All Books

This book examines the impact of coal mining on the lives of former-labour tenant and rural communities in post-apartheid South Africa.

No Last Place to Rest: Coal Mining and Dispossession in South Africa is an exploration of the ongoing struggles faced by families in the Mpumalanga and KwaZulu-Natal provinces of South Africa whose lives have been upended by the relentless expansion of coal mining operations. These regions, burdened with the task of fulfilling the nation's energy needs and boosting the country’s economy, witness daily the harsh realities of dispossession that extend far beyond the mere loss of property.

Dineo Skosana presents a compelling argument that dispossession remains a present-day reality and crisis, contradicting the notion that it is merely a relic of the past in the post-apartheid landscape. It challenges the narrow perspective that equates land loss in material and economic terms only. Skosana considers the impact of grave relocations—a common occurrence in these mining-dominated locales— and the profound spiritual anguish and dehumanisation communities endure as their lands are excavated. In African societies, connections to the land extend beyond the material; land has a sacred and ancestral value. Grave relocations disrupt this connection families have with their ancestors. In dispossessing not only the living but also the dead from their lands, the author argues that the act wounds the collective soul of a people, eroding their cultural heritage, and collective identity and belonging.

This book offers a rich ethnographic account of the experiences, struggles and resistance of the affected communities as well as a critical analysis of the legal and policy frameworks that enable their exploitation. In relation to the ‘land question’ in South Africa, No Last Place to Rest presents deep insights for communities, activists and government sectors acting in support of social justice and redress.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present. In this ground-breaking book, Mbuso Nkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that, for most Black South Africans, the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

Shows how anti-Semitism has been distorted to serve the Israeli state

Good Jew, Bad Jew is a critique by one of South Africa’s foremost political theorists of mainstream understandings of Jewishness. Steven Friedman offers a searing analysis of the weaponisation of anti-Semitism in service of political objectives that support the Israeli state and global white supremacy. Looking specifically at the way in which language is used to shape identities, Friedman uses many examples to illustrate how anti-Semitism and anti-Semites are increasingly defined as anything and anyone that opposes the interests and policies of the Israeli state.

The use of anti-racist language to defend racial domination distorts not only the meaning of what it is to be Jewish, but sheds light on how all dogmatic nationalisms function. Friedman uses India and South Africa as examples, but the analysis applies across the world too.

Good Jew, Bad Jew does not offer a simplistic binary understanding of Jewishness and the actions of the Israeli state and ideology. It is a detailed, deeply researched and critical work that will appeal to both specialists and general readers looking for a considered view on how language shapes belief systems and how the powerful forces of racism and nationalism – and their opponents – are being misrepresented.

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children’s books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging.

Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fierce and fearless writing ‘truth to power’. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty. <br>
These essays bring to life many facets of Magona’s personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona’s engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering direct and insightful responses to the conditions that inspired them.

Through her essays Magona offers a reimagining of a broken society and the role literature can play in casting new light on old wounds.

The story of how Africa’s mammals have helped shape the continent’s landscapes over time to support an amazing diversity of life

Africa is home to an amazing array of animals, including the world’s most diverse assortment of large mammals. These include the world’s largest terrestrial mammal, the African elephant, which still roams great swathes of the continent alongside a host of other well-known large mammals with hooves such as hippopotamuses, giraffes, rhinoceroses, and zebras. African Ark: Mammals, Landscape and the Ecology of a Continent tells the story of where these mammals have come from and how they have interacted to create the richly varied landscape that makes up Africa as we know it today. It gives an equal airing to small mammals, such as rodents and bats, which are often overlooked by both naturalists and zoologists in favor of their larger cousins.

African Ark not only describes the diversity of African mammals and the habitats in which they live; it also explains the processes by which species and population groups are formed and how these fluctuate over time. A book on mammals would not be complete without attention placed on the impact of megafauna on the environment and the important roles they play in shaping the landscape. In this way, mammals such as elephants and rhinoceros support countless plant communities and the habitats of many smaller animals.

The book brings in a human perspective as well as a conservation angle in its assessment of the interaction of African mammals with the people who live alongside them. African Ark is at once scientifically rigorous and accessible for the layperson and student alike, while drawing on the contributions of numerous zoologists, ecologists and conservationists dedicated to the understanding of Africa and its wildlife.

Using conversations, observations, and reflections, psychologist Kopano Ratele meditates on love, violence and masculinity

This book seeks to imagine the possibility of a more loving masculinity in a society where structural violence, failures of government and economic inequality underpin much of the violent behavior that men display. Enriched with personal reflections on his own experiences as a partner, father, psychologist and researcher in the field of men and masculinities, Why Men Hurt Women and Other Reflections on Love, Violence and Masculinity is Kopano Ratele’s meditation on love and violence, and the way these forces shape the emotional lives of boys and men.

At the core of these critical and deeply insightful texts is the question of why men hurt women they love. Ratele contends that many men in our society suffer from a painful, unrecognized, yet consequential love hunger that sets in during boyhood. This need for love may lie at the root of some of the male violence that damages the lives of women, children and men themselves.

Blending academic analysis and rigor in a readable narrative style, Ratele illuminates the complex nuances of gender, intimacy and power in the context of the human need for love and care. While unsparing in his analysis of men’s inner lives, Ratele lays out a path for addressing the hunger for love in boys and men. He argues that just as the beliefs and practices relating to gender, sexuality and the nature of love are constantly being challenged and revised, so our ideas about masculinity, and men’s and boys’ capacity to show genuine loving care for each other and for women, can evolve.

An anthology dedicated to contemporary Black South African feminist writing influential to today's scholars and radical thinkers

Surfacing: On Being Black and Feminist in South Africa is the first collection dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders into an essential resource. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. The collection demonstrates a dazzling range of feminist voices from established scholars and authors to emerging thinkers, activists and creative practitioners.

The writers within these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing asks: what do the African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centers of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take?

Surfacing is indispensable to anyone interested in feminism from Africa, which its contributors show in vivid and challenging conversation with the rest of the world. It will appeal to a diverse audience of students, activists, critical thinkers, academics and artists.

Challenges the mainstream understanding of BRICS and US dominance to situate the new global rivalries engulfing capitalism

BRICS is a grouping of the five major emerging economies of Brazil, Russia, India, China and South Africa. Volume five in the Democratic Marxism series, BRICS and the New American Imperialism challenges the mainstream understanding of BRICS and US dominance to situate the new global rivalries engulfing capitalism. It offers novel analyses of BRICS in the context of increasing US induced imperial chaos, deepening environmental crisis tendencies (such as climate change and water scarcity), contradictory dynamics inside BRICS countries and growing subaltern resistance.

The authors revisit contemporary thinking on imperialism and anti-imperialism, drawing on the work of Rosa Luxemburg, one of the leading theorists after Marx, who attempted to understand the expansionary nature of capitalism from the heartlands to the peripheries. The richness of Luxemburg’s pioneering work inspires most of the volume’s contributors in their analyses of the dangerous contradictions of the contemporary world as well as forms of democratic agency advancing resistance.

While various forms of resistance are highlighted, among them water protests, mass worker strikes, anti-corporate campaigning and forms of cultural critique, this volume grapples with the challenge of renewing anti-imperialism beyond the NGO-driven World Social Forum and considers the prospects of a new horizontal political vessel to build global convergence. It also explores the prospects of a Fifth International of Peoples and Workers.

In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages.

This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publisher, this volume asks how publishing can contribute to a broader understanding of Southern knowledge production. Featuring contributions from scholars, publishers and authors this multi-voiced volume showcases the history of the Press’s publishing activities over 100 years: from documenting its evolution through book covers and giving credence to some of the leading black intellectuals and writers of the early 20th century and the success of those works in spite of their authors’ racial marginalisation, to the role of women, both in publishing and in the spaces afforded to women’s writing on the Press’s list.

The collection concludes with essays by contemporary authors who detail not only their experiences of working with Southern publishers, but also the politics and influences governing their decisions to choose the Press over a Northern publisher. Publishing from the South shows the strategies deployed by the Press to professionalise Southern knowledge making, and in the process demonstrating how university presses in the global South support the scholarly missions of their universities for both local and global audiences.

Predicaments of Knowledge explores the difficult questions South African universities face after apartheid: Is there a difference between Africanising a university and decolonising a university? What about differences between deracialising and decolonising the curricula taught at universities across disciplines?

Through a range of reflections on race, language, colonial, postcolonial and decolonial knowledge projects from Africa and Latin America, this book explores the pitfalls and possibilities that face a post-apartheid generation inventing the future of knowledge.

The distinctions between Africanisation, decolonisation and deracialisation are often conflated in the political demands put to universities. Suren Pillay emphasises all three as important but distinct imperatives. If an intervention is undertaken with the aim of decolonising the university while actually addressing deracialisation, it can undermine the effort to decolonise. Similarly, if an initiative to Africanise the university does not address decolonisation, both processes can be undermined.

Drawing on more than two and a half decades of the author’s participation in these debates, these essays aim to intervene in and elucidate questions and predicaments, rather than offering blue prints; they are dialogical in spirit even when polemical in tone. In conversation with existing continental African and Latin American experiences, they offer incisive reflections on current South African debates.

A collection of Robert Sobukwe's political writings, speeches and court testimonies supplemented by an account of his years in Kimberley following release from Robben Island.

There are several accounts of Robert Sobukwe’s courageous role in contesting South Africa’s system of apartheid and of his incarceration on Robben Island after the Anti-Pass Campaign that led to the tragic events of Sharpeville in March 1960. Far less attention has been paid to the years the leader of the Pan-Africanist Congress spent in Kimberley, between 1969–1978, after his release from the Island. Darkest Before Dawn, the follow-up to Lie on Your Wounds: The Prison Correspondence of Robert Mangaliso Sobukwe, captures the story of the post-prison years of Sobukwe’s life.

This latest compilation complete with a biographical narrative by the editors and enriched with images from Sobukwe’s life in this period of his life demonstrates the many challenges Sobukwe faced as well as his continued political resolve to fight for an end to apartheid. This is captured in the many meetings he had in spite of banning orders and letters he exchanged with friends and admirers, including the celebrated novelist Bessie Head whose letters to Sobukwe are published here for the first time. Sobukwe continued to meet political allies, such as Black Consciousness leader Steve Biko, he pursued a legal career and played host to international visitors. The portrait of Sobukwe that emerges is that of a highly ethical man, a figure of dignity and fortitude, and a wise elder whose commitment to the people of Africa and to the vision of Pan-Africanism who remained undeterred, despite his being forced to live, in his final years, under near impossible conditions.

