertical science and linked it to increasing environmental precarity, up to and including the extinction of humankind.

Whitmarsh examines works by writers such as Don DeLillo, Karen Tei Yamashita, Reza Negarestani, and Colson Whitehead alongside postwar scientific programs including the Space Race, atmospheric and underground nuclear testing, and geological expeditions such as Project Mohole (which attempted to drill to the earth's mantle). As Whitmarsh argues, by focusing readers' attention on the fragility of postwar life through a vertical lens, Anthropocene fiction highlights the interconnections between human behavior and planetary change. These fictions situate industrial history within the much longer narrative of geological time and reframe scientific progress as a story through which humankind writes itself out of existence.

Written by one of the world’s leading paleographers, this book poses two fundamental questions: When did human beings begin—and why have they continued—to decide that a certain number of their dead had a right to a “written death”? What differences have existed in the practice of writing death from age to age and culture to culture? Drawing principally on testimonials intended for public display, such as monuments, tombstones, and grave markings, as well as on scrolls, books, manuscripts, newspapers, and posters, the author reconstructs the ways Western cultures have used writing to commemorate the dead, from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.

The author argues that the relation between funereal remains and inscription is a profoundly political one. The recurring question—Who merits a written death?—demands a multifaceted reply, one that intersects such “modes” of human cultural history as the relation between the living and the dead, the control of territory, the formation and maintenance of power, the preservation of wealth, the right to individuality, and the symbolic and signifying value of written culture.

Apart from examining funerary writing in the light of this analytical model, the author also studies the quality of commemorative writing, the length and physical arrangement of the text, and its link to any representational elements, such as a likeness of the deceased, the techniques involved in executing the testimonial, the number of people who participate in creating it, and its outward appearance. Under the author’s careful and informed scrutiny, such developments as unidirectional script, the separation of writing into horizontal lines, and the even spacing of individual letters are revealed as indices of social and technological change.

Novels are often said to help us understand how others think—especially when those others are profoundly different from us. When interpreting a character's behavior, readers are believed to make use of "Theory of Mind," the general human capacity to attribute mental states to other people. In many well-known nineteenth-century American novels, however, characters behave in ways that are opaque to readers, other characters, and even themselves, undermining efforts to explain their actions in terms of mental states like beliefs and intentions.

Writing the Mind dives into these unintelligible moments to map the weaknesses of Theory of Mind and explore alternative frameworks for interpreting behavior. Through readings of authors such as Charles Brockden Brown, Herman Melville, Martin Delany, Harriet Beecher Stowe, Charles Chesnutt, and Mark Twain, Hannah Walser explains how experimental models of cognition lead to some of the strangest formal features of canonical American texts. These authors' attempts to found social life on something other than mental states not only invite us to revise our assumptions about the centrality of mind reading and empathy to the novel as a form; they can also help us understand more contemporary concepts in social cognition, including gaslighting and learned helplessness, with more conceptual rigor and historical depth.

A Stanford University Press classic.

Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900.

An opening section on courtesans details the lives of individual women and their male admirers—contemporary and subsequent—who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved.

The third section takes up the issue of contextualization: how male writers situated women's poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China's greatest work of fiction, Dream of the Red Chamber, first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.

Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900.

An opening section on courtesans details the lives of individual women and their male admirers—contemporary and subsequent—who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved.

The third section takes up the issue of contextualization: how male writers situated women's poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China's greatest work of fiction, Dream of the Red Chamber, first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.

Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory.

Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor.

In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize."

Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory.

Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor.

In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize."

Although India and China have very different experiences of colonialism, they respond to that history in a similar way—by treating it as a collective trauma. As a result they have a strong sense of victimization that affects their foreign policy decisions even today.

Wronged by Empire breaks new ground by blending this historical phenomenon, colonialism, with mixed methods—including archival research, newspaper data mining, and a new statistical method of content analysis—to explain the foreign policy choices of India and China: two countries that are continuously discussed but very rarely rigorously compared. By reference to their colonial past, Manjari Chatterjee Miller explains their puzzling behavior today. More broadly, she argues that the transformative historical experience of a large category of actors—ex-colonies, who have previously been neglected in the study of international relations—can be used as a method to categorize states in the international system. In the process Miller offers a more inclusive way to analyze states than do traditional theories of international relations.

Although India and China have very different experiences of colonialism, they respond to that history in a similar way—by treating it as a collective trauma. As a result they have a strong sense of victimization that affects their foreign policy decisions even today.

Wronged by Empire breaks new ground by blending this historical phenomenon, colonialism, with mixed methods—including archival research, newspaper data mining, and a new statistical method of content analysis—to explain the foreign policy choices of India and China: two countries that are continuously discussed but very rarely rigorously compared. By reference to their colonial past, Manjari Chatterjee Miller explains their puzzling behavior today. More broadly, she argues that the transformative historical experience of a large category of actors—ex-colonies, who have previously been neglected in the study of international relations—can be used as a method to categorize states in the international system. In the process Miller offers a more inclusive way to analyze states than do traditional theories of international relations.

Step right up! Get your tickets for WTF?! An Economic Tour of the Weird! This rollicking tour through a museum of the world's weirdest practices is guaranteed to make you say, "WTF?!" Did you know that "preowned" wives were sold at auction in nineteenth-century England? That today, in Liberia, accused criminals sometimes drink poison to determine their fate? How about the fact that, for 250 years, Italy criminally prosecuted cockroaches and crickets? Do you wonder why? Then this tour is just for you!

Join WTF?!'s cast of colorful characters as they navigate the museum, led by guide and economist Peter T. Leeson. From one exhibit to the next, you'll overhear Leeson's riotous exchanges with the patrons and learn how to use economic thinking to reveal the hidden sense behind seemingly senseless human behavior—including your own. Leeson shows that far from "irrational" or "accidents of history," humanity's most outlandish rituals are ingenious solutions to pressing problems—developed by clever people, driven by incentives, and tailor-made for their time and place. Can you handle getting schooled by the strange? Better hurry, the tour is about to start!

Coming at the end of the great flowering of philosophical inquiry in Warring States China, when the foundations for traditional Chinese thought were laid, Xunzi occupies a place analogous to that of Aristotle in the West. The collection of works bearing his name contains not only the most systematic philosophical exposition by any early Confucian thinker, but also account of virtually every aspect of the intellectual, cultural, and social life of his time. Xunzi was a social critic and intellectual historian as well as a philosopher. He was also extremely active in the political and academic circles of his day, and his teaching had a great influence on the initial institutional organization of a unified China under the first Qin emperor, an influence that continued (though often unacknowledged) through later centuries.

This is the first of three volumes that will constitute the first complete translation of Xunzi into English. The present volume consists of a general introduction and Books 1-6, dealing with self-cultivation, learning, and education.

The translation is accompanied by substantial explanatory material identifying technical terms, persons, and events; detailed introductions to each book; and extensive annotation, with characters when desirable, indicating the basis of the translations. The general introduction recounts the biography of Xunzi, his later influence, the intellectual world in which he lived, and the basic terms that the ancient Chinese used to conceptualize nature and society.

The compelling true story of Nelly Benatar—a hero of the anti-Fascist North African resistance and humanitarian who changed the course of history for the "last million" escaping the Second World War.

When France fell to Hitler's armies in June 1940, a flood of refugees fleeing Nazi terror quickly overwhelmed Europe's borders and spilled across the Mediterranean to North Africa, touching off a humanitarian crisis of dizzying proportions. Nelly Benatar, a highly regarded Casablancan Jewish lawyer, quickly claimed a role of rescuer and almost single-handedly organized a sweeping program of wartime refugee relief. But for all her remarkable achievements, Benatar's story has never been told.

With this book, Susan Gilson Miller introduces readers to a woman who fought injustice as an anti-Fascist resistant, advocate for refugee rights, liberator of Vichy-run forced labor camps, and legal counselor to hundreds of Holocaust survivors. Miller crafts a gripping biography that spins a tale like a Hollywood thriller, yet finds its truth in archives gathered across Europe, North Africa, Israel, and the United States and from Benatar's personal collection of eighteen thousand documents now housed in the US Holocaust Museum.

Years of Glory offers a rich narrative and a deeper understanding of the complex currents that shaped Jewish, North African, and world history over the course of the Second World War. The traumas of genocide, the struggle for anti-colonial liberation, and the eventual Jewish exodus from Arab lands all take on new meaning when reflected through the interstices of Benatar's life. A courageous woman with a deep moral conscience and an iron will, Nelly Benatar helped to lay the groundwork for crucial postwar efforts to build a better world over Europe's ashes.

This book examines representations of modernity in Yiddish literature between the Russian revolution of 1905 and the beginning of the First World War. Within Jewish society, and particularly Eastern European Jewish society, modernity was often experienced as a series of incursions and threats to traditional Jewish life. Writers explored these perceived crises in their work, in the process reconsidering the role and function of Yiddish literature itself.

The orientation of nineteenth-century Yiddish fiction toward the shtetl came into conflict with the sense of reality of young writers, who felt themselves part of a rapidly changing modern urban environment. This opposition between the generations was reflected in their principles of plot construction. The conservatives employed cyclical patterns, producing mythological schemes for incorporating the new experience into the traditional order. Modernists emphasized the uniqueness of the new, and therefore preferred a linear organization of plot with emphasis on the transformation of individual character.

