'Charms', Liturgies, and Secret Rites in Early Medieval England
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A re-evaluation of the mysterious "charms" found in Anglo-Saxon literature, arguing for their place in mainstream Christian rites.
Since its inception in the nineteenth century, the genre of Anglo-Saxon charms has drawn the attention of many scholars and appealed to enthusiasts of magic, paganism, and popular religion. Their Christian nature has been widely acknowledged in recent years, but their position within mainstream liturgical traditions has not yet been fully recognised. In this book, Ciaran Arthur undertakes a wide-ranging investigation of the genre to better understand how early English ecclesiastics perceived these rituals and why they included them in manuscripts were written in high-status minsters. Evidence from the entire corpus of Old English, various surviving manuscript sources, and rich Christian theological traditions suggests that contemporary scribes and compilers did not perceive "charms" as anything other than Christian rituals that belonged to diverse, mainstream liturgical practices. The book thus challenges the notion that there was any such thing as an Anglo-Saxon "charm", and offers alternative interpretations of these texts as creative para-liturgical rituals or liturgical rites, which testify to the diversity of early medieval English Christianity. When considered in their contemporary ecclesiastical and philosophical contexts, even the most enigmatic rituals, previously dismissed as mere "gibberish", begin to emerge as secret, deliberately obscured texts with hidden spiritual meaning.
Allen J. Frantzen
Food, Eating and Identity in Early Medieval England
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A fresh approach to the implications of obtaining, preparing, and consuming food, concentrating on the little-investigated routines of everyday life.
Food in the Middle Ages usually evokes images of feasting, speeches, and special occasions, even though most evidence of food culture consists of fragments of ordinary things such as knives, cooking pots, and grinding stones, which are rarely mentioned by contemporary writers. This book puts daily life and its objects at the centre of the food world. It brings together archaeological and textual evidence to show how words and implements associated with food contributed to social identity at all levels of Anglo-Saxon society. It also looks at the networks which connected fields to kitchens and linked rural centres to trading sites. Fasting, redesigned field systems, and the place offish in the diet are examined in a wide-ranging, interdisciplinary inquiry into the power of food to reveal social complexity.
Allen J. Frantzen is Professor of English at Loyola University Chicago.
Peter Jeffery
The Study of Medieval Chant
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Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture.
Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.
Richard Barber
Myths and Legends of the British Isles
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Tales from the dawn of Christianity to the age of the Plantagenets reveal a mythology in its time as potent as that of the classical world.
The British Isles have a long tradition of tales of gods, heroes and marvels, hinting at a mythology once as relevant to the races which settled the islands as the Greek and Roman gods were to the classical world. The tales drawntogether in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented.
RICHARD BARBER's other books include and The Knight and Chivalry.
Grayson Carter
The Church of England’s Western Schism
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Examines one of the most significant events in the history of the late Georgian church, and revises accepted notions of Evangelical and Anglican ecclesiology and identity.
This study examines the establishment and progress of the Western Schism, which occurred between 1815 and c.1825-the first group secession from the Church of England since the Nonjurors during the late seventeenth century. As such, the Schism proved to be one of the most significant events in the history of the Church between the end of the Napoleonic Wars and the enactment of the 'Constitutional Revolution' of 1828-32. Despite the fears of many inside and outside the Church that the Schism would produce a wave of Evangelical secessions throughout England and Ireland, its influence was largely confined to London and the counties of Devon, Dorset, Gloucestershire, Hampshire, Somerset, Sussex and Wiltshire. Its leadership was comprised of a comparatively small group of clergy and laity drawn from prominent and influential commercial and clerical families (especially those from the Baring banking tribe) and bound by close ties of kinship, friendship and ideology. These factors, along with the Schism's heretical pronouncements and unusual ecclesial practices, its inclusion of women's ministry, and its secretive nature, generated considerable sensationalism and novelty value. The same factors also provoked a sustained period of criticism in which numerous leading religious figures, journals and newspapers participated. Surprisingly, while this criticism of the Schism emerged from every point on the religious compass, including High Churchmen, liberals and Nonconformists, it was the Evangelicals who quickly emerged as the Schism's principal critics. Evangelicals denounced not only the heretical nature of the Schism, but also its inclusion of women in leadership, its abandonment of the Established Church and its attempts to tarnish the reputation of the 'gospel party' by calling into question its adherence to apostolic fidelity and the Reformed heritage of the English Church. This work, the first extensive examination of the Western Schism, revises accepted notions of Evangelical (and Anglican) ecclesiology and identity during the late Georgian period. It discloses how a prominent and small, but influential, group of clergy and laity, alarmed by the Church's failure to respond adequately to the disruptive social and spiritual events of the day, set out to establish a rival ecclesial body which, despite the investment of significant energy and financial resources, ultimately failed to coalesce into a viable and lasting alternative to the Established Church.
Edited by David Morris and Andrew Neill
The Importance of Elgar
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A landmark celebration of Edward Elgar's life, music and enduring influence, bringing together leading voices from across the musical world.
Of the many biographies and other books published about Edward Elgar few have brought together as many composers, performers, and writers as this anthology, in celebration of his art and life. Published to celebrate the 75th anniversary of the Society which bears his name, The Importance of Elgar brings together both executant musicians and others who share their love and appreciation of his music and what it means to them and, more widely, his place in the canon of western music. With a foreword by the Society's President, Sir Mark Elder, the more than 60 contributors include Dame Janet Baker, Sir Stephen Hough, Sir James MacMillan and Christian Tetzlaf. The choice of the word 'importance' ensured that those who contributed to this volume would write something personal. The Elgar Society's first President, Sir Adrian Boult, was one of the great interpreters of Elgar's music and his commitment remains an inspiration to many today. It was Sir Adrian who suggested the formation of The Elgar Society during a series of concerts in Malvern in 1950. Four months later, in January 1951, what became the largest composer society in Britain was formed. Edited by David Morris, The Elgar Society's Secretary, and Andrew Neill a former Society Chairman, this book offers the practising musician and music lover alike some fresh insights into Elgar's music and his importance beyond the shores of Britain.
Edited by Matthew Daniel Eddy, Rachel Feldberg and Jane Rendall
Gender, Science and Sociability in the Diary of Jane Ewbank of York (1778-1824)
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Examines the newly-discovered diary of Jane Ewbank as a vital site of knowledge-making, illuminating women's intellectual lives in Enlightenment York, where science, cultural criticism and sociability intersected.
Amid the vibrant intellectual culture of the 'transpennine Enlightenment', Jane Ewbank's diary, written between 1803 and 1805, offers a rare, richly textured account of a provincial woman's engagement with science, cultural criticism, and sociability in York and beyond. This interdisciplinary volume includes an annotated transcription of Ewbank's 34,000-word diary alongside essays situating it within the gendered knowledge networks of northern England. Exploring her participation in scientific lectures, women's writing and the arts in York, contributors interrogate the diary as a media technology, a cognitive tool, and an emotionally informed thinking device. Ewbank's encounters with figures such as the novelist and educationalist Maria Edgeworth, the scientific lecturer Henry Moyes and the philanthropist Catherine Cappe are highlