Catalogue des Manuscrits Francais de la Bibliotheque Parker (Parker Library) Corpus Christi College, Cambridge
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Catalogue of the famous collection of French manuscripts at the Parker Library, Corpus Christi College, Cambridge.
The celebrated Parker Library at Corpus Christi College, Cambridge, contains over sixty manuscripts of importance for medieval French studies, including chronicles and genealogies, royal statutes, religious works, sermons, prayers, meditations, commentaries and glosses, romances, songs and lyrics, letters, treatises on medicine, law, morality, language, spelling, alchemy, astrology and geography. Some of these are well known, but others are obscure, unedited, or new discoveries. This important new reference work, a Catalogueof the French manuscripts in the library, makes available detailed information about these sources, with full bibliographical references.
Older Scots: A Linguistic Reader
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A full introduction to Older Scots language and literature, with a wide selection of copiously annotated texts from the period.
This book enables both students and more advanced scholars to develop a comprehensive understanding of Older Scots, the form of Scots which survives in records up to around 1700. It provides the means of understanding the language's essential characteristics, and enables readers to engage with the fascinating textual and linguistic problems which it presents. The volume contains an extensive set of annotated texts from the period, inviting closer engagement with the detail of the language, which are preceded by a comprehensive introduction to and discussion of the subject; it also looks at the linguistic detail (in the broadest sense) of the reception and afterlife of medieval andearly modern Scottish texts. Those interested in literary form in Older Scottish literature will find it a "kit" for stylistic analysis; book historians will appreciate the detailed studies of processes of production and reception, and be reminded of the importance of integrating disciplines such as textual criticism, codicology, paleography and philology; and for linguists, there is access to an unrivalled body of up-to-date textual information, previously hard to find in a single place.
Jeremy J. Smith is Professor of English Philology, University of Glasgow.
The Monastic Breviary of Hyde Abbey, Winchester
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The Ordinal and Customary of the Abbey of Saint Mary York Volume III
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The Antiphonary of Bangor
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The Martyrology of Oengus the Culdee
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The Winchester Troper
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The Stowe Missal MS D.II.3 in the Library of the Royal Irish Academy, Dublin
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The Stowe Missal, now housed in the Royal Irish Academy in Dublin as MS.D.II.3, is one of the most famous Irish manuscripts to have survived from the middle ages. The first part consists of excerpts from the Gospel of St John (fols. 1-11), the second the Stowe Missal proper (fols. 12-67). It is one of the earliest datable Irish manuscripts and an important witness to the early Irish church and to the Irish language at that time.
Portiforium of St Wulstan I
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Cambridge, Corpus Christi College 391, a Worcester manuscript of the second half of the 11th century, is the earliest surviving example of a `primitive' breviary, that is, a book for the Office containing calendar, psalter, canticles, litany, hymnal, collectar (full lists of incipits of antiphons and hymns) and private prayers; the manuscript quite possibly belonged to Wulstan II, bishop of Worcester 1062-95. Vol. II includes the private prayers (some of which are in Old English), and contains a brief introduction and full indices.
English Benedictine Kalendars After A. D. 1100
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The Ordinale and Customary of the Benedictine Nuns of Barking Abbey I
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The Psalter and Martyrology of Ricemarch
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English Benedictine Kalendars After A.D. 1100
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The Monastic Breviary of Hyde Abbey, Winchester
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The Durham Collectar
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A translation and study of Durham Cathedral Library MS A. IV. 19, a book of collects for the Divine Office, a part of the service-books of monk or priest in Anglo-Saxon England.
Few liturgical historians are aware that a book of collects for theDivine Office formed part of the service-books owned by a monk orpriest in Anglo-Saxon England. The Durham Collectar, misnamed the`Durham Ritual'and tentatively dated to the tenth century, is the earliest collectar to have survived in England. Where did it come from,and how was it used? To answer the first, a new edition of the Latintext is presented in this volume, with extensive collationtablesshowing at a glance the most influential liturgical sources. In theintroduction, the function of the collectar is discussed.
The Customary of the Cathedral Priory Church of Norwich
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The Shifting Fortunes of Wilhelm Raabe
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Chronicles the most important scholarly criticism of the 19th-century German writer Wilhelm Raabe, from his day to the present.
Wilhem Raabe (1831-1910), the most gifted German novelist between Goethe and Fontane, was a kind of German Victorian writer, a counterpart to Dickens and Thackeray, by whom he was profoundly influenced. The reassessment and upgrading of his literary achievement has been one of the liveliest topics of German literary scholarship - much influenced by British and American contributions - of the last thirty years. This process has involved a rescue from a cult of idolatry that grew up around his death and evolved into a Nazi allegiance that for a time sank his reputation.
The Leofric Collectar
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Pontificale Lanaletense
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Facsimiles of Horae de Beata Maria Virgine
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The Calendar of St Willibrord
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The Poetic Debussy
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Texts and translation of all Debussy's songs with valuable notes.
This completely revised second edition of The Poetic Debussy contains the most recent discoveries in the composer's oeuvre, including a number of hitherto unknown songs. The texts of all Debussy's songs, both in the original French and with revised English translations on the facing page, are collected in chronological order, with notes and location of sources. In addition, Margaret Cobb has brought together a fascinating selection of Debussy's letters which have poetic refences, and has updated the notes on those twenty-six compositions based on or inspired by literary texts. This work will prove an invaluable aid to performers, scholars and students, as it contains the texts, with translations, of the full output of Debussy's songs, describes his works derived from literary sources, and includes important background material.
Bec Missal [The
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The MSS, from the abbey of Bec (Le Bec-Hellouin), written c. 1265-1272 is not strictly a missal, since it lacks an ordo missae and the canon, but in other respects it is close to a missale plenum in its contents, though it includes all the chants. It may have been a precentor's book, but equally well may have been designed for use of the altar. The plainchant melodies are not reproduced here. The English interest of Bec, home to Lanfranc and Anselm, archbishops of Canterbury, and with other strong cross-channel connections, is obvious.
The Monastic Ordinale of St Vedast's Abbey Arras
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The Martyrology of Tallaght
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The Martyrology of Tallaght is contemporary with that of Oengus (vol. 29 in this series) and served as the latter's source. Tallaght monastery, close to Dublin, was founded by Maelruain (d. 792), and his disciple Oengus wasa member of the community. The Stowe Missal (vols 31 and 32 in this series) also has a Tallaght provenance. Dated to c. 797-808, the Martyrology of Tallaght is the earliest Irish compilation of its kind, but seems to have aimed at a full list of saints from the Roman Calendar. Under each day is given an entry in Latin followed by a supplement in Irish. The principal manuscript is the Book of Leinster. The many marginal notes and poems of themanuscript are reproduced here, and the edition contains a wealth of notes and very full indexes.
The Monastic Breviary of Hyde Abbey, Winchester
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The Gilbertine Rite
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Officium Ecclesiasticum Abbatum
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The Monastic Breviary of Hyde Abbey, Winchester
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Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg
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The Missal of the New Minster Winchester
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Doctrina pueril
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An unforgettable introduction to the medieval world and its culture for the modern reader.
Published in association with Editorial Barcino.
Ramon Llull wrote the Doctrina pueril between 1274 and 1276 to provide minimum knowledge to those people---children, but also adults---who did not have the opportunity to acquire a sufficient doctrinal and intellectual education. In the late thirteenth century this meant stressing the basics of Christian doctrine and also accessing some aspects of general culture. The most important part of the Doctrina is dedicated to the catechism (articlesof faith, commandments, sacraments, vices and virtues, and so on.). Especially interesting, however, are the more general sections, encyclopedic in nature, on issues such as the three monotheistic religions of the Mediterranean,the lessons that could be studied in the medieval universities, and other medical and scientific subjects.
Published in association with Editorial Barcino.
Ramon Llull (1232-1316) was a mystic, missionary, philosopher, and author of narrative and poetry. He is credited with writing the first major work of Catalan literature.
John Dagenais is a senior professor of Medieval literature and specialist in Hispano-Latin manuscript culture at the University of California, Los Angeles.
The Canterbury Benedictional British Museum Harl. MS. 2892
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Record of liturgical observances at Canterbury in 11c, including valuable full record of the cult of saints there in the last days of the Anglo-Saxon church.
The benedictional was a bishop's book, containing the prayers which only a bishop (or archbishop) could pronounce when he said mass, characteristically a lavish production. Several have survived from Anglo-Saxon England and thesehave recently been attracting the attention of liturgists and palaeographers. One of the most important is the `Canterbury Benedictional', now London, British Library, Harley 2892, written at Christ Church, Canterbury, around themiddle of the eleventh century. The `Canterbury Benedictional' provides a valuable record of liturgical observance at the seat of the English archbishop. In particular, it gives a full record of the cult of saints at the metropolitan see in the last days of the Anglo-Saxon church. The Latin text is accompanied by an introduction and detailed liturgical notes in which the relationships between the surviving Anglo-Saxon benedictionals and their continental antecedents are set out for the first time. The book will be of interest to students of the medieval liturgy, and to historians of the Anglo-Saxon church. First published 1917.
Facsimiles of the Creeds
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Romance of Evast and Blaquerna
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The first major work of literature written in Catalan and arguably the first European novel.
The Romance of Evast and Blaquerna is a novel in which Ramon Llull rebelled against secular literature of chivalry and the court in general, which was so successful in his time. Written around 1283, it tells the fictional biography of Blaquerna, a virtuous young man who aspires to be a hermit, not a knight, but who on encountering the disorder of the world is obliged to remain in it. In his reform efforts, Blaquerna passes through several estates before being elected Holy Father in Rome, allowing him to intervene in all Christendom and work decidedly in favor of the conversion of infidels. With everyone on the path to salvation, he may eventually retire and devote himself tothe contemplative life. In this new situation, Blaquerna wrote the Book of the Lover and the Beloved, one of the top works of mystical literature of all time.
Published in association with Editorial Barcino.
Ramon Llull (1232-1316) was a mystic, missionary, philosopher and author of narrative and poetry. He is credited with writing the first major work of Catalan literature.
Robert D. Hughes is a specialist in medieval Catalan literature and a widely published translator.
The Martyrology of Gorman
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The Ordinale and Customary of the Benedictine Nuns of Barking Abbey II
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The Ordinal and Customary of Barking Abbey, one of a number of its liturgical manuscripts which survive, was written on the instructions of Sibille Fenton, who was abbess from 1394 to 1419, and the manuscript was presented to theabbey in 1404; its liturgical usages deal mainly with the functioning of the choir.
The Psalter Collects
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The Order of Communion, 1548
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The Mass in Sweden
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The Portiforium of Saint Wulstan Volume 2
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The Monastic Breviary of Hyde Abbey, Winchester
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Pre-Conquest English Prayer-Book
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The Ordinal and Customary of the Abbey of Saint Mary York Volume II
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A Companion to Jorge Luis Borges
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An introduction to one of Latin America's most important authors.
Jorge Luis Borges is one of the key writers of the twentieth century in the context of both Hispanic and world literature. This Companion has been designed for keen readers of Borges whether they approach him in English orSpanish, within or outside a university context. It takes his stories and essays of the forties and fifties, especially Ficciones and El Aleph, to be his most significant works, and organizes its material in consequence. About two thirds of the book analyzes the stories of this period text by text. The early sections map Borges's intellectual trajectory up to the fifties in some detail, and up to his death more briefly. They aim to provide anaccount of the context which will allow the reader maximum access to the meaning and significance of his work and present a biographical narrative developed against the Argentine literary world in which Borges was a key player, the Argentine intellectual tradition in its historical context, and the Argentine and world politics to which his works respond in more or less obvious ways.
STEVEN BOLDY is Reader in Latin American Literature at the University of Cambridge.
Ordinale Exon.
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The Leofric Collectar vol. II
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The Irish Liber Hymnorum Volume II
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El teatro en Murcia en el siglo XVII (1593-1695)
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El primer estudio serio del teatro del siglo XVII en Murcia.
Este libro, basado en abundante documentación de archivo, es el primer estudio serio del teatro del siglo XVII en Murcia. El autor se centra en los primeros teatros comerciales de la ciudad. El más antiguo, situado en un patio delHospital de Nuestra Señora de Gracia, está documentado desde 1593. Fue sustituido en 1609 por el Teatro del Toro, construido por el Ayuntamiento en un emplazamiento pegado a la antigua muralla del Alcázar, tomando como modelo laCasa de Comedias de Córdoba. El derrumbe parcial de este edificio en 1633 (ya se había hundido en 1613) llevó al Municipio a construir apresuradamente otro teatro, el del Buen Suceso, en la céntrica plaza de Santa Catalina; pero cinco años después, ante los problemas estructurales del nuevo teatro, se decidió restablecer definitivamente el del Toro. El volumen ofrece asimismo numerosos datos sobre las compañías de actores que visitaron esta ciudad mediterránea, situada estratégicamente entre Valencia y Andalucía.
RAFAEL SANCHEZ MARTINEZ es Doctor por la Universidad de Murcia.
The Gregorian Sacramentary
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Missale Romanum
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Anglo-Saxon Litanies of the Saints
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Most of these litanies, taken from nearly fifty manuscripts written or owned in Anglo-Saxon England, have never previously been printed. The texts of the litanies provide an indispensable resource for scholars seeking to understand the spirituality of Anglo-Saxon England, to localise the manuscript in which the litanies are contained, and to trace the development and diffusion of eary medieval saints' cults. The volume is accompanied by comprehensive indices of all the saints named in the litanies here printed, and of all the liturgical forms of prayer which they contain. It also includes an extensive introduction which traces the origin and development of this particular form of prayer in Anglo-Saxon England.MICHAEL LAPIDGEis Professor of Anglo-Saxon, University of Cambridge.
Cranmer's Liturgical Projects
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Manuale ad usum Percelebris Ecclesia Sarisburiansis
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The Monastic Ordinale of St Vedast's Abbey Arras
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Aelfwine's Prayerbook B.L. Cotton Titus D.xxvi + xxvii
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The Henry Bradshaw Society's policy of presenting integral editions of rare liturgical manuscripts is a reflection of the fact that, before the invention of printing, service books varied widely from country to country, from church to church, and even from individual book to individual book, with the result that surviving medieval liturgical manuscripts are usually unique entities which can profitably be studies as a reflection of the local circumstances (and frequently of the particular individuals) which produced them. This is especially true in the case of private prayerbooks, where each manuscript embodies the interests and spiritual concerns of the patron who commissioned it or the scribe who compiled and copies it. The present edition of 'Ælfwine's Prayerbook' (which was originally produced as a doctoral dissertation under the supervision of Professor Helmut Gneuss, one of the Society's distinguishedVice-Presidents), by Beate Günzel, is a splendid manifestation of the intellectual and spiritual interests of a dean who serves the community of the New Minster in Winchester during the first half of the eleventh century, and hence of the clear light which liturgical manuscripts can shed on the literary culture of later Anglo-Saxon England. It was is issued to members for the year 1992.
The Irish Liber Hymnorum Volume I
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Papal Ceremonial at Rome in the Twelfth Century
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An examination of the papal adventus ceremony, deriving from the ritual reception performed for the ruler in antiquity, and the changes it underwent during the century.
This book examines the character and significance of the adventus ceremonies which were accorded to medieval popes and for which there is much evidence in the twelfth-century sources. The papal adventus, hitherto unstudied in anylanguage, retained the framework and much of the familiar symbolism of the ritual reception performed for the ruler in antiquity. During the twelfth century it was performed for popes with unprecedented frequency, providing, in particular, a vital part of the papal accession ritual. On such occasions adventus represented a demonstration of consent to rule, a sense that was expressed through traditional idioms evoking the triumph of the ruler. But the meaning of the ritual altered towards the end of the century as a result of the breakdown of relations between the papacy and the Romans, and the adventus provided an opportunity for the Romans to express their own agenda wherein consent meant the right of acceptance or veto by the people.
