Anthem Press

For long, Latin America had the conceit of considering itself as “the middle class of nations”—not as rich as prosperous as the North Atlantic countries but certainly more so than those of Africa and Asia. This notion was always a bit of an artifice. Yet, it is one that has become especially apparent as the region descends from periphery to marginality, and “diplomatic eclipse”, in the words of Alain Rouquié. What to do to revert this trend? 

In this book, some of the region’s leading analysts and foreign policymakers argue that Active Non-Alignment is the path to follow if the region is to realize its full potential and occupy its rightful place in the concert of nations. Steeped in the best traditions of the Global South, but sharply attuned to the imperatives of the new century, Active Non Alignment constitutes a guide to foreign policy action in a world in turmoil, in which those not present at the high table charting a new path and shaping the new system will be left behind.

Charting the change from the old Third World’s cahiers des doleances diplomacy championing the New International Economic Order (NIEO) to the current new collective financial statecraft of the New South, reflected in entities like the Asian Investment and Infrastructure Bank (AIIB) and the New Development Bank, the book opens new vistas for a Latin America. The latter has diversified its diplomatic, trade, investment and financial links and will not let itself be cajoled back to the days of the Monroe Doctrine. Yet, the forging of collective action will require a much more concerted effort at regional cooperation that has been extant until now. For those purposes, Active Non Alignment provides the right set of tools.

Current debates in the environmental humanities, animal studies, and related fields increasingly revolve around this question: What to do with “the human”? Is the human a category worth preserving? Should it be replaced with the post-human? Should marginalized and minoritarian groups advocate for a universal humanism? What is the relationship between humanism and anthropocentrism? Is a genuinely non-anthropocentric mode of thinking and living possible for human beings?
This book argues that the writings of twentieth-century poet Robinson Jeffers offer twenty-first-century readers a number of crucial insights concerning such questions and timely advice about how not to be human. For Jeffers, our tendency to turn inward on ourselves and to indulge in human narcissism is at the heart of the social, economic, and existential ills that plague modern societies. As a remedy, Jeffers recommends turning ourselves outward—beyond the self and beyond the human—and learning to affirm and even love the inhuman cosmos in all of its terrible beauty. In articulating this vision of “inhumanism,” Jeffers develops a full-orbed and radical non-anthropocentrism that stretches across ethical, political, ontological, and aesthetic registers. In the process, Jeffers helps us find our way back to ourselves, but this time no longer as “human” in the traditional sense but as plain members of the inhuman world. With his inhumanist philosophy and poetics, Jeffers not only anticipates the most pressing questions and cutting-edge debates of our present moment but also challenges us to reconsider some of the key dogmas that underpin familiar discourses surrounding the Anthropocene and posthumanist philosophies and ecopoetics.

‘Habermas and Giddens on Modernity: A Constructive Comparison’ investigates how two of the most important and influential contemporary social theorists have sought to develop the modernist visions of the constitution of society through the autonomous actions of subjects. It compares Habermas and Giddens’ conceptions of the constitution of society, interpretations of the social-structural impediments to subjects’ autonomy, and their attempts to delineate potentials for progressive social change within contemporary society. Habermas and Giddens are shown to have initiated new paradigms and perspectives that seek to address the foundational problems of social theory and consolidate the modernist vision of an autonomous society. The book traces the core intuitions of Habermas and Giddens’ theories back to their endeavours to incorporate, satisfy and rework the intentions of the Marxian perspective of the philosophy of praxis. It is argued that the philosophy of praxis conceptualizes the social as the outcome of the intersection of the subject and history. For this perspective, the altering of the relationship of the subject and history is the precondition of an autonomous society. Habermas and Giddens accept the theoretical and practical challenges that are contained in this conception of the social, whilst contending that the basic assumptions of the philosophy of praxis need to be reformulated and that its interpretation of the constraints upon autonomy should be rethought in light of the developments associated with contemporary capitalist modernisation and the dilemmas of the institution of the welfare state.

This book explores how the two theorists argue that the contemporary period represents a new phase of modernity, rather than a transition to a postmodern social order. Habermas depicts the present period as one conditioned by the fracturing of the class compromise of the welfare state and argues that contemporary postmodernism is more a symptom of an exhausting of the utopian energies previously associated with labour. Whereas Giddens considers that the contemporary period is one of late-modernity or reflexive modernization, that is, it represents a fuller realisation of the tendencies of modernity. Yet, it likewise undermines some the emancipatory aspirations of the modernist vision, owing to the predominance of risk and uncertainty. The book then compares the ensuing critical diagnoses that Habermas and Giddens derive from these positions on contemporary society, such as Habermas’ conception of the internal colonisation of the lifeworld and Giddens’ vision of the runaway world of intensifying globalization. These arguments are located in relation to the long-term historical perspectives that the two theorists developed and the respective methodological approaches to history that underpin them. In particular, a number of key contrasts in Habermas and Giddens’ respective accounts of the historical institutionalization of modernity are highlighted. Habermas’ attempt to reconstruct historical materialism, the importance he attributes to cultural rationalisation in explaining change, and his assumption of a logic of evolutionary development are contrasted with Giddens’ proposed deconstruction of historical materialism, the centrality of domination to his depiction of different historical forms of society, and how his opposition to evolutionary conceptions leads to his contention that modern capitalist societies are radically discontinuous.

Furthermore, the book examines how Habermas and Giddens have sought to relate their theories to political practice and the capacities or competences of subjects. Both have applied their perspectives to the potentials for progressive social change and they have had a major impact on public debates, especially those over the future of the European Union, social democracy, new social movements, human rights, and democracy. Giddens is the most important theorist of the Third Way political program and Habermas is most important Critical Theorist since the Frankfurt School. The significance of these two theorists’ practical-political arguments is outlined and the different implications of their respective positions, especially with respect to the future of social democracy, assessed. The constructive approach of the book is continued in its critique of these two theories. The respective strengths of aspects of each theorist’s perspective are highlighted in comparison to the other, for instance, Habermas’ theories’ superior normative grounding is contrasted with Giddens’ more developed perspective on power. Similarly, the book overviews those contemporary social theory initiatives that developed from critical dialogues with the work of Habermas’ and Giddens’ approaches to modernity, such as some of the theories associated with the perspectives of global modernity and multiple modernities. Finally, the book draws on the author’s own work, which has extended aspects of Habermas’ and Giddens’ approach to modernity. Despite the criticisms that are developed over the course of the book, Habermas and Giddens are found to be two of the most important theorists of democratization and social democracy, the dynamics of capitalist modernity and their paradoxes, social practices and reflexivity, and the foundations of social theory in the problem of the relationship of social action and social structure.

This book provides a historical background to the formation of the Indian capitalist class from before British colonial rule in India. It analyses the nature of that class, the ways in which it changed under colonial rule, and the state of independent India; it also sets some of the peculiarities of capitalist organization in India and the ideology of big capital in their historical context.

The evolution of the working class in India is analysed in its dialectical interaction with global capital and Indian capitalism. The author challenges the view that the tensions within working class movements caused by caste, communal divisions or gender discrimination are to be attributed to primordial loyalties, emphasizing instead the influence of the deliberate strategies adopted by capitalists and of changes in the structure of global and Indian capitalism. Finally, the book investigates the impact of capital-friendly liberalization on the fortunes of the working class in the Third World.

‘Australian Media and the Politics of Belonging’ explores mediated debates about belonging in contemporary Australia by combining research that proposes conceptual and historical frameworks for understanding the concept in the Australian context. A range of themes and case studies make the book a significant conceptual resource as well as a much-needed update on work in this area. ‘Australian Media and the Politics of Belonging’ also provides an intervention that engages with key contemporary issues, questions and problems around the politics of belonging that are relevant not only to academic debate, but also to contemporary policy development and media and popular discussion.

The chapters address a variety of key issues and questions regarding the ethics of media practice and actual media practices – consideration of ethical obligations, media treatment of different populations and the degree to which media serve not only as sites through which a range of voices contribute to definitions of Australian belonging but also, significantly, as a means through which such voices can be heard. An engagement with the problem of ethical practice also asks how a greater understanding of the impact of media representations can contribute to new ethical frameworks and new forms of media practice in areas of key sensitivity such as the reporting of Islam. [NP] In addressing such issues ‘Australian Media and the Politics of Belonging’ provides an important resource for understanding, and makes a vital contribution to, debates surrounding belonging in Australia.

The book focuses on the ideological instruments that enabled the United States and the Soviet Union to consolidate their power and to project their geopolitical reach. It provides a comprehensive picture of the geopolitical outcome generated by the actions of the superpowers in the 1950s and how they affected the international political order for the duration of the Cold War. The book explores how in order to project the geopolitical power of the United States, there was a need to ensure that the countries affected by the confrontation that emerged in the 1950s would be persuaded about the good intentions of the United States when it came to promoting the economic and social rehabilitation of vast areas of the world. The 1950s saw the beginning of the idea of a “global commonwealth” of nations, aligned with the geostrategic interests of the United States and willing to accept the political and economic principles projected from Washington. In the 1950s, American Exceptionalism was informed by three distinct particularist components: faith, dominion and managerialism. The particularist markers of American Exceptionalism dictated the course of US foreign policy in the 1950s. American policy makers dealt with the threat posed by the Soviet Union by putting together policies aimed at securing the supremacy of the United States in the global order.

The Superpowers and the Cold War in the 1950s  also argues that Eurasianism became an important instrument to entrench the geopolitical influence of the Soviet Union in Eastern Europe. The cultural rapprochement between the Soviet Union and the countries of the Intermarium was propelled by the need to secure that area of Europe from interference by the Western powers. Eurasianism became an important instrument to legitimize the harmonization of political and economic principles in the Soviet bloc. The concept of “redemptionism” propagated by the Soviet Union during the 1950s relied on a non-universalist notion of history that allowed Moscow to achieve geopolitical preeminence in its sphere of influence. During the 1950s, both superpowers were interested in achieving a situation in which the international political system could be controlled and managed efficiently. In spite of the ideological differences that existed between the United States and the Soviet Union, there was agreement on the need to reduce the possibility of revisionist powers seeking to break the domination of the superpowers and establish independent political guidelines.

The human body in modern South Asia is a continuous political enterprise. The body was central to the project of British colonialism, as well as to the Indian response to colonial rule. By constructing British bodies as normative and disciplined, and Indian bodies as deviant and undisciplined, the British could construct an ideology of their own fitness for political power and defence of colonialism itself. The politics of physicality then manifested in reverse in many ways, not least through Gandhi's use of his body as public experiment in discipline, as well as becoming a living rejection of British rule and norms of physicality. This unique collection makes for fascinating reading.

This volume presents the work initiated and executed under the African Tobacco Situational Analyses (ATSA), a recent major public health initiative sponsored by the Canadian government’s International Development Research Centre (IDRC). Conceived to illuminate the factors that will facilitate the reform of Africa’s major public health policies, this program focused particularly (but not exclusively) on policies concerning tobacco. The results, presented in this book, are an important contribution to the literature on global public health and international development, and comprise the most comprehensive evidence-based analysis of tobacco policy in the African region.

The country-level analyses of this study examine topics such as smoking prevalence, the status of relevant smoking-related policies, and the politics of public health policy reform – as well as the role played by the tobacco industry in each of these key areas. Sitting above these case studies is an overarching conceptual framework, operating with the expressed goal of creating generalizable lessons for the continent as a whole. Thus, ultimately this book permits the reader not only to grasp the depth and complexity of the tobacco situation in each country, but also to draw meaningful conclusions regarding what sort of public health policy reforms have been broadly successful across Africa – and how these successes might be replicated in the future.

For every Facebook, Amazon, Apple, Netflix and Google, there are literally thousands of small start-ups trying to ‘scale up’ to become the next Slack, Zoom or Uber. Less than 1% of these start-ups will be able to scale up. For the would-be entrepreneurial leader, for employees working in a start-up, for a potential investor, how to tell if the business-in-the-back-bedroom will ever see its name in lights? Does the entrepreneurial team in question have the muscle-power to succeed? Of the huge array of start-ups founded each year, how do investors increase their chances of backing the one in a thousand that will become a scaled-up company? How can an investor talent-spot entrepreneurial muscle-power? How does the typical entrepreneurial leader, the employee joining the start-up and the investor in the start-up increase the chances of their start-up making it to the 1% club? And there is considerable interest in contemporary entrepreneurial leadership practice. Many would-be founders have a view to setting-up new business ventures, spurred on by opportunities presented by the changing world (and often with your newly minted MBA degree). How can new entrepreneurial leaders convince others (and maybe starting with themselves and their family members) that they can survive and thrive in a competitive world? With the muscle to make it happen?

It all depends on whether or not they have this very specific Entrepreneurial Leadership Muscle – or if they can see it in others. As entrepreneurs, how can they identify, develop, build and use this necessary muscle to make things happen in a sustainable way? As investors, what are the readable signs of muscle-power and the willingness to develop that muscle power amongst the entrepreneurial leaders passing the radar screens? How can they screen-in and screen-out?

In the high-technology sector alone, recently established high-growth organizations are bringing new and innovative products to market at an extremely rapid pace. A commonality among these companies is, firstly, their relatively short organizational life span to-date (they are often only now about 10-15 years old) and secondly, the speed in which they have grown into multi-billion-dollar organizations. Here we are talking about the few that have made it – and how, and why. What do they have that the others don’t? How can entrepreneurs looking to stand out in this crowded and fast-paced field work to ensure survival and sustainability and growth? And attract investors with many options but funds only for a few? Again, it all depends on whether that Entrepreneurial Leadership Muscle is there and the leaders and teams can show it.

There is growing interest in urbanization as currently a third of the world’s urban population live in slums, and by 2030 there may be two billion slum dwellers across the globe (Davies 2004, 17). During economic crises, slum dwellers are involved in increasing feats of self-exploitation. The literature on slums and informal settlements tends to focus on economic survival strategies, particularly those of men. But how do women, as the most marginalized and excluded slum-dwellers, survive in the face of poverty and gender oppression? What are the emotional rather than material costs of poverty? This book conveys the rich fabric of life in the slum.

‘Body Parts on Planet Slum’ discusses the importance of Christianity and telenovelas, and explores what it is about women’s lives in particular that makes these stories so central. Yet it is also increasingly clear that for the poorest women, church attendance has become a rare luxury – whereas telenovelas are piped into their homes on a daily basis. The unemployed women watch up to six hours of telenovelas a day in the midst of arduous physical labour in the home. The women suffer in relation to their bodies, but invest in a masochistic glorification of suffering. It is this glorification of suffering that links the women’s lives to the telenovelas in crucial ways. It reveals disturbing valuations of women’s bodies that traverse reality and fiction, and connect to a central feminist question, ‘What is a woman?’

What place does Turkey occupy in the world today? Is it a bridge between Asia and Europe, or a bridgehead? Is Turkey part of Europe? In spite of the fine sentiments of Brussels and the desire displayed by all Turkish administrations for the past 15 years to become part of the EU, a game of bluff seems to be unfolding, marked by postponements, hesitations and unspoken agenda. But this bureaucratic approach masks other pressing issues such as the question of military power, Islam, the Kurdish questions, Cyprus and immigration. In the context of these issues, the Turkish question serves to cast the spotlight on new challenges for Europe: where should the frontiers of Europe be drawn? What is the place of Islam in it? What is the best way to deal with minorities? The spectrum of authoritative analyses in this vital new book demonstrates that Turkey presents, to an enlarged Europe, the image of its own contradictions, but also its ambitions.

For long, Latin America had the conceit of considering itself as “the middle class of nations”—not as rich as prosperous as the North Atlantic countries but certainly more so than those of Africa and Asia. This notion was always a bit of an artifice. Yet, it is one that has become especially apparent as the region descends from periphery to marginality, and “diplomatic eclipse”, in the words of Alain Rouquié. What to do to revert this trend? 

In this book, some of the region’s leading analysts and foreign policymakers argue that Active Non-Alignment is the path to follow if the region is to realize its full potential and occupy its rightful place in the concert of nations. Steeped in the best traditions of the Global South, but sharply attuned to the imperatives of the new century, Active Non Alignment constitutes a guide to foreign policy action in a world in turmoil, in which those not present at the high table charting a new path and shaping the new system will be left behind.

