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WINNER OF THE ARAB AMERICAN BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR

The stunning debut of a brilliant nonfiction writer whose vivid account of his grandparents' lives in Egypt, Tunisia, Palestine, and Los Angeles reclaims his family's Jewish Arab identity

There was a time when being an "Arab" didn't mean you were necessarily Muslim. It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit, long before he and his father arrived at the port of Haifa to join the Zionist state only to find themselves hosed down with DDT and then left unemployed on the margins of society. In that time, Arabness was a mark of cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Oscar's son, the Jewish Arab journalist Massoud Hayoun whom Oscar raised in Los Angeles, finds his voice by telling his family's story.

To reclaim a worldly, nuanced Arab identity is, for Hayoun, part of the larger project to recall a time before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that is now nearly lost.

When We Were Arabs showcases the gorgeous prose of the Eppy Award–winning writer Massoud Hayoun, bringing the worlds of his grandparents alive, vividly shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines over which we do battle.

A groundbreaking collective work of history by a group of incarcerated scholars that resurrects the lost truth about the first women’s prison

A Ms. Magazine Most Anticipated Book

What if prisoners were to write the history of their own prison? What might that tell them—and all of us—about the roots of the system that incarcerates so many millions of Americans?

In this groundbreaking and revelatory volume, a group of incarcerated women at the Indiana Women’s Prison have assembled a chronicle of what was originally known as the Indiana Reformatory Institute for Women and Girls, founded in 1873 as the first totally separate prison for women in the United States. In an effort that has already made the national news, and which was awarded the Indiana History Outstanding Project for 2016 by the Indiana Historical Society, the Indiana Women’s Prison History Project worked under conditions of sometimes-extreme duress, excavating documents, navigating draconian limitations on what information incarcerated scholars could see or access, and grappling with the unprecedented challenges stemming from co-authors living on either side of the prison walls.

With contributions from ten incarcerated or formerly incarcerated women, the result is like nothing ever produced in the historical literature: a document that is at once a shocking revelation of the roots of America’s first prison for women, and also a meditation on incarceration itself. Who Would Believe a Prisoner? is a book that will be read and studied for years to come as the nation continues to grapple with the crisis of mass incarceration.

A groundbreaking collective work of history by a group of incarcerated scholars that resurrects the lost truth about the first women’s prison

A Ms. Magazine Most Anticipated Book

What if prisoners were to write the history of their own prison? What might that tell them—and all of us—about the roots of the system that incarcerates so many millions of Americans?

In this groundbreaking and revelatory volume, a group of incarcerated women at the Indiana Women’s Prison have assembled a chronicle of what was originally known as the Indiana Reformatory Institute for Women and Girls, founded in 1873 as the first totally separate prison for women in the United States. In an effort that has already made the national news, and which was awarded the Indiana History Outstanding Project for 2016 by the Indiana Historical Society, the Indiana Women’s Prison History Project worked under conditions of sometimes-extreme duress, excavating documents, navigating draconian limitations on what information incarcerated scholars could see or access, and grappling with the unprecedented challenges stemming from co-authors living on either side of the prison walls.

With contributions from ten incarcerated or formerly incarcerated women, the result is like nothing ever produced in the historical literature: a document that is at once a shocking revelation of the roots of America’s first prison for women, and also a meditation on incarceration itself. Who Would Believe a Prisoner? is a book that will be read and studied for years to come as the nation continues to grapple with the crisis of mass incarceration.

At a time of great uncertainty for American workers and their unions, Who’s Got the Power? reminds us that unions are still a source of hope, taking readers on a journey through the resurgence of the American labor movement in the wake of a pandemic that changed everything. In the first two decades of the twenty-first century, unions seemed to be fading into history. But the pandemic didn’t just disrupt the workplace; it reignited a movement.

Longtime organizer and labor historian Dave Kamper details how labor reemerged with newfound strength, as workers began to question the status quo and demand more from their employers. Interviewing workers and labor leaders across the country, Kamper captures the stories of those on the front lines, from Frito-Lay workers in Kansas and Chicago teachers, to Amazon warehouse employees in New York and Detroit autoworkers, offering a compelling account of how, in industry after industry, strikes, protests, and bold negotiations signaled the rise of a more coordinated effort to reclaim control over working conditions. Grounding the present with rich historical examples, and drawing upon his years of experience making union concepts accessible to the general reader, Kamper provides a front-row seat to a new wave of labor activism that isn’t just about wages and benefits—it’s about dignity and solidarity.

