Architecture

A comprehensive, first-of-its-kind book about Chicago’s residential architecture and the stories that shaped it. This is an entertaining and precisely illustrated story of Chicago homes from the city’s earliest days through the Second World War, revealing everything about what makes a home a Chicago home. 

A city famous for its architecture—and for arguing with New Yorkers about who built it first and best—now has a definitive guide to the unique housing types and styles that have inspired so much devotion. This book is for curious Chicagoans and visitors alike—anyone who’s ever wondered how to spot a Foursquare or where to find Italianate homes from before the Great Chicago Fire.

Why are Chicago’s lots so narrow? How many Chicagoans built homes from a kit? What exactly is a “greystone”? The authors combine their decades of experience in historic preservation and illustration to create an evergreen resource that Chicagoans and visitors will turn to for answers to these and other questions about the city’s neighborhoods and the homes its citizens live in, visit, and admire. 

Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land.

While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals.

Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.

Architectural historian Roger W. Moss and photographer Tom Crane set out to celebrate the surviving accessible historic architecture of Philadelphia, envisioning a series of books that would provide much more than the snapshots found in guidebooks. They began with Historic Houses of Philadelphia, bringing the region's most impressive museum homes to life. Historic Sacred Places of Philadelphia followed, an exclusive tour of fifty hallowed sites. In Historic Landmarks of Philadelphia, Moss and Crane feature prominent, memorable structures that reflect stages in Philadelphia's growth.

There are sixty-five National Historic Landmarks in Philadelphia, structures that have been identified as being "nationally significant" and having "meaning to all Americans." This newest addition to Moss and Crane's trilogy includes a wide array of historic sites, ranging from concert halls to prisons, train stations to museums, banks to libraries. The buildings are arranged chronologically rather than geographically, to emphasize Philadelphia's evolution from modest mercantile outpost of a colonial power, to capital of a proud new nation, to a robust world-renowned cosmopolitan city.

Historic Landmarks of Philadelphia presents such notable attractions as Fort Mifflin, Independence Hall, the Fairmount Water Works, the Athenaeum of Philadelphia, Boathouse Row, Laurel Hill Cemetery, Eastern State Penitentiary, the Academy of Music, the Union League of Philadelphia, Memorial Hall, the Pennsylvania Academy of Fine Arts, the Masonic Temple, and the sights that line the Benjamin Franklin Parkway, including the Philadelphia Museum of Art, the Free Library of Philadelphia, and the Rodin Museum, in more than two hundred color illustrations. It celebrates master builders and their influence on the course of American architecture while identifying the distinctive qualities that embody Philadelphia's history and spirit.

A Barra Foundation Book

Rome, the "Eternal City", is a unique palimpsest dating back to Antiquity. However, beyond the historic center built over millennia on the famous seven hills – another Rome exists, one of large and often stunning modern neighborhoods, housing estates, schools, and public buildings. When Rome became Italy’s capital in 1871, the population increased extensively and the city exceeded its boundaries since Roman times, the Aurelian Walls. This extraordinary transformation laid the foundation for many new quarters built to accommodate civil servants and rural migrants, drawing on vernacular and ancient Roman traditions and blending past and present. This book looks at Rome’s evolution and architecture from the 19th century onwards, embodying a kind of "Splendid Ordinary" – a journey that is full of discoveries.

• With contributions by Lucio Barbera, Anna Irene Del Monaco, Jean-François Lejeune, Salvatore Santuccio, Daniel Solomon
• Attractive in-depth portraits of 16 neighborhoods with photographs and drawings
• An excursion on post-WWII Italian cinema highlights the locations of famous movies

Sustainable, circular, up-to-date

Most modern buildings are built from diverse materials, but few confront their manifold composition as a question of both design and performance. This book takes a close look at a series of global building traditions and contemporary practices to uncover the possibilities and challenges of working with mixed materials. Visually stunning, color-coded drawings reveal the materials and construction for every project. Through case studies, design experiments and writings, the authors examine the opportunities of heterogeneous construction for contemporary, sustainable, circular, and culturally situated architecture. With contributions by Jeannette Kuo, Ajay Manthripragada, and Jesús Vassallo, and photography by Naho Kubota. Graphic design by Andrew LeClair.

• Richly illustrated case studies of lesserknown hybrid construction techniques
• Beautiful graphic design and unique spot color printing reveal the interrelationships of materials in construction
• In-depth essays that discuss the technical, cultural, and environmental implications of heterogeneous construction

Cutting-edge analysis on how to improve life inside the Gaza Strip through architecture and design, illustrated in full-color

The Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court.

In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos.

The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments.

Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O’Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.

Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles.

Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard.

Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

A detailed study of early historical preservation efforts between the 1780s and the 1850s

In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued.

Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service.

Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

Just as there is love at first sight between people, Václav Cílek writes, there can be love at first sight between a person and a place. A landscape is more than a location, it is one party in a relationship—even when the spirit of a certain setting is not perceptible to those who visit. But whether we travel to experience rapture or excitement, to discover truth and beauty, or to be dazzled, we search for the essence of faraway landscapes to gain perspective on our own place within the world. To Breathe with Birds delves into the imaginative and emotional bonds we form with landscapes and how human existence—a recent development, geologically speaking—shapes and is shaped by a sense of place.

In subtle and lyrical prose, renowned geologist and author Václav Cílek explores topics from the history of asphalt to the spirits we imagine in trees, from geodiversity to the mathematics of snowflakes. Weaving earth science and environmentalism together with memoir and myth, his chapters visit resonant locations from India to Massachusetts, though most are deeply rooted in the river-laced, war-scarred landscape of Cílek's Czech homeland. These reflections are accompanied by Morna Livingston's evocative photographs, which capture the beauty and strangeness of natural and human-made forms. The first book-length appearance of Cílek's work in English translation, To Breathe with Birds offers insightful perspectives on the symbolism of landscapes as we struggle to conserve and protect the depleted earth.

What knowledge is indispensable for the landscape architect? The answers to this question are as diverse as landscape architecture itself.
In this book 50 landscape architects from Europe, North and South America, Asia and Australia each give five responses. These include practitioners and teachers, young start-ups as well as internationally established firms.

The publication illustrates the complex and dynamic nature of the discipline, and presents a diverse cross-section of the core expertise of this field. At the same time, it allows the reader to trace the individual attitudes into which geographical conditions, social contexts and political circumstances flow.
Each of the 250 statements is presented on a double page and illustrated by a picture.

• The most important facts in brief: 250 statements from 50 landscape architects
• With contributions by James Corner, Adriaan Geuze, Catherine Mosbach and Peter Walker among others

Timber is not only a sustainable material, it also creates warm, welcoming, sheltering spaces that offer an emotional quality to their users. Light on Wood is a very personal story about how to design and build with mass timber. Author Susan H. Jones, a native of the Pacific Northwest with its seemingly endless forests, founded atelierjones in Seattle some 20 years ago. This pioneering practice has since made a name for itself by working to decarbonize our built environment. It carefully investigated the behavior of wood in case of fire, in an effort to rewrite the code, and undertook life cycle analyses to further the body of research on timber. Changes in building codes have since helped to reestablish this traditional building material in many countries. But the office also designed many beautiful buildings, often developed in cooperation with local communities.

• Projects shown include the Marian Chapel in Seattle, the First Congregational Church in Bellevue, Washington, and the Roundhouse in Greenville, California, for the people of the Maidu
• Practical, hands-on survey with many details and construction photos
• Lavishly illustrated and attractive cloth-bound volume

Celebrated landscape architect Gilles Clément may be best known for his public parks in Paris, including the Parc André Citroën and the garden of the Musée du Quai Branly, but he describes himself as a gardener. To care for and cultivate a plot of land, a capable gardener must observe in order to act and work with, rather than against, the natural ecosystem of the garden. In this sense, he suggests, we should think of the entire planet as a garden, and ourselves as its keepers, responsible for the care of its complexity and diversity of life.

"The Planetary Garden" is an environmental manifesto that outlines Clément's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.

Can a house simultaneously be a home, a prototype, and a critical response to reality? How Did We Get Here? reveals how BLAF architecten’s residential projects navigate tensions between suburban sprawl, energy regulations, conventional construction systems, and clients’ housing aspirations. From their engagement with the meaning of materiality, resources and production, energy-efficiency standards and principles, context, and construction systems from a design perspective, BLAF architecten have developed concepts that demonstrate how the practice seeks plausible paths forward, aspiring to reconcile positions on affordability, performance, adaptability, aesthetics, and circularity.

BLAF architecten offers no ready-made answers, but a compass for those who believe in architecture as a practice of　and for transition.

• This first monograph on BLAF architecten traces 20 years of architectural practice in times of climate change.
• A selection of 24 houses and critical essays by Helga Blocksdorf, Maarten Van Den Driessche and Lieven Nijs
• BLAF architecten draws on the experimental power of small-scale projects and the iterative nature of design.
• Photos by Stijn Bollaert

Modern urban terraced houses or row houses emerged in Europe from the 17th century onwards. Usually two to three storeys high and with a garden at the back, they formed the traditional urban block. In Brussels, this bourgeois type of housing took on a particularly varied and inspiring form—including the well-known Art Nouveau residences—which composes the DNA of the city to this day. This publication analyses 121 selected examples illustrating the emergence of the terraced house and its further development in other forms of housing. The result is a broad panorama and a history of the architecture and development of the city of Brussels with its particularly heterogenous cityscape.

This expanded edition comprises a new chapter by Kristiaan Borret, the city's former “bouwmeester”. 13 new case studies were added and the content was updated. A project index facilitates quick navigation.

•     With a photo essay by the well-known Belgian photographer Maxime Delvaux
•     All plans have been drawn in standard scales especially for the publication
•     An atlas of exemplary historical and contemporary housing typologies

Inverse Utopia looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book Ladders (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend.

In this new book, Inverse Utopia, he argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make.

This book is a stand-alone volume but may be read as a sequel to Ladders.

Constructing Gardens, Cultivating the City is the first cultural history of major new parks developed in Paris in the late twentieth century, as part of the city’s program of adaptive reuse of industrial spaces. Thanks to laws that gave the city more political autonomy, Paris’s local government launched a campaign of park creation in the late 1970s that continued to the turn of the millennium. The parks in this book represent this campaign and illustrate different facets of their cultural and historical context.

Archival research, interviews, and analyses of the parks reveal how postmodern debates about urban planning, the historic city, public space, and nature’s presence in an urban setting influenced their designs. In sum, the city adopted the garden as a model for public parks, investing in complex, richly symbolic and representational spaces. These parks were intended to represent contemporary twists on traditional designs and serve local residents as much as they would contribute to Paris’s role as a world city.

The parks’ development process often included points of conflict, pointing to differing views on what Parisian space should represent and fundamental contradictions between the characteristics of public space and the garden as it is traditionally defined. These parks demonstrate the ongoing cultivation of the city over time, in which transformed sites not only fulfil new functions but also engage with history and their surroundings to create new meaning. They stand for landscape as a form of signifying cultural production that directly engages with other art forms and ways of knowing. Just as the Luxembourg Gardens, the Tuileries, and the Buttes-Chaumont parks exemplify their eras’ cultural dynamics, such parks as the Jardin Atlantique, Parc André-Citroën, and the Jardin des Halles express contemporary French culture within the archetypal space of their era, the city. Finally, they point the way to current trends in landscape architecture, such as citizen gardening and ecological initiatives.

One may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West.

The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West.

Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

Rethinking the fundamentals of planning

Lars Lerup's conceptual explorations as a designer and thinker have been inspired by philosophers and artists from Foucault to Beckett. Lerup's furniture designs elude consumer culture. They conform neither to what is commonly understood as useful nor to what is typically regarded as necessary. They question the assumed functions of furniture and, at the same time, their assigned place in space. His pieces interrogate their roles and positions and introduce a disturbing or at least disconcerting note to conventional floor plans.

This autobiography of a design project is about rendering visible the consumerism that is driving the current economically motivated expansion of our cities, and dealing with the consequences for the environment and society.

The worldwide use of building envelopes in steel and glass is one of the characteristic features of modern architecture. Many of these pre- and post-war buildings are now suffering severe defects in the building fabric, which necessitate measures to preserve the buildings. In this endeavor, aspects of architectural design, building physics, and the preservation of historic buildings play a key role.

Using a selection of 20 iconic buildings in Europe and the USA, the book documents the current technological status of the three most common strategies used today: restoration, rehabilitation, and replacement. The buildings include Fallingwater House by Frank Lloyd Wright, Farnsworth House by Ludwig Mies van der Rohe, Fagus Factory and Bauhaus Building by Walter Gropius.

As founder of the Bauhaus school, Walter Gropius (1883–1969) is one of the icons of 20^the century architecture. While his early buildings in Pomerania were still strongly marked by his teacher Peter Behrens, after an expressionistic phase focused on handicraft, he ultimately arrived at geometric abstraction. During the entire period he collaborated with other architects, founding the collective known as "The Architects Collaborative" in the US.

The comprehensive monograph documents all 74 of the known buildings by Gropius that were realized, including many early works which he never publicized; but it also critically examines his unbuilt projects. The book is illustrated with new photographs by the author, historical figures, and with as new plans drawn by the author.

The Tate Modern in London made Herzog & de Meuron famous all over the world. The projects and structures they have built since then are distinguished by the sensitive treatment of materials for which the architects are renowned. In addition, these Pritzker Prize–winning architects have developed a topographical conception of architecture that not only locates their designs in a larger context but also frequently structures them as landscapes. In order to represent them, the layout of volume 4 of the complete works has been completely redesigned. The publication contains essays by the architects themselves in which they situate their projects. The structures presented include such icons of contemporary architecture as the Prada store in Tokyo Aoyama and the Allianz Arena in Munich, where the opening game of the 2006 Soccer World Cup was played. Pathbreaking museum structures such as the Schaulager near Basel, the Walker Art Center in Minneapolis, and the De Young Museum in San Francisco continue the conversation surrounding what constitutes a truly contemporary presentation of modern art.

Herzog & de Meuron gehören zu den international bedeutendsten Architekten unserer Zeit. Der Auftrag für die neue Tate Modern in London hat das einem breiteren Publikum ebenso signalisiert wie große Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe trägt diesem herausragenden Stellenwert Rechnung. Band 2 umfaßt die Jahre 1989-91. Unter den 32 Entwürfen sind so bekannte Bauten wie das kupferummantelte Stellwerk und das Lokomotivdepot in Basel, das Museum für die Kunstsammlung Goetz in München, die Studentenwohnheime auf dem Universitätscampus in Dijon und die Sportanlage Pfaffenholz in St. Louis. Die groß angelegte Studie Basel, eine Stadt im Werden , aber auch die Masterpläne für den Universitätscampus in Dijon oder den neuen Ortsteil Sils Cuncas im Oberengadin gehören zu den städtebaulichen Analysen, die einen Schwerpunkt des Bandes ausmachen.

Jacques Herzog & Pierre de Meuron (mit ihren Partnern Harry Gugger und Christine Binswanger) gehören unbestritten zu den führenden Architekten weltweit. Band 3 des Gesamtwerks erscheint nun in einer aktualisierten Neuauflage: um 40 Seiten und circa 80 Farbillustrationen erweitert. Einige Projekte, die sich in der Erstauflage noch im Bauprozess befanden, werden jetzt abschließend fotografisch dokumentiert: so beispielsweise das Laborgebäude der Hoffmann-La Roche in Basel, das Innenstadtprojekt «Fünf Höfe» in München, das Fußballstadion St. Jakob in Basel sowie die Wohnhäuser an der Rue des Suisses in Paris.

Their designs encompass the full range of architectural devices and respond to contemporary developments with a wide range of solutions – the designs refine the interaction with the respective site, with projects ranging from a small private conversion project to a studio ensemble, through to residential towers and urban design projects.

For their designs, Herzog & de Meuron again develop new processes and create references to classic modernism just as to their own oeuvre. Architecture becomes a means of providing physical presence and stability in an increasingly virtual world.

Technical Drawing deals with the representation of plans throughout all phases of a project. For students, the primary focus is on the development and methodical construction of a technical drawing.

