Architecture

Pretty Good House provides a framework and set of guidelines for building or renovating a high-performance home that focus on its inhabitants and the environment—but keeps in mind that few people have pockets deep enough to achieve a “perfect” solution. The essential idea is for homeowners to work within their financial and practical constraints both to meet their own needs and do as much for the planet as possible.

 A Pretty Good House is:

 * A house that's as small as possible

 *  Simple and durable, but also well designed

 * Insulated and air-sealed 

 * Above all, it is affordable, healthy, responsible, and resilient.

A comprehensive, first-of-its-kind book about Chicago’s residential architecture and the stories that shaped it. This is an entertaining and precisely illustrated story of Chicago homes from the city’s earliest days through the Second World War, revealing everything about what makes a home a Chicago home. 

A city famous for its architecture—and for arguing with New Yorkers about who built it first and best—now has a definitive guide to the unique housing types and styles that have inspired so much devotion. This book is for curious Chicagoans and visitors alike—anyone who’s ever wondered how to spot a Foursquare or where to find Italianate homes from before the Great Chicago Fire.

Why are Chicago’s lots so narrow? How many Chicagoans built homes from a kit? What exactly is a “greystone”? The authors combine their decades of experience in historic preservation and illustration to create an evergreen resource that Chicagoans and visitors will turn to for answers to these and other questions about the city’s neighborhoods and the homes its citizens live in, visit, and admire. 

Architectural historian Roger W. Moss and photographer Tom Crane set out to celebrate the surviving accessible historic architecture of Philadelphia, envisioning a series of books that would provide much more than the snapshots found in guidebooks. They began with Historic Houses of Philadelphia, bringing the region's most impressive museum homes to life. Historic Sacred Places of Philadelphia followed, an exclusive tour of fifty hallowed sites. In Historic Landmarks of Philadelphia, Moss and Crane feature prominent, memorable structures that reflect stages in Philadelphia's growth.

There are sixty-five National Historic Landmarks in Philadelphia, structures that have been identified as being "nationally significant" and having "meaning to all Americans." This newest addition to Moss and Crane's trilogy includes a wide array of historic sites, ranging from concert halls to prisons, train stations to museums, banks to libraries. The buildings are arranged chronologically rather than geographically, to emphasize Philadelphia's evolution from modest mercantile outpost of a colonial power, to capital of a proud new nation, to a robust world-renowned cosmopolitan city.

Historic Landmarks of Philadelphia presents such notable attractions as Fort Mifflin, Independence Hall, the Fairmount Water Works, the Athenaeum of Philadelphia, Boathouse Row, Laurel Hill Cemetery, Eastern State Penitentiary, the Academy of Music, the Union League of Philadelphia, Memorial Hall, the Pennsylvania Academy of Fine Arts, the Masonic Temple, and the sights that line the Benjamin Franklin Parkway, including the Philadelphia Museum of Art, the Free Library of Philadelphia, and the Rodin Museum, in more than two hundred color illustrations. It celebrates master builders and their influence on the course of American architecture while identifying the distinctive qualities that embody Philadelphia's history and spirit.

A Barra Foundation Book

Dilip da Cunha integrates history, art, cultural studies, hydrology, and geography to tell the story of how rivers have been culturally constructed as lines granted a special role in defining human habitation and everyday practice. What we take to be natural features of the earth's surface, according to da Cunha, are products of human design and a particular way of seeing that has roots stretching as far back as ancient Greek cartography. Although Alexander the Great never saw the Ganges, he conceived of it as a flowing body of water, with sources, destinations, and banks that marked the separation of land from water. This Alexandrine view of the river, da Cunha argues, has been pursued and adopted across time and around the world. With ever more sophisticated mappings of its form and characteristics, the river's essential features are refined and standardized: its source identified by a point; its course depicted as a stroke; and its propensity to flood imagined as the erasure of the boundary between water and land.

While da Cunha's vision of rivers is a global one, he takes an especially close look at the Ganges, as he traces the ways in which it has been pictured, mapped, surveyed, explored, and measured across the millennia. He argues that the articulation of the river Ganges has placed it at odds with Ganga, a "rain terrain" that does not conform to the line of separation, containment, and calibration that are the formalities of a river landscape. By calling rivers into question, da Cunha depicts an ecosystem that is neither land nor water but one of ubiquitous wetness in which rain is held in soil, aquifers, glaciers, snowfields, building materials, agricultural fields, air, and even plants and animals.

Printed in full color and featuring more than 150 illustrations, The Invention of Rivers proposes rain, or "the rainscape," as an alternative starting point for imagining, understanding, and designing human habitation.

Chanticleer, a forty-eight-acre garden on Philadelphia's historic Main Line, is many things simultaneously: a lush display of verdant intensity and variety, an irreverent and informal setting for inventive plant combinations, a homage to the native trees and horticultural heritage of the mid-Atlantic, a testament to one man's devotion to his family's estate and legacy, and a good spot for a stroll and picnic amid the blooms. In Chanticleer: A Pleasure Garden, Adrian Higgins and photographer Rob Cardillo chronicle the garden's many charms over the course of two growing cycles.

Built on the grounds of the Rosengarten estate in Wayne, Pennsylvania, Chanticleer retains a domestic scale, resulting in an intimate, welcoming atmosphere. The structure of the estate has been thoughtfully incorporated into the garden's overall design, such that small gardens created in the footprint of the old tennis court and on the foundation of one of the family homes share space with more traditional landscapes woven around streams and an orchard.

Through conversations and rambles with Chanticleer's team of gardeners and artisans, Higgins follows the garden's development and reinvention as it changes from season to season, rejoicing in the hundred thousand daffodils blooming on the Orchard Lawn in spring and marveling at the Serpentine's late summer crop of cotton, planted as a reminder of Pennsylvania's agrarian past. Cardillo's photographs reveal further nuances in Chanticleer's landscape: a rare and venerable black walnut tree near the entrance, pairs of gaily painted chairs along the paths, a backlit arbor draped in mounds of fragrant wisteria. Chanticleer fuses a strenuous devotion to the beauty and health of its plantings with a constant dedication to the mutability and natural energy of a living space. And within the garden, Higgins notes, there is a thread of perfection entwined with whimsy and continuous renewal.

Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial identities within and beyond the precincts of the court.

In Landscape and Authority in the Early Modern World, contributors explore the role of landscape in the articulation and expression of imperial identity and the mediation of relationships between the court and its many audiences in the early modern world. Nine studies focused on the geographical areas of East and South Asia, the Islamic world, and Europe illuminate how early modern courts and societies shaped, and were shaped by, the landscape, including both physical sites, such as gardens, palaces, cities, and hunting parks, and conceptual ones, such as those of frontiers, idealized polities, and the cosmos.

