Anthem Press

This broad-ranging monograph examines the potential creation, through the arts and culture, of societies that enjoy sustainable, positive peace. It begins with a critique of the pervasive nature of militarism and violence embedded deep in the cultural fabric of many societies, influencing the language and discourses we use, the films we watch, our museums and histories, our journalism, and our education systems. It also examines the roots of violence in our parenting styles, gender roles, and spiritual practices.

It contrasts this with an examination of a number of peaceful societies that already exist, drawing useful lessons from their cultures. It critiques discrepancies in history education with regard to war and peace and examines artistic and cultural processes, institutions, and artifacts designed to create peace, such as peace museums and parks, peace journalism, peace education, and resistance to violence through cultural means, such as film-making, fine arts, satirical theatre, and protest music. It examines the efficacy of these attempts and suggests positive ways forward. It also explores the role of gender in creating cultures of peace and the impacts on peacebuilding of cultivating peace within.

The book commences with an explanation of cultural violence and its underpinning of direct, structural, and ecological violence. Solutions-oriented and optimistic, each chapter begins with a critique of cultural violence in the subject area before moving to examples of positive cultural currents striving to embed sustainable peace deep within societies. It aims to inspire deep understanding, individual reflection, community empowerment, and grassroots action for peace in cultural spheres.

‘Food Insecurity and Revolution in the Middle East and North Africa’ studies the political economy of agrarian transformation in the Middle East and North Africa. Examining Egypt and Tunisia in detail as case studies, it critiques the dominant tropes of food security offered by the international financial institutions and promotes the importance of small-scale family farming in developing sustainable food sovereignty. Egypt and Tunisia are located in the context of the broader Middle East and broader processes of war, environmental transformation and economic reform.

The book contributes to uncovering the historical backdrop and contemporary pressures in the Middle East and North Africa (MENA) for the uprisings of 2010 and 2011. It also explores the continued failure of post-uprising counter-revolutionary governments to directly address issues of rural development that put the position and role of small farmers centre stage.

‘Food Insecurity and Revolution in the Middle East and North Africa’ uniquely presents a political economy of agrarian transformation in the MENA region by problematising the persistent politicisation of food and rural (under)development exemplified in the case studies of Egypt and Tunisia. These cases highlight the ways in which de-development has led to the persistent impoverishment of the countryside and its uneven consequences for the ways it reproduced power, politics and inequality. The political economy of food in the region is played out in the broader complex of global food regimes and their contestation by counter-hegemonic initiatives for food sovereignty.

This volume is a brief anthology of the most influential writing by American scientists between 1800 and 1900. Arranged thematically and chronologically to highlight the movement of American science throughout the nineteenth century, from its beginnings in self-taught classification and exploration to the movement towards university education and specialization, this anthology is the first of its kind. Biographies front each section, putting human faces to each time period, and the anthology includes such notable names as Thomas Jefferson and Louis Agassiz. 

A wide-ranging collection of concise essays, ‘Past Forward’ introduces core features of Korean history that illuminate current issues and pressing concerns, including recent political upheavals, social developments and cultural shifts. Adapted from Kyung Moon Hwang’s regular columns in the ‘Korea Times’ of Seoul, the essays forward interpretative points concerning historical debates and controversies in order to generate thinking about the ongoing impact of the past on the present, and vice versa: how Korea’s present circumstances reflect and shape the evolving understanding of its past. In taking the reader on a compelling journey through history, ‘Past Forward’ paints a distinctive, fascinating portrait of Korea and Koreans both yesterday and today.

Containing both extensive chronological and subject tables of contents, the essays are grouped into themes demonstrating a particular facet of the recurring connections between the past and the present. In addition, the book contains a timeline of contents that situates the essays in chronological context and a subject index. While all the self-contained essays introduce particular facets of Korean history and society, they are free of jargon and written for the general reader.

Seattle is one of the most politically progressive and economically dynamic cities in the contemporary United States, popularly known as the ‘Emerald City’ for its natural setting and environmental politics. This book explores a range of political, policy, and project efforts in Seattle and the wider region to mitigate and adapt to the formidable reality of global climate change. Developing a framework suggested originally by the Urban Climate Change Research Network, the book’s core analysis considers both tantalizing progress and tangible problems in Seattle’s climate action initiatives so far. The narrative explores how Seattle is integrating carbon mitigation with adaptation; advancing climate action networks; co-generating risk information; coordinating disaster risk reduction with climate change adaptation; and, most importantly, focusing on historically and geographically disadvantaged populations. 

Linking together past, present, and future, Climate Change and the Future of Seattle argues that Seattle in the 2020s is less an ‘Emerald City’ than an ‘Elite Emerald’. Income inequalities have grown while gentrification pressures have increased. Class structures have steadily shifted upwards, leaving the working poor and homeless especially vulnerable to climate change. Profoundly uncomfortable with this contradiction, local climate change efforts are shaped by mounting political concerns not only with mitigation-adaptation commitments and risk aversion policies to manage rising sea levels, warmer temperatures and more variable rainfall patterns, but also with reshaping a metropolitan space-economy that too often favors and consistently rewards the high-tech “cognitariat” over middle- and low-income households and communities of color. 

Ultimately, Seattle cannot become post-carbon if it is not also post-polarized, resilient if not also just. The lessons that Seattle learns in pursuit of more inclusive climate action will thus be of abiding interest to cities and metropolitan regions across the United States and all around the world.

The twentieth century holds many titles that emphasize the extraordinary. It was a century of totalitarianism, but also one of betrayal, an age of extremes and the incomprehensible. Betrayed, that is, at the mercy of unrestrained violence, were not only the people themselves, but also, as it were, the idea of the human being. For up to a certain point, one could weigh oneself in an unfounded security of an inner connection between people. As is well known, such certainties were knocked out of hand in that century. Many situations, many images, motifs and sources can be named for this experience of unbounded violence, which now, at the beginning of the twenty-first century, requires new forms of transmission. In an era flooded with images, however, attention is more difficult. One has to embark on a search for traces; not because the sources are lacking, but because the form of inscription in history is problematic. This search for clues leads directly to the present monograph.

In late eighteenth- and early nineteenth-century British literature, Scandinavia emerged as a setting for Gothic terror. This book explores the extensive use of Nordic superstition as it provided a vocabulary for Gothic texts, examining the cultural significance these references held for writers exploring Britain’s northern heritage. In Gothic publications, Nordic superstition sometimes parallels the representations of Catholicism, allowing writers to gloat at its phantasms and delusions. Thus, runic spells, incantations, and necromantic communications (of which Norse tradition afforded many examples) could replace practices usually assigned to Catholic superstition. Yet Nordic lore did more than merely supplant hackneyed Gothic formulas; it presented readers with an alternative conception of ‘Otherness’. Nordic texts—chiefly based on the Edda and the supernatural Scandinavian ballad tradition—were seen as pre-Christian beliefs of the Gothic (i.e., Germanic) peoples, including the Anglo-Saxons. The book traces the development of this Nordic Gothic, situating it within wider literary, historical, political, and cultural contexts.

A significant context explored in the book is the conflict between the respective supporters of Celtic and Germanic heritage in the British Isles. The critical interventions of the Hugh Blair, John Pinkerton, Thomas Percy and others are important for understanding the role Norse tradition came to play. Among supporters of the Gothic/Germanic past, the Norse ancestors’ undaunted confrontation with fear was hailed as a testament to the bravery and boldness of the race. In turn, the terror discovered in Norse tradition was made to do cultural work as an ethno-political intervention in favour of Anglo-Saxon heritage in Britain. 

Another context for the Nordic imaginary is the commercial book market. British writers often teetered between approaching Nordic superstition with genuine antiquarian interest and exploiting it for the shock effects it afforded. With respect to the dual investment in Nordic material, a central focus is the Danish ballad material included in Matthew Gregory Lewis’ The Monk and his Tales of Wonder. Other writers who are discussed include Thomas Gray, Thomas James Mathias, William Wordsworth, Anna Seward, Walter Scott, and Ann Radcliffe. The book will also introduce readers to lesser-known authors.

Animated by theoretical eclecticism and methodological diversity, ‘Power Shifts and Global Governance: Challenges from South and North’ presents a 'post-national' political project for analyzing emerging architectures of global governance and examining country and regional case studies from the perspective of  'great power shifts' in the twenty-first century. Using theoretical insights from neo-Kantians and neo-institutionalists, the book explores the contested meanings and practices of globalization and polycentric governance in the context of emerging powers such as China, India, Brazil, Mexico and South Africa, and examines the implications of shifts in the foreign and domestic policies of the new powers in the world. The book not only reflects on the fundamental erosion of an international order in which Western societies enjoyed a relatively uncomplicated consensus on their political, economic and ideological eminence, but also debates the nature of emerging 'radically incomplete' global interdependencies among nations.

Challenging the hegemony of dominant paradigms in conventional International Relations theories and blurring the traditional distinctions between South and North, the book seeks a new 'New Deal' to address issues of poverty, climate change and human security at the global level. Written in clear, lucid language, the book is a serious attempt to deepen newer ways of international cooperation as it re-imagines the future of cosmopolitan democracy and global civil society.

From political sleaze and scandal to West End hits and the 'feel-good' factor, Michael Diamond explores the media stories that gripped Victorian society, in an age when newspapers became cheap, nationally distributed and easily accessible to all classes. Fully illustrated, and drawing on a wealth of original material, 'Victorian Sensation' sheds light on the Victorians' fascination with celebrity culture and their obsession with gruesome and explicit reportage of murders and sex scandals. With a vivid cast of characters, ranging from the serial poisoner William Palmer, to Charles Dickens, Jumbo the Elephant, distinguished politicians and even the Queen herself, this passionate analysis of the period reveals how the reporting methods of our own popular media have their origins in the Victorian press, and shows that sensation was as integral a part of society in the nineteenth century as it is today.

The Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Three main areas of its focus are women’s representation as writers and consumers of Gothic literature, the Puritans’ fear of the wilderness and treatment of the native peoples, and the legacy of slavery and enduring racism. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; Stephen King and the horror boom of the twentieth century; and writers of the current generation who respond to the racial and gender issues in the work of H. P. Lovecraft, the Providence writer whose stories once defined New England’s Gothic heritage. 

The Gothic Literature and History of New England brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—tourism, films, television, games, the visual arts and more.

This is a high-interest work designed for scholars of the Gothic mode who may not be familiar with more recent developments in fiction and film as well as for advanced undergraduate and graduate students searching for a compact introduction to this area of the American Gothic. It will provide an overview of criticism, a timeline of historical events and literary texts, and suggestions for further reading. The approach relies on open-ended questions that may help instructors “teach the conflicts” around race, gender, class and the aesthetics of the Gothic. 

‘Globalization, the Human Condition and Sustainable Development in the Twenty-first Century: Cross-national Perspectives and European Implications’ is a cross-national, 175 nation based exploration of the deep crisis in which Europe currently finds itself. Investigating the effects of dependency theory and world systems theory upon the global success of eight dimensions of development – including democracy, environmental sustainability, employment, social cohesion, high quality tertiary education and gender justice – this study argues that the current European crisis has been precipitated by the pro-globalist policies of the European Commission.

The comprehensive analysis of this study reveals the magnitude of Europe’s errors. Lowering comparative price levels and increasing dependency on large, transnational corporations, as correctly predicted by Latin American social science of the 1960s and 1970s, emerges as one of the most serious developmental blockades confronting Europe in global society, whilst increases in military expenditure, as proposed by Article 42.3 of the European Union’s Lisbon Treaty, are another large stumbling block against development. The harmful potential of these blockades is severe.

The book’s 175-nation investigation shows that Europe’s failure to develop its own MNC headquarter status in the global economy is a key factor that has hindered its developmental performance. This examination, which duly takes into account the control variables proposed by neoclassical economics and contemporary sociology/political science, also demonstrates the potential outcomes of several alternative scenarios, mainly those proposed by the political Left in Europe, and summarizes the effects of globalization on the environment and ecological vulnerability. What this analysis makes most clear is Europe’s need for change: without amending its pro-globalist policies, the continent will learn nothing from its current crisis – and is destined to compete in a destructive “race to the bottom”.

‘The British National Daily Press and Popular Music, c.1956–1975’ constitutes a reappraisal of the reactions of the national daily press to forms of music popular with young people in Britain from the mid-1950s to the 1970s (including rock ’n’ roll, skiffle, ‘beat group’ and rock music). Conventional histories of popular music in Britain frequently accuse the newspapers of generating ‘moral panic’ with regard to these genres and of helping to shape negative attitudes to the music within wider society. The book questions such charges; in doing so, it also challenges the tendency to perceive evidence from newspapers straightforwardly as a mere illustration of wider social trends and considers the manner in which the post-war newspaper industry, as a socio-cultural entity in its own right, responded to developments in youth culture as it faced distinctive challenges and pressures amid changing times.

Commencing with an analysis of the reactions of various key popular and ‘serious’ daily national papers to the so-called ‘rock ’n’ roll cinema riots’ of 1956, which represented the first occasion on which this musical form became ‘headline news’ in Britain, ‘The British National Daily Press and Popular Music, c.1956–1975’ considers the extent to which ingredients of ‘moral panic’ were present in press coverage of popular music, both in 1956 and at subsequent points throughout the period. However, by examining other factors, such as the more varied coverage which did frequently appear, the relative lack of sustained public concern in response to the more inflammatory reports and the contrasts in perspective among the various individual newspaper titles, each of which possessed its own particular ‘voice’ at this time, a more nuanced picture emerges. The work also considers press coverage of popular music beyond the headlines, focusing particularly on the ‘disc columns’ and pop record review pages which became more prevalent as this period progressed. It notes that, although the ‘serious’ newspapers would ultimately develop a more sophisticated approach to rock criticism, the popular papers –especially the Daily Mirror – played a particularly significant role in bringing the music to a wider, cross-generational reading public during the earlier portion of this period, aiming to devise a suitable vocabulary for the dynamic, ever-changing music styles and ‘scenes’ of this era.

Ultimately, ‘The British National Daily Press and Popular Music, c.1956–1975’ encourages scholars to avoid hasty or sweeping deployment of such phrases as ‘moral panic’ when considering early press reactions to popular music. It also argues that the distinctive and paradoxical mixture of uncertainty, enthusiasm, sensationalism and curiosity which characterised much national press coverage of rock ’n’ roll and other kinds of music helped, in many ways, to set the tone for adult responses to popular music within society at large. Just as the press was not unilaterally hostile towards popular music, so too were members of ‘the older generation’ more varied in their responses to the music than has previously been assumed.

‘Food Insecurity and Revolution in the Middle East and North Africa’ studies the political economy of agrarian transformation in the Middle East and North Africa. Examining Egypt and Tunisia in detail as case studies, it critiques the dominant tropes of food security offered by the international financial institutions and promotes the importance of small-scale family farming in developing sustainable food sovereignty. Egypt and Tunisia are located in the context of the broader Middle East and broader processes of war, environmental transformation and economic reform.

The book contributes to uncovering the historical backdrop and contemporary pressures in the Middle East and North Africa (MENA) for the uprisings of 2010 and 2011. It also explores the continued failure of post-uprising counter-revolutionary governments to directly address issues of rural development that put the position and role of small farmers centre stage.

‘Food Insecurity and Revolution in the Middle East and North Africa’ uniquely presents a political economy of agrarian transformation in the MENA region by problematising the persistent politicisation of food and rural (under)development exemplified in the case studies of Egypt and Tunisia. These cases highlight the ways in which de-development has led to the persistent impoverishment of the countryside and its uneven consequences for the ways it reproduced power, politics and inequality. The political economy of food in the region is played out in the broader complex of global food regimes and their contestation by counter-hegemonic initiatives for food sovereignty.

During Latin America’s China-led commodity boom, governments turned a blind eye to the inherent flaws in the region’s economic policy. Now that the commodity boom is coming to an end, those flaws cannot be ignored. High on the list of shortcomings is the fact that Latin American governments—and Chinese investors—largely fell short of mitigating the social and environmental impact of commodity-led growth.