Themes:

• Types of plan (from site plan and preliminary drawings to design and detail plans)
• Components of the plan (floor plan, section, elevation, detail)
• Line width, dimensioning, hatching, use of text, symbols
• Plan presentation and compilation

For several decades, 20th century architecture thrived in Cuba and a wealth of buildings was realized prior to the revolution 1959 and in its wake. The designs comprise luxurious nightclubs and stylish hotels, sports facilities, elegant private homes and apartment complexes. Drawing on the vernacular, their architects defined a way to be modern and Cuban at the same time – creating an architecture oscillating between tradition and avantgarde.

Audacious concrete shells, curving ramps, elegant brises-soleils and a fluidity of interior and exterior spaces are characteristic of an airy, often colorful architecture well-suited to life in the tropics. New photographs and drawings were specially prepared for this publication. A biographical survey portraits the 40 most important Cuban architects of the era.

• First comprehensive, ground-breaking survey of Cuba's rich and fascinating architecture, art and interior design
• With virtually unknown and previously inaccessible visual material, both from universities and families
• Stunning contemporary photography full of surprises and discoveries

A lavishly illustrated photographic journey through the history and traditions of the ancient churches of Ethiopia.

The ancient Aksumite Kingdom, now a part of Ethiopia, was among the first in the world to adopt Christianity as the official state religion. In AD 340 King Ezana commissioned the construction of the imposing basilica of St. Mary of Tsion. It was here, the Ethiopians say, that Menelik, son of King Solomon and the Queen of Sheba, brought the Ark of the Covenant containing the Ten Commandments. By the fifth century, nine saints from Byzantium were spreading the faith deep into the mountainous countryside, and over the next ten centuries a series of spectacular churches were either built or excavated out of solid rock, all of them in regular use to this day. Lalibela, a UNESCO World Heritage Site, has the best known cluster, but the northern region of Tigray, less well known and more remote, has many churches that are architectural masterpieces of the basilical type.

Ethiopia: The Living Churches of an Ancient Kingdom traces the broad sweep of ecclesiastic history, legend, art, and faith in this sub-Saharan African kingdom as seen through the prism of sixty-six breathtaking churches, unveiling the secrets of their medieval murals, their colorful history, and the rich panoply of their religious festivals, all illustrated with more than eight hundred superb color photographs by some of the most celebrated international photographers of traditional cultures. This magnificent, large-format, full-color volume is the most comprehensive celebration yet published of Ethiopia’s extraordinary Christian heritage.

Ethiopia is the third book on iconic places of worship published by Ludwig Publishing and the American University in Cairo Press, following the bestselling success of The Churches of Egypt and The History and Religious Heritage of Old Cairo.

Als wachsende Metropole muss Hamburg zukunftsfähige Lösungen für die drängenden Fragen der Stadtentwicklung finden. Klimaschutz, Mobilitätswende, Bevölkerungswachstum und bezahlbarer Wohnraum sind jedoch Herausforderungen, die über Landesgrenzen hinaus wirken. Mit dem Stadt-Umland-Atlas Hamburg legt die Hamburger Behörde für Stadtentwicklung und Wohnen einen Grundstein für einen neuen Blick auf Hamburg und die Region: Umfangreiche Datenerhebungen erfassen Muster und Potenziale, die sich aus den Verflechtungen zwischen Stadt und Umland ergeben. Visuell aufbereitet in über 250 Karten schaffen diese einen umfassenden Überblick für die Planung und Gestaltung zukünftiger räumlicher Strukturen in der Hansestadt und darüber hinaus.

• Betrachtung räumlicher Strukturen der Stadt Hamburg und ihres direkten Umlands
• Darstellung und Analyse von Wechselbeziehungen zwischen Metropole und Umland
• Umfangreiches Datenmaterial, aufbereitet in über 250 Karten

Digital data is becoming increasingly important in relation to building materials and materials in architecture and urban planning. In six chapters, the four experts Michael Hensel, Bob Geldermans, Defne Sunguroğlu Hensel and Milica Vujovic cover the spectrum from data and materials to the question of availability and industrial production, artificial intelligence and the Internet of Things with scientifically sound contributions. They show how it is possible to find tailor-made solutions to urgent questions such as building material interactions, ageing processes, circularity, urban mining and global needs with advancing digitalization.

• Digital tools for the optimization of installed material
• Ageing, combination, circularity and urban mining
• A scientifically sound overview

Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us.

Designers understand the urgency of reducing humanity’s negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing soft systems that use biodiversity as a building block, designs remain inherently unsustainable.

Lo—TEK, derived from Traditional Ecological Knowledge, is a cumulative body of multigenerational knowledge, practices, and beliefs, countering the idea that indigenous innovation is primitive and exists isolated from technology. It is sophisticated and designed to sustainably work with complex ecosystems.

With a foreword by anthropologist Wade Davis and four chapters spanning Mountains, Forests, Deserts, and Wetlands, Julia Watson explores thousands of years of human wisdom and ingenuity from 18 countries including Peru, the Philippines, Tanzania, Kenya, Iran, Iraq, India, and Indonesia. We rediscover an ancient mythology in a contemporary context, radicalizing the spirit of human nature.

The tactile reading experience of Lo—TEK reflects the ingenuity of carefully selected projects with sophisticated design details: copper highlights the value of ancient knowledge, a cardboard hardcover echoes rawness, and the Swiss binding showcases an open spine and reveals the construction of the book, just as the book discloses hidden technological knowledge.

"Why do architects always wear black?" Cordula Rau was asked this question by an automotive industry manager during an architectural competition. Although an architect herself who also wears black, she didn't have an answer off the top of her head. She decided to ask other architects as well as artists and designers. Since 2001, she has been collecting their handwritten replies in a notebook.

In 2008, these were published in a small work – black-bound, of course. For its new edition, this legendary collection has been expanded to include new amusing, pragmatic and subtle explanations: "Read it – but please don’t ask me why again architects wear black!" (Cordula Rau)

• New and expanded edition of the cult book
• A Collection of handwritten statements in an A6-format notebook
• Addition of 16 new statements

A sustained critique of postwar reconstruction in Syria as a politically neutral process

In 2011, emboldened by the Arab Spring, the Syrians rose up against their government. The Syrian regime used violence to suppress the protests, so that what began as pro-democracy protests eventually morphed into a civil war with heavy outside intervention. Today, the Assad regime has fallen, but large parts of the country lie in ruins, millions of Syrians are displaced, and the economy is in freefall. Reconstruction as Violence delves into the complex interplay of post-conflict reconstruction in Syria, challenging the traditionally held dichotomy between the end of violence and the commencement of rebuilding.

The contributors to this volume—architects, urbanists, geographers, and historians—employ critical concepts such as urbicide, domicide, and “civilian crisis architecture” to argue against the conventional theoretical frameworks that support a neat separation of phases. They illustrate how reconstruction often extends the dynamics of conflict into the urban and social realms, suggesting that the built environment becomes a battleground for further violence. They emphasize the importance of acknowledging the historical, economic, societal, legal, and bureaucratic contexts that shape reconstruction efforts, arguing for initiatives that prioritize equity, inclusivity, and community participation.

Reconstruction as Violence starkly underscores the authors’ stance that to overlook any of these dimensions, or to disengage from the reconstruction process altogether, represents a political choice with potentially detrimental effects on Syria and beyond in the Arab world, where countries like Palestine, Yemen, Libya, Iraq, Lebanon, and Sudan are undergoing similar cycles of destruction and rebuilding. It calls for a reimagined approach to reconstruction, one that fosters peace, resilience, and social justice in post-conflict societies.

Contributors:
Sawsan Abou Zainedin, Madaniya, London, UK
Ammar Azzouz, University of Oxford, UK
Valérie Clerc, Institut de Recherche pour le Développement, France
Emma Katherine DiNapoli, human rights lawyer, London, UK
Omar Ferwati, Goldsmiths, University of London, UK
Rim Lababidi, architect and independent scholar, Ohio, USA
Wendy Pullan, University of Cambridge, UK
Nasser Rabbat, Massachusetts Institute of Technology, Cambridge, MA, USA
Hashim Sarkis, Massachusetts Institute of Technology, Cambridge, MA, USA
Deen Sharp, London School of Economics, UK
Heghnar Watenpaugh, University of California Davis, CA, USA

Bilingual edition (English/German)

While most high-rise buildings continue to be built in China and the USA, Australia and especially Singapore have recently emerged as hotspots for high-rise architecture. Furthermore, the trend toward mixed-use skyscrapers, which have repeatedly been among the finalists of The International High-Rise Award since 2014, continues unabated. Former specific features such as extensive greening or the construction of high-rise clusters have long since become standard. Due to the shortage of suitable building sites and growing environmental awareness, existing buildings are increasingly coming into focus in high-rise construction.