The collected essays expand the meaning and potential of landscape as a communicative medium in this period by putting an array of forms and subjects in dialogue with one another, including not only unique expressions, such as gardens, paintings, and manuscripts, but also the products of rapidly developing commercial technologies of reproduction, especially print. The volume invites a deeper and more nuanced understanding of the complexity with which early modern states constructed and deployed different modes of landscape for different audiences and environments.

Contributors: Robert Batchelor, Seyed Mohammad Ali Emrani, John Finlay, Caroline Fowler, Katrina Grant, Finola O’Kane, Anton Schweizer, Larry Silver, Stephen H. Whiteman.

A detailed study of early historical preservation efforts between the 1780s and the 1850s

In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued.

Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service.

Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

In the history of planning, the design of an entire community prior to its construction is among the oldest traditions. Iconic Planned Communities and the Challenge of Change explores the twenty-first-century fortunes of planned communities around the world. Drawing on interdisciplinary perspectives, the editors and contributors examine what happened to planned communities after their glory days had passed and they became vulnerable to pressures of growth, change, and even decline.

Beginning with Robert Owen's industrial village in Scotland and concluding with Robert Davis's neotraditional resort haven in Florida, this book documents the effort to translate optimal design into sustaining a common life that works for changing circumstances and new generations of residents. Basing their approach on historical research and practical, on-the-ground considerations, the essayists argue that preservation efforts succeed best when they build upon foundational planning principles, address landscape, architecture, and social engineering together, and respect the spirit of place.

Presenting twenty-three case studies located in six continents, each contributor considers how to preserve the spirit of the community and its key design elements, and the ways in which those elements can be adapted to contemporary circumstances and changing demographics. Iconic Planned Communities and the Challenge of Change espouses strategies to achieve critical resilience and emphasizes the vital connection between heritage preservation, equitable sharing of the benefits of living in these carefully designed places, and sustainable development.

Communities: Bat'ovany-Partizánske, Cité Frugès, Colonel Light Gardens, Den-en Chôfu, Garbatella, Greenbelt, Hampstead Garden Suburb, Jardim América, Letchworth Garden City, Menteng, New Lanark, Pacaembú, Radburn, Riverside, Römerstadt, Sabaudia, Seaside, Soweto, Sunnyside Gardens, Tapiola, The Uplands, Welwyn Garden City, Wythenshawe.

Contributors: Arnold R. Alanen, Carlos Roberto Monteiro de Andrade, Sandra Annunziata, Robert Freestone, Christine Garnaut, Isabelle Gournay, Michael Hebbert, Susan R. Henderson, James Hopkins, Steven W. Hurtt, Alena Kubova-Gauché, Jean-François Lejeune, Maria Cristina a Silva Leme, Larry McCann, Mervyn Miller, John Minnery, Angel David Nieves, John J. Pittari, Jr., Gilles Ragot, David Schuyler, Mary Corbin Sies, Christopher Silver, André Sorensen, R. Bruce Stephenson, Shun-ichi J. Watanabe.

One may visit famous gardens in Tokyo, Kyoto, or Osaka—or one may visit Japanese-styled gardens in New York, San Francisco, Philadelphia, Berlin, London, Paris, São Paulo, or Singapore. We often view these gardens as representative of the essence of Japanese culture. Christian Tagsold argues, however, that the idea of the Japanese garden has less do to with Japan's history and traditions, and more to do with its interactions with the West.

The first Japanese gardens in the West appeared at the world's fairs in Vienna in 1873 and Philadelphia in 1876 and others soon appeared in museums, garden expositions, the estates of the wealthy, and public parks. By the end of the nineteenth century, the Japanese garden, described as mystical and attuned to nature, had usurped the popularity of the Chinese garden, so prevalent in the eighteenth century. While Japan sponsored the creation of some gardens in a series of acts of cultural diplomacy, the Japanese style was interpreted and promulgated by Europeans and Americans as well. But the fashion for Japanese gardens would decline in inverse relation to the rise of Japanese militarism in the 1930s, their rehabilitation coming in the years following World War II, with the rise of the Zen meditation garden style that has come to dominate the Japanese garden in the West.

Tagsold has visited over eighty gardens in ten countries with an eye to questioning how these places signify Japan in non-Japanese geographical and cultural contexts. He ponders their history, the reasons for their popularity, and their connections to geopolitical events, explores their shifting aesthetic, and analyzes those elements which convince visitors that these gardens are "authentic." He concludes that a constant process of cultural translation between Japanese and Western experts and commentators marked these spaces as expressions of otherness, creating an idea of the Orient and its distinction from the West.

Just as there is love at first sight between people, Václav Cílek writes, there can be love at first sight between a person and a place. A landscape is more than a location, it is one party in a relationship—even when the spirit of a certain setting is not perceptible to those who visit. But whether we travel to experience rapture or excitement, to discover truth and beauty, or to be dazzled, we search for the essence of faraway landscapes to gain perspective on our own place within the world. To Breathe with Birds delves into the imaginative and emotional bonds we form with landscapes and how human existence—a recent development, geologically speaking—shapes and is shaped by a sense of place.

In subtle and lyrical prose, renowned geologist and author Václav Cílek explores topics from the history of asphalt to the spirits we imagine in trees, from geodiversity to the mathematics of snowflakes. Weaving earth science and environmentalism together with memoir and myth, his chapters visit resonant locations from India to Massachusetts, though most are deeply rooted in the river-laced, war-scarred landscape of Cílek's Czech homeland. These reflections are accompanied by Morna Livingston's evocative photographs, which capture the beauty and strangeness of natural and human-made forms. The first book-length appearance of Cílek's work in English translation, To Breathe with Birds offers insightful perspectives on the symbolism of landscapes as we struggle to conserve and protect the depleted earth.

Sustainable, circular, up-to-date

Most modern buildings are built from diverse materials, but few confront their manifold composition as a question of both design and performance. This book takes a close look at a series of global building traditions and contemporary practices to uncover the possibilities and challenges of working with mixed materials. Visually stunning, color-coded drawings reveal the materials and construction for every project. Through case studies, design experiments and writings, the authors examine the opportunities of heterogeneous construction for contemporary, sustainable, circular, and culturally situated architecture. With contributions by Jeannette Kuo, Ajay Manthripragada, and Jesús Vassallo, and photography by Naho Kubota. Graphic design by Andrew LeClair.

• Richly illustrated case studies of lesserknown hybrid construction techniques
• Beautiful graphic design and unique spot color printing reveal the interrelationships of materials in construction
• In-depth essays that discuss the technical, cultural, and environmental implications of heterogeneous construction

New exciting and surprising design approaches how great living quality can be wonderfully made possible in small spaces. 

A tiny house is much more than just a very small residence. It is a living concept that reflects the challenges of the future – from the fundamental question of how to finance the dream of home ownership to more complex considerations, such as whether doing without material luxury means more freedom, to social issues such as how we deal with our planet's resources. 

This volume presents remarkable examples of masterfully implemented solutions for tiny houses. The designs of these micro-wonders show that even – or especially – well thought-out room concepts can be realized in the smallest of spaces, without sacrificing excellent design. Intelligent floor plans, multifunctional rooms and ingenious nesting of furnishing components create not only compact living spaces, but also unique habitats.

«La beauté n'a rien à voir avec l'argent ou la finance. Elle demande de la créativité et de l'amour», affirme Anna Heringer. Sa vision fait mouche, comme en témoignent des amphithéâtres pleins, des prix internationaux (dont l’Aga Kahn Award en 2007 et l’OBEL Award en 2020), une invitation au TED Talk 2017 ainsi que de nombreuses expositions: MoMA à New York, MAM à São Paulo, Biennale de Venise, etc.

Dans Form Follows Love, Anna Heringer raconte à l'auteure Dominique Gauzin-Müller son parcours d'architecte　: ses études, la rencontre avec le spécialiste du pisé Martin Rauch, sa pratique dans le Sud global et ses projets actuels en Europe. Elle partage avec nous le constat que la terre crue est non seulement un matériau respectueux de l'environnement, mais aussi que sa mise en œuvre dans les bâtiments initie des processus réparateurs au sein de la société.

• Dans ce texte essentiel, l'architecte allemande Anna Heringer, spécialiste de la construction en terre crue, raconte à la fois
• comment l'architecture peut avoir une influence positive sur la société et sur l'environnement
• comment construire avec des ressources locales préserve l'équilibre écologique.
• Disponible en français, allemand et anglais

According to Anna Heringer, "Beauty has nothing to do with money or finance, but everything to do with creativity and love". With statements like this she clearly has her finger on the pulse of our time, judging by the packed lecture halls, international awards such as the 2007 Aga Kahn Award or the 2020 OBEL Award, and exhibitions at MoMA, MAM Sao Paulo, and the Venice Biennale.

In Form Follows Love, Anna Heringer talks to author Dominique Gauzin-Müller about her career as an architect, her studies, her experiences during a workshop by Martin Rauch, her practice in the Global South, and current projects in the Global North.

She shares with us the insight that clay is not only an environmentally friendly material, but in the best cases it can even trigger socially beneficial processes.

This volume outlines the urban development of eight cities in the Middle East and North Africa: Aleppo, Alexandria, Ankara, Cairo, Casablanca, Dubai, Nouakchott, and Shiraz. Ottoman rule and colonial powers, French or British, operated differently and over various time spans in most of these cities to influence architecture and the urban scene. Global movements such as modernism and socialism reshaped the cityscapes of intersecting histories and cultures.

Maps, sketches, and other visuals trace the urban outcomes of Ottoman rule, colonial powers, and post-independence governments to show how they altered these cities. Class distinctions, informal settlements, and devalued built heritage are common urban issues that the cities of the MENA region still face today.

• Focuses on political and social developments as they influence each city’s built environment

• Discusses all types of built heritage and forms of architecture in the eight exemplary cities

• Visualizes the urban development through many coloured maps, sketches, and charts

Denkmalpflegeprojekte in komplexen städtischen Umgebungen sind vielfach von erheblichen Diskrepanzen zwischen formaler Politik und pragmatischen Realitäten geprägt. Fallbeispiele aus dem Iran, der Türkei, Ägypten und Indien zeigen die unzähligen Faktoren auf, die auf die praktische Denkmalpflege einwirken und deren Ideale untergraben. Die vorgestellten Projekte veranschaulichen, wie politische, wirtschaftliche und ideologische Dynamiken die Ergebnisse vor Ort beeinflussen und sie von akademischen Grundsätzen und nationalen oder internationalen Strategien ablenken. Die Autorinnen und Autoren verfügen über ein tiefes Verständnis der lokalen Dynamiken und zeigen die disziplinären, bürokratischen und soziopolitischen Strukturen auf, die die Planung des städtischen Kulturerbes in unterschiedlichen Kontexten prägen.

• Untersucht Denkmalschutzrichtlinien in lokalen Kontexten
• Lenkt den Blick auf lokale Komplexitäten
• Ergebnisse des DFG-Projekts "Assembling Iran's Urban Heritage Conservation Policy and Practice: Problematised in Tehran"

Inverse Utopia looks at urbanism from the perspective of modernism and postmodernism, as well as at how commercialization has transformed the modern city. In his earlier book Ladders (1997), the author described the emergence of the cul-de-sac as a typical manifestation of this trend.

In this new book, Inverse Utopia, he argues for the development of architectural and urban forms that respond to contemporary ecological and social challenges. The title refers to a statement by the philosopher Günther Anders: whereas utopians are unable to make the things they imagine, others are unable to imagine the things they make.

This book is a stand-alone volume but may be read as a sequel to Ladders.

• Essential text describing the work of Anna Heringer, an architect specialized in clay
• How architecture can have a positive impact on the environment and society
• Building with local resources to maintain ecological balance
• Available in German, French and English

The architectural work of Hans and Wassili Luckhardt (1890–1954/1889–1972) is not yet adequately appreciated. As members of the Glass Chain initiative and the Ring collective, they shaped, especially through their work with Alfons Anker, the development of Modernist architecture in the 1920s, as evidenced by their winning design for the layout of Berlin’s Alexanderplatz. While their early work was anchored in utopian expressionism, a more objective attitude emerged later, based on the application of new architectural constructs.
The book documents all 40 of Hans und Wassili Luckhardt’s realized buildings. Two essays deal with the unbuilt and utopian projects. Newly taken photographs and newly drawn plans by Carsten Krohn complement the historical illustrations.

• Comprehensive documentation of the work of Hans and Wassili Luckhardt.
• With approx. 80 new photographs and 80 newly drawn plans by Carsten Krohn

Versatile wooden windows

In her book, the trained carpenter and architect Judith Resch looks at what scope still exists in modern window design and construction. The process of simplification is more difficult to achieve for windows than for most building components, since windows, due to their function, must meet high technical specifications. She presents a variety of window design projects that have one thing in common: they pursue a singular design concept using the simplest possible means. All projects are presented in detail with technical drawings and photographs.

• 10 simple wooden window designs
• From retrofitting historical windows to the possibilities of DIY design
• Precisely designed, handcrafted, highly repairable windows

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world.

In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus.

Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way—from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space.

Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years—a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Désert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.

Monsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.

In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.

Celebrated landscape architect Gilles Clément may be best known for his public parks in Paris, including the Parc André Citroën and the garden of the Musée du Quai Branly, but he describes himself as a gardener. To care for and cultivate a plot of land, a capable gardener must observe in order to act and work with, rather than against, the natural ecosystem of the garden. In this sense, he suggests, we should think of the entire planet as a garden, and ourselves as its keepers, responsible for the care of its complexity and diversity of life.

"The Planetary Garden" is an environmental manifesto that outlines Clément's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.

Like their penchant for clubs, cricket, and hunting, the planting of English gardens by the British in India reflected an understandable need on the part of expatriates to replicate home as much as possible in an alien environment. In Flora's Empire, Eugenia W. Herbert argues that more than simple nostalgia or homesickness lay at the root of this "garden imperialism," however. Drawing on a wealth of period illustrations and personal accounts, many of them little known, she traces the significance of gardens in the long history of British relations with the subcontinent. To British eyes, she demonstrates, India was an untamed land that needed the visible stamp of civilization that gardens in their many guises could convey.

Colonial gardens changed over time, from the "garden houses" of eighteenth-century nabobs modeled on English country estates to the herbaceous borders, gravel walks, and well-trimmed lawns of Victorian civil servants. As the British extended their rule, they found that hill stations like Simla offered an ideal retreat from the unbearable heat of the plains and a place to coax English flowers into bloom. Furthermore, India was part of the global network of botanical exploration and collecting that gathered up the world's plants for transport to great imperial centers such as Kew. And it is through colonial gardens that one may track the evolution of imperial ideas of governance. Every Government House and Residency was carefully landscaped to reflect current ideals of an ordered society. At Independence in 1947 the British left behind a lasting legacy in their gardens, one still reflected in the design of parks and information technology campuses and in the horticultural practices of home gardeners who continue to send away to England for seeds.

In the wake of the Occupy Wall Street movement, leading planers and social scientists examine public space today and freedom of assembly.

The Occupy Wall Street movement has challenged the physical manifestation of the First Amendment rights to freedom of assembly. Where and how can people congregate today? Forty social scientists, planners, architects, and civil liberties experts explore the definition, use, role, and importance of public space for the exercise of our democratic rights to free expression. The book also discusses whose voice is heard and what factors limit the participation of minorities in Occupy activities. This foundational work puts issues of democracy and civic engagement back into the center of dialogue about the built environment.

Beyond Zuccotti Park is a collaborative effort of Pratt Graduate Center for Planning and the Environment, City College of New York School of Architecture, New Village Press and its parent organization, Architects/Designers/Planners for Social Responsibility. The book is part of an open civic inquiry on the part of these organizations. The project was seeded by a series of free public forums, Freedom of Assembly: Public Space Today, held at the Center for Architecture in response to the forced clearance of Occupy activities from Zuccotti Park and public plazas throughout the country. The first two recorded programs took place on December 17, 2011 and February 4, 2012.

Drawing upon a lifetime's knowledge, Patterns of Stylistic Change in Islamic Architecture presents Michael Meinecke's unique view of the evolution and development of Islamic architecture.
Departing from conventional method which groups buildings and monuments according to dynasties and defines national characteristics based on the ethnic origins of Arabic, Persian, or Turkish patrons, Meinecke emphasizes the similarities which resulted from interrelations among neighboring or far-away areas. He argues that transformations in the development of Islamic architecture can be explained by the movements of skilled craftsmen who traveled extensively in their search for challenging work, allowing for their influence to be felt across a broad region.
Meinecke's unique approach to Islamic architecture will no doubt inspire others to emulate his approach in studying other regions or areas. Few, however, will be able to attain the consummate mastery of the subject which enlivens these essays.

Bilingual Edition (English / German):

A trailblazer of modern architecture

With Josef Frank (1885–1967), the catalogue for the exhibition in the MAK, Vienna, focuses on one of the most important Austrian architects of the 20^th century. In addition to his groundbreaking architectural oeuvre, the discussion considers Frank as an extremely productive designer who, although sceptical and a prominent cultural critic, must be thanked for his many important stimuli to international design that are still valid today. As an architect and designer who is still "contemporary" to this day, Frank was known for his pragmatic design approach, and pleaded for "normal" – but not at all normative – architecture and design. For Frank, the qualities of social experience were more important than formal aspects; his interiors and utilitarian articles were primarily intended to serve the comfort of the user. Josef Frank’s ideas of an uncontrived and unpretentious utilitarian expedience, which was focused on an independent, free, enlightened housing and living culture beyond all stylistic dogmas and fashionable conventions, is more topical today than ever.

Mit Josef Frank (1885–1967) widmet sich der Katalog zur Ausstellung im MAK, Wien, einem der bedeutendsten österreichischen Architekten des 20. Jahrhunderts. Neben dem wegweisenden architektonischen Werk geht es dabei insbesondere um einen Gestalter, dem das internationale Design bis heute wichtige Impulse verdankt. Gerade derzeit erscheinen Franks Vorstellungen einer aufgeklärt bürgerlichen Wohn- und Lebenskultur aktueller denn je.

Representation of climate in design

Ephemeral phenomena like fire, precipitation, shade, and wind have emerged as important contemporary protagonists for environmental design due to their dynamic impact on buildings and cities. The importance of including these forces in architecture has gained rapid momentum in the global quest for sustainability.

This book investigates the history, theory and applications of climatic design in the built environment examining architecture and landscapes from various time periods. Based on a collaboration between the University of Sydney and the National University of Singapore, the book brings together contributing authors from Australia, Singapore, and the United States.

"Dry", "Wet", "Cool" and "Hot" divide the book into categories through which a wide array of representational topics are covered —from dust storms and clouds, to ice and bushfires. A concluding section presents project examples for exploratory application in the design of architecture.

The Neue Nationalgalerie, which was erected in 1965–68, is the only building by the architect Ludwig Mies van der Rohe in Germany from after the Second World War. With its steel roof over the glass-walled exhibition hall and its reduced design vocabulary, it is regarded as an icon of modernism and as the legacy of a visionary master builder. Following the restoration by the firm David Chipperfield Architects, the Neue Nationalgalerie is reopening with new glory in 2021. With numerous specialist texts and large-format photographs, the book focuses on the architecture of the museum in three thematic groups: the historical building, the fundamental restoration, and the renovated building. Detailed and large-format photographs heighten awareness of the unique architecture, which Mies van der Rohe designed down to the smallest detail.

• THE cult book on the architecture of the Neue Nationalgalerie
• Internationally renowned authors shed light on their view of the museum
• The photographer Simon Menges presents the noble result of the restoration by David Chipperfield Architects (Pritzker Architecture Prize 2023)
  

Albert Kahn is probably the most important industrial architect of the 20th century. With his factory for the Ford T-models, designed for mass production, he found himself at the beginning of modern industrial architecture. His industrial buildings inspired the architects of European Modernism. They were the examples by which the structural rationality of Kahn’s industrial developments became the guiding principle for the New Building movement up until today.

The unrivalled monograph with its numerous photographs, plan layouts, site plans, and virtual 3D models comprehensively documents the buildings of Albert Kahn, which he was able to construct in a very short time due to his system-based working method – in the USA but also in the Soviet Union, Brazil, Sweden, France, China, Japan, and Australia.