China and Sustainable Development in Latin America documents the social and environmental impact of the China-led commodity boom in the region. Primary commodity exploitation—of petroleum, copper, iron ore, tin, soybeans and the like—are endemic to environmental degradation. The recent commodity boom exacerbated pressure on the region’s waterways and forests and accentuated threats to human health, biodiversity, global climate change and local livelihoods. China and Sustainable Development in Latin America also highlights important areas of innovation, like Chile’s solar energy sector, in which governments, communities and investors have worked together to harness the commodity boom for the benefit of the people and the planet.

It is imperative that Latin American governments put in place the necessary policies to ensure that economic activity in natural resource sectors is managed in an environmentally responsible and socially inclusive manner. China and Sustainable Development in Latin America aims to highlight the efforts that have borne fruit as well as the areas that still need attention. Without proper policies in place to make sustainable development part and parcel of economic decision-making, Latin America will continue to be plagued by commodity boom and bust cycles that accentuate social and environmental conflicts and are ultimately detrimental to long-term prosperity.

In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, ​​mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college.

A team of policemen, including Deputy Inspector Manuela Vazquez, open an in-depth investigation and the potential suspects multiply. In the minds of teachers, police officers and students, the thick shadow of what appears to be a meticulous and bloodthirsty murderer looms.

Carme Riera endorses the best elements of the thriller genre to create a state of tension and suspense that is maintained until the last page. The prose is evocative, almost cinematic and knows how to combine brilliantly intrigue, irony and social criticism.

‘Locating Australian Literary Memory’ explores sites which are explicitly connected with Australian authors through material forms of commemoration such as houses, graves, statues and assorted artefacts. The focus is on eleven Australian authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon. Each of these writers offers different perspectives on the conventions of literary commemoration from the nineteenth century onwards.

Australian heritage terrain has been thoroughly mapped by nationalist heritage practices which may no longer relate to contemporary values. As elsewhere, the focus is moving towards a greater recognition of the contributions of women authors, migrants, expatriates and First Nations peoples. There is an often unacknowledged dissonance between imported modes of commemoration and the unceded lands onto which they have been introduced. The designation of ‘author countries’ is especially problematic in a postcolonial context because it ‘overwrites’ Indigenous Country, obscuring it from the view of non-Indigenous Australians.

Rather than advocating for the creation of more literary monuments, or the further preservation of memorials that currently exist, ‘Locating Australian Literary Memory’ seeks to reveal the many blind spots, contradictions, challenges and eccentricities of literary commemoration in Australia. While observing the value of literary memorials and the voluntary labour that enables their construction, this book argues for an expanded repertoire of practices to recognise authors and storytellers who have been hitherto overlooked.

This book chronicles the history of early spaceflight and asks how American gender culture shaped the public image of the American astronaut and spaceflight technology during some of the tensest years of the Cold War era. While historians have pieced together the story of American women’s fight for spaceflight, this work adds to the narrative by analyzing masculinity and the astronaut image by focusing on how that image came to terms with a perceived Cold War masculinity crisis. The astronaut image was informed by Cold War ideals of fixed gender binaries, specifically, the masculine ideal of control over technology. The American astronaut performed masculinity in space through his control of the space capsule. This emphasis on astronaut control helped mold a distinctly American (anti-communist) masculinity that appeared—on the surface anyway—to resolve not only an American masculinity crisis but helped win the Cold War on an ideological and popular level. 

The book begins by establishing a post–World War II masculinity crisis dialogue. For instance, Americans saw communism, conformity, feminism, homosexuality, automation, minority rights, and the dreaded “organization man” as threats to masculinity. Drawing upon this scholarship, this book explores how this dialogue played out within the spaceflight public discourse from 1957 through 1983—a time when cosmic conquest was integral to America’s success in maintaining domestic security and morale while securing victory in the international conflict with the Soviets. Using primary sources from the public record, such as newspapers, magazines, media, the National Aeronautics and Space Administration (NASA), Congress, speeches, the astronaut’s stories, and intellectual works, the book states that the American public discourse constructed the astronaut as an archetype of American masculinity through the spaceman’s ability to control spaceflight technology. The assumption that the astronaut could “fly” the capsule insinuated an American masculinity of individualism apart from Soviet conformity. The American accentuation of pilot control continued from Project Mercury through Project Apollo, but it often clashed with computer control, space accidents, the scientist-astronaut, and mission control. These conflicts led the astronaut image to be refashioned into that of Michael Kimmel’s “democratic manhood”—a masculinity that encompassed the self-made man and the team player. Democratic manhood still centered on masculine control, either men as individuals or men working in teams. The moon landing symbolized that through astronaut control of technology, Americans had conquered space. Women and people of color were left out of this dialogue of technological control but played important roles as passive actors with technology. Control meant a white masculine performance with spaceflight technology. Running parallel to this need to create a fixed masculinity, women fought for their chance for spaceflight, while African Americans and Hispanics were largely feminized as non-technological users. With the 1969 moon conquest, the domestication of spaceflight quickly followed with the space shuttle taxis that—for a short period anyway—demonstrated the safety of spaceflight. The book concludes that within this domesticated spaceflight framework, diverse women at NASA—both astronauts and staff—challenged fixed gender roles by proving themselves courageous, individual professionals in what by 1986 became the dangerous business of spaceflight. 

Journalism has been in a state of disruption since the development of the Internet. The Metaverse, or what some describe as the future of the Internet, is likely to fuel even further disruption in journalism. Digital platforms and journalism enterprises are already investing substantial resources into the Metaverse, or its likely components of artificial intelligence, augmented reality and virtual reality. Although research shows most of the public has little knowledge of the Metaverse, many are keenly interested in what it or its components may bring. Gartner (2022) predicts that a quarter of the public will spend at least one hour per day in the Metaverse by 2026. Journalism may be an important part of this future.

This book will critically examine the nature of the Metaverse and its implications for journalism. In particular, the book will examine how the advance of a broadband, interactive and immersive Internet called the Metaverse may change the content and format of news, the nature of journalistic work, who or what is a journalist, the nature and structure of the new industry and how it is funded, as well as the fundamental role of journalism in a digital society.

In particular, this book builds on a vision of the Metaverse as an immersive and interactive virtual world, a key development in the next generation of the broadband, publicly accessible Internet. Broadband means high-speed, high-bandwidth Internet connectivity, especially wirelessly. Immersive refers to enveloping, 3D forms of media and communication. Today, we often see immersive media in the form of augmented reality (AR) or virtual reality (VR) or other forms of what are labeled extended Reality (XR). Fueled by artificial intelligence, these forms are three dimensional (3D), they have depth and they surround the user in a 360 virtual world visually and aurally (and potentially via other senses, including the haptic). Interactive means both user-to-user engagement (e.g., social media) as well as an exchange between the user and the enveloping content experience of a virtual world. This book will examine the implications of the Metaverse for journalism in four broad domains, including content, how journalists work, structural and systemic considerations, and user and public engagement with news.

Artists often talk of a sense of community, of being in a place that engages their creativity in a cultural history that is deeply tied to and inseparable from their local environment. The phrase ‘community art’ emphasizes a collaboration between the artist and community; it is practised where the artist and the neighbourhood intersect. Projects most often take place as a means of revitalizing a community or providing an opportunity for community members to engage in a creative process. Increasingly, this has become a national and international movement in which sustainability of the identity of the community, the individuals within it and the environment are at the core of the project. This project engages the conception of art evolved in the ethos of community as its basic framework but considers it from a situationally historic perspective against the backdrop of the diverse landscape of Oregon. As such it considers the role of nature, individual and community identity in the development of arts projects that ultimately become associated with a community’s cultural and social milieu. 

Oregon is known for its unique landscape that moves from the high deserts of eastern Oregon through the former volcanoes of the Cascade Range, the breadth of the Willamette River Valley, Coast Range and finally the Pacific coast from Astoria to Brookings. Oregon has a long history of environmental planning. In 1899, the Oregon legislature declared 30 miles of Oregon beach as a public highway from the Columbia River to the south line of Clatsop County. In 1913, they declared the entire coast a public highway. Throughout the 20th century, the Oregon legislature and communities throughout Oregon have placed an emphasis on land use from the role of the timber, fishing and mining industries to the planning necessary for cities and towns. This manuscript considers the combination of people and social cultural ethos that were influential in the development of specific literary, visual and performing arts groups across Oregon’s diverse landscape. Artists Activating Sustainability: The Oregon Story examines the way in which the arts within specific communities, against the background of landscape and history, reveal concepts of sustainability that help us broaden our knowledge of what is needed to create a sustainable world. As such, each chapter considers the themes of participation, agency and empowerment through the lens of land, history and individual initiative.

This book examines China’s digital economy and its reach into the Asia-Pacific region, focusing on Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. It shows how the Asia-Pacific region with an existing large Chinese diaspora is seen as a ‘cultural landing pad’ for Chinese content and ideas. In addition to these regional investigations, the authors trace China’s growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region, and adding to its cultural power.

Drawing on the political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China's commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government-supported media. The authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan. The book argues that China’s commercial digital platforms are increasingly recognized outside China and in many cases can disseminate Chinese culture more effectively than government-supported media, although this does not necessarily translate into influence. 

The sites chosen suggest that there is widespread ambivalence to China’s political messaging combined with an uneven reception of its popular culture. The book provides a critique of Western bias in soft power metrics and draws on empirical data to provide alternative readings.

The authors also analyse in detail Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms. The book illustrates how Chinese cultural power is extending overseas and the challenges of Chinese platforms, products and services in overcoming stereotyping and ‘threat’ perceptions.

The book Radical Human Centricity sits between two worlds: business and anthropology. It is a critique and reassessment of commercial innovation research from an anthropological perspective born out of years of experience in innovation research consulting and anthropological scholarship. It demonstrates the many failures of contemporary commercial research, from market research to research approaches in design thinking and human-centered design. After identifying the key problems, it provides a set of solutions to elevate commercial research and allow practitioners to fulfill the empty promises of design thinking and human-centered design. The book ends with a clear articulation of how to fix what is broken and actually be human-centric, just now from within the radical human-centric approach. 

This book is written for two audiences. The first is a business reader involved in innovation and strategy. It helps this business reader to understand the growing problem lurking in commercial research and offers practical advice to develop a research practice better able to fuel innovation, strategy, and design processes than anything currently available. It provides a practical and theoretical engagement with research practice to change how companies study human lives. It identifies the many gaps in more typical research methods, fills them with new tools and approaches from anthropological and ethnographic practices, and finally contextualizes them within an end-to-end radically human-centric research process.

The second reader is an anthropological scholar or student interested in the applied anthropological practices in commercial research. This is an increasingly important area of theory and practice within contemporary anthropology, and few books in this area are written by practicing commercial anthropologists. While the theoretical treatments will be known to an advanced anthropological reader, it applies them in contexts and examples not commonly discussed in the ethnographic disciplines. Additionally, the methodological examples and practice anecdotes introduce the reader to a world few academic researchers ever experience. Consequently, this book adds insight into an area of anthropological practice not well understood by academic social scientists and offers a window into new avenues of applied anthropology.

The purpose of this book is to create a space for a new form of applied commercial ethnography, called radical human -centricity. It is unique in that it addresses the problems of business research in a thoughtful, scholarly way, while also providing practical examples for innovation researchers of all backgrounds to emulate.

‘Globalization, the Human Condition and Sustainable Development in the Twenty-first Century: Cross-national Perspectives and European Implications’ is a cross-national, 175 nation based exploration of the deep crisis in which Europe currently finds itself. Investigating the effects of dependency theory and world systems theory upon the global success of eight dimensions of development – including democracy, environmental sustainability, employment, social cohesion, high quality tertiary education and gender justice – this study argues that the current European crisis has been precipitated by the pro-globalist policies of the European Commission.

The comprehensive analysis of this study reveals the magnitude of Europe’s errors. Lowering comparative price levels and increasing dependency on large, transnational corporations, as correctly predicted by Latin American social science of the 1960s and 1970s, emerges as one of the most serious developmental blockades confronting Europe in global society, whilst increases in military expenditure, as proposed by Article 42.3 of the European Union’s Lisbon Treaty, are another large stumbling block against development. The harmful potential of these blockades is severe.

The book’s 175-nation investigation shows that Europe’s failure to develop its own MNC headquarter status in the global economy is a key factor that has hindered its developmental performance. This examination, which duly takes into account the control variables proposed by neoclassical economics and contemporary sociology/political science, also demonstrates the potential outcomes of several alternative scenarios, mainly those proposed by the political Left in Europe, and summarizes the effects of globalization on the environment and ecological vulnerability. What this analysis makes most clear is Europe’s need for change: without amending its pro-globalist policies, the continent will learn nothing from its current crisis – and is destined to compete in a destructive “race to the bottom”.

This memorial book honours the legacy of Eric Richards’s work in an interplay of academic essays and personal accounts of Eric Richards. Following the Eric Richards methodology, it combines micro- and macro-perspectives of British migration history and covers topics such as Scottish and Irish diasporas, religious, labour and wartime migrations.

Eric Richards was an international leading historian of British migration history and a pioneer at exploring small- and large-scale migrations. Starting with a foreword from David Fitzpatrick and Ngaire Naffine’s eulogy, the book includes Richards’ last public intervention, given in Amiens, France, in September 2018. This volume brings together renowned scholars of British and migration history who pay tribute to Eric Richards – a remarkable historian, but also a gentleman who is remembered for his kindness and humbleness. He stood as a role model for early career researchers. The book combines local and global migrations as well as economic and social aspects of nineteenth and twentieth century British migration history.

This engaging collection of Bruce F. Kawin’s most important film essays (1977–2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays take up such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature.

Kawin’s film essays and reviews have appeared in “Take One,” “Film Quarterly,” “American Book Review” and elsewhere. Until the publication of this volume, most of them were out of print and unavailable online. Among the most significant articles reprinted here are “Me Tarzan, You Junk,” “The Montage Element in Faulkner’s Fiction,” “The Mummy’s Pool,” “The Whole World Is Watching,” and “Late Show on the Telescreen:  Film Studies and the Bottom Line.” The book includes close readings of films from “La Jetée” to “The Wizard of Oz” and reviews of films from “Full Metal Jacket” to “The Fury.”

The essays take up some of the most interesting aspects of film, from the effect of film violence on viewers to the changes brought by digital cinema, while remaining readable and free of jargon. As critic Howie Movshovitz says in the Foreword, “his writing is utterly, utterly clear.” Original and independent, the book is free of attachment to any school of criticism or theory, and is dedicated to the fresh and open-minded appreciation of movies.

The two volumes on Wittgenstein and AI aim to trace and suggest Wittgensteinian influences in some of the most cutting-edge areas of research in Artificial Intelligence (such as Computation, Machine Learning, Natural Language Processing and the use of automation in legal settings). The collection is driven by an essentially interdisciplinary approach, featuring articles from philosophers, computer scientists and legal scholars, writing on a broad range of topics in AI.

The chapters across these two volumes are grouped into two sets of themes: Mind and Language and Value and Governance. These themes correspond to two major areas of research in the philosophical study of AI: the computational mind and the ethics of artificial intelligence. These volumes make a significant and unprecedented contribution to the question of what Wittgenstein’s philosophy can offer to the ever-growing field of AI. It aims to provide insight for both philosophers and non-philosophers alike, offering reflection on the significance of Wittgenstein’s work for AI, and on the implications of advancements in AI technology for Wittgenstein’s philosophy and philosophy influenced by Wittgenstein.

VOLUME I: Wittgenstein and AI (Volume I): Mind and Language. This volume includes chapters on Wittgenstein and Turing’s views on AI, the question of whether machines can think, intentionality, AI language models, analogical reasoning and logic.

This volume’s relevance may be explained, first and foremost, during a time of unprecedented loss of life around the world each day. The data, which is oftentimes incomplete and misleading, nonetheless reveals the state as deficient as well as negligent in its response to social healthcare needs. This volume attests to the fact that pressing global public health concerns are ever present as subjects of societal discourse and debate in developed and developing states. Moreover, the COVID-19 pandemic makes the omission of the ethics of personal data collection analysis in the international relations literature even more salient given the rise of contact tracing and increased uses of mobile phone Apps to track citizens by states and firms across the globe, as this volume’s chapters analyzing the responses to COVID-19 in Iran and Taiwan explain. 

For this reason, dialogue connecting research and practice is necessary to identify ways to address these emerging challenges at the conceptual, economic, legal, political, and social levels. The perspectives of researchers and the experience of practitioners must come together to bring the discussion forward. In response to this plea, a community of research-practitioners remains in dialogue after two Bosch Workshops at New York University to define the contents of case studies in this volume. The responsibility of this research-practitioner community is to grapple with specific issues that define the state of the discipline in personal data collection ethics. Case studies, including prominent uses of crowd-mapping platforms and mobile telephony Apps, document legal and human rights concerns in remote areas. Field research speaks to cases ranging from an analysis of Iran’s response to the COVID-19 pandemic to the exploitation of personal data collection to perpetuate modern slavery through re-education camps in the People’s Republic of China to crowd-mapping stories of physical abuses in public spaces by Safecity in India.

The emphasis on the ethics of personal data collection in this edited volume through various case studies is to bring race and gender to the forefront once again as lenses to understand international relations. The myth of the founding of international relations in 1919, analyzed by Acharya and Buzan (2019) a century later, is one that obfuscates the influence of race relations as well as gender in the early development of the discipline during the mid-nineteenth and early twentieth centuries. These case studies broaden the ways we understand international relations in the West and, as importantly, in the non-Western space given the countries that are the subjects of analysis: China, Iran, Taiwan, and India, as well as the European Union and the United States. As the contributors focus on the relevance of race and gender across cases, this volume underlines our concerns about the future of democracy in the face of the rising tide of authoritarianism around the world. The plight of the world’s largest and most plural democracy, India, under the Modi government, the increasingly aggressive nature of China under President Xi Jinping as well as the challenge of Trumpism in the United States make these concerns, which place illiberalism at the center of developments, pressing as well as timely.

Francis Rodd’s life is interesting for the way it connected the worlds of geography, international finance, politics, espionage, and wartime military administration. Rodd was a generalist in an age of growing specialisation; he had an instinct for problem-solving, which he applied in a range of areas. He was both a pragmatist and a man of strong convictions, and in relation to African society a traditionalist as well as a moderniser. His life, interesting in itself for what it tells us about British geography, banking and military government, is also a window onto British society at a time of great change. 

More specifically, Rodd’s claim to fame lies in two fields in particular: geography and military government. Geography was in the family; he was a direct descendant of the cartographer and oceanographer James Rennell (1742-1830), who was for a time Survey-General of the East India Company. His first trip to the Mountains of Aïr in what is now Niger, took place in 1922. His gravestone in the Welsh border town of Presteigne contains a saying in the Tuareg language of Tamasheq ‘Naught by good’, reflecting the fact that he always felt connected to this remote desert region. A product of Eton and Balliol College Oxford, he spent a year with the Royal Field Artillery in Northern France 1914-15, before moving to work in Italy and North Africa—including intelligence duties. He then worked for a time in the Foreign Office (1919-24); and it was from there that he took time out to do this first Saharan expedition. His acclaimed book—still admired to this day—on the Tuareg, People of the Veil (1926), was the result. A second expedition to the Sahara in 1927 earned him the Royal Geographical Society’s Founders’ Medal in 1929. Later he was President of the Royal Geographical Society as it re-established its post-war agenda (1945-48). In old age, he was increasingly preoccupied with Welsh border geography and the agriculture of Western Australia. 

If geography was a life-long passion for Rodd, it was only one of his interests; indeed it was for the range of his activities that he was once called the ‘last of the Elizabethans’. He left the Foreign Office for the Stock Exchange, and then joined the Bank of England in 1929, soon becoming the bank’s representative at the Bank for International Settlements in Basle (1930-31). Between 1933 and 1961 he was a Partner in Morgan Grenfell, the British branch of the Morgan banks that has close links with Whitehall. He was one of the bank’s main conduits with Italy, and this led in 1939 to him being seconded to the Ministry of Economic Warfare, where he became the ministry’s chief negotiator with Rome before Italy entered the war. During the war itself, he had meteoric career in the War Office; he rose to being Chief Political Officer in East Africa in 1942 (when he was also made an acting Major-General)—a role that involved him briefly being the Chief Military Administrator of Madagascar, after the Vichy regime fell. He was then made Chief Civil Affairs Officer of AMGOT in 1943, a high profile role that effectively made him the civilian governor of Sicily and Southern Italy in the wake of the Allied military advance. He returned to Britain in December 1943. Rodd inherited a peerage from his father in 1941. After the war, he was much involved in the House of Lords, first as a Liberal and then as a Conservative, with a particular interest in economic and colonial affairs.

Reading as a Philosophical Practice asks why reading—everyday reading for pleasure—matters so profoundly to so many people. Its answer is that reading is an implicitly philosophical activity. To passionate readers, it is a way of working through, and taking a stand on, certain fundamental questions about who and what we are, how we should live, and how we relate to other things. The book examines the lessons that the activity of reading seems to teach about selfhood, morality, and ontology, and it tries to clarify the sometimes paradoxical claims that serious readers have made about it. To do so, it proposes an original theoretical framework based on Virginia Woolf’s notion of the common reader and Alasdair MacIntyre’s conception of practice. It also asks whether reading can continue to play this role as paper is replaced by electronic screens.

Despite the obvious overlap between the concerns of avid readers and the perennial questions of philosophy, most professional philosophers pay little attention to the kinds of reading that are most familiar to most people. They have had almost nothing to say about the activity of reading for pleasure, considered in itself and as such, or about the ways it matters to ordinary readers. For many serious readers, reading offers a way of working through philosophical matters—a way of posing, and sometimes taking a stand on, certain fundamental questions about what we are, how we should live, and how we relate to other things. This questioning is usually not as explicit or as self-aware as the debates that go on in philosophy journals and seminar rooms. But it has much the same goal and addresses many of the same concerns. Moreover, Reading as a Philosophical Practice argues that it is the “experience” of reading that performs these functions. Reading is not just philosophical on those occasions when we happen to read the works of philosophers or philosophically minded novelists. There is something philosophical about the activity of reading, in itself and as such, and about the experiences people have while engaged in it. The book’s goal is to clarify what this is. 

In the context of China’s ascendancy, the world watches and listens. China wants to project a soft power image. One channel for its soft power communication – about its success and international cooperation – is international broadcasting. ‘Chinese Television and Soft Power Communication in Australia’ discusses China’s soft power communication approach and investigates information handling between China and its targeted audiences in the eyes of key influencers – intermediate elites (public diplomacy policy elites in particular) in China and Australia. Drawing on the case of the state-owned broadcaster CGTN – viewed by China as an essential soft power tool for framing its voice – the book examines empirically the reception to China’s soft power messaging by Australian audiences and the factors underpinning its reception.

The book provides a holistic, systemic evaluation of China’s soft power messaging seen as part of its power portfolio and what this means to the world order. Through media frame analysis of CGTN’s framing of China’s most ambitious and comprehensive initiative – the Belt and Road Initiative – and interviews with intermediate elites in China and the typical case of a Western target audience in Australia, it presents an in-depth theoretical discussion of the mechanisms of China’s communication approach through a soft power lens. It also reflects on an exploration of journalistic operations within CGTN (with staff from several professional cultures) and a systemic test of how successful/unsuccessful China’s soft power message projection is in terms of congruence between projected and received frames, as a pivotal factor of its power status.

‘The Visionary Realism of German Economics’ forms a collection of Erik S. Reinert’s essays bringing the more realistic German economic tradition into focus as an alternative to Anglo-Saxon neoclassical mainstream economics. Together the essays form a holistic theory explaining why economic development––by its very nature––is a very uneven process. Herein lie the important policy implications of the volume.

During a time of accelerating momentum for radical change in the study of economics, 'A Guide to What's Wrong with Economics' comprehensively re-examines the shortcomings of neoclassical economics and considers a number of alternative formulations. In it, a distinguished list of non-neoclassical economists provide a study of some of the many worldly and logical gaps in neoclassical economics, its hidden ideological agendas, disregard for the environment, habitual misuse of mathematics and statistics, inability to address the major issues of economic globalization, its ethical cynicism concerning poverty, racism and sexism and its misrepresentation of economic history. In clear and engaging prose, 'A Guide to What's Wrong with Economics' shows how interesting, relevant and exciting economics can be when it is pursued not as a defence of an antiquated and close-minded system of belief, but as a no-holds-barred inquiry looking for real-world truths.

In 'Depoliticizing Development', John Harriss explores the origins of the idea of social capital and its diverse meanings in the work of James Coleman, Pierre Bourdieu and, more specifically, Robert Putnam, who is most responsible for the extraordinary rise of the idea of social capital through his work on Italy and the United States. Harriss asks why this notion should have taken off in the dramatic way that it has done and finds in its uses by the World Bank the attempt, systematically, to obscure class relations and power. Social capital has thus come to play a significant part in the discourses of international development, which go toward comprising 'the anti-politics machine'. This powerful and lucid critique will be of immense value to all those interested in development studies, including sociologists, economists, planners, NGOs and other activists.

The book is a concise and comprehensive resource for people who are middle-aged and beyond and are facing the prospects of their own aging and of caring for elderly loved ones—an often overwhelming task for which little in life prepares us. Using an interdisciplinary approach and many personal anecdotes, Professor Hoffman develops recommendations for building sustainable social, legal, medical, and financial support systems for aging and caregiving.

Aging with a Plan combines thorough research with engaging anecdotes and practical advice. It offers one-stop shopping for anyone in need of guidance without a lot of time for independent research. The book answers questions such as: What legal documents should you be sure to have? What expenses should you anticipate in retirement and how do you save for them? What do you need to know about medical care as you or your loved ones grow older? How should you approach conversations about the sensitive topic of safe driving with elderly loved ones? What options exist for end-of-life care, and how do you make sure that your wishes will be followed? The book is user-friendly and accessible to a general audience, and each chapter ends with a helpful checklist.

The book draws on the author's background in law and bioethics as well as personal experience with health care and the elderly. Dr. Hoffman presents thorough research to bolster her advice. She also writes of her parents’ many challenges during their last years and her husband’s Parkinson’s disease. This is an illuminating, engrossing, and immensely useful resource.

Today we face an incredibly complex array of interconnected water issues that cross multiple boundaries: Is water a property or a human right? How do we prioritize between economic utility and environmental sustainability? Do fish have more rights to water than irrigated grain? Can we reconcile competing cultural and religious values associated with water? How much water do people actually need? These questions share two key defining characteristics: (a) competing values, interests and information to frame the problem; and (b) differing views - of how to resolve a problem - are related more to uncertainty and ambiguity of perception than accuracy of scientific information.

These problems - known as complex problems - are ill-defined, ambiguous, and often associated with strong moral, political and professional values and issues. For complex water problems, certainty of solutions and degree of consensus varies widely. In fact, there is often little consensus about what the problem is, let alone how to resolve it. Furthermore, complex problems are constantly changing because of interactions among the natural, societal and political forces involved. The nature of complexity is contingent on a variety of contextual characteristics of the interactions among variables, processes, actors, and institutions. Understanding interactions and feedback loops between and within human and natural systems is critical for managing complex water problems. [NP] This edited volume synthesizes insights from theory and practice to address complex water problems through contingent and adaptive management using water diplomacy framework (WDF). This emerging framework diagnoses water problems, identifies intervention points, and proposes sustainable solutions that are sensitive to diverse viewpoints and uncertainty as well as changing and competing needs. The WDF actively seeks value-creation opportunities by blending science, policy, and politics through a contingent negotiated approach.

The contemporary importance of A. N. Whitehead (1861–1947) lies in his direct yet productive challenge to the culture of thought inherent in modernity, a challenge that suffuses science, social theory and philosophy alike. Unlike some of the more destructive aspects of postmodernism and poststructuralism, Whitehead’s diagnosis of the conceptual fault lines of the modern era does not entail a passive relativism. Instead, he calls for a renewal of our concepts, offering a positive, philosophical approach based on becoming, relativity, and a reconception of subjectivity and the social. This book outlines Whitehead’s philosophy, using it to reorient a range of specific questions and topics within contemporary social theory, namely: the relation of language and the body; the relationship between the individual and society; sexual difference; conceptions of nature; the question of realism; the concept of the social; and capitalism as a process. It also provides detailed analyses and comparisons of Whitehead’s concepts with those of Judith Butler on materiality and the body, and of Luce Irigaray on nature, essentialism and sexual difference.

The book offers an overview of Brazil’s internationalization process, in particular since the 1950s, accompanying the author’s professional trajectory that includes a deep involvement in business diplomacy and the expansion of international investment in Brazil and by Brazilians abroad. Stating that Brazil historically and culturally tends toward isolationism, Roberto Teixeira da Costa develops a hypothesis about what is behind this attitude. 

The book continues to focus on the economy, particularly in international trade and business diplomacy, with chapters that discuss industrialization, China and US relations with Brazil, and an excellent provocative analysis about Mercosur, enriched by the author’s direct experience in development initiatives in the American continent and in Latin America particularly. The third part that follows discusses international investment and retraces Brazil’s historical resistance to engaging in investment abroad, as well as its slow process of developing structural assurances for foreign investment. The author discusses the importance of trust in international relations, even before the institutional assurances necessary for longstanding international cooperation with Brazil. These two parts combined are the “plat de substance”, the main course offered by this book.

Roberto Teixeira da Costa tells in the introduction of the book how the writing process started in 2018 and had to be reimagined when the world was hit by the Covid-19 pandemic. After publishing in Brazil, with the Ukrainian invasion by Russia in 2022, another chapter had to be added. The changes in the book, compared to the changes in the world, offer a stimulating parallel. Human society as we know it is being re-written.

The personal and positive attitude of this book is inspiring, reading the past with an eye for opportunities in the present. It is critical towards the lack of engagement of the elite and the political leadership in taking the lead to coordinate efforts around the development of a long-term state strategy for internationalization, but it advocates for this cause with proposals that are achievable with a public-private joint effort. As Brazilians see some of our country's major achievements over the last decades become under siege, Roberto Teixeira da Costa’s latest book engages us in a necessary conversation about the importance of building more international cooperation as a vital ingredient to reducing inequalities and promoting social development. A necessary book for a time when Brazil must leave its international isolation to reimagine its identity and role in the planet’s future.

Francis Rodd’s life is interesting for the way it connected the worlds of geography, international finance, politics, espionage, and wartime military administration. Rodd was a generalist in an age of growing specialisation; he had an instinct for problem-solving, which he applied in a range of areas. He was both a pragmatist and a man of strong convictions, and in relation to African society a traditionalist as well as a moderniser. His life, interesting in itself for what it tells us about British geography, banking and military government, is also a window onto British society at a time of great change. 

More specifically, Rodd’s claim to fame lies in two fields in particular: geography and military government. Geography was in the family; he was a direct descendant of the cartographer and oceanographer James Rennell (1742-1830), who was for a time Survey-General of the East India Company. His first trip to the Mountains of Aïr in what is now Niger, took place in 1922. His gravestone in the Welsh border town of Presteigne contains a saying in the Tuareg language of Tamasheq ‘Naught by good’, reflecting the fact that he always felt connected to this remote desert region. A product of Eton and Balliol College Oxford, he spent a year with the Royal Field Artillery in Northern France 1914-15, before moving to work in Italy and North Africa—including intelligence duties. He then worked for a time in the Foreign Office (1919-24); and it was from there that he took time out to do this first Saharan expedition. His acclaimed book—still admired to this day—on the Tuareg, People of the Veil (1926), was the result. A second expedition to the Sahara in 1927 earned him the Royal Geographical Society’s Founders’ Medal in 1929. Later he was President of the Royal Geographical Society as it re-established its post-war agenda (1945-48). In old age, he was increasingly preoccupied with Welsh border geography and the agriculture of Western Australia. 

If geography was a life-long passion for Rodd, it was only one of his interests; indeed it was for the range of his activities that he was once called the ‘last of the Elizabethans’. He left the Foreign Office for the Stock Exchange, and then joined the Bank of England in 1929, soon becoming the bank’s representative at the Bank for International Settlements in Basle (1930-31). Between 1933 and 1961 he was a Partner in Morgan Grenfell, the British branch of the Morgan banks that has close links with Whitehall. He was one of the bank’s main conduits with Italy, and this led in 1939 to him being seconded to the Ministry of Economic Warfare, where he became the ministry’s chief negotiator with Rome before Italy entered the war. During the war itself, he had meteoric career in the War Office; he rose to being Chief Political Officer in East Africa in 1942 (when he was also made an acting Major-General)—a role that involved him briefly being the Chief Military Administrator of Madagascar, after the Vichy regime fell. He was then made Chief Civil Affairs Officer of AMGOT in 1943, a high profile role that effectively made him the civilian governor of Sicily and Southern Italy in the wake of the Allied military advance. He returned to Britain in December 1943. Rodd inherited a peerage from his father in 1941. After the war, he was much involved in the House of Lords, first as a Liberal and then as a Conservative, with a particular interest in economic and colonial affairs.

This book looks at the Brazilian international cooperation in health with Mozambique under the South-South Cooperation (SSC) context. It explores the particularities, processes, and interests embedded in the cooperation between these two countries under the lenses of the field of Global Health Diplomacy (GHD). It seeks to understand the profile of each country as a global health actor. While also looking at the main security, economic and trade, and human rights interests of these countries.  It particularly focuses on their cooperation in the HIV/AIDS front. In that sense, this research counts with an in-depth analysis of the implementation of an ARV factory in Mozambique, Sociedade Mocambicana de Medicamentos (SMM).
This research is insightful for those interested in understanding the main aspects that influence decision-making in global health from a Global South perspective, looking at  HIV/AIDS and the establishment of the SSM in Mozambique, as a result of the SSC in health with Brazil. Furthermore, it provides a useful framework for researchers interested in understanding how health and foreign policy are related to each other in different contexts and power relations. 

The Cultural Construction of Monstrous Children raises important questions at the heart of society and culture, and through an interdisciplinary, trans-cultural analysis, presents important findings on socio-cultural representations and embodiments of the child and childhood. At the start of the 21st century, new anxieties constellate around the child and childhood, while older concerns have re-emerged, mutated, and grown stronger. But as historical analysis shows, they have been ever-present concerns. This innovative and interdisciplinary collection of essays considers examples of monstrous children since the 16th century to the present, spanning real-life and popular culture. to exhibit the manifestation of the Western cultural anxiety around the problematic, anomalous child as naughty, dangerous, or just plain evil.

The linkage between children and horror, or horror-full children, would seem an almost natural connection to make given its popularity in contemporary horror films and novels. However, the intersection between the two categories has a long history going back beyond the more obvious Gothic reimaginings of the 19th century with its under-age ghostly terrors revealing that the idea of the ‘little horror’ is seemingly an inherent demarcation within society between adults and those that are viewed as ‘not adults’. 

However, as seen in this timely and innovative collection, the anomalous child can also be seen in a positive light, and that resistance to easy categorization can be embraced by wider society as a force for change as can be seen in the recent example of a problematic child/adolescence, Greta Thunberg, a singularly focused individual, who is 16 years-old at the time of writing, has consistently refused to act as desired by the adult society around her in pursuit of gaining recognition of the urgent need for action in regard to environmental change. The book takes an inter- and multidisciplinary approach, drawing upon fields as diverse as sociology, psychology, film, and literature, to study the role of the child and childhood within contemporary Western culture and to see the ways in which each discipline intersects and influences the other, as well as viewing all this through a historical lens.

Seattle is one of the most politically progressive and economically dynamic cities in the contemporary United States, popularly known as the ‘Emerald City’ for its natural setting and environmental politics. This book explores a range of political, policy, and project efforts in Seattle and the wider region to mitigate and adapt to the formidable reality of global climate change. Developing a framework suggested originally by the Urban Climate Change Research Network, the book’s core analysis considers both tantalizing progress and tangible problems in Seattle’s climate action initiatives so far. The narrative explores how Seattle is integrating carbon mitigation with adaptation; advancing climate action networks; co-generating risk information; coordinating disaster risk reduction with climate change adaptation; and, most importantly, focusing on historically and geographically disadvantaged populations. 

Linking together past, present, and future, Climate Change and the Future of Seattle argues that Seattle in the 2020s is less an ‘Emerald City’ than an ‘Elite Emerald’. Income inequalities have grown while gentrification pressures have increased. Class structures have steadily shifted upwards, leaving the working poor and homeless especially vulnerable to climate change. Profoundly uncomfortable with this contradiction, local climate change efforts are shaped by mounting political concerns not only with mitigation-adaptation commitments and risk aversion policies to manage rising sea levels, warmer temperatures and more variable rainfall patterns, but also with reshaping a metropolitan space-economy that too often favors and consistently rewards the high-tech “cognitariat” over middle- and low-income households and communities of color. 

Ultimately, Seattle cannot become post-carbon if it is not also post-polarized, resilient if not also just. The lessons that Seattle learns in pursuit of more inclusive climate action will thus be of abiding interest to cities and metropolitan regions across the United States and all around the world.

The books collects Daniel T. O’Hara’s half century of essays and review-essays on Yeats and his major poetry an drama and how leading critics and theorists have sought to revise their reception for their periods of time and indeed for the future. Its aim is to trace a critical history of the last fifty years, even as it opens the prospects for the future of critical reading of Yeats and modern poetry.

Within the framework of the human rights treaty system of the European Social Charter, the collective complaints procedure was created in 1995 as an optional quasi-jurisdictional monitoring mechanism specific for the protection of social rights. In recent years, the importance and use of this procedure has increased considerably, in the context of a number of serious economic and social crises which are impacting negatively on the effective enjoyment of social rights in Europe.

The present monograph explores and clarifies the specific features of the collective complaints procedure, intended as a sui generis instrument for the protection of social rights in the light of its evolutive application by the European Committee of Social Rights (the monitoring body of the European Social Charter) and its real impact on the state and conditions of social rights in the European countries concerned. 

The analysis particularly dwells on the collective nature of the mechanism, and its implications from the standpoint of the admissibility of complaints, on the adversarial character of the procedure and on the particularities of the follow-up to findings of violation adopted by the European Committee of Social Rights (ECSR). The crucial issues concerning the legal value and effects of the ECSR’s decisions on the merits of collective complaints, on the one hand, and the effectiveness of the collective complaints procedure as a means for the protection of social rights, on the other hand, are also addressed. Lastly, the book proposes some reflections on the supposed limitations on the effectiveness of a procedure which is conceived to deal not with individual situations of human rights violations but with violations characterized by elements of "collective importance" for many subjects.

Corporate social responsibility, or CSR, is a deeply embedded concept in Western society. It embodies the idea that corporations have an ethical responsibility to society beyond financial return and beyond their immediate shareholders. CSR organizations, contractors and reporters have proliferated in recent decades as activist pressure around labor rights, equity and environmental destruction including climate change has ramped up.

This book examines international regimes working to monitor CSR, such as The Global Compact and the EITI. We find the organizations rife with conflicts of interest, lacking the means of verifying information reported by corporations, and unable to enforce transgressions of the largest corporations in any meaningful way. We then turn to the burgeoning reporting industry that informs socially responsible investment, using a test case of severe human rights violations leading to death. In these cases, we find that while the incidents are reported, they are obscured in the reporting system and have very tangential and fleeting effects on CSR ratings. This underscores the overall lack of accountability for corporations that violate their ethical commitments, and the lack of credit for those who step up to them.

We close the book with a series of suggestions about how to reform the CSR regime so that ethical investors and consumers can begin to have confidence that the corporations they select to support will begin to live up to their promises. Until there is transparency and objectivity, CSR will remain a smoke-and-mirrors game of marketing over ethical responsibility.

This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. 

In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.

Recent literary studies of Brazil generally accept that there was a transformation in the 1960s and 1970s, from a narrative mainly situated in regional areas or the backlands, to the appearance of the big city as a contradictory scenario for national literature. Novelists and short story writers who are consolidated at that time encounter in the big cities of São Paulo and Rio de Janeiro a reality that not only brought a promise of modernity, but also produced a civic marginality that came with extreme poverty, violence, and organized crime. In the 1990s and 2000s, a generation of writers appeared who revived programmatic principles of this urban prose and who began the new century with a new demand for the real. Such a demand included references from historical realism and at the same time preserved a desire to experiment aesthetically in search of effects and affects, through a performative writing that was articulated in the translation of the historical temporality, mainly in the exploration of a lived presence. The narratives discussed are situated in a spatial referentiality that abandons the imaginary construction of the nation, an important task of modern literature, in favor of stories that are globalized by exploring ways to include Brazilian culture and language in new international networks.

This dedicated volume proposes to honor the rich, varied, trenchant, and tremendously influential scholarship of Professor Margot Norris in a series of essays amplifying her illumination of Joyce’s literary oeuvre along with several prominent lines she introduced and investigated. Our title is intended to mark the common denominator running, like Ariadne’s thread, throughout Professor Norris’ many-sided explorations of Joyce’s labyrinth. For Professor Norris, the quiddity of Joyce’s work, its elusive whatness, resides in its secretion of multiple what elses, its opening up of alternative ways of regarding the novels themselves, the readers they address, the narrative or generic forms they destabilize, the world to which they refer, and the heritages they tap. These five categories, in fact—textual plurivalence, formal innovations, possible worlds, emergent histories, and variegated readerships—serve as anchoring points of the collection, each corresponding with one of the significant projects delineating Professor Norris’ esteemed career. Prominent Joycean, Modernist, and Irish study scholars of different nations and generations supply the essays under each heading. 

The first critical section, the textual dimension, will engage with Professor Norris’ exemplary vindication of the hermeneutics of suspicion in her monograph, Suspicious Readings of Joyce’s Dubliners. Joseph Valente, Kezia Whiting and Beryl Schlossman will be toiling in this particular vineyard. The second section, the readerly dimension, will take up Professor Norris’ most recent book, Virgin and Veteran Readings of Ulysses, where she elaborates how the stylistic iridescence that Hugh Kenner identified as essential to Joyce’s writing likewise operates with shifts in the experience (in every sense of the term) of the reader, and how Joyce inscribes that shimmer of interpretive possibility directly into the text itself. Michael Groden, Ellen Carol Jones, and Austin Briggs each contribute an essay on this topic. The third section, the narratological dimension, grows out of Professor Norris’ attention to Joyce’s experiments in narrative and, more broadly, symbolic structure, beginning with her first book on Joyce, The Decentered Universe of Finnegans Wake. Derek Attridge and Valerie Benejan are featured in this subdivision. The fourth section, on alternative realities, enters forthrightly into dialogue with Professor Norris’ recent essays that usher the postmodern “possible worlds theory '' into the orbit of Joyce studies. Gregory Castle, Marilyn Reizbaum and Paul Saint-Amour extend the application of this paradigm to Ulysses and Finnegans Wake respectively. Whereas the first section of the volume deals with the importance of subtext in Professor Norris’ exegetical achievements, the final grouping deals with sub-context, with moments of buried history of the sort Professor Norris addresses in her book, Joyce’s Web. The essayists developing this approach include Maud Ellmann, Ann Fogarty, Michael Gillespie, and Margot Backus.

The volume culminates with an essay by Vicki Mahaffey focusing on the envisioning of and commitment to gender equality that pervades all of Professor Norris’ scholarship and rivets the excavation of a buried past to the imagination of a better future, possibilities missed and possibilities still to be seized.

Hopefully, this roster denotes how the concept of possibility will give the collection, as it has Professor Norris’ research, and as it did Joyce’s literary monuments, a kind of floating foundation (what seismic architects call base isolation), that ensures consistency in and through flexibility. The essays, to shift metaphorical register, speak to one another but in different idioms, each of which Professor Norris herself has helped to make legible and compelling in the several fields where Joyce looms centrally important. Due to the reverence in which Professor Norris is held in the Joyce community, the distinguished reputation of the contributors in Joyce studies and related fields, and the currency of the approaches they take in following her lead, this volume is certain to attract a substantial academic readership. 

The recent interest in quinqui film and the uprooted people of the Transition who were relegated to the background or were forgotten has recovered throughout the twenty-first century. The dissemination of the subgenre, paraphernalia and fetishism that surrounds these films, as well as the social groups they represented, have had their maximum exponent in exhibitions around the time that they were displayed in Madrid and Barcelona. During the summer of 2010, specifically from May 25 to September 6, the exhibition “Quinquis de los 80. Cine, prensa y calle” took place at the CCCB (Center for Contemporary Culture of Barcelona). Echoing this interest and practically simultaneously (from July 9 to August 29), the cultural center La Casa Encendida of Madrid held an exhibition and numerous screenings of Quinqui movies from the 70s and 80s. Both exhibitions enjoyed a great reception and affluent visits, as well as publicity and repercussion in different media, highlighting the large number of press releases published and the multiple reports that were broadcast during the television news shows of the main networks in primetime. Recently, films made with retro aesthetics in remembrance of that era have been released on the big screen, as is the case of revisions such as 7 vírgenes by Alberto Rodríguez (2005), Volando voy by Miguel Albadalejo (2006) or El idioma imposible by Rodrigo Rodero (2010). This last film is based on the homonymous novel by Francisco Casavella that is part of his particular vision of the years of the Transition through the trilogy “El día del Watussi”. In turn, renowned authors integrated into the literary star system of large circulation have published texts that portray this era and these young delinquents, slum dwellers and outcasts that are somewhere between the extreme hedonism of the heroine, the constant escape on board a Seat miriafiori or a Bultaco and survival in the peripheral neighborhoods of post-Franco Spanish cities. Authors such as Javier Cercas, with his novel Las leyes de la frontera (2012), and tributes to this type of cinema now bring this genre to a large audience that always turned its back on Quinqui film and its actors, with a nostalgic look and definitely romanticized of this time to legitimize it and finally integrate it, even within marginality, into what the Transition meant for Spanish society as a critical historical moment, however idealized, from which one cannot separate reality from the most disadvantaged that these films capture.

These films already anticipated much of the failure of the Transition, which failed to accomplish all of the achievements that it promised and that eventually ended up becoming, to a certain extent, just noise. What later is referred to as “the desencanto”, term established by the homonymous documentary of Chávarri in 1976 on the figure of the poet Leopoldo Panero; already anticipated by these films, which, although they do not articulate it theoretically or analyze it explicitly, if they implicitly expose their navajero, chorizo, macarra and yonqui characters, who live with the immediacy and the harshness of an era that did not offer them solutions, in fact one ignores them and sinks them, even more so if possible, in their particular hell in the democratic city. This ethical-social positioning towards the environment of the films analyzed here moves away completely from the illusions and reveries of high culture, as well as from the false illusion of modernity that took place in Spain at the time. Consciously or not, the films showed that disenchantment for the lack of solutions in society, not in formation, but already emerged and that had direct negative repercussions on the most disadvantaged classes. This representation of the outcasts reveals the vulnerability of the system that was being organized and that reproduced the exclusion of the lower classes. At the same time, it allowed the public to romanticize and place these characters within a halo of exoticism that attracted the big screen, since viewers could approach the wild side of life; knowing in advance the degree of verisimilitude that these works exuded since their protagonists, in numerous occasions, acted on their own existence, since many of them were drug dealers, criminals, thugs and people with multiple drug addictions who saw how their lives were spoiled as well as of most of the characters they represented on the big screen.

These films are representative of quinqui film, as a type of production that collects the lives of young delinquents in the late seventies and eighties and reflect the insecurity of the time and the degree of fame reached by the protagonists of the films. These films attempt to analyze the fractures of the new social order and offer a portrait of a collective belonging to a generation relegated to the background. The delinquency, marginality and exile of the mainstream suffered by the protagonists are the main elements that form the plot and thematic axis of these films. The Transition seems to ignore the rejection suffered by young people of the lower class and the approach of these to heroin and criminality, as spaces to develop their individualities. In this time of uncertainty, the most important creators of the Spanish film scene seem to opt for a realistic cinema, dealing with the most pressing problems of Spanish society. The works combine violence, delinquency and concern for youth, showing an attractive commercial appearance at the box office. The association between cinema, drugs and delinquency, which had never been excessively frequent, utilizes the concept of the spectacle, paradoxically, as evasion and abstraction of reality. Although these works suffer from a strong stigmatization in their beginnings, as far as criticism is concerned, they have gradually acquired the status of document and attention by social disciplines. Developing a retrospective look, this type of cinema has been constituted as another source of information when it comes to deploying social studies to analyze the conditions of youth during these years and, recently, this genre has enjoyed outbreaks of interest in criticism and the general public, both from the filmic and the social perspective.

In recent decades, international legal constraints have shifted far beyond the national border. International lenders’ structural adjustment programs require states to slash budgets, privatize public enterprises and cut pensions. Trade agreements have shifted from locking in low tariffs to forbidding policies that today’s rich countries used to climb up the developmental ladder. This suite of neoliberal policies has been labeled the “golden straitjacket” for their supposed promise of unlocking economic growth. [NP] ‘Judge Knot’ explores a corollary to the straitjacket: investor-state dispute settlement (ISDS), where foreign investors can sue host states out of national courts before transnational tribunals over government regulation. Since 1990, corporations have launched hundreds of cases against states over environmental conservation, financial stabilization and public service provision. In an era of Donald Trump, Brexit, Bernie Sanders, and Jeremy Corbyn, criticism of this system has grown enormously. Yet meaningful reform has been difficult. Even though neoliberal economics is on the wane, its legal underpinnings remain attractive to the corporations that demand investment law and the arbitrators who supply it.

Building off of an unprecedented set of interviews with the arbitrators who actually decide the cases, the interdisciplinary ‘Judge Knot’ brings together the best of political science, law and development economics scholarship to offer a historical institutionalist account of investment arbitration in an era of unprecedented judicialization of international affairs. The book offers concrete alternatives to ISDS that leverage what works about the system and discard what doesn’t, so that international law can be more supportive of democracy and development goals.

This book is a comprehensive review of the political career of Benjamin Disraeli, providing a thorough critical analysis of one of the most ambitious and controversial leaders in British history. 'Disraeli and the Art of Victorian Politics' explores the political journey of a man propelled by a tremendous self-belief and capacity for self-invention through the complex world of Victorian political life. Disraeli retains a powerful presence in contemporary political discourse; whether in terms of current debates concerning the direction and leadership within the Conservative party or in more general areas of social and political debate such as the nature of imperialism, the dangers posed by the centralization of government power, the scope for state intervention in the economy, the constitutional role of the monarch and the meaning of Judaism in British life.  Dr Ian St John discusses Disraeli’s Conservative ideology and its relationship to his identity and his practice as a politician. The author brings to life the often sharp historiographical debates surrounding Disraeli's career by reproducing within each chapter views from key historians – an effective way to introduce the student and general reader to the contested nature of historical understanding. This title will be a major addition to our understanding of both Disraeli and the dynamics of nineteenth-century politics.

“The Rise of Little Big Norway” delivers a wide-ranging topical exploration of the remarkable rise of Norway from poverty and Nordic peripherality to the global steward and Arctic frontliner of today. Drawing on an unusual range of scholarly and popular source material, it chronicles the developmental emergence of Norway while setting it variously in its Nordic, Arctic, European, transatlantic and global contexts. It astutely blends historical analysis and contemporary insight into a finely crafted study of a long-overlooked country that is now a quietly influential global force and an exemplar in areas as diverse as work-life balance, diplomacy and ethical investing.

Written by an experienced Scandinavianist, “The Rise of Little Big Norway” offers a textual mosaic befitting a geographically and historically fragmented land. It elaborates a connecting theme of mobility, which took Vikings across the Atlantic in open boats, created a worldwide diaspora, fueled an exploratory age, and makes today’s Norwegians the royalty of the skiing world and the most traveled people on the planet. It gives special attention to the overlooked northern dimension that makes Norway, with its front-row seat on the Arctic, an increasing touchstone for twenty-first-century debates over global warming and transitioning to a post-oil age. It posits Norwegians as grounded globalists and Norway as a country of unique elements, from its societal peculiarities to its polar identity and the Nobel Peace Prize, which contribute to its unique global profile.

“The Rise of Little Big Norway” is written in a lively, trenchant, essay-based style which can be appreciated by non-specialists, while its coverage of less familiar sides to the national story will be helpful to scholars seeking to extend their knowledge of Norway, Scandinavia and northern Europe. For all readers it delivers a wealth of specialized information, astute observation and comparative insight into the qualities that enabled Norway’s rise to prominence and which distinguish it from its Nordic neighbors. This book offers the kind of thoughtful, well-crafted, single-volume coverage that has long been missing and which fills an important gap in the English-language literature on Norway and northern Europe.

If Marguerite Blessington (1788–1849) – the “most gorgeous lady” in Dr. Samuel Parr’s words – is ever remembered today, it is mostly for her famous literary salon and for her ‘Conversations of Lord Byron’ (1833 l–34), one of the poet’s early biographies. She is also infamous for the relationship with her step-daughter’s husband, the French dandy Count D’Orsay. Hardly anything, however, has been written on Blessington as a traveller and a travel writer. In 1820 she set off on a series of tours, in the course of which she kept journals which were then published as ‘A Tour in The Isle of Wight, in the Autumn of 1820’ (1822), ‘Journal of a Tour through the Netherlands to Paris in 1821’ (1822), ‘The Idler in Italy’ (1839) and ‘The Idler in France’ (1841).

Convinced that Marguerite Blessington merits scholarly attention as a travel writer, Aneta Lipska’s ‘The Travel Writings of Marguerite Blessington’ offers the first detailed analysis of Blessington’s four travel books. This book reveals that travelling and travel writing offered Blessington endless opportunities to reshape her public personae, demonstrating that her predilection for self-fashioning was related to the various tendencies in tourism and literature as well as the changing aesthetic and social trends in the first half of the nineteenth century. The book argues that the author constructed diverse images of herself, depending on the circumstances in which she found herself. The early travel accounts foreground the personae of a chaperoned woman traveller and a novice writer, allowing her admission to the genre of travel writing. The mature travel writings present her to the public as indeed the “most gorgeous lady” on the tour and a seasoned travel writer solidifying her position as a celebrity.

This book arose from several years of research on Akhmatova. Anna Akhmatova is one of the most acclaimed poets of the twentieth century. Her career falls into two distinct periods, an 'earlier' and a 'later', the dividing line being her period of relative silence between 1925 and 1940.  As is often observed, her return to poetry brings with it a sudden and dramatic shift away from a relatively homogenous body of early lyric miniatures to a more diverse and complex style. One of the major unresolved problems in Akhmatova scholarship is that of how the poetics of the two phases are related. Previous attempts to plot her creative trajectory contain internal inconsistencies and are in conflict with one another, often serving to confuse rather than clarify the debate. This book seeks to explore these themes, bringing reconciliation to seemingly disparate views. This book outlines a fresh and coherent framework for the apprehension of Akhmatova's oeuvre in its totality, seeing her as a poet who moves beyond modernism in her later period. The appeal to postmodernism, which is in itself innovatory with regard to Akhmatova studies, also allows exploration of a second problematic issue: how to account for the shift in self-presentation in the later verse, and the different concept of poetic self which it advances. This new account of Akhmatova's path to maturity challenges the conventional view of the early Akhmatova as poet in the classical Russian tradition, and of the later Akhmatova as paradigmatically modernist.

This book examines China’s digital economy and its reach into the Asia-Pacific region, focusing on Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. It shows how the Asia-Pacific region with an existing large Chinese diaspora is seen as a ‘cultural landing pad’ for Chinese content and ideas. In addition to these regional investigations, the authors trace China’s growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region, and adding to its cultural power.

Drawing on the political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China's commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government-supported media. The authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan. The book argues that China’s commercial digital platforms are increasingly recognized outside China and in many cases can disseminate Chinese culture more effectively than government-supported media, although this does not necessarily translate into influence. 

The sites chosen suggest that there is widespread ambivalence to China’s political messaging combined with an uneven reception of its popular culture. The book provides a critique of Western bias in soft power metrics and draws on empirical data to provide alternative readings.

The authors also analyse in detail Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms. The book illustrates how Chinese cultural power is extending overseas and the challenges of Chinese platforms, products and services in overcoming stereotyping and ‘threat’ perceptions.

‘Britain in India, 1858–1947’ seeks to trace the last 90 years of British rule in the light of modern historical debates. The volume examines the ambiguities of British rule that followed from the post-Mutiny settlement: the tensions between an authoritarian bureaucracy and the promise of a liberal vision of the future, and between imperial interests and the growing coordination of Indian aspirations for self-rule. The volume analyses these tensions with reference to contemporary historical debates, and traces them through changing international relations and world wars to Indian independence and partition in 1947.

This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. 

In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.

Recent literary studies of Brazil generally accept that there was a transformation in the 1960s and 1970s, from a narrative mainly situated in regional areas or the backlands, to the appearance of the big city as a contradictory scenario for national literature. Novelists and short story writers who are consolidated at that time encounter in the big cities of São Paulo and Rio de Janeiro a reality that not only brought a promise of modernity, but also produced a civic marginality that came with extreme poverty, violence, and organized crime. In the 1990s and 2000s, a generation of writers appeared who revived programmatic principles of this urban prose and who began the new century with a new demand for the real. Such a demand included references from historical realism and at the same time preserved a desire to experiment aesthetically in search of effects and affects, through a performative writing that was articulated in the translation of the historical temporality, mainly in the exploration of a lived presence. The narratives discussed are situated in a spatial referentiality that abandons the imaginary construction of the nation, an important task of modern literature, in favor of stories that are globalized by exploring ways to include Brazilian culture and language in new international networks.

This engaging collection of Bruce F. Kawin’s most important film essays (1977–2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays take up such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature.

Kawin’s film essays and reviews have appeared in “Take One,” “Film Quarterly,” “American Book Review” and elsewhere. Until the publication of this volume, most of them were out of print and unavailable online. Among the most significant articles reprinted here are “Me Tarzan, You Junk,” “The Montage Element in Faulkner’s Fiction,” “The Mummy’s Pool,” “The Whole World Is Watching,” and “Late Show on the Telescreen:  Film Studies and the Bottom Line.” The book includes close readings of films from “La Jetée” to “The Wizard of Oz” and reviews of films from “Full Metal Jacket” to “The Fury.”

The essays take up some of the most interesting aspects of film, from the effect of film violence on viewers to the changes brought by digital cinema, while remaining readable and free of jargon. As critic Howie Movshovitz says in the Foreword, “his writing is utterly, utterly clear.” Original and independent, the book is free of attachment to any school of criticism or theory, and is dedicated to the fresh and open-minded appreciation of movies.

The overarching aim of “Structure, Agency, Biotechnology: The Case of the Rothamsted GM Wheat Trials” is to propose a way of filling the analytical gap found in the current literature by offering an original theoretical framework. This framework is able to assess both the content and context of the scientific field without resorting either to deterministic or to what theorists refer to as “conflationist strategies.” In order to demonstrate the heuristic value of the framework, the 2012 GM wheat field trials carried out by Rothamsted Research, often associated with the “second push” of agribiotech firms to bring Genetically Modified Organisms (GMOs) to the UK, areassessed, and key aspects of the experiment areunderscored. At the same time, the broader institutional arrangements, key ideological constructs and the social order are examined, and a reframing of the controversy which moves beyond the simplistic conceptualization of it being a case of science versus politics is suggested. The volume also proposes a clear set of guidelines, which stem from the methodological and theoretical deep structure of the suggested framework but do not demand prior theoretical knowledge, which can be used by a wider audience engaged with biotechnology. This audience can draw on the guidelines either for reasons of developing a critical understanding of particular situations or for initiating the process of sustained dialogue between involved parties. These two dimensions are of great significance for practical policy orientations.

Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in various gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside their cultural and historical context.

Although theatre scholars have now gained familiarity with ‘Akropolis’ and ‘Dead Class’, there remains little understanding of the complex web of cultural meanings and significations that went into their making – they remain broadly but not deeply known. Grotowski and Kantor both sought to respond to the trauma of the Holocaust, albeit through drastically different aesthetics, and this study develops a comparative critical language through which one can simultaneously engage Grotowski and Kantor in a way that makes their differences evocative of a broader conversation about theatre and meaning. Ultimately, this volume invites and engages with many questions: how is theatrical meaning codified outside its cultural context? How is it codified within its cultural context? What affects the reception of a theatrical work? And, above all, how does theatre ‘make meaning’?

This book is a comprehensive review of the political career of Benjamin Disraeli, providing a thorough critical analysis of one of the most ambitious and controversial leaders in British history. ‘Disraeli and the Art of Victorian Politics’ explores the political journey of a man propelled by a tremendous and sometimes all consuming self-belief.

This study discusses Disraeli’s driving ideology and the extent to which he was able to stay true to these ideals in the face of fierce opposition during his six-year Premiership. The author uniquely recreates the atmosphere of lively debate by introducing competing arguments to punctuate each chapter, a novel and effective way in which to understand the political and social context for both the student and general reader alike.

Disraeli retains a powerful presence in contemporary political discourse – whether in terms of current debates concerning the unsure direction and leadership within the Conservative Party or in more general areas of social and political life such as the role and nature of imperialism, the declining presence of the monarchy and the meaning of Judaism in British life. This updated edition will be a major addition to our understanding of the dynamics of nineteenth-century politics.

In the context of China’s ascendancy, the world watches and listens. China wants to project a soft power image. One channel for its soft power communication – about its success and international cooperation – is international broadcasting. ‘Chinese Television and Soft Power Communication in Australia’ discusses China’s soft power communication approach and investigates information handling between China and its targeted audiences in the eyes of key influencers – intermediate elites (public diplomacy policy elites in particular) in China and Australia. Drawing on the case of the state-owned broadcaster CGTN – viewed by China as an essential soft power tool for framing its voice – the book examines empirically the reception to China’s soft power messaging by Australian audiences and the factors underpinning its reception.

The book provides a holistic, systemic evaluation of China’s soft power messaging seen as part of its power portfolio and what this means to the world order. Through media frame analysis of CGTN’s framing of China’s most ambitious and comprehensive initiative – the Belt and Road Initiative – and interviews with intermediate elites in China and the typical case of a Western target audience in Australia, it presents an in-depth theoretical discussion of the mechanisms of China’s communication approach through a soft power lens. It also reflects on an exploration of journalistic operations within CGTN (with staff from several professional cultures) and a systemic test of how successful/unsuccessful China’s soft power message projection is in terms of congruence between projected and received frames, as a pivotal factor of its power status.

“Economists and the Powerful: Convenient Theories, Distorted Facts, Ample Rewards” explores the workings of the modern global economy – an economy in which competition has been corrupted and power has a ubiquitous influence upon economic behavior. Based on an array of empirical and theoretical studies by a series of distinguished economists, this book reveals a stark and unpleasant truth: that the true workings of capitalism are very different from the popular myths that mainstream economics would have us believe.

By connecting the dots and coloring the resulting picture with real life examples, this work provides a groundbreaking account of the mechanics of capitalism, and demonstrates how different groups and elites consistently further their own economic interests at the expense of others. Journeys into economic history allow the reader to travel to the source of the political power enjoyed by our current-day financiers, and unveil a whole host of systematic problems – such as that our banks are the main beneficiaries of today’s unstable, debt-oriented monetary system, or that leading economists often play a role in helping CEOs massively inflate their salaries without improving their performance – that are today more pertinent, and prevalent, than ever.

To investigate these issues, “Economists and the Powerful” looks closely at the incentives pursued by economists, and explores the history of the economic doctrines supported in our current financial climate. Via this scrutinizing approach, the text approaches the most overlooked issue of all: the matter of how, when and why the questioning of power was erased from the radar screen of mainstream economics – and the influence this subversive removal has had upon the modern financial world.

For more information please see the book website: http://economistsandthepowerful.anthempressblog.com/

In 1805, naval officer Captain Philip Beaver (1766–1813) published his African Memoranda: Relative to an Attempt to Establish a British Settlement on the Island of Bulama, on the Western Coast of Africa, in the Year 1792. Beaver’s text in this modern scholarly edition presents a compelling account of his settlement of the island of Bulama, with a group of British colonists (275 men, women and children). Arriving in May-June 1792, the settlers were beset by illness and the hardships of their tropical environment, and many began to die, or chose to return to Britain. Despite his super-human efforts to maintain the colony, by 1793 Beaver was also forced to leave the island with only one other original settler.

Beaver’s intriguing, yet modest account of his endeavours, led to public acclaim for his efforts on behalf of the colony. He was also admired for his anti-slavery principles and his desire to bring ‘cultivation and commerce’ to the region. At a time when Romantic studies recognises the wider social and historical contexts of the literature that was created, and the impact of colonialism, abolition and African exploration on our understanding of the period, this book provides an important nexus that brings all these aspects together. In fulfilling the myth of the self-sacrificing national hero (such as that embodied by Admiral Horatio Nelson), Beaver’s account also lends itself to significant debates about masculinity, heroism and nationalism in the Romantic period.

This volume is a brief anthology of the most influential writing by American scientists between 1800 and 1900. Arranged thematically and chronologically to highlight the movement of American science throughout the nineteenth century, from its beginnings in self-taught classification and exploration to the movement towards university education and specialization, this anthology is the first of its kind. Biographies front each section, putting human faces to each time period, and the anthology includes such notable names as Thomas Jefferson and Louis Agassiz. 

Hinge epistemology is a rising trend in epistemology. Drawing on some of Wittgenstein’s ideas in On Certainty, it claims that knowledge always takes place within a system of assumptions, or “hinges”, that are taken for granted and are not subject to verification and control.

This volume brings together thirteen papers on hinge epistemology written by Annalisa Coliva, the coiner of the term and one of the leading figures in this trend, and published after her influential monographs Moore and Wittgenstein. Scepticism, Certainty and Common Sense (2010), Extended Rationality. A Hinge Epistemology (2015). By mixing together Wittgenstein scholarship and systematic philosophy, they illuminate the significance of hinge epistemology for current debates on scepticism, relativism, realism and anti-realism, as well as alethic pluralism, and envision its possible extension to the epistemology of logic. 

Along the way, other varieties of hinge epistemology, such as Moyal-Sharrock’s, Pritchard’s, Williams’ and Wright’s are considered, both with respect to Wittgenstein scholarship and in their own right.

This exciting addition to Dostoevsky studies deals with the religious dimension of the novelist's life and fiction. Malcolm Jones takes a fresh reading of Dostoevsky's representation of religion in his fictional world, that allows for both mystery and fear. The author argues that the spiritual map of human experience that Dostoevsky offers includes only the occasional small island of serenity in vast, turbulent oceans of doubt, rebellion, rejection, indifference and disbelief. Dostoevsky is also viewed as an artist, revealing glimpses of salvation through subversive narrative techniques and destabilized, vulnerable characters. Dostoevsky's fictional characters experience the dread of a meaningless void as well as a desperate longing for the restorative binding idea that religion offers. 'Dostoevsky and the Dynamics of Religious Experience' offers a balanced and authoritative argument. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offer a close textual analysis of Dostoevsky’s works, including  'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'. This work is a major contribution to the study of Dostoevsky and Russian Literature in Europe, the USA, Russia and throughout the world.

In 21 short case studies, this short book examines the distinctive coincidental history of America, Britain, and various Asian countries during the twentieth century. It covers a wide range of historical events, from American expansion into the Pacific to the creation of the Soviet gulags in Siberia to the end of the Vietnam War. 

Each of the short case studies focuses on one set of coincidental actions. Were they linked in some way? Or completely random? The reader is allowed to decide for themselves. Often, the coincidental overlap is due to timing, with various events throughout history occurring on the same dates. For example, Great Britain’s controversial blockade of Venezuela began on December 7, 1902, the U.S. Navy and the Royal Navy merged forces on December 7, 1917, and Japan attacked American and British naval bases on December 7, 1941. The author will suggest that these three actions were linked, but it is up to the reader to decide if it was really just a coincidence.

The main goal of this short book is to show how watershed historical events can often become layered or overlap each other, sometimes by intent but often merely by happenstance. As Ian Fleming once famously opined about actions in war: “Once is happenstance. Twice is a coincidence. Three times is enemy action.”

This collection of exercises compiled for talented high-school and undergraduate-level students encourages creativity and a deeper understanding of ideas when solving physics problems. This book features almost three hundred problems and solutions worked out in detail, dealing with classical physics topics such as mechanics, thermodynamics, electrodynamics, magnetism and optics. Posed in accessible language and requiring only elementary calculus, these problems are intended to strengthen students' knowledge of the laws of physics by applying them to practical situations in a fun and instructive way. These problems and solutions challenge students of physics, stretching their abilities through practice and a thorough comprehension of ideas.

The 2020 COVID-19 pandemic imposed immobility on large sectors of the world’s population, with confinement becoming for several years an everyday reality. The lives of those who previously enjoyed the privileges of being ‘fast castes’ ground to a halt, while at the same time the displacement of more vulnerable populations along well-established migration corridors has been radically reduced. The result has been a recalibration of the scale of journeying, with travellers slowing down and readjusting their relationship to the proximate and nearby. This situation has provided an opportunity for those who study travel and travel writing to rethink their object of study. This volume explores and historicizes the phenomenon of ‘microtravel’, designating slower journeys within a limited radius which allow, and sometimes necessitate, new forms of experiencing the world.
The contributors reveal how these practices are far from new and are indeed evident across numerous examples of journey narratives from earlier periods. The volume considers a diverse range of forms, including fictional texts. It also includes ficto-critical writing, allowing a fuller exploration of new approaches to microtravel in the twenty-first century. Sometimes deceleration is reduced to immobility, with the traditional horizontal axis of travel replaced by a burrowing down into time, place and space. Contributions engage with the following four intersecting themes:
Confinement and immobility: travel writing is traditionally associated with tropes of expansiveness and openness. The volume disrupts this understanding by claiming that the travelogue is often more accurately understood as a form dependent on tensions between mobility and immobility, between confinement and liberty. Confined travellers may experience a breakdown of the journey as their progress stalls and they are reduced to a state of sessility. This physical restriction can lead, however, to different modes of travelling, an understanding of microtravel associated with slowing down and perceiving the place differently. For some, this sessility is a choice, a restricted frame of reference or scope imposed on their travels. Deceleration and pedestrianism: confinement leads to an inevitable slowing down of the journey, but microtravel encompasses other forms of spatial limitation. Eschewing mechanized transport, for instance, the pedestrian becomes reliant on self-propulsion, reducing the dimensions of the world to those of the travelling self. Walking exemplifies the impact of deceleration on the journey, activating multisensory forms of engagement and ensuring direct, close contact with the field of travel. The return of walking in contemporary travelogues may demonstrate, however, a nostalgia for earlier modes of journeying, and there is a need to recognize the pitfalls of such romanticization. Palimpsestic travel: Kris Lackey coined the term ‘vertical travel’ to describe journeys that disrupt the traditional horizontal axes of travel. Robert Macfarlane has written, in Underground, about itineraries that burrow beneath our feet and explore the hidden and the unseen. This volume focuses also on the notion of palimpsestic journeying as a form of microtravel, an engagement with place that reveals historical layers and allows the travellers to create connections between the past and present. Microspection and microsound: just as deceleration can trigger heightened sensory awareness of the multiple textures of place, on occasion moving beyond the human emphases of the Anthropocene, so our understanding of microtravel is associated with an attention to detail otherwise missed from mechanized journeys or those reliant on acceleration of the body through space.

This scholarly biography traces the life and art of Lebanese-American neo-expressionist, Nabil Kanso (1940–2019). It explores key moments across the artist’s transnational career by foregrounding his longest-running, internationally toured exhibition, the Journey of Art for Peace (1985–1993). More specifically, it traces the historical trajectory of his 10 × 28 mural-scale painting, Lebanon, from the circumstances of its production at the height of the Lebanese Civil War in 1983, through its short-lived exhibition history with the Split of Life series in the few years that followed. The book scaffolds an understanding of the artist as an activist and works toward offering distinctly spatial readings of his painterly practice, of which the act of bearing witness is highlighted as permeating the entirety of his oeuvre. It concludes with a contemporary recontextualization of Lebanon in the country’s current social, political, and cultural climate, and emphasizes the artist’s work as essential to the theorization of larger traditions of political and protest art.

The first of its kind and the result of a research fellowship wherein the author was invited to be the first to work through the artist’s unpublished archive, this book lays the groundwork for scholarship on the art of Nabil Kanso—an essential yet hitherto unstudied pioneer of the neo-expressionist art movement of the 1960s. It draws extensively on primary source material, including personal notes, diaries, sketchbooks, correspondences, paintings, watercolors, photographs, recorded interviews, and the like. To best animate that source material within the context of this publication, each chapter is prefaced with short narrative anecdotes inspired by the artist’s personal notes to better ground the subsequent research and scholarship in the artist’s own terms and experiences.

Born in Beirut, Kanso, like many of his generation, would seek sought refuge abroad from political instability in his home country. It is through this intrinsic proximity to, yet physical distance from, the cycles of violence and corruption in Lebanon that Kanso would go on to create his grandest greatest mural-scale series. This book, more than anything, explores the artist’s oeuvre as an attempt to bear witness and offer testimony to those moments, an inclination that would see the artist grapple with some of the most ferocious crimes against humanity committed throughout his lifetime. As such, this book pairs close readings of Kanso’s art and personal practice with both historical and contemporary context meant to animate the relevance of his vast yet never-before-seen artistic archive.

How are breasts and breastfeeding shown in literature? Why does the depiction of breastfeeding in literature matter? What messages do we get from literature about the feeding of infants and children and about women’s bodies? Is this different in different cultures? What causes cultural and historical differences and what can we learn from them?

This cross-cultural study analyses images and descriptions of breasts and breastfeeding in children’s books and literature for adults, in both English and Swedish. It explores how breastfeeding is depicted in literature in the two languages and discusses why there are differences in the cultures. Literary, feminist, anthropological, sociological, historical, and cultural research is used to support this analysis and to suggest explanations for the differing depictions. For example, the book discusses the concepts of women being nude versus women being naked; nakedness, the book argues, is more acceptable in Swedish literature and society, whereas a naked female is immediately perceived as nude in English-speaking cultures, and nudity is always sexualised. It discusses the male gaze and challenges ways of seeing women’s bodies in literature; a question here is whether women can see their bodies without being influenced by the pervasiveness of the male gaze. Another example of a difference between the two cultures is the rise of formula-feeding and supposedly scientific ways of understanding and managing bodies in many Western countries, including English-speaking ones, and this in turn influences decreasing familiarity and comfort with seeing breasts and breastfeeding in literature, whereas rates of breastfeeding are still high in Scandinavia, which suggests more understanding, acceptance and support of natural bodily functions. In addition, issues such as whether a more feminist political approach might affect how breastfeeding is depicted and how it is treated in society are considered.

While this intercultural exploration of breasts and breastfeeding in literature is academic and relies on extensive research, the book also suggests that this reflects popular culture today. Given the rise of the #MeToo movement and our new awareness of people’s rights to their own bodies and to consent, it is important that we explore depictions in the media of women’s bodies and encourage positive representations. Avoiding naked females in literature or primarily showing them in sexualised contexts suggests a sense of shame and fear about female bodies, or emphasises the idea that women are to be objectified.

In short, this book will focus on a topic not yet seen in any depth in academic research and will raise fresh awareness of the power of literature to influence how readers see their own and other people’s bodies, and will also illuminate cultural and historical differences that affect what writers describe and illustrators depict in literature when it comes to breasts and breastfeeding. The book challenges the currently prevailing ways of depicting female bodies in literature and discusses the way societal norms influence the writing and illustrating of literature.

“Approaches to the Study of Intercultural Transfer” presents a collection of compelling case studies in the area of social reform, museums, philanthropy, football, nonviolent resistance and holiday rituals such as Christmas that demonstrate key mechanisms of intercultural transfers. Each chapter provides the application of the intercultural transfer studies paradigm to a specific and distinct historical phenomenon. These chapters not only illustrate the presence or even the depth and frequency of intercultural transfer, but they also reveal specific aspects of the intercultural transfer of phenomena, the role of agents of intercultural transfer and the transformations of ideas transferred between cultures thereby, contributing to our understanding of the mechanisms of intercultural transfers.

The transfers explored in this volume provide for a narrative of an interconnected world in which societies and cultures exchanged ideas and objects over long distances connecting places and spaces across the globe and contributing to the creation of distinct local cultures and societies. Ideas about social reform and customs such as the Christmas tree were transferred across political and geographic borders. In the process, they were modified to fit into the receiving society. They lost some of their meaning and received new meaning. The Pagan symbol of the Christmas tree was Christianized through its transfer from cities such as Dresden to cities such as Boston.

Concepts such as Gandhi’s nonviolent resistance appealed to many Western observers who considered peaceful and rational conflict solution in the aftermath of World War I as essential to the survival of humankind. The appeal of nonviolent resistance did not result in a full grasp of such phenomena. Western observers misunderstood and mistranslated Satyagraha with passive resistance. Such modifications reveal the nature of intercultural transfer. In this process, the power of adopting a new idea rests with the receiving society. The giving society has little influence over the transfer process and loses control over the transfer fairly early. This contributed to the conundrum of the modern world which, in spite of the multitude of such transfers, became not only more similar but also more dissimilar.

In the course of one’s life in academia, one tends to formulate insights on various matters one encounters in a succinct form to share with one’s students and colleagues. This book is a collection of such thoughts.

Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in various gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside their cultural and historical context.

Although theatre scholars have now gained familiarity with ‘Akropolis’ and ‘Dead Class’, there remains little understanding of the complex web of cultural meanings and significations that went into their making – they remain broadly but not deeply known. Grotowski and Kantor both sought to respond to the trauma of the Holocaust, albeit through drastically different aesthetics, and this study develops a comparative critical language through which one can simultaneously engage Grotowski and Kantor in a way that makes their differences evocative of a broader conversation about theatre and meaning. Ultimately, this volume invites and engages with many questions: how is theatrical meaning codified outside its cultural context? How is it codified within its cultural context? What affects the reception of a theatrical work? And, above all, how does theatre ‘make meaning’?

In recent decades, international legal constraints have shifted far beyond the national border. International lenders’ structural adjustment programs require states to slash budgets, privatize public enterprises and cut pensions. Trade agreements have shifted from locking in low tariffs to forbidding policies that today’s rich countries used to climb up the developmental ladder. This suite of neoliberal policies has been labeled the “golden straitjacket” for their supposed promise of unlocking economic growth. [NP] ‘Judge Knot’ explores a corollary to the straitjacket: investor-state dispute settlement (ISDS), where foreign investors can sue host states out of national courts before transnational tribunals over government regulation. Since 1990, corporations have launched hundreds of cases against states over environmental conservation, financial stabilization and public service provision. In an era of Donald Trump, Brexit, Bernie Sanders, and Jeremy Corbyn, criticism of this system has grown enormously. Yet meaningful reform has been difficult. Even though neoliberal economics is on the wane, its legal underpinnings remain attractive to the corporations that demand investment law and the arbitrators who supply it.

Building off of an unprecedented set of interviews with the arbitrators who actually decide the cases, the interdisciplinary ‘Judge Knot’ brings together the best of political science, law and development economics scholarship to offer a historical institutionalist account of investment arbitration in an era of unprecedented judicialization of international affairs. The book offers concrete alternatives to ISDS that leverage what works about the system and discard what doesn’t, so that international law can be more supportive of democracy and development goals.

Grand Duchess Elena Pavlovna and Princess Isabel were two of the most remarkable women of the nineteenth century; both are largely unknown in the English-speaking world. Elena Pavlovna was a German princess from the Kingdom of Wurttemburg who was selected to be the wife of Grand Duke Mikhail, the brother of Emperors Alexander I and Nicholas I. Princess Isabel was the daughter of the Brazilian emperor Dom Pedro II and heir to the throne. Both women were major players in the politics of emancipation in Russia in 1861 and in Brazil in 1888, respectively. Like many women, their political activities have been marginalized or completely written out of the historical record. This book chronicles the political lives of these two women, culminating in two of the most momentous emancipations of the nineteenth century. It does so in a way that sets the two women in the context of their societies. These societies were servile societies in the full sense of this phrase. Russia was the largest servile society in the world with over 40 million serfs at the time of emancipation while Brazil was the first slave society in the Americas and the last to free its slaves. 

The book emphasizes that the freeing of serfs in Russia and slaves in Brazil was part of the great wave of emancipations that began with the French Revolution. When that wave finally receded servile labor had been swept away from most countries in the world, including France (1789), Haiti (1793), Prussia (1807), the British Empire (1833), the Austrian Empire (1848), the Russian Empire (1861), the United States (1865), and ending with the freeing of slaves in Brazil in 1888. Too often, emancipation is looked at purely from a national view or one that is confined to the English-speaking world. Yet even from this truncated list it is clear that emancipation was a truly transnational phenomenon.

The book adopts an explicitly comparative approach. By detailing emancipation in the Russian and Brazilian empires, this book offers a broader understanding of that process, showing what they had in common as well as what differentiated them. Both empires were monarchies in which the emperors ruled as well as reigned, both excluded women from any political role and both were servile societies. Without denying the importance of the struggles of the oppressed themselves for freedom or the impact of economic changes, this book prioritizes high politics as an essential component of Monarchy, gender roles, and emancipation converged in the persons of Grand Duchess Elena Pavlovna and Princess Isabel in ways that had a decisive impact on the course of emancipation and the form that it took. 

‘Pashtun Identity and Geopolitics in Southwest Asia’ brings together Pakistan and Afghanistan as two inseparable entities by investigating areas such as the evolution and persistence of the Taliban, quest for Pashtun identity, the ambivalent status of the tribal region and the state of civic clusters on both sides. In addition to their relations with the United States and the EU, a due attention has been devoted to regional realties while looking at relations with India and China. The study explores vital disciplines of ethnography, history, Islamic studies, and international relations and benefits from a wide variety of source material. The volume takes into account the salient subjects including political Islam, nature and extent of violence since 9/11, failure of Western policies in the region, the Drone warfare, and the emergence of new regimes in Kabul, Islamabad and Delhi offering fresh opportunities as well as new threat perceptions.

This collection of poetry brings to life many of the important patterns of development in the verse of the late-Victorian period, and offers a fuller reflection of ‘decadence’ than those anthologies confined to the 1890s. ‘Major’ writers such as Tennyson, Browning, Hardy and Hopkins are presented alongside less well-known poets, fifty of whom are female, and other traditional figures such as Stevenson, William Morris and Christina Rossetti are given a fresh look. The book also contains a comparative chronology of prose 1872-1900 and of movements in the visual arts. Accompanied by an acclaimed critical commentary, the volume enables readers to discover poetry in the wider context of the literary, aesthetic and intellectual forces of the late-Victorian world as a whole.

Dedicated to his father, Mevlüt, who made and sold his own brand of flavored soda or “Peri Gazozu” in a village in Anatolia, “Fairy Chimney Soda” is a collection of short stories by Turkish author, screenplay writer and actor Ercan Kesal. Written with a light, fairy-tale touch, Kesal is clear-eyed as he mines his memories of childhood and his early years as a doctor fulfilling his mandatory civil service in the remote villages of Anatolia. He explores the wonder and terror of childhood, the hardship of living through the turbulent years in the lead-up to the 1980 military coup and the anguish, insight and resolution that comes with death and dying. The stories are artfully layered cuts out of time, vignettes woven together by a common thread that brings the past into a vibrant, startling present. Each story is a little like a delicate patchwork, condensing an entire lifetime: now he is the proverbial country doctor; a zealous revolutionary; a young boy coming of age; an older man paying tribute to a father about to die. Although a collection of individual stories, “Fairy Chimney Soda” reads like a novella in that we come to know intimately Kesal’s mother and father and lasting childhood friends. It is a celebration of both his country and these people whom he dearly loved.

The stories capture the cultural, political and social landscape in the late twentieth century, casting light on some of the harsh realities that have plagued the Turkish Republic since its establishment in 1923. In many of them Kesal challenges the status quo, tackling the hard issues: state violence, terror, a patriarchal society and prejudice; they are stories in which the notion of fate still triumphs over the strength of individual free will. In them we see echoes of the Turkish storyteller Sait Faik and the stark clarity, precision and insight of Lydia Davis.

In crystal-clear prose, the stories are cinematic, bursting with color. In few words we see a young boy in the many trying stages of his life coming to grips with his relationship to his family, country and the world around him. He recalls that precise moment when he decides his mother should no longer bathe him, and later, when he is studying to become a doctor, he marvels at his near-mythical mother’s primal understanding of the world, and how this lies in stark and loving contrast with his commitment to science and his desire to positively effect change in his country.

These are cautionary tales unveiling hard truths, unsettling in their quick, dramatic shifts in mood, at times bleak and buckling under a philosophical pressure, at other times warm and uplifting, always rich with human wisdom. Matching with his presence on the silver screen, Kesal is a brave and bighearted writer: radical, self-questioning and perceptive. In its entirety “Fairy Chimney Soda” is a unique glimpse of life in Turkey in the late twentieth century, whimsical, poignant, at times radical, but always heartfelt, timeless, deeply personal sketches connected by common themes of love, death, faith, compassion and reconciliation.

To what extent should religion be taught in classrooms? Should lessons also cover non-religious beliefs? Should the teaching of religion be compulsory or should it be a matter of choice by the parents or the child? Should faith schools be allowed to teach their religious beliefs? Should religious worship be compulsory for all pupils?

Questions of how religion operates within schools prove controversial and divisive. This book explores radical changes that are being made in Wales and the lessons that can be learnt. The Curriculum and Assessment (Wales) Act 2021 introduces a new curriculum for Wales and makes the teaching of religion, values and ethics compulsory for all. As the name of the new subject suggests, the study of non-religious beliefs will now be explicitly included and groups such as humanists will play a role in the writing of the curriculum. 

The 2021 Act will mean that the law on the teaching of religion in Wales will differ from England for the first time. In England, the rules developed in the 1940s continue to apply: these require religious education that must ‘reflect the fact that the religious traditions in Great Britain are in the main Christian’ and daily religious worship which must be ‘wholly or mainly of a broadly Christian character’ subject to a parental opt out. Critics have pointed out that these laws are outmoded in today’s multicultural and largely secular society and that many schools fail to comply with them. This book will explore what can be learnt from developments in Wales to shape the law in England. It will explore reform suggestions in England and the Welsh law, potential shortcomings of the Welsh legislation and areas that the 2021 Act leaves untouched, namely the rules on religious worship. The book is written by a leading authority on the interaction of law and religion whose work fed into Welsh parliament debates on the 2021 Act.

Stalking. Sexual harassment. Mass shootings. Employers are increasingly expected to have a plan to identify and manage threats posed by employees in the workplace. But what questions and issues should you contemplate? Does involving police early make the situation better or potentially worse? What specific words and issues should be addressed and avoided as a case unfolds?

In this authoritative new guide, Dr Laurence Barton draws on over thirty years’ experience as the world’s leading threat assessor to outline how to prevent, manage, and mitigate threats made by employees, contractors, customers, former employees and others. He unlocks key issues to help the reader navigate new privacy laws, psychological evaluation, and employee communications when a potentially dangerous person is angry with your most vital resource: your people.

This is an invaluable new handbook for businesses and HR, legal, and security professionals worldwide.

The book explores themes of power, ideology, and identity formation, particularly through a post-structuralist lens. It examines how the state influences the well-being of its citizens, focusing on children living in marginalized circumstances. By following the lives of several children exposed to pervasive violence, the author illustrates how these experiences shape their identities and the broader societal context.

The study identifies key themes such as the effects of forced removals, displacement, marginalization, and the prevalence of violence in Blue Waters Refugee Camp Site C and Symphony Way Temporary Relocation Area. By examining pathways and patterns related to identity, embodiment, health and illness, as well as the expressive nature of theatre, the research yielded rich ethnographic data on children’s experiences in these settings. Central to this study, and to the broader field of children and childhood studies, is the understanding that children are perceptive, active agents in shaping their own unfolding narratives.Taking into account the violence that permeates through everyday life in South Africa, this book makes an essential contribution to future housing policy design and implementation by deepening our understanding of the socioeconomic structures that exacerbate divisions based on geography, race and class. Evidently, for children living in frequent and forced mobility, their experiences are suffused with violent tensions that follow them across the changing landscapes generated by frequent mobility.

The French Second Empire (1852-70) was a time of exceptionally rapid social, industrial and technological change. Guidebooks and manuals were produced in large numbers to help readers negotiate new cultural phenomena, and their concerns – including image-making, diet, stress, lack of time, and the frustrations of public transport – betray contemporary political tensions and social anxieties alongside the practical advice offered. French literature also underwent fundamental changes during this period, as writers such as Baudelaire, Flaubert, Gautier, Hugo and Zola embraced ‘modernity’ and incorporated new technologies, fashions and inventions into their work. Focusing on cultural areas such as exhibitions, transport, food, dress and photography, ‘Changing France’ shows how apparently trivial aspects of modern life provided Second Empire writers with a versatile means of thinking about deeper issues. This volume brings literature and material culture together to reveal how writing itself changed as writers recognised the extraordinarily rich possibilities of expression opened up to them by the changing material world.

In the field of literary and cultural studies, interest in nineteenth-century biology has been substantial for the last 20 years, yet the focus has been almost exclusively on evolutionary theory, neglecting other branches of nineteenth-century biology. This collection corrects that imbalance, shedding light on other discoveries in cell biology, physiology, neurology and virology. It examines the issue of authority in science, demonstrating the social 'embeddedness' of the natural sciences, and gender issues. It also shows how scientists and creative writers drew on a common imagination as well as narrative techniques and stylistic devices; indeed, often inspired by the same subjects. This important new book, including contributions from some of the most distinguished experts in the field, demonstrates that the relation between literature, culture and biology in the nineteenth century is far more complex than habitual references to Darwin would have us believe.

Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. “Horror and the Horror Film” conveys a mature appreciation of horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy, and their cinematic power. The volume covers the entire genre, considering every kind of monster in it – including the human.

After defining horror and thoroughly introducing the genre, the text offers a rich survey of all of the horror film’s subgenres, before concluding with a look at the related genres of horror comedy and horror documentary. International in scope, its survey extends from the first horror films (1896) to the present, discussing more than 350 movies. Through its comprehensive and detailed investigation of the genre, “Horror and the Horror Film” offers a compelling, insightful look at how the horror film frightens and revolts the viewer, its reasons for doing so, and the art of portraying and evoking fear, and will be a great asset to film scholars, horror enthusiasts and readers yet to be convinced of the importance of the genre.

'Lesser Breeds' focuses on racism as manifested in the popular culture of nineteenth- and early twentieth-century Britain, exemplified by attitudes to the Chinese, Arabs, Blacks and Jews. This compelling book investigates the manifold expressions of prejudice in the popular arts of the period. Like Diamond's successful 'Victorian Sensation', this is a comparative exploration of how popular racism was naturalised, what issues it raised and fed off, and what this said about British people at the time. One of the author's key concerns is the way in which the popular media feeds on stereotypes, which go on to reinforce relatively uninformed cultural and social assumptions. The parallel to our own cultural and political climate is compelling. This fascinating title will be of interest given the current trend of tabloid racism; it will also appeal to a general and unfailing interest in the intriguingly vulgar British Empire.

If Marguerite Blessington (1788–1849) – the “most gorgeous lady” in Dr. Samuel Parr’s words – is ever remembered today, it is mostly for her famous literary salon and for her ‘Conversations of Lord Byron’ (1833 l–34), one of the poet’s early biographies. She is also infamous for the relationship with her step-daughter’s husband, the French dandy Count D’Orsay. Hardly anything, however, has been written on Blessington as a traveller and a travel writer. In 1820 she set off on a series of tours, in the course of which she kept journals which were then published as ‘A Tour in The Isle of Wight, in the Autumn of 1820’ (1822), ‘Journal of a Tour through the Netherlands to Paris in 1821’ (1822), ‘The Idler in Italy’ (1839) and ‘The Idler in France’ (1841).

Convinced that Marguerite Blessington merits scholarly attention as a travel writer, Aneta Lipska’s ‘The Travel Writings of Marguerite Blessington’ offers the first detailed analysis of Blessington’s four travel books. This book reveals that travelling and travel writing offered Blessington endless opportunities to reshape her public personae, demonstrating that her predilection for self-fashioning was related to the various tendencies in tourism and literature as well as the changing aesthetic and social trends in the first half of the nineteenth century. The book argues that the author constructed diverse images of herself, depending on the circumstances in which she found herself. The early travel accounts foreground the personae of a chaperoned woman traveller and a novice writer, allowing her admission to the genre of travel writing. The mature travel writings present her to the public as indeed the “most gorgeous lady” on the tour and a seasoned travel writer solidifying her position as a celebrity.

Peter Guy Winch (1926 – 1997) was one of the most important philosophers of the second half of the 20th Century. He is best known for his early work on the philosophy of the social sciences, in particular his monograph On the Idea of a Social Science and its Relation to Philosophy (ISS), which generated controversy within both philosophical and social scientific circles. In that work and subsequent publications, Winch argued against the presupposition that social relations could be understood using only the conceptual tools of the natural sciences. Winch would later come to regret the reputation ISS garnered him, which was a mixture of roughly equal degrees fame and infamy. In part this regret stemmed from the (as it seemed to him) uncharitable light in which ISS was read by its many critics. In part it was because that book overshadowed all of his subsequent work. And alongside his writings on the philosophy of the social sciences, his interests ranged widely. He published a groundbreaking study of the philosophy of Simone Weil, entitled Simone Weil: The Just Balance (Winch 1989). In his critical review of that work, Rowan Williams praised Winch for “writing a book whose main purpose is to make us think with Weil, and in so doing recognise her as a philosopher.” Alongside these interests, Winch also published numerous essays in many areas including ethics, political philosophy, the philosophy of religion and philosophical logic, most of which are collected together in two volumes of essays published during his lifetime, Ethics and Action (1972) and Trying to Make Sense (1987). Shortly before his death, he was turning his attention to a book manuscript on the problem of political authority. 

This volume unites Peter Winch’s previously unpublished work on Baruch de Spinoza. The primary source for the text is a series of seminars on Spinoza that Winch gave, first at the University of Swansea in 1982 and then at King’s College London in 1989. Audio recordings of the majority of the Swansea seminars have survived. The editors have transcribed these, edited them for coherence, style and clarity, and supplemented them with material drawn from Winch’s typescripts and preparatory notebooks. What emerges is an original interpretation of Spinoza’s work that demonstrates his continued relevance to contemporary issues in metaphysics, epistemology and ethics, and establishes connections to other philosophers - not only Spinoza’s predecessors such as Descartes, but also to the philosophical views of Ludwig Wittgenstein and Simone Weil.

There is currently a resurgence of interest in Spinoza’s philosophy, and this volume will contribute to burgeoning debates within that field. Winch’s account of Spinoza is uncommon insofar as it takes as central to Spinoza’s project his conceptions of meaning, understanding and language, and directly connecting these to his ethical concerns. At the same time, Winch makes useful links to modern debates in ways that throw helpful light on Spinoza. As well as issues which are central to the philosophy of language, these include debates on the nature of the mind, naturalism and the place of the human being within the natural world.

Since ancient times the exercise of individual freedoms has been inseparable from the expansion of the market, driven by the search for profit. This force, namely capitalism, has stimulated human creativity and aggression in ways that have produced immense benefits. As capitalism has broadened its scope in the epoch of globalization, these benefits have become even greater. Human beings have been liberated to an even greater degree than hitherto from the tyranny of nature, from the control of others, from poverty and from war. The advances achieved by the globalization of capitalism have appeared all the more striking, when set against the failure of non-capitalist systems of economic organization.

However, capitalist freedom is a two-edged sword. In an epoch of capitalist globalisation, its contradictions have intensified. They comprehensively threaten the natural environment. They have intensified global inequality within both rich and poor countries, and between the internationalised global power elite and the mass of citizens rooted within their respective nation. In this remarkable, expansive text, Peter Nolan explores the impact of the domineering economic phenomenon on our personal and social liberties.