To do justice to Sobukwe’s legacy, his intellectual contribution and his unfailing desire to pursue liberation for the African people, we need to view his biography against the backdrop of his words. Darkest Before Dawn includes a definitive collection of his political writings, speeches, unpublished court testimonies, interviews with Gail Gerhart and Joe Thloloe, and expansive annotations by the compilers. The book ends with a reflective essay which highlights the ongoing pertinence of Sobukwe's legacy.

Accessing abortion services in rural areas under conditions of liberal abortion legislation is neither straightforward nor simple. As the South African example shows, the liberalisation of abortion legislation was the first step in granting pregnant persons access to abortion care. Despite this and some progress in implementation, many challenges persist resulting in a lack of services, especially in areas where distances and transport costs are a factor.

Drawing on the findings of a study conducted in three rural districts of the Eastern Cape, the authors highlight the complexities involved in understanding problematic or unwanted pregnancies and abortion services within these communities; the reported barriers to, and facilitators of, access to abortion services among rural populations; and preferences for types of abortion services.

A key finding is the conundrum of costs versus confidentiality: lack of confidentiality involves additional costs to access services outside the area; high costs mean that confidentiality may have to be foregone, which leads to stigma. The authors place the findings within a reparative reproductive justice framework and present a comprehensive set of recommendations.

Abortion Services and Reproductive Justice in Rural South Africa is an insightful and informative resource – the first of its kind – for scholars in health and sociology, reproductive health policy makers, national planners, health facility managers and providers, and activists.

What does it mean to be Black in an anti-Black world?

In Black X: Liberatory Thought in Azania, Tendayi Sithole offers a compelling example of how to engage South Africa differently. Set in the Black point of view as a site of critical reflection, he confronts the question of colonial conquest, social cohesion and justice. Since South Africa is a name given to the country by its conquerors, not by its indigenous inhabitants, for true liberation, a renaming needs to occur. The concept of Azania holds this emancipatory gesture.

The post conquest, post 1994 liberal narratives mute the prevalence of racism while valorizing non-racialism and the transcendence of race. To indicate this silencing, the book deploys the concept of X, both as a signifier of repression and dehumanization of the Black subject, and as an empty signifier that holds the opportunity for radical and compassionate rehumanization.

The book examines these strands of erasure and hope for the Black subject. Sithole scrutinizes the colonial contract, arguing that it is not a contract since there has never been an agreement between the indigenous people and the settler colonialists. This brings into focus the land question, specifically land dispossession and its existential connection to black life. The relevance of Black Consciousness to the Azanian existential tradition is based on Steve Biko’s case that Marxism ignores Black ontological misery through its valorization of class and failure to include anti-Black racism in its analysis of power. Finally, Sithole analyses Mabogo P. More’s philosophical meditations around what it means to be Black in an anti-Black world.

In erasing the idea of South Africa and inscribing an open-ended naming of X, the book opens the way for something new to take its place that is imbued with greater humanity. This gesture opens up the potential to think about liberation in this country that is yet to rename and redefine itself.

In South African higher education, the images of dysfunction are everywhere. Student protests. Violence. Police presence. Rubber or real bullets. Class disruptions. Burning tyres. Damaged buildings. Injury and sometimes death. Reports of wholesale corruption. Year after year, often in the same set of universities; the problem of routine instability seems insoluble.

The financial, academic and reputational costs of ongoing dysfunction are high, especially for those universities caught-up in the never-ending struggle to overcome apartheid legacies. Any number of explanations have been ventured, including a lack of resources, shortage of capacity, rural location, corrupt officials, and endemic conflict. Corrupted takes a deeper look at dysfunction in an attempt to unravel the root causes in a sample of South African universities.

At the heart of the problem lies the vexed issue of resources or, more pertinently, the relationship between resources and power: who gets what, and why? Whatever else it aspires to be—commonly, a place of teaching, learning, research and public duty—a university in an impoverished community is also a rich concentration of resources around which corrupt staff, students and those outside of campus all vie for access.

Taking a political economic approach, Jonathan Jansen describes the daily struggle for institutional resources and offers accessible, sensible insights. He argues that the problem won’t be solved through investments in ‘capacity building’ alone because the combination of institutional capacity and institutional integrity contributes to serial instability in universities. Rather, durable solutions would include the depoliticisation of university councils and appointments of academics with integrity and capacity to manage and lead these fragile institutions.

This groundbreaking and long overdue study will offer a promising way forward for universities to better serve their communities and the country more broadly.

This book addresses urgent current debates on decolonisation by offering reimagined teaching and learning interventions for obtaining greater epistemic justice in the contemporary postcolonial university.

At a time when debates on decolonisation have gained urgency in academic, civic and public spaces, this interdisciplinary collection by authors based at the University of Cape Town, South Africa, serves as a valuable archive documenting and reflecting on a turbulent period in South African higher education. It is an important resource for academics looking to grasp debates on decoloniality both in South Africa, and in university and teaching spaces further afield. Calling for concerted and collaborative work towards greater epistemic justice across diverse disciplines, the book puts forward a new vision of the postcolonial university as one that enables excellent teaching and learning, undertaken in a spirit of critical consciousness and reciprocity.

China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field.

Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture.

Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category.

The collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.

Amal’ezulu (Zulu Horizons), first published in 1945 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press, was the second volume of poetry produced by the renowned Zulu author B.W. Vilakazi. It was written during the ten years he spent living in Johannesburg, in ‘exile’ from his birthplace, KwaZulu-Natal. The poems in this collection represent a turning point in Vilakazi’s life; they express yearnings for the beloved land, animals and ancestral spirits of his rural home, as well as expressions of deep disillusionment with the urban life he encountered in the ‘City of Gold’, and in particular the suffering of the black miners who brought this gold to the surface but never experienced the benefits of the wealth it produced for the mine owners. Vilakazi was deeply conscious of the subhuman system that held these miners in its grip, and gave voice to their suffering in many of the poems in the collection, in particular the now famous poem ‘Ezinkomponi’ (‘On the mine compounds’).

Renowned as the father of Nguni literature, Vilakazi was both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry). In these poems he assumes the role of the voice of the voiceless, and gives poignant expression to the stoic endurance of those caught up in the brutalities of capitalist exploitation of African labour, and the appalling injustices of the migrant labour system.

Much of the work in the field of African studies still relies on rigid distinctions of ‘tradition’ and ‘modernity’, ‘collaboration’ and ‘resistance’, ‘indigenous’ and ‘foreign’. This book moves well beyond these frameworks to probe the complex entanglements of different intellectual traditions in the South African context, by examining two case studies. The case studies constitute the core around which is woven this intriguing story of the development of black theatre in South Africa in the early years of the century. It also highlights the dialogue between African and African-American intellectuals, and the intellectual formation of the early African elite in relation to colonial authority and how each affected the other in complicated ways.

The first case study centres on Mariannhill Mission in KwaZulu-Natal. Here the evangelical and pedagogical drama pioneered by the Rev Bernard Huss, is considered alongside the work of one of the mission’s most eminent alumni, the poet and scholar, B.W. Vilakazi. The second moves to Johannesburg and gives a detailed insight into the working of the Bantu Dramatic Society and the drama of H.I.E. Dhlomo in relation to the British Drama League and other white liberal cultural activities.

Alan G. Morris critically examines the history of evolutionary anthropology in South Africa, uncovering the often racist philosophical motivations of these physical anthropology researchers and the discipline itself

South Africa is famed for its contribution to the study of human evolution. In Bones and Bodies Alan G. Morris takes us back over the past century of anthropological discovery in South Africa and uncovers the stories of the individual scientists and how they contributed to our knowledge of the peoples of southern Africa, both ancient and modern. Not all of this history is one which we should feel comfortable with, as much of the earlier anthropological studies have been tainted with the tarred brush of race science. Morris critically examines the work of Raymond Dart, Thomas Dreyer, Matthew Drennan, and Robert Broom who all described their fossil discoveries with the mirror of racist interpretation, as well as the life and times in which they worked.

Morris also considers how modern anthropology tried to rid itself of the stigma of these early racist accounts. In the 1960s and 1970s, Ronald Singer and Phillip Tobias introduced modern methods into the discipline that jettisoned much of what the public wished to believe about race and human evolution. Modern methods in physical anthropology rely on sophisticated mathematics and molecular genetics but are difficult to translate and sometimes fail to challenge preconceived assumptions.

In an age where the authority of the expert and empirical science is questioned, this book shows the battle facing modern anthropology in how to explain science in a context that seems to be at odds with life experience. In this highly accessible insider account, Morris examines the philosophical motivations of these researchers and the discipline itself. Much of the material draws on old correspondence and interviews as well as from published resources.

You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic.

The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in a Cape Town township trying to eke out a living in a racially, socially and economically unequal world. There are few work opportunities and there is a great deal of red tape to be self-sufficient. Men are glaringly absent from this world – working as cheap migrant labour in urban areas. Women have to undertake great risk to see their husbands and to try keep a semblance of family cohesiveness. Helicopters fly above and state security police surveil the area. The play shows how these women work miracles to ensure the survival and wellbeing of their families at all cost.

Following the famous 1956 slogan of the South African woman’s march against apartheid laws, this latest publication in 2021 is a testament to the contemporariness of this play. Its themes around gender activism and the need for gender parity remains as true today as it did fifty years ago. Fresh and full of life, this is an important historical document and will be a landmark play for high schools and students of theatre.

A history of Atlantic solidarity between Cuba and Africa, in struggle for African independence from colonial powers

The Cuban people hold a special place in the hearts of the people of Africa. The Cuban internationalists have made a contribution to African independence, freedom, and justice, unparalleled for its principled and selfless character.’