As founder of the Bauhaus school, Walter Gropius (1883–1969) is one of the icons of 20^the century architecture. While his early buildings in Pomerania were still strongly marked by his teacher Peter Behrens, after an expressionistic phase focused on handicraft, he ultimately arrived at geometric abstraction. During the entire period he collaborated with other architects, founding the collective known as "The Architects Collaborative" in the US.

The comprehensive monograph documents all 74 of the known buildings by Gropius that were realized, including many early works which he never publicized; but it also critically examines his unbuilt projects. The book is illustrated with new photographs by the author, historical figures, and with as new plans drawn by the author.

studio bau:ton, the practice founded by Swiss architect Peter Grüneisen, designs buildings rooted in the sphere of imagination and creativity. The practice’s main clients are in the music and film production industry in Los Angeles, for whom it designs private houses and work spaces. The focus is on the combination of high-tech entertainment design with glamorous, exclusive architecture.

On the occasion of its 30th anniversary, the Los Angeles-based architectural practice nonzero\architecture is publishing the second monograph. The book includes conversations with well known clients including Hans Zimmer, David Lynch, Bruce Botnik, and Paul Lieberstein. The completed projects include residences, mixed residential/work spaces, through to recording studios and public buildings.

• Media spaces as a specific design type
• nonzero\architecture is the leading practice in this field
• Famous clients include 20th Century Fox, Warner Brothers, Disneyland Paris
• With an introduction by Sam Lubell and an interview with Hans Zimmer

It is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies’ ideas on architecture and on the logic of construction relate to his built – and sometimes unbuilt – oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies’ construction concepts.

The projects include Lange and Esters Houses (1927–30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies’ work, and hence his German and American creative periods.

Technical Drawing deals with the representation of plans throughout all phases of a project. For students, the primary focus is on the development and methodical construction of a technical drawing.

Themes:

• Types of plan (from site plan and preliminary drawings to design and detail plans)
• Components of the plan (floor plan, section, elevation, detail)
• Line width, dimensioning, hatching, use of text, symbols
• Plan presentation and compilation

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented.
The planning information is illustrated with numerous international examples, with projects ranging from a "green wall" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award – winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

A unique, richly illustrated study of Ottoman religious buildings standing today in Cairo

With the conquest in 1517 CE of Egypt by the Ottomans, Cairo lost its position as the capital of the Islamic empire to Istanbul but it retained an eminent position as the second most important city, with Egypt still regarded as one of the wealthiest provinces of the new empire. Round minarets with pointed hoods, as symbols of the new rulers, began filling the landscape alongside the octagonal minarets with pavilion tops of the Mamluks, new mosques, zawiyas, and madrasas/takiyas were built to emphasize the continuation of Sunni Islamic rule, while the use of tiles imported from Turkey introduced new decorative styles to the city’s existing rich carvings and marble paneling.

This book invites readers and students to revisit a long-overlooked era of Cairo’s architectural evolution, offering a unique, comprehensive study of Ottoman religious buildings still standing today. It provides detailed descriptions and walk-throughs of the buildings covered, visually, through its rich collection of plans, line drawings, and photographs, and through the narrative that infuses each image with life, shedding light on the continuous evolution of architecture in Cairo even after the city had ceased to be the capital of the Islamic empire.

Ahmad ibn Tulun (835–84), the son of a Turkic slave in the Abbasid court of Baghdad, became the founder of the first independent state in Egypt since antiquity, and builder of Egypt’s short-lived third capital of the Islamic era, al-Qata’i‘ and its great congregational mosque. After recounting the story of Ibn Tulun and his successors, architectural historian Tarek Swelim presents a topographic survey of al-Qata’i‘, a city lost since its complete destruction in 905. He then provides a detailed architectural analysis of the Mosque of Ibn Tulun, which was spared the destruction and is now the oldest surviving mosque in Egypt and Africa, from the time of its completion until today. Rare archival illustrations and early photographs document the changing appearance and uses of the mosque in modern times, while extraordinary 3D computer renderings take us back in time to recreate its architectural development through its early centuries. Plans, drawings, and maps complement the history, while striking modern color photographs showcase the elegant simplicity of the building’s architecture and decoration.
This definitive and generously illustrated book will appeal to scholars and students of Islamic art history, as well as to anyone interested in or inspired by the beauty of early mosque architecture.

Despite dictatorship, international sanctions, and the ravages of war, Baghdad endures with a surprisingly exceptional modern architectural heritage. This beautifully illustrated study reveals the splendors of early twentieth-century architecture that still stand on the streets of Iraq’s capital.
Caecilia Pieri’s documentation foregrounds the physical reality of modern Baghdad, very different from the image that we normally receive from the media. She draws on a number of unpublished sources and documents to present Baghdad’s architecture in a historical perspective, and her striking photographs taken between 2003 and 2006 document the residential areas of the twentieth-century city, providing an unprecedented resource for historians, urban planners, and general readers interested in discovering a new face of a world capital. With essays by Rifat Chadirji, Ihsan Fethi, and Naïm Kattan.

Designers' Guide to EN 1992-1-1:2023: Eurocode 2: Strengthening of Existing Concrete Structures with Carbon Fibre Reinforced Polymer (CFRP) provides clear guidance on the new design procedures to help practicing engineers to grasp the theoretical basis in accordance with the design rules for EN 1992-1-1. This book focuses on the design procedures, detailing rules and durability considerations providing simplified methods and refined analysis allowing practising designers to choose the appropriate method, understand better the design conditions and required material characteristics. Through practical design guidance and worked examples aligned with the design principles this book highlights the developments of the design methods and examines potential benefits for the design output.

It includes chapters on

• basis of design
• materials
• durability
• ULS strengthening, including flexure with or without axial load, and shear
• fatigue
• serviceability limit state
• bond and anchorage
• detailing.

This book is essential reading for any practicing engineer, specialist or industry professional tasked with using FRP to Eurocode 2.

This book includes twenty-five projects contemporary architecture projects which pay attention to the relationship architecture and the environment, considering not only the health of our planet but also the social and economic impact of architecture. It includes projects from around the world—private, corporate, and public—described in detail, with photographs, drawings, plans and elevations.

How do you design a distinctive building that also fits seamlessly into its context? How do you add value to a site yet at the same time acknowledge its identity? Architecture in Context attempts to answer these questions with a carefully selected series of international, public/private, large- and small-scale projects, all of which demonstrate just that sensitivity to their environmental, cultural and social contexts.
Every project is accompanied by a descriptive and critical text and illustrated with photographs and drawings, ranging from initial concept sketches through to detailed construction drawings. The reader is given a full overview of the whole design process from ideation to construction. All these quality projects illustrate the different ways in which context can be interpreted, and the many different architectural achievements that result.

Extraordinary art and architecture installations from around the world.

Urban interventions establish strong links between the social and spatial spheres of cities, leading to interactions through which art and architecture make use of public spaces. This book presents a rigorous selection of projects, including installations, events and art works that have transformed streets, parks and derelict areas of cities all over the world into extraordinary public spaces, seeking people’s involvement through a wide variety of interactive and collaborative activities. Fully illustrated in color, the publication offers a global and comprehensive vision of 21st century cities, as they become meeting places full of creative possibilities.

In a world full of fast-paced lifestyles, constant interaction and interlinked global activities, food has become a common denominator that connects people from all around the world and new trends of restaurant interior design is building up with the times. The featured 60 international projects show the latest trends of restaurant design. Some with an industrial look, some with a lot of landscape elements coming into the interior space, some with bold color schemes and no more white walls, a wide array of possibilities open up on this field of interior design. With a descriptive text for each project, the book focuses on colour scheme, lighting, and decorative details and provides valuable inspiration and reference for professional designers, food lovers and other people related to the restaurant business.

A book that takes the reader on a journey to some of the most cutting-edge examples in restaurant design and architecture from around the world

In our fast-paced global economy, people are working increasingly harder, cooking less and, therefore, spending more and more time in restaurants. As a result, the restaurant space has become steadily more important in relation to the restaurant owner’s conceptual vision. As we are told in the preface to Dining Out: The New Restaurant Interior Design Book, “creating a story that connects with people is a key ingredient in creating a good restaurant design”. The book takes the reader on a journey to some of the most cutting-edge examples in restaurant design and architecture from around the world. With a descriptive text for each project, it focuses on the craftmanship, color schemes, decorative details, lighting and furnishings that form the identity of the space, serving as a source of inspiration and reference for professional designers, foodies and other people involved in the restaurant business. Interior and exterior photographs, as well as blueprints of each design, present the reader with a rich range of styles, from modern minimalist spaces to ones defined by bold contemporary colors, a sleek industrial look or designs that look to the past for inspiration. We learn about the importance of the relationship between interior design and branding and how the featured designers use different materials to achieve a specific aesthetic and atmosphere, in addition to the functional features of the space, thereby allowing them to turn their clients’ vision into a reality.   

Explores innovative planning and design strategies to tackle housing affordability, offering case studies and solutions that enhance livability, community resilience, and opportunity, from urban scale to home design.

New socio-economic and environmental realities have brought about a “perfect storm” of circumstances that are forcing a search for innovative solutions in the built residential environment, including affordable housing design and construction. The need to rethink planning practices and align them with contemporary environmental constraints has taken center stage in recent years. The depletion of non-renewable resources, elevated levels of greenhouse gas emissions, and climate change are a few of the challenges that force designers to reconsider conceptual approaches in favor of ones that promote a better suitability between built and natural environments. Consideration of concepts that lower a place’s carbon footprint by minimizing driving, using renewable energy, and preserving the site’s natural assets is one of the contemporary strategies that architects, planners, and builders are integrating into their philosophy and practice.
Given these emerging challenges, the need to think innovatively about planning affordable communities while learning from notable case studies is at the heart of the proposed book. The intention is to explore principles and to present outstanding international case studies that offer valuable lessons.
The book is also about livability—where design touches life and the big and small things that make people appreciate homes and neighborhoods. Livability has become an increasingly important lens with which to analyze a city, considering population demands, built infrastructure, and ecosystems. Community requirements for goods and services, in relation to what is available to a population is an indication of a place’s livability. To foster livable, affordable communities throughout all the stages of life, the social, environmental, and structural needs of a place should be considered and planned for through innovative designs and policies.
The material assembled can be of help to planners, architects, and builders designing and planning a large community or individual homes. It can be used by for-profit firms or nonprofit organizations planning on initiating ownership or rental accommodations. Although some of the standards described in the book are relevant to the North American market, its basic principles can be used internationally. Similarly, even though many of the designs described here are for mid- to low-rise wood-frame structures, their concepts are applicable to tall, large buildings.

Can a house simultaneously be a home, a prototype, and a critical response to reality? How Did We Get Here? reveals how BLAF architecten’s residential projects navigate tensions between suburban sprawl, energy regulations, conventional construction systems, and clients’ housing aspirations. From their engagement with the meaning of materiality, resources and production, energy-efficiency standards and principles, context, and construction systems from a design perspective, BLAF architecten have developed concepts that demonstrate how the practice seeks plausible paths forward, aspiring to reconcile positions on affordability, performance, adaptability, aesthetics, and circularity.

BLAF architecten offers no ready-made answers, but a compass for those who believe in architecture as a practice of　and for transition.

• This first monograph on BLAF architecten traces 20 years of architectural practice in times of climate change.
• A selection of 24 houses and critical essays by Helga Blocksdorf, Maarten Van Den Driessche and Lieven Nijs
• BLAF architecten draws on the experimental power of small-scale projects and the iterative nature of design.
• Photos by Stijn Bollaert

The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland). It surveys the historical and contemporary landscape of panoramic and immersive media. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.

The PIMS Yearbook presents a range of disciplinary perspectives with the understanding that methodologies in the humanities, the arts, the sciences, design disciplines, social sciences, engineering, and other fi elds contribute important perspectives to the interdisciplinary fi eld of panoramic and immersive media studies.

The IPC is the international organization of panorama specialists committed to supporting the heritage and conservation of extant nineteenth and early-twentieth century panoramas, and promoting awareness of the medium’s history, derivative forms, and contemporary iterations. As a non-government and not-for-profit association subject to Swiss law, the IPC is active in the fi elds of panorama research, restoration, financing, management, exhibition, and marketing. The PIMS Yearbook succeeds the International Panorama Council Journal, a selected proceedings of the annual conferences of the IPC, published 2017–2023.

Als wachsende Metropole muss Hamburg zukunftsfähige Lösungen für die drängenden Fragen der Stadtentwicklung finden. Klimaschutz, Mobilitätswende, Bevölkerungswachstum und bezahlbarer Wohnraum sind jedoch Herausforderungen, die über Landesgrenzen hinaus wirken. Mit dem Stadt-Umland-Atlas Hamburg legt die Hamburger Behörde für Stadtentwicklung und Wohnen einen Grundstein für einen neuen Blick auf Hamburg und die Region: Umfangreiche Datenerhebungen erfassen Muster und Potenziale, die sich aus den Verflechtungen zwischen Stadt und Umland ergeben. Visuell aufbereitet in über 250 Karten schaffen diese einen umfassenden Überblick für die Planung und Gestaltung zukünftiger räumlicher Strukturen in der Hansestadt und darüber hinaus.

• Betrachtung räumlicher Strukturen der Stadt Hamburg und ihres direkten Umlands
• Darstellung und Analyse von Wechselbeziehungen zwischen Metropole und Umland
• Umfangreiches Datenmaterial, aufbereitet in über 250 Karten

The art of making things fit for use again goes back to the beginnings of human construction. In modernism's focus on progress and new constructions, this tradition was at best only marginally considered. Since then, the guiding principles for construction have undergone another radical shift. Sustainability, preservation and upgrading have become key concepts of the construction sector's retrofit turn, and the built heritage of the high modern era itself now requires structural and energy efficiency upgrades. From a variety of perspectives, this volume explores the specific challenges this poses for conservation and explores the sophisticated strategies and methods now available for close-to-reality assessment and retrofitting measures appropriate for the built heritage from the high modern times.

Form, space and construction are inextricably linked as a triad. For wulf architekten, based in Stuttgart, Berlin and Basel, the creative impulse plays a particularly important role. It makes it possible to interpret supporting structures in a space-defining way and to develop an atmospheric effect of the architecture. The concept of structure and type underpins the principles and objectives of this approach. This can be seen in forward-looking projects in the fields of education, research, culture and security. In their new book, wulf architekten present 17 buildings completed between 2014 and today. In a dialog with the renowned architecture critic Hubertus Adam, wulf architekten discuss questions that determine the current discourse on building culture.

• Identity through search - architecture in balance
• Helmholtz Pioneer Campus, Bosch Customer Center, Straubenhardt Fire Station
• Continuation of the monograph Rhythm and Melody published in 2014
• Also available in German language

Seit der Charta von Venedig dient die Wahrung der Authentizität als zentrales Leitbild denkmalpflegerischen Handelns. Der ursprünglich fast alleinige Bezug auf die materielle Substanz hat in jüngerer Zeit eine Weitung auf auch immaterielle Werte als Ausdruck der "cultural significance" erfahren. Nach wie vor aber ist der Begriff alles andere als klar: Authentizität ist ein fragiles, immer neu auszuhandelndes Konstrukt. Fokussiert auf die Hochmoderne, fragt der Band nach der Authentizität speziell des Technischen im Denkmal. Welche ganz eigenen Träger kultureller Bedeutung sind hier zu wahren und was bedeutet dies für den Umgang mit Tragwerk, Hülle und Haustechnik? Und sind nicht selbst die zeittypischen Mängel oder ein ausgeklügeltes statisches System schützenswerter Ausdruck der Ingenieurbaukunst ihrer Zeit?

What is architecture when computers redefine it? Two books explore the nature and potential of architecture in the age of artificial intelligence. Inspired by architect Fritz Haller (1924-2012), a virtual persona asks him about the architecture of the future. The first book uses artificial intelligence to network the Internet of Things into a new architecture. The second presents six works by Fritz Haller in the multidisciplinary light of the 2020s and shows them like icons that already contain what was only thought of later.

The two volumes are neither historical nor analytical - they are visionary and projective and, in some respects, represent an experiment in themselves. They show an architecture that does rethink and does not evaluate.

• An experiment on the 100th birthday of Fritz Haller, the pioneer of integral planning
• What would Fritz Haller say today about the architecture of the future?
• Volume 24 of the Applied Virtualiy Book Series (only available together)

Spectacular religious buildings, elegant townhouses, long-span bridges or early industrial plants still have the power to amaze us. We stand in awe before the Pantheon in Rome, built around 125 AD, before the cathedral in Trier, Germany’s oldest, or the Doge’s Palace in Venice, which dates to the ninth century. Judged by the norms and standards of today, most of these buildings should no longer be standing.

This book documents traditional building methods, analyzes historic load-bearing systems, and provides an overview of empirical joining techniques and contemporary materials. In separate chapters devoted respectively to construction methods in timber, masonry, steel, and concrete, international examples are analyzed with the help of photos and schematic drawings. Expert technical articles explain why these buildings continue to fascinate and inspire us.

• Profound relevance for the repair and restoration of historic buildings
• Exciting case studies
• A journey through European architectural history

(German / English)
Denkmäler sind Orte kollektiver Erinnerung – und zunehmend Orte von Kontroversen. Ihr Bestand wird in aktuellen Debatten hinterfragt, manche Monumente werden umgestaltet oder sogar umgestürzt und verschwinden so aus der Wahrnehmung. Der Kampf um die visuelle Präsenz, die Denkmäler verbürgen, hat allerdings stets schon eine Rolle gespielt. Mit Blick auf die Geschichte lässt sich etwa fragen: Wer wurde nie erinnert, wer blieb ausgeschlossen, was wurde geplant, aber nie gebaut? Der Sammelband vereint unterschiedliche methodische Ansätze und disziplininäre Perspektiven, um die komplexen Dynamiken von Denkmalsetzungen, -kritiken und -transformationen zu analysieren. Er untersucht dabei auch die Tragweite ikonologischer, imagologischer, semiotischer oder metapherntheoretischer Perspektiven. Historische Entwicklungen, etwa die bürgerliche Denkmaltradition oder die Instrumentalisierung von Monumenten für nationale Identitätsbildung, werden ebenso thematisiert wie aktuelle, etwa kolonialismuskritische Denkmaldebatten. Beiträge u.a. aus der Kunst- und Literaturwissenschaft bieten neue methodische Zugänge und zeigen, dass Denkmalforschung immer auch Gesellschaftsanalyse ist.

• Neue Forschung zu Denkmalsetzung, -kritik und -transformation
• Interdisziplinäre Perspektive auf Denkmäler als Erinnerungsorte

Monuments are sites of collective memory – and increasingly, the subject of controversy. Their existence is questioned, individual monuments are being remodelled or toppled, and the meaning attributed to them often changes along with the context. This volume combines different methodological approaches and disciplinary perspectives to analyse the complex dynamics of monument settings, critique and transformations. It examines the setting and toppling of monuments as symbolic acts reflecting power relations, and analyses the scope of iconological, semiotic or metaphor-theoretical perspectives. Historical developments are addressed, such as the instrumentalisation of monuments in the creation of national identity, as are current debates on monuments, e.g. those critical of colonialism.

• New research on the setting, criticism and transformation of monuments
• Interdisciplinary perspective on monuments as places of memory.

Büdchen, Bühnen und Büros – vor 25 Jahren gründeten Konstantin Jaspert, Frederik Jaspert, Jürgen Steffens, Rolf Watrin und Olaf Drehsen in Köln das Architekturbüro JSWD. Zeit für eine Bestandsaufnahme: In 25 Kapiteln stellt die Autorin Uta Winterhager das renommierte Büro vor und lässt dabei viele zu Wort kommen, die zu seinem Erfolg beitragen. Im Fokus stehen die Projekte selbst. In einer Reihe protokollierter Ortsgespräche besucht sie mit den Partnern, mit Projektleiter*innen und jüngeren Mitarbeitenden realisierte Projekte und zukünftige Baustellen. Gespräche mit Bauherren, Kooperationspartner*innen und internen Fachleuten zu den Themen Arbeit, Health Care, Ressourcen und Revitalisierung, Architektur und Landschaft sowie zum Wettbewerbswesen erweitern den Blick und schaffen einen Zugang zum vielschichtigen Wirken von JSWD.

• Nach JSWD – Ensembles die zweite große Büromonografie
• Lebendiges Porträt des umtriebigen Architekturbüros mit Kölner Wurzeln

Digital data is becoming increasingly important in relation to building materials and materials in architecture and urban planning. In six chapters, the four experts Michael Hensel, Bob Geldermans, Defne Sunguroğlu Hensel and Milica Vujovic cover the spectrum from data and materials to the question of availability and industrial production, artificial intelligence and the Internet of Things with scientifically sound contributions. They show how it is possible to find tailor-made solutions to urgent questions such as building material interactions, ageing processes, circularity, urban mining and global needs with advancing digitalization.

• Digital tools for the optimization of installed material
• Ageing, combination, circularity and urban mining
• A scientifically sound overview

A modernist take on Mediterranean aesthetics, a new movement in interior design embraces sumptuous minimalism through warm, earthy tones, and natural materials. 

In southern locations such as Australia, California, and Brazil, but also in places like New York and Copenhagen—the Mediterranean sensibility echoes itself in these locales through a variety of reasons, be it former colonial influences, a similar sunny climate, or simply an appreciation for the Mediterranean way of life. The New Mediterranean — Homes and Interiors under the Southern Sun showcases inspiring residences and vacation homes around the world that combine rustic, earthy tones with colorful fabrics, ceramics and glass. 

The book introduces the designers, architects, and brands who are bringing the style to life, outlining key elements in order to show how to create this look at home. More than a design trend, this is a philosophy to transform interiors into havens of light, craftsmanship, and simplicity.

Poetic spaces, surreal structures and dramatic visions. The extraordinary career of Ricardo Bofill is collected in this monograph, which reveals his inspiring approach to architecture, and to life.

Ricardo Bofill is one of the 20th century’s most unique architects and radical visionaries. His visions for urban and communal life challenged preconceived notions of shared space and proposed alternative styles of living. This monograph explores his revolutionary approach by profiling his greatest projects like La Fábrica, Walden 7, La Muralla Roja or Abraxas. Spectacular new photography by Salva López, texts by experts like Nacho Alegre and Douglas Murphy as well as by Bofill himself are complemented with sketches and floor plans. Bofill’s fantastic creations satisfy a longing for originality, personality and progressive ideals.

Leading design magazine Openhouse has spent the last six years giving readers a closer look at some of the most extraordinary houses around the globe. 

In their first book, the editors open the doors to their highlights, including exclusive photography and rarely seen homes. From case study houses by midcentury masters to cutting edge contemporary architecture, Casa Grande describes what it feels like to occupy these spaces from the perspective of their owners – who themselves have become stewards of architectural history.

The Nordic Art of Creative Living brings together the people, endeavors, and ideas that best embody the hygge way of life, focusing on scandinavian furniture and interior design while also venturing into the outdoors, the kitchen, and the atelier. This book is a modern guide to nordic talent that is both admirable and inspiring. gestalten continues to actively reimagine the way in which we approach publishing with a focus on the aesthetic, particularly that of graphic design, culture, people or art.

Northern Comfort takes a close look at some of the Nordic region’s most inspiring and insightful ideas and individuals.The Nordic Art of Life has become a role model for meaningful creative life around the globe. Scandinavian design and creativity are synonymous with cozy homes and architecture that combine style with tradition, indoors with outdoors, natural materials with rich colors, and playfulness with clarity. The Nordic countries are famous for their designers and entrepreneurs, who combine diligent preparation with bold execution in all fields of contemporary creativity, like design, architecture, fashion, and food.

A celebration of mid-century modern interiors, architecture, and design.

Step into the world of mid-century modern design with Modernist Icons, a stunning explora- tion of the era's groundbreaking architecture and interiors from around the world. Discover how this design movement evolved from organic forms and functionality to sleek lines and refined elegance, and how it has remained a timeless classic.

Delving deep into the interiors and furniture that define this iconic aesthetic, Modernist Icons showcases the evolution of mid-century modernism over time. Learn how this design philosophy has influenced and informed other creative expressions and explore stunning examples from leading designers in this space.

Featuring expert essays and striking imagery, this beautifully curated compilation is a true celebration and overview of the mid-century modern style. Whether you're a design enthusiast, architecture buff, or simply looking for inspiration for your own home, Modernist Icons is an essential addition to your library.

The ever-evolving landscape of the gastronomic industry never fails to surprise with new ideas and trends -- and Tasteful is a testament to that. A follow-up on the earlier gestalten title Appetizer, this book is a curated selection of the most eye-catching interiors of new restaurants, cafes, bars and all kinds of food places. Featuring a variety styles from a host of diverse locations around the planet, Tasteful serves as both a travel guide for intrepid foodies and an inspiration for those passionate about design.

Step into the new era of architecture and design with Prefab and Modular, a well–curated collection of prefabricated and modular housing as well as cultural and office buildings. This book explores the unlimited possibilities of prefabricated and modular construction, looks at its various applications, and locks into how these technologies have been used throughout the history of design.

Whether a design professional, a homeowner, or an architecture lover, Prefab and Modular inspires the reader to improve their practice through innovative solutions, and find a perfect house to be constructed in just a few days.

Surfing is a way of life. A life dominated by the waves and the tide with a cozy place to pause in between. 

Creative personalities crafting bold homes, Surf Shacks illustrates how surfers live both on and off shore. Many abodes can fall under the label of surf shack: New York City apartments, cabins nestled next to Royal National Park, or tiny Hawaiian huts. Surfing communities are overflowing with creativity, innovation, and rich personalities. 

Surf Shacks takes a deeper look at surfers' homes and artistic habits. Glimpses of record collections, strolls through backyard gardens, or a peek into a painter’s studio provide insight into surfers’ lives both on and off shore. Through anecdotes and photographs, illustrations and conversations, Surf Shacks reveals a more personal side to surfing and its eclectic cast of characters.

After over a decade of travel, study and creative collaboration with Japan, Norm Architects’ shares their uniquely Scandinavian view of Japanese aesthetics.

The book features richly illustrated dispatches from visits to Japanese landscapes, architecture and cultural sites, shedding light on the influence Japanese traditions have had on the studio’s contemporary projects, such as the Äng restaurant in Sweden or Heatherhill Beach House in Denmark. Juxtaposing images from Japan with Norm Architects’ work, the book highlights the centuries-old connections between the distinct design cultures, emphasizing mutual respect and shared philosophies. Commentary from expert collaborators in both regions provides in-depth understanding into key design principles. At once an ode to Japan, a personal travelogue, and an aesthetic manifesto, Stillness takes readers on Norm’s decade-long journey as they’ve sought to understand one of the world’s most revered creative cultures.