A very challenging subject like IB chemistry requires tremendous effort to understand fully and attain a high grade. ‘IB Chemistry Revision Guide’, written by one of the most experienced and respected chemistry teachers in the UK, simplifies the content and provides clear explanations for the material. 

Each chapter is separated into two-page spreads covering all the essential details in easy-to-follow sections. High level and Standard level material are clearly marked. Complicated calculations have worked out examples to help the student. Also included are ‘curveball’ examples of the sort of challenging questions IB examiners love.

The book explores the Gothic tradition in Swedish literature – including Swedish-language literature by Finland-Swedish writers. It aims to give an overview of the development of Swedish Gothic from the Romantic age until today, and to highlight the characteristic features of the Swedish tradition of Gothic in relation to transnational developments, in particular in relation to the Anglo-American tradition. By using a contextualising comparative perspective, it highlights the most prevalent and prominent feature of Swedish Gothic, the significance of the Nordic landscape, the wilderness and local folklore. In Swedish fiction, the Gothic castle is replaced by the wilderness, and the monster is representative of untamed nature and a barbaric past. The terror is not pointing to the medieval period but is located in pre-Christian, pagan times. Especially in today’s Gothic narratives, the presence of mythical creatures and nature beings, such as trolls, tomtes, or vittras, enhances the Gothic atmosphere. Another domestic trend since the mid-nineteenth century, which has become increasingly popular in the last decade, is Gothic crime stories, where the formula of a modern detective story is combined with a Gothic mystery plot. In these stories, supernatural creatures and the interference of paranormal powers constantly obstruct the modern crime investigation. Another predominant feature of Swedish Gothic that will be expanded on is its use of gendered and female monsters. In these kinds of narratives, Swedish writers and filmmakers manipulated the established Gothic conventions of female Gothic in order to make societal anxieties and gender issues visible.

Drawing on a theoretical framework of gender theory and intersectionality, mainly theories on gender, race and eco-criticism, in combination with a transnational perspective used in today’s comparative literature, the book explores the characteristics of Swedish Gothic. It analyses and contextualises a selection of individual narratives to explore in what way representative Swedish writers modify, transform and domesticize the established Gothic conventions. One chapter is devoted to the significance of the Nordic wilderness and the use of local folklore. Next chapter explores the dominance of gendered female monsters and in what way female and male writers adapt the Gothic elements and aesthetics to a Swedish context. The last chapter on Gothic crime expands on the use of Gothic modes and aesthetics to explore the working of the human mind in relation to crime, repressed collective memories, and cultural taboos. 

How did the court audience of 1606 respond to Shakespeare’s most disturbing tragedy? This engaging book provides in-depth discussion of the various influences a contemporary audience would have brought to interpreting ‘King Lear’. How did people think about the world, about God, about sin, about kings, about civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the 1600s to Lear’s world on the stage. Learn about the social hierarchy, gender relationships, parenting and family dynamics, court corruption, class tensions, the literary profile of the time, the concept of tragedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a disintegrating world in free fall.

How would a Jacobean audience have assessed the story of these two classical celebrities? Are Antony and Cleopatra simply tragic lovers, or is the play a condemnation of poor male government derailed by passion for an unreliable, self-interested woman? This book provides detailed discussion of the various influences that a Jacobean audience would have brought to interpreting the play. How did people think about the world, God, sin, kings, civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the 1600s to the Roman world on the stage. Learn about the social hierarchy, gender relationships, court corruption, class tensions, the literary profile of the time, the concept of tragedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a disintegrating world lost through passion and machination.

This book provides a critical examination of paid parental leave policies in Australia and compares them with those of similar member countries of the Organisation for Economic Co-operation and Development (OECD). While all OECD member countries, except the United States, guarantee some form of paid parental leave to mothers, the duration, benefits, job protection, and eligibility vary greatly. The substantial disparity in parental leave policies between Australia and other OECD countries raises questions about the effect of Australian policies on gender inequality in the workforce, women's workforce participation, and child and parental health.

The book presents two key recommendations for Australia's paid parental leave policies. The first recommendation is to extend the current paid parental leave to a total of 52 weeks for optimal child and maternal health, in line with the World Health Organization's recommendation. The second recommendation is to introduce an individual 15-week 'maternity leave' provision exclusive to mothers, bringing the overall duration of leave available to mothers to 52 weeks, which is approximately 70% of the provisions offered by the featured OECD countries. These reforms may be introduced in stages.

The book discusses the parental leave schemes of Germany, Canada and Sweden as points of reference for Australia because of their similar funding of paid parental leave through general taxation and their clear and succinct legislation regarding paid parental leave rights. The recommendations, if enacted, will foster Australian mothers' rights through a reconstructive feminist lens by celebrating women's differences with men and removing any disadvantage women may have in meeting masculinized social norms.

While the Australian government's 2021 announcement of an additional $1.7 billion investment in childcare will help mothers to return to work, it does little with regard to the government's parental leave scheme that places the onus for the care of the newborn or newly adopted child entirely on the mother, while failing to also provide paid parental leave for fathers. Moreover, while increased funding for childcare may help mothers return to work after the 18-week paid parental leave is over, such policy does not address the importance of raising the child at home with a parent for at least the first year of the child's life. The support of parents is instrumental in countries with an aging population and Australia is one such country. Overall, this book calls for urgent attention to be paid to parental leave policies in Australia to address issues of gender inequality, workforce participation, and child and parental health.

More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are representing the entire output of an era to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s?

For the most part, these films will be forgotten, and their makers with them. Wheeler Winston Dixon argues that even obvious historical markers such as Alfred Hitchcock’s “Psycho” (1960) represent shockingly unknown territory for the majority of today’s younger viewers; and yet once exposed to these films, they are enthralled by them. In the 1980s and 1990s, the more adventurous video stores served a vital function as annals of classic cinema. Today, those stores are gone and the days of this kind of browsing are over.

This collection of essays aims to highlight some of the lesser-known films of the past – the titles that are being pushed aside and forgotten in today’s oversaturation of the present. The work is divided into four sections, rehabilitating the films and filmmakers who have created some of the most memorable phantom visions of the past century, but who, for whatever reason, have not successfully made the jump into the contemporary consciousness.

Unlike many partisan accounts of the nineteen sixties this book aims to give a considered explanation of the context in which the sixties radical movements arose and, also, their significance from the standpoint of various nations' actors, often ignored by North American and West European standpoints. Secondly, it examines how the radical decade sowed the seeds of various liberation or 'rights movements' – initially in the West but also globally as movements became increasingly diffused. Contributors' varied international backgrounds and specialities provide expertise in examining the international context. Thirdly, many nineteen sixties' radicals' values and strategies recur in contemporary social movements; albeit in different technological and, post 9/11, political and cultural environments. Unravelling similarities and differences is a key theme. Fourthly, many participants in sixties radicalism saw it as 'cultural' as well as 'political' and in some historical treatments as primarily or 'only' cultural. Detailed examinations of this perspective involve critical discussion – particularly in the light of the allegedly 'mere' (i.e. apolitical) cultural hedonism and escapism of youth in the nineteen eighties and nineties. Contrarily, the contributions here assess resonances between the radical/libertarian emphasis on civil society 'freedoms' in sixties' cultural radicalism and, arguably, today’s more self-consciously political global human rights movement. The conclusion suggests that, in some senses, the sixties live on today in discursive and political themes.

Through contextual analysis and by reassessing the chronicle evidence, ‘King John: An Underrated King’ presents a compelling reevaluation of the reign of King John, England’s most maligned sovereign. With its thought-provoking analysis of the key issues of John’s reign, such as the loss of the French territories, British achievement, Magna Carta, relations with the church, and civil war, the volume presents an engaging argument for rehabilitating King John’s reputation. Each chapter features both narrative and contextual analysis, and is prefaced by a timeline outlining the key events of the period. The volume also contains an array of maps and diagrams, as well as a collection of useful study questions.

In this highly readable book, Doyle McCarthy covers some of the main ways that emotions have become important in our global societies. She explains that emotional culture is important for understanding today’s world, its markets, its politics and its mass media. To live today is to be emotionally intelligent in our relations and in our workplaces. In the modern age, global capitalism and mass media have shaped our emotions and made us more emotional. Public life has become a place where we search out emotional happenings: at shopping malls, concerts, sports events, memorials to death and disaster and in the pursuit of sports.

‘Ricardo’s Gauntlet’ advances a critique of the mainstream economic case for international free trade. While the core of the case for free trade is David Ricardo’s principle of comparative advantage, the book argues that this case relies on a cluster of interconnected and mutually enforcing ‘economic fictions’ – economic theories or doctrines that pretend to be fact but which upon examination turn out to be mirages. Exposing the layers of fiction nested in the subfields of mainstream economics empties comparative advantage of its persuasiveness, bringing down the case for free trade.

'Colonial Childhoods' is about the politics of childhood in India between the 1860s and the 1930s. It examines not only the redefinition of the 'child' in the cultural and intellectual climate of colonialism, but also the uses of the child, the parent and the family in colonizing and nationalizing projects. It investigates also the complications of transporting metropolitan discourses of childhood, adulthood and expertise across the lines of race. Focused on reformatories and laws for juvenile delinquents, and boarding schools for aristocratic children, it illuminates a vital area of conflict and accommodation in a colonial society.

‘Anthem Critical Thinking and Writing Skills: An Introductory Guide’ helps readers in the process of critical thinking and persuasive speaking and writing. The text discusses informal thinking, the formal processes of induction, deduction, and syllogistic reasoning, in a clear format that makes it easy for the 'beginning logician' to process. Students learn how to form a proposition, identify issues, gather evidence, and process an argument.

To get started, logic games, puzzles, and real life examples ask students to consider how we evaluate, analyze, and decide. What happens if Janie says, 'Mom, can I go to the party? All of my friends are going!' And Mom responds, 'What if all of your friends jumped off the empire State building?' Is 'all of my friends are going' a good reason? Does mom have a point? Language and logic will help students evaluate these everyday decisions. Then a more formal look at induction and deduction challenges students to practice higher-level thinking skills, such as using analogies for evaluation, and working through syllogisms to process ideas. After a review of the Greek Fallacies, readers can have some literary logic fun by analyzing old standards like 'Love is a Fallacy' and the persuasive love poem 'The Passionate Shepherd'.

May Alcott Nierike, Author and Advocate examines in-depth the writings on art and travel by the youngest sister of famed novelist Louisa May Alcott. Like other American women in the later nineteenth century, May was unable to receive the advanced training and exhibition opportunities in the USA that she needed to become a notable professional painter due to her gender. An additional obstacle for Alcott Nieriker was her family’s insecure financial status, making it difficult to travel or study abroad for training. Fortunately, following Louisa’s early publishing success, May was able to make three trips to London and Paris to immerse herself more fully in the art world, and eventually attained the prestigious honor of having two paintings accepted into the Paris Salon. However, the book argues that Alcott Nieriker’s main contributions to cultural history were not necessarily her artistic creations, but rather her publications on travel and art—specifically, four articles for the Boston Evening Transcript and an 1879 guidebook, Studying Art Abroad and How To Do It Cheaply. 

The book examines the art and travel writings of May Alcott Nieriker from three distinct but interrelated perspectives: (1) how Alcott Nieriker’s writings both relate to and yet stand apart from standard travel writing of the later nineteenth century; (2) how Alcott Nieriker’s travel writings smartly interweave art criticism and social as well as cultural advocacy, including her concerns about the lack of access to free museums in the USA; and (3) how Alcott Nieriker’s writings critique the social and cultural norms of the day in respect to equal opportunity for women artists, and in turn seek to empower women of modest means to navigate these obstacles and pursue careers as professional artists. In addition, the book provides more insight in general to the fields of nineteenth-century American art and art criticism, travel writing, gender studies, and American cultural studies. In sum, May Alcott Nieriker’s writings, a number of which are republished here for the first time since the 1870s, deserve further attention and interpretation because her texts give voice to critical social and cultural concerns of the nineteenth century, such as gender and class discrimination, that still resonate today.

The sound of a trumpet across a Japanese mountain valley leads a young man to befriend a mysterious stranger. During repeated visits to the cave where the stranger has set up home, the young man learns about his past – in the mines, villages and ports of the region. The stranger’s hilarious, bawdy and touching narratives captivate the young man, but he begins to doubt their veracity. Finally, as the young man decides his own fate, the full truth about the stranger is revealed.

‘Tales from a Mountain Cave’ is a translation of Hisashi Inoue’s highly popular ‘Shinshaku Tono Monogatari’ (新釈遠野物語), set in the Kamaishi area of Iwate Prefecture, Northeast Japan. Kamaishi was devastated by the tsunami of March 2011, and royalties on sales of this book will be donated to post-tsunami community support projects.

This fascinating book, based on extensive archival research in Britain and India, examines why mutineer-rebels chose to attack prisons and release prisoners, discusses the impact of the destruction of the jails on British penal policy in mainland India, considers the relationship between India and its penal settlements in Southeast Asia, re-examines Britain’s decision to settle the Andaman Islands as a penal colony in 1858, and re-evaluates the experiences of mutineer-rebel convicts there. As such this book makes an important contribution to histories of the mutiny-rebellion, British colonial South Asia, British expansion in the Indian Ocean and incarceration and transportation. Coinciding with the 150th anniversary of the mutiny-rebellion, this book will be of interest to academics and students researching the history of colonial India, the history of empire and expansion and the history of imprisonment and incarceration.

The book consists of a volume of essays in honor of the outstanding sociologist, Edward A. Tiryakian; whose work has spanned a considerable number of countries, regions and topics. He has been highly influential, particularly in American and French sociology.

The contributors include such luminaries as Alan Sica, Bryan Turner, George Ritzer, John Simpson, Piotr Sztompka, Hans Joas, Roland Robertson and John Torpey.

The contributions range across the numerous works of Tiryakian. These include his relationship with the great scholar Pitirim Sorokin, his existentialist sociology, metasociology, his contribution to modernization theory, his important work on civilizations, and his mediation between European and American sociology. Other contributions include chapters on global studies, Max Weber, multiple modernities and the axial age and the work of Robert Bellah on human evolution.

Democratization is a field where unexpected and sudden events have repeatedly challenged conventional wisdom. For example, who in the mid-1970s would have foreseen the democratization of Cambodia, Albania, South Africa or East Timor? Our current ‘wave’ of democratization is complex and diverse and understanding it requires a variety of theoretical approaches.

Most of the literature on democracy assumes that it is the best form of government. Theoretical works on democratic transition and democratization have also emphasized the internal conflict resolution capacity of democracy. It has been reasoned that democracy reduces the likelihood of discrimination, especially of ethno-political minorities, and thus the possibility of political repression. However, the democratic peace theory has not been explicitly tested with reference to third world post-colonial states, where most internal violent conflicts take place. Certainly, there is a dearth of practical advice for policy makers on how to design and implement democratic levers that can make internal peace and stability endure in the South.

This volume, drawing on the work of a variety of scholars, will contribute to identifying and understanding the challenges and opportunities of this ‘democratization project’ to the peace and development of the world both at the domestic level in selected countries, trends in regions of the world, and in the global system of the post-Cold War Era.

World trade and investment law is in crisis: new and progressive ideas are needed.

Rules that facilitated globalization and supported global economic growth are being challenged. A system of global governance that once seemed secure is now at risk as the US ignores the rules while developing countries struggle to escape restrictions. Some want to tear global institutions and agreements down while others try desperately to maintain the status quo. Rejecting both options, a group of trade and investment law experts from 10 countries, South and North, have joined hands to propose ideas for a new world trade and investment law that would maintain global growth while distributing costs and benefits more fairly. Paying special attention to those who have suffered from trade dislocation and to restrictions that have hampered innovative growth strategies in developing countries, they outline a progressive trade and investment law agenda in ‘World Trade and Investment Law Reimagined’ that includes new ways to link trade with protection for labour; measures to ensure that gains from trade are used to offset losses; new rules that can protect foreign investments without hamstringing developing governments or harming local communities; innovative procedures to allow developing countries the freedom to try innovative growth strategies; and methods to cope with new products.

How America was Tricked on Tax Policy explains how regular citizens were “tricked” by the outdated view of economists that much heavier taxation of labor rather than capital is economically justifiable. The truth is that workers pay their taxes while the rich pay very little.  Based on reputable sources of information, including the publications of the Organization for Economic Cooperation and Development (OECD), official statistics data, and the publications in high-ranked journals, the book paves the way for a new policy making process aimed to achieve more sustainable taxation and to increase the wellbeing of citizens as the main goal of any modern state policy. 

Dealing with critically important and underexplored topics in tax policy, the book challenges an enshrined dogma that is rarely challenged at the level of policy. In doing so, this book envisions policy changes that could be highly impactful in a new political administration. This book proposes that governments should look for not just corporate income tax rate reduction when announcing their tax reforms but should equally focus on the reduction of the overall tax burden on labor. The negative impact and high social cost of wage taxation is exemplified by the key areas of tax policy that are relevant for every wealthy state, such as taking due care of public health, investing in education and wellbeing of children, and supporting small business for the overall benefit to society. 

The book provides sound arguments that “labor” should essentially be treated as “human capital” and be given the same tax treatment as that of classically understood “capital”. This understanding is extremely relevant nowadays as we are facing the issues of digitalization, in general, and “robotization,” where a new type of labor, i.e., nonhuman labor, is entering the workforce. The book’s fresh novelty comes from its new approach to tax policy while addressing the issues relevant to the “digital” era such as taxation of artificial intelligence or “robots” that are currently partially substituting the human workforce. The book compellingly argues how tax policy could be improved by incorporating science and scientific methods.

This book explores possible reforms to improve the operation of the international extradition process. The book commences by outlining why international extradition requires reform based on its current operation. Whilst extradition is important for enabling transnational criminal justice and policing cooperation, its implementation is fraught with political problems, time delays, and issues that result from outdated legal and jurisdictional geographies. This is because extradition is enforced at the domestic level, rather than through genuine transnational legal processes. Domestic legal and political issues can create conflict between the nations involved and compromise the human rights of individual extraditees.
This book discusses these issues alongside the significance of globalisation, the dominance of territorial sovereignty in determining criminal jurisdiction, and the delicate balance between state rights, international cooperation, and individual protections, which are associated with extradition processes. This range of issues demonstrates how the normative assumptions behind extradition ensure these processes are likely to prioritise the interests of comity between nation states, rather than the rights of individuals. The limited availability of judicial relief for extraditees reflects how state rights are prioritised, with the law implementing high thresholds needed to establish proof human rights violations will occur if a person is surrendered. Further technical issues, such as the rule of non-inquiry, restrictive evidence options, and judicial deference to the executive, also compromise fairness in extradition cases. This combination of issues are the driving force behind the book’s argument regarding the need for global reform of the extradition process.
The book uses several case studies to demonstrate these key problems. These include the high-profile cases involving Julian Assange and Kim Dotcom, as well as lesser-known cases involving Hassan Diab, Daniel Snedden, Dorin Savu, and Elias Perez. These examples span multiple jurisdictions and highlight the common problem that judicial decision-making prioritises international comity by favouring surrender of the extraditee over individual elements, such as mental health and a high risk of suicide if surrender is ordered. These examples also illustrate how questions of governmental overreach, the role of transnational digital communication systems in the commission of offshore offences, and the operation of complex rules of evidence, can lead to prejudicial trials, as well as broader problems with the extradition process that undermine procedural fairness, refugee rights, and other potential violations of international human rights reqirements. This combination of factors provides an important opportunity to reform extradition law and procedure.
The book argues that developing a defendant-centred approach is the overarching lens for examining extradition reform to prioritise fairness as a core value for promoting global justice. This includes introducing a more harmonised approach for transnational justice administration that contains clear protections for individuals by limiting established extradition rules. The book argues, for example, against the application of the rule of non-inquiry to enable greater post-extradition monitoring of people who are surrendered, while widening the capacity for extraditees to submit evidence to support a claim against surrender. Reform can also involve the development of new and more viable alternatives to the physical transfer of the extraditee, such as transferring evidence to shift a subsequent criminal trial to the location where most of the alleged offending activity occurred, and sentencing in the extraditee’s home jurisdiction. These reform proposals intentionally challenge the established assumptions of extradition and adjust the unequal levels of authority that favour the power of the state over the rights of the individual.

This book is a result of a ten-year follow-up to Telling Stories from Political Violence: A Filmmaker’s Journey (2012). It Stays with You: Use of Force by UN Peacekeepers in Haiti (2018) addresses the impact of the use of lethal force in raids by the UN peacekeeping mission (MINUSTAH) on the marginalized neighborhood of BoisNeuf, in Port-au-Prince, that left scores of civilians dead, many more injured, and domestic properties destroyed. Right Now I Want to Scream: Police and Army Killings in Rio -the Brazil Haiti Connection (2020) continues the issue of the use of lethal force in the increasing militarisation of security operations by authorities on civilians. In 2022, the final film in the trilogy We Never Give Up was producedon living with the legacy of apartheid violence in South Africa. Produced by the Human Rights Media Centre in Cape Town, the trilogy tells the stories of those from a variety of backgrounds – torture victims, displacement, assassination attempts – over a period of 20 years. Finally, the Prison’s Memory Archive is a collection of memories from the prisons during the political conflict known as the Troubles in the north of Ireland.

 In societies emerging out of, or still addressing, political violence, the need to create platforms for survivors to tell their stories as a form of public acknowledgement and personal healing is well documented. Some societies have created official forms, e.g. the Truth and Reconciliation Commission in South Africa, while others rely on community, or bottom-up, initiatives, e.g. Accounts of the Conflict in Ireland. Each society, each community, and each project is contingent on the nature of the violence and the needs of the communities who have suffered. The use of documentary film, or audiovisual recording, is one such method of creating a platform for such purposes. The role of participatory practices is an important element in how such filmmaking might address issues of trauma, memory, and injustice.