As Nelson Mandela states, Cuba was a key participant in the struggle for the independence of African countries during the Cold War and the definitive ousting of colonialism from the continent. Beyond the military interventions that played a decisive role in shaping African political history, there were many-sided engagements between the island and the continent. Cuba and Africa, 1959-1994 is the story of tens of thousands of individuals who crossed the Atlantic as doctors, scientists, soldiers, students and artists. Each chapter presents a case study – from Algeria to Angola, from Equatorial Guinea to South Africa – and shows how much of the encounter between Cuba and Africa took place in non-militaristic fields: humanitarian and medical, scientific and educational, cultural and artistic.

The historical experience and the legacies documented in this book speak to the major ideologies that shaped the colonial and postcolonial world, including internationalism, developmentalism and South–South cooperation.

Approaching African–Cuban relations from a multiplicity of angles, this collection will appeal to an equally wide range of readers, from scholars in black Atlantic studies to cultural theorists and general readers with an interest in contemporary African history.

A history of the erosion of democracy across the globe

Democracy is being destroyed. This is a crisis that expresses itself in the rising authoritarianism visible in divisive and exclusionary politics, populist political parties and movements, increased distrust in fact-based information and news, and the withering accountability of state institutions. Over the last four decades, democracy has radically shifted to a market democracy in which all aspects of human, non-human and planetary life are commodified, with corporations becoming more powerful than states and their citizens. This is how neoliberal capitalism functions at a systemic level and if left unchecked, is the greatest threat to democracy and a sustainable planet.

Volume six of the Democratic Marxism series focuses on how decades of neoliberal capitalism have eroded the global democratic project and how, in the process, authoritarian politics are gaining ground. Scholars and activists from the political left focus on four country cases – India, Brazil, South Africa and the United States of America – in which the COVID-19 pandemic has fuelled and highlighted the pre-existing crisis. They interrogate issues of politics, ecology, state security, media, access to information and political parties, and affirm the need to reclaim and re-build an expansive and inclusive democracy.

Destroying Democracy is an invaluable resource for the general public, activists, scholars and students who are interested in understanding the threats to democracy and the rising tide of authoritarianism in the global south and the global north.

Decolonising the Human examines the ongoing project of constituting ‘the human’ in light of the durability of coloniality and the persistence of multiple oppressions

The ‘human’ emerges as a deeply political category, historically constructed as a scarce existential resource. Once weaponised, it allows for the social, political and economic elevation of those who are centred within its magic circle, and the degradation, marginalisation and immiseration of those excluded as the different and inferior Other, the less than human.

Speaking from Africa, a key site where the category of the human has been used throughout European modernity to control, exclude and deny equality of being, the contributors use decoloniality as a potent theoretical and philosophical tool, gesturing towards a liberated, pluriversal world where human difference will be recognised as a gift, not used to police the boundaries of the human. Here is a transdisciplinary critical exploration of a wide range of subjects, including history, politics, philosophy, sociology, anthropology and decolonial studies.

An incisive analysis of South Africa's ANC power-as party, as government, as state

South Africa's African National Congress (ANC) is in decline, its hegemony has been weakened, its legitimacy diluted. President Cyril Ramaphosa's appointment suspended the ANC's electoral decline, it also heightened internal tensions between those who would deepen its acquired status as corrupt and captured, and those who would remodel it as redeemable. These are the incontrovertible knowns of South African politics; what will evolve from this is less certain.

In Precarious Power, renowned political scientist Susan Booysen uses in-depth research and analysis to distill that which is bound to shape South Africa's political future, Booysen focuses on contradictory party politics and internal ANC dissent that is veiled for the sake of retaining an electoral following. Also exposed is the incongruous, populist policy­making, protest politics and the use of soft law to ensure it does not alienate angry citizens, fueling further discontent and protest. The ANC's power has become exceedingly precarious. Precarious Power is the name of the political game, for the foreseeable future.

The comprehensive analysis in Precarious Power will appeal not only to political scientists and postgraduate students, but to all who take a keen interest in current affairs.

Critically examines influential novels in English by eminent black female writers

Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction criticality interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.

This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects.

Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

This vivid evocation of the lives of 32 boys from a Johannesburg township is essential reading for anybody wishing to understand black masculinity in South Africa

Becoming Men is the story of 32 boys from Alexandra, one of Johannesburg's largest townships, over a period of twelve seminal years in which they negotiate manhood and masculinity. Psychologist and academic Malose Langa has documented graphically what it means to be a young black man in contemporary South Africa. The boys discuss a range of topics including the impact of absent fathers, relationships with mothers, siblings and girls, school violence, academic performance, homophobia, gangsterism, unemployment and, in one case, prison life. Dominant themes that emerge are deep ambivalence, self-doubt and hesitation in the boys' approaches to alternative masculinities that are non-violent, non-sexist and non-risk-taking. The difficulties of negotiating the multiple voices of masculinity are exposed as many of the boys appear simultaneously to comply with and oppose the prevalent norms. Providing a rich interpretation of how emotional processes affect black adolescent boys, Langa suggests interventions and services to support and assist them, especially in reducing the high-risk behaviours generally associated with hegemonic masculinity. This is essential reading for students, researchers and scholars of gender studies who wish to understand manhood and masculinity in South Africa. Psychologists, youth workers, lay counsellors and teachers who work with adolescent boys will also find it invaluable.

A politician's journey to bring home Mahatma Gandhi's teachings home to South Africa in the wake of WWII

In November 1949, Davidson Don Tengo (D.D.T.) Jabavu, the South African politician, Methodist lay preacher and retired professor of African languages and Latin at Fort Hare University in the Eastern Cape, set out on a four-month trip to attend the World Pacifist Meeting in India. The conference brought together delegates from over thirty countries to reflect on how Mahatma Gandhi’s life and teachings could inform pacifist work in the post-World War II era.

Jabavu wrote an isiXhosa account of his journey up the east coast of Africa and to different parts of India which was first published in 1951 by Lovedale Press. His narrative contains wide-ranging reflections on the fauna and flora of the changing landscape, on intriguing social interactions during his travels, and on the conference itself, where he considered what lessons Gandhian principles might yield for oppressed South Africans engaged in struggles for freedom and dignity. He incorporates accounts of chance meetings with important figures of post-independence India and of the anti-colonial struggle in East Africa, as well as with members of the American civil rights movement. His commentary on non-violent resistance, and on the dangers of nationalism when coupled with militarism and racism, enriches the existing archive of intellectual and political exchange between Africa and India from a black South African perspective.

This new edition includes Jabavu’s travelogue in the original isiXhosa, with an English translation by the late anthropologist Cecil Wele Manona. Tina Steiner’s introductory chapter examines the networks of international solidarity and friendship that Jabavu helped to strengthen in the course of his travels. A chapter by Mhlobo W. Jadezweni, whose updating of the original isiXhosa orthography has made Jabavu’s text accessible to new generations of readers, considers the richness of Jabavu’s isiXhosa style as a contribution to the archive of great African-language literature. Catherine Higgs provides biographical sketches of D.D.T. Jabavu and Cecil Wele Manona which situate this travelogue within the broader context of their lives. Evan M. Mwangi’s Afterword is a reflection on the historical and political significance of making African-language texts available to readers across Africa.

Selection of Robert Mangaliso Sobukwe’s letters from prison in opposition to South African apartheid

This book collates nearly 300 prison letters to and from Robert Mangaliso Sobukwe, inspirational political leader and first President of the Pan-Africanist Congress. These letters are testimony to the desolate conditions of his imprisonment and to his unbending commitment to the cause of African liberation.

The memory of Sobukwe has been sadly neglected in post- apartheid South Africa. With the changing political climate, the decline of the African National Congress’s power, the re- emergence of Black Consciousness, and the growth of student protests, Sobukwe is being looked to once again.

An innovative book about the relationship between South Africa and India

South Africa's future is increasingly tied up with that of India. While trade and investment between the two countries is intensifying, they share long-standing historical ties and have much in common: apart from cricket, colonialism and Gandhi, both countries are important players in the global South. As India emerges as a major economic power, the need to understand these links becomes ever more pressing. Can the two countries enter balanced forms of exchange? What forms of transnational political community between these two regions have yet to be researched and understood? The first section of South Africa and India traces the range of historical connection between the two countries. The second section explores unconventional comparisons that offer rich ground on which to build original areas of study. This innovative book looks to a post-American world in which the global South will become ever more important. Within this context, the Indian Ocean arena itself and South Africa and India in particular move to the fore. The book's main contribution lies in the approaches and methods offered by its wide range of contributors for thinking about this set of circumstances.

First published by Ravan Press in 1985, Cast in a Racial Mould was a pioneering book. It is now republished by Wits University Press with a new foreword by Michael Burawoy and with support from the National Institute for the Humanities and Social Sciences.

Entering what Marx called the hidden abode of capitalism; the labour process; this book analyzes the nature of work and worker resistance in the metal industry which lies at the core of South Africa manufacturing industry. In an introductory chapter Webster points out that most studies of the labour process have neglected worker resistance. He challenges Braverman depiction of mass production as a juggernaut which inherently imposes progressively tighter controls on workers, and points to two forms of worker resistance which have been important in the history of South Africa foundries.

Discussing the first of these in Part I, he shows how resistance to deskilling on the part of white craft moulders gave rise to a distinctive racial hierarchy of control in the foundries. Using race as a last line of defence against machinofacture assault on their craft privileges, the white moulders effectively became supervisors of semi-skilled black labour;The collapse of this form of control was precipitated by the rise, in a South African foundry context, of the second form of resistance ; increasingly confident bargaining by black semi-skilled workers in the wake of mechanization and the emergence of independent black unions. This is the focus of Parts II and III of the book. The onset of popular struggle in the townships from 1976 onwards forced the state, through a process that began with the Wiehahn and Riekert commissions, to embark on an attempt to incorporate black unions in a deracialized industrial relations system. Webster analyzes the interplay between the transformation of the labour process and the crisis in the system of racial capitalism as a whole to show how worker organizations, in resisting the state incorporative strategy, have begun to develop a working class.

First published by Ravan Press in 1985, Cast in a Racial Mould was a pioneering book. It is now republished by Wits University Press with a new foreword by Michael Burawoy and with support from the National Institute for the Humanities and Social Sciences.

