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Something's not right. Children are being raised by animals. A mother is slowly sinking in the bath. The trees are left doing the paperwork. The air is filled with screams of children howling for help. And some twins want to tell you a story about how everything got so fucked up.

A spiralling odyssey of dizzying theatricality, Wolfie is a bold, fantastical fairytale following two twins separated at birth and asks who is truly responsible for society's most vulnerable children.

It was premiered at Theatre503, London, in March 2019, directed by Theatre503 Artistic Director Lisa Spirling.

An adrenalised tour of on-the-pulse issues with a resonant story of intergenerational struggle. —The Times

Manny dreams of being a big dog. Right now he's just hocking fake designer goods, living with his mum and putting up with her annoying new boyfriend. The glittering skyscrapers of Canary Wharf out there through the window have never seemed so far away.

So when his best friend offers him a way to make unimaginable amounts of money, it's impossible to ignore. And soon Manny is pulling his family into a whole world of trouble.

Beru Tessema's play Wolves on Road is a thrilling deep-dive into the mysterious world of cryptocurrency, revealing how ambition and hope can be exploited, no matter the system at play.

How to Not Sink by Georgia Christou looks at duty, love and dependency across three generations of women.

In Wilderness by April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are.

In Chloe Todd Fordham’s The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime.

Fucking Feminists by Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become.

Winsome Pinnock’s Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials.

In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line.

White Lead by Jessica Siân explores the expectations and responsibilities of being an artist and a woman.

In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl.

Sphinx Theatre has been at the vanguard of promoting, advocating and inspiring women in the arts through productions, conferences and research for more than forty years.

In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel. Marie-Angelique, a Métis Taurus, is determined to woo Louis (a Métis Libra)—who will be arriving soon—by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn’t impressed by Louis’s true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband’s return from an expedition, but can’t resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique’s letters. This will all go smoothly, right?

Updated after its sold-out run at the Stratford Festival and with a brand-new study guide, this lively historical satire of survival and cultural inheritance shifts perspectives from the male gaze onto women’s power in the past and present through the lens of the rapidly changing world of the Canadian fur trade.

Even now, Donly suggests, there may be a way of living in radical tenderness that will spell a way forward rather than the end of it all. —Kate Dakota Kremer, CultureBot

Two horses in a neigh-scent relationship, a vacant treehouse in need of a tenant, and a human with a grape for a head. In Corinne Donly's buoyant adaptation of Hieronymus Bosch's fifteenth-century triptych The Garden of Earthly Delights, syllables combine to make words and people to make lovers. An elegy to vestiges, a paean to puns, and a theater of peace, Wood Calls Out to Wood pursues Bosch's old paradise through a new alchemy of love, language, and radical tenderness.

In the Downing Street Press Office an emergency meeting has been called. The Prime Minister has been ad-libbing on live TV (again) and his words are going viral.

There is a flurry of accusations, and demands for an apology; but as his team debate what to do next, it's already too late. His words have found their way to dinner parties, bus journeys and newspaper columns across the nation – and not everyone is angry.

Rabiah Hussain's play Word-Play explores how language seeps into public consciousness and reverberates with far-reaching consequences that will last for generations. It premiered at the Royal Court Theatre Upstairs, London, in July 2023, directed by Nimmo Ismail.

This published edition adapts the highly successful, provocative and participative theatre production for the page, offering readers the opportunity to play -- as individuals or in teams – the managers of a clothing factory in China and recreate the experience of the game.

Like a "Choose Your Own Adventure" novel, the game has multiple routes and outcomes, interlinking questions of ethics, fashion, consumer capitalism, environmental impact, working conditions, migration and globalization. In a cross between Monopoly and poker, players trade in workers and money, but it is a game about values -- will you be an ethical factory owner or will profits always come first? In the rag trade, can anyone ever really win?

World Factory was created and produced in 2015 by the performing arts company METIS, in co-production with the New Wolsey Theatre, Young Vic, and Company of Angels. It was performed at the Young Vic, London, and on tour of the UK.

Convinced the world at large can’t be trusted to prioritize the well-being of adolescent girls in the event of a cataclysmic event (or just in general), a determined troupe of preteen “doomers” commit to preparing for survival in the post-collapse society they anticipate inheriting.

When Maureen, Jo, Sarah, Vic, and Robbie sneak out at night to investigate an ominous hidden lair in the woods, they believe they have stumbled onto proof of what happened to a mysterious local cult that vanished over a decade ago. As they search for vital clues, examining small bones and dusty cans of food for signs of life, they fight to understand how to be understood in a world that seems to reject them. What they discover changes everything—eighth grade will never be the same.