An up-to-the-minute look at a brand-new phenomenon, Who’s Got the Power?, featuring a foreword by Association of Flight Attendants president Sara Nelson, is essential reading for anyone interested in understanding the seismic changes in American labor today.

At a time of great uncertainty for American workers and their unions, Who’s Got the Power? reminds us that unions are still a source of hope, taking readers on a journey through the resurgence of the American labor movement in the wake of a pandemic that changed everything. In the first two decades of the twenty-first century, unions seemed to be fading into history. But the pandemic didn’t just disrupt the workplace; it reignited a movement.

Longtime organizer and labor historian Dave Kamper details how labor reemerged with newfound strength, as workers began to question the status quo and demand more from their employers. Interviewing workers and labor leaders across the country, Kamper captures the stories of those on the front lines, from Frito-Lay workers in Kansas and Chicago teachers, to Amazon warehouse employees in New York and Detroit autoworkers, offering a compelling account of how, in industry after industry, strikes, protests, and bold negotiations signaled the rise of a more coordinated effort to reclaim control over working conditions. Grounding the present with rich historical examples, and drawing upon his years of experience making union concepts accessible to the general reader, Kamper provides a front-row seat to a new wave of labor activism that isn’t just about wages and benefits—it’s about dignity and solidarity.

An up-to-the-minute look at a brand-new phenomenon, Who’s Got the Power?, featuring a foreword by Association of Flight Attendants president Sara Nelson, is essential reading for anyone interested in understanding the seismic changes in American labor today.

From a world-renowned expert on creative play and the impact of commercial marketing on children, a timely investigation into how big tech is hijacking childhood—and what we can do about it

“Engrossing and insightful . . . rich with details that paint a full portrait of contemporary child-corporate relations.” —Zephyr Teachout, The New York Times Book Review

Even before COVID-19, digital technologies had become deeply embedded in children’s lives, despite a growing body of research detailing the harms of excessive immersion in the unregulated, powerfully seductive world of the “kid-tech” industry.

In the “must read” (Library Journal, starred review) Who’s Raising the Kids?, Susan Linn—one of the world’s leading experts on the impact of Big Tech and big business on children—weaves an “eye-opening and disturbing exploration of how marketing tech to children is creating a passive, dysfunctional generation” (Kirkus Reviews, starred review). From birth, kids have become lucrative fodder for tech, media, and toy companies, from producers of exploitative games and social media platforms to “educational” technology and branded school curricula of dubious efficacy.

Written with humor and compassion, Who’s Raising the Kids? is a unique and highly readable social critique and guide to protecting kids from exploitation by the tech, toy, and entertainment industries. Two hopeful chapters—“Resistance Parenting” and “Making a Difference for Everybody’s Kids”—chart a path to allowing kids to be the children they need to be.

From a world-renowned expert on creative play and the impact of commercial marketing on children, a timely investigation into how big tech is hijacking childhood—and what we can do about it

“Engrossing and insightful . . . rich with details that paint a full portrait of contemporary child-corporate relations.” —Zephyr Teachout, The New York Times Book Review

Even before COVID-19, digital technologies had become deeply embedded in children’s lives, despite a growing body of research detailing the harms of excessive immersion in the unregulated, powerfully seductive world of the “kid-tech” industry.

In the “must read” (Library Journal, starred review) Who’s Raising the Kids?, Susan Linn—one of the world’s leading experts on the impact of Big Tech and big business on children—weaves an “eye-opening and disturbing exploration of how marketing tech to children is creating a passive, dysfunctional generation” (Kirkus Reviews, starred review). From birth, kids have become lucrative fodder for tech, media, and toy companies, from producers of exploitative games and social media platforms to “educational” technology and branded school curricula of dubious efficacy.

Written with humor and compassion, Who’s Raising the Kids? is a unique and highly readable social critique and guide to protecting kids from exploitation by the tech, toy, and entertainment industries. Two hopeful chapters—“Resistance Parenting” and “Making a Difference for Everybody’s Kids”—chart a path to allowing kids to be the children they need to be.