Charting the change from the old Third World’s cahiers des doleances diplomacy championing the New International Economic Order (NIEO) to the current new collective financial statecraft of the New South, reflected in entities like the Asian Investment and Infrastructure Bank (AIIB) and the New Development Bank, the book opens new vistas for a Latin America. The latter has diversified its diplomatic, trade, investment and financial links and will not let itself be cajoled back to the days of the Monroe Doctrine. Yet, the forging of collective action will require a much more concerted effort at regional cooperation that has been extant until now. For those purposes, Active Non Alignment provides the right set of tools.

This book addresses the thorny issue regarding the authenticity of the Yulanpen Sūtra with a view to clearing up the centuries-long confusion and controversy surrounding its translation and transmission in China. The main objective of this study is thus to check and confirm the authenticity of the Yulanpen Sūtra, which features Mulian adventuring into the Preta realm to rescue his mother. 

Traditionally attributed to the Indo-Scythian Dharmarakṣa (Ch. Zhu Fahu, ca. 266–308) as the translator, the sūtra is now widely believed to have been created by Chinese Buddhists to foster sinicisation and transformation of Indian Buddhism on the grounds that there is no extant Yulanpen Sūtra in Indic sources and that the sūtra stresses Confucian filial piety and ancestor worship, amongst others. Through a critical review of the major arguments prevailing in modern scholarship against its authenticity and a close examination of textual and contextual evidence concerning the Yulanpen Sūtra, this book demonstrates that filial piety and ancestor worship are also deeply rooted in ancient Indian culture and that the Mulian myth reflects the recurring motif of ‘rescuing the hungry ghost of a sinful mother’ in Indian mythology and religious literature. 

In so doing, this book sheds new light on the Indic origins of the Yulanpen Sūtra and the Ghost Festival in general and of the Mulian myth and the Mulian drama – the oldest Chinese ritual drama that has been alive onstage for nearly one thousand years – in particular.

Transduction is beyond translation: both retranslation and auto translation move beyond the transferal of one language to another to signify the speculative attempts to examine and execute the belief, concepts, and meaning of the level of different arts. The art of translating means the analytical exercise of transferring, rotating, and twisting one language into another art, but to retranslate (or auto translate) literary translation, the objective of retranslation or self-translation is to create from translation the poetic and lyrical terms of transduction. In the translation of literary language, the translator can monopolize his situation to break up language to give a different art with or without music or another tool of the critic. The new transduction gives the audience a piece of another linguistic and/or non-linguistic art in a drawing, novel, or opera.

The semiotic scholar of literature Roman Jakobson gave a literary translation of the double words and concepts of poetical hyper translation. Language can transmit verbal translation to explore new ways of inventing and thinking about writing novels, musical theater, and the other arts. Thomas A. Sebeok deconstructed the energy of translation into the duplicated genres of artistic transduction. In semiotics, transduction is a technical expression of language and non-language, involving music, theater, and other arts. Jakobson used Saussure’s theory to give a single meaning connecting the thought and sound of words, but later he followed Charles S. Peirce’s symbolic logic with a floating sensation of the double meaning of words and concepts to give different symbols to the signs. For Peirce, literary translation becomes the graphical visions of ellipsis, parabole, and hyperbole.

Language and non-language play a role in transforming translation into transduction. Ellipsis is illustrated by Virginia Woolf’s novel The Waves to give a political transformation to change Wagner’s opera, Das Rheingold. Parabole is illustrated by the two lines of thought of Hector Berlioz. He neglected his own translation of Virgil’s Aeneid, when he retranslated the vocal text to accompany the musical lyrics of his opera The Trojans. Hyperbole is demonstrated by Bertold Brecht’s auto-translation of Gay’s The Beggar’s Opera. In the cabaret theater of The Threepenny Opera, Brecht recreated his epic hyper-translation by retranslating the language of the folk speech of the German working classes with the jargon of criminal slang. 

Psychiatry in India during the nineteenth century has hitherto been represented as an essentially ‘colonial’ psychiatry, permanently and intrinsically linked with the British civilising mission and British control over India. This book is the first comprehensive case study of an early twentieth-century Indian mental hospital that was headed by an Indian rather than a British superintendent.

The work explores the ways in which the institution was run, its patient profile, the circumstances of its staff and the treatments administered, all in relation to the regional sociocultural and political context, the wider medical and colonial setting in South Asia, and contemporary global developments in psychiatry.

Themes covered in the work include gender, culture, race and plural clinical practices within the context of medical standardisation. ‘Colonialism and Transnational Psychiatry’ offers an unprecedented look at both the local and global factors that had such a strong bearing on hospital management and psychiatric treatment at this institution. This study of Ranchi sets a standard against which future scholarship will be able to judge the impact of local affairs and transnational connections on a wider range of institutions in, and exchanges between, South Asia, the West and other parts of the world.

This is one of the earliest books to present a collection of writings on the effects of globalization on India and Indian society. The very concept of globalization needs critical examination, and one productive approach is to focus specifically on the local impacts of globalization in its various guises through comparative ethnographic investigations. Such research also permits examination of the relative significance of globalization, as opposed to national, regional or local factors of change that may actually be more salient. Assayag and Fuller have assembled a team of eminent academics, who present a series of critical discussions about important issues of economy and agriculture, education and language, and culture and religion, based on ethnographic case studies from different localities in India. This challenging collection also includes a major study of the history of globalization and India that sets current trends in perspective.

Sport in South Asia has a long and varied history that is often dramatic, sometimes violent, and which always promises to reveal much about the broader currents that have shaped culture and society. Some 100 years ago, an Indian became the star of England's cricket team, an 'Untouchable' was offered a contract in the English domestic cricket league, and an Indian win in a football match against an English Regiment was celebrated by a crowd of 60,000 as a nationalist victory. Almost a century on, the dead body of an Indian wrestler was paraded at the front of a Hindu crowd in order to incite the attacks on the Muslim neighbourhood that sparked the Aligarh riots in which almost a hundred people were killed, and in 1998, 141,000 fans attended the derby match between Mohun Bagan and East Bengal in Calcutta, one of the largest ever crowds at a football game anywhere in the world. These stories contain elements of colonialism and show the rise of nationalism and the emergence of communalism; other examples show how the establishment of nationhood in a post-colonial world, the challenge of the regions to the political centre and the impacts of globalization and economic liberalization have all left their mark on the development of sport in South Asia. Quite simply, South Asian history and society have transformed sports in the region while at the same time such games and activities have often shaped the development of South Asia. This unique volume is both an introduction to the sporting histories of the region and an exploration of the relationships between sport, history and society in South Asia.

Simply the best atlas for students, Anthem’s ‘Modern World University Atlas’ is the essential reference resource for the contemporary world. This is the only student atlas with fully integrated study maps and other illustrations on: climate and the environment; geological processes; natural disasters; economic and social concerns; health and education; wealth and poverty; travel and tourism; population trends, and maps of the world’s 18 greatest cities.

The ‘Modern World University Atlas’ also benefits from clear, detailed and fresh political and physical digital colour maps of our world and stunning colour imagery of the Earth from space, study maps providing in-depth colour analysis of key regions and themes, a section on map-making, satellites and remote sensing, up-to-date social and economic statistics for every country of the world, a comprehensive, 16-page index of world place names and features, and a flags of the world display.

In this selection of essays written for a variety of publications and platforms throughout the 1990s (essays, program notes, conferences), Nicole Brenez sets out and applies the tenets of what she dubs the “figurative analysis” of cinema. As the title suggests, her two main interests could broadly be summarized as the “figure” (in general) and the “body” (in particular). An actor performing on screen is, of course, a body, but Brenez goes beyond psychological or purely dramatic considerations, studying how formal elements such as framing, lighting, and editing determine what a body is and an audience’s perception of it as well as how cinematic devices can be used to create new bodies – as in the science fiction films of the 1990s that posit hybrid, post-human forms. At the same time, a body can also be a collective of individuals or even themes and motifs brought together via cinematic means.
The term “figure” also has a broad and rich meaning in Brenez’s work, informing concepts such as “figural analysis,” “figural economy,” “figurative invention,” or pure “figuration.” While glimpses of these concepts have appeared in scattered translations over the years, this collection represents the first comprehensive and expansive selection of her writings on cinema in English.
Brenez is interested in the myriad of shapes that figures take in film: shadows, silhouettes, and contours, but also themes and motifs, and how these are visually and aurally manifested. She is especially interested in the ways in which an individual film produces these figures or figurative constellations. Laying out a methodology in the book’s introduction (a letter to John Ford biographer Tag Gallagher), Brenez goes on to analyze and interpret the myriad of figures found in movies by filmmakers ranging from John Woo to Paul Sharits as well as classics by Orson Welles and Sergei Eisenstein. At once rigorous and open, the originality of the films Brenez studies and her very stimulating intuitions and connections, has produced one of the major studies of cinema of the late 20th century.

In the present day, a young married couple, Asafumi and Shizuka are trying to start a new life, having had to move after losing their jobs. Asafumi decides to join the family business of selling medicines, and a notebook that used to belong to his grandfather Rentarō leads him to explore the mysterious Mandala Road in the hopes of finding his grandfather’s former customers. Shizuka, meanwhile, struggles to resign herself to her new role as a housewife and wonders if she made the right choice in marrying Asafumi.

Following the end of World War II, Saya, a woman from a Malayan native tribe, is on her way to Japan with her seven-year-old son to find Rentarō, who was her wartime lover and the father of her child. When she arrives, however, she discovers that Rentarō has another family and has no place for her. Haunted by memories of torture from the Japanese seeking information about Rentarō and the abuses she suffered working in a brothel, Saya tries to rebuild her life and learn to live with her past.

Both setting out alone on Mandala Road in two different time periods, Asafumi and Rentarō wake up one day having both entered a post-apocalyptic world, where the people seem to have mostly been wiped out by a mysterious “calamity” and the ones that remain are scarcely human. Asafumi, Rentarō, Saya, and Shizuka are all, in their own way, on a private journey to discover and reconcile themselves to the memories of violence, both seen and experienced, as they learn to live with a past that seems always to be too close behind them.

Psychiatry in India during the nineteenth century has hitherto been represented as an essentially ‘colonial’ psychiatry, permanently and intrinsically linked with the British civilising mission and British control over India. This book is the first comprehensive case study of an early twentieth-century Indian mental hospital that was headed by an Indian rather than a British superintendent.

The work explores the ways in which the institution was run, its patient profile, the circumstances of its staff and the treatments administered, all in relation to the regional sociocultural and political context, the wider medical and colonial setting in South Asia, and contemporary global developments in psychiatry.

Themes covered in the work include gender, culture, race and plural clinical practices within the context of medical standardisation. ‘Colonialism and Transnational Psychiatry’ offers an unprecedented look at both the local and global factors that had such a strong bearing on hospital management and psychiatric treatment at this institution. This study of Ranchi sets a standard against which future scholarship will be able to judge the impact of local affairs and transnational connections on a wider range of institutions in, and exchanges between, South Asia, the West and other parts of the world.

Roland Barthes Writing the Political: History, Dialectics, Self is a re-reading and a re-purposing for the twenty-first century of the work and the critical theories of France’s most important writer of the twentieth century. Drawing on articles and chapters published since 2007, and including new material written for the volume, it argues that Barthes’s wide-ranging analyses and critical essays – from Voltaire to Nietzsche, Marx to myth, gay love to Japan – can be applied to debates and controversies in the contemporary world. By applying his 1958 essay on Voltaire to the aftermath in France of the 2015 terrorist attacks, by using Edouard Glissant’s work as an unspoken dialogue to look at post-colonial writing strategies, the volume sets out what a dialectical critical practice might look like in our complex world of political, ethical and aesthetic choices.

In order to address the complexity of his critical practice, the study takes up a seldom-discussed notion which Barthes had originally developed in relation to the nineteenth-century historian Jules Michelet: that of the ‘double grasp’. This ‘double grasp’ is used to think through photography and innovative forms of historiography (including a comparison with the work of Walter Benjamin), but also to account for the ‘stereographic’ approach with which Barthes read Balzac, visited Japan and then China, and even considered both the writing self and the imagined self.

The book considers the persistence – and the functions – of myth in the era of image-saturated social media, using both early Marx and early Nietzsche, whilst relating Barthes’s radical homosexuality and his questioning of binary structures to today’s debates on post-gender. The volume ends with discussion of Barthes’s essay-writing and its similarities with the theories on the essay of Hungarian Marxist George Lukaćs in his 1910 ‘Letter to Leo Popper’, and asks whether the essay, in its many Barthesian guises, is the future for radical forms of writing in the twenty-first century.

Dignity has a remarkable resonance in contemporary life. It is used as a touchstone to mark out what is deemed good, right or proper. In all walks of public life dignity is invoked as having a talismanic power to distil the final essence of human existence. Yet, in such public discourse, largely uninformed by the signal role dignity has played in ethical thought, we rarely become acquainted with the source of dignity's imputed magical powers. ‘Social Thought and Rival Claims to the Moral Ideal of Dignity’ is a sustained attempt to rectify this oversight by following the fortunes of the idea of dignity from its humble origins until it comes to represent in our time a universal ethical ideal.

Beginning by tracing the source of dignity’s occult status from its earliest appearance in the life and thought of ancient Greece, ‘Social Thought and Rival Claims to the Moral Ideal of Dignity’ proceeds to identify dignity in the theological ethics of early Christianity through to the late Middle Ages, Renaissance and early modern period, where dignity appears for the first time in secular thought. The second part of the book picks up the growing debate in the Enlightenment and romantic period and from that point onwards concentrates on following closely the unfolding significance of the idea and ideal of dignity in the classical thought of philosophy and sociology and in more recent perspectives.

In exploring the legacy from such sources, ‘Social Thought and Rival Claims to the Moral Ideal of Dignity’ distinguishes dignity from other related ethical notions such as respect for persons, duty and compassion as they appear on the respective agendas of distributive justice, human (and animal) rights and natural law and citizenship. The course of the discussion illustrates just how wide ranging recourse to dignity has become as an ethical ideal and explores the reasons behind its resurgent modern deployment. Ironically, while the concept of dignity has, indeed, begun to feature in a range of recent public policy debates, insights from evolutionary psychology and biology tell a very different tale: that dignity is quite misconceived. ‘Social Thought and Rival Claims to the Moral Ideal of Dignity’ culminates in an analysis of the reasons behind dignity’s recently acquired negative connotation.

This book arises from a European Commission 6th Framework Programme for Research project: 'Global Climate Change Impacts on the Built Heritage and Cultural Landscape – The Noah's Ark Project'. The work recognised that although climate change attracts wide interest at research and policy levels, little attention is paid to its impact on cultural heritage. In a period when enhanced regulation has improved European air quality, it seems important to explore how the threat of climate change to cultural heritage can become better recognised and perceived as relevant. As a non-renewable resource to be transmitted to future generations, cultural heritage includes the built heritage, artefacts inside buildings, archaeological sites and cultural landscapes.

Rather than examining the fate of individual monuments, the 'Noah's Ark Project' took a strategic overview of the changing pressures on heritage.  The results can now be viewed on a wide geographical scale, presented here as a vulnerability atlas and accompanying guidelines. This atlas aims to fill the present gap in studies on the effects of future climate variations on cultural heritage, producing maps that link climate science to the potential damage to our material heritage.

The atlas gathers different types of maps and research outputs of future scenarios. Sections within the atlas include climate maps, displaying traditional climate parameters relevant to cultural heritage, and specific heritage climatologies; damage maps that quantitatively express the damage induced by climate parameters on building materials in future scenarios; risk and multiple-risk maps showing areas of increasing or decreasing risk across European regions; and thematic sections focusing on specific processes of damage that may arise from climate change. The atlas is also supported by key recommendations for policy-makers managing the impact of climate change on European heritage sites.