The texts under discussion (primarily novels and novellas) are analyzed with respect to the way they represent different aspects of the modern world: economic change, revolutionary politics, emigration, and the emancipation of women. The author’s methodology draws upon a variety of semiotic, structuralist, and psychoanalytic approaches, informed by insights derived from the Soviet Marxist tradition.

The writers treated in the book include the classical figures Sholem Aleichem and Y. L. Peretz, their lesser-known contemporaries Yankev Dinezon, Mordkhe Spektor, and S. Ansky, younger authors from Russia and Poland, including Sholem Asch, David Bergelson, and Itche-Meir Weissenberg, and the American Yiddish writers Leon Kobrin, David Ignatov, Joseph Opatoshu, Isaac Raboy, and Morris-Jonah Haimowitz.

This book is a much expanded and wholly rewritten treatment of the subject of the author's first book, Warrior Government in Early Medieval Japan, published in 1974. In this new version, the "warrior" and "medieval" character of Japan's first shogunate is significantly de-emphasized, thus requiring not only a new title, but also a new book.

The author's new view of the final decades of twelfth-century Japan is one of a less revolutionary set of experiences and a smaller achievement overall than previously thought. The pivotal figure, Minamoto Yoritomo, retains his dominant role in establishing the "dual polity" of Court and Bakufu, but his successes are now explained in terms of more limited objectives. A new regime was fit into an environment that was still basically healthy and vibrant, leading not to the substitution of one government for another, but rather to the emergence of a new authority that would have to interact with the old.

The book aims to present a dual perspective on the period by juxtaposing what we know against our best possible estimate of what Yoritomo himself knew. It is deeply concerned with the multiple balancing acts introduced by this ever nimble experimenter in governing, who was forever seeking to determine, and then to promote, what would work while curtailing or eliminating what would not. The author seeks to recreate step-by-step the movement from one historical juncture to another, whether this means adapting already available information, building anew, or working with combinations of materials. Throughout, the book addresses new topics and offers many new interpretations on subjects as wide-ranging as the 1189 military campaign in the north and the phenomenon of delegated authority.

Based on previously unexploited primary sources, this is the first comprehensive biography of Yosef Haim Brenner, one of the pioneers of Modern Hebrew literature. Born in 1881 to a poor Jewish family in Russia, Brenner published his first story, "A Loaf of Bread," in 1900. After being drafted into the Russian army, he deserted to England and later immigrated to Palestine where he became an eminent writer, critic and cultural icon of the Jewish and Zionist cultural milieu. His life was tragically ended in the violent 1921 Jaffa riots.

In a nutshell, Brenner's life story encompasses the generation that made "the great leap" from Imperial Russia's Pale of Settlement to the metropolitan centers of modernity, and from traditional Jewish beliefs and way of life to secularism and existentialism. In his writing he experimented with language and form, but always attempting to portray life realistically. A highly acerbic critic of Jewish society, Brenner was relentless in portraying the vices of both Jewish public life and individual Jews. Most of his contemporaries not only accepted his critique, but admired him for his forthrightness and took it as evidence of his honesty and veracity.

Renowned author and historian Anita Shapira's new biography illuminates Brenner's life and times, and his relationships with leading cultural leaders such as Nobel laureate S.Y. Agnon, Hayim Nahman Bialik, Israel's National Poet, and many others. Undermining the accepted myths about his life and his death, his depression, his relations with writers, women, and men—including the question of his homoeroticism—this new biography examines Brenner's life in all its complexity and contradiction.

A Stanford University Press classic.

Your Career Game demonstrates how game theory can help readers to understand and proactively take charge of their career strategy. Authors Nathan Bennett and Stephen A. Miles teach readers to manage the interdependencies and interconnectedness among coworkers, managers, and others in a manner that supports personal career efforts. Then, they show how readers can become better players. The key to learning how to play the career game is "career agility"—in short, nimble individuals are better game players.

Thois book includes conversations with a wide range of successful professionals such as Ursula Burns (Xerox), Stephen Elop (Microsoft), Marius Kloppers (BHP Billiton), Ken Frazier (Merck), and Liz McCartney (The St. Bernard Project), and discusses how their career moves demonstrate elements of a game theory approach to career management. This is a must-read strategic guide for anyone who seeks to advance their career and navigate today's job market.

Your Career Game demonstrates how game theory can help readers to understand and proactively take charge of their career strategy. Authors Nathan Bennett and Stephen A. Miles teach readers to manage the interdependencies and interconnectedness among coworkers, managers, and others in a manner that supports personal career efforts. Then, they show how readers can become better players. The key to learning how to play the career game is "career agility"—in short, nimble individuals are better game players.