From a world-renowned expert on creative play and the impact of commercial marketing on children, a timely investigation into how big tech is hijacking childhood—and what we can do about it

“Engrossing and insightful . . . rich with details that paint a full portrait of contemporary child-corporate relations.” —Zephyr Teachout, The New York Times Book Review

Even before COVID-19, digital technologies had become deeply embedded in children’s lives, despite a growing body of research detailing the harms of excessive immersion in the unregulated, powerfully seductive world of the “kid-tech” industry.

In the “must read” (Library Journal, starred review) Who’s Raising the Kids?, Susan Linn—one of the world’s leading experts on the impact of Big Tech and big business on children—weaves an “eye-opening and disturbing exploration of how marketing tech to children is creating a passive, dysfunctional generation” (Kirkus Reviews, starred review). From birth, kids have become lucrative fodder for tech, media, and toy companies, from producers of exploitative games and social media platforms to “educational” technology and branded school curricula of dubious efficacy.

Written with humor and compassion, Who’s Raising the Kids? is a unique and highly readable social critique and guide to protecting kids from exploitation by the tech, toy, and entertainment industries. Two hopeful chapters—“Resistance Parenting” and “Making a Difference for Everybody’s Kids”—chart a path to allowing kids to be the children they need to be.

The 2016 election year may be remembered as a year to forget, but for American women in politics and feminists alike it was unforgettably distressing—a flash point illuminating both the true state of play for women in public life and feminist politics in the early twenty-first century.

Wolf Whistle Politics is a book that tries to account for, contextualize, and even make some sense out of this trying political chapter in American history. With an introduction by Naomi Wolf and pieces by leading journalists and essayists ranging from Lindy West’s “Donald and Billy on the Bus,” to Amy Davidson’s “What Wendy Davis Stood For,” and Rhon Manigault-Bryant’s “Open Letter to White, Liberal Feminists,” this collection comprises the best political reporting and socio-historical analysis on everything from the contentious meaning of a potential first female president to the misogynist overtones of Hillary Rodham Clinton’s electoral defeat by Donald Trump; from rape culture to reproductive rights; Pantsuit Nation to poor women of color; media double standards to hashtag activism.

Together these pieces form a constellation aptly symbolized by the lascivious “wolf whistle,” a demeaning, sexually loaded catcall which, unlike the racial “dog whistle,” has nothing subtle or covert about it. Wolf Whistle Politics shines a bright light on the complex relationship between women and politics today, reflecting on what we lost, what we won, and what we can do to move forward.

The 2016 election year may be remembered as a year to forget, but for American women in politics and feminists alike it was unforgettably distressing—a flash point illuminating both the true state of play for women in public life and feminist politics in the early twenty-first century.

Wolf Whistle Politics is a book that tries to account for, contextualize, and even make some sense out of this trying political chapter in American history. With an introduction by Naomi Wolf and pieces by leading journalists and essayists ranging from Lindy West’s “Donald and Billy on the Bus,” to Amy Davidson’s “What Wendy Davis Stood For,” and Rhon Manigault-Bryant’s “Open Letter to White, Liberal Feminists,” this collection comprises the best political reporting and socio-historical analysis on everything from the contentious meaning of a potential first female president to the misogynist overtones of Hillary Rodham Clinton’s electoral defeat by Donald Trump; from rape culture to reproductive rights; Pantsuit Nation to poor women of color; media double standards to hashtag activism.

Together these pieces form a constellation aptly symbolized by the lascivious “wolf whistle,” a demeaning, sexually loaded catcall which, unlike the racial “dog whistle,” has nothing subtle or covert about it. Wolf Whistle Politics shines a bright light on the complex relationship between women and politics today, reflecting on what we lost, what we won, and what we can do to move forward.

Published to wide acclaim, Won’t Lose This Dream is the “illuminating” (Times Literary Supplement) story of a public university that has blazed an extraordinary trail for lower-income and first-generation students in downtown Atlanta, the birthplace of the civil rights movement.

“A powerful story of institutional transformation” (bestselling author Beverly Daniel Tatum), Won’t Lose This Dream shows how Georgia State University has upended the conventional wisdom about low-income students by harnessing the power of big data to identify and remove obstacles that previously stopped them from graduating—an earthshaking achievement that is reverberating across every college campus today.