This brilliant, vivid and impressionistic series of sketches, formed during her 1892 stay in Persia, is Gertrude Bell's first published work. Infused with a distinctive orientalism, 'Persian Pictures' is an evocative, virtuosic meditation, moving sinuously between Persia's heroic, complex, mythical past and its present decline; the public face of Tehran and the otherworldly 'secret, mysterious life of the East', the lives of its women, its enclosed, quasi-medieval gardens; from the bustling cities to the lonely wastelands of Khorasan. Bell's documentation of Muharram – the month of mourning for Imam Hussein, the grandson of the Prophet Mohammed – and Ramadan, display a mind finely attuned to the differences and similarities between Islam and Christianity, East and West. 'Persian Pictures' is both travelogue and meditation, an elegiac and beautifully observed account of a spellbinding land.

‘The Complete Guide to Business School Presenting: What your professors don't tell you... What you absolutely must know’ reveals the secret expectations harbored by business school professors when viewing your presentations. Offering a competitive advantage to anyone interested in a career in business, this award-winning guide provides a truly unique means of developing powerful presentation skills.

The guide identifies the seven verities of speaking that form the bedrock of superior presenting in the twenty-first century, and which imbue any speaker with power, energy and confidence: stance, voice, gesture, expression, movement, appearance and passion. These presentation techniques can transform a person’s professional life, ignite the potential for landing a higher position, and distinguish a business student from the vast majority of their competitors – all by correlating directly with the inherent values of corporate America.

The book also discusses the utility of business analysis tools, such as “SWOT,” “PEST,” “value chain analysis” and Porter’s “Five Forces,” and demonstrates how to work seamlessly and effectively with PowerPoint to deliver concise and persuasive presentations. It also addresses the innate challenges of working as a group and preparing group presentations – a requirement of all business students and a highly sought-after skill amongst corporate recruiters. In addition, a section on preparing for case competitions – a major rite of passage for business majors and MBAs – is included. The result is a masterpiece of business school wisdom and practicality.

Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts is a wildly satiric send-up of the 1960s/1970s Soviet show-trials by one of the most famous Soviet dissidents, who was also sometimes called 20th Century Russia’s ‘greatest living satirist.’ Based upon his reaction to the Sinyavski/Daniel trial in 1966, which caused him to begin to write scathingly critical letters to Premier Leonid Brezhnev and the Soviet Writer’s Union and finally resulted in his expulsion from the Soviet Union in 1981, Voinovich’s Tribunal is a monument to the Soviet dissidents of the Cold War period and a sardonic critique of the censorship and persecution of dissident writers everywhere. Following in the classical tradition of the theatre of the absurd that stretches from Aristophanes to Sartre, Frisch, and Havel, Voinovich’s comedy describes the black humoresque high jinks and wildly outrageous shenanigans that dizzily unfold when an unsuspecting couple of Soviet citizens, Senya and Larissa Suspectnikoff, clutching their free tickets in their innocent hands, walk into a crowded theatre, expecting to watch a Chekhovian comedy, only to become caught up in the sinister machinations of this Soviet criminal tribunal and its madcap version of the Moscow show trials. 

When The Suspectnikoffs arrive at the theater, they are surprised to find that the stage-sets for this curious theatrical production strangely resemble the precincts of a Soviet criminal justice tribunal, complete with tables and benches for The Prosecutor and The Public Defender and a wild beast-cage for The Defendant. There is also a Greek statue of The Goddess of Justice, Themis, who holds in her outstretched hand the wavering scales of Soviet justice, with on one pan, a hammer-&-sickle, and on the other, a Kalashnikoff. After a few uneasy moments while the stagehands put the props in place, The Bard strolls on stage and strums a few tunes on his guitar, in the futile attempt to set the audience at ease. But from outside the theater come the frightening sounds of screaming police-sirens and the flashing red-and-blue lights of an automobile cortege rushing past at great speeds; and when the hysterical rush of the speeding automobiles has passed, The Tribunal Members (The Chairman, The Secretary, and The Prosecutor, et al.) appear from the wings, strutting onstage in a burlesque chorus-line to the accompaniment of thunderous canned applause. And after this chorus-line of Communist Party bureaucrats has taken their places in the theater, the spectators are chilled to watch as black-clad security-police with submachine-guns appear at the theater-doors, blocking all the exits; and they discover, to their dismay, that they have become the captive audience in a mock-up version of a Stalinist show-trial. And so the third wall falls on this courtly theater, blurring the distinction between fiction and fact, falsehood and truth, nightmare and reality, as Voinovich describes the plight of Soviet citizens held hostage in the strange atmosphere of delirium and unreality that was characteristic of the declining and falling Soviet Union during stagnant chill of the 1970s Brezhnev years.

After a few more uneasy moments, Larissa stands up and whispers: “Senya, I don’t understand what’s going on here! Why are there so many people with guns?” To which Senya replies: “Oh, calm down, Lara! Why are you so nervous? It’s just a show!” The Suspectnikoffs do not realize that by questioning this sinister tribunal, they are destined to become the defendants in a Soviet show-trial. But the show-trial must go on! And as The Chairman says, “Where there’s a show-trial, you know, we need somebody to try!” Senya protests his innocence and attempts to get away. But protestations of innocence have no bearing on these proceedings. And by the end of Act I Scene 1, Senya has been arrested and placed in the defendant’s cage, while his faithful wife, Larissa, still stands behind her man, pleading for his release without quite believing in either his guilt or his innocence. And so Vladimir Voinovich’s Tribunal: A Courtly Comedy in Three Acts also goes on, wavering dizzily between the extremes of sardonic comic bathos and seriocomic tragedy, until Suspectnikoff finally becomes a world-famous dissident, calling upon the world’s leaders of to rise to his defense and inspiring protest movements in the Western democracies. But is Suspectnikoff to be admired for his heroic posturing? Or has he simply submitted to the pressures of the Western media to play the stereotyped role of The Soviet Dissident, who then becomes a pawn in the sinister spy-games of the Cold War superpower standoff between the U.S. and the U.S.S.R? The staggering climax of this absurdist melodrama leaves these difficult questions suspended in doubt as Suspectnikoff is dragged offstage and the stage-curtain falls on the whole cast of characters and the no-longer-innocent spectators of Tribunal: A Courtly Comedy in Three Acts.

Techno-economic paradigm shifts are at the core of general, innovation-based theory of economic and societal development as conceived by Carlota Perez. Her book on the subject, ‘Technological Revolutions and Financial Capital’, is a seminal enunciation of the theory, and has had immense influence on business strategy, state development programs and policy, and academic thinking on the subject.

‘Techno-Economic Paradigms’ presents a series of essays by the leading academics in the field discussing the theory of techno-economic paradigm shifts, and its role in explaining processes of innovation and development. This festschrift honours Carlota Perez, the founder of the theory 'techno-economic paradigm shifts'.

This book explores the history of hypertext, an influential concept that forms the underlying structure of the World Wide Web and innumerable software applications. Barnet combines an analysis of contemporary literature with her exclusive interviews with those at the forefront of the hypertext innovation. She tells both the human and the technological story, tracing its path back to an analogue device imagined by Vannevar Bush in 1945, before modern computing had happened.

‘Memory Machines’ offers an expansive record of hypertext over the last 60 years, pinpointing the major breakthroughs and fundamental flaws in its evolution. Barnet argues that some of the earliest hypertext systems were more richly connected and in some respects more flexible than the Web; this is also a fascinating account of the paths not taken.

Barnet ends the journey through computing history at the birth of mass domesticated hypertext, at the point that it grew out of the university labs and into the Web. And yet she suggests that hypertext may not have completed its evolutionary story, and may still have the capacity to become something different, something much better than it is today.

The themes dealt with here include some of the most pressing issues for the Chinese and those who interact with China: the impact of China’s development on the world economic system and on its environment, the likely future stability of China, the very existence of a unified China and the fault lines along which this entity might break apart in the years ahead, and an assessment of the future of the one-party system and what might replace it. Jonathan Fenby’s enlightening foreword perfectly frames this engaging and timely exploration of one of the world’s most fascinating cultures.

Ambitious measures to reduce carbon emissions are all too rare in reality, impeded by economic and political concerns rather than technological advances. In this collection of essays, Frank Ackerman and Elizabeth A. Stanton show that the impact of inaction on climate change will be far worse than the cost of ambitious climate policies.

After setting out the basic principles which must shape contemporary climate economics, Ackerman and Stanton consider common flaws in climate change policy – from mistaken assumptions that dismiss the welfare of future generations and anticipate little or no growth in low-income countries, to unrealistic projections of climate damages that dismiss catastrophic risks – and offer their own insightful remedies. They question the usefulness of conventional integrated assessment models (IAMs) that model the long-term interaction between economic growth and climate change, and propose an alternative in their Climate and Regional Economics and Development (CRED) model.

In this incisive work, Stanton and Ackerman offer a timely and original contribution to the fields of climate economics and global equity.

Communication and Colonialism in Eastern India: Bihar, 1760s–1880s' departs from the dominant scholarship in South Asian history that focuses narrowly on railways, and instead argues that any discussion of railway-generated changes needs to see such changes, at least up to the 1880s, as situated amidst existing patterns and networks of circulation within which roads and ferries were crucial. The volume also offers a detailed exploration of early colonial policies on road building and ferry improvement – an area that has hitherto remained unexplored.

Just as the new development of steam technology required and necessitated ‘lateral growth’ alongside the older technologies, so too were trade linkages marked by the interconnectedness of local and supra-local ties in which the world of peddlers intersected with that of native merchants and capitalist sahibs. This volume contends that the history of colonial communication is not a story of ‘displacement’ alone – either of one means by another or of one group by another – but also of realignment. Combining the understanding of production of knowledge about routes with the ways the practice of surveying and mapping led to territorial construction of the national space of India, this book reinterprets the ‘colonial state–space’ as constituting a series of layered components, both of ‘inherited spaces and networks’ from pre-colonial times and of the processes of objectification that colonial rule initiated.

The aim of this volume is to contribute to the ‘history of social spaces’, a new field of study in which neither cultural nor economic discourse is overridden by the other. This is achieved via a micro-historical study of local circulatory regimes, together with an exploration of colonial and imperial cultural discourses on communications.

Weighing up the costs and benefits of economic interdependence in a finance-driven world from a development perspective, this book argues that globalization, understood and promoted as absolute freedom for all forms of capital, has been oversold to the Global South, and that the South should be as selective about globalization as the North, rebalance domestic and external sources of growth, and better manage integration into unstable international finance.

‘Liberalization, Financial Instability and Economic Development’ brings together a range of essays from Yılmaz Akyüz’s recent work, refuting the myth that emerging economies have now successfully decoupled from the North and have become new engines of growth. The book challenges the orthodoxy on the link between financial deepening and economic growth, as well as the relationship between the efficiency of financial markets and the benefits of liberalization. Rather, Akyüz’s work urges developing countries to use all possible tools to control capital flows and asset bubbles in order to prevent financial fragility and crises, and recommends regional policy options while recognizing the challenges posed by the institutional structures already in place.

‘Friends and Enemies’ delivers a lucid and provocative history of one of the world’s largest and most successful political organizations, the Chinese Communist Party (CCP). Grounding his account in the origins of the CCP, Brown charts its early struggles and the emergence of the leadership of Mao Zedong in the 1930s, before unravelling the role of the Party during the Second World War and the vicious internecine struggle that culminated in the CCP’s ascent to power in 1949.

The narrative tackles the successes and failures of the CCP in the post-war era, analysing this chequered period with a close eye to the internal machinations of the Party, and then boldly considers the prospects of the CCP in the future. Brown produces a forthright analysis of where the Party stands in the 21st century, and assesses its three greatest challenges – energy, the environment and the economy – before culminating in a discussion of the potential for democratic reform and the risks the Party faces while it attempts to become a modern party in charge of a globally important economy.

‘Friends and Enemies’ is based on a combination of research and Brown’s own experiences as a business person and diplomat in China, where he lived for seven years. It has also benefited from the input of analysts of the Party from the UK and US, and from talks with Party officials at senior and working level in China.

This annotated bibliography of nineteenth-century British periodicals, complete with a detailed subject index, reveals how Victorian commentaries on journalism shaped the discourse on the origins and contemporary character of the domestic, imperial and foreign press. Drawn from a wide range of publications that represent diverse political, economic, religious, social and literary views, this book contains over 4,500 entries, and features extracts from over 40 nineteenth-century periodicals.

The featured articles discuss both the prior and the contemporary press, from annuals to dailies, and examine topics such as circulation, content, audience and personnel. These nineteenth-century commentaries offer both a thorough and influential analysis of their journalistic milieu, presenting statistics on sales and descriptions of advertising, passing judgment on space allocations, pinpointing different readerships, and identifying individuals who engaged with the press either exclusively or occasionally.

The essays also examine the impact of outside forces – including technology, taxation, capitalism and compulsory education – whilst assessments of the press abroad add the further considerations of geography, ethnicity, resources and restraints to the collective analysis. Most importantly, the bibliography demonstrates that columnists routinely articulated ideas about the purpose of the press, yet rarely recognized the illogic of prioritizing public good and private profit simultaneously. The volume thus highlights implicitly a universal characteristic of journalism: its fractious, ambiguous, conflicting behavior – an endemic trait that appears to have survived well into the twenty-first century.

‘The Learning Economy and the Economics of Hope’ brings together contributions by an expert on policies, management and economics of innovation and knowledge. It offers original insights in processes of innovation and learning and it draws implications for economic theory and public policy. It introduces the reader to important concepts such as innovation systems and the learning economy. It throws a new light on economic development and opens up for a new kind of economics – the economics of hope. It offers a fresh perspective on many of the most important global challenges of today showing how full attention to the characteristics of the learning economy needs to be combined with innovation in global governance if we want to be able to handle these challenges.

‘The Learning Economy and the Economics of Hope’ presents work published between 1985 and 1992 and introduces the core concepts innovation as an interactive process. The analysis demonstrates that new technology is developed in an interaction between individuals and organisations and that innovation would not thrive in an economy similar to textbook models of pure markets and perfect competition. It also presents articles that were published between 2004 and 2010. These may be seen as further developments and evidence-based consolidation of ideas that were presented more than ten years earlier. It presents the learning economy through the perspective of the economics of knowledge. The concluding part of the book includes three papers that make use of the conceptual frameworks developed in an analysis of China’s innovation system and policy, Europe’s crisis and Africa’s underdevelopment.

A war correspondent's breathtaking account of early twentieth-century wars, including the Greek-Turkish War (1897) and the Spanish-American War (1898). These events have fallen into relative obscurity, following the two World Wars, yet remain important forces shaping modern politics. ‘Moments in Hell’ reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides an enlightening background to recent conflicts. Harding Davis was a dashingly fashionable figure in turn-of-the-century New York, and cited as the inspiration for the 'Gibson man' – fitting the adventurous image of the journalist popular in film and literature. While his accounts highlight the brutality and inhumanity of war, they are riveting pieces of reportage. Harding Davis makes it clear that these moments in hell can make heroes and villains of us all.

This guide is a unique resource for art lovers and tourists alike. Selected on the basis of international reputation, architectural appeal, historical and cultural significance and the quality of the collections, Europe’s foremost art galleries and museums are presented here in a comprehensive, accessible and attractive collection.

Beautifully illustrated throughout, offering concise venue descriptions, directions and historical information, ‘Anthem Guide to the Art Galleries and Museums of Europe’ is essential reading for holidaymakers with a passion for culture. The Guide also features up-to-date information on everything from ticket prices to special events and from dining opportunities to disabled access, this helpful guide caters for a variety of enthusiasts – from serious collectors to students on a budget.

Focusing specifically on the poetic construction of India, ‘Mapping the Nation’ offers a broad selection of poetry written by Indians in English during the period 1870–1920. Centering upon the “mapping” of India – both as a regional location and as a poetic ideal – this unique anthology presents poetry from various geographical nodal points of the subcontinent, as well as that written in the imperial metropole of England.

The anthology’s selection defines India in various ways: as being against Britain in loyalty and/or critique; in “exile” in or through memories of England; through a reconstructed past; through satirical or earnest depictions of her contemporary politics; through depictions of the subcontinent’s landscape and scenery; through her various regions and their inhabitants, customs, cultures and religions; or through odes to British and Indian literary figures and politicians. This rich bounty of content is complemented by an equally detailed array of auxiliary notes, including annotations and appendices of poets’ prefaces, assessments of other contemporaries, and a collection of formerly lost archive material.