Thois book includes conversations with a wide range of successful professionals such as Ursula Burns (Xerox), Stephen Elop (Microsoft), Marius Kloppers (BHP Billiton), Ken Frazier (Merck), and Liz McCartney (The St. Bernard Project), and discusses how their career moves demonstrate elements of a game theory approach to career management. This is a must-read strategic guide for anyone who seeks to advance their career and navigate today's job market.

Your financial health is more than a mere collection of debits and credits on a balance sheet. In fact, the numbers on a financial statement represent a series of decisions that, if made strategically, can ensure that each of us maintains our desired standard of living at every age and stage of life. Many people think that key financial choices are too complicated to make on their own. However, with the right information and guidance, we can all secure our own financial future.

Your Money and Your Life is more than your average guide to financial planning and retirement. Acclaimed author and speaker Robert Z. Aliber helps readers to make efficient and effective financial decisions at key moments throughout their lives, such as where to go to college; if and when to buy a home; how much insurance, if any, to buy; how to manage savings and retirement; when the time is right to approach a professional advisor; and how to proceed with estate planning. With an eye toward the issues that are most pressing in today's economy, Aliber clearly explains the sophisticated concepts that underpin everyday money management—with the goal of making this guide the go-to reference in your financial planning library, regardless of your age or wealth. Readers of this book will come away with the sense that Aliber is their own financial planner, offering strategies that will help to guide them toward security in the present and the future. Your Money and Your Life is filled with examples to which readers will be able to relate, as well as checklists of "actionables" to help make their plans realities.

When Your Rugged Constitution was first published, Harry S Truman was President. It quickly became a go-to resource for generations of young Americans (and some older ones too) who wanted to understand the guiding principles of our nation. Now in reissue, this truly rugged and much-admired classic is sure to inform, and also delight readers with its retro 1950s ethos. Your Rugged Constitution proceeds through the text of the Constitution with descriptions that are put in clear, easy-to-understand language, accompanied by commentary and lively drawings so you can easily grasp all the ideas and concepts. Under each section and clause, you (yes, you, fellow American!) learn which powers you give to the federal government, and what you get in return. Your Rugged Constitution helps readers understand that the Constitution is no mere historical document, but an important contract between you and your government.

This is the first study of its kind to provide such a broadly comparative and in-depth analysis of children and empire. Youth and Empire brings to light new research and new interpretations on two relatively neglected fields of study: the history of imperialism in East and South East Asia and, more pointedly, the influence of childhood—and children's voices—on modern empires.

By utilizing a diverse range of unpublished source materials drawn from three different continents, David M. Pomfret examines the emergence of children and childhood as a central historical force in the global history of empire in the late nineteenth and twentieth centuries. This book is unusual in its scope, extending across the two empires of Britain and France and to points of intense impact in "tropical" places where indigenous, immigrant, and foreign cultures mixed: Hong Kong, Singapore, Saigon, and Hanoi. It thereby shows how childhood was crucial to definitions of race, and thus European authority, in these parts of the world. By examining the various contradictory and overlapping meanings of childhood in colonial Asia, Pomfret is able to provide new and often surprising readings of a set of problems that continue to trouble our contemporary world.

This book addresses the impact of globalization on the lives of youth, focusing on the role of legal institutions and discourses. As practices and ideas travel the globe—such as the promotion and transmission of zero tolerance and retributive justice programs, the near ubiquitous acceptance of the UN Convention on the Rights of the Child, and the transnational migration of street gangs—the legal arena is being transformed.

The essays in this book offer case studies and in-depth analyses, spanning diverse settings including courts and prisons, inner-city streets, international human rights initiatives, newspaper offices, local youth organizations, and the United Nations. Drawing on everyday social practices, each chapter adds clarity to our current understanding of the ways in which ideas and practices in different parts of the world can affect youth in one particular locale.

This book addresses the impact of globalization on the lives of youth, focusing on the role of legal institutions and discourses. As practices and ideas travel the globe—such as the promotion and transmission of zero tolerance and retributive justice programs, the near ubiquitous acceptance of the UN Convention on the Rights of the Child, and the transnational migration of street gangs—the legal arena is being transformed.

The essays in this book offer case studies and in-depth analyses, spanning diverse settings including courts and prisons, inner-city streets, international human rights initiatives, newspaper offices, local youth organizations, and the United Nations. Drawing on everyday social practices, each chapter adds clarity to our current understanding of the ways in which ideas and practices in different parts of the world can affect youth in one particular locale.

Most of what has been written about the recent history of Yugoslavia and the fierce wars that have plagued that country has been produced by journalists, political analysts, diplomats, human rights organization, the United Nations, and other government and intergovernmental organizations. Professional historians of Yugoslavia, however, have been strangely silent about the wars and the breakup of the country. This book is an effort to end that silence.