Best High-Rises 2024/25 presents 32 of the most exciting recently completed high-rise projects that combine sustainability, external form and internal spatial qualities, and social aspects into exemplary designs that point the way to the future. Each of these projects is comprehensively presented with photos and plans.

The International High-Rise Award is presented every two years. Previous winners include 3XN (2022), OMA (2020), Benjamín Romano (2018), BIG (2016), Stefano Boeri (2014), Ingenhoven Architects (2012), WOHA (2010), and Foster + Partners (2008).

• 20 years of The International High-Rise Award
• 32 of the most interesting recent high-rise projects worldwide in texts, plans, and photos
• new focus: conversion of existing high-rises

Während die meisten Hochhäuser nach wie vor in China und den USA gebaut werden, lassen sich aktuell Australien und insbesondere Singapur als Hotspots für Hochhausarchitektur ausmachen. Weiterhin bestätigt sich die Tendenz zu mischgenutzten Hochhäusern, die sich bereits seit 2014 immer wieder unter den Finalisten des Internationalen Hochhaus Preises befinden. Einstige Besonderheiten wie flächendeckende Begrünungen oder der Bau von Hochhausclustern gehören mittlerweile längst zum Standard. Bedingt durch den Mangel an geeigneten Bauflächen sowie wachsendem Umweltbewusstsein rückt der Gebäudebestand beim Hochhausbau vermehrt in den Fokus.

Best High-Rises 2024/25 präsentiert 32 der spannendsten kürzlich fertiggestellten Hochhausprojekte, die Nachhaltigkeit, äußere Form und innere Raumqualitäten sowie soziale Aspekte zu einem vorbildlichen Entwurf verbinden und so beispielhaft in die Zukunft weisen. Jedes dieser Projekte wird anhand von Fotos und Plänen umfassend vorgestellt.

Der Internationale Hochhaus Preis wird alle zwei Jahre vergeben. Zu den bisherigen Gewinner*innen zählen u. a. 3XN (2022), OMA (2020), Benjamín Romano (2018), BIG (2016), Stefano Boeri (2014), Ingenhoven Architects (2012), WOHA (2010) und Foster + Partners (2008).

• 20 Jahre Internationaler Hochhaus Preis
• 32 der interessantesten jüngsten Hochhausprojekte weltweit in Texten, Plänen und Fotos
• Neuer Schwerpunkt: Umbau bestehender Hochhäuser

Designing architecture with solar cells - principles and qualities of a new architecture

The rapid development of solar technology is not only increasing the efficiency of energy production, it is also reducing costs, so that solar architecture may soon be considered the new normal. Solar components are increasingly being used in building design. The wide range of technical solutions now offers fascinating possibilities for design.

Made of Solar shows the principles and qualities of a new architecture. Integrated both on the roof and on the façade, the well-designed solutions presented here follow the rules of solar energy production, but also open up new architectural freedom. The book presents a selection of 25 pioneering, realised buildings with 3D details, plans, graphics and large-format colour photographs.

• Construction methods of exemplary solar architectures in detail
• Specially created isometric detailed drawings and colour illustrations
• Diverse sources of inspiration for the use of solar cells
• Available in German and English language editions

 China’s Belt and Road Initiative, started in 2013, has transformed many places around the world but also China itself. In some cases, it provided crucial infrastructure, such as the General Hospital of Niger in Niamey or the National Library of El Salvador, while it also generated entire new urban areas, e.g. the Free Zone in Khorghos, Kazakhstan, with sometimes controversial effects to local communities and the environment. Based on research undertaken at the Politecnico di Torino, this publication looks at the Belt and Road Initiative in architectural and spatial terms. Organized in thematic categories, it entails a survey of 21 case studies and investigates the impact of these China-backed projects. All buildings are documented with maps, architectural drawings and photographs specifically created for this book.

• A critical appraisal and an architectural guide to the Belt and Road Initiative
• Authors include Michele Bonino, Francesca Governa (Politecnico di Torino), Francesco Carota (University of Kansas), Sohrab Marri (Balochistan University), Charlie Xue (City University of Hong Kong)
• With photo reportages by Ivo Tavares, Paulo Moreira and Al Yousuf

New exciting and surprising design approaches how great living quality can be wonderfully made possible in small spaces. 

A tiny house is much more than just a very small residence. It is a living concept that reflects the challenges of the future – from the fundamental question of how to finance the dream of home ownership to more complex considerations, such as whether doing without material luxury means more freedom, to social issues such as how we deal with our planet's resources. 

This volume presents remarkable examples of masterfully implemented solutions for tiny houses. The designs of these micro-wonders show that even – or especially – well thought-out room concepts can be realized in the smallest of spaces, without sacrificing excellent design. Intelligent floor plans, multifunctional rooms and ingenious nesting of furnishing components create not only compact living spaces, but also unique habitats.

• Well-known contributors include Uta Pottgiesser (TU Delft), Ana Tostoes (Lisbon University), Ola Uduku (University of Liverpool) et al.
• The stunning photography by Jean Molitor takes the reader on a journey across the continent
• Documentation of some 60 buildings from eight countries with new scaled drawings and photographs

«La beauté n'a rien à voir avec l'argent ou la finance. Elle demande de la créativité et de l'amour», affirme Anna Heringer. Sa vision fait mouche, comme en témoignent des amphithéâtres pleins, des prix internationaux (dont l’Aga Kahn Award en 2007 et l’OBEL Award en 2020), une invitation au TED Talk 2017 ainsi que de nombreuses expositions: MoMA à New York, MAM à São Paulo, Biennale de Venise, etc.

Dans Form Follows Love, Anna Heringer raconte à l'auteure Dominique Gauzin-Müller son parcours d'architecte　: ses études, la rencontre avec le spécialiste du pisé Martin Rauch, sa pratique dans le Sud global et ses projets actuels en Europe. Elle partage avec nous le constat que la terre crue est non seulement un matériau respectueux de l'environnement, mais aussi que sa mise en œuvre dans les bâtiments initie des processus réparateurs au sein de la société.

• Dans ce texte essentiel, l'architecte allemande Anna Heringer, spécialiste de la construction en terre crue, raconte à la fois
• comment l'architecture peut avoir une influence positive sur la société et sur l'environnement
• comment construire avec des ressources locales préserve l'équilibre écologique.
• Disponible en français, allemand et anglais

According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice Biennale.

In Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North.

She shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes.

This volume outlines the urban development of eight cities in the Middle East and North Africa: Aleppo, Alexandria, Ankara, Cairo, Casablanca, Dubai, Nouakchott, and Shiraz. Ottoman rule and colonial powers, French or British, operated differently and over various time spans in most of these cities to influence architecture and the urban scene. Global movements such as modernism and socialism reshaped the cityscapes of intersecting histories and cultures.

Maps, sketches, and other visuals trace the urban outcomes of Ottoman rule, colonial powers, and post-independence governments to show how they altered these cities. Class distinctions, informal settlements, and devalued built heritage are common urban issues that the cities of the MENA region still face today.

• Focuses on political and social developments as they influence each city’s built environment

• Discusses all types of built heritage and forms of architecture in the eight exemplary cities

• Visualizes the urban development through many coloured maps, sketches, and charts

Denkmalpflegeprojekte in komplexen städtischen Umgebungen sind vielfach von erheblichen Diskrepanzen zwischen formaler Politik und pragmatischen Realitäten geprägt. Fallbeispiele aus dem Iran, der Türkei, Ägypten und Indien zeigen die unzähligen Faktoren auf, die auf die praktische Denkmalpflege einwirken und deren Ideale untergraben. Die vorgestellten Projekte veranschaulichen, wie politische, wirtschaftliche und ideologische Dynamiken die Ergebnisse vor Ort beeinflussen und sie von akademischen Grundsätzen und nationalen oder internationalen Strategien ablenken. Die Autorinnen und Autoren verfügen über ein tiefes Verständnis der lokalen Dynamiken und zeigen die disziplinären, bürokratischen und soziopolitischen Strukturen auf, die die Planung des städtischen Kulturerbes in unterschiedlichen Kontexten prägen.

• Untersucht Denkmalschutzrichtlinien in lokalen Kontexten
• Lenkt den Blick auf lokale Komplexitäten
• Ergebnisse des DFG-Projekts "Assembling Iran's Urban Heritage Conservation Policy and Practice: Problematised in Tehran"

Exclusive living retreats set against the backdrop of majestic peaks, steep slopes and picturesque valleys

The chalet is a building style that enjoys lasting popularity all over the world. Dating back to the herdsman’s hut in the Alpine region, it became a longed-for destination and the most preferred holiday domicile in the 19th century with the emerging fascination with the Alps. Today, architects and designers are primarily inspired by the constantly redefined interplay of sublime nature, traditional architecture, regional building typologies, individual design, and modern formal language that pushes them to reach magnificent creative peaks.

The projects selected for this volume are diverse and remarkably multifaceted: From a traditional construction with a flat gable roof, wide roof overhang, and robust timber façade, to contemporary, thoroughly idiosyncratic interpretations with clear lines, creative choice of materials, and fine details. However, the artful staging of the imposing mountain world in the interior design plays a decisive role among all presented chalets.

• Essential text describing the work of Anna Heringer, an architect specialized in clay
• How architecture can have a positive impact on the environment and society
• Building with local resources to maintain ecological balance
• Available in German, French and English

Timber high-rises: a new urban element

Tall wood buildings have been at the foreground of innovative building practice in urban contexts for a number of years. From London to Stockholm, from Vancouver to Melbourne timber buildings of up to 20 storeys have been built, are under construction or being considered. This dynamic trend was enabled by developments in the material itself, prefabrication and more flexibility in fire regulations. The low CO2 footprint of wood - often regionally sourced - is another strong argument in its favour. This publication explains the typical construction types such as panel systems, frame and hybrid systems. An international selection of 17 case studies is documented in detail with many specially prepared construction drawings, demonstrating the range of the technology. For this expanded edition, a new outlook chapter has been added as well as eight cutting-edge projects, among them Haut Amsterdam, EDGE Südkreuz Berlin and Sara Cultural Centre in Sweden.

• Spectacular international case studies
• Specifically prepared construction drawings explain structural details
•  Authors are experienced specialists for timber construction

The book takes the reader on an intellectual adventure through a carefully curated selection of 120 places that can be understood as metaphors of contemporary global culture. Spread across all seven continents, from the depths of the ocean to outer space, these places are divided into six chapters: Paradises, Utopias, Machines, Monsters, Ruins, and Instruments.

The spectrum ranges from Steve Jobs' Apple Park in California to a national park in Costa Rica, a small field station for the protection of wild orangutans in Borneo, the Great Green Wall in Central Africa, the Trump resort Mar-a-Lago, to the border wall between Israel and Palestine. This book is a grand tour of the most pertinent places in the world today.

The architectural work of Hans and Wassili Luckhardt (1890–1954/1889–1972) is not yet adequately appreciated. As members of the Glass Chain initiative and the Ring collective, they shaped, especially through their work with Alfons Anker, the development of Modernist architecture in the 1920s, as evidenced by their winning design for the layout of Berlin’s Alexanderplatz. While their early work was anchored in utopian expressionism, a more objective attitude emerged later, based on the application of new architectural constructs.
The book documents all 40 of Hans und Wassili Luckhardt’s realized buildings. Two essays deal with the unbuilt and utopian projects. Newly taken photographs and newly drawn plans by Carsten Krohn complement the historical illustrations.

• Comprehensive documentation of the work of Hans and Wassili Luckhardt.
• With approx. 80 new photographs and 80 newly drawn plans by Carsten Krohn

• The importance of the garden for our present and in the future

• Internationally renowned authors

• A beautifully designed, attractive volume with photography by Anne Schwalbe

Versatile wooden windows

In her book, the trained carpenter and architect Judith Resch looks at what scope still exists in modern window design and construction. The process of simplification is more difficult to achieve for windows than for most building components, since windows, due to their function, must meet high technical specifications. She presents a variety of window design projects that have one thing in common: they pursue a singular design concept using the simplest possible means. All projects are presented in detail with technical drawings and photographs.

• 10 simple wooden window designs
• From retrofitting historical windows to the possibilities of DIY design
• Precisely designed, handcrafted, highly repairable windows

30 Trees presents the favorite trees of 30 internationally renowned landscape architects. In each case, the designers describe the characteristics that represent the essence of the selected tree, the designed landscapes they associate with it, and how it was used in completed projects.

These personal insights are complemented by five scholarly essays on criteria such as typology, ecology, maintenance, and seasons that are critical in matching trees to landscapes. Additionally, the book includes a botanical description of each species mentioned.

The result is a compendium of insights into tree species and the use of trees in landscape architecture. This book will be of interest to professionals and amateurs alike.

• Compendium of the most popular trees used in landscape architecture
• Over 30 projects from around the world
• Selected by 30 international landscape architects

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.

In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.

Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space.

Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years—a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Désert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.

Europeans may be said to have first encountered the Chinese garden in Marco Polo's narrative of his travels through the Mongol Empire and his years at the court of Kublai Khan. His account of a man-made lake abundant with fish, a verdant green hill lush with trees, raised walkways, and a plethora of beasts and birds took root in the European imagination as the description of a kind of Eden. Beginning in the sixteenth century, permanent interaction between Europe and China took form, and Jesuit missionaries and travelers recorded in letters and memoirs their admiration of Chinese gardens for their seeming naturalness. In the eighteenth century, European taste for chinoiserie reached its height, and informed observers of the Far East discovered that sophisticated and codified design principles lay behind the apparent simplicity of the Chinese garden. The widespread appreciation of the eighteenth century gave way to rejection in the nineteenth, a result of tensions over practical concerns such as trade imbalances and symbolized by the destruction of the imperial park of Yuanming yuan by a joint Anglo-French military expedition.

In Ideas of Chinese Gardens, Bianca Maria Rinaldi has gathered an unparalleled collection of westerners' accounts, many freshly translated and all expertly annotated, as well as images that would have accompanied the texts as they circulated in Europe. Representing a great diversity of materials and literary genres, Rinaldi's book includes more than thirty-five sources that span centuries, countries, languages, occupational biases, and political aims. By providing unmediated firsthand accounts of the testimony of these travelers and expatriates, Rinaldi illustrates how the Chinese garden was progressively lifted out of the realm of fantasy into something that could be compared with, and have an impact on, European traditions.

Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.

In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.

A rare and long out-of-print treasure of garden literature, Gardens of Colony and State returns in a special reprint edition. Widely considered the best reference on garden-making in the colonies and the Republic, the handsome two-volume set is a lasting record of American gardens and gardeners before 1840. The landmark publication traces the development of a uniquely American garden design, exploring early garden literature and its effect on colonial craftsmen, as well as pre-1800 account books of nurseries and seed houses. Also included are fascinating stories of early horticulturists who inspired the establishment and patronage of botanical gardens for research, plant exploration, education, and public enjoyment.

An impressive collection of early prints and photographs—of gates and statues, benches and pergolas, landscape designs and views—invites you to stroll through some of America's most exquisite homes and gardens, many of which have long vanished. Gardens of Colony and State is an important contribution to the historic horticulture of America, and a collector's item to be enjoyed for many years.

In the last quarter of the twentieth century, urban colleges and universities found themselves enveloped by the poverty, crime, and physical decline that afflicted American cities. Some institutions turned inward, trying to insulate themselves rather than address the problems in their own backyards. Others attempted to develop better community relations, though changes were hard to sustain.

Spurred by an unprecedented crime wave in 1996, University of Pennsylvania President Judith Rodin knew that the time for urgent action had arrived, and she set a new course of proactive community engagement for her university. Her dedication to the revitalization of West Philadelphia was guided by her role not only as president but also as a woman and a mother with a deep affection for her hometown.

The goal was to build capacity back into a severely distressed inner-city neighborhood—educational capacity, retail capacity, quality-of-life capacity, and especially economic capacity—guided by the belief that "town and gown" could unite as one richly diverse community.

Cities rely on their academic institutions as stable places of employment, cultural centers, civic partners, and concentrated populations of consumers for local business and services. And a competitive university demands a vibrant neighborhood to meet the needs of its faculty, staff, and students. In keeping with their mission, urban universities are uniquely positioned to lead their communities in revitalization efforts, yet this effort requires resolute persistence.

During Rodin's administration (1994-2004), the Chronicle of Higher Education referred to Penn's progress as a "national model of constructive town-gown interaction and partnership." This book narrates the challenges, frustrations, and successes of Penn's campaign, and its prospects for long-term change.

Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In Flora's Empire, Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey.

Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.

The phrase "Pennsylvania German architecture" likely conjures images of either the "continental" three-room house with its huge hearth and five-plate stoves, or the huge Pennsylvania bank barn with its projecting overshoot. These and other trademarks of Pennsylvania German architecture have prompted great interest among a wide audience, from tourists and genealogists to architectural historians, antiquarians, and folklorists. Since the nineteenth century, scholars have engaged in field measurement and drawing, photographic documentation, and careful observation, resulting in a scholarly conversation about Pennsylvania German building traditions. What cultural patterns were being expressed in these buildings? How did shifting social, technological, and economic forces shape architectural changes? Since those early forays, our understanding has moved well beyond the three-room house and the forebay barn.

In Architecture and Landscape of the Pennsylvania Germans, 1720-1920, eight essays by leading scholars and preservation professionals not only describe important architectural sites but also offer original interpretive insights that will help advance understanding of Pennsylvania German culture and history. Pennsylvania Germans' lives are traced through their houses, barns, outbuildings, commercial buildings, churches, and landscapes. The essays bring to bear years of field observation as well as engagement with current scholarly perspectives on issues such as the nature of "ethnicity," the social construction of landscape, and recent historiography about the Pennsylvania Germans. Dozens of original measured drawings, appearing here for the first time in print, document important works of Pennsylvania German architecture, including the iconic Bertolet barns in Berks County, the Martin Brandt farm complex in Cumberland County, a nineteenth-century Pennsylvania German housemill, and urban houses in Lancaster.

In the wake of the Occupy Wall Street movement, leading planers and social scientists examine public space today and freedom of assembly.

The Occupy Wall Street movement has challenged the physical manifestation of the First Amendment rights to freedom of assembly. Where and how can people congregate today? Forty social scientists, planners, architects, and civil liberties experts explore the definition, use, role, and importance of public space for the exercise of our democratic rights to free expression. The book also discusses whose voice is heard and what factors limit the participation of minorities in Occupy activities. This foundational work puts issues of democracy and civic engagement back into the center of dialogue about the built environment.

Beyond Zuccotti Park is a collaborative effort of Pratt Graduate Center for Planning and the Environment, City College of New York School of Architecture, New Village Press and its parent organization, Architects/Designers/Planners for Social Responsibility. The book is part of an open civic inquiry on the part of these organizations. The project was seeded by a series of free public forums, Freedom of Assembly: Public Space Today, held at the Center for Architecture in response to the forced clearance of Occupy activities from Zuccotti Park and public plazas throughout the country. The first two recorded programs took place on December 17, 2011 and February 4, 2012.

Drawing upon a lifetime's knowledge, Patterns of Stylistic Change in Islamic Architecture presents Michael Meinecke's unique view of the evolution and development of Islamic architecture.
Departing from conventional method which groups buildings and monuments according to dynasties and defines national characteristics based on the ethnic origins of Arabic, Persian, or Turkish patrons, Meinecke emphasizes the similarities which resulted from interrelations among neighboring or far-away areas. He argues that transformations in the development of Islamic architecture can be explained by the movements of skilled craftsmen who traveled extensively in their search for challenging work, allowing for their influence to be felt across a broad region.
Meinecke's unique approach to Islamic architecture will no doubt inspire others to emulate his approach in studying other regions or areas. Few, however, will be able to attain the consummate mastery of the subject which enlivens these essays.

Entwerfen mit lebenden Materialien: Gedanken zum Paradigmenwechsel und ein Überblick zum Stand der Forschung

Was ist Bioprotopia? Es ist die Vision von einer Welt, in der Gebäude wachsen, sich selbst heilen und positive Kreisläufe schaffen – eine Vision, in der Prozesse sich gegenseitig mit ihren Abfällen speisen und Lebensräume auf menschliche Bewohner als auch auf mikrobiellen Ökologien abgestimmt sind.

Dieses Buch zeigt erstmals, dass die Vision dieser Einheit von Biotechnologie und gebauter Umwelt Wirklichkeit werden kann. Anhand großmaßstäblicher Prototypen werden Materialien und Prozesse vorgestellt, die die vielfältigen Möglichkeiten der Gestaltung der gebauten Umwelt mit Mikroorganismen nutzen.

Gleichzeitig werden die wissenschaftlichen und technischen Herausforderungen erörtert und auf die Notwendigkeit für ein Umdenken und die kulturellen Veränderungen hingewiesen, die für die weitere Entwicklung nötig sind.

• Erste umfangreiche Publikation über den Stand der Forschung
• Zeigt die Anwendung von nachwachsenden Materialien im Entwurf
• Abbildungsreiche, wissenschaftliche Dokumentation für Gestaltungsberufe und Forschende

In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar- tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the “Maison en Bord de Mer”. Inspired by the genius of the place and the light on  the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre.

• First publication about the Le Corbusier murals in Eileen Gray's E.1027 and Le Corbusier's summer home
• An elegant and timeless villa on the French Riviera and a minimalist timber house
• After years of renovation, E.1027 is now open for visitors again

Bilingual Edition (English / German):

A trailblazer of modern architecture

With Josef Frank (1885–1967), the catalogue for the exhibition in the MAK, Vienna, focuses on one of the most important Austrian architects of the 20^th century. In addition to his groundbreaking architectural oeuvre, the discussion considers Frank as an extremely productive designer who, although sceptical and a prominent cultural critic, must be thanked for his many important stimuli to international design that are still valid today. As an architect and designer who is still "contemporary" to this day, Frank was known for his pragmatic design approach, and pleaded for "normal" – but not at all normative – architecture and design. For Frank, the qualities of social experience were more important than formal aspects; his interiors and utilitarian articles were primarily intended to serve the comfort of the user. Josef Frank’s ideas of an uncontrived and unpretentious utilitarian expedience, which was focused on an independent, free, enlightened housing and living culture beyond all stylistic dogmas and fashionable conventions, is more topical today than ever.

Mit Josef Frank (1885–1967) widmet sich der Katalog zur Ausstellung im MAK, Wien, einem der bedeutendsten österreichischen Architekten des 20. Jahrhunderts. Neben dem wegweisenden architektonischen Werk geht es dabei insbesondere um einen Gestalter, dem das internationale Design bis heute wichtige Impulse verdankt. Gerade derzeit erscheinen Franks Vorstellungen einer aufgeklärt bürgerlichen Wohn- und Lebenskultur aktueller denn je.

Wie kann Architektur mit baulichen Mitteln und möglichst wenig Technik ein angenehmes Raumklima erzeugen? Forschende der TU München haben integrale Strategien für energieeffizientes, einfaches Bauen untersucht. Die entwickelten Maßnahmen konnten sie an drei Forschungshäusern aus Massivholz, Mauerwerk und Leichtbeton umsetzen: Anhand dieser exemplarischen Wohngebäude erklärt der Leitfaden anschaulich die Prinzipien des einfachen Bauens.

Representation of climate in design

Ephemeral phenomena like fire, precipitation, shade, and wind have emerged as important contemporary protagonists for environmental design due to their dynamic impact on buildings and cities. The importance of including these forces in architecture has gained rapid momentum in the global quest for sustainability.