Entering what Marx called the hidden abode of capitalism; the labour process; this book analyzes the nature of work and worker resistance in the metal industry which lies at the core of South Africa manufacturing industry. In an introductory chapter Webster points out that most studies of the labour process have neglected worker resistance. He challenges Braverman depiction of mass production as a juggernaut which inherently imposes progressively tighter controls on workers, and points to two forms of worker resistance which have been important in the history of South Africa foundries.

Discussing the first of these in Part I, he shows how resistance to deskilling on the part of white craft moulders gave rise to a distinctive racial hierarchy of control in the foundries. Using race as a last line of defence against machinofacture assault on their craft privileges, the white moulders effectively became supervisors of semi-skilled black labour;The collapse of this form of control was precipitated by the rise, in a South African foundry context, of the second form of resistance ; increasingly confident bargaining by black semi-skilled workers in the wake of mechanization and the emergence of independent black unions. This is the focus of Parts II and III of the book. The onset of popular struggle in the townships from 1976 onwards forced the state, through a process that began with the Wiehahn and Riekert commissions, to embark on an attempt to incorporate black unions in a deracialized industrial relations system. Webster analyzes the interplay between the transformation of the labour process and the crisis in the system of racial capitalism as a whole to show how worker organizations, in resisting the state incorporative strategy, have begun to develop a working class.

Isidlamlilo / The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa’s first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women’s hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past.

Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile’s story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities – at times brutal, at times forgiving – of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments.

Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country’s haunted past and its present-day complexities.

Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.

This book addresses urgent current debates on decolonisation by offering reimagined teaching and learning interventions for obtaining greater epistemic justice in the contemporary postcolonial university.

At a time when debates on decolonisation have gained urgency in academic, civic and public spaces, this interdisciplinary collection by authors based at the University of Cape Town, South Africa, serves as a valuable archive documenting and reflecting on a turbulent period in South African higher education. It is an important resource for academics looking to grasp debates on decoloniality both in South Africa, and in university and teaching spaces further afield. Calling for concerted and collaborative work towards greater epistemic justice across diverse disciplines, the book puts forward a new vision of the postcolonial university as one that enables excellent teaching and learning, undertaken in a spirit of critical consciousness and reciprocity.

Senkatana is a tragic play adapted from Sotho folk narrative. The play is regarded as a classic of Sesotho literature.
Seen as one of the greatest essayists and dramatists writing in Southern Sotho, Senkatana was Mofokeng’s first book, published in 1952 in the African (then Bantu) Treasury Series, an imprint of Witwatersrand University Press.

Building on the work of economic historian Douglass North and Ugandan political scholar Mahmood Mamdani, Friedman argues that the difficulties besetting South African democracy are legacies of the past, not products of the post-1994 era

South Africa’s democracy is often seen as a story of bright beginnings gone astray, a pattern said to be common to Africa. The negotiated settlement of 1994, it is claimed, ended racial domination and created the foundation for a prosperous democracy – but greedy politicians betrayed the promise of a new society.

In Prisoners of the Past Steven Friedman astutely argues that this misreads the nature of contemporary South Africa. Building on the work of the economic historian Douglass North and the political thinker Mahmood Mamdani, Friedman shows that South African democracy’s difficulties are legacies of the pre-1994 past. The settlement which ushered in majority rule left intact core features of the apartheid economy and society. The economy continues to exclude millions from its benefits, while racial hierarchies have proved stubborn: apartheid is discredited, but the values of the pre-1948 colonial era, the period of British colonization, still dominate. Thus South Africa’s democracy supports free elections, civil liberties and the rule of law, but also continues past patterns of exclusion and domination.

Friedman reasons that this ‘path dependence’ is not, as is often claimed, the result of constitutional compromises in 1994 that left domination untouched. This bargain was flawed because it brought not too much compromise, but too little. Compromises extended political citizenship to all but there were no similar bargains on economic and cultural change. Using the work of the radical sociologist Harold Wolpe, Friedman shows that only negotiations on a new economy and society can free South Africans from the prison of the past.

A history of the erosion of democracy across the globe

Democracy is being destroyed. This is a crisis that expresses itself in the rising authoritarianism visible in divisive and exclusionary politics, populist political parties and movements, increased distrust in fact-based information and news, and the withering accountability of state institutions. Over the last four decades, democracy has radically shifted to a market democracy in which all aspects of human, non-human and planetary life are commodified, with corporations becoming more powerful than states and their citizens. This is how neoliberal capitalism functions at a systemic level and if left unchecked, is the greatest threat to democracy and a sustainable planet.

Volume six of the Democratic Marxism series focuses on how decades of neoliberal capitalism have eroded the global democratic project and how, in the process, authoritarian politics are gaining ground. Scholars and activists from the political left focus on four country cases – India, Brazil, South Africa and the United States of America – in which the COVID-19 pandemic has fuelled and highlighted the pre-existing crisis. They interrogate issues of politics, ecology, state security, media, access to information and political parties, and affirm the need to reclaim and re-build an expansive and inclusive democracy.

Destroying Democracy is an invaluable resource for the general public, activists, scholars and students who are interested in understanding the threats to democracy and the rising tide of authoritarianism in the global south and the global north.

Wide-ranging essays demonstrate how the consequences of inequality extend throughout society and the political economy

Despite the transition from apartheid to democracy, South Africa is the most unequal country in the world. Its extremes of wealth and poverty undermine intensifying struggles for a better life for all. The wide-ranging essays in this sixth volume of the New South African Review demonstrate how the consequences of inequality extend throughout society and the political economy, crippling the quest for social justice, polarising the politics, skewing economic outcomes and bringing devastating environmental consequences in their wake. Contributors survey the extent and consequences of inequality across fields as diverse as education, disability, agrarian reform, nuclear geography and small towns, and tackle some of the most difficult social, political and economic issues. How has the quest for greater equality affected progressive political discourse? How has inequality reproduced itself, despite best intentions in social policy, to the detriment of the poor and the historically disadvantaged? How have shifts in mining and the financialisation of the economy reshaped the contours of inequality? How does inequality reach into the daily social life of South Africans, and shape the way in which they interact? How does the extent and shape of inequality in South Africa compare with that of other major countries of the global South which themselves are notorious for their extremes of wealth and poverty? South African extremes of inequality reflect increasing inequality globally, and The Crisis of Inequality will speak to all those general readers, policy makers, researchers and students who are demanding a more equal world.

Amal’ezulu (Zulu Horizons), first published in 1945 in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press, was the second volume of poetry produced by the renowned Zulu author B.W. Vilakazi. It was written during the ten years he spent living in Johannesburg, in ‘exile’ from his birthplace, KwaZulu-Natal. The poems in this collection represent a turning point in Vilakazi’s life; they express yearnings for the beloved land, animals and ancestral spirits of his rural home, as well as expressions of deep disillusionment with the urban life he encountered in the ‘City of Gold’, and in particular the suffering of the black miners who brought this gold to the surface but never experienced the benefits of the wealth it produced for the mine owners. Vilakazi was deeply conscious of the subhuman system that held these miners in its grip, and gave voice to their suffering in many of the poems in the collection, in particular the now famous poem ‘Ezinkomponi’ (‘On the mine compounds’).

Renowned as the father of Nguni literature, Vilakazi was both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry). In these poems he assumes the role of the voice of the voiceless, and gives poignant expression to the stoic endurance of those caught up in the brutalities of capitalist exploitation of African labour, and the appalling injustices of the migrant labour system.

‘Why bother to rob a bank, when you can own a bank?’ asked Bertold Brecht. The question is reiterated in the very Brechtian Love, Crime and Johannesburg, the story of Jimmy ‘Long Legs’ Mangane, a people’s poet involved in the struggle, who is accused of robbing a bank. He passionately asserts his innocence, claiming to work for the ‘secret secret service’.
Lewis, his old friend and comrade from the struggle, now owns a bank. How did this happen? The man of the struggle is now a man of accounts. A man of the nineties. Part of the cell phone generation. Added to the mix is an old-style gangster, two girlfriends, a Jewish father and a very unusual Chief of Police.
Described as one of the first genuine post-apartheid plays, Love, Crime and Johannesburg is a witty, light-hearted account of life in the City of Gold at the turn of the millennium. A must for all students of South African theatre. Winner of the 2000 Vita Award for best script of a new South African Play.

Inkondlo kaZulu (Zulu Poems), the first volume of poetry by B.W. Vilakazi, was first published in 1935. This was the first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series (published by the University of the Witwatersrand Press), a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi’s contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society.

The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi’s intellectual significance and his renown as the ‘father of Nguni literature’ at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice.

Dintšhontšho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare’s Julius Caesar, by the renowned South African thinker, writer and linguist Sol T. Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare’s plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka (‘The Sayings of Shakespeare’.) Dintšhontšho tsa bo-Juliuse Kesara went to print five years after Plaatje’s death, in 1937, published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press.



His translations of Shakespeare’s plays into Setswana helped to pioneer and popularise a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje’s aim of developing the language.
Dintšhontšho tsa bo-Juliuse Kesara ke phetolelo ya Setswana ya Julius Caesar ya ga Shakespeare ka mokwadi, moakanyi wa MoAforika le seitseanape sa puo Sol T. Plaatje, yo gape e neng e le modiragatsi yo o nang le bokgoni wa serala. Plaatje o rakane la ntlha le ditiro tsa ga Shakespeare fa a bona tiragatso ya Hamlet e sa le lekawana, mme seo se ne sa tsosa lerato le le boitshegang mo pelong ya gagwe la ditiro tsa mokwadi yoo wa MoElisabeta. Dingwaga di le dintsi morago ga foo o fetoletse diterama tsa ga Shakespeare di balwa mo puong ya Setswana mo dikgatisong tsa Mabolelo a ga Tsikinya-Chaka (‘The Sayings of Shakespeare’). Dintšhontšho tsa bo-Juliuse Kesara e gatisitswe dingwaga di le tlhano morago ga loso lwa ga Plaatje, ka 1937. E gatisitswe mo metseletseleng ya Bantu (moragonyana African) Treasury Series ya Univeristy of the Witwatersrand Press.



Go fetolela diterama tsa ga Shakespeare mo Setswaneng go thusitse go godisa le go naya serodumo mokwalo wa boitlhamedi wa diterama o o neng o sa tlwaelega thata mo malobeng. Go bontshitse gape khumo le nonofo ya tlotlofoko ya Setswana mme ga thusa Plaatje go tlhabolola puo ya gaabo jaaka e ne e le maikaelelo a gagwe.