Part Judy Blume, part Rambo, this darkly comic coming-of-age story for complicated times is for any young woman who has ever been told that she is “too much,” or that what she fears is illegitimate, or that what she has to say is less important than keeping the peace.

When two souls collide, the impact can resonate for all eternity. So it was – and so it is – with Heathcliff and Cathy. But if they can't be together, the world that struggles to contain them will simply shatter and burn…

Andrew Sheridan's gripping reinvention of Emily Brontë's classic novel Wuthering Heights is a searing and ferocious celebration of passion, of desire – and of the female imagination that created this indelible masterpiece.

Exposing a very different but essentially truthful side to literature's most electric couple, it premiered at the Royal Exchange Theatre, Manchester, in 2020, in a production directed by Bryony Shanahan, joint Artistic Director of the theatre.

She’s more than just a wicked old witch. Baba Yaga is a legend, usually known as that elderly woman who lives alone in the woods and grinds the bones of the wicked. But what if she was actually a sexy, smart, modern woman operating off of morally ambiguous motives?

A detective finds himself in a small, isolated town asking, what does the disappearance of a young heir to a yogurt empire have to do with some random lore about an old witch? Matched by an apprehensive local sheriff, a university professor with a taste for younger men, and a whole cast of curious characters, the Slavic myth of Baba Yaga twists into a new labyrinth of secret lives, ancient magic, and multiple suspects.

This genre-bending comedic fairy tale meets thrilling whodunit gives voice to an antihero of epic proportions while interrogating how her story has historically been told by men. From now on, you’ll remember the name Baba Yaga for the right reasons.

Nobody knows where the fish went, and nobody knows why the fish went – but ever since they did, things just haven't been the same. In a committee room on Capitol Hill, three senators have a job to do: they must question a man on charges of trading rare marine commodities, and they must find out what he knows.

Politics and the planet collide in a fiercely original play about the limits of science, the power of myths, and the things we can't control. Marek Horn's Yellowfin premiered at Southwark Playhouse, London, in October 2021, directed by Ed Madden.

As the outside world disintegrates, they teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other.

But one reckless night threatens to undo all her hard work and derail her ambitions… When it’s always been just the two of you, how easy is it to get out, or to let anyone else in?

Yous Two is Georgia Christou’s debut play. It was shortlisted for the Verity Bargate Award.

At Miami's Cherokee Valley Zoo & Conservation Centre, the most dangerous thing that ever happened was the tapir's caesarian section. That is until Hurricane Jonas sets itself on a crash course straight towards it. Now zookeeper Bonnie must rush to batten down the hatches and ensure the safety of her animals – and herself.

Halfway across the world in the Yorkshire Dales, Bonnie's friend Carol feels the repercussions of that tempestuous night. Will she be able to help from afar? Or will the danger they all face turn out to be deeper and darker than a spot of bad weather?

Lily Bevan's play Zoo is a wildly inventive comedy drama about courage, female friendship and flamingos. It premiered at the Edinburgh Festival Fringe in 2018, where it was selected as one of the Guardian's Best Shows of the Fringe. It also enjoyed London runs at Theatre503 and the 2020 VAULT Festival.

This edition also includes twelve comic monologues for female performers, some of which featured in the BBC Radio 4 series, Talking to Strangers (co-written with Sally Phillips), and were performed by Olivia Colman, Jessica Hynes and Emma Thompson, amongst others.

A cry in the dark, gentle yet penetrating…sly and sweet, wistful and winsome and altogether lovable. —New York Times

mɔɹnɪŋ [morning//mourning] is a performance text for an experimental opera that tells the story of what would transpire if all humans disappeared from Earth, starting in the present day and moving to 1.6 billion years into the future when life can no longer survive on the planet. Five characters guide the audience through the changes on Earth as forests grow back, new species evolve, and the human-made world erodes away. This work is a fantastical and playful exploration into the dire political and ethical contradictions that structure current human relations with nature.

It's one of those hot April evenings that feel like summer, and the heat is stifling in Sissy's London flat as she dances, unrestrained, beautiful, alive…

But when sixteen-year-old Eshe arrives, powerful emotions come to the surface – and the two women are locked in a dance where freedom clashes with duty.

babriye bukilwa's play …cake is a psychological drama that asks if the cycle of generational trauma can ever be broken. Can queer, Black femmes find love and belonging when the soil beneath them – and the climate around them – is hostile? It was first performed at Theatre Peckham, London, in 2021, directed by the venue's Associate Director, malakaï sargeant.