‘Intellectual Entertainments’ consists of eight philosophical dialogues, each with five participants, some living, some imaginary and some dead. The dialogues take place either in Elysium or in an imaginary Oxford Common Room. Each historical figure speaks in his own idiom with a distinctive turn of phrase. The imaginary figures speak in the accent and idiom of their respective countries (English, Scottish, American, Australian).

The themes of the dialogues are topics of perennial interest to any educated person with an intellectual bent. Two dialogues are concerned with the nature of the mind and the relation between mind and body – whether the mind is separable from the body, whether it is identical with the brain or whether such claims are confused. A second pair of dialogues examines the nature of consciousness and of conscious experience, and whether conscious experience is characterized by its distinctive ‘feel’ and by what it is like to undergo it. It investigates the puzzling question of what consciousness is for and whether there could be ‘zombies’ who behave just as we do, but who lack consciousness. A further pair of dialogues probes the nature of thought, the relationship between the ability to think and mastery of a language, and the question of what we think in – words, images or something else. One dialogue discusses the perennial question of the objectivity or subjectivity of perceptual qualities such as colour and sound, and whether a mindless world would also be colourless. A final dialogue consists of vehement argument on the ‘ownership’ of pain: whether two people can have the same pain or only similar pains. 

The dialogues are written in a colloquial style. They presuppose no antecedent philosophical knowledge, but only intellectual curiosity. Each subject is presented from different points of view, presented by a different protagonist, and the various points of view are subjected to criticism. The exchanges are sometimes amusing, sometimes passionate and vehement. The different views advanced are often the views of distinguished living philosophers or great philosophers now deceased, as is made clear by the endnote references to sources. The overall aim of the dialogues is both to amuse and to demystify academic mystery-mongering. Holy cows of current academic philosophy are sacrificed at the altar of reason and sound argument.

Water is essential to all life and yet never has anthropogenic activity posed a greater risk to our water resources. This book explores legal mechanisms utilized by communities to protect water resources within the context of protracted mining conflicts, focusing on oil sands development in the Canadian boreal forest and gold mining in ecologically sensitive, glacier-rich areas of Argentina. This book highlights constitutional approaches to environmental rights protection in such conflicts. Despite the incorporation of substantive environmental rights into many domestic constitutions, questions remain about the efficacy and functioning of constitutional methods and how constitutional entrenchment may contribute directly to better environmental outcomes within specific contexts. In addition, though a considerable body of ground-breaking work on constitutional environmental rights has emerged in recent years, there has been very little examination of the implications for natural resource projects, which generate some of the greatest environmental impacts. The book seeks to contribute to the literature on constitutional environmentalism by exploring the value of constitutional environmental rights against the backdrop of controversial mining disputes over water impacts.
Because they engage a broad cross-section of public and private actors and institutions, mining projects offer a unique opportunity to investigate a range of sociolegal phenomena and lend well to more holistic research of human rights issues. An examination of mining conflicts can demonstrate the interplay between underlying contextual realities and the legal mechanisms that are utilized by individuals seeking to assert their environmental rights. Mining projects are often tied heavily to economic interests, job and infrastructure creation, and national development policies, and yet they are also associated with serious environmental impacts, conflict with local populations, and power imbalances with marginalized, rural communities and Indigenous peoples. These projects are frequently plagued with human rights complaints, comprising some of the most difficult conflicts of our time. Domestic constitutions are well-situated to address precisely these concerns because of their role in limiting the exercise of government power and binding governments to a set of normative values.

This book offers a novel perspective on environmental rights, engaging in a comparative constitutional analysis informed by ethnographic and contextual approaches from other disciplines. It builds upon existing literature by exploring the complex ways in which the laws and institutions that interact with environmental rights are formed and embedded within wider social processes. Case studies drawn from oil sands development in Alberta, Canada and gold mining in San Juan, Argentina, provide insight into how community stakeholders pursue environmental rights claims in jurisdictions that differ in their treatment of environmental rights. A qualitative assessment of these case studies yields a deeper understanding of the strategies that promote the best outcomes for communities seeking to protect their water resources, and allows for some generalizations to be formulated about the value of incorporating environmental rights into domestic constitutions. These case studies demonstrate how constitutional rights can address inadequate participatory processes and increase accountability and transparency in environmental decision-making, thereby significantly improving access to justice and providing a more equitable means of resolving resource conflicts. By taking a contextual approach, this book contributes to the development of theory relating to environmental constitutionalism and its practical implications for the protection of water resources in contentious mining conflicts.

Love is often called a leap of faith. But can faith be described as a leap of love? In ‘Touching God: Hopkins and Love’, Duc Dau argues that the conversion of Gerard Manley Hopkins to Roman Catholicism was one of his most romantic acts.

‘Touching God’ is the first book devoted to love in the writings of Hopkins, illuminating our understanding of him as a romantic poet. Discussions of desire in Hopkins’ poetry have focused on his tortured and unrequited attraction to men. In contrast, Dau builds on existing queer and conventional readings of the poet’s work by turning to theories of mutual touch propounded by Luce Irigaray and Maurice Merleau-Ponty. In the process, she uncovers the desire Hopkins actively cultivated and celebrated: his love for Christ. By analysing Hopkins’ writings alongside his literary, philosophical and theological influences, she demonstrates that this love is what he called ‘eros’ or ‘amor’.

Dau argues that descriptions of the body and its acts of tenderness – notably touching – played a vital role in the poet’s depictions of spiritual eroticism. By forging a new way of reading desire and the body in Hopkins’ writings, this work offers fresh interpretations of his poetry, and contributes to contemporary interest surrounding the relationship between love, sexuality and spirituality.

Bringing together a series of essays on the political economy of trade and development policy, this book explores the following research questions: to what extent is the global trading regime reducing the ability of nation-states to pursue policies for financial stability and economic growth; and what political factors explain such changes in policy space over time, across different types of trade treaties, and across nations? Gallagher presents intriguing findings on the policy constraints on the Uruguay Round, as well as the restrictions that the USA places upon the ability of developing nations to deploy a range of development strategies for stability and growth. 

Analyzing the factors which have led to twenty-first-century trade politics being characterized by a “clash of globalizations,” including the standstill of the World Trade Organization over the issue of development strategies in emerging markets, the book sheds light upon the growing opinion among developing nations that it is in their interest to build upon their current advantage in primary commodities and light manufacturing, and to expand into new, value-added intensive areas where they might, someday, have a comparative advantage. 

As this collection of essays demonstrates, developing nations now have, for the first time, the economic and political power to refuse the proposals of industrialized countries and to put forward an alternative set of negotiating demands that industrialized nations have to take seriously. This volume exposes the reality that economic power isn’t the only factor in the difference between recent talks at the Doha Round and previous discussions; however, economic power is still key among a number of converging components, which, along with institutional structure, domestic politics, currency fluctuations and ideas about globalization, are effecting changes to global trade policies.

Christian Lehmann brings his experience as a musicologist, singer and academic to this fascinating journey through the origins of music and its role in human development, culture and society. The opening section examines the first stirrings of music in animals, birds and fish before moving on to humans in prehistoric times, and how musical sounds are an integral part of family bonding and social gatherings.

The second section follows the evolution of musical culture from ancient Greece and the educational theories of Pythagoras and Plato, as well as first great musical landmark in 1000 AD, when Guido di Arezzo devised the stave and music could now be written down instead of just being passed on verbally. The author examines the relationship between ‘art’ and folk music, and goes on to explore the flowering of secular music, the development of conservatoires and the democratisation of music with the rise of the middle classes and salon music. In 1877 came the second great landmark: Edison’s invention of the phonograph. Now for the first time music could be repeated and preserved, listened to anywhere, alone or in company.

The third section provides a critique of the decline of singing in our society and explores how we have become a race of listeners rather than music-makers. It considers our personal reactions to music – emotional, intellectual, subconscious and therapeutic – and the effects of the present-day ubiquitous ‘muzak’, which has made music a part of everyday life and has made it independent not just of the performer but of the listener as well.

Few books on music are as rewarding as this one. Technical terms are clearly described in a way that appeals to both the musically well-informed and the musically inexperienced. Well-chosen examples and amusing asides help to make this a highly informative and extremely readable book – a must for anyone interested in the development of music and how integral it is to the human condition.

The book scrutinizes the poetries of Oodgeroo Noonuccal (1920–1993), Lionel Fogarty (1958– ), and Amiri Baraka and Sonia Sanchez (1943– ), focusing on their relatively comparable sociopolitical, and literary  concerns and aspirations, though they are ethnically diverse and geographically dispersed. What I have attempted to do here is an integration of their idiosyncratic differences. This objective is grounded upon the fact that the role of poetry in this struggle and the international connections between the political movements in which these poets were involved have been overlooked in historical narratives of Australia and the United States, although Aboriginal and African American representation in the political narratives did improve during the 1960s. In fact, these poets not only merged writing poetry with a commitment to their peoples’ political activism, but also actively participated in their peoples’ political activism. They collaborated with other civil rights activists and participated in rallies and demonstrations. Sanchez and Fogarty are still involved. In their poetries, they recorded their peoples’ pathos, injustices, social needs and political aspirations. Therefore, the book’s confluence of poetics and politics is original because it aims to demonstrate how these poets voice the demands of their peoples, and how they use their poetries to reflect the realities they experienced during this period. Additionally, the book demonstrates how these poets resist cultural and linguistic hegemony and how they adapt their peoples’ cultures and languages in their poetries to oppose literary universalism.

Instead of tracing the general development of Aboriginal and African American poetries during this period, I narrow the scope of my research to the poetries of these four selected poets, placing their works in broader, international contexts by drawing trans-Pacific connections between their poetries. The contribution of this book lies in its study of poetic intertextuality and common themes, and in the evaluation of the impact (direct or indirect) of African American poets, particularly those of the Black Arts movement, upon Aboriginal poets. Thus, the book should be seen as a starting point, rather than the final word on transnational exchanges between these movements. It should be noted that the poets I have chosen are not a comprehensive selection of Aboriginal or African American poets. Moreover, by selecting 1960s and 1980s as historical makers in the title of this book, my aim is not to narrow the scope of my research to the poetry publications of these poets to these decades, as, for instance, Oodgeroo began writing in the 60s and continued till her passing in 1993, and Fogarty began writing in the 70s and continues to the present, nor to limit these poets’ political and literary activism within this period, as Fogarty and Sanchez still involved in their peoples’ political activism. My intention is to demonstrate how these decades are significant in the literary and political developments of Aboriginal Australian and African American peoples, showing the role of many international sociopolitical and cultural upheavals, which took place during the 1960s, in shaping the literary and political ideologies of these poets.

 I have treated the poetries of these poets as an example of distinct poetics, which is not bounded by the borders of a territory or by geography as abstracted on a map, situating them along the lines of what Chadwick Allen (2012) calls “together (yet) distinct”. This literary-political relation enables the poetries of these geo-ethnically distinct poets to be read within a single critical frame, and we can place their poetries as part of a larger, international revolutionary ‘Black’ literary movement. As such, this book helps to identify a significant trans-local connection to add to the already existing connections between Australian Aboriginal politics and poetics and those of First Nations peoples across the globe. This synthesis can also be seen as a way to remap Aboriginal and African American literary discourses as well as mainstream anticipation of them and their pre-established literary positions. This book also invites the dominant critical studies to consider the new literary approaches adopted by these minorities, which challenge the individualistic literary genres and narratives in both countries. It is hoped that the synthesis of these geo-poetically diverse poets may stimulate further literary investigations in the field of Aboriginal and African American poetries.

Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s artistic career. This album marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach. Despite winning a number of accolades, Time Out of Mind has been largely misunderstood and underestimated. This book seeks to remedy that by excavating three distinct levels of meaning at work in the songs recorded for the album. On one level, Time Out of Mind is Dylan’s intimate portrait of a killer, a series of murder ballads drawn from the memories, dreams, and fantasies of a condemned man awaiting execution for killing his lover. On another level, the album is a religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in the minstrelsy tradition and other white appropriations of black experiences. 

Time Out of Mind is an innovative and rigorously researched book, geared toward inspiring future scholarship. The three distinct but intertwined interpretations of the songs recorded for the album—as murder ballads, as religious allegory, and as “race record”—are highly original and provocative. The arguments put forth in the book will fundamentally alter our understanding of Time Out of Mind.

Exploring the imaginative construction of the post-colonial South by the communist East, this is a multi-faceted, collaborative study of the reception of Australian literature in the German Democratic Republic. An account of fraught and complex cross-cultural literary exchange between two highly distinct, even uniquely opposed reading contexts, this study has resonance for all newly global reckonings of the cultural Cold War.

Australian Literature in the German Democratic Republic is an investigative exposé of Australian literature’s revealing career in East Germany. Working from the extraordinary records of the East German publishing and censorship regime, the authors materially track the production and reception of one country’s corpus as envisioned by another. The 90 Australian titles published in the GDR form an alternative canon, revealing a shadowy literary archive that rewrites Australia’s postwar cultural history from behind the iron curtain. Cast as a geo-political conundrum – beautiful and exotic, yet politically retrograde – Australia was presented to East German readers as an impossible, failed utopia, its literature framed through a critique of Antipodean capitalism that yet reveals multiple ironies for that heavily censored, walled-in community.

This book brings together leading German and Australian scholars in the fields of book history, German and Australian cultural history, Australian and postcolonial literatures, and postcolonial and cross-cultural theory, with emerging writers currently navigating between the two cultures.

Usually, discourses on the planetary evolution and the movements of slaves remain restricted within the narratives and scholarships of the Trans-Atlantic slave trade and hardly engage with the evolution, movements, and shifts about the Indian Ocean World (IOW) slave trade. But multiple published, unpublished, authored, and non-authored historical documents like the historical records of Greco-Egyptian monk Cosmos Indicopleustes (sixthcentury BC), the Periplus of the Erythrean Sea (firstcentury CE), the travelogues of Ibn Battuta (fourteenthcentury), historical records of Tome Pires (sixteenthcentury), accounts of British historians William Hawkins and Sir Thomas Roe (seventeenthcentury), accounts of French historian Abbe Carre (seventeenthcentury), accounts of French Lieutenant de Grandpre (nineteenthcentury), and many more mention about the trade relations between India and different parts for Africa. The items of trade involved exotic stones, exotic spices, domestic objects, and local people.

Despite the existence of these diverse archival documents on the IOW trade activities, any discourses on the IOW continue to remain an understatement. The narratives on the IOW, to a vast extent, have been shaped by Western/colonial historians, who have imaginatively constructed the IOW within separate geographical, cultural, epistemological, and ontological enclaves. Based on these socio-historical arguments, this book unearths how Siddis in Gujarat and the South African Indians in South Africa preserve their ancestral memories through spiritual, culinary, and musical practices on the one side, and generate creolized socio-cultural spaces of collective decolonial resistance and well-being on the other.

The first book to examine the creative life and worlds of Rudolf H. Sauter

War and Peace in the Worlds of Rudolf H. Sauter is a unique project which complements current trends in scholarship and the insatiable public appetite for books about the experience and impact of war. It is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895–1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an “enemy alien,” and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this cultural biography opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.

Exploring the imaginative construction of the post-colonial South by the communist East, this is a multi-faceted, collaborative study of the reception of Australian literature in the German Democratic Republic. An account of fraught and complex cross-cultural literary exchange between two highly distinct, even uniquely opposed reading contexts, this study has resonance for all newly global reckonings of the cultural Cold War.

Australian Literature in the German Democratic Republic is an investigative exposé of Australian literature’s revealing career in East Germany. Working from the extraordinary records of the East German publishing and censorship regime, the authors materially track the production and reception of one country’s corpus as envisioned by another. The 90 Australian titles published in the GDR form an alternative canon, revealing a shadowy literary archive that rewrites Australia’s postwar cultural history from behind the iron curtain. Cast as a geo-political conundrum – beautiful and exotic, yet politically retrograde – Australia was presented to East German readers as an impossible, failed utopia, its literature framed through a critique of Antipodean capitalism that yet reveals multiple ironies for that heavily censored, walled-in community.

This book brings together leading German and Australian scholars in the fields of book history, German and Australian cultural history, Australian and postcolonial literatures, and postcolonial and cross-cultural theory, with emerging writers currently navigating between the two cultures.