The goal of this volume is to bring together insights from a distinguished group of American and European scholars of Yugoslavia to add depth to our historical understanding of that country’s recent struggles. The first part of the volume examines the ways in which images of the Yugoslav past have shaped current understandings of the region. The second part deals more directly with the events of the recent past and also looks forward to some of the problems and future prospects for Yugoslavia’s successor states.

In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism—that is, of the possibility of radical cultural change through the creation of new values—the author shows that literary fiction can do the work of philosophy.

Nietzsche takes up the problem of modernism by inventing Zarathustra, a self-styled cultural innovator who aspires to subvert the culture of modernity (the repressive culture of the "last man") by creating new values. By showing how Zarathustra can become a creator of new values, notwithstanding the forces that hinder his will to innovate, Nietzsche answers the skeptic who proclaims that new-values creation is impossible. Zarathustra is a story of repeated clashes between Zarathustra's avant-garde, modernist intentions and figures of doubt who condemn those intentions.

Through a close reading of Zarathustra, the author reconstructs Nietzsche's explanation of the possibility of modernism. Showing how parody, irony, and plot organization frame that explanation, he also demonstrates the central significance of Zarathustra's speeches on the body and the will to power. The author argues that Nietzsche's critique of the modern philosophy of the subject revises Kant's concept of the dynamical sublime and makes allegorical use of the myth of Theseus, Ariadne, and Dionysus. He also proposes an original interpretation of the thought of eternal recurrence (according to Nietzsche, the "fundamental conception" of Zarathustra). Breaking with conventional Nietzsche scholarship, the author conceptualizes the thought not as a theoretical or a practical doctrine that Nietzsche endorses, but as a developing drama that Zarathustra performs.

In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism—that is, of the possibility of radical cultural change through the creation of new values—the author shows that literary fiction can do the work of philosophy.

Nietzsche takes up the problem of modernism by inventing Zarathustra, a self-styled cultural innovator who aspires to subvert the culture of modernity (the repressive culture of the "last man") by creating new values. By showing how Zarathustra can become a creator of new values, notwithstanding the forces that hinder his will to innovate, Nietzsche answers the skeptic who proclaims that new-values creation is impossible. Zarathustra is a story of repeated clashes between Zarathustra's avant-garde, modernist intentions and figures of doubt who condemn those intentions.

Through a close reading of Zarathustra, the author reconstructs Nietzsche's explanation of the possibility of modernism. Showing how parody, irony, and plot organization frame that explanation, he also demonstrates the central significance of Zarathustra's speeches on the body and the will to power. The author argues that Nietzsche's critique of the modern philosophy of the subject revises Kant's concept of the dynamical sublime and makes allegorical use of the myth of Theseus, Ariadne, and Dionysus. He also proposes an original interpretation of the thought of eternal recurrence (according to Nietzsche, the "fundamental conception" of Zarathustra). Breaking with conventional Nietzsche scholarship, the author conceptualizes the thought not as a theoretical or a practical doctrine that Nietzsche endorses, but as a developing drama that Zarathustra performs.

This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well as Zeami's plays about women and warriors, with primary attention to Izutsu and Tadanori. The book concludes with a general discussion of Zeami's style and the relationship between his dramatic theory and his plays.

The long-time Chinese premier Zhou Enlai (1898-1976) is one of the most important, interesting, and appealing figures among twentieth-century world statesmen. This book asserts that the rich and diverse personal, educational, and political experiences of Zhou's formative years established clear patterns for his future and political orientations. In addition to substantiating the facts of Zhou Enlai's early years for the first time, the author sets Zhou's experience in the historical context of the Chinese youth of his generation, notably such events as Marxism, the Bolshevik Revolution, World War I, and the May Fourth Movement.

The long-time Chinese premier Zhou Enlai (1898-1976) is one of the most important, interesting, and appealing figures among twentieth-century world statesmen. This book asserts that the rich and diverse personal, educational, and political experiences of Zhou's formative years established clear patterns for his future and political orientations. In addition to substantiating the facts of Zhou Enlai's early years for the first time, the author sets Zhou's experience in the historical context of the Chinese youth of his generation, notably such events as Marxism, the Bolshevik Revolution, World War I, and the May Fourth Movement.

To celebrate the completion of the twenty-year project to translate The Zohar, Stanford University Press is pleased to offer a complete set of all twelve volumes of The Zohar: Pritzker Edition.

Sefer ha-Zohar (The Book of Radiance) has amazed readers ever since it emerged in Spain over seven hundred years ago. Written in a lyrical Aramaic, the Zohar, the masterpiece of Kabbalah, features mystical interpretation of the Torah, from Genesis to Deuteronomy.

The Zohar: Pritzker Edition volumes present the first translation ever made from a critical Aramaic text of the Zohar, which has been established by Professor Daniel C. Matt (along with Nathan Wolski and Joel Hecker) based on a wide range of original manuscripts. Every one of the twelve volumes provides extensive commentary, appearing at the bottom of each page, clarifying the kabbalistic symbolism and terminology, and citing sources and parallels from biblical, rabbinic, and kabbalistic texts.

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on what zoos do, few people consider how they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.

Zooland begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.

Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. Zooland takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on what zoos do, few people consider how they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.

Zooland begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.

Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. Zooland takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

China has undergone dramatic change in its economic institutions in recent years, but surprisingly little change politically. Somehow, the political institutions seem capable of governing a vastly more complex market economy and a rapidly changing labor force. One possible explanation, examined in Zouping Revisited, is that within the old organizational molds there have been subtle but profound changes to the ways these governing bodies actually work. The authors take as a case study the local government of Zouping County and find that it has been able to evolve significantly through ad hoc bureaucratic adaptations and accommodations that drastically change the operation of government institutions.

Zouping has long served as a window into local-level Chinese politics, economy, and culture. In this volume, top scholars analyze the most important changes in the county over the last two decades. The picture that emerges is one of institutional agility and creativity as a new form of resilience within an authoritarian regime.

Italy has grappa, Russia has vodka, Jamaica has rum. Around the world, certain drinks—especially those of the intoxicating kind—are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred. Despite these competing images, tequila is universally regarded as an enduring symbol of lo mexicano.

¡Tequila! Distilling the Spirit of Mexico traces how and why tequila became and remains Mexico's national drink and symbol. Starting in Mexico's colonial era and tracing the drink's rise through the present day, Marie Sarita Gaytán reveals the formative roles played by some unlikely characters. Although the notorious Pancho Villa was a teetotaler, his image is now plastered across the labels of all manner of tequila producers—he's even the namesake of a popular brand. Mexican films from the 1940s and 50s, especially Western melodramas, buoyed tequila's popularity at home while World War II caused a spike in sales within the whisky-starved United States. Today, cultural attractions such as Jose Cuervo's Mundo Cuervo and the Tequila Express let visitors insert themselves into the Jaliscan countryside—now a UNESCO-protected World Heritage Site—and relish in the nostalgia of pre-industrial Mexico.

Our understanding of tequila as Mexico's spirit is not the result of some natural affinity but rather the cumulative effect of U.S.-Mexican relations, technology, regulation, the heritage and tourism industries, shifting gender roles, film, music, and literature. Like all stories about national symbols, the rise of tequila forms a complicated, unexpected, and poignant tale. By unraveling its inner workings, Gaytán encourages us to think critically about national symbols more generally, and the ways in which they both reveal and conceal to tell a story about a place, a culture, and a people. In many ways, the story of tequila is the story of Mexico.

Italy has grappa, Russia has vodka, Jamaica has rum. Around the world, certain drinks—especially those of the intoxicating kind—are synonymous with their peoples and cultures. For Mexico, this drink is tequila. For many, tequila can conjure up scenes of body shots on Cancún bars and coolly garnished margaritas on sandy beaches. Its power is equally strong within Mexico, though there the drink is more often sipped rather than shot, enjoyed casually among friends, and used to commemorate occasions from the everyday to the sacred. Despite these competing images, tequila is universally regarded as an enduring symbol of lo mexicano.

¡Tequila! Distilling the Spirit of Mexico traces how and why tequila became and remains Mexico's national drink and symbol. Starting in Mexico's colonial era and tracing the drink's rise through the present day, Marie Sarita Gaytán reveals the formative roles played by some unlikely characters. Although the notorious Pancho Villa was a teetotaler, his image is now plastered across the labels of all manner of tequila producers—he's even the namesake of a popular brand. Mexican films from the 1940s and 50s, especially Western melodramas, buoyed tequila's popularity at home while World War II caused a spike in sales within the whisky-starved United States. Today, cultural attractions such as Jose Cuervo's Mundo Cuervo and the Tequila Express let visitors insert themselves into the Jaliscan countryside—now a UNESCO-protected World Heritage Site—and relish in the nostalgia of pre-industrial Mexico.

Our understanding of tequila as Mexico's spirit is not the result of some natural affinity but rather the cumulative effect of U.S.-Mexican relations, technology, regulation, the heritage and tourism industries, shifting gender roles, film, music, and literature. Like all stories about national symbols, the rise of tequila forms a complicated, unexpected, and poignant tale. By unraveling its inner workings, Gaytán encourages us to think critically about national symbols more generally, and the ways in which they both reveal and conceal to tell a story about a place, a culture, and a people. In many ways, the story of tequila is the story of Mexico.

This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings.

In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes.

The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings.

In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes.