Ralph Ellison and Cinema reveals the crucial role of cinema throughout Ellison’s career. In his most famous work, Invisible Man (1952), cinema is part of a cultural and institutional landscape; as such, it is integral to the way the novel’s protagonist feels and thinks. In Ellison’s critical essays, cinema is simultaneously a crystallization of racial prejudice, a vehicle of ideas about history, and an index of the variously illusory and the revelatory character of dreams. But it is in his monumental, unfinished second novel, posthumously published as Three Days Before the Shooting . . . (2010), that Ellison’s thinking about cinema is brought to its imaginative and theoretical peak. Here, Ellison gives full rein to a sensibility that is both cinephile and cine-sceptical; in the book, Ellison is as much concerned with cinematic form as he is with cinematic content. To chart the breadth and depth of Ellison’s cinematic interests, Ralph Ellison and Cinema discusses the author’s major works alongside private correspondence, Hollywood films in which Ellison took particular interest, and marginalia in the author’s personal library. Ralph Ellison and Cinema also provides a detailed account of the intellectual and social contexts in which Ellison’s works took shape.

‘How to Get into Medical School in Australia’ is the definitive guide on how to succeed in your application to medical school – and how to excel once there. The book provides comprehensive details of the admissions processes – both undergraduate and graduate – in an easy-to-digest, chronological format, to help you manage your application step by step.

This detailed handbook includes an overview of the admissions process and the career of a doctor, characteristics sought in potential medical students and how to optimise them, study techniques for high school and undergraduate students, information on how to prepare for the medical school entry exams (UMAT and GAMSAT), the pros and cons of undergraduate and postgraduate medical school, and timelines on when to begin preparing for each step of the application process.

The guide also features advice on special applications (for mature age, indigenous, rural and international students), non-traditional routes of entry, how to optimise your medical school application form (including sample resumés), and the all-important medical school interview – including how to prepare, how to dress and how to answer questions successfully on the day, as well as several pages of practice interview questions.

Once you have succeeded in gaining admission, the book also offers information on what medical school is like, and advice on how to excel and enjoy it (including a list of necessary textbooks). Additionally, the guide includes advice from people who have excelled in various parts of the process: those who aced their high school leaver’s exams, medical students, and junior and senior doctors. They describe their experiences and, most importantly, provide tips and guidance on how to succeed in getting into and studying at medical school. Also included are the profiles of every medical school in Australia, detailing entry requirements, contact details, fees, numbers of places for students and the focus and academic ranking of each individual school. 

When one organizes events over periods of years and gives them an appellation such as “Modernism,” the organization of facts is guided by concepts and values discerned throughout these periods, comparable facts sufficient to call it an “era,” or an “epoch,” or other terms that insist on the shared aspects of those years, regardless of differences seen as well over the span considered. One can call such an effort a “metahistory,” in that what is tracked is not merely human events that are political, economic, ideological, sociological, or other disciplinary descriptors, but an overview that critically links all the years under consideration. Even more, to have a “metahistory” is to discern how the people of eras, epochs, or the other organizational labels, thought. Human history is generated by choices, choices informed by intuitions and more intentional understandings. One of the aspects the book dwells upon in this “metahistory” of Modernism is the presence of “perspective,” how one sees in a time what is there to be addressed and dealt with. Perspectives can be poorly informed or in their very nature not adequate for a sufficient knowledge of what is addressed, even as one must as a human judge what faces one. To discern from evidence how one’s perspective configures an event is the “meta” of “metahistory”. Modernism, the epoch from 1648 to the Present, can be described among its tenets as a period where the notion of “objectivity” has been developed. This has occurred in every field of the emergent arts and sciences in these years. Post-modernism, as will be addressed, is a more critical modernism that has brought to light the idea of multiple perspectives of objectivity as a univocal perspective of ‘objectivity’. Other modernist ideas have expanded in all fields and the ideas of what is human consciousness, epistemologies of both a reflective and a pre-reflective consciousness (called by some the ‘unconscious’) have emerged in art, aesthetics, psychology, philosophy, the social sciences, as well as the neurosciences To have “meta” knowledge is this comprehension of the scope and benefits, yet limitations, of one’s “perspective” and that of others of a time. Only a historian interested in such perspectives can be called a “metahistorian.”

The book uses the concept of the “metaparadigm,” taken from Thomas Kuhn, to track the evolution of how in a period of time the problems of the existing disciplines of knowledge are articulated, and how inquiry methods are used to flesh out a solvable problem and effectively resolve it. The book details four phases that constitute the period of time in which a metaparadigm develops. The first phase is a new set of concepts that challenge the existing approach to knowledge in each discipline. The second phase is a systematic theory that will guide inquiry. The third phase is the actual practice of the discipline in solving problems, a phase that can conflict with the older approach or be congruent with it. The fourth phase integrates the older approaches in the new one, and thus expands in an augmented manner the discipline.

The four phases of each metaparadigm have certain durations. The initial three phases usually endure for about 30–40 years, and the fourth phase for over 50 years. These phases each recur in the next period of time; that is the next metaparadigmatic period. Four evolving metaparadigms are shown in Western thought in this book, tracking one or more disciplines in the social sciences, the humanities, and the natural sciences through each of the four phases of a metaparadigm, and the four metaparadigms that occur between 1648 and the present. 

‘Bakhtin and his Others’ aims to develop an understanding of Mikhail Bakhtin’s ideas through a contextual approach, particularly with a focus on Bakhtin studies from the 1990s onward. The volume offers fresh theoretical insights into Bakhtin’s ideas on (inter)subjectivity and temporality – including his concepts of chronotope and literary polyphony – by reconsidering his ideas in relation to the sources he employs, and taking into account later research on similar topics. The case studies show how Bakhtin's ideas, when seen in light of this approach, can be constructively employed in contemporary literary research.

The contemporary importance of A. N. Whitehead (1861–1947) lies in his direct yet productive challenge to the culture of thought inherent in modernity, a challenge that suffuses science, social theory and philosophy alike. Unlike some of the more destructive aspects of postmodernism and poststructuralism, Whitehead’s diagnosis of the conceptual fault lines of the modern era does not entail a passive relativism. Instead, he calls for a renewal of our concepts, offering a positive, philosophical approach based on becoming, relativity, and a reconception of subjectivity and the social. This book outlines Whitehead’s philosophy, using it to reorient a range of specific questions and topics within contemporary social theory, namely: the relation of language and the body; the relationship between the individual and society; sexual difference; conceptions of nature; the question of realism; the concept of the social; and capitalism as a process. It also provides detailed analyses and comparisons of Whitehead’s concepts with those of Judith Butler on materiality and the body, and of Luce Irigaray on nature, essentialism and sexual difference.

The overarching aim of “Structure, Agency, Biotechnology: The Case of the Rothamsted GM Wheat Trials” is to propose a way of filling the analytical gap found in the current literature by offering an original theoretical framework. This framework is able to assess both the content and context of the scientific field without resorting either to deterministic or to what theorists refer to as “conflationist strategies.” In order to demonstrate the heuristic value of the framework, the 2012 GM wheat field trials carried out by Rothamsted Research, often associated with the “second push” of agribiotech firms to bring Genetically Modified Organisms (GMOs) to the UK, areassessed, and key aspects of the experiment areunderscored. At the same time, the broader institutional arrangements, key ideological constructs and the social order are examined, and a reframing of the controversy which moves beyond the simplistic conceptualization of it being a case of science versus politics is suggested. The volume also proposes a clear set of guidelines, which stem from the methodological and theoretical deep structure of the suggested framework but do not demand prior theoretical knowledge, which can be used by a wider audience engaged with biotechnology. This audience can draw on the guidelines either for reasons of developing a critical understanding of particular situations or for initiating the process of sustained dialogue between involved parties. These two dimensions are of great significance for practical policy orientations.

Based on thorough and extensive research, this book examines in detail traditional status signals in the translation profession. It provides case studies of eight European and non-European countries, with further chapters on sociological and economic modelling, and goes on to identify a number of policy options and make recommendations on rectifying problem areas.

There are strong indications that traditional mechanisms of signalling the status of translators are no longer functioning as they should, and that new online mechanisms are  turning status into a readily available commodity. Despite demonstrating that some of the traditional status signals do still function relatively well, the book nevertheless finds that others appear to be failing for various reasons, and that this has resulted in a degree of market disorder. Such circumstances may cause good translators to leave the market, which is clearly an undesirable situation for all concerned.

The work was written by a team of eminent scholars in the field, with contributions from a host of other academics and professional translators, and includes five appendices providing very useful information on areas of specific interest.

This book provides the reader with tips and insights on how they can become better leaders themselves. These insights and tips will be explained by utilizing the context of dogs, with examples featuring various dog breeds used throughout the book. This will emphasize what we can learn from these various dogs’ traits and characteristics. Some of the topics that the book will cover include concepts like ‘resilience’, ‘courage’, ‘patience’, ‘(in)dependence’, ‘respect’, ‘kindness’, ‘authenticity’ and ‘trust’. The various chapters in this book will provide the reader with insight on why it is important for human leaders to embody these various concepts and qualities.

For instance, a concept like ‘resilience’ is of paramount importance for leaders, because not every single plan or decision will be successful, but it is important to stay the course, as a Bloodhound would on the trail of an escaped convict. The book adroitly mixes findings and insights from numerous scholarly sources on leadership and juxtaposes them with examples featuring various dog breed traits and characteristics. The book will be useful for improving one’s knowledge on how to be a better leader, and will also improve one’s knowledge about the numerous varieties and kinds of dog breeds. The book is easy to comprehend and the scholarly concepts in it are explained without any complicated jargon.

Down the ages warriors have told the stories about their powers and their deeds. And some of their stories have made it into print––those of Black Elk, a Sioux shaman; Two Leggings and Plenty Coups, Crow Indians; Wolf Chief, the eagle hunter; Tukup and Tariri, shrinkers of heads; and others from North America, New Guinea, the island of Alor, the highlands of Luzon and even a Bedouin.

H. David Brumble’s ‘Street-Gang and Tribal-Warrior Autobiographies’ introduces readers to all these warrior autobiographies—and to the memoirs of warriors who live just down the block: Carl Joyeaux’s ‘Out of the Burning’, Colton Simpson’s ‘Inside the Crips’, Nathan McCall’s ‘Makes Me Wanna Holler’ and Sanyika Shakur’s ‘Monster’. Gangbangers, Brumble argues, have told life stories that are eerily like the life stories that come to us from warrior tribes. He suggests that gangbangers were so alienated from the larger society that they reinvented something very similar to the tribal-warrior cultures right in the asphalt heart of American cities.

Grisly, probing and resonant with the voices of generations of fighters, ‘Street-Gang and Tribal-Warrior Autobiographies’ is an unsettling work of cross-disciplinary scholarship.

Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. “Horror and the Horror Film” conveys a mature appreciation of horror films along with a comprehensive view of their narrative strategies, their relations to reality and fantasy, and their cinematic power. The volume covers the entire genre, considering every kind of monster in it – including the human.

After defining horror and thoroughly introducing the genre, the text offers a rich survey of all of the horror film’s subgenres, before concluding with a look at the related genres of horror comedy and horror documentary. International in scope, its survey extends from the first horror films (1896) to the present, discussing more than 350 movies. Through its comprehensive and detailed investigation of the genre, “Horror and the Horror Film” offers a compelling, insightful look at how the horror film frightens and revolts the viewer, its reasons for doing so, and the art of portraying and evoking fear, and will be a great asset to film scholars, horror enthusiasts and readers yet to be convinced of the importance of the genre.

The diverse essays in this book reflect Jonathan Steinberg’s methodological pluralism and insatiable curiosity for historical questions which cross disciplinary and geographical boundaries. Animating students, colleagues, friends and wider audiences with his enthusiasm for ‘thinking about the past’ was his vocation, one that he pursued with unmatched enthusiasm. Through this collection of essays, the book hopes to convey something of the intellectual range, analytical purchase and moral purpose of his historical writing and teaching.

One feature of Steinberg’s inspiring and charismatic lectures was his unique ability to combine an analysis – always fresh, never pre-cooked – of big historical structures and trends with an acute awareness of the importance of individual personalities. Jonathan Steinberg also believed in contingency, the importance of chance, and was keen to reject any form of historical determinism. The third salient feature of his work was his sense of moral purpose. He understood history as a hermeneutic science and was appropriately cautious about the epistemological status of historical claims, but he nevertheless saw the correctness of historical arguments and the probity of historical claims to be moral as well as empirical questions. His ethical sensibilities, his openness to interdisciplinary work and the humane and nuanced understanding of human motivation equipped him to tackle some of the most difficult subjects of nineteenth- and twentieth-century European history.

“Approaches to the Study of Intercultural Transfer” presents a collection of compelling case studies in the area of social reform, museums, philanthropy, football, nonviolent resistance and holiday rituals such as Christmas that demonstrate key mechanisms of intercultural transfers. Each chapter provides the application of the intercultural transfer studies paradigm to a specific and distinct historical phenomenon. These chapters not only illustrate the presence or even the depth and frequency of intercultural transfer, but they also reveal specific aspects of the intercultural transfer of phenomena, the role of agents of intercultural transfer and the transformations of ideas transferred between cultures thereby, contributing to our understanding of the mechanisms of intercultural transfers.

The transfers explored in this volume provide for a narrative of an interconnected world in which societies and cultures exchanged ideas and objects over long distances connecting places and spaces across the globe and contributing to the creation of distinct local cultures and societies. Ideas about social reform and customs such as the Christmas tree were transferred across political and geographic borders. In the process, they were modified to fit into the receiving society. They lost some of their meaning and received new meaning. The Pagan symbol of the Christmas tree was Christianized through its transfer from cities such as Dresden to cities such as Boston.

Concepts such as Gandhi’s nonviolent resistance appealed to many Western observers who considered peaceful and rational conflict solution in the aftermath of World War I as essential to the survival of humankind. The appeal of nonviolent resistance did not result in a full grasp of such phenomena. Western observers misunderstood and mistranslated Satyagraha with passive resistance. Such modifications reveal the nature of intercultural transfer. In this process, the power of adopting a new idea rests with the receiving society. The giving society has little influence over the transfer process and loses control over the transfer fairly early. This contributed to the conundrum of the modern world which, in spite of the multitude of such transfers, became not only more similar but also more dissimilar.

This book re-appraises the concept and utility of state-funded, multi-platform international broadcasting as an instrument of statecraft, which offers cultural representation with the political purpose of contesting relations of power. This at a time when issues of transnational media, the credibility of news and the perils of disinformation and information warfare, figure worryingly in public discourse. The book reflects the perspective of middle power Australia, the circumstances and options of which differ from a great power. It dissects and evaluates the political purpose and efficacy of international broadcasting, its means as an instrument of inter-cultural communication and the variables that enable or impede its effectiveness. The author draws both on extensive scholarly research and his extensive professional experience in journalism, international broadcasting and media management in Australia and internationally.

Heriot proposes a model for the strategic analysis, application, organisational design and operation of multi-platform international broadcasting. Necessarily, the model is informed by an analysis that situates international broadcasting in relation to contemporary theories of soft/hard/smart power projection and inter-cultural communication. He applies the model to the contentious political history and performance of Australia’s international broadcaster, Radio Australia, during the late Cold War decades of the twentieth century and asserts the relevance of this approach to an increasingly media-dense – though asymmetric – international environment. The model eschews general or coded descriptions of purpose and identifies six specific functions appropriate to the circumstances and imperatives of Australia as a resident power in the Indo-Pacific region.

The flawed success of Radio Australia during the later years of the Cold War arose from the interaction of a broad range of external and internal variables to which it was exposed. These included geostrategic and national political factors; the formal prerogatives and constraints of the broadcaster’s mandate in pursuing defined objectives; institutional relationships across government; Radio Australia’s programming or editorial outlook, which determined information agendas and framed the coverage of issues; the production norms and socio-linguistic processes involved with inter-cultural communication; resource constraints and the effect of work design on the character and performance of the broadcaster; and the management of professional and cultural biases (including boundary work demarcations and in-group/out-group rivalry).