Kielezo cha Insha is the earliest guide to essay writing in Kiswahili, published by Wits University Press in 1954. After Tanzania's independence in 1961 the book was not available for several decades because of the political and economic sanctions against the apartheid regime in South Africa.

The book covers pertinent issues in composition writing, including the purpose and types of composition, preparation, structure, language and style, cohesion, objectivity and punctuation. It includes 60 model essays together with Robert's thoughts and perspectives on the issues he addresses. The topics include some of the issues current at the time, such as ;secret marriages, culture, the environment, language and nationhood, patriotism, womens oppression, health, and the meaning of life and death.

After being out of print for more than sixty years, Wits University Press has reissued the text as a testament to its enduring historical value. Kielezo cha Insha is an example of Robert's educational and pedagogical writing at its best.

The sweeping scientific and social history of the humble dung beetle

The humble and industrious dung beetle is a marvelous beast: the 6,000 species identified so far are intricately entwined with human history and scientific endeavor. These night-soil collectors of the planet have been worshipped as gods, worn as jewelry, and painted by artists. More practically, they saved Hawaii from ecological blight, and rescued Australia from plagues of flies. They fertilize soil, cleanse pastures, steer by the stars, and have a unique relationship with the African elephant (along with many other ungulates). Above all, they are the ideal subject for biological study in an evolving world.

In this sweeping history of more than 3,000 years, beginning with Ancient Egypt, scientist Marcus Byrne and writer Helen Lunn capture the diversity of dung beetles and their unique behavior patterns. Dung beetles’ fortunes have followed the shifts from a world dominated by a religion that symbolically incorporated them into some of its key concepts of rebirth, to a world in which science has largely separated itself from religion and alchemy. With over 6,000 species found throughout the world, these unassuming but remarkable creatures are fundamental to some of humanity’s most cherished beliefs and have been ever present in religion, art, literature, science and the environment. They are at the center of current gene research, play an important role in keeping our planet healthy, and some nocturnal dung beetles have been found to navigate by the starry skies. Outlining the development of science from the point of view of the humble dung beetle is what makes this charming story of immense interest to general readers and entomologists alike.

Making a Life explores the dynamic everyday life-making strategies of young men in Zandspruit, a sprawling informal settlement on the outskirts of Johannesburg. In many ways Zandspruit typifies the precariousness of life within South Africa, where two-thirds of young people lack waged employment. However, rather than seeing Zandspruit as dumping ground, Hannah Dawson calls for an integrated understanding of the complex linkages between people’s lives and livelihoods, and the multifaceted socio-political landscape of urban settlements.

Based on 14 months of ethnographic research, Dawson investigates how social belonging, identity and economic realities intertwine in places such as Zandspruit. This approach not only challenges conventional approaches to studying work; it also questions the increasingly prevalent perspective that romanticises the adaptive survival strategies of the urban poor. By exploring the intricate connections between those with and without wages, the author shows how young men manage complex social, political and economic conditions.

Making a Life offers insights into issues such as urban work, citizenship, un(der)employment and inequality in South Africa. At the same time, it contributes to a global understanding of how young people – men especially – manage economic uncertainty.

The Nightwatchman: Essays on Portraiture and the Black Male Figure in Colonial South Africa brings into focus the African policeman as a subject of portraiture. While colonial governments co-opted and conscripted Africans into military and policing services, it was after the Zulu defeat of the English in the battle of Isandlwana that a genre of photography developed around images of the ‘Zulu warrior’ and ‘Zulu policeman’.

In this illustrated book, Hlonipha Mokoena extends the literature on colonial ethnographic photography by creating a narrative of nightwatchman portraiture from the rich archive of images. Although the origins of this genre lay in the representation of ‘Fingoes’ (amaMfengu) during the frontier wars, she argues that an ethnological spectacle of the Zulu male body was inaugurated after the last Zulu king, Cetshwayo, was photographed as a posing subject.

While much research has focussed on the African man employed in emasculating labour or as a functionary of settler power, this book shifts debates about how the body moves in history. Placed in uniform, the male subject becomes aestheticised and admired. Mokoena focuses less on the idiosyncrasies of the uniform than on the sartorial selection processes and co-optation of colonial aesthetic culture that constructed the idea of the Nonqgqayi or nightwatchman as a fully formed photographic presence. The beauty captured in these images upends conceptions of colonial photography as a tool of oppression.

In its focus on the figure of the black and brown fighting man, The Nightwatchman offers an innovative work on the history of portraiture and dress in colonial South Africa. Incorporating insights from African history, art history, anthropology and critical theory, it offers new insights about the use of men of colour in colonial warfare and new avenues for the interpretation of visual representations of the black male figure

The Nightwatchman: Essays on Portraiture and the Black Male Figure in Colonial South Africa brings into focus the African policeman as a subject of portraiture. While colonial governments co-opted and conscripted Africans into military and policing services, it was after the Zulu defeat of the English in the battle of Isandlwana that a genre of photography developed around images of the ‘Zulu warrior’ and ‘Zulu policeman’.

In this illustrated book, Hlonipha Mokoena extends the literature on colonial ethnographic photography by creating a narrative of nightwatchman portraiture from the rich archive of images. Although the origins of this genre lay in the representation of ‘Fingoes’ (amaMfengu) during the frontier wars, she argues that an ethnological spectacle of the Zulu male body was inaugurated after the last Zulu king, Cetshwayo, was photographed as a posing subject.

While much research has focussed on the African man employed in emasculating labour or as a functionary of settler power, this book shifts debates about how the body moves in history. Placed in uniform, the male subject becomes aestheticised and admired. Mokoena focuses less on the idiosyncrasies of the uniform than on the sartorial selection processes and co-optation of colonial aesthetic culture that constructed the idea of the Nonqgqayi or nightwatchman as a fully formed photographic presence. The beauty captured in these images upends conceptions of colonial photography as a tool of oppression.

In its focus on the figure of the black and brown fighting man, The Nightwatchman offers an innovative work on the history of portraiture and dress in colonial South Africa. Incorporating insights from African history, art history, anthropology and critical theory, it offers new insights about the use of men of colour in colonial warfare and new avenues for the interpretation of visual representations of the black male figure

Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.

The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa’s re-imagining of township alleyways for public encounters and Mbongeni Mtshali’s study of everyday performances that challenge colonial and neo-colonial spatial organization.

The title, Restless Infections, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. This restlessness is tied to a desire for economic and political stability, expressed through transient art forms like Santu Mofokeng’s billboard photography.

The book shifts the focus of public art discourse in South Africa from static forms like monuments and statues to dynamic, temporary interventions that question the concept of publicness. These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.

As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.

Making a Life explores the dynamic everyday life-making strategies of young men in Zandspruit, a sprawling informal settlement on the outskirts of Johannesburg. In many ways Zandspruit typifies the precariousness of life within South Africa, where two-thirds of young people lack waged employment. However, rather than seeing Zandspruit as dumping ground, Hannah Dawson calls for an integrated understanding of the complex linkages between people’s lives and livelihoods, and the multifaceted socio-political landscape of urban settlements.

Based on 14 months of ethnographic research, Dawson investigates how social belonging, identity and economic realities intertwine in places such as Zandspruit. This approach not only challenges conventional approaches to studying work; it also questions the increasingly prevalent perspective that romanticises the adaptive survival strategies of the urban poor. By exploring the intricate connections between those with and without wages, the author shows how young men manage complex social, political and economic conditions.

Making a Life offers insights into issues such as urban work, citizenship, un(der)employment and inequality in South Africa. At the same time, it contributes to a global understanding of how young people – men especially – manage economic uncertainty.

Siphiwo Mahala delves into the lives of iconic figures from South Africa's tumultuous past in this remarkable collection of plays. The collection opens with The House of Truth, which explores the complexity of Can Themba, a fearless journalist, playwright and poet living under an oppressive apartheid regime. The one-man play weaves together elements of Themba's life and career, recreating the excitement and pathos of the DRUM era South Africa's first magazine for a black audience, and his resident neighborhood, Sophiatown in Johannesburg, before it was destroyed by apartheid legislation. Themba is brought back to life as an ordinary person with human flaws and attributes both tragic and inspirational.

In the second play, Bloke and His American Bantu. Mahala brings to life the extraordinary lives of Bloke Modisane, a South African writer exiled in London, and Langston Hughes, the renowned American poet. This two-hander play celebrates their remarkable camaraderie and intellectual exchange. Through a reimagined correspondence, the play deftly explores how a simple friendship blossomed into a catalyst for international solidarity and cultural exchange across continents, from Africa to the UK to America.

As a whole, the plays explore the intersections of identity, creativity and resistance. With wit, poise, and unflinching honesty, they bring to life the triumphs and struggles of these remarkable men who left an indelible mark on their worlds, and celebrate the human spirit's capacity to persevere, inspire and uplift.

Bibliography and Modern Book Production is a fascinating historic journey through the fields of print history, librarianship and publishing. It covers key developments from 1494 to 1949 in bibliography and book production from the history of scripts and paper manufacture to the origins of typefaces and printing. Although not a textbook, the book was a guide for library students in the 1950s on the essential literature of librarianship.

As the first librarian appointed to Wits University in 1929, Percy Freer’s near encyclopaedic knowledge of the subject of bibliography enabled him to develop a key resource for relevant library examinations in South Africa and abroad. Due to its immense value as a historic record, and to acknowledge Freer’s contributions as scholar, librarian and publisher, it is being reissued as part of the Wits University Press Re/Presents series to make it accessible to scholars in book histories, publishing studies and information science.

A collection of Robert Sobukwe's political writings, speeches and court testimonies supplemented by an account of his years in Kimberley following release from Robben Island.

There are several accounts of Robert Sobukwe’s courageous role in contesting South Africa’s system of apartheid and of his incarceration on Robben Island after the Anti-Pass Campaign that led to the tragic events of Sharpeville in March 1960. Far less attention has been paid to the years the leader of the Pan-Africanist Congress spent in Kimberley, between 1969–1978, after his release from the Island. Darkest Before Dawn, the follow-up to Lie on Your Wounds: The Prison Correspondence of Robert Mangaliso Sobukwe, captures the story of the post-prison years of Sobukwe’s life.