Why does the position of the threshold exert such a compelling hold on our imaginative lives? Why is it a resonant space, and so urgently the place of writing – the place where one may remain, avoid speaking or naming, yet speak from? Through a combination of case studies and theoretical investigations, this book addresses these questions and speaks to the imaginative power of the threshold as a productive space in literature and art.

The first volume to draw together a significant range of the applications of the ‘threshold’, the book is located naturally on the threshold between disciplines, and alive to the increasingly interdisciplinary nature of education and scholarship. But its particular intervention is mainly literary, whether through an address of literary narratives, or through the use of literary critical analysis, or indeed through acts of criticism that become creative acts. Of this line of enquiry, ‘Thinking on Thresholds’ is a pioneering volume. Its broader remit is to examine the functions of transitive spaces in poetic language and mimesis. This includes ways in which narrative and mimetic art address the material and imaginative realities of such spaces; how they are drawn to threshold experience in life, society, and historical practice; and the affinity between the artistic process and the spatial idea of the threshold. Thus, it is cross-historical without being ahistorical, interdisciplinary but methodologically coherent. It also, unusually, muses on the methodologies that the threshold calls for in narrative as well as critical practice.

Simon J. James examines how Gissing's work reveals an unhappy accommodation with money's underwriting of human existence and culture, and how daily life in all its forms – moral, intellectual, familial and erotic – is transcended or made irrelevant by its commodification. Novels such as 'New Grub Street' expose high culture's dependence on the ruthless Darwinism of late Victorian capitalism: literary and personal success can only be achieved by understanding and adapting to the immanent and irresistible nature of a market hostile to the development of human self-betterment. Situated against nineteenth-century analyses of monetary relations by thinkers such as Ruskin, Mill, Marx and Carlyle, and novels by Dickens, Eliot and Hardy, 'Unsettled Accounts' demonstrates how Gissing's work is engagedly modern, dealing as it does with changes in the nature of the literary market, advertising, imperialism, the New Woman and the condition of the working classes. This groundbreaking new study, published 100 years after Gissing's death, will be of considerable interest to students, researchers and scholars. A valuable introduction to Gissing's work, it claims a prominent place for him in fin-de-siècle Victorian literature.

In this important study, Muhammad Moj explores the Deobandi sect within Islam and its relationship to Pakistani society in an innovative way. The Deoband Madrassah Movement (DMM) has largely been studied as a political and religious reform movement, but this book interprets it rather as a counterculture, drawing on the counterculture theory of Milton Yinger.

Using analyses of Deobandi journals and interviews with madrassahs and college students, this book comprehends the DMM from a broader perspective to discover the reasons behind its clash with the mainstream society in which it operates.

Bringing together a series of essays on the political economy of trade and development policy, this book explores the following research questions: to what extent is the global trading regime reducing the ability of nation-states to pursue policies for financial stability and economic growth; and what political factors explain such changes in policy space over time, across different types of trade treaties, and across nations? Gallagher presents intriguing findings on the policy constraints on the Uruguay Round, as well as the restrictions that the USA places upon the ability of developing nations to deploy a range of development strategies for stability and growth. 

Analyzing the factors which have led to twenty-first-century trade politics being characterized by a “clash of globalizations,” including the standstill of the World Trade Organization over the issue of development strategies in emerging markets, the book sheds light upon the growing opinion among developing nations that it is in their interest to build upon their current advantage in primary commodities and light manufacturing, and to expand into new, value-added intensive areas where they might, someday, have a comparative advantage. 

As this collection of essays demonstrates, developing nations now have, for the first time, the economic and political power to refuse the proposals of industrialized countries and to put forward an alternative set of negotiating demands that industrialized nations have to take seriously. This volume exposes the reality that economic power isn’t the only factor in the difference between recent talks at the Doha Round and previous discussions; however, economic power is still key among a number of converging components, which, along with institutional structure, domestic politics, currency fluctuations and ideas about globalization, are effecting changes to global trade policies.

Peter L. Berger (1929–2017) was among the most prominent sociologists of the past half-century. He co-authored with Thomas Luckmann, The Social Construction of Reality, considered to be a modern classic of social science. His work on social theory, the sociology of religion, third-world development, and the role of capitalism in modern life define his enduring importance as a leading figure in social science. Berger established an international reputation for his various studies of economic development in different parts of the world, including Central America and South Africa.

With its catalogue of hit songs, iconic characters, memorable quotes and familiar scenes, ‘Grease’ is truly a behemoth of US and global popular culture. From the stage show’s debut in 1971, to the Hollywood film of 1978, to the numerous rereleases and anniversary celebrations of the twenty-first century, it has enjoyed, and continues to enjoy, success across a range of media. ‘Grease’’s extended run on Broadway through the 1970s ensured it a prominent place within broader debates on the musical, 1950s nostalgia and American youth. Numerous stage revivals have followed, with theatres across the world revisiting Rydell High in front of sell-out audiences. Hollywood has time and again sought to recreate ‘Grease’ the movie’s phenomenal box-office success with a procession of similarly themed rock and roll youth musicals (‘Footloose’, ‘Dirty Dancing’, the ‘High School Musical’ franchise, to name a few). However, even as these productions enjoy their own renown, in terms of sheer longevity, prominence and popularity, ‘Grease’ was, is and will remain ‘the word’ when it comes to musical blockbusters.

Bringing together a group of international scholars from diverse academic backgrounds, ‘Grease Is the Word’ provides a series of fresh and detailed analyses of the cultural phenomenon ‘Grease’. From the stage show’s first appearance in 1971 to twenty-first century responses to the ‘Grease Megamix’, ‘Grease Is the Word’ reflects on the musical’s impact and enduring legacy. With essays covering everything from production history, political representations, industrial impact, music, stars and reception, the book shines a spotlight on one of Broadway’s and Hollywood’s biggest commercial successes. By adopting a range of perspectives, and drawing on various visual, textual and archival sources, the contributors maintain a vibrant dialogue throughout, offering a timely reappraisal of a musical that continues to resonate with fans and commentators the world over. Written in an engaging, accessible manner, the book will appeal to students, academics, and anyone interested in American popular culture.

A collection of essays written from a Marxist-Feminist perspective, 'Inventing Subjects' is a significant contribution to the field of historical sociology. The essays speak of the different ways in which social subjects and their agencies have been constructed and represented in the context of the development of colonial hegemony and socio-cultural formations in India. Four of the essays focus on constructive proposals for social subjectivities and agencies of Bengali middle-class women by both the indigenous and the colonial elite. The othrt two essays consider the invention or construction of 'India' as an ideological category for ruling, which seeks to impose on it a colonially ascribed identity. The essays capture the fluidity and complexity of subject construction, and read moral regulations and culture in terms of a hegemonic process. They range from middle-class Bengali women's attempts at self-fashioning to the colonial ideological reflexes within which their projects are articulated. They disclose and query the tensions inherent in the processes of indigenous socio-cultural constructions and identity formations, as well as the reductionism involved in the creation of colonial 'others'.

This book offers a ground-breaking exploration of the aesthetics of poetic freedom. The range is broad, from antiquity to the present and from Europe and the Middle East into the poetry of the English-speaking world. Silent reading is shown as developing for the first time since the fall of the Roman Empire into a fashionable way of reading, starting with the invention of the sonnet in the High Middle Ages. The social use of the word “we,” as when a society generalizes about itself, first appears in poetry in T.S. Eliot’s “The Love Song of J. Alfred Prufrock.” In Goethe’s “Roman Elegies” anachronism becomes a literary device—also, it seems, for the first time—introducing a novel timelessness essential to modern affirmations of infinity.

Revealing questions about the elusiveness of poetic freedom—what does the term actually mean?—are repeatedly tested against the accomplishments of major poets such as Whitman, Dickinson, Rilke, Dante and Virgil, and their public yet intensely private originality. The result is a fresh, and well-nigh revolutionary, way of seeing literary and modern history, or an initiation into the more striking gift of aesthetic freedom.

Since the 2008 collapse of Lehman Brothers, central banking has changed dramatically. Over the past five years central banks have intervened in both public and private debt markets, taking on functions of dealers of last resort, while simultaneously designing regulatory and resolution frameworks with the explicit aim of changing bank business models, all in order to contain and better address systemic risk. This book explores these developments through collected essays from authors from both academia and policy circles, and sets them in the context of the European crisis.

‘Central Banking at a Crossroads’ reflects on the innovations central banks have made to improve their modes of intervention, regulation and resolution of financial markets and financial institutions in four related sections: ‘Bank Capital Regulation’ examines the Basel III agreement, identifying its key novelties and shortcomings vis-à-vis its predecessor, Basel II; ‘Bank Resolution’ focuses on effective regimes for regulating and resolving ailing banks; ‘Central Banking with Collateral-Based Finance’ develops thought on the challenges that market-based finance pose for the conduct of central banking in periods of economic stability and, through a critical theoretical angle, the important role that governments play for financial markets as manufacturers of high-quality collateral or safe assets; and, finally, ‘Where Next for Central Banking’ examines the trajectory of central banking, its issues, and its new, central role in sustaining capitalism.

For more than four centuries, Britons have been dominating and colonising other peoples and territories. Britain’s Empires tells that story without flinching from the oppressive and exploitative side of the imperial mission that shaped world history. It also aims to tell the story of the colonial past as one marked by change and reinvention, where each new era was embarked upon as a break with the past.

This is history of the many different British Empires – the Old Colonial System (1600-1776), the Empire of Free Trade (1776-1870), the New Imperialism (1870-1945), Decolonisation (1945-1990) and the era of humanitarian intervention (1990-2020).

As well as explaining the importance of ‘primitive accumulation’ to kickstarting British capitalism in the Old Colonial Era, Heartfield shows that the New Imperialism of the 1880s was in large part a response to economic exhaustion in the mother country, and an attempt to find a new purpose in the colonies. Britain’s Empires also explains the dynamics of decolonisation in the post-war era, the rebalancing of Britain’s relation to the world that allowed it to create an arm’s length relation to newly independent ex-colonies, while carrying on extensive military interventions overseas. The book concludes with an assessment of the post-Cold War resurgence of ‘humanitarian intervention’ in the less developed world, in an important retrospective account.

Britain’s Empires explains how imperial policy dominated andskewed the history of societies across the world, from Canada and the West Indies to Ireland, from Africa to the Middle East, from India to China and into Australasia; but also how the peoples of those territories imposed themselves on Britain, challenging slavery, standing up to colonial overlords and eventually overthrowing them.The book explains how the reinvention of Britain’s Empire reworked its critics protest to reinvent colonisation as a struggle against slavery in the mid-nineteenth century, and a civilising mission at that century’s end. The capacity of Empire to foster local native allies helped stabilise a polity of extraordinary reach. But as Heartfield explains, the subordination of a quarter of the world’s landmass was often a defensive reaction to internal limitations and other imperial challenges. The history of Britain’s Empires, explains Heartfield, is one of constant challenge and change, where vanquished become victors, and heroes often turn out to be villains.

Across the past two centuries, the Western novel has propagated the narrow view of the addict as a toxic force bent on undermining the rationality, morality, and progressive spirit that have, since the Enlightenment, defined civilization in the West. Addiction, Representation undertakes an investigation into an alternative literary tradition within which the addict is neither doomed to a horrific death nor sacrificed to the Twelve Steps so that the “recovering addict” might survive. At the center of this investigation is a modest collection of contemporary novels, originally published in the thirty-year span between 1985 and 2015, that exhibits experimental narrative techniques and, in doing so, unsettles the limited portrayal of the addict that has dominated the Western realistic novel since the nineteenth century.

Examining the works of John O’Brien, Sara Gran, Paula Hawkins, Bret Easton Ellis, and Grace Krilanovich, the book argues that the ways in which readers occupy the narratives of contemporary experimental fiction can be instructive for how to live in an extra-diegetic world, where attitudes toward addicts often are as narrow, restrictive, and damaging as they historically have been expressed in the Western novel. The book concerns itself with the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response not only to fictional addicts, but also to the actual addicts whose lived experiences gave birth to the existing fiction.

The present volume addresses the long-felt need for a full critical edition, with translation and commentary on The Peterborough Chronicle, together with an overview of critical writings published up until 2021. It is also the first edition to include a detailed examination and transcription of the early-modern annotations in E and on its interleaves, as well as a systematic analysis of the manuscript's complicated structure. The book consists of three parts: I. Introduction, including the history of research, detailed paleographical and codicological analysis, and discussion of the other Anglo-Saxon Chronicle manuscripts, and their textual relations; II. The Critical Edition, presenting the text in its immediate seventeenth-century manuscript context, with notes; III. The Modern English Translation, including detailed historical and philological notes. A bibliography, indices, and extensive comparanda complete the book. This edition, translation, and commentary greatly enhance the accessibility and research potential of one of the most important primary sources for the history, language, and culture of Anglo-Saxon England. No one to date has given attention to the 'seventeenth-century manuscript context' of The Peterborough Chronicle. William L'Isle, the manuscript's owner at that time, had the manuscript disbound and interleaved throughout with larger watermarked paper sheets on which he transcribed variant passages from other witnesses to the Chronicle, primarily from witness A, now in the Parker Library, Cambridge. He and other readers also made annotations on the manuscript itself, including Archbishop Parker (†1575), who did so in red chalk. Each of these interventions has been recorded and analyzed in the commentary on the Text presented in this edition. Extensive historical annotations accompany the Translation and bring current scholarship to bear on it. This edition also provides for the first time a set of ninety-five comparanda so that readers can review the evidence for the paleographical analysis found in the Introduction.

“Development Without Aid” opens up perspectives and analyzes facts about foreign aid to the poorest developing countries. The discussion is advocacy as much as analysis, and makes extensive reference to recent research, including the author’s previous work on the World Bank.

Starting from a perception about development formed during the author’s formative years in what is now Malawi, the book develops a critique of foreign aid as an alien resource inherently unable to provide the necessary dynamism to propel the poorest countries out of poverty, and compromised by profound anomalies which subvert its own effectiveness. The book aims to help move the perception of development in poor countries squarely beyond foreign aid and beyond the discussion of its role, architecture and design, and to re-assert an indigenous development path out of poverty.

To move beyond foreign aid, the book examines a new international dynamic, i.e., the rapid growth of the world’s diasporas as a quasi-indigenous resource of increasing strength in terms of both financial and human capital. It considers the extent to which such resources might be able to replace the apparatus of foreign aid and help move towards a reassertion of sovereignty by poor states, especially in Africa, over their own development process. 

The teacher of Classroom 15, known fondly as Mr. McFetridge, assigned a pen pal project in an effort to take geography lessons outside of the classroom. Imagining a place as far from Oregon as they possibly could, the students wrote letters to nine- and ten-year-old counterparts in the Soviet Union. Janice Boyle, the class secretary, reached out to Oregon’s Congressional representative, Charles O. Porter, seeking assistance connecting with peers in Russia. Representative Porter forwarded the letter to the Secretary of State Christian Herter and a week later the students received the shocking and disheartening news that their benign request had been needlessly denied. In the wake of McCarthyism, the Eisenhower administration subverted the assignment, fearing Communist propaganda would infect the innocent minds of eager Oregon schoolchildren. 

The students’ plight quickly gained national attention with stories running from the Roseburg News-Review to the New York Times. The publicity didn’t miss the attention of J. Edgar Hoover’s FBI. His agents investigated. They traveled to Roseburg, collected evidence, and took it back to the Bureau’s regional headquarters in Portland. The public reaction was swift and unrelenting. The teacher and the Congressman were attacked by outraged Roseburg citizens, the school board, and enraged Americans across the country. 

Despite the U.S. government’s best efforts, the news reached Russia and the front pages of Pravda. School children from the Soviet Union flooded Douglas County with letters to their Roseburg counterparts, most (but not those found by the authors) were confiscated by authorities. As quickly as the Riverside pen pal initiative materialized, it was quashed.

Born out of a University of Oregon investigative reporting class exercise based on an erroneous New York Times “On This Day in History” column, journalism student curiosity evolved into passion. In the same vein as the fourth-grade class from 58 years before, the voracious class of reporting students doggedly pursued the untold story: An FBI inquiry, a 68-year-old Janice Boyle living in a Las Vegas suburb, a file of letters in Cyrillic script stashed in a cedar chest tucked away in Sisters, Oregon – all leading to a reminder of government repression in the 1960s that resonates in contemporary international affairs. 

The book is a remarkable example of experiential learning techniques and successes. The work is a prime tool to teach by specific example the pragmatic processes of student-conceptualized research, employment of the FOIA, and shoe-leather journalism. The book takes an unexpected and deep look at the Red Scare and censorship, societal and state censorship that is reflected in public discourse today.

Classroom 15 is a page-turning adventure story told with the voices of the empowered, tenacious University of Oregon journalism students who took the nascent story and demonstrated their unwavering devotion to the journalistic process by telling the tale. 

This book is a new and exciting resource for teachers, students, and activists who aim to critically examine contemporary sexuality through the lens of sexual literacy and situated social analysis. This original anthology provides shorter cutting-edge essays on theory, method, and activism, including the nature of globalization and local sexuality discovered in ‘glocal’ topics, processes, and contexts. Within the anthology, students, educators, practitioners, and policy makers will find critical conversations regarding a wide array of sexual topics that impact our world currently. These cutting-edge essays inform readers of key moments in sexual history, including areas relating to research, practice, and social policy, and provide a platform from which to engage in rich discussion and forecast the development of sexual literacy in our world within multiple contexts.

Remarkable transformations in critical sexuality studies, sexual science, empirical and humanities-based studies, and human rights in the late-twentieth century reveal many of the complex conundrums of power that drive sexual study in the twenty-first century. Using the multi-faceted characteristics of sexuality literacy to engage critically and situationally across glocal factors, augmenting our ability to forecast sexuality issues, the book attempts answers for the following questions: What are the kinds of problems and solutions does applied critical sexual literacy work engage? How do we value one another and what political stakes are revealed when we do put one person over another? How do sexual identities and behaviors become authentic, meaningful, and important to comprehend in specific times and contexts? How does such work push forward pedagogy and allow forecasting the circumstances of tomorrow inasmuch as we can foresee?

Inspired by Max Weber’s thesis on the Protestant ethic, ‘Overseas Chinese Christian Entrepreneurs in Modern China’ sets out to understand the role and influence of Christianity on Overseas Chinese businesspeople working in contemporary China. Through its in-depth interviews and participant observations (involving 60 Overseas Chinese entrepreneurs from Hong Kong, Taiwan, Southeast Asia and the United States), the text discusses how Christianity has come to fulfill an increasingly visible and dynamic function in the country, most notably as a new source of business morality.

Recognizing that China’s economic transition toward a market-oriented economy was not initiated by Christians (or indeed any other religious group), this volume demonstrates the importance of exploring the impact of religious ethics on economics at micro and organizational levels, via the subjective understandings of individuals and small businesses. Significant but often neglected facets of Weber’s thesis arise as a result. Of key importance is the issue of gender differences within the Christian ethos – a crucial aspect of the Protestant ethic that has yet to be systematically studied, but which offers great potential to enhance our understanding of Weber’s work. As a result, the text’s novel application of Weberian sociology to the context of contemporary China can be seen to offer a double return, elucidating both the theory and its subject.

This book is designed to be a short, critical introduction to the controversies in tax policy. The main thesis of the book is that there is a deeper substructure to debates about tax policy that underlie many of the controversies. By understanding the nature of this substructure one can place the debates about tax policy into a broader perspective. The chapters in the book elucidate this underlying architecture, drawing on ideas from economics, law, philosophy, psychology, and political science.

Economic principles shape some of the foundations for the debates, particularly with regard to the question of whether income taxes should be structured with a broad base and low rates, and whether the appropriate base of taxation should be consumption or income. Legal and administrative issues provide another foundation for tax policy, as certain structural features of the tax system—the separate existence of corporations and the realization principle for income—constrain the set of feasible tax policies. To understand tax fairness, one must delve into philosophy and psychology. A key debate is whether we view taxation just through a purely distributional lens (who gets what) or must we think about notions of process and deservingness to make sense of debates on tax fairness.

The book uses these tools to shed light on these issues as well as on the most current debates. These include the appropriate goals for tax reform, the most judicious way to tax multinational corporations, our ability to tax the very wealthy, and whether the tax system has a racial subtext. 

Max Nettlau’s Utopian Vision provides a historically grounded presentation of the entire literature of utopianism. Nettlau shows an encyclopaedic knowledge of the subject. He passionately believed that the value of utopian thinking and class struggle should not be underestimated as utopian desire exists in all of us. Utopian thinking, according to Nettlau, stimulates the imagination and awakens the desire to attain a better life for everyone. Nettlau argues that every idea begins as a utopia: some are realized; others are not. Utopian thinking also creates a desire for radical change in society without which no new reality could emerge. Every reality is first dreamed of and, then, the act of dreaming awakens the desire for realization. It is the same desire without which every piece of art would be unthinkable. When utopian ideas reach the masses, forces are released that build bridges into the future and make things possible that otherwise would only exist as dreamlike imaginings. Indeed, Nettlau claims that history is the record of utopian thought practically imagined.

This book aims to reclaim the mission, relevance and intellectual orientation of development studies – something that is increasingly challenged from different directions. Confronted by the status quoist enterprise of randomized control trials ( RCTs) on the one hand and the radical endeavour to decolonize dominant knowledge systems (decoloniality) on the other, the study of development as an enduring societal ambition needs urgent revival.

The essays featured in this book build on the contributions of Ashwani Saith – an ardent critic of development orthodoxy and who at the same time is not ready to give up on the emancipatory potential of the development project. Written by leading scholars in the field, the essays touch upon many of the key questions of development studies centred around structural change, labour and poverty and inequality. They also highlight the continued necessity to ground the study of development processes in a critical political economy approach while interrogating the quick-fixes touted by the mainstream discourse on development.

In the past years, in a general context featured by anti-migration discourses in immigration countries, sustained economic growth in countries of origin and mobility between migrants’ countries of origin and destination, research on return migration started flourishing.

Return has long been considered the end of a migration cycle. Today, returnees’ continued transnational ties, practices and resources have become increasingly visible. ‘Transnational Return and Social Change’ joins what is now a growing field of research and suggests new ways to understand the dynamics of return migration and the social changes that come along. It pays tribute to the meso-level impacts that follow the practices and resources migrant returnees mobilize across borders. It argues for the need to study the dynamics and impact of return migration by involving also more mundane forms of change, arguing that everyday processes and small-scale changes are as important as the macro-transformations for understanding the societal impact of migration.

This volume thus inquires about the consequences of return for local communities, organizations, social networks and groups, focussing on the changes in social hierarchies, collective identities and cultural capital, norms and knowledge. It presents case studies of migration flows that connect Germany to Turkey, Romania and Ghana, the United Kingdom to Poland, multiple Western countries to Latvia as well as inner-African movements. Against this background, the book contributes new insights into the transnational dynamics of return migration and their societal impact in pluralized societies.

This book is designed to be a short, critical introduction to the controversies in tax policy. The main thesis of the book is that there is a deeper substructure to debates about tax policy that underlie many of the controversies. By understanding the nature of this substructure one can place the debates about tax policy into a broader perspective. The chapters in the book elucidate this underlying architecture, drawing on ideas from economics, law, philosophy, psychology, and political science.

Economic principles shape some of the foundations for the debates, particularly with regard to the question of whether income taxes should be structured with a broad base and low rates, and whether the appropriate base of taxation should be consumption or income. Legal and administrative issues provide another foundation for tax policy, as certain structural features of the tax system—the separate existence of corporations and the realization principle for income—constrain the set of feasible tax policies. To understand tax fairness, one must delve into philosophy and psychology. A key debate is whether we view taxation just through a purely distributional lens (who gets what) or must we think about notions of process and deservingness to make sense of debates on tax fairness.

The book uses these tools to shed light on these issues as well as on the most current debates. These include the appropriate goals for tax reform, the most judicious way to tax multinational corporations, our ability to tax the very wealthy, and whether the tax system has a racial subtext. 

The early modern period witnessed the rise of impressive empires in the Eurasian context, in Europe and not less so in the east – The Ottoman, Safavid, and Mughal Empires. The construction of large and stable empires necessitated the constructions of unprecedented power mechanisms. History of law and legality in the early modern period was playing a crucial role in these changes.

Born in Spain and joining his family as refugees from the great expulsion from the Iberian peninsula, heading east to the Ottoman Empire, Karo, as the rest of Sephardi intellectuals, was deeply acquainted with both European [Canon law, ius comune] and Ottoman [Shari'a, Kanuname] legal traditions, and their transformative processes during the early modern period.

The codes of law, in the short and long version, composed by R. Karo mark a watershed turn, and they were never superseded until the present. In composing them, Karo intended to respond to the global changes in law, and to update Jewish Halakhah to current political and cultural circumstances. The books suggest both a global reading of Jewish law, and a sociological perspective of Halakhah. It adds a further dimension on modernization of Jewish culture. 

Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s artistic career. This album marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach. Despite winning a number of accolades, Time Out of Mind has been largely misunderstood and underestimated. This book seeks to remedy that by excavating three distinct levels of meaning at work in the songs recorded for the album. On one level, Time Out of Mind is Dylan’s intimate portrait of a killer, a series of murder ballads drawn from the memories, dreams, and fantasies of a condemned man awaiting execution for killing his lover. On another level, the album is a religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in the minstrelsy tradition and other white appropriations of black experiences. 

Time Out of Mind is an innovative and rigorously researched book, geared toward inspiring future scholarship. The three distinct but intertwined interpretations of the songs recorded for the album—as murder ballads, as religious allegory, and as “race record”—are highly original and provocative. The arguments put forth in the book will fundamentally alter our understanding of Time Out of Mind.

‘Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s’ focuses on an author characterised by geographical and aesthetic mobility, and on those who worked with him or wrote for him at a period of key changes in transatlantic publishing. Stevenson’s situation in the 1890s, living in Samoa, publishing in Britain and the United States, is both highly specific but also representative of a new literary mobility. Drawing on a range of resources, from archival material, correspondence, biographies, essays and fiction, the book examines the operations of transatlantic literary networks during a period of key changes in transatlantic publishing.

To investigate Stevenson and the geographies of his literary networks during the last years of his life and after his death, the book presents a series of critical case studies profiling figures who worked with Stevenson, negotiated his publications on both sides of the Atlantic, wrote for him or were inspired by him. Each chapter focuses on a figure involved in the production or afterlife of Stevenson’s late fiction. Individuals studied include Stevenson’s boyhood friend and literary negotiator, Charles Baxter; American publisher Scribner’s literary representative in London, Lemuel Bangs; Stevenson’s ‘mentor’, Sidney Colvin; Stevenson’s admirer and posthumous co-author, literary critic Arthur Quiller-Couch; and collaborators among Stevenson’s own family. Through its emphasis on these significant and fascinating figures, instrumental to or imbricated in the dissemination of Stevenson’s writing, the book offers a fresh understanding of his work in the context of transatlantic publishing.

The book deploys the concept of ‘literary prosthetics’ to frame its analysis of gatekeepers, tastemakers, agents, collaborators and authorial surrogates in the transatlantic production of Stevenson’s writing. The complexities of Stevenson’s geographical and literary situation demonstrate the ways in which the permeable bodies of ‘author’, ‘critic’, ‘editor’, ‘publisher’ and ‘agent’ were fixed and refixed during the period. The book contributes to knowledge of transatlantic publishing and literary cultures in the 1890s and to Stevenson studies but its focus on the specifics of Stevenson’s ‘case’ provides a point of entry into larger considerations of literary communities, nineteenth-century mobility drivers of literary production and the nature of the authorial function.

‘ISIS and the Pornography of Violence’ is a collection of iconoclastic essays on ISIS, spanning the four-year period from its ascendancy in late 2014 to its demise in early 2018. From a trenchant critique of the infantilisation of jihadists to a probing examination of the parallels between gonzo porn and ISIS beheading videos, the pieces collected in this volume challenge conventional ways of thinking about ISIS and the roots of its appeal. Simon Cottee’s core argument is that Western ISIS recruits, far from being brainwashed or ‘vulnerable’ dupes, actively responded to the group’s promise of redemptive violence and self-sacrifice to a total cause.

Radicalization, Cottee argues, is a murky and complex process that cannot be reduced to any single explanatory scheme or thesis. He also documents the emergence of a new kind of ‘liquid jihad’ in the West, where involvement in jihadism reflects more a process of drift than any full ideological conversion, and where commitment, often fragile, is sustained by social networks.

‘Habermas and Giddens on Modernity: A Constructive Comparison’ investigates how two of the most important and influential contemporary social theorists have sought to develop the modernist visions of the constitution of society through the autonomous actions of subjects. It compares Habermas and Giddens’ conceptions of the constitution of society, interpretations of the social-structural impediments to subjects’ autonomy, and their attempts to delineate potentials for progressive social change within contemporary society. Habermas and Giddens are shown to have initiated new paradigms and perspectives that seek to address the foundational problems of social theory and consolidate the modernist vision of an autonomous society. The book traces the core intuitions of Habermas and Giddens’ theories back to their endeavours to incorporate, satisfy and rework the intentions of the Marxian perspective of the philosophy of praxis. It is argued that the philosophy of praxis conceptualizes the social as the outcome of the intersection of the subject and history. For this perspective, the altering of the relationship of the subject and history is the precondition of an autonomous society. Habermas and Giddens accept the theoretical and practical challenges that are contained in this conception of the social, whilst contending that the basic assumptions of the philosophy of praxis need to be reformulated and that its interpretation of the constraints upon autonomy should be rethought in light of the developments associated with contemporary capitalist modernisation and the dilemmas of the institution of the welfare state.

This book explores how the two theorists argue that the contemporary period represents a new phase of modernity, rather than a transition to a postmodern social order. Habermas depicts the present period as one conditioned by the fracturing of the class compromise of the welfare state and argues that contemporary postmodernism is more a symptom of an exhausting of the utopian energies previously associated with labour. Whereas Giddens considers that the contemporary period is one of late-modernity or reflexive modernization, that is, it represents a fuller realisation of the tendencies of modernity. Yet, it likewise undermines some the emancipatory aspirations of the modernist vision, owing to the predominance of risk and uncertainty. The book then compares the ensuing critical diagnoses that Habermas and Giddens derive from these positions on contemporary society, such as Habermas’ conception of the internal colonisation of the lifeworld and Giddens’ vision of the runaway world of intensifying globalization. These arguments are located in relation to the long-term historical perspectives that the two theorists developed and the respective methodological approaches to history that underpin them. In particular, a number of key contrasts in Habermas and Giddens’ respective accounts of the historical institutionalization of modernity are highlighted. Habermas’ attempt to reconstruct historical materialism, the importance he attributes to cultural rationalisation in explaining change, and his assumption of a logic of evolutionary development are contrasted with Giddens’ proposed deconstruction of historical materialism, the centrality of domination to his depiction of different historical forms of society, and how his opposition to evolutionary conceptions leads to his contention that modern capitalist societies are radically discontinuous.

Furthermore, the book examines how Habermas and Giddens have sought to relate their theories to political practice and the capacities or competences of subjects. Both have applied their perspectives to the potentials for progressive social change and they have had a major impact on public debates, especially those over the future of the European Union, social democracy, new social movements, human rights, and democracy. Giddens is the most important theorist of the Third Way political program and Habermas is most important Critical Theorist since the Frankfurt School. The significance of these two theorists’ practical-political arguments is outlined and the different implications of their respective positions, especially with respect to the future of social democracy, assessed. The constructive approach of the book is continued in its critique of these two theories. The respective strengths of aspects of each theorist’s perspective are highlighted in comparison to the other, for instance, Habermas’ theories’ superior normative grounding is contrasted with Giddens’ more developed perspective on power. Similarly, the book overviews those contemporary social theory initiatives that developed from critical dialogues with the work of Habermas’ and Giddens’ approaches to modernity, such as some of the theories associated with the perspectives of global modernity and multiple modernities. Finally, the book draws on the author’s own work, which has extended aspects of Habermas’ and Giddens’ approach to modernity. Despite the criticisms that are developed over the course of the book, Habermas and Giddens are found to be two of the most important theorists of democratization and social democracy, the dynamics of capitalist modernity and their paradoxes, social practices and reflexivity, and the foundations of social theory in the problem of the relationship of social action and social structure.

Why does the position of the threshold exert such a compelling hold on our imaginative lives? Why is it a resonant space, and so urgently the place of writing – the place where one may remain, avoid speaking or naming, yet speak from? Through a combination of case studies and theoretical investigations, this book addresses these questions and speaks to the imaginative power of the threshold as a productive space in literature and art.

The first volume to draw together a significant range of the applications of the ‘threshold’, the book is located naturally on the threshold between disciplines, and alive to the increasingly interdisciplinary nature of education and scholarship. But its particular intervention is mainly literary, whether through an address of literary narratives, or through the use of literary critical analysis, or indeed through acts of criticism that become creative acts. Of this line of enquiry, ‘Thinking on Thresholds’ is a pioneering volume. Its broader remit is to examine the functions of transitive spaces in poetic language and mimesis. This includes ways in which narrative and mimetic art address the material and imaginative realities of such spaces; how they are drawn to threshold experience in life, society, and historical practice; and the affinity between the artistic process and the spatial idea of the threshold. Thus, it is cross-historical without being ahistorical, interdisciplinary but methodologically coherent. It also, unusually, muses on the methodologies that the threshold calls for in narrative as well as critical practice.

This book focuses on Yellowstone: the park, the larger ecosystem, and even more so, the “idea” of Yellowstone. In presenting a case for a new conservation paradigm for the Greater Yellowstone Ecosystem (GYE), including Yellowstone National Park, the book, at its heart, is about people and nature relationships. This new paradigm will be truly committed to a healthy, sustainable environment, rich in other life forms, and one that affords dignity for all: humans and nonhumans. The new story or paradigm must be about living such a commitment and future for GYE in real time. 

To do something and understand about the present erosion of nature and growing unsustainability, particularly the GYE situation, the book offers a heuristic for problem solving, learning, and discovery. The heuristic in four general terms, People, Meaning, Society, Environment, takes into account both the content (biophysical substance such as wolves and bears) and process (people, social relations, and decision-making) of conservation and sustainability in our communities, society, and in our daily living. It calls for an explicit integrative approach to this relationship for GYE. It acknowledges that Yellowstone will be different in the future from what we have experienced in recent decades. It also asks how and why it will be different and whether we’re ready for it. To examine these and related questions, and deeper questions, it probes the future. As well, it reflects on the changing narratives, policies, and actions of different sets of residents and outside influences. The book presents a well-developed theory for interdisciplinary problem solving that is grounded in practice.

Indian novels in English have generated a considerable amount of interest both in India and in English-speaking countries, particularly during India’s postliberalization period since 1991. For India, this period has seen unparalleled consumption of global goods and exposure to international media, and has resulted in Indian writers writing in English (including writers of Indian origin) catching the attention of the Western world like never before.

“Postliberalization Indian Novels in English: Politics of Global Reception and Awards” focuses on Indian writers writing in the English language, whose concerns are related to India in her immediacy, and who have come into literary prominence in the postliberalization period. Such writers have broached issues including nationalism, diaspora, identity, communalism, subaltern representation, modernism and the impact of globalization. Although the idea of this study is not to undermine the value of their novels, its aim is to consider the correlation of their novels’ themes with the workings of the organized, global market processes now present in postliberalized India.

As such, some large questions arise: What are the cultural and critical frameworks that define literary reception? Has there been a marked shift in the reception of Indian novelists writing in English postliberalization? To what extent are the works of these writers driven by the dictates of the market, and does a commercially/economically driven media influence critical/commercial perceptions? And are there certain thematic concerns and representations which are deemed “prize and attention worthy,” and do these factors influence the critical/commercial reception of the novels?

In investigating these questions, this critical handbook reveals the forces shaping the modern Indian novel in the postliberalization period, and provides a systematic approach to the study of Indian novelists in terms of their global reception. 

"Challenging Misrepresentations of Black Womanhood" investigates the stereotyping of Black womanhood and the larger sociological impact on Black women’s self-perceptions. It details the historical and contemporary use of stereotypes against Black women and how Black women work to challenge and dispel false perceptions, and highlights the role of racist ideas in the reproduction and promotion of stereotypes of Black femaleness in media, literature, artificial intelligence and the perceptions of the general public. Contributors in this collection identify the racists and sexist ideologies behind the misperceptions of Black womanhood and illuminate twenty-first–century stereotypical treatment of Black women such as Michelle Obama and Serena Williams, and explore topics such as comedic expressions of Black motherhood, representations of Black women in television dramas and literature, and identity reclamation and self-determination.

The five sections of the book provide a brief historical overall of the long-standing use of stereotypes used against Black women; explore the systematic attack on Black motherhood and how Black mothers use self-determination to thrive; investigate treatments of Black womanhood in media, television and literature; examine the political impact of stereotyped frameworks used for deconstructing Black female public figures; and discuss self-affirmation and identity reclamation among Africana women.

"Challenging Misrepresentations of Black Womanhood" establishes the criteria with which to examine the role of stereotypes in the lives of Black females and, more specifically, its impact on their social and psychological well-being.

The changing nature of African landscapes, from rural to urbanized spaces, has been a pre-occupation of African media producers since the beginnings of the African film industry in the 1960s. In the six chapters in the book, the authors bring together several examples of African documentary and fiction screen media that present, evaluate and criticize urban and rural landscapes, and the rural and urban dynamic of development, in relation to contemporary issues, from biodiversity, sustainability and deforestation, to inequity, women’s rights, political instability, to climate change-related themes of water and food supply, security and sovereignty. These works, comprising multi-platform cinema, streamed moving images and especially documentaries, depict the situations and open the door to rethinking and eventually to the possibilities of proposals responding to the situations portrayed. Screen media convey important visual information regarding the urban and rural built environments in Africa, relative to numerous geographic zones projected for major change and development over the next 30 years. Rapid spontaneous urban development will characterize the landscape of the African continent up until 2050, and urbanization has taken many forms, primarily unplanned. Yet, urban centres and cities have an important cultural weight since they often represent both a remnant of colonization (as colonial metropoles) and an opportunity for cultural place-making and belonging. Furthermore, African cities also serve as sites of negotiation because they are cultural melting pots offering the possibility to navigate and create identities that could not be created in rural areas.

A main goal of this book is to contribute to critical discourse and to knowledge resources to assess, critique and propose directions in contemporary urban and settlement development, in the face of rapid spontaneous urbanization of landscapes in a context of climate change and housing need. The book aims to study, track, set out and present options for landscapes and cities in Africa that are intrinsic to African culture via documentary and narrative cinema, incorporating diverse platforms of screen media. We use the term “African screen media'' to denote media presentation on various formats and platforms. This is also born out of our recognition of the fact that the term “African cinema” assumes a certain homogeneity throughout a continent of 53 countries, and that “the idea of an African cinema” has evolved with many critics to “African Cinemas” and even to the now widely used term that many scholars of African media prefer, “African screen media” (Dovey 2009, 2). This term also addresses the multiple platforms and formats representing the atomization and fracturing of distribution in contemporary streaming.

This work brings together theories and practices from the disciplines of urbanism, architecture and African cinema studies to examine some examples of how African artists are bringing attention to issues of urban precarity, climate change, survival and growth, and creativity on the continent. Theoretical references include Felwine Sarr's theory of ‘Afrotopias’ or ‘Afrotopos’ whereby the continent is a site of creative potential. Another theoretical influence with significant impact is the term "Black urbanism" as used by AbdouMaliq Simone for contemporary African cities. An alternative to modernist Western urbanism, this concept is structured around informality, creativity and improvisation.

In the twelve studies collected in this book, the collaborators take their points of departure from the thesis that the initial exchanges of post-war letters between exiles from Nazi Germany and former colleagues and friends who remained in Germany provide unique insights into the aspirations, hopes, and fears of both sets of writers, as well as the costs of both types of experiences, varied as they are. The best-known of such exchanges, subjected to two quite distinct studies in the book, is the public correspondence between Thomas Mann and Walter von Molo, in the course of which Mann sets forth his bitter reasons for failing to return to Germany at the end of the war. Another familiar correspondence examined anew in the book is of a radically different kind, consisting mainly of letters by Hannah Arendt to Martin Heidegger, where the confluence of personal, emotional currents with questions of academic weight define a distinctive, troubling connection, indicative of quite distinct costs of exile. Included in the collection are also fresh studies of figures who may be less well-known but whose distinctive responses to the challenges posed by first letters provide matter for fresh insights into exile and its liquidation. The first essay in the book and the last focus on questions of method and interpretation in studies of this valuable kind of evidence. Apart from the rewarding historiographical findings of these inquiries, they also offer a demanding contrast in methods and theoretical claims.

What place does Turkey occupy in the world today? Is it a bridge between Asia and Europe, or a bridgehead? Is Turkey part of Europe? In spite of the fine sentiments of Brussels and the desire displayed by all Turkish administrations for the past 15 years to become part of the EU, a game of bluff seems to be unfolding, marked by postponements, hesitations and unspoken agenda. But this bureaucratic approach masks other pressing issues such as the question of military power, Islam, the Kurdish questions, Cyprus and immigration. In the context of these issues, the Turkish question serves to cast the spotlight on new challenges for Europe: where should the frontiers of Europe be drawn? What is the place of Islam in it? What is the best way to deal with minorities? The spectrum of authoritative analyses in this vital new book demonstrates that Turkey presents, to an enlarged Europe, the image of its own contradictions, but also its ambitions.

As this book shows, different British responses to the material conditions of the Arab region and its inhabitants were mapped onto some British debates about the viability of modern commercial societies and the apparently intractable problem of securing a more benign relationship between material advance and virtue, modernity and traditions, improvement and backwardness. These debates reflected some significant transformations of the period: fears of French invasion during the Seven Years Wars, Enclosure Acts and the Jacobite Rebellion, the corruption of East India Company, the crisis of the American colonies and French Revolution, and the debate over slavery of the 1790s. En route, Britons raised concerns about a host of religious, political and ethical questions that troubled eighteenth-century Britain: Is moral corruption a necessary price a society has to pay in return for living in a materially advanced state? Do people need to honour traditions and religion in modern commercial society in which people have never been freer? Can one find virtue and morality in commercial society? Can an advanced and enlightened society tolerate religion? How can it be that a wealthy society also has poor and dispossessed people who live in workhouses? How is it possible that a society which respects Enlightenment values of freedom and liberty also practices slavery and colonises other societies? European travellers in the Levant often found themselves confronting these questions, especially in a region known for being grand and great in the past but barren and full of ruins in the present. 

‘ISIS and the Pornography of Violence’ is a collection of iconoclastic essays on ISIS, spanning the four-year period from its ascendancy in late 2014 to its demise in early 2018. From a trenchant critique of the infantilisation of jihadists to a probing examination of the parallels between gonzo porn and ISIS beheading videos, the pieces collected in this volume challenge conventional ways of thinking about ISIS and the roots of its appeal. Simon Cottee’s core argument is that Western ISIS recruits, far from being brainwashed or ‘vulnerable’ dupes, actively responded to the group’s promise of redemptive violence and self-sacrifice to a total cause.

Radicalization, Cottee argues, is a murky and complex process that cannot be reduced to any single explanatory scheme or thesis. He also documents the emergence of a new kind of ‘liquid jihad’ in the West, where involvement in jihadism reflects more a process of drift than any full ideological conversion, and where commitment, often fragile, is sustained by social networks.

Creeping slow death of the human brain’s ability to reason, function, remember and respond, poses a family tragedy. As major increases in the volume of dementia cases have been predicted for the coming decade, this book is ever more needed to cut through the clutter of assumptions and anecdotes. It explains governmental and private entities’ benefit programs for aiding dementia patients. The text faces the sad crisis of widespread dementia, explains how government and insurers do and should respond, and integrates sophisticated medical tactics with vital cooperative responses by families and friends to their loved one’s mental health crisis.

This book contains selected papers from the Annual Conference on Development and Change (ACDC) held at Sao Paulo in November 2006. Second in a series of three conferences, the 2006 ACDC showcased research by relatively younger scholars. While precise and rigorous alternatives to the neoliberal agenda are often overlooked in the huge volume of literature that addresses the larger issues, both aspects - the larger picture and the smaller nuts-and-bolts details - are very important, and this volume fills the gaps in the latter category. These papers were written before the global recession, and events subsequent to the conference and the writing of these papers have validated several of the concerns raised by their authors.

This volume focuses on a plethora of issues from the point of view of the South. It demonstrates, for example, that if capital inflows exceed a certain volume - no matter how they are absorbed - such openness will inevitably result in a crisis in the receiving country. The popular understanding of foreign portfolio investment as more benign than foreign direct investment (FDI) is also challenged. By contrasting contemporary capital flows as well as the international capital flows of the nineteenth century, this collection highlights the role of regulation and the role of the state, and ultimately emphasizes the need for recipient country governments to exercise policy options to control the volume of foreign capital inflows.

The idea of occupational devotion, or devotee work, was conceptualized and incorporated in the serious leisure perspective as one of the two serious pursuits. The other pursuit is serious leisure itself, with both forms being anchored in activities that are immensely appealing and fulfilling. Despite such desirable qualities the serious pursuits constitute a minority of all work and leisure, these two domains being dominated by disagreeable work and hedonic casual leisure activities. 

The devotee occupations serve as full-time or part-time livelihoods for people fortunate enough to have found them. Such work has so far been observed to exist in four sectors of the economy: the liberal professions, consulting occupations, craft-like trades, and creativity-based small businesses. In ways to be set out in the coming chapters, devotee work roots in serious leisure, and many participants in the latter have no desire to pursue the former. Moreover, some of those who do “quite their day job” to try to make a living at their leisure passion fail to achieve this dream and are forced to return to pure amateur, hobbyist, or career volunteer status. That is, these aspirants fail to make enough money to live as they need to, whether at a level of poverty or near-poverty (eg, the starving artist), passable living, or comfortable living. 

Neither type of serious pursuit offers an unalloyed life of positiveness. Nevertheless, both are hugely attractive, even while the enthusiasts invariably face some costs and unpleasant requirements that weigh against the powerful rewards. So it is that, unlike casual leisure, perseverance and effort number among the defining qualities of the serious pursuits.

Black Configurations is the first volume of a three-volume study that offers a fresh reading of African-American literary history by locating within the literature itself the terms for a revisionary account of black writing, terms pursued along three distinct but interlocking pathways (each to be pursued in the Impact Series format): by charting figurations of tradition among six of the most innovative practitioners of black literary expression from Sterling Brown to Toni Morrison (Volume 1); by following the haunting pathways of spectral dialogues between slavery and African-American modernism (Volume 2); and by interrogating interlocking topoi of critique and assertion (naming; facing; voicing) across the history of African-American literary expression (Volume 3). The critical trilogy presents thereby a narrative of African-American literature as a continual, dialectical process, blending confrontation with traumatic origins and the quest for expressive transformation.

This project arises from the question: how does one construe and narrate the story of a tradition for which the conventional structure of literary history—that is, the relation between discourse and its referents—is itself such a politically and thematically charged issue? On one hand, the ideological exclusion of the African-American subject from authorized spheres of meaning and signification gives value to narrating black literary tradition as the progressive emergence of a fully articulate presence, and seems to find warrant in black writing’s persistent thematization of literacy, public performance, and self-definition. On the other hand, such a narrative of fully realized agency and consciousness risks replicating the dominant ideology’s own reductive vision of identity as a predetermined totality, thus imagining some singular and final form for African-American being. The study asserts instead that African-American literature is fueled by the simultaneous workings of a desire for a totally realized subject and the constant displacement of that desire by a willingness—in contrast to the oppressive system that would deny its agency—to put its own mode of being into question.

This book is a new and exciting resource for teachers, students, and activists who aim to critically examine contemporary sexuality through the lens of sexual literacy and situated social analysis. This original anthology provides shorter cutting-edge essays on theory, method, and activism, including the nature of globalization and local sexuality discovered in ‘glocal’ topics, processes, and contexts. Within the anthology, students, educators, practitioners, and policy makers will find critical conversations regarding a wide array of sexual topics that impact our world currently. These cutting-edge essays inform readers of key moments in sexual history, including areas relating to research, practice, and social policy, and provide a platform from which to engage in rich discussion and forecast the development of sexual literacy in our world within multiple contexts.

Remarkable transformations in critical sexuality studies, sexual science, empirical and humanities-based studies, and human rights in the late-twentieth century reveal many of the complex conundrums of power that drive sexual study in the twenty-first century. Using the multi-faceted characteristics of sexuality literacy to engage critically and situationally across glocal factors, augmenting our ability to forecast sexuality issues, the book attempts answers for the following questions: What are the kinds of problems and solutions does applied critical sexual literacy work engage? How do we value one another and what political stakes are revealed when we do put one person over another? How do sexual identities and behaviors become authentic, meaningful, and important to comprehend in specific times and contexts? How does such work push forward pedagogy and allow forecasting the circumstances of tomorrow inasmuch as we can foresee?

‘Rethinking Therapeutic Reading’ uses a combination of literary criticism and experimental psychology to examine the ways in which literature can create therapeutic spaces in which to do personal thinking. It reconsiders the role that serious literary reading might play in the real world, reclaiming literature as a vital tool for dealing with human troubles. 

During the eighteenth century, the Bourbon monarchy set about making geopolitical changes in the colonies in order to encourage trade. Buenos Aires was designated as the new capital city of the Viceroyalty of the River Plate in 1776. However, the city had at the time very little urban infrastructure – it did not even have a cathedral or appropriate government buildings to welcome high-ranked bureaucrats from Spain, such as the Viceroy. Streets were mainly unpaved, dusty and there were no parks or promenades like in other capitals, where the eighteenth-century society could parade in fine clothes and displayed their often newly acquired social status.

This book tells the story of how the monarchy aimed at creating a new capital city in a remote and forgotten area of the empire. It also shows how the local Creole bourgeoisie rapidly assumed the role of urban developers, and enhanced their economic status by investing in and controlling the Buenos Aires’ property market. In a short period, from 1776 to 1810, the urban transformation of Buenos Aires helped increase the Crown’s revenues and considerably reduced contraband trade. Nevertheless, urban changes generated an internal struggle for power for the control of the city between the Spanish loyalist and the local wealthier Creoles. As this book concludes, for an empire such as the Spanish, which was constructed upon a network of cities, the Crown’s loss of the control of Buenos Aires’ urban space was a serious threat to its power that foreshadowed Argentina’s wars of independence.

Statistics and the use of numbers, in general, are becoming increasingly important in journalism, this to the point that it cannot be overemphasised. In the age of the so-called big data, journalists’ engagement with numbers is seen as the Holy Grail to save the news media from declining streams of revenues, hyper-fragmentation of audiences and the de-politicisation of society in general. Indeed, for some the interaction between journalists and numbers is the future. These voices often refer to the ‘datafication’ of news – and society in general – and vehemently call for the incorporation of statistics and data into journalism practice as a way of improving the quality of news. They see in the ‘data revolution’ a real possibility to revolutionise the way journalism is done, making news stories more comprehensive, relevant, accessible and engaging. It is a quest that pretends to use numbers to enhance journalism and provide better public service journalism. To be sure, many journalists are now expected to deal and examine big and small numbers almost on a daily basis at least in ways that they were not asked to do in the past. This against the pressure of time, declining resources and growing masses of quantitative information related to economic, political and social phenomena (including scientific and academic research reports, public opinion data, political polls, and official and non-official datasets, among others). 

Therefore, it is impossible today to disassociate the discussion about quality in the news from the use of numbers. In this sense, there are important questions to ask: How do journalists use statistics to articulate news? What are the reasons and rationale behind incorporating numbers in the news? Are news stories really better because they present the audience particular numbers or data? Does the incorporation of statistics make news stories more comprehensive and accessible? The book is an attempt to answer this along other more fundamental questions such as: What do we understand by quality in the news? Is data really the future for journalism?

In this book, we aim at challenging some common assumptions about how journalists engage and use statistics in their quest for quality news. In doing so, it seeks to improve our understanding about the usage of data and statistics as a primary means for the construction of social reality. This is a task, in our view, that is urgent in times of ‘post-truth’ politics and the rise of ‘fake news’. In this sense, the quest to produce ‘quality’ news, which seems to require incorporating statistics and engaging with data, as laudable and straightforward as it sounds, is instead far more problematic and complex than what is often accounted for.

To start with, the notion of ‘quality’ in the news remains not only elusive but also contentious. On the one hand, as it is argued here, the notion of ‘quality news’ and ‘quality news providers’ has centred around the normative claims of journalism being a public service to society; something that, as we will argue, is questionable both factually and historically. On the other, there is ample evidence to suggest that contrary to the common assumptions statistics do not necessarily bring accessibility, reliability, validity nor credibility to the news stories. Indeed, based on extensive research and drawing from original data, the book explores the use of statistics within the practice of journalism through the lenses of five quality dimensions: relevance, accuracy, timeliness, interpretability and accessibility. According to the authors, by studying each dimension as a threshold that seeks to guarantee the quality of information in news it is possible to understand the whole journalistic workflow, from production to consumption, on how statistics are articulated throughout in order to substantiate quality news stories. The authors highlight the dichotomy between the normative and professional aspirations of journalism, whereby statistics help support the quality of news, and there is a desire to strengthen the ability of storytellers (journalists) through the use of numbers. The book tries to underpin the tensions and issues around journalism and statistics. The central point made is that while the concept of quality and its dimensions remains a theoretical aspiration among journalists, what they really aim to achieve is ultimately credibility and authority. Hence, drawing from this last dichotomy we argue that not only the use of statistics automatically translates into quality journalism but that in some occasions it even hinders the possibility of greater civic engagement with the news.

The essays gathered in Magazines and Modernity in Brazil explore transnational topics such as architecture; cosmopolitanism and universalism; antisemitism, anti-war movements; visual artistic movements; advertising; anti-racism; avant-garde; class; consumer society; design; ethnicity and race; fascism and anti-fascism; intellectual elites; literature; modernity; publishing; translation, as well as book and periodical exchange, which is the main focus of this collection.

Together, these essays propose a critique of traditional comparatist approaches, promoting instead the study of contact zones and intersections, highlighting the place of production and reception of cultural products, as well as the role of mediators. What guide these analyses of magazines are concepts such as connected and shared histories, which emphasize transnational interactions. Within the spectrum of global history, this collection is related to a recent body scholarship on cultural transfers, which opened a fertile field for new research based on the analysis of transnational movements not only of ideas but also of networks and magazines.

Organized chronologically, the chapters explore a period from the mid-nineteenth century to the aftermath of World War II, always having key magazines as the focus of analysis. The authors deliberately move away from traditional comparative approaches, in which two or more nations are set as a parameter, leading to emphasize their similarities and differences in a rigid framework that does not take into account interactions and cross-pollination of cultures and ideas. Some of the keywords that appear here are transnational models, global, circulation, mediation, hybridity, mestizaje, as well as histories that are shared and connected. These keywords help the authors to analyse the formation and development of the participation of Brazil in the global, modern periodical print culture. However, it should be noted that the purpose of this book is not to suggest a supposed singularity of the Brazilian case. The contribution of this volume of essays is precisely the opposite of this, showing how modernity in Brazil, including what is conventionally called modernism, is a complex expression of transnational movements and cross-cultural exchanges.

The astonishing political rise of Donald Trump sent seasoned observers scurrying for clues and explanations. How did Trump happen? Of course no one guide will suffice, but a surprisingly helpful one, suggests Sidney Plotkin, is the early twentieth-century American radical, Thorstein Veblen. In remarkably vivid ways, Veblen understood the enduring American allure of figures such as Trump. [NP] As Plotkin shows in “Veblen’s America,” Trump’s booming persona springs noisily out the country-town hucksterism that Veblen sardonically depicted, its fabulist habits fitting Trump’s “truthful hyperbole” to a tee. But Veblen saw darker, more ominous forces in American life too––habits of barbaric violence, misogyny and xenophobia––forces that foreshadowed Trump’s appeal to what Veblen called a deep “sclerosis of the American soul.” New Deal liberalism helped mute the strains, but economic crisis and the neoliberal response aggravated them. Donald Trump’s appeal to hate made their revival unmistakable.

To shape the study, Plotkin introduces readers to Veblen’s critical institutional theory and its application to both the American case generally and to the Trump family story in particular. With Veblen as foundation, he examines three generations of Trumps as they engage the forces of American development: Friedrich Trump, the hard-scrabble immigrant grandfather, on the make in the gold mining towns of the Pacific Northwest; Fred Trump, the father, who showed the way in using the loose rules of American housing policy to become a captain of local industry; and Donald J. Trump himself, who, having first burst onto the New York City scene as a burgeoning celebrity entrepreneur of the neoliberal era, then turned against neoliberal globalism, proclaiming himself the one and only savior of working-class America. As Plotkin shows, Trump’s poisonous ascendancy exposed a barbaric malevolence that has long torn at the fabric of American democracy and its aspirations for equality.

Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility.

• Joint winner of The Literary Encyclopedia book prize 2024, category ‘Literatures written in languages other than English'
• Winner of the Nancy Staub Publications Award 2024
• Winner of the AATI Book Award 2024 for Literary, Critical Theory, and Cultural Studies

- Sicilian puppet theater is a unique nineteenth- and twentieth-century popular theatrical tradition based on the masterpieces of medieval and Renaissance chivalric literature. It flourished not only in southern Italy and Sicily, but also in the diasporic Italian urban communities of North and South America and North Africa, bringing immigrants together for nightly performances of the same deeply cherished chivalric stories. Even though this art form was designated by UNESCO as an “intangible cultural heritage of humanity” in 2001, it remains largely unknown today because by the late 1950s Sicilian puppet theater companies had ceased to perform the full Paladins of France cycle that used to extend nightly for well over a year. Thus, the only means we have left to explore the substance of this once widely enjoyed cultural phenomenon are the scripts dating from opera dei pupi’s heyday. Most of these invaluable documents, however, have been lost, while the few sets still in existence are either privately owned by the remaining puppeteer families and collectors or tucked away in the archives of Italian institutions. Thanks to the newly accessible scripts of the preeminent Catanese-American puppeteer Agrippino Manteo (1884–1947), whose career stretched from Sicily to Argentina to New York, students, scholars, and the general public can now explore the cycle of chivalric narratives staged during the golden age of Sicilian puppet theater.

- The many delicate hand-written notebooks containing Agrippino Manteo’s dramatic repertory are not only of interest for their historical and aesthetic value. These masterfully executed theatrical adaptations invite readers into a chivalric world featuring knights and damsels from across the globe – from Europe to Africa to East Asia – who share the stage with a host of wizards, fairies, giants, and monsters, in alternating episodes of love, enchantment, adventure, and warfare. The concerns with which they engage, such as justice, identity, duty, love, freedom, and virtue, transcend the categories of elite and folk, local and global, medieval and modern, interrogating what it means to be human.

- This book provides the most comprehensive history to date of the Manteo Family's Sicilian Marionette Theater across three generations and brings to light for the first time the contents of Agrippino Manteo’s extensive Sicilian puppet theater scripts, including translations of 8 selected plays and 270 extant play summaries of the famous Paladins of France cycle. Accompanying comparative analyses uncover the creative process of adaptation from Italian Renaissance masterpieces of chivalric poetry to nineteenth-century prose compilations to Agrippino’s opera dei pupi scripts.

Simon J. James examines how Gissing's work reveals an unhappy accommodation with money's underwriting of human existence and culture, and how daily life in all its forms – moral, intellectual, familial and erotic – is transcended or made irrelevant by its commodification. Novels such as 'New Grub Street' expose high culture's dependence on the ruthless Darwinism of late Victorian capitalism: literary and personal success can only be achieved by understanding and adapting to the immanent and irresistible nature of a market hostile to the development of human self-betterment. Situated against nineteenth-century analyses of monetary relations by thinkers such as Ruskin, Mill, Marx and Carlyle, and novels by Dickens, Eliot and Hardy, 'Unsettled Accounts' demonstrates how Gissing's work is engagedly modern, dealing as it does with changes in the nature of the literary market, advertising, imperialism, the New Woman and the condition of the working classes. This groundbreaking new study, published 100 years after Gissing's death, will be of considerable interest to students, researchers and scholars. A valuable introduction to Gissing's work, it claims a prominent place for him in fin-de-siècle Victorian literature.

This book arises from a European Commission 6th Framework Programme for Research project: 'Global Climate Change Impacts on the Built Heritage and Cultural Landscape - The Noah's Ark Project'. The work recognised that although climate change attracts wide interest at research and policy levels, little attention is paid to its impact on cultural heritage. In a period when enhanced regulation has improved European air quality, it seems important to explore how the threat of climate change to cultural heritage can become better recognised and perceived as relevant. As a non-renewable resource to be transmitted to future generations, cultural heritage includes the built heritage, artefacts inside buildings, archaeological sites and cultural landscapes.

Rather than examining the fate of individual monuments, the 'Noah's Ark Project' took a strategic overview of the changing pressures on heritage.  The results can now be viewed on a wide geographical scale, presented here as a vulnerability atlas and accompanying guidelines. This atlas aims to fill the present gap in studies on the effects of future climate variations on cultural heritage, producing maps that link climate science to the potential damage to our material heritage. [NP] The atlas gathers different types of maps and research outputs of future scenarios. Sections within the atlas include climate maps, displaying traditional climate parameters relevant to cultural heritage, and specific heritage climatologies; damage maps that quantitatively express the damage induced by climate parameters on building materials in future scenarios; risk and multiple-risk maps showing areas of increasing or decreasing risk across European regions; and thematic sections focusing on specific processes of damage that may arise from climate change. The atlas is also supported by key recommendations for policy-makers managing the impact of climate change on European heritage sites.

An escalating ecological catastrophe is befalling the biosphere in the twenty-first century.The philosophical roots of this catastrophe lie in the deep structural dualism that has characterized the Western tradition. Dualism conceptually divides mind from matter, culture from nature and the human from the animal, thereby giving rise to an exclusively instrumentalist attitude to the natural environment. Science as the engine of modernity is now the chief global vector of dualism and by its means the instrumentalist attitude has spread around the world.

According to the author, this foundational flaw in Western thinking may be traced ultimately to the Greek discovery of philosophia; that is to say, it may be traced to philosophy itself and to the theoretic orientation to which philosophy led. Any escape from dualism thus requires training in an altogether alternative mode of cognition, a strategic and synergistic mode cultivated not via abstract theorizing but by visceral, sensory, agentically engaged practices of responsive attunement to one’s immediate environment. Such practices were the province of pre-agrarian societies that relied on foraging, and hence on intimate attunement to local ecologies, for their livelihood. Vestiges of this earlier pattern of practice were also preserved in the indigenous Chinese tradition of Daoism via a repertory of psychophysical exercises designed to induce attuned responsiveness to environmental cues.

First-hand opportunities for responsive engagement with local ecologies must rather be routinely available to people today just as they were to earlier peoples. Societies must reconfigure economic praxis so that human agency, in its most routine daily forms of expression, interacts synergistically with the biosphere rather than imposing its own abstractly preconceived designs upon it. This is required not only because such reconfigured praxis will serve and sustain life on earth at a biological level but also because it is what is needed to induct people themselves into ecological awareness. The book includes instances of such alternative, synergistic modes of praxis – in agriculture, manufacture and architecture.

As an emerging super-power whose thought-roots are in strategic as opposed to theoretic modes of cognition, China is in a position to assume world leadership in this connection. The author appeals directly to China to reclaim its Daoist heritage, apply this heritage to the problem of praxis today, and thereby light the way towards forms of civilization more appropriate to our times.