Dr SUSAN TWYMAN teaches in the Faculty of Continuing Education, Birkbeck College, London University.
Book of Fortune and Prudence (Llibre de Fortuna i Prudència)
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A medieval Catalan verse fantasy by Bernat Metge, the most important Catalan writer of the fourteenth century,
Written around 1381 by Bernat Metge, the most important Catalan writer of the fourteenth century, the Llibre de Fortuna i Prudència is a fantasy in verse, drawing on learned sources, principally The Consolation of Philosophy by Boethius. Early one morning, Bernat, the protagonist and narrator, decides to alleviate his sorrows by strolling around the harbour of Barcelona. He meets an old man, apparently a beggar, who tricks him into getting into a boat which, despite the absence of sails and oars, conveys him to an island where the goddess Fortuna appears to him. In a heated discussion, Bernat blames her for all his misfortunes. His next meeting is with Prudenciawho is accompanied by seven maidens representing the liberal arts. Prudencia is able to lessen his despair, and exhorts him to trust in providence and renounce material possessions. When she considers him cured, she and the maidens send him sailing back to Barcelona, where he quickly goes home to avoid gossiping townsfolk.
Published in association with Editorial Barcino, Barcelona.
DAVID BARNETT, whose doctorate is from Queen Mary, University of London, continues to be involved in research on medieval Catalan literature.
The Bobbio Missal
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The Bobbio Missal is one of the most important and interesting liturgical books surviving from the early middle ages. It is the best known example of the `Gallican' type of missal, attesting therefore to the distinctive liturgicalpractices which were widespread in Merovingian and Frankish churches during the seventh and eighth centuries, before these began to tbe replaced by the Roman practices including use of `Gregorian' missals in various forms duringthe period of Charlemagne's reforms. In the opinion of modern palaeographers, the Bobbio Missal was written somewhere in northern Italy in the mid-eighth century. Although it was long regarded as a witness to Irish liturgical practice, it is now considered as essentially Gallican, but incorporating various prayers of Gelasian origin. Palaeographically the manuscript (now Paris, Bibliotheque Nationale, lat. 13246) is of great interest, being written in anidiosyncratic mixture of uncial and minuscule, by an Italian scribe neither literate nor well-trained. HBS LVIII, HBSLXI
A Companion to Spanish Women's Studies
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An overview of the issues and critical debates in the field of Women's Studies within the area of peninsular Hispanism.
After an introductory survey of the development of women's studies in the context of Spain, twenty-one chronologically ordered essays by scholars from Britain, the United States, Spain and Mexico explore women's roles in the cultural production of their time from the Middle Ages to the present. The essays of the first half examine the work of the earliest women writers and artists - memoirs and meditations, novellas and plays - and the representationor self-representation of women in a broad sweep of texts including medieval folksong, hagiography, and painting of the Baroque era. The modern section focuses on women's participation in politics and culture from the eighteenth century onwards: as translators and essayists, as consumers of visual ephemera and conduct books, as writers and artists, film directors and performers. An alternative and supplement to standard literary histories, thisvolume offers new insights into women's agency and representation in the cultural heritage of Spain. It will prove a useful and stimulating resource for students at all levels, and an accessible guide for the general reader.
XON DE ROS and GERALDINE HAZBUN lecture in Spanish literature at the University of Oxford. CONTRIBUTORS: Nieves Baranda, Andrew M. Beresford, Mónica Bolufer Peruga, Helena Buffery, Rosanna Cantavella, Lou Charnon-Deutsch, Georgina Dopico-Black, Joanna Evans, Carmen Fracchia, Margaret F. Greer, Jessamy Harvey, Louise M. Haywood, Geraldine Hazbun, Susan Kirkpatrick, Frances Lannon, Laura Lonsdale, María Ana Masera Cerutti, Roberta Quance, Xonde Ros, Alexander Samson, Alison Sinclair, Joyce Tolliver.
A Companion to Federico García Lorca
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Lorca, icon and polymath in all his manifestations.
A Companion to Federico García Lorca provides a clear, critical appraisal of the issues and debates surrounding the work of Spain's most celebrated poet and dramatist. It considers past and current approaches to the study of Lorca, and also suggests new directions for further investigation. An introduction on the often contentious subject of Lorca's biography is followed by five chapters - poetry, theatre, music, drawing and cinema - which togetheracknowledge the polymath in Lorca. A further three chapters - religion, gender and sexuality, and politics - complete the volume by covering important thematic concerns across a number of texts, concerns which must be considered in the context of the iconic status that Lorca has acquired and against the background of the cultural shifts affecting his readership. The Companion is a testament to Lorca's enduring appeal and, through its explication oftexts and investigation of the man, demonstrates just why he continues, and should continue, to attract scholarly interest.
FEDERICO BONADDIO lectures in Modern Spanish Studies at King's College London. CONTRIBUTORS: FEDERICO BONADDIO, JACQUELINE COCKBURN, NIGEL DENNIS, CHRISTOPHER MAURER, ALBERTO MIRA, ANTONIO MONEGAL, CHRIS PERRIAM, XON DE ROS, ERIC SOUTHWORTH, D. GARETH WALTERS, SARAH WRIGHT
Ramon Llull
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The autobiography of an influential medieval Catalan intellectual.
Ramon Llull was a highly original medieval writer and thinker. Direct contact with Moslem culture during his early years in Majorca, soon after the Christian reconquest, furnished him with a vision of the "Other" quite unique among medieval European intellectuals. It was not, however, until his thirties that he abandoned the courtly life, immersed himself in theological and philosophical studies and began his sustained campaign of conversion. He travelledon many occasions throughout Europe in search of royal and papal support and undertook several missions to north Africa, in the course of one of which he was stoned and imprisoned. Despite his many travels he found time to compose more than 260 works, in Catalan and Latin, many of which related to his famous "Art", a method for religious discussion with scientific and logical applications that subsequently influenced Giordano Bruno and Liebniz. When he was almost eighty years old, Llull dictated the story of his life to a group of Carthusians in Paris, leaving us this fascinating autobiography. This edition includes both an English translation and the original Latin version.
Published in association with Editorial Barcino.
ANTHONY BONNER is a translator and scholar who has published extensively on Ramon Llull.
Ausiàs March: Verse Translations of Thirty Poems
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Verse translations of selected works by Ausiàs March, the great fifteenth-century Valencian poet.
The Valencian Ausiàs March [1400-1459] was one of the greatest poets writing in Europe in the fifteenth century. His work is characterized by a powerful and unique voice and by the constant innovation that allowed him not only todevelop traditional genres, but to compose poems that virtually created genres of their own. This selection includes poems on love, a cycle of six compositions on grief, a long poem on God and predestination, others of praise andvilification, or on philosophical themes. While March has previously been translated into English prose, this anthology offers translations that, more than an aid to understanding the medieval Catalan, aspire to be poems that can be enjoyed in English without constant reference to the original. The translator has worked for several decades on Ausiàs March, and has produced a critical edition and two anthologies, as well as prose translations.
ROBERT ARCHER holds the Cervantes Chair of Spanish at King's College London. Published in association with Editorial Barcino
Mount Canigó
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Catalonia's towering Romantic poet and rebel priest, Jacint Verdaguer (1845-1902), delves deep into the Catalan imaginary in his foundational long poem Mount Canigó (1886), recounting the historical and legendary mix, bothtragic and triumphant, of the medieval origins of modern Catalonia.
Winner of the 2016 "Serra d'Or" Critics Award for Research in Catalan Studies
Catalonia's towering Romantic poet and rebel priest, Jacint Verdaguer (1845-1902), delves deep into the Catalan imaginary in his foundational long poem Mount Canigó (1886), recounting the historical and legendary mix, both tragicand triumphant, of the medieval origins of modern Catalonia. The collision between duty and love is mirrored by the symbolic conflict between, on the one hand, a powerful folk mythology rooted in the natural geography and, on theother, the widely institutionalized universalism of Christianity concomitant to the reconquest of the Iberian peninsula. Rich in lyrical and thematic correspondence with long poems ranging from La chanson de Roland, Ariosto's Orlando Furioso and Spenser's Faerie Queene to Milton's Paradise Lost, Longfellow's Evangeline and Tennyson's Idylls of the King, Verdaguer's masterful verse rivals all the legendary magic andwonder of the mountains themselves.