This latest compilation complete with a biographical narrative by the editors and enriched with images from Sobukwe’s life in this period of his life demonstrates the many challenges Sobukwe faced as well as his continued political resolve to fight for an end to apartheid. This is captured in the many meetings he had in spite of banning orders and letters he exchanged with friends and admirers, including the celebrated novelist Bessie Head whose letters to Sobukwe are published here for the first time. Sobukwe continued to meet political allies, such as Black Consciousness leader Steve Biko, he pursued a legal career and played host to international visitors. The portrait of Sobukwe that emerges is that of a highly ethical man, a figure of dignity and fortitude, and a wise elder whose commitment to the people of Africa and to the vision of Pan-Africanism who remained undeterred, despite his being forced to live, in his final years, under near impossible conditions.

To do justice to Sobukwe’s legacy, his intellectual contribution and his unfailing desire to pursue liberation for the African people, we need to view his biography against the backdrop of his words. Darkest Before Dawn includes a definitive collection of his political writings, speeches, unpublished court testimonies, interviews with Gail Gerhart and Joe Thloloe, and expansive annotations by the compilers. The book ends with a reflective essay which highlights the ongoing pertinence of Sobukwe's legacy.

Predicaments of Knowledge explores the difficult questions South African universities face after apartheid: Is there a difference between Africanising a university and decolonising a university? What about differences between deracialising and decolonising the curricula taught at universities across disciplines?

Through a range of reflections on race, language, colonial, postcolonial and decolonial knowledge projects from Africa and Latin America, this book explores the pitfalls and possibilities that face a post-apartheid generation inventing the future of knowledge.

The distinctions between Africanisation, decolonisation and deracialisation are often conflated in the political demands put to universities. Suren Pillay emphasises all three as important but distinct imperatives. If an intervention is undertaken with the aim of decolonising the university while actually addressing deracialisation, it can undermine the effort to decolonise. Similarly, if an initiative to Africanise the university does not address decolonisation, both processes can be undermined.

Drawing on more than two and a half decades of the author’s participation in these debates, these essays aim to intervene in and elucidate questions and predicaments, rather than offering blue prints; they are dialogical in spirit even when polemical in tone. In conversation with existing continental African and Latin American experiences, they offer incisive reflections on current South African debates.

On 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service.

Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to ‘flee’ the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile.

The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons’ paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations.

Williamson received amnesty for his role in the Schoons’ murder, among other crimes. For the friends and family of the Schoons – and for all those seeking social justice – this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa’s apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid.

This book examines the impact of coal mining on the lives of former-labour tenant and rural communities in post-apartheid South Africa.

No Last Place to Rest: Coal Mining and Dispossession in South Africa is an exploration of the ongoing struggles faced by families in the Mpumalanga and KwaZulu-Natal provinces of South Africa whose lives have been upended by the relentless expansion of coal mining operations. These regions, burdened with the task of fulfilling the nation's energy needs and boosting the country’s economy, witness daily the harsh realities of dispossession that extend far beyond the mere loss of property.

Dineo Skosana presents a compelling argument that dispossession remains a present-day reality and crisis, contradicting the notion that it is merely a relic of the past in the post-apartheid landscape. It challenges the narrow perspective that equates land loss in material and economic terms only. Skosana considers the impact of grave relocations—a common occurrence in these mining-dominated locales— and the profound spiritual anguish and dehumanisation communities endure as their lands are excavated. In African societies, connections to the land extend beyond the material; land has a sacred and ancestral value. Grave relocations disrupt this connection families have with their ancestors. In dispossessing not only the living but also the dead from their lands, the author argues that the act wounds the collective soul of a people, eroding their cultural heritage, and collective identity and belonging.

This book offers a rich ethnographic account of the experiences, struggles and resistance of the affected communities as well as a critical analysis of the legal and policy frameworks that enable their exploitation. In relation to the ‘land question’ in South Africa, No Last Place to Rest presents deep insights for communities, activists and government sectors acting in support of social justice and redress.

Siphiwo Mahala delves into the lives of iconic figures from South Africa's tumultuous past in this remarkable collection of plays. The collection opens with The House of Truth, which explores the complexity of Can Themba, a fearless journalist, playwright and poet living under an oppressive apartheid regime. The one-man play weaves together elements of Themba's life and career, recreating the excitement and pathos of the DRUM era South Africa's first magazine for a black audience, and his resident neighborhood, Sophiatown in Johannesburg, before it was destroyed by apartheid legislation. Themba is brought back to life as an ordinary person with human flaws and attributes both tragic and inspirational.

In the second play, Bloke and His American Bantu. Mahala brings to life the extraordinary lives of Bloke Modisane, a South African writer exiled in London, and Langston Hughes, the renowned American poet. This two-hander play celebrates their remarkable camaraderie and intellectual exchange. Through a reimagined correspondence, the play deftly explores how a simple friendship blossomed into a catalyst for international solidarity and cultural exchange across continents, from Africa to the UK to America.

As a whole, the plays explore the intersections of identity, creativity and resistance. With wit, poise, and unflinching honesty, they bring to life the triumphs and struggles of these remarkable men who left an indelible mark on their worlds, and celebrate the human spirit's capacity to persevere, inspire and uplift.

In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages.

This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publisher, this volume asks how publishing can contribute to a broader understanding of Southern knowledge production. Featuring contributions from scholars, publishers and authors this multi-voiced volume showcases the history of the Press’s publishing activities over 100 years: from documenting its evolution through book covers and giving credence to some of the leading black intellectuals and writers of the early 20th century and the success of those works in spite of their authors’ racial marginalisation, to the role of women, both in publishing and in the spaces afforded to women’s writing on the Press’s list.

The collection concludes with essays by contemporary authors who detail not only their experiences of working with Southern publishers, but also the politics and influences governing their decisions to choose the Press over a Northern publisher. Publishing from the South shows the strategies deployed by the Press to professionalise Southern knowledge making, and in the process demonstrating how university presses in the global South support the scholarly missions of their universities for both local and global audiences.

Making a Life explores the dynamic everyday life-making strategies of young men in Zandspruit, a sprawling informal settlement on the outskirts of Johannesburg. In many ways Zandspruit typifies the precariousness of life within South Africa, where two-thirds of young people lack waged employment. However, rather than seeing Zandspruit as dumping ground, Hannah Dawson calls for an integrated understanding of the complex linkages between people’s lives and livelihoods, and the multifaceted socio-political landscape of urban settlements.

Based on 14 months of ethnographic research, Dawson investigates how social belonging, identity and economic realities intertwine in places such as Zandspruit. This approach not only challenges conventional approaches to studying work; it also questions the increasingly prevalent perspective that romanticises the adaptive survival strategies of the urban poor. By exploring the intricate connections between those with and without wages, the author shows how young men manage complex social, political and economic conditions.

Making a Life offers insights into issues such as urban work, citizenship, un(der)employment and inequality in South Africa. At the same time, it contributes to a global understanding of how young people – men especially – manage economic uncertainty.

Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.

The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa’s re-imagining of township alleyways for public encounters and Mbongeni Mtshali’s study of everyday performances that challenge colonial and neo-colonial spatial organization.

The title, Restless Infections, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. This restlessness is tied to a desire for economic and political stability, expressed through transient art forms like Santu Mofokeng’s billboard photography.

The book shifts the focus of public art discourse in South Africa from static forms like monuments and statues to dynamic, temporary interventions that question the concept of publicness. These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.

As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.

The Nightwatchman: Essays on Portraiture and the Black Male Figure in Colonial South Africa brings into focus the African policeman as a subject of portraiture. While colonial governments co-opted and conscripted Africans into military and policing services, it was after the Zulu defeat of the English in the battle of Isandlwana that a genre of photography developed around images of the ‘Zulu warrior’ and ‘Zulu policeman’.

In this illustrated book, Hlonipha Mokoena extends the literature on colonial ethnographic photography by creating a narrative of nightwatchman portraiture from the rich archive of images. Although the origins of this genre lay in the representation of ‘Fingoes’ (amaMfengu) during the frontier wars, she argues that an ethnological spectacle of the Zulu male body was inaugurated after the last Zulu king, Cetshwayo, was photographed as a posing subject.

While much research has focussed on the African man employed in emasculating labour or as a functionary of settler power, this book shifts debates about how the body moves in history. Placed in uniform, the male subject becomes aestheticised and admired. Mokoena focuses less on the idiosyncrasies of the uniform than on the sartorial selection processes and co-optation of colonial aesthetic culture that constructed the idea of the Nonqgqayi or nightwatchman as a fully formed photographic presence. The beauty captured in these images upends conceptions of colonial photography as a tool of oppression.

In its focus on the figure of the black and brown fighting man, The Nightwatchman offers an innovative work on the history of portraiture and dress in colonial South Africa. Incorporating insights from African history, art history, anthropology and critical theory, it offers new insights about the use of men of colour in colonial warfare and new avenues for the interpretation of visual representations of the black male figure

Restless Infections is a collection of critical essays exploring artistic interventions in urban spaces, focusing on place-making and the politics of space in South Africa. The writers examine seminal artworks by South African artists, addressing diverse forms of expression such as site-specific performances, immersive installations, film, photography, and online performances.

The book is divided into three sections: The Restless City, Public Art for Multiple Publics, and Land, Home, Belonging. It introduces new perspectives on public sphere performance, such as Khanyisile Mbongwa’s re-imagining of township alleyways for public encounters and Mbongeni Mtshali’s study of everyday performances that challenge colonial and neo-colonial spatial organization.

The title, Restless Infections, is derived from the popular Infecting the City public art festival, symbolizing the persistent state of restlessness in a city still grappling with the legacies of colonialism, inequality, and racial segregation. This restlessness is tied to a desire for economic and political stability, expressed through transient art forms like Santu Mofokeng’s billboard photography.

The book shifts the focus of public art discourse in South Africa from static forms like monuments and statues to dynamic, temporary interventions that question the concept of publicness. These interventions engage with protest, public intimacy, audience interaction, and the disrupted topography of apartheid cities.