The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

This is the first comprehensive account of the capsizing in 1915 of the steamer Eastland, an accident that killed more than 800 men, women, and children—the worst disaster of any kind in the history of Chicago and the worst in the history of the Great Lakes.

Reviews

"Hilton has written a comprehensive and exhaustive study of the worst disaster in Chicago's history. . . . Alterations and the addition of more lifeboats and rafts after the Titanic sank made the Eastland so unstable that it rolled over in the Chicago River. . . . The vessel's entire career is examined, and . . . the disaster itself is meticulously described and analyzed. Hilton also critically evaluates the subsequent civil and criminal court proceedings, raising a number of issues relating to marine safety regulations and the compensation of the victims' families."

—Choice

"Irony and tragedy combine in this account of America's worst marine disaster. . . . Hilton constructs a careful account of the events leading up to the calamity. The disaster itself is recounted minute by minute. . . . The numerous illustrations and period photographs, as well as numerous appendixes, make this a definitive account."

—Library Journal

"This is the book on the Eastland."

—Inland Seas

"It contains vivid accounts of drownings and rescues, heroism and cowardice."

—Chicago Tribune

Jack London, one of the most read and recognized figures in American literature, produced an immense body of work, including 22 novels, 200 short stories, memoirs, newspaper articles, book reviews, essays, and poems. A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added.

Reviews of the First Edition

"Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'"

—American Literary Realism

"An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view."

—Modern Philology

"A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft."

—Los Angeles Times

Jack London, one of the most read and recognized figures in American literature, produced an immense body of work, including 22 novels, 200 short stories, memoirs, newspaper articles, book reviews, essays, and poems. A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added.

Reviews of the First Edition

"Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'"

—American Literary Realism

"An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view."

—Modern Philology

"A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft."

—Los Angeles Times

The year 1492 is only the last in a series of "ends" that inform the representation of medieval Spain in modern Jewish historical and literary discourses. These ends simultaneously mirror the traumas of history and shed light on the discursive process by which hermetic boundaries are set between periods, communities, and texts. This book addresses the representation of the twelfth and thirteenth centuries as the end of al-Andalus (Islamic Spain). Here, the end works to locate and separate Muslim from Christian Spain, Jews from Arabs, philosophy from Kabbalah, Kabbalah from literature, and texts from contexts.

The book offers a reading of texts that emerge from its Andalusi, Jewish, and Arabic cultural sphere: Maimonides' Guide of the Perplexed; the major text of Kabbalah, the Zohar; and the Arabic rhymed prose narrative of Ibn al-Astarkuwi. The author argues that these texts are written in a language that disrupts the possibility of locating it in a pre-existing cultural situation, a recognizable literary tradition, or a particular genre.

At stake are issues—texts and contexts—that have gained particular urgency in the writings of such recent thinkers as Walter Benjamin, Jacques Derrida, Giorgio Agamben, Jean-Luc Nancy, and Avital Ronell. The book reads the place and taking place of language, interrogating the notion of disappearing contexts and the view that language is derivative of its true place, the context that, having ended, is mourned as silent and lost.

The year 1492 is only the last in a series of "ends" that inform the representation of medieval Spain in modern Jewish historical and literary discourses. These ends simultaneously mirror the traumas of history and shed light on the discursive process by which hermetic boundaries are set between periods, communities, and texts. This book addresses the representation of the twelfth and thirteenth centuries as the end of al-Andalus (Islamic Spain). Here, the end works to locate and separate Muslim from Christian Spain, Jews from Arabs, philosophy from Kabbalah, Kabbalah from literature, and texts from contexts.

The book offers a reading of texts that emerge from its Andalusi, Jewish, and Arabic cultural sphere: Maimonides' Guide of the Perplexed; the major text of Kabbalah, the Zohar; and the Arabic rhymed prose narrative of Ibn al-Astarkuwi. The author argues that these texts are written in a language that disrupts the possibility of locating it in a pre-existing cultural situation, a recognizable literary tradition, or a particular genre.

At stake are issues—texts and contexts—that have gained particular urgency in the writings of such recent thinkers as Walter Benjamin, Jacques Derrida, Giorgio Agamben, Jean-Luc Nancy, and Avital Ronell. The book reads the place and taking place of language, interrogating the notion of disappearing contexts and the view that language is derivative of its true place, the context that, having ended, is mourned as silent and lost.

A Stanford University Press classic.

This book traces the shared culture of the Chinese elite from the seventh to the twelfth centuries. The early T'ang definition of 'This Culture of Ours' combined literary and scholarly traditions from the previous five centuries. The late Sung Neo-Confucian movement challenged that definition. The author argues that the Tang-Sung transition is best understood as a transition from a literary view of culture - in which literary accomplishment and mastery of traditional forms were regarded as essential - to the ethical orientation of Neo-Confucianism, in which the cultivation of one's innate moral ability was regarded as the goal of learning. The author shows that this transformation paralleled the collapse of the T'ang order and the restoration of a centralized empire under the Sung, underscoring the connection between elite formation and political institutions.