Jacint Verdaguer is regarded as one of the greatest poets of Catalan literature.
Ronald Puppo is the translator of Selected Poems of Jacint Verdaguer: A Bilingual Edition. Mount Canigó: A Tale of Catalonia is published in association with Editorial Barcino.
A Companion to Magical Realism
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A refreshing new interdisciplinary slant on magical realism as an international literary phenomenon emerging from the trauma of colonial dispossession.
Companion to Magical Realism provides an assessment of the world-wide impact of a movement which was incubated in Germany, flourished in Latin America and then spread to the rest of the world. It provides a set of up-to-date assessments of the work of writers traditionally associated with magical realism such as Gabriel García Márquez [in particular his recently published memoirs], Alejo Carpentier, Miguel ngel Asturias, Juan Rulfo, Isabel Allende,Laura Esquivel and Salman Rushdie, as well as bringing into the fold new authors such as W.B. Yeats, Seamus Heaney, José Saramago, Dorit Rabinyan, Ovid, María Luisa Bombal, Ibrahim al-Kawni, Mayra Montero, Nakagami Kenji, José Eustasio Rivera and Elias Khoury, discussed for the first time in the context of magical realism. Written in a jargon-free style, and with all quotations translated into English, this book offers a refreshing new interdisciplinary slant on magical realism as an international literary phenomenon emerging from the trauma of colonial dispossession. The companion also has a Guide to Further Reading.
Stephen Hart is Professor of Hispanic Studies, University College London and Doctor Honoris Causa of the Universidad Nacional Mayor de San Marcos, Lima, Peru. Wen-chin Ouyang lectures in Arabic Literature and Comparative Literature at the School of Oriental and African Studies,London.
A Companion to Mario Vargas Llosa
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This Companion offers an overview and assessment of Mario Vargas Llosa's large body of work, tracing his development as a writer and intellectual in his essays, critical studies, journalism, and theatrical works, but above all inhis novels.
This companion to the work of Peruvian Nobel Laureate Mario Vargas Llosa traces his fictional and non-fictional writing throughout the different phases of a career spanning more than fifty years. His lifelong dedication to literature goes hand in hand with his commitment as a public intellectual, a role that frequently involves him in controversy. Against the backdrop of Vargas Llosa's political and intellectual development this study brings out the continuities and interrelations that give unity and coherence to a diverse body of work. It highlights the thematic concerns that re-emerge at different points in his writing and link Vargas Llosa's journalism and essays with his fiction: the effects of social ills on the individual, the nature of fiction, and the importance of literature for society. The novels at the centre of his work combine passionate storytelling with technical complexity and an often playful experimentation with genres. This book not only provides a comprehensive overview of Vargas Llosa's writing in the context of his intellectual biography, but looks in detail at each individual work, summarizing contents and analyzing the interplay of form, language, and meaning. A bibliography and suggestions for further reading complement this Companion which will serve the general reader as much as the undergraduate and scholar.
A Companion to Latin American Film
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A history of Latin American cinema, with detailed analysis of the twenty-five best films.
Latin American cinema has seen major developments in the past half-century, and some of the most exciting work in contemporary film now originates there. This Companion traces its development from the mid 1890s, with particular attention to the early period when it was dominated by foreign film makers (or foreign models such as Hollywood), through the 1960s when as a genre it found its feet - the New Latin American Cinema movement - and beyond. Detailed analysis of the best twenty-five films of Latin America follows: cast and crew, awards, plots, themes and techniques. The 'Guide to Further Reading' includes important books, articles and Internet sites.
FILMS:Que viva México Los olvidados Dos tipos de cuidado Orfeu Negro Memorias del subdesarrollo Lucía El chacal de Nahueltoro Yawar Mallku La batalla de Chile La última cena Pixote: a lei do mais fraco El Norte CamilaLa historia oficial Cartas del parque La tarea Yo, la peor de todas La frontera El viaje Fresa y chocolate Como agua para chocolate Central do Brasil Amores perros Y tu mamá también Cidade de Deus.
STEPHEN M. HART is Professor of Hispanic Studies, University College London, and Profesor Honorario, Universidad de San Marcos, Lima.
Cristòfol Despuig: Dialogues
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Renaissance dialogues from C16th Catalonia, in which three speakers elegantly discuss politics, society and the Church.
Dialogue is one of the Classical genres reclaimed by the Renaissance, which turns it into a hallmark of the period. In the Catalan-speaking world nearly forty dialogues were written in the course of the Renaissance. Despuig's Dialogues, written in 1557, stand out from the rest by the extent to which they incorporate the most innovative aspects of the genre: the dramatisation of Renaissance multiple perspectives and the consistency of the fictional plot that provides a structure for the ideas. The Dialogues offer a critical review of a host of issues that were topical at the time. The three speakers in the work - Livio, the knight from Tortosa; Fabio, the gentleman from Tortosa; and Don Pedro, the knight from Valencia - elegantly exchange their subtly contrasting views regarding politics, society and the Church as they stroll through the streets of the city Tortosa and sail along the Ebro.The main features of the dialogue, which typify the revival of the genre in the Renaissance, lie in the way it expresses differing opinions, creates multiple perspectives and constructs a consistent plot that imitates a spontaneous conversation whilst providing a structure for the speakers' reflections. Both the ways in which it articulates the discussion and the specific ideas that it allocates to its speakers make Despuig's Dialogues a text thatexemplifies the Renaissance in Catalonia.
Published in association with Editorial Barcino, Barcelona.
Portraits of Holy Women
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The Vita Christi, written by the abbess Isabel de Villena, is the only literary work in Catalan to bear the signature of a woman during the Middle Ages. It represents a fascinating re-evaluation of the role women played inthe life of Jesus Christ.
The Life of Christ (Vita Christi), written by the abbess Isabel de Villena, is the only literary work to have been preserved in Catalan and to bear the signature of a woman during the Middle Ages. It was composed to provide spiritual direction for the nuns within the community of Poor Clares which Sor (i.e. Sister) Isabel oversaw at the Convent of the Holy Trinity in Valencia. The work was only able to emerge from obscurity by accident. In 1497 Queen Isabel of Castile, the wife of Ferdinand of Catalonia-Aragon, who had heard news of the book's existence, asked Sor Isabel's successor for a copy. The new Abbess, Sor Aldonça, responded by bringing the work to press. Queen Isabel's interest in Sor Isabel's book was understandable. The former abbess had been the daughter of the refined and restless Marquess of Villena, and was herself educated at Court, a milieu with which she maintained very positive relations throughout her life. As an abbess, what's more, she carried out important reforms at the convent and became a valued and respected figure within the dynamic cultural world of the Valencia of her day. Isabelde Villena's Vita Christi has often been interpreted as a response, delivered from the serenity of the cloister, to the misogyny and satire against the female gender emanating from certain books written at that time. Sor Isabel's work is a re-evaluation of the role women played in the life of Jesus Christ, a role at variance with the subsidiary one ascribed to them by the majority of commentators.
Published in association with Editorial Barcino, Barcelona.
Marie de France
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A listing of the latest publications on Marie de France.
This is the fourth volume of Marie de France Bibliography, following on from the original volume [1977] and the two Supplements [1986, 1997]. Each volume provides full details of editions and translations of the three works normally attributed to Marie de France [the Lais, the Fables and the Espurgatoire seint Patriz], plus alphabetically arranged lists of books and articles, each accompanied by a substantial summary, and informationon theses and dissertations.
GLYN S BURGESS is Emeritus Professor of French at the University of Liverpool.
A Companion to Spanish American Modernismo
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The first Spanish-language literary movement to originate in the New World and subsequently influence literary activity in Spain continues to be relevant to contemporary Spanish American writers.