As becomes evident, the diversity of India’s imagining by her poets during this period corresponds to the diversity of her inhabitants and geography. In grouping its poetry according to region of publication, this anthology makes a structural innovation that negotiates the politics of locality, nation and empire by acknowledging the importance of all three terms in constructing an Indian national and cultural identity during the late nineteenth and early twentieth centuries.

‘Travellers to the Middle East from Burkhardt to Thesiger’ is a compendious anthology of travellers' writings produced during the high tide of Britain’s involvement in the Middle East. The anthology contains extracts from many of the canonical travel texts of the period, including passages by T. E. Lawrence, Gertrude Bell and Robert Byron, as well as many more extracts from both female and male writers. The anthology is also enlivened by the broad geographical span covered, including descriptions of territories in the Ottoman Empire, Egypt, Arabia and Persia.

Geoffrey Nash’s introduction, notes and background material provide specialist historical analysis and biographical information informed by critical and theoretical perspectives relevant to the genre of travel writing. This anthology will satisfy the growing interest in the study of travel writing, in addition to offering the general reader valuable insights into British perceptions of the Middle East.

Shots to the Heart explores how the work of the film actor inspires, provokes, and refigures our feelings and thoughts about the cinema. The book closely considers the art of film performance, the combined effect of actors’ gestures, movements, and expressions, in relation to the viewer’s sensitive and creative eye. As discrete moments of performative incarnation onscreen slowly accumulate, actors also become figures of meaning. For many viewers, the screen figures which result from performance are simply called “characters.” But in thinking about cinema, the words “character” and “characterization” signal post-experiential abstractions: when we quickly identify characters or summarize characterization after seeing a movie, we are leaping over the emotions felt through our loving attention to the bodies flitting through a film. Such concepts can never replace a careful regard for what actors onscreen are actually doing, moment by moment, gesture by gesture. Shots to the Heart is finally not too concerned with the narrative machinations within which these gestures are inscribed, and even resists the attempt to assemble these descriptions of performance into a “full” account of the film as a whole. What Shots to the Heart does is let little moments of performance live on, in writing, as they are strung together alongside performative fragments from other films, in a kind of alternative, cinephilic account of what was felt as actors moved on the screen before us.

This book explores the philosophy of economic forecasting under uncertainty. In economics the extreme events are difficult and often impossible to predict, especially when leaning upon the past only. Events can be approximately evaluated, as they may be sudden and erratic. The presentation of programs for years ahead is of little value because the uncertainty intervals expand when economic volatility increases, forming uncertainty bands. This book presents the effect of an expanding uncertainty band.

This book reasons that the economic system has sensitivity thresholds - critical states of economic processes at which they significantly alter their characteristics. In those critical states, economic phase transitions may occur. A slowdown in economic growth, especially a tangible recession, can result in negative qualitative changes in the economy, which can have a long-term impact. As in medicine, in economics, the diagnosis must not be rigid and permanent. Vital indicators could and will change throughout therapy. A rigid forecast resulting in an attempt to ensure the rigid stability of indicators is dangerous and fraught with irreparable economic losses.

To solve the issue of inflexible programs, this book presents the minimal uncertainty interval. This method is to open a logical path from the predicament of explaining its quantitatively precise indefinability of the indicators. The aim is to contribute to the flexible and realistic concept about possible dynamics of economic processes with interval forecasts and probabilistic evaluations of those events’ outcomes. It is indicated that exiting the allowable intervals of regulatory indicators contributes to the emergence of economic diseases. This book tries to explore and systematize economic diseases, presents the factors that affect forecast efficiency, and makes the forecast satisfactory. Based on the systematization of the conducted research, this book formulates the ten principles of forecasting, which are necessary for forecasting the economic processes and decision-making under uncertainty.

This book addresses several important questions in the fields of modern, comparative, and world literatures. At a time in which “weak theory” and transnationalism are becoming increasingly pressing topics, the volume considers the utility of philosophical logic, literary worlds, and analytic Asian Philosophy to understand world literature. In doing so, it investigates the ways in which Chinese, English, French, and Japanese writers eager to tackle the challenges of modernity gazed both across the Eurasian landmass and back in time to their own traditions.

Transnationalism and Translation in Modern Chinese, English French, and Japanese Literatures contends that world literature consists of many smaller literary worlds that are founded upon and made to conform with the deep-level ontological assumptions of their native tradition. The translation of texts across times and cultures introduces new logical possibilities to literary traditions and the writers who sustain them. Yet each translation also amounts to the creation of a new literary world, in which the ontological assumptions of the original are made to cohere according to the possibilities afforded by the culture into which the text is translated. This clash of ontologies, often overlooked in world literary studies, forms the basis of modern translational literature.

This book presents four comparative case studies. It begins with Ted Hughes’ and Chou-wen Chung’s attempt to make the Bardo Thödol express the desires of an expatriate American-Chinese composer and a rising English poet in the 1950s; passes by Paul Claudel’s and Mishima Yukio’s mid-century adaptations of medieval Nō theatre; looks at Claudel’s and Kuki Shūzō’s efforts to make the poetry of the Kokin Wakashū and premodern Japan accord with the experience of being an expatriate in 1920s Tokyo and Paris; and finishes with Hughes’ and Bei Dao’s endeavours to place themselves as heirs to the traditions of both China and Europe. It is these fortuitous but often ignored points of contact between East and West, ancient and modern, that exemplify the challenges and possibilities of transnationalism, allowing for an innovative new way of comprehending the multidirectional flow of world literature.