As the first scholarly volume to read public spheres through a multi- and interdisciplinary lens, Restless Infections argues that the diverse artistic modes explored are essential to understanding the complexities of publicness in South Africa.

Bibliography and Modern Book Production is a fascinating historic journey through the fields of print history, librarianship and publishing. It covers key developments from 1494 to 1949 in bibliography and book production from the history of scripts and paper manufacture to the origins of typefaces and printing. Although not a textbook, the book was a guide for library students in the 1950s on the essential literature of librarianship.

As the first librarian appointed to Wits University in 1929, Percy Freer’s near encyclopaedic knowledge of the subject of bibliography enabled him to develop a key resource for relevant library examinations in South Africa and abroad. Due to its immense value as a historic record, and to acknowledge Freer’s contributions as scholar, librarian and publisher, it is being reissued as part of the Wits University Press Re/Presents series to make it accessible to scholars in book histories, publishing studies and information science.

Examines the impact of coal mining on the lives of rural communities in post-apartheid South Africa

No Last Place to Rest: Coal Mining and Dispossession in South Africa is an exploration of the ongoing struggles faced by families in the Mpumalanga and KwaZulu-Natal provinces of South Africa whose lives have been upended by the relentless expansion of coal mining operations. These regions, burdened with the task of fulfilling the nation's energy needs and boosting the country’s economy, witness daily the harsh realities of dispossession that extend far beyond the mere loss of property.

Dineo Skosana presents a compelling argument that dispossession remains a present-day reality and crisis, contradicting the notion that it is merely a relic of the past in the post-apartheid landscape. It challenges the narrow perspective that equates land loss in material and economic terms only. Skosana considers the impact of grave relocations—a common occurrence in these mining-dominated locales— and the profound spiritual anguish and dehumanisation communities endure as their lands are excavated. In African societies, connections to the land extend beyond the material; land has a sacred and ancestral value. Grave relocations disrupt this connection families have with their ancestors. In dispossessing not only the living but also the dead from their lands, the author argues that the act wounds the collective soul of a people, eroding their cultural heritage, and collective identity and belonging.

This book offers a rich ethnographic account of the experiences, struggles and resistance of the affected communities as well as a critical analysis of the legal and policy frameworks that enable their exploitation. In relation to the ‘land question’ in South Africa, No Last Place to Rest presents deep insights for communities, activists and government sectors acting in support of social justice and redress.

Reveals the little known details of the assassination of an anti-apartheid activist by an apartheid spy and undercover police officer

On 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service.

Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to ‘flee’ the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile.

The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons’ paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations.

Williamson received amnesty for his role in the Schoons’ murder, among other crimes. For the friends and family of the Schoons – and for all those seeking social justice – this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa’s apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid.

On 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service.

Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to ‘flee’ the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile.

The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons’ paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations.

Williamson received amnesty for his role in the Schoons’ murder, among other crimes. For the friends and family of the Schoons – and for all those seeking social justice – this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa’s apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid.

A collection of Robert Sobukwe's political writings, speeches and court testimonies

There are several accounts of Robert Sobukwe’s courageous role in contesting South Africa’s system of apartheid and of his incarceration on Robben Island after the Anti-Pass Campaign that led to the tragic events of Sharpeville in March 1960. Far less attention has been paid to the years the leader of the Pan-Africanist Congress spent in Kimberley, between 1969–1978, after his release from the Island. Darkest Before Dawn, the follow-up to Lie on Your Wounds: The Prison Correspondence of Robert Mangaliso Sobukwe, captures the story of the post-prison years of Sobukwe’s life.

This latest compilation complete with a biographical narrative by the editors and enriched with images from Sobukwe’s life in this period of his life demonstrates the many challenges Sobukwe faced as well as his continued political resolve to fight for an end to apartheid. This is captured in the many meetings he had in spite of banning orders and letters he exchanged with friends and admirers, including the celebrated novelist Bessie Head whose letters to Sobukwe are published here for the first time. Sobukwe continued to meet political allies, such as Black Consciousness leader Steve Biko, he pursued a legal career and played host to international visitors. The portrait of Sobukwe that emerges is that of a highly ethical man, a figure of dignity and fortitude, and a wise elder whose commitment to the people of Africa and to the vision of Pan-Africanism who remained undeterred, despite his being forced to live, in his final years, under near impossible conditions.

To do justice to Sobukwe’s legacy, his intellectual contribution and his unfailing desire to pursue liberation for the African people, we need to view his biography against the backdrop of his words. Darkest Before Dawn includes a definitive collection of his political writings, speeches, unpublished court testimonies, interviews with Gail Gerhart and Joe Thloloe, and expansive annotations by the compilers. The book ends with a reflective essay which highlights the ongoing pertinence of Sobukwe's legacy.

Isidlamlilo / The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa’s first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women’s hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past.

Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile’s story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities – at times brutal, at times forgiving – of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments.

Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country’s haunted past and its present-day complexities.

Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.

Revisits the work of Rick Turner, a South African political theorist, and addresses contemporary debates

Rick Turner was a South African academic and anti-apartheid activist who rebelled against the apartheid state at the height of its power. For this he was assassinated in 1978, at just 32 years of age, but his life and work are testimony to the power of philosophical thinking for humans everywhere. Turner chose to live freely in an unfree time and argued for a non-racial, socialist future in a context where this seemed unimaginable.

This book takes seriously Rick Turner’s challenge that political theorising requires thinking in a utopian way. Turner’s seminal book The Eye of the Need: Towards a Participatory Democracy laid out some of his most potent ideas on a radically different political and economic system. His demand was that we work to escape the limiting ideas of the present, carefully design a just future based on shared human values, and act to make it a reality, both politically and in our daily lives.

The contributors to this volume engage critically with Turner’s work on race relations, his relationship with Steve Biko, his views on religion, education and gender oppression, his participatory model of democracy, and his critique of enduring forms of poverty and economic inequality. They show how, in his life and work, Turner modeled how we can dare to be free and how hope can return, as the future always remains open to human construction. This book makes an important contribution to contemporary thinking and activism where the need for South Africans to define their understanding of their greater common good is of crucial importance.

Accessing abortion services in rural areas under conditions of liberal abortion legislation is neither straightforward nor simple. As the South African example shows, the liberalisation of abortion legislation was the first step in granting pregnant persons access to abortion care. Despite this and some progress in implementation, many challenges persist resulting in a lack of services, especially in areas where distances and transport costs are a factor.

Drawing on the findings of a study conducted in three rural districts of the Eastern Cape, the authors highlight the complexities involved in understanding problematic or unwanted pregnancies and abortion services within these communities; the reported barriers to, and facilitators of, access to abortion services among rural populations; and preferences for types of abortion services.

A key finding is the conundrum of costs versus confidentiality: lack of confidentiality involves additional costs to access services outside the area; high costs mean that confidentiality may have to be foregone, which leads to stigma. The authors place the findings within a reparative reproductive justice framework and present a comprehensive set of recommendations.

Abortion Services and Reproductive Justice in Rural South Africa is an insightful and informative resource – the first of its kind – for scholars in health and sociology, reproductive health policy makers, national planners, health facility managers and providers, and activists.

Revisits the work of Rick Turner, a South African political theorist, and addresses contemporary debates

Rick Turner was a South African academic and anti-apartheid activist who rebelled against the apartheid state at the height of its power. For this he was assassinated in 1978, at just 32 years of age, but his life and work are testimony to the power of philosophical thinking for humans everywhere. Turner chose to live freely in an unfree time and argued for a non-racial, socialist future in a context where this seemed unimaginable.

This book takes seriously Rick Turner’s challenge that political theorising requires thinking in a utopian way. Turner’s seminal book The Eye of the Need: Towards a Participatory Democracy laid out some of his most potent ideas on a radically different political and economic system. His demand was that we work to escape the limiting ideas of the present, carefully design a just future based on shared human values, and act to make it a reality, both politically and in our daily lives.

The contributors to this volume engage critically with Turner’s work on race relations, his relationship with Steve Biko, his views on religion, education and gender oppression, his participatory model of democracy, and his critique of enduring forms of poverty and economic inequality. They show how, in his life and work, Turner modeled how we can dare to be free and how hope can return, as the future always remains open to human construction. This book makes an important contribution to contemporary thinking and activism where the need for South Africans to define their understanding of their greater common good is of crucial importance.

A history of the establishment and role of the National Institute for Communicable Diseases (NICD), the public health organization in South Africa

Fighting an Invisible Enemy narrates the founding in 2002 and growth of the internationally renowned centre of excellence for communicable diseases, the National Institute for Communicable Diseases (NICD) in South Africa. In a continent riven with a panoply of formidable contagious pathogens, the book describes how the nascent NICD travelled a rocky road to maturity. Starting humbly, as did many of its sister public health institutions around the world, the road was strewn with daunting obstacles of financial restrictions, bureaucratic straitjacketing, international isolation during the apartheid era and, in later years, the calumny of governmental AIDS denial. Following the triumph of the eradication of the once-dreaded smallpox, the NICD now plays a crucial role in the global effort to eradicate poliomyelitis. While the country has the misfortune of the largest HIV/AIDS pandemic in the world, the Institute’s HIV research unit has become a world leader. More remote from public notice are the laboratories and support epidemiologists carry out for ongoing surveillance of communicable diseases and the alerts they provide for any signal of an impending outbreak or pandemic. The Institute’s value to public health was clearly shown in the recent Covid-19 pandemic. The maxim that we are only safe when everyone everywhere is safe, underlines the importance of international partnerships and the key role the NICD plays, not only for the country but also for global health. This is a flagship organization in public health in South Africa and this book paints a vivid portrait of its incredible accomplishments.

South Africa is ready for a new vocabulary than can form the basis for a national consciousness which recognises racialised identities while affirming that, as human beings, we are much more than our racial, sexual, class, religious or national identities.
The Colour of Our Future makes a bold and ambitious contribution to the discourse on race. It addresses the tension between the promise of a post-racial society and the persistence of racialised identities in South Africa, which has historically played itself out in debates between the ‘I don’t see race’ of non-racialism and the ‘I’m proud to be black’ of black consciousness.
The chapters in this volume highlight the need for a race-transcendent vision that moves beyond ‘the festival of negatives’ embodied in concepts such as non-racialism, non-sexism, anti-colonialism and anti-apartheid. Steve Biko’s notion of a ‘joint culture’ is the scaffold on which this vision rests; it recognises that a race-transcendent society can only be built by acknowledging the constituent elements of South Africa’s EuroAfricanAsian heritage.
The distinguished authors in this volume have, over the past two decades, used the democratic space to insert into the public domain new conversations around the intersections of race and the economy, race and the state, race and the environment, race and ethnic difference, and race and higher education. Presented here is some of their most trenchant and yet still evolving thinking.