Modernismo, a literary movement of fundamental importance to Spanish America and Spain, occurred at the turn of the nineteenth century, roughly from the 1880s to the 1920s. It is widely regarded as the first Spanish-language literary movement that originated in the New World and that became influential in the "Mother Country," Spain. Characterized by the appropriation of French Symbolist aesthetics into Spanish-language literature, modernismo's other significant traits were its cultural cosmopolitanism, its philological concern with language, literary history, and literary technique, and its journalistic penchant for novelty and fashion. Despite the splendor of modernista poetry, modernismo is now understood as a broad movement whose impact was felt just as strongly in the prose genres: the short story, the novel, the essay, and the journalistic crónica [chronicle]. Conceived as an introduction to modernismo as well as an account of the current state of the art of modernismo studies, this book examines the movement's contribution to the various Spanish American literary genres, its main authors [from Martí and Nájera to Darío and Rodó], its social and historical context, and its continuing relevance to the work of contemporary Spanish American authors such as Gabriel García Márquez, Sergio Ramírez, aargas Llosa.
ANÍBAL GONZÁLEZ-PÉREZ is Professor of Modern Latin American Literature at Yale University.
A Companion to Golden Age Theatre
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This Companion is a readable and up-to-date guide to all aspects of the extraordinary flowering of theatre in Early-Modern Spain.
Spain's artistic Golden Age produced Cervantes's great novel, Don Quijote, the sublime poetry of Quevedo and Góngora, and nurtured the prodigious talent of Velázquez, and yet it was the theatre that captured the imaginationof its people. Men and women of all social classes flocked to the new playhouses to see and hear the latest offerings of their favourite dramatists, and to be seen and heard. As well as dealing with the lives and major works of the most significant playwrights of the period - Lope de Vega, Tirso de Molina, Miguel de Cervantes, Calderón de la Barca - the Companion focusses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship. These include: the sixteenth-century origins of the comedia nueva; the lesser-known dramatists, including women playwrights; life in the theatre; the Corpus Christi street theatre and minor genres; performance studies; and the critical reception of the drama. The Companion also contains a guide to comedia versification, a full bibliography and advice on further reading.
JONATHAN THACKER is a Fellow of Merton College, Oxford.
A Companion to Portuguese Literature
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An essential chronological framework for students of Portuguese literature.
This companion volume offers an introduction to European Portuguese literature for university-level readers. It consists of a chronological overview of Portuguese literature from the twelfth century to the present day, by some ofthe most distinguished literary scholars of recent years, leading into substantial essays centred on major authors, genres or periods, and a study of the history of translations. It does not attempt an encyclopaedic coverage of Portuguese literature, but provides essential chronological and bibliographical information on all major authors and genres, with more extensive treatment of key works and literary figures, and a particular focus on the modern period. It is unashamedly canonical rather than thematic in its examination of central authors and periods, without neglecting female writers. In this way it provides basic reference materials for students beginning the study of Portuguese literature, and for a wider audience looking for general or specific information. The editors have made a principled decision to exclude both Brazilian and African literature, which demand separate treatment.
STEPHEN PARKINSON, CLAUDIA PAZOS ALONSO and T. F. EARLE are all members of the Sub-Faculty of Portuguese at the University of Oxford. CONTRIBUTORS: Vanda Anastácio, Helena Carvalhao Buescu, Rip Cohen, T. F. Earle, David Frier,Luís Gomes, Mariana Gray de Castro, Helder Macedo, Patricia Odber de Baubeta, Hilary Owen, Stephen Parkinson, Cláudia Pazos Alonso, Juliet Perkins, Teresa Pinto Coelho, Phillip Rothwell, Mark Sabine, Claire Williams, Clive Willis.
A Companion to Mexican Studies
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A comprehensive guide to the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present.
This Companion volume traces the evolution of the major creative aspects of Mexican culture from pre-Columbian times to the present. Dealing in turn with the cultures of Mesoamerica, the colonial period, the onset of independenceand the modern era, the author explores Aztec arts, the role of the performing arts in the process of evangelisation, manifestations of cultural dependence, of the search for national identity, and the struggle for modernity, drawing examples from such diverse activities as architecture, painting, music, dance, literature, film and media. There is also a brief account of the distinctive characteristics of Mexican Spanish. Maps, a chronology, a bibliographical essay and a lengthy bibliography round off this comprehensive guide, making it an indispensable research tool for those seriously interested in Mexican culture.
Peter Standish is Professor of Spanish at one of the divisions of the University of North Carolina system.
La Práctica escénica cortesana: de la época del Emperador a la de Felipe III
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A study of the relationship betwen court festivity and theatre in 16c Spain.
Dr Ferrer Valls studies the relationship between court festivity and theatre in the sixteenth century, placing special emphasis on staging. She argues that throughout the reign of Philip II court spectacle perpetuates the complicated staging of traditional performances, but with greater emphasis on their dramatic aspects and on the use of music and song. In the first two decades of the seventeenth century, and above all in specific plays by Lope de Vega, court spectacles come to reflect also the influence of Italian staging techniques.
African Theatre 7: Companies
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Profiles theatre companies in Africa working creatively in the context of financial and political constraints.
A close scrutiny of how theatre companies operate is an often neglected aspect of theatre life in Africa, yet, as companies profiled here grapple with the issues of 'creativity and collaboration' much is revealed about the way theatre companies across the continent face the challenges of financial constraints, the political complications of sponsorship and funding, the need for creative or intellectual freedoms, the intricacies of contracts and the crucial decisions about venues and audiences.
Volume Editor: JAMES GIBBS, University of the West of England. Series editors: Martin Banham, James Gibbs, Femi Osofisan
The contributors include: DEXTER LYNDERSAY, FOLUKE OUGUNLEYE, SIRI LANGE, ALLY MKUMBILA, BRACCO CHITOSA, MANFRED LOIMEIR, LUCY RICHARDSON, CHRISTINE MATZKE, VICTOR S. DUGGA, PATRICK-JUDE OTEH, BASIL JONES, MICHAEL WALLING, BRITISH COUNCIL, JOS REPERTORY THEATRE.
Contested Sustainability
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Richly detailed and timely study on conservation, development and sustainability in Tanzania.
Provides valuable insights into the successes and failures of the management and governance of wildlife, forestry and coastal resources.
Responding to the urgent need to examine the outcome of interventions in governing natural resources, this book analyses different types of sustainability partnerships - with donors, governments, business, NGOs and other actors, and, crucially, assesses which result in better livelihood and environmental outcomes.
The contributors, from a range of disciplines, compare 'more complex' partnerships to relatively 'simpler', more traditional top-down and centralized management systems and to location where sustainability partnerships are not in place. Within-sector comparisons allow a fine-tuned analysis that is formed of historical, location and resource-specific issues, which can be used as input for resource-specific policy and partnership design. Experiences and lessons can be drawn from comparisons across the three different sectors, which can be applied to natural resource governance more broadly.
This book is openly available in digital formats under Creative Commons license CC BY-NC-ND.
A Companion to Don Quixote
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An introduction to Cervantes's complex masterpiece.
The purpose of this book is to help the English-speaking reader, with an interest in Spanish literature but without specialised knowledge of Cervantes, to understand his long and complex masterpiece: its major themes, its structure, and the inter-connections between its component parts. Beginning from a review of Don Quixote's relation to Cervantes's life, literary career, and its social and cultural context, Anthony Close goes on to examine the structure and distinctive nature of Part I (1605) and Part II (1615), the conception of the characters of Don Quixote and Sancho, Cervantes's word-play and narrative manner, and the historical evolution of posterity's interpretation of the novel, with particular attention to its influence on the theory of the genre. One of the principal questions tackled is the paradoxical incongruity between Cervantes's conception of his novel as a light work ofentertainment, without any explicitly acknowledged profundity, and posterity's view of it as a universally symbolic masterpiece, revolutionary in the context of its own time, and capable of meaning something new and different to each succeeding age.
ANTHONY CLOSE, now retired, was Reader in Spanish at the University of Cambridge.
A Companion to Javier Marías
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A detailed and lively discussion and analysis of the novels, short stories, newspaper columns, and other works of one of the most important and popular writers in Spain today.
This book provides the most comprehensive study to date of the full range of Marías' writing, including discussion and analysis of his literary and intellectual formation, his development as a novelist and short story writer, andhis unique perspective offered in nearly twenty-five years of newspaper columns on topics ranging from religion to football. Above all, Marías is examined as a writer of fictions. As a translator of several canonical works from English to Spanish, Marías came to appreciate the preciseness of words as well as their ambiguity, their capacity to represent as well as their propensity to distort. The author examines Marías's constant awareness of how languagecan be used to construct stories as the foundation for engaging the world as well as for imagining it. The nature of Marías's storytelling, and the way in which he imagines, form the principal focus of this Companion.
David K. Herzberger is Professor and Chair of the Department of Hispanic Studies at the University of California, Riverside.
A Companion to Pablo Neruda
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The making of a great Chilean poet.
Pablo Neruda was without doubt one of the greatest poets of the twentieth century. However, his work is extremely uneven, and long. The companion examines the view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, his struggle to read and incorporate French poetry and travel abroad and by looking closely at how Neruda created his poetic persona within his poems, this companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience,the companion outlines a unity behind all the work, based on voice and a public self. This companion studies Neruda's debt to reading and books in depth and re-examines his change in poetics by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Many critics have argued that some kind of critical assessment must be made in order for Neruda's later work to be read. This companion grounds this debate about quality and representativity in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into hispoems, which remain his true biography.
Jason Wilson is Professor Emeritus at University College London.
Conversaciones literarias con novelistas contemporáneos
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Interviews, with contextual critical material, with nine celebrated contemporary Hispanic novelists.
Nine of today's most celebrated Hispanic writers reveal themselves and their concerns, and how the latter are reflected in their work. The writers are Ricardo Piglia, Antonio Muñoz Molina, Juan José Millás, José María Merino, Enrique Vila-Matas, Quim Monzó, Cristina Fernández Cubas, Pedro Zarraluki and Ray Loriga. The interviews allow readers closer personal acquaintance with the subjects, their fiction and their cultural circumstances, in the process touching on major intellectual issues of today - the definition of reality, the role of art and the challenge of otherness. Each conversation is introduced by an essay commenting on the main themes in the author's works. The book contains a detailed bibliography and an extensive general introduction, which presents the intellectual context for the issues discussed. Entrevistas con Ricardo Piglia y ocho eminentes escritores españoles: Antonio Muñoz Molina, Juan José Millás, José María Merino, Enrique Vila-Matas, Quim Monzó, Cristina Fernández Cubas, Pedro Zarraluki y Ray Loriga. Son extensas conversaciones sobre la narrativa de cada escritor, abordando los problemas máss en ella. Pero las conversaciones no sólo permiten conocer a fondo a los escritores y entender mejor sus ideas sino también contienen gran variedad de comentarios sobre los temas más polémicos de finales del siglo XX - el carácter de la realidad, el papel del arte y la importancia de la otredad. Las entrevistas van precedidas de ensayos que se centran en la obra de cada autor y de una introducción general, donde se presentan los temas tratados, y las acompaña una bibliografía detallada. KATARZYNA OLGA BEILIN es profesora de español en la Universidad de Wisconsin en Madison.
A Companion to Carmen Martín Gaite
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A comprehensive examination of the full range of Carmen Martín Gaite's work.
Carmen Martín Gaite produced a large body of work in various genres over the course of her five-decade career, though she is primarily known as a novelist, short story writer, and social commentator. Her work at times reflects, and at times defies, the pattern of development in Spanish fiction since the 1950s. This Companion offers a re-reading of Martín Gaite's works, emphasizing her early experimentalism which culminated in mid-career works (notably El cuarto de atrás), and stressing how, in the late 1960s and early 1970s when the majority of Spanish novelists were engaged in a critique of history, Martín Gaite turned to the writing of cultural history, exploring its intersection with narrative fiction in a positivist rather than a nihilistic mode. Her exploration of gender issues, particularly mother-child relations, towards the end of her career anticipated new directions in feminist thought. Discussions of often-ignored works, such as poetry, drama, children's literature, and literary translations, offer insight into sidelined aspects of this writer's literary output.
Catherine O'Leary is Reader in Spanish at the University of St Andrews. Alison Ribeiro de Menezes is Professor of Spanish at the University of Warwick.
Inside Mining Capitalism
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A groundbreaking analysis of 21st century labour practices in the mining industry and the new scramble for industrial power on the African continent.
Since the beginning of the 21st century, African countries with mineral resources have witnessed an unprecedented rise in foreign direct investments and the development of new flexible workforce management practices in the mining industry. But what does this mean for those who actually work in this industry? Based on research in the Congo and Zambia, where a mining boom has led to more than thirty new mining projects in recent years, this book explores the processes of improvisation and adaptation behind the emergence of this neoliberal labour regime. The contributors show how mining projects' labour practices have been mediated, negotiated, or resisted by mine workers, unionists, and human resource managers. They discuss variations in labour practices put in place by new mining projects depending on the type of capital involved, the type of mine being developed, and their location. Finally, the book examines the implications of power dynamics surrounding companies' labour strategies from the broader perspective of the responsibility of trade unions, gender equality, and identity politics.
Women & Peacebuilding in Africa
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A key book for conflict and peace studies, reveals the gendered nature of peacebuilding, its consequences, and the importance of women playing a part in peace processes in Africa.
Even in the best of circumstances, women are all too often excluded from formal peacemaking and peacebuilding processes and relegated to the sidelines as observers or limited to informal peacebuilding strategies. Yet there is enormous potential in these strategies as women often strive to build bridges across political, ethnic, religious, clan and other differences through alliances arising from common concerns around violence, land, access to resources, and protection of their families and communities, and address sources of conflict at both national and local levels. Drawing on cutting-edge research by scholars and women's rights activists in South Sudan, Sudan, Algeria, northern Nigeria, and Somalia, this book focuses on the consequences of the continuing exclusions of women from peace talks and from post-conflict governance structures. The case studies reveal how peacebuilding is gendered and why this matters in developing meaningful and sustainable approaches to peacebuilding. Examining how women activists have made a difference through informal peacebuilding activities, the contributors explore women's efforts to reshapethe post-conflict context by struggling for legislative and constitutional reforms and by advocating for political representation and political inclusion more generally within peacebuilding processes. They also look at how women have pushed back against the conservative Islamist forces that today dominate much armed conflict in Africa. Suggesting that women's formal participation in peace negotiations is vital in bringing about an end to conflict and preventing its resumption, as well as the one of the most effective strategies, this book will be essential reading for scholars and NGOs involved in development, conflict resolution and peacebuilding.
The book is the product of a research project on Women and Peacebuilding in Africa, funded by Carnegie Corporation of New York and the Norwegian Foreign Ministry.
A Companion to Catalan Literature
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The first and only guide in English to the influential body of Catalan literature, from the middle ages to the present day.
This book is the only one of its kind in English. Part literary history, part literary criticism, it is above all a personal assessment of a rich and important body of work which is still not widely known outside Catalonia. Catalan literature, one of the three major Peninsular literatures, reached an impressive level of excellence in the middle ages, beginning with Ramon Llull and the chronicles, and culminating in the two great fifteenth-century writers,the poet Ausiàs March and Joanot Martorell, the author of Tirant lo Blanc, one of the landmarks in early prose fiction. After three centuries of relative eclipse, the nineteenth-century Renaixença produced a distinctive version of Romanticism with notable achievements in poetry, theatre and the novel. More recently, Catalan writers have successfully assimilated a number of international tendencies, from Symbolism to Surrealism, while remaining deeply aware of the possibilities of the Catalan language itself. After the cultural disruption caused by the Civil War of 1936-39 and its aftermath, Catalan literature has once again shown its capacity for self-renewal,and the present literary scene is one of great interest and originality. The book does not presuppose any knowledge of Catalan; all quotations and book titles are translated, and a list of works translated into English is included.
ARTHUR TERRY is Emeritus Professor of Literature at the University of Essex.
Este libro queda sin paralelo en inglés. Una combinación de historia y crítica literarias, es ante todo una valoración personal de una literatura rica e importante que todavía queda poco conocida fuera de Cataluña. La literatura catalana consiguió un nivel de excelencia impresionante en la Edad Media y, a partir de su restablecimiento a principios del siglo diecinueve, ha demostrado una capacidad extraordinaria de autorenovación que todavía persiste hoy en día. Este libro no presupone saber catalán; cada cita y título de libro queda traducido, y se incluye una lista de obrastraducidas al inglés.
A Companion to Lope de Vega
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An assessment of the life, work and reputation of Spain's leading Golden Age dramatist
A Companion to Lope de Vega brings together essays by leading international scholars on the life and works of Lope de Vega Carpio, the 'fénix de los ingenios', or, as his rival Miguel de Cervantes dubbed him, 'monstruo de la naturaleza'. Spain's foremost Golden Age playwright excelled in all literary genres, including prose and poetry, also covered here. The contributors evaluate current critical debates and issues in Lope de Vega studies, as well as providing new readings of key texts. It has been the aim of the editors to do justice to the variety, profusion and originality of Lope's work, placing the writer and his output firmly in their historical context as well asassessing his reputation in literary history. The wide variety of critical perspectives found in the volume reflects the liveliness of the debate surrounding this enduringly popular figure whose drama is enjoying a renaissance intheatres around the globe.
Alexander Samson lectures in Golden Age literature at University College London. Jonathan Thacker is Fellow in Spanish at Merton College, Oxford.
Other Contributors: Elaine Canning, Geraldine Coates, Frederick A de Armas, Victor Dixon, Geraint Evans, Tyler Fisher, Edward H. Friedman, Alejandro Garcia Reidy, David Johnston, Arantza Mayo, David McGrath, Barbara Mujica, Ali Rizavi José Maria Ruano de la Haza,Isabel Torres, Xavier Tubau, Duncan Wheeler.
A Companion to Gabriel García Márquez
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One of the major Latin American writers of the twentieth century.
This book offers discussion and analysis of the subtle writing of Nobel Laureate Gabriel García Márquez - a traditionalist who draws from classic Western texts, a Modernist committed to modernizing the conservative literary tradition in Colombia and Latin America, an internationally recognized major writer of the 1960s Boom, the key figure in popularizing what has been called "magic realism" and, finally, a Modernist who has occasionally engaged in some ofthe strategies of the postmodern. The author demonstrates that García Márquez is above all a committed and highly accomplished Modernist fiction writer who has successfully synthesized his political vision in his writing and absorbed a vast array of cultural and literary traditions. Drawing on García Márquez's interviews with Williams and others over the years, the book also explores the importance of the non-literary, the presence of oral tradition and the visual arts, thus providing a more complete insight into García Márquez's strategies as a Modernist with heterogeneous aesthetic interests, as well as an understanding of his social and political preoccupations.
RAYMOND LESLIE WILLIAMS is Professor of Latin American Literature at the University of California, Riverside.
India's Development Diplomacy & Soft Power in Africa
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Unpacks the histories, actors and geopolitics of India's soft power and evolving engagements with Africa.
Since independence India has deployed its soft power in Africa, with educational aid and capacity-building at the heart of its Africa policy. However, following economic liberalisation and in a quest for greater global influence, India's geopolitics have changed. The country's discourse on Africa has shifted from the mantras of post-colonial solidarity and South-South Cooperation, and there is now a growing sense of Indian exceptionalism, as the country reimagines its past and future against the growing influence of the political right. In this book scholars from India, Africa, Europe and North America show how India's soft power has been implemented by the diaspora, government and private sector. Research documents how India's 'aid' has been re-thought in major schemes such as e-global education and health, Gandhi statuary and Covid-19 diplomacy in Africa.
Imperialism and Development
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A compelling exploration of one of the most ill-advised and calamitous interventions in colonial development history.
As colonial development took off after the Second World War, in the context of national food shortages, Britain's Labour Government initiated the Groundnut Scheme, an extraordinarily ambitious project to convert 3 million acres of bush in Tanganyika into the largest mechanized groundnut farm in the world. It was to prove the largest, most expensive and most disastrous development scheme ever undertaken by the British Government. Never previously analysed in depth, the author draws on a wide range of sources to discuss the political dynamics that drove the Groundnut Scheme forward, despite the gravest doubts of agriculturalists and economists, why it went wrong, and what its impact has been since on the practice of economic development. Initially employing the United Africa Company as agent, the government set up an Overseas Food Corporation to manage the Groundnut Scheme as an example of socialist development in Africa. Army surplus kit and demobbed soldiers poured into the country and were sent up the railway line to Kongwa to beat the bush. By the time the effort was abandoned in 1950, costs had risen to a colossal 36 million - equivalent to over 1 billion today - and yet almost no groundnuts had been exported. The prototype of many large-scale, government-run, high-cost development projects that failed to deliver, the Groundnut Scheme was perhaps the first major failure of agricultural development in Africa, and its legacy in development practice still with us today.
César Vallejo
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Do you know when César Vallejo was born? Was he a communist or a lapsed Catholic, or both? Do you know what he died of? Did you know that a new collection of hand-written manuscripts has been recently discovered in Montevideo? You may not know the answer to all these questions (some of them may be unanswerable) but this book will help you to identify and compare the competing answers. It describes and evaluates the manuscripts, editions, books, collections of essays, articles, translations, and doctoral theses written about Vallejo by a wealth of scholars since Vallejo's death on Good Friday 1938.
Land, Investment & Politics
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Examines the new challenges facing Africa's pastoral drylands from large-scale investments and how this might affect the economic and political landscape for the regions affected and their peoples.
More than ever before, the gaze of global investment has been directed to the drylands of Africa, but what does this mean for these regions' pastoralists and other livestock-keepers and their livelihoods? Will those who have occupied drylands over generations benefit from the developments, as claimed, or is this a new type of territorialisation, exacerbating social inequality? This book's detailed local studies of investments at various stages of development - from Kenya, Tanzania, Somaliland, Ethiopia - explore, for the first time, how large land, resource and infrastructure projects shape local politics and livelihoods. Land and resources use, based on ancestral precedenceand communal practices, and embedded regional systems of trade, are unique to these areas, yet these lands are now seen as the new frontier for development of national wealth. By examining the ways in which large-scale investmentsenmesh with local political and social relations, the chapters show how even the most elaborate plans of financiers, contractors and national governments come unstuck and are re-made in the guise of not only states' grand modernist visions, but also those of herders and small-town entrepreneurs in the pastoral drylands. The contributors also demonstrate how and why large-scale investments have advanced in a more piecemeal way as the challenges of implementation have mounted.
JEREMY LIND is Research Fellow at the Institute of Development Studies (IDS), University of Sussex. DORIS OKENWA holds a PhD in Anthropology from the London School of Economics. IAN SCOONES is a Professorial Fellow at the IDS, University of Sussex and co-director of the ESRC STEPS Centre.
Actividad teatral en la región de Madrid según los protocolos de Juan García de Albertos, 1634-1660: I
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Surviving theatrical contracts throw light on the remarkable degree of theatrical activity throughout 17c Spain.
In 1639 the Madrid notary Juan García de Albertos was appointed Escribano de la Comisión de las comedias - official theatre notary. His annual registers of contracts (protocolos) contain more than two thousand items related to actors and theatrical activity from 1634 to 1660. This exceptionally rich collection of documents offers a fascinating overview of theatrical life, in all its diversity, in Madrid and the surrounding area during the age of Calderón. Especially plentiful are the contracts for performances at festivities in towns and villages, both by professional companies and by local amateurs assisted by individual actresses and musicians hired in Madrid. This extraordinary degree of theatrical activity in even the smallest communities, almost entirely neglected hitherto, forces us to revise and expand our conventional picture of the Spanish Golden Age theatre. The collection also reveals in abundant detail the composition and working practices of acting companies, especially in the numerous asientos (actors' employment contracts), as well as transport conditions, costume hire, staging practices and repertory. The actors' convoluted and often precarious finances are an ever-present theme. The documents are accompanied by appendices and maps, and the extensive introduction provides an exhaustive survey of what can be learned from this remarkable source. CHARLES DAVIS was formerly Lecturer in Spanish at Queen Mary, University of London, and is currently a Ramón y Cajal Research Fellow at the University of Valencia. The late J. E. VAREYwas Professor of Spanish at the University of London and Principal of Westfield College. For description in Spanish see Volume II. Actividad Teatral en la Región de Madrid is published in TWO VOLUMES (I: ISBN 1855660628, II ISBN 1855660792) WHICH MUST BE PURCHASED AS A SET.
A Companion to US Latino Literatures
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A panorama of literature by Latinos, whether born or resident in the United States.
This volume, documenting the linguistic and cultural diversity of Latino literary output in the United States, offers an exciting introduction for non-specialist readers. Unique in its scope and perspective, it focuses on variousliterary genres, and cinema, related to Latinos. Each essay considers not only Latino writers who were born or raised in the United States, but also Latin American writers who took up residence in the United States but may also beconsidered part of the literary scene of their countries of origin. Rather than follow one specific mode of organization and presentation, each contributor has offered his or her original perspective on the subject matter or theme. The result is an inclusive spectrum of the voices of the U.S. Latin American diaspora, illuminating the rich and complex culture of Latinos.
Carlota Caulfield is Professor of Spanish and Spanish-American Studies at Mills College, California. Darién J. Davis is Associate Professor of History and Latin American Studies at Middlebury College, Vermont.
CONTRIBUTORS: Eva Bueno, Carlota Caulfield, Elizabeth Coonrod Martínez, DariénJ. Davis, Jorge Febles, Lydia Gil, Armando González-Pérez, Patricia M. Montilla, Vincent Spina, Antonio Tosta, Sergio Waisman
Francesc Eiximenis
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A selection from the works of the Catalan Franciscan, Francesc Eiximenis.
Francesc Eiximenis is an outstanding figure in the ranks of the mendicant orders who, in the late Middle Ages, strove to educate the lower echelons of society. Born in Gerona, around 1330, probably to a comfortable middle-class family, Eiximenis entered the Franciscan order at a very early age, studied in Oxford, and probably also in Paris, and obtained the degree of master of theology in Toulouse. Later he combined teaching with the composing of his works. Among these stands out the monumental and widely known Lo Crestià (The Christian), in which Eiximenis aimed to include all contemporary university knowledge, adapted for a lay public whose basic level of instruction was far below that of clerics. The same didactic purpose is seen in the Libro de los ángeles (Book of the Angels), the Libro de las mujeres (Book of the Women) and the Vita Christi. Eiximenis, by then bishop of Elna, died in 1409. Among the many themes that recur in his extensive literary production, this anthology concentrates on his ideas on the transmission of knowledge, on education and on culture. The introduction and selection of texts is by David Guixeras and Xavier Renedo.
ROBERT D. HUGHES is a translator and researcher with particular expertise in the fields of fine art, the history of ideas and Catalan culture. Published in association with Editorial Barcino
Los Libros de Cuentas de los Corrales de Comedias de Madrid: 1706-1719
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An edition of the earliest surviving account books of the two public playhouses of Madrid, giving the daily repertoire, takings and expenses.The latter include detailed information on scenery, actors and sundry minor repairs to the theatres, as well as the daily payment to the Royal Hospice, from which the size of the audience can be calculated.The introduction, includes database analysis of the accounts, and alphabetical index of plays performed.
Ngugi
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First-hand accounts of how Ngugi wa Thiong'o's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century.
This collection of essays reflects on the life and work of Ngugi wa Thiong'o, who celebrated his 80th birthday in 2018. Drawing from a wide range of contributors, including writers, critics, publishers and activists, the volume traces the emergence of Ngugi as a novelist in the early 1960s, his contribution to the African culture of letters at its moment of inception, and his global artistic life in the twenty-first century. Here we have both personal andcritical reflections on the different phases of the writer's life: there are poems from friends and admirers, commentaries from his co-workers in public theatre in Kenya in the 1970s and 1980s, and from his political associates in the fight for democracy, and contributions on his role as an intellectual of decolonization, as well as his experiences in the global art world. Included also are essays on Ngugi's role outside the academy, in the world of education, community theatre, and activism. In addition to tributes from other authors who were influenced by Ngugi, the collection contains hitherto unknown materials that are appearing in English for the first time. Both a celebration of the writer, and a rethinking of his legacy, this book brings together three generations of Ngugi readers. We have memories and recollections from the people he worked with closely in the 1960s, the students that he taught atthe University of Nairobi in the 1970s, his political associates during his exile in the 1980s, and the people who worked with him as he embarked on a new life and career in the United States in the 1990s. First-hand accounts reveal how Ngugi's life and work have intersected, and the multiple forces that have converged to make him one of the greatest writers to come out of Africa in the twentieth century.
Simon Gikandi is Robert Schirmer Professor of English, Princeton University. He is President of the MLA and was editor of its journal PMLA, from 2011-2016. Ndirangu Wachanga is Professor of Media Studies and Information Science at the University of Wisconsin. He is also the authorized documentary biographer of Professors Ali A. Mazrui, Ngugi wa Thiong'o and Micere Mugo.
General Labour History of Africa
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The first comprehensive and authoritative history of work and labour in Africa; a key text for all working on African Studies and Labour History worldwide.
Co-published with the International Labour Organization on the centenary of its founding in 1919, the General Labour History of Africa is a landmark in the study of labour history. It brings, for the first time, an African perspective within a global context to the study of labour and labour relations. The volume analyses key developments in the 20th century, such as the emergence of free wage labour; the transformation in labour relations; the role of capital and employers; labour agency and movements; the growing diversity of formal and informal or precarious labour; the meaning of work; and the impact of gender and age on the workplace. The contributors - eminent historians, anthropologists and social scientists from Africa, Europe and the United States - examine African labour in the context of labour and social issues worldwide: mobility and colonial and postcolonial migration, forced labour, security, the growth of entrepreneurial labour, the informal sector and self-employment, and the impact of trade unionism, welfare and state relations. The book discusses key sectors such as mining, agriculture, industry, transport, domestic work, and sport, tourism and entertainment, as well as the international dimension and the history and impact of the International Labour Organization itself. This authoritative and comprehensive work will be an invaluableresource for historians of labour, social relations and African history.
In association with the ILO Regional Office for Africa
Stefano Bellucci is senior researcher at the International Institute of SocialHistory, Amsterdam, and lecturer in African History and Economy at Leiden University, the Netherlands; Andreas Eckert is Director of the International Research Centre for Work and the Human Life Cycle in Global History and professor of African history at Humboldt University, Berlin, Germany.
From Revolution to Rights in South Africa
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The author argues for the continued importance of NGOs, social movements and other 'civil society' actors in creating new forms of citizenship and democracy in South Africa.
Critics of liberalism in Europe and North America argue that a stress on 'rights talk' and identity politics has led to fragmentation, individualisation and depoliticisation. But are these developments really signs of 'the end ofpolitics'? In the post-colonial, post-apartheid, neo-liberal new South Africa poor and marginalised citizens continue to struggle for land, housing and health care. They must respond to uncertainty and radical contingencies on a daily basis. This requires multiple strategies, an engaged, practised citizenship, one that links the daily struggle to well organised mobilisation around claiming rights. Robins argues for the continued importance of NGOs, socialmovements and other 'civil society' actors in creating new forms of citizenship and democracy. He goes beyond the sanitised prescriptions of 'good governance' so often touted by development agencies. Instead he argues for a complex, hybrid and ambiguous relationship between civil society and the state, where new negotiations around citizenship emerge. Steven L. Robins is Professor of Social Anthropology in the University of Stellenbosch and editorof Limits to Liberation after Apartheid (James Currey). Southern Africa (South Africa, Botswana, Namibia, Lesotho, Swaziland): University of KwaZulu-Natal Press (PB)