This challenging and unique new volume examines some of the most burning issues on the economic agenda in the world today. Bringing together some of the foremost authorities in their fields, this book is the result of work carried out on behalf of the G24, the world's only research effort devoting to furthering the interests of developing countries and bringing their needs to global attention. The book gives a voice to the developing nations of the world through its powerful essays and its fresh perspective. Challenging the existing mechanisms for the governance of the world economy, the chapters in this book consider the current approaches of the World Bank and IMF, and the operations of financial markets, and offer alternative proposals for the effective participation of developing countries. In doing so, the volume ranges from discussions on reforming the IMF and its conditionality, debt workouts and restructuring, through management of capital flows, debt sustainability and insurance against crisis, to Millennium Development Goals and the 'global partnership development'.

Civil Society as a conceptual category across different disciplines and ideological and theoretical frameworks has enjoyed an acceptability that no other concept has in the recent past. In response to what could, perhaps, be referred to as the post-euphoric versions of the civil society, scholars across theoretical dispositions began to look for the critical limits of posturing core issues of democracy through the prism of civil society. It is in this context that Partha Chatterjee has made one of the most important interventions by opposing the idea of civil society to that of political society.

‘Re-framing Democracy and Agency in India: Interrogating Political Society’ critically unpacks the concept of ‘political society’, which was formulated as a response to the idea of civil society in a postcolonial context. The volume addresses the theoretical issues of political society through a number of detailed case studies from across India: Kerala, Andhra Pradesh, Karnataka, West Bengal, Chattisgarh, Delhi and Maharashtra. These case studies, combined with a sharp focus on the concept of political society, provide those interested in democracy and its changing patterns in India with an indispensable collection of works, brought together in their common pursuit to highlight the limitations with different core concepts that Chatterjee has formulated. Centred around five themes – the relation between the civil and the political; the role of middlemen and their impact on mobility of the subaltern groups; elites and leadership; the fragmentation and intra-subaltern conflicts and its implications for subaltern agency; and finally the idea of moral claims and moral community – this volume re-frames issues of democracy and agency in India within a wider scope than has ever before been published, and gathers ideas from some of the foremost scholars in the field. The volume concludes with a rejoinder from Partha Chatterjee.

With its catalogue of hit songs, iconic characters, memorable quotes and familiar scenes, ‘Grease’ is truly a behemoth of US and global popular culture. From the stage show’s debut in 1971, to the Hollywood film of 1978, to the numerous rereleases and anniversary celebrations of the twenty-first century, it has enjoyed, and continues to enjoy, success across a range of media. ‘Grease’’s extended run on Broadway through the 1970s ensured it a prominent place within broader debates on the musical, 1950s nostalgia and American youth. Numerous stage revivals have followed, with theatres across the world revisiting Rydell High in front of sell-out audiences. Hollywood has time and again sought to recreate ‘Grease’ the movie’s phenomenal box-office success with a procession of similarly themed rock and roll youth musicals (‘Footloose’, ‘Dirty Dancing’, the ‘High School Musical’ franchise, to name a few). However, even as these productions enjoy their own renown, in terms of sheer longevity, prominence and popularity, ‘Grease’ was, is and will remain ‘the word’ when it comes to musical blockbusters.

Bringing together a group of international scholars from diverse academic backgrounds, ‘Grease Is the Word’ provides a series of fresh and detailed analyses of the cultural phenomenon ‘Grease’. From the stage show’s first appearance in 1971 to twenty-first century responses to the ‘Grease Megamix’, ‘Grease Is the Word’ reflects on the musical’s impact and enduring legacy. With essays covering everything from production history, political representations, industrial impact, music, stars and reception, the book shines a spotlight on one of Broadway’s and Hollywood’s biggest commercial successes. By adopting a range of perspectives, and drawing on various visual, textual and archival sources, the contributors maintain a vibrant dialogue throughout, offering a timely reappraisal of a musical that continues to resonate with fans and commentators the world over. Written in an engaging, accessible manner, the book will appeal to students, academics, and anyone interested in American popular culture.

How would a Jacobean audience have assessed ‘The Tempest’? What would King James I have thought of it? This book provides detailed in-depth discussion of the various influences that an audience in 1611 would have brought to interpreting the play. How did people think about the world, about God, about sin, about kings, about civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the 1600s to the world of Prospero on the stage. Learn about the social hierarchy, gender relationships, parenting and family dynamics, court corruption, class tensions, the concept of tragi-comedy – and all the subversions, transgressions, and oppositions that made the play an unsettling picture of a world attempting to come to terms with capitalism and colonialism while re-addressing the nature of rule.

How did the US financial crisis snowball into USD 15 trillion global losses? This book offers a clear synthesis and original analysis of the various factors that led to the financial crisis of 2007-2010 - namely, an asset price bubble and excessive leverage. The focus is on the ingredients of and dynamics within the international financial system, and as such is the most comprehensive publication in scope to date in terms of market, country and instrument coverage. In addition to its thorough dissection of the causes and consequences of the most calamitous financial crisis in the past seventy years, the author also debates 'the way forward', including regulatory challenges, proposed changes and critique, and early warning systems.

The objective of this reader is to provide a holistic summary of the financial crisis, and bring to light a new perspective on each of the issues, while simultaneously providing a thorough platform for those wishing to research any of the sub-topics independently. It ultimately discusses the lessons to be learned from the recent crisis, and questions whether the global financial system is capable of learning them. Written in a clear explanatory prose and featuring a wealth of quantitative data and qualitative analysis, this reader is accessible to the beginner, intermediate and advanced student.

This collection provides a panoramic view of practical philosophical insight, ranging across a spectrum of humanistic themes. These essays cast light on our perennially imperfect human condition. They are written from the complementary standpoints of a classical liberal scholar with one foot planted in the academy, and of a peripatetic pioneer whom The New York Times called "the world's most successful marketer of philosophical counseling." These writings, therefore, span space in which theory and praxis are mutually informative and seamlessly collaborative.

The collection ranges from Alfred Korzybski's general semantics; Thomas Mann's prognosis for Western civilization; Hume's moral skepticism applied to globalization; Jungian synchronicity and encounters with Irvin Yalom; J.S. Mill's harm principle applied to cyberspace; Ayn Rand's prophetic apocalypse; philosophical practice as Dadaist activism; humanities-based therapies as remedies for culturally induced illnesses; biological roots of human conflict; deconstruction and critique of "sustainable development"; dangers and detriments of over-digitalized and hyper-virtualized lifestyles and learning methods; and calls for the re-emergence of philosophy from inactive academic entombment to pro-active modes of personal guidance, social influence, consumer advocacy, and political engagement. A unifying claim of this anthology is the cautionary tale that humanity's recurrent and conflict-ridden predicaments are only exacerbated by myopic analyses, toxic ideologies, and expedient prescriptions. While philosophy is scarcely a panacea for human afflictions, its proper exercise illuminates our understanding of them, thereby suggesting better as opposed to worse ways forward.

Overall, the thrust of this collection can be viewed as a realization of John Dewey's forthright vision, expressed in 1917: "Philosophy recovers itself when it ceases to be a device for dealing with the problems of philosophers and becomes a method, cultivated by philosophers, for dealing with the problems of men." Indeed, these essays deal with problems of humanity writ large. They also constitute a compelling response to Mortimer Adler's clarion call in 1965, that philosophy "must cease to be an activity conducted by moles, each burrowing in its own hole, and become a public and cooperative enterprise." As these essays reveal, Marinoff has accomplished Adler's mission, transforming and returning philosophy to the agora, which in contemporary parlance amounts to the global village. That his popular books on philosophy for everyday life have sold millions of copies in dozens of languages has distracted some—perhaps too many—philosophers from exploring what he has written for a philosophical audience itself. This book helps remedy that distraction.

The pursuit of collective happiness was considered a utopian ideal that structured many aspects of Soviet culture, a fact recognized by numerous scholars in various disciplines ranging from cultural and literary studies to sociology and political science. Several groundbreaking studies in the literary and cultural history of the former Soviet Union have changed our understanding of the Soviet past. However, none of these studies has paid attention to an important theme in the cultural history of Soviet society – the pursuit of happiness. Although specialists in Soviet culture repeatedly invoke various manifestations of happiness in works of literature and film in their research, it has yet to be investigated as the subject of a full-fledged independent study.

‘Petrified Utopia’ redresses this inexplicable omission. This collection of essays introduces the Western reader to the most representative ideas of happiness, and the common practices of its pursuit that shaped Soviet everyday life and cultural discourse from the early post-revolutionary years to the later period of Stalinist and post-Stalinist culture. The collection presents different manifestations of happiness in literature and visual culture – from children’s literature to the official and high literary cannon, from architecture to fine arts, from postcards to cookbooks, and from the culture of consumerism to product-paradise in Soviet posters. ‘Petrified Utopia’ features articles by the leading specialists in the study of Soviet culture from the UK, the US, Germany and Italy, and addresses the perplexing lack of scholarship on this important issue.

Family law is a site of social conflict and the erasure of non-traditional families. This book explores how conservative religious and progressive queer groups can cooperatively work together to expand family law’s recognition beyond the traditional state-sponsored family. Various religious groups have shown an interest in promoting alternative family structures.

For example, certain Muslim and Mormon communities have advocated for polygamy, in the process aligning with queer groups’ interest in overcoming the engrafting of monogamy into state law. Advocacy by North American religious conservatives for reforms in favor of non-conjugal families and against same-sex marriage overlaps with certain queer efforts to legitimize friendships and non-traditional families more generally.

This book explores these potential areas of queer and religious political cooperation—including limitations and principled reservations to such cooperation. It then looks at additional future arenas of queer and religious political cooperation going beyond family law.

Ultimately, this book aims to locate and systematize seemingly isolated interest convergences between queer and religious groups into a coherent theoretical framework that can also be used on the ground in political work. In challenging dominant narratives of ‘culture wars,’ the book’s analysis is timely and in line with the need to prevent the escalation of social cleavages looming over our increasingly diverse societies. 

Winner of numerous awards and the epicenter of multiple controversies, Danny Boyle’s 2008 film “Slumdog Millionaire” has fueled a series of debates regarding its depictions of India and the slum, its references to Bollywood, its global circulation and success, and its reception by critics and audiences. “The ‘Slumdog’ Phenomenon” is an edited collection that seeks to address all of these topics and, in the process, provide new and innovative ways of looking at this controversial film. Each of the book’s four sections considers a particular aspect of the film – such as its relation to the nation, to the slum and to Bollywood – along with its reception and theorization.

Collecting, for the first time ever, a wide range of critical essays exploring this film from a rich variety of disciplinary perspectives, “The Slumdog Phenomenon” will be of interest to readers across the academic spectrum. Rather than offering a book-length study of the film from one point of view, this collection presents a variety of shorter pieces that consider “Slumdog Millionaire” from several different angles. Featuring a dynamic combination of landmark essays by leading critics and theorists, as well as newer pieces by emerging scholars, this collection will provide readers with an assortment of critical perspectives on a film that continues to generate fascination, curiosity and controversy around the world.

Christos Tsiolkas is one of the most recognizable and internationally successful literary novelists working in Australia today. He is also one of the country’s most politically engaged writers. These terms – recognition, commercial success, political engagement – suggest a relationship to forms of public discourse that belies the extremely confronting nature of much of Tsiolkas’s fiction and his deliberate attempt to cultivate a literary persona oriented to notions of blasphemy, obscenity and what could broadly be called a pornographic sensibility.

A collection of essays written from a Marxist-Feminist perspective, 'Inventing Subjects' is a significant contribution to the field of historical sociology. The essays speak of the different ways in which social subjects and their agencies have been constructed and represented in the context of the development of colonial hegemony and socio-cultural formations in India. Four of the essays focus on constructive proposals for social subjectivities and agencies of Bengali middle-class women by both the indigenous and the colonial elite. The othrt two essays consider the invention or construction of 'India' as an ideological category for ruling, which seeks to impose on it a colonially ascribed identity. The essays capture the fluidity and complexity of subject construction, and read moral regulations and culture in terms of a hegemonic process. They range from middle-class Bengali women's attempts at self-fashioning to the colonial ideological reflexes within which their projects are articulated. They disclose and query the tensions inherent in the processes of indigenous socio-cultural constructions and identity formations, as well as the reductionism involved in the creation of colonial 'others'.

‘Dickens and the Sentimental Tradition’ is a timely study of the ‘sentimental’ in Dickens’s novels, which places them in the context of the tradition of Fielding, Richardson, Sterne, Goldsmith, Sheridan and Lamb. This study re-evaluates Dickens’s presentation of emotion – first within the eighteenth-century tradition and then within the dissimilar nineteenth-century tradition – as part of a complex literary heritage that enables him to critique nineteenth-century society.

The book sheds light on the construction of feelings and of the ‘good heart’, ideas which resonate with current critical debates about literary ‘affect’. As the text argues, such an analysis reveals sentimentalism to be a crucial element in fully understanding the achievement of Dickens and his contemporaries.

The first chapter of the book outlines the sentimentalist tradition in English literature from the Middle Ages onwards. The second and third chapters then examine Dickens’s eighteenth-century inheritance in the works of Sterne, Fielding, Goldsmith and Sheridan, whilst Chapter Four explores Dickens’s inheritance from Charles Lamb and his acting in sentimental plays by Bulwer Lytton and Wilkie Collins. Chapter Five analyses three early novels, including ‘Nicholas Nickleby’, revealing the extremism of post-Romantic sentimentalism. In Chapter Six, three later novels including ‘Dombey and Son’ are reread in terms of Dickens’s changing use of sentimentalist rhetoric to achieve remarkably subversive effects. The final chapter then looks at other examples of nineteenth-century sentimental writing, and at the ‘afterlife’ of the mode in the past two centuries.

The first thesis of ‘How Transformative Innovations Shaped the Rise of Nations’ is that economic growth, national dominance and global leadership are fueled primarily by embracing innovations, in particular transformative innovations.

A transformative innovation is one that changes the lives of people, reshapes the structure of society, disrupts the balance of power within and among nations, and creates enormous wealth for its sponsors. The adoption of a transformative innovation spawns numerous other related or consequent innovations. It provides a competitive advantage to a nation and may propel a small, backward region to world leadership in as short a time as a century. Further, the transformative innovation can sometimes itself promote the positive environment that leads to further innovations. Thus, embracing innovation can start a positive cycle of wealth creation, economic dominance and a positive environment for further innovation. This positive cycle continues as long as the environment that spawned the innovation remains supportive or until another transformative innovation arises elsewhere.

The second thesis of ‘How Transformative Innovations Shaped the Rise of Nations’ is that innovation is not adopted randomly across time and nations. Rather, it is sustained by an environment characterized by key institutional drivers within a country or region, three of the most important of which are openness to new ideas, technologies and people, especially immigrants; empowerment of individuals to innovate, start businesses, trade and keep rewards for these activities; and competition among nations, patrons, entrepreneurs or firms. Geography, resources, climate, religion and colonization probably played a role as well. However, past treatments of the rise of nations have overemphasized the role of these other factors; they have downplayed or ignored the role of innovations and the institutional drivers that led to their development and adoption.

'Feeding The World in the 21st Century: A Historical Analysis of Agriculture and Society' provides a historical understanding of agricultural development over the last two centuries. Characteristics of the period have included the opening of the prairies in the late 18th century, the invention of industrial fertilizer and the tractor's displacement of the horse. Such profound developments have led to an abundance of food and peace and prosperity within the world market. This situation began at the end of the American Civil War and continued until 2005, when prices rose in spite of increased production. Smedshaug gives a historical background of the current situation, while discussing the ultimate challenge of how to feed a world of 10 billion people. This challenge has to be met in the light of climate change, water shortage, and not least the declining availability of fossil fuel.

Smedshaug's analysis and recommendations underline the need for every country to have the freedom to establish an agricultural policy adapted to the given national natural conditions, as well as the need to put the producer at the heart of the policy in such a way that all countries can utilize their potential to produce food, and hence to feed the world.