“Drawing on extensive on-the-ground reporting” (Kirkus Reviews), Andrew Gumbel delivers a thrilling, blow-by-blow account of visionary leaders who overcame fierce resistance, and the remarkable students whose resilience and determination inspired the work at every stage. Their success shows how the promise of social advancement through talent and hard work, the essence of the American dream, can be rekindled even in an age of deep inequalities and divisive politics.

“A superb work for anyone interested in higher education” (Library Journal), Won’t Lose This Dream “lays out a persuasive vision for reform” (Publishers Weekly) and a concrete vision of higher ed that works for all Americans.

The extraordinary story of how Georgia State University tore up the rulebook for educating lower-income students

"Georgia State . . . has been reimagined—amid a moral awakening and a raft of data-driven experimentation—as one of the South's more innovative engines of social mobility."
—The New York Times

Won't Lose This Dream is the inspiring story of a public university that has blazed an extraordinary trail for lower-income and first-generation students in downtown Atlanta, the birthplace of the civil rights movement.

Over the past decade Georgia State University has upended the conventional wisdom that large numbers of students are doomed to fail simply because of their economic background or the color of their skin. Instead, it has harnessed the power of big data to identify and remove the obstacles that previously stopped them from graduating and completely transformed their prospects. A student from a mediocre high school working two jobs to make ends meet is now no less likely to succeed than a child of wealth and privilege—an earth-shaking achievement that is reverberating across every college campus in the country.

With unique access to the key players and drawing on his skills as an investigative reporter, Andrew Gumbel delivers a thrilling, blow-by-blow account of a long battle to determine whether universities exist for their students or vice versa. The story is told through the visionary leaders who overcame fierce resistance to tear up the rules of their own institution and through the many remarkable students whose resilience and determination, often against daunting odds, inspired the work at every stage. Their success shows how the promise of social advancement through talent and hard work, the essence of the American dream, can be rekindled even in an age of deep inequalities and divisive politics.

Published to wide acclaim, Won’t Lose This Dream is the “illuminating” (Times Literary Supplement) story of a public university that has blazed an extraordinary trail for lower-income and first-generation students in downtown Atlanta, the birthplace of the civil rights movement.

“A powerful story of institutional transformation” (bestselling author Beverly Daniel Tatum), Won’t Lose This Dream shows how Georgia State University has upended the conventional wisdom about low-income students by harnessing the power of big data to identify and remove obstacles that previously stopped them from graduating—an earthshaking achievement that is reverberating across every college campus today.

“Drawing on extensive on-the-ground reporting” (Kirkus Reviews), Andrew Gumbel delivers a thrilling, blow-by-blow account of visionary leaders who overcame fierce resistance, and the remarkable students whose resilience and determination inspired the work at every stage. Their success shows how the promise of social advancement through talent and hard work, the essence of the American dream, can be rekindled even in an age of deep inequalities and divisive politics.

“A superb work for anyone interested in higher education” (Library Journal), Won’t Lose This Dream “lays out a persuasive vision for reform” (Publishers Weekly) and a concrete vision of higher ed that works for all Americans.

The timeless and essential anthology of Black Feminist thought—showing that Black women have always understood the need for feminism to be intersectional

“In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. . . . She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism.” —from the epilogue by Johnnetta B. Cole

The first major anthology to trace the development of Black Feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings by more than sixty Black women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of feminist critics Michele Wallace and bell hooks, Black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative to forge a brand of feminism uniquely their own. In the words of Audre Lorde, “the master’s tools will never dismantle the master’s house”—Words of Fire provides the tools to dismantle the interlocking systems that oppress us and to rebuild from their ashes a society of true freedom.

Contributors include:

• Shirley Chisholm
• The Combahee River Collective
• Anna Julia Cooper
• Angela Davis
• Alice Dunbar-Nelson
• Lorraine Hansberry
• bell hooks
• Claudia Jones
• June Jordan
• Audre Lorde
• Beth E. Richie
• Barbara Smith
• Sojourner Truth
• Alice Walker
• Michele Wallace
• Ida Wells-Barnett

The timeless and essential anthology of Black Feminist thought—showing that Black women have always understood the need for feminism to be intersectional

“In this pathbreaking collection of articles, Dr. Beverly Guy-Sheftall has taken us from the early 1830s to contemporary times. . . . She has refused to cut off contemporary African American women from the long line of sisters who have righteously struggled for the liberation of African American women from the dual oppressions of racism and sexism.” —from the epilogue by Johnnetta B. Cole

The first major anthology to trace the development of Black Feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall’s comprehensive collection of writings by more than sixty Black women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of feminist critics Michele Wallace and bell hooks, Black women have been writing about the multiple jeopardies—racism, sexism, and classism—that have made it imperative to forge a brand of feminism uniquely their own. In the words of Audre Lorde, “the master’s tools will never dismantle the master’s house”—Words of Fire provides the tools to dismantle the interlocking systems that oppress us and to rebuild from their ashes a society of true freedom.

Contributors include:

• Shirley Chisholm
• The Combahee River Collective
• Anna Julia Cooper
• Angela Davis
• Alice Dunbar-Nelson
• Lorraine Hansberry
• bell hooks
• Claudia Jones
• June Jordan
• Audre Lorde
• Beth E. Richie
• Barbara Smith
• Sojourner Truth
• Alice Walker
• Michele Wallace
• Ida Wells-Barnett

Studs Terkel’s classic oral history of Americans’ working lives—and the inspiration for Barack Obama’s new Netflix series about work in the twenty-first century

“Reading these stories, I started to consider my own place in the world, and understand how connected we are to one another. [Working] helped inform the choices I made in my own work.” —President Barack Obama

Perhaps Studs Terkel’s best-known book, Working is a compelling, fascinating look at jobs and the people who do them. Consisting of over one hundred interviews conducted with everyone from gravediggers to studio heads, this book provides a moving snapshot of people’s feelings about their working lives, as well as a timeless look at how work fits into American life.

Working received rave reviews upon its initial publication, including from the New York Times Book Review, which praised its “incredible abundance of marvelous beings” and “very special electricity and emotional power,” and the Boston Globe, which called it a “magnificent book . . . a work of art,” adding, “To read it is to hear America talking.”

Nearly fifty years after its initial publication, Working remains a deeply relevant American classic, one of the most important works of oral history ever published.

A “lucid, detailed, and imaginative analysis” (The Nation) of the model city that working-class New Yorkers created after World War II—and its tragic demise

More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all.

Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power.

A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all.

Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power.

A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

A “lucid, detailed, and imaginative analysis” (The Nation) of the model city that working-class New Yorkers created after World War II—and its tragic demise

More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all.

Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power.

A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

More than any other city in America, New York in the years after the Second World War carved out an idealistic and equitable path to the future. Largely through the efforts of its working class and the dynamic labor movement it built, New York City became the envied model of liberal America and the scourge of conservatives everywhere: cheap and easy-to-use mass transit, work in small businesses and factories that had good wages and benefits, affordable public housing, and healthcare for all.

Working-Class New York is an “engrossing” (Dissent) account of the birth of that ideal and the way it came crashing down. In what Publishers Weekly calls “absorbing and beautifully detailed history,” historian Joshua Freeman shows how the anticommunist purges of the 1950s decimated the ranks of the labor movement and demoralized its idealists, and how the fiscal crisis of the mid-1970s dealt another crushing blow to liberal ideals as the city’s wealthy elite made a frenzied grab for power.

A grand work of cultural and social history, Working-Class New York is a moving chronicle of a dream that died but may yet rise again.

An insider’s look at how the rise of “fast fashion” obstructs ethical shopping and fuels the abuse and neglect of garment workers

“With years of expertise in the fashion industry, Alyssa’s reporting is consistently deep and thoughtful, and her work on sustainability and ethics has changed how I view the clothes I wear.”
—Brittney McNamara, features director at Teen Vogue

Ours is the era of fast fashion: a time of cheap and constantly changing styles for consumers of every stripe, with new clothing hitting the racks every season as social media–fueled tastes shift.

Worn Out examines the underside of our historic clothing binge and the fashion industry’s fall from grace. Former InStyle senior news editor and seasoned journalist Alyssa Hardy’s riveting work explores the lives of the millions of garment workers—mostly women of color—who toil in the fashion industry around the world—from LA-based sweatshop employees who experience sexual abuse while stitching clothes for H&M, Fashion Nova, and Levi’s to “homeworkers” in Indonesia who are unknowingly given carcinogenic materials to work with. Worn Out exposes the complicity of celebrities whose endorsements obscure the exploitation behind marquee brands and also includes interviews with designers such as Mara Hoffman, whose business models are based on ethical production standards.

Like many of us, Hardy believes in the personal, political, and cultural place fashion has in our lives, from seed to sew to closet, and that it is still okay to indulge in its glitz and glamour. But the time has come, she argues, to force real change on an industry that prefers to keep its dark side behind the runway curtain. The perfect book for people who are passionate about clothing and style, Worn Out seeks to engage in a real conversation about who gets harmed by fast fashion—and offers meaningful solutions for change.

“With years of expertise in the fashion industry, Alyssa’s reporting is consistently deep and thoughtful, and her work on sustainability and ethics has changed how I view the clothes I wear.”
—Brittney McNamara, features director at Teen Vogue

An insider’s look at how the rise of “fast fashion” obstructs ethical shopping and fuels the abuse and neglect of garment workers

Ours is the era of fast fashion: a time of cheap and constantly changing styles for consumers of every stripe, with new clothing hitting the racks every season as social media–fueled tastes shift.

Worn Out examines the underside of our historic clothing binge and the fashion industry’s fall from grace. Former InStyle senior news editor and seasoned journalist Alyssa Hardy’s riveting work explores the lives of the millions of garment workers—mostly women of color—who toil in the fashion industry around the world—from LA-based sweatshop employees who experience sexual abuse while stitching clothes for H&M, Fashion Nova, and Levi’s to “homeworkers” in Indonesia who are unknowingly given carcinogenic materials to work with. Worn Out exposes the complicity of celebrities whose endorsements obscure the exploitation behind marquee brands and also includes interviews with designers such as Mara Hoffman, whose business models are based on ethical production standards.

Like many of us, Hardy believes in the personal, political, and cultural place fashion has in our lives, from seed to sew to closet, and that it is still okay to indulge in its glitz and glamour. But the time has come, she argues, to force real change on an industry that prefers to keep its dark side behind the runway curtain. The perfect book for people who are passionate about clothing and style, Worn Out seeks to engage in a real conversation about who gets harmed by fast fashion—and offers meaningful solutions for change.

Wrestling with the Devil, Ngũgĩ wa Thiong'o's powerful prison memoir, begins literally half an hour before his release on December 12, 1978. In one extended flashback he recalls the night, a year earlier, when armed police pulled him from his home and jailed him in Kenya's Kamĩtĩ Maximum Security Prison, one of the largest in Africa. There, he lives in a prison block with eighteen other political prisoners, quarantined from the general prison population.

In a conscious effort to fight back the humiliation and the intended degradation of the spirit, Ngũgĩ—the world-renowned author of Weep Not, Child; Petals of Blood; and Wizard of the Crow—decides to write a novel on toilet paper, the only paper to which he has access, a book that will become his classic, Devil on the Cross.

Written in the early 1980s and never before published in America, Wrestling with the Devil is Ngũgĩ's account of the drama and the challenges of writing the novel under twenty-four-hour surveillance. He captures not only the excruciating pain that comes from being cut off from his wife and children, but also the spirit of defiance that defines hope. Ultimately, Wrestling with the Devil is a testimony to the power of imagination to help humans break free of confinement, which is truly the story of all art.

Wrestling with the Devil, Ngũgĩ wa Thiong'o's powerful prison memoir, begins literally half an hour before his release on December 12, 1978. In one extended flashback he recalls the night, a year earlier, when armed police pulled him from his home and jailed him in Kenya's Kamĩtĩ Maximum Security Prison, one of the largest in Africa. There, he lives in a prison block with eighteen other political prisoners, quarantined from the general prison population.

In a conscious effort to fight back the humiliation and the intended degradation of the spirit, Ngũgĩ—the world-renowned author of Weep Not, Child; Petals of Blood; and Wizard of the Crow—decides to write a novel on toilet paper, the only paper to which he has access, a book that will become his classic, Devil on the Cross.

Written in the early 1980s and never before published in America, Wrestling with the Devil is Ngũgĩ's account of the drama and the challenges of writing the novel under twenty-four-hour surveillance. He captures not only the excruciating pain that comes from being cut off from his wife and children, but also the spirit of defiance that defines hope. Ultimately, Wrestling with the Devil is a testimony to the power of imagination to help humans break free of confinement, which is truly the story of all art.