This book investigates the history, theory and applications of climatic design in the built environment examining architecture and landscapes from various time periods. Based on a collaboration between the University of Sydney and the National University of Singapore, the book brings together contributing authors from Australia, Singapore, and the United States.

"Dry", "Wet", "Cool" and "Hot" divide the book into categories through which a wide array of representational topics are covered —from dust storms and clouds, to ice and bushfires. A concluding section presents project examples for exploratory application in the design of architecture.

The Neue Nationalgalerie, which was erected in 1965–68, is the only building by the architect Ludwig Mies van der Rohe in Germany from after the Second World War. With its steel roof over the glass-walled exhibition hall and its reduced design vocabulary, it is regarded as an icon of modernism and as the legacy of a visionary master builder. Following the restoration by the firm David Chipperfield Architects, the Neue Nationalgalerie is reopening with new glory in 2021. With numerous specialist texts and large-format photographs, the book focuses on the architecture of the museum in three thematic groups: the historical building, the fundamental restoration, and the renovated building. Detailed and large-format photographs heighten awareness of the unique architecture, which Mies van der Rohe designed down to the smallest detail.

• THE cult book on the architecture of the Neue Nationalgalerie
• Internationally renowned authors shed light on their view of the museum
• The photographer Simon Menges presents the noble result of the restoration by David Chipperfield Architects (Pritzker Architecture Prize 2023)
  

Fasziniert von den Alpen verbringen die beiden Autoren einen Großteil ihrer Freizeit in den Bergen. Bei der Suche nach immer wieder neuen und besonderen Orten – sei es als Zwischenstopp oder auch um anzukommen und Ruhe zu finden – haben sie inzwischen eine Vielzahl an Unterkünften zusammengetragen.

Von Häusern, die seit Generationen im Familienbesitz sind und von den unterschiedlichen Charakteren geprägt wurden über modern sanierte Chalets bis zur einsamen Hütte reicht das Portfolio der vorgestellten Bauten. Der Umgebung gerecht werdende Materialien und nachhaltige Bauweisen beeinflussen die Auswahl der Projekte dabei ebenso wie das gelungene räumliche und atmosphärische Konzept. Aber es geht nicht nur um die Architektur – die Autoren erzählen gleichermaßen von den Geschichten der Betreiber über Entstehung oder Weiterführung des Hauses und von dem Leben und den Menschen in den Alpen.

Hintergrundinformationen sowohl zum Bauen als auch zum Reisen in den Alpen, Übersichtskarten und ein Adressverzeichnis machen dieses Buch zu einem außergewöhnlichen Reiseführer für alle Architekturinteressierten und Alpenliebhaber.

Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T-models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn’s industrial developments became the guiding principle for the New Building movement up until today.

The unrivalled monograph with its numerous photographs, plan layouts, site plans, and virtual 3D models comprehensively documents the buildings of Albert Kahn, which he was able to construct in a very short time due to his system-based working method – in the USA but also in the Soviet Union, Brazil, Sweden, France, China, Japan, and Australia.

The largely unknown oeuvre of the Philippine architect Leandro V. Locsin (1928-1994) embodies the search for identity in the built environment.

Having completed his studies, Locsin opened his practice in 1953 in the capital Manila which, after the aerial attacks by the Allied forces for the liberation of the Philippines from Japanese occupation, had been almost completely destroyed. The reconstruction, as well as technical innovations and favorable political and economic conditions, made it possible for him to design a wide range and large number of projects, including hotels, commercial buildings, churches, cultural venues, and public buildings.

His work combines inspiration from modernism with local traditions and comprises a total of 245 projects, of which more than half were completed. The book presents a selection of the most important buildings and projects.

• The first monograph of the architect Leandro V. Locsin
• Important representative of post-war Philippine modernism
• Sculptural concrete architecture, from the Expo pavilion to the airport

What "really constitutes an architectural atmosphere," Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor’s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it?
In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

The main task of the classical architect is project planning, from basic evaluation to design all the way to execution planning, the call for bids, construction management, and completion of the building. This volume explains the individual planning steps in context, presents the networking of the various specialists involved in the project, and offers a clear and practical description of the various levels of organization.
Themes are - Planning steps from basic evaluation to handing over the keys, - Project participants (including the authorities, specialized planners, construction firms, etc.), - Organizing the plan (sequence, what’s needed when?, work organization, documentation), - Coordination of the participants.

Jean Prouvé (1901-1984) was one of the most outstanding design engineers of the 20th century. His work is a remarkable combination of creative imagination, technical skill and visionary enterprise. The first of Birkhäuser s 4-volume edition of Prouvé s Complete Works covers the period between 1917 and 1933 including the first metalwork objects (staircase railings, lamps), the first standardised building products (windows, doors, movable partitions), the first furniture in moulded steel and the first building projects to use folded sheet metal, such as operating theatres in Lyon s Hôpital Grange Blanche, as well as the text of numerous conversations with Jean Prouvé.

"Peter Sulzer s work is an admirable catalogue raisonné of the works of Jean Prouvé... He has made a remarkable synthesis from a variety of sources, rigorously organised on the page and easily readable" (commendation on the award of the French Briey Prize for an architectural book).

Herzog & de Meuron gehören zu den international bedeutendsten Architekten unserer Zeit. Der jüngste Auftrag für die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie große Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhäuser Verlag für Architekturträgt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem Zusammenhang vor. Nach Band 2 im letzten Jahr werden in Band 1 nun die ersten elf Jahre von Herzog & de Meuron dokumentiert.
ln diesem Zeitraum von 1978-88 wurde eine methodologische Basis erarbeitet, auf der die Großprojekte der darauffolgenden Jahre aufbauen konnten. Waren Bauten wie das «blaue Haus» bei Basel durch eine naturbezogene Bildhaftigkeit geprägt, so traten Herzog & de Meuron fast gleichzeitig mit Entwürfen hervor, die so verdichtet waren, dass Erscheinungsweise, Funktion und Struktur zusammenfielen. Das Lagerhaus für die Firma Ricola in Laufen ist mit seiner Hülle aus geschichteten Eternitplatten hierfür exemplarisch.
Ein weiteres zentrales Thema der ersten Werkdekade ist denn auch die grundsätzliche Neubewertung von Materialien. Ein Haus in einem Garten bei Basel wurde innen und außen ganz aus verschiedenen Sperrhölzern gefügt, die Außenwände eines Wohnhauses im ligurischen Tavole sind aus Bruchsteinen geschichtet. Für ein Laborgebäude in Basel war eine Glashülle vorgesehen, die sich teilweise vom Baukörper ablöst; ein Wohnhaus mit Galerieraum lebt aus der vielfältigen Verwendung von Beton. Bereits bei den Frühwerken ist also ein ausgesprochenes Interesse an der Gestaltung der Fassade erkennbar. Die Auseinandersetzung mit übergreifenden stadtplanerischen Aspekten manifestierte sich erstmals deutlich in der Siedlung Pilotengasse am Stadtrand von Wien, die Herzog & de Meuron zusammen mit Adolf Krischanitz und Otto Steidle 1987-92 entwarfen und realisierten.
Das pragmatische Denken für einen spezifischen Ort und Zweck in der sich rasch wandelnden Gegenwart, das den architektonischen Diskurs von Herzog & de Meuron in besonderer Weise auszeichnet, wird im Buch durch verschiedene theoretische Beiträge abgestützt. Wie im bereits erschienenen Band 2 werden auch im Band 1 die zentralen Projekte ausführlich vorgestellt. Im Anhang befindet sich eine Chronologie aller 47 Werknummern von 1978-1988 mit präzisen technischen und bibliografischen Angaben.

Norman Foster and Renzo Piano invoke his name. For many architects he is a landmark - Jean Prouvé, creator of the metal curtain wall, pioneer in its application and early initiator of industrialised building techniques. His unfailing ability to combine functional engineering achievements with artistic sensitivity commands recognition. The period covered in this latest volume is significant in many respects. The post-war years placed enormous demands on housing and school construction. In his Maxéville factory Prouvé developed pre-fabricated housing, facade panelling, light filtering and other systems on a large scale. He was inspired by the works of the automobile and aeronautics industry, developing new applications for aluminium, which he presented in the 1954 Aluminium Centenary Pavilion. Moreover, Prouvé s furnitures of this period have become valuable collectors items, some of which are now being reissued under licence.