Inkondlo kaZulu (Zulu Poems), the first volume of poetry by B.W. Vilakazi, was first published in 1935. This was the first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series (published by the University of the Witwatersrand Press), a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi’s contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society.

The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi’s intellectual significance and his renown as the ‘father of Nguni literature’ at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice.

An annotated edition of a classic text by South Africa's first black psychologist, a collection of essays reflecting on what it meant to be black during the apartheid years

Being-Black-in-the-World, one of N. Chabani Manganyi’s first publications, was written in 1973 at a time of global socio-political change and renewed resistance to the brutality of apartheid rule and the emergence of Black Consciousness in the mid-1960s. Manganyi is one of South Africa’s most eminent intellectuals and an astute social and political observer. He has written widely on subjects relating to ethno-psychiatry, autobiography, black artists and race. In 2018 Manganyi’s memoir, Apartheid and the Making of a Black Psychologist was awarded the prestigious ASSAf (The Academy of Science of South Africa) Humanities Book Award. Publication of Being-Black-in-the-World was delayed until the young Manganyi had left the country to study at Yale University. His publishers feared that the apartheid censorship board and security forces would prohibit him from leaving the country, and perhaps even incarcerate him, for being a ‘radical revolutionary’. The book found a limited public circulation in South Africa due to this censorship and original copies were hard to come by.

This new edition is an invitation to a younger generation of citizens to engage with early decolonialising thought by an eminent South African intellectual. While the essays in this book are clearly situated in the material and social conditions of that time, they also have a timelessness that speaks to our contemporary concerns regarding black subjectivity, affectivity and corporeality, the persistence of a racial (and racist) order and the possibilities of a renewed de-colonial project. Each of these short essays can be read as self-contained reflections on what it meant to be black during the apartheid years. Manganyi is a master of understatement, and yet this does not stop him from making incisive political criticisms of black subjugation under apartheid. The essays will reward close study for anyone trying to make sense of black subjectivity and the persistence of white insensitivity to black suffering. Ahead of its time, the ideas in this book are an exemplary demonstration of what a thoroughgoing and rigorous de-colonial critique should entail. The re-publication of this classic text is enriched by the inclusion of a foreword and annotation by respected scholars Garth Stevens and Grahame Hayes respectively, and an afterword by public intellectual Njabulo S. Ndebele.

Shows how anti-Semitism has been distorted to serve the Israeli state

Good Jew, Bad Jew is a critique by one of South Africa’s foremost political theorists of mainstream understandings of Jewishness. Steven Friedman offers a searing analysis of the weaponisation of anti-Semitism in service of political objectives that support the Israeli state and global white supremacy. Looking specifically at the way in which language is used to shape identities, Friedman uses many examples to illustrate how anti-Semitism and anti-Semites are increasingly defined as anything and anyone that opposes the interests and policies of the Israeli state.

The use of anti-racist language to defend racial domination distorts not only the meaning of what it is to be Jewish, but sheds light on how all dogmatic nationalisms function. Friedman uses India and South Africa as examples, but the analysis applies across the world too.

Good Jew, Bad Jew does not offer a simplistic binary understanding of Jewishness and the actions of the Israeli state and ideology. It is a detailed, deeply researched and critical work that will appeal to both specialists and general readers looking for a considered view on how language shapes belief systems and how the powerful forces of racism and nationalism – and their opponents – are being misrepresented.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present. In this ground-breaking book, Mbuso Nkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that, for most Black South Africans, the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

What does it mean to be Black in an anti-Black world?

In Black X: Liberatory Thought in Azania, Tendayi Sithole offers a compelling example of how to engage South Africa differently. Set in the Black point of view as a site of critical reflection, he confronts the question of colonial conquest, social cohesion and justice. Since South Africa is a name given to the country by its conquerors, not by its indigenous inhabitants, for true liberation, a renaming needs to occur. The concept of Azania holds this emancipatory gesture.

The post conquest, post 1994 liberal narratives mute the prevalence of racism while valorizing non-racialism and the transcendence of race. To indicate this silencing, the book deploys the concept of X, both as a signifier of repression and dehumanization of the Black subject, and as an empty signifier that holds the opportunity for radical and compassionate rehumanization.

The book examines these strands of erasure and hope for the Black subject. Sithole scrutinizes the colonial contract, arguing that it is not a contract since there has never been an agreement between the indigenous people and the settler colonialists. This brings into focus the land question, specifically land dispossession and its existential connection to black life. The relevance of Black Consciousness to the Azanian existential tradition is based on Steve Biko’s case that Marxism ignores Black ontological misery through its valorization of class and failure to include anti-Black racism in its analysis of power. Finally, Sithole analyses Mabogo P. More’s philosophical meditations around what it means to be Black in an anti-Black world.

In erasing the idea of South Africa and inscribing an open-ended naming of X, the book opens the way for something new to take its place that is imbued with greater humanity. This gesture opens up the potential to think about liberation in this country that is yet to rename and redefine itself.

This book addresses urgent current debates on decolonisation by offering reimagined teaching and learning interventions for obtaining greater epistemic justice in the contemporary postcolonial university.

At a time when debates on decolonisation have gained urgency in academic, civic and public spaces, this interdisciplinary collection by authors based at the University of Cape Town, South Africa, serves as a valuable archive documenting and reflecting on a turbulent period in South African higher education. It is an important resource for academics looking to grasp debates on decoloniality both in South Africa, and in university and teaching spaces further afield. Calling for concerted and collaborative work towards greater epistemic justice across diverse disciplines, the book puts forward a new vision of the postcolonial university as one that enables excellent teaching and learning, undertaken in a spirit of critical consciousness and reciprocity.

In the period between the outbreak of World War II in 1939 and the enactment of university apartheid by the Nationalist Government in 1959, the University of the Witwatersrand, Johannesburg (Wits) developed as an ‘open university’, admitting students of all races. This, the second volume of the history of Wits by historian Bruce Murray, has as its central theme the process by which Wits became ‘open’, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government.



The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’



The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. Students feature prominently through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women. WITS: The ‘Open’ Years paints a vivid picture of the range of personalities who enlivened the campus – among them some well-known figures in the new South Africa.



The book includes chapters by Alf Stadler, who was Professor of Political Studies at Wits and the author of The Political Economy of Modern South Africa, and Jonty Winch, former Sports Officer at Wits and the author of Wits Sport.

An essential business guide on how to develop an organization's innovation culture and internal entrepreneurs (intrapreneurs)

The Intrapreneur’s Journey: Empowering Employees to Drive Growth is an essential guide on effectively creating and implementing a sustainable culture of innovation and entrepreneurship within organizations. The book is based on the insight that established organizations see continuous delivery of innovative products, services and processes when they enable teams of entrepreneurial employees to think and behave like start-ups.

Three qualities make this book unique. First, it explores the theory and practice of intrapreneurship and innovation with a particular, but not exclusive focus on key issues in African contexts. Second, it includes a large, diverse set of instructive examples and case studies of intrapreneurship and innovation in organizations in Africa. And third, it features a useful toolkit: the Intrapreneurship Empowerment Model, a simple yet complete implementation framework. The book includes key resources of practical, real-world tools and assets used by some of the world’s most intrapreneurial and innovative organizations.

The Intrapreneur’s Journey adds value for both practitioners and scholars of intrapreneurship and innovation in Africa and other parts of the world.

In South African higher education, the images of dysfunction are everywhere. Student protests. Violence. Police presence. Rubber or real bullets. Class disruptions. Burning tyres. Damaged buildings. Injury and sometimes death. Reports of wholesale corruption. Year after year, often in the same set of universities; the problem of routine instability seems insoluble.

The financial, academic and reputational costs of ongoing dysfunction are high, especially for those universities caught-up in the never-ending struggle to overcome apartheid legacies. Any number of explanations have been ventured, including a lack of resources, shortage of capacity, rural location, corrupt officials, and endemic conflict. Corrupted takes a deeper look at dysfunction in an attempt to unravel the root causes in a sample of South African universities.

At the heart of the problem lies the vexed issue of resources or, more pertinently, the relationship between resources and power: who gets what, and why? Whatever else it aspires to be—commonly, a place of teaching, learning, research and public duty—a university in an impoverished community is also a rich concentration of resources around which corrupt staff, students and those outside of campus all vie for access.

Taking a political economic approach, Jonathan Jansen describes the daily struggle for institutional resources and offers accessible, sensible insights. He argues that the problem won’t be solved through investments in ‘capacity building’ alone because the combination of institutional capacity and institutional integrity contributes to serial instability in universities. Rather, durable solutions would include the depoliticisation of university councils and appointments of academics with integrity and capacity to manage and lead these fragile institutions.

This groundbreaking and long overdue study will offer a promising way forward for universities to better serve their communities and the country more broadly.

A multidisciplinary analysis of how state capture unfolded in South Africa and was contested within both civil society and the state itself. It presents a scholarly and empirical understanding of how things went awry, even with various regulating bodies in place, and how to prevent state capture from happening again in the future.

The metaphor of ‘state capture’ has dominated South Africa’s political discourse in the post-Zuma presidency era. What is state capture and how does it manifest? Is it just another example of a newly independent, failed African state? And is it unique to South Africa?

The contributors in this collection try to explain the phenomenon from a variety of viewpoints and disciplines. All hold fast to the belief that the democracy that promised the country so much when apartheid ended has been significantly eroded, resulting in most citizens expressing a loss of hope for the future. Read together, the essays cumulatively show not only how state capture was enabled and who benefitted, but also how and by whom it was scrutinised and exposed in order to hold those in power accountable. The book aims to present a scholarly and empirical understanding of how things went awry, even with various regulating bodies in place, and how to prevent state capture from happening again in the future.