This book traces the shared culture of the Chinese elite from the seventh to the twelfth centuries. The early T'ang definition of 'This Culture of Ours' combined literary and scholarly traditions from the previous five centuries. The late Sung Neo-Confucian movement challenged that definition. The author argues that the Tang-Sung transition is best understood as a transition from a literary view of culture - in which literary accomplishment and mastery of traditional forms were regarded as essential - to the ethical orientation of Neo-Confucianism, in which the cultivation of one's innate moral ability was regarded as the goal of learning. The author shows that this transformation paralleled the collapse of the T'ang order and the restoration of a centralized empire under the Sung, underscoring the connection between elite formation and political institutions.

What made some 700 men and women in the Yorkshire town of Kingston-upon-Hull, in the years 1837 to 1900, decide to suffer no longer “the slings and arrows of outrageous fortune” and take their own lives? In this study, the author seeks to uncover the experiences that drove people to suicide; to analyze how suicide was understood by victims, by their families and friends, and by legal and medical authorities; to study how the presumed causes of suicide and the meanings of suicide changed over time and in response to changed social circumstances; and to see what “suicide narratives” elicited by coroners’ inquests can tell us about Victorian life, beliefs, and values in general.

The book is based on an unprecedentedly complete and comprehensive collection of inquest files covering the entire Victorian era in Hull (most coroners’ files have not survived or exist only in fragmentary form). Hitherto, suicide in the Victorian period has been examined only on a national basis; where local evidence has been used, it has come chiefly from London. Through the testimony of relatives, neighbors, friends, and even the deceased (by means of suicide notes), the author has been able to get closer to the experience of suicide and its social construction than has been possible in any previous study.

The framework within which the author evaluates the paths to suicide is the life cycle. By placing each suicide in its local socioeconomic context, and by examining each stage in the life course for each sex and for different social levels, the author has been able to assess causation factors with great confidence. He establishes arguments (such as the importance of declining wages and job security for older men and the loss of a marital partner for either sex) more securely than have earlier studies, and puts some new arguments on the agenda (such as the importance of the presence or absence of interpersonal ties and the influence of Poor Law policy).

What made some 700 men and women in the Yorkshire town of Kingston-upon-Hull, in the years 1837 to 1900, decide to suffer no longer “the slings and arrows of outrageous fortune” and take their own lives? In this study, the author seeks to uncover the experiences that drove people to suicide; to analyze how suicide was understood by victims, by their families and friends, and by legal and medical authorities; to study how the presumed causes of suicide and the meanings of suicide changed over time and in response to changed social circumstances; and to see what “suicide narratives” elicited by coroners’ inquests can tell us about Victorian life, beliefs, and values in general.

The book is based on an unprecedentedly complete and comprehensive collection of inquest files covering the entire Victorian era in Hull (most coroners’ files have not survived or exist only in fragmentary form). Hitherto, suicide in the Victorian period has been examined only on a national basis; where local evidence has been used, it has come chiefly from London. Through the testimony of relatives, neighbors, friends, and even the deceased (by means of suicide notes), the author has been able to get closer to the experience of suicide and its social construction than has been possible in any previous study.

The framework within which the author evaluates the paths to suicide is the life cycle. By placing each suicide in its local socioeconomic context, and by examining each stage in the life course for each sex and for different social levels, the author has been able to assess causation factors with great confidence. He establishes arguments (such as the importance of declining wages and job security for older men and the loss of a marital partner for either sex) more securely than have earlier studies, and puts some new arguments on the agenda (such as the importance of the presence or absence of interpersonal ties and the influence of Poor Law policy).

"Chatter" cannot always be taken lightly, for the insignificance and insubstantiality of "idle talk," "prattle," "nonsense," and so forth challenge the very notions of substance and significance through which rational discourses seek justification. This book shows that in "chatter" Kierkegaard uncovered a specfically linguistic mode of negativity—not that of the Hegelian concept—became the medium in which a non-speculative and non-historicist presentation of history could be carried out.

The author examines in detail those writings of Kierkegaard in which he undertook complex negotiations with the threat—and also the promise—of "chatter." One effect of these negotiations is revealed as an insistence on "existence," which alone could appear as a counterweight to the lightness and insubstantiality of mere language. The author's readings of both well-known and neglected works do not simply show how indirect communication affects this insistence on "existence"; they also show how the negation of direct communication (which in genderal makes reading necessary) undoes the distinctions through which weighty "existence" and insubstantial "chatter" are set apart.