An exemplary, groundbreaking project

• Explanatory texts, and interviews with all involved architects
• Numerous plan drawings and historical photographs
• Extensive documentation of the restorative work and contemporary additions

A critical investigation of insulation

• State of affairs and alternative models of building insulation
• In-depth information on a key planning issue
• A scholarly contribution to a hot architectural debate

Dementia presents immense challenges – both for individuals as well as for society as a whole. More than 35 million people all over the world currently live with dementia, a number that is expected to double by 2050. This also has implications for architecture and urban planning because dementia often affects people’s sense of orientation and their ability to perceive space. How can homes, apartments, public buildings, outdoor spaces, neighbourhoods and cities, as well as environments and infrastructure, be designed to meet the needs of people with dementia as well as those of their caregivers? And can a consideration of the problems of dementia lead to a better understanding of space that can improve architecture and the built environment for us all?

This book addresses these and other questions in a series of professional essays that examine the specific requirements for different disciplines. In addition, international case study projects illustrate the breadth of current actual solutions. The book is intended as a guide for all those involved in the design and planning process – architects, interior designers, engineers, town planners, local authorities and clients – and as a reader for the users themselves: for people with dementia, their family and friends, and all those in their social environment.

studio bau:ton, the practice founded by Swiss architect Peter Grüneisen, designs buildings rooted in the sphere of imagination and creativity. The practice’s main clients are in the music and film production industry in Los Angeles, for whom it designs private houses and work spaces. The focus is on the combination of high-tech entertainment design with glamorous, exclusive architecture.

On the occasion of its 30th anniversary, the Los Angeles-based architectural practice nonzero\architecture is publishing the second monograph. The book includes conversations with well known clients including Hans Zimmer, David Lynch, Bruce Botnik, and Paul Lieberstein. The completed projects include residences, mixed residential/work spaces, through to recording studios and public buildings.

• Media spaces as a specific design type
• nonzero\architecture is the leading practice in this field
• Famous clients include 20th Century Fox, Warner Brothers, Disneyland Paris
• With an introduction by Sam Lubell and an interview with Hans Zimmer

A history of the building's reception

• 90 years of 100 texts and voices about the Barcelona Pavilion

The Elbphilharmonie is Hamburg’s new landmark and is already an icon of contemporary architecture. In this book, Herzog & de Meuron document their project: extensive archive material, plans, and photographs are used to illustrate the process of the creation of this once-in-a-hundred-years building from the first sketch and the various design stages with their many challenges, through to completion of the finished building.

The dialog between historical brick plinth and contemporary glass crystal, the combination of different functions, the development of the spectacular large concert hall, the design of a public plaza for the population are just some of the many aspects that contribute to the attractiveness of the building.

It is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies’ ideas on architecture and on the logic of construction relate to his built – and sometimes unbuilt – oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies’ construction concepts.

The projects include Lange and Esters Houses (1927–30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies’ work, and hence his German and American creative periods.

The long-awaited fifth volume on The Complete Works of Herzog & de Meuron presents the sixty projects completed between 2002 and 2004 with characteristic attention to detail. These include buildings that have already become contemporary architectural icons, such as the National Stadium in Beijing and the Elbphilharmonie in Hamburg, but also projects which, though never realized, have influenced the architectural discourse. These include the residential tower for the Schatzalp Hotel, which overlooks Davos and inspired a new generation of Alpine architecture.

In the period covered by this volume, urban planing was a major focus of Herzog & de Meuron's work. International acclaim fueled by booming construction led to numerous commissions in China (the Jindong New Development Area), and in Europe: master plans for Jerez de la Frontera in Spain, and the Olympic Games in London opened up entire urban regions to future development.

Der lang erwartete fünfte Band des Gesamtwerks von Herzog & de Meuron stellt die sechzig Projekte der Jahre 2002 bis 2004 mit der charakteristischen Sorgfalt vor. Dazu zählen Bauten, die bereits zu den Architekturikonen der Gegenwart avancierten, wie das Olympiastadion in Peking und die Elbphilharmonie in Hamburg; aber auch Projekte, die, obwohl sie unrealisiert blieben, den architektonischen Diskurs geprägt haben, wie der Wohnturm für das Hotel Schatzalp oberhalb von Davos, der dem Bauen in den Alpen neue Impulse gab.

Im vorliegenden Zeitraum erfährt der Städtebau eine besondere Aufmerksamkeit des Architekturbüros. Der Architekturboom im China jener Jahre hat Planungen für ganze Quartiere hervorgebracht. Davon zeugen die Masterpläne für Jindong New Development Area in China, für Jerez de la Frontera in Spanien oder für die Olympischen Spiele in London, die ganze Stadtregionen für die Zukunft öffneten.

Wood is usually perceived as a "traditional" material. However, the properties of this material have now for some time made it possible to design free shapes and highly complex structures.

Today, the wood laboratory of the EPF Lausanne, which was originally founded by Julius Natterer, is testing the production of origami structures, ribbed shells, fabric structures and curved panels under the guidance of Professor Weinand using digital calculation and computer-aided processing methods. The research results are tested in prototypes, which demonstrate the potential applications in large-scale timber buildings. By exploring the hitherto unused potential of wood as a construction material, this book provides an exciting and inspiring outlook on a new generation of timber buildings.

Textile architecture has been captivating humanity for many centuries. In recent years and decades, the emergence of innovative materials has created new opportunities to utilize this fascinating material in the fields of architecture, interior design, and design. Textiles derive their fascination from the special forms these fabric structures make possible and from their unusual character as soft materials. Together with their functional and structural properties, they possess a range of capabilities equally suitable for spectacular and everyday building tasks. This book deals with technical textiles in three sections: in the fi rst chapter, the material is introduced together with its specific properties; the second chapter deals with its uses in the areas of architecture, textile facades, solar protection, and interior design, with special attention to finishing techniques and construction principles. The third chapter illustrates the various fields of application with a selection of some twenty-four international built projects.

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented.
The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award – winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

An instrument for the selection of color

Dealing with color is a complex subject: influenced by standards, fashions, and trends, we derive our ideas and concepts from color theories, intuition, and personal preferences. The color swatches and systems for describing color common today are based on purely quantitative principles and include well over 1,500 colors. So how do we choose a particular color?

More than ten years ago, the color chemist Katrin Trautwein established a pigment factory, starting out from Le Corbusier’s color palette. She now has more than 900 recipes for paint from which she has proposed – based on her work with architects, designers, and historical preservationists – a selection of 128 colors that produce pleasant results on their own and also combine well. Each color is presented with a sample; their potential uses and significance are also discussed.

Katrin Trautwein has lectured throughout the world on how to approach colors, given seminars, given expert opinions, advised architects, taught painters, and worked as a restorer.

• A tool of the trade in a user-friendly design with a spiral binding and a hard cover
• With information on the origins of the paints and pigments used
• With approximations for the color description systems commonly used today, such as CMYK and RGB

A unique, richly illustrated study of Ottoman religious buildings standing today in Cairo

With the conquest in 1517 CE of Egypt by the Ottomans, Cairo lost its position as the capital of the Islamic empire to Istanbul but it retained an eminent position as the second most important city, with Egypt still regarded as one of the wealthiest provinces of the new empire. Round minarets with pointed hoods, as symbols of the new rulers, began filling the landscape alongside the octagonal minarets with pavilion tops of the Mamluks, new mosques, zawiyas, and madrasas/takiyas were built to emphasize the continuation of Sunni Islamic rule, while the use of tiles imported from Turkey introduced new decorative styles to the city’s existing rich carvings and marble paneling.

This book invites readers and students to revisit a long-overlooked era of Cairo’s architectural evolution, offering a unique, comprehensive study of Ottoman religious buildings still standing today. It provides detailed descriptions and walk-throughs of the buildings covered, visually, through its rich collection of plans, line drawings, and photographs, and through the narrative that infuses each image with life, shedding light on the continuous evolution of architecture in Cairo even after the city had ceased to be the capital of the Islamic empire.

Ahmad ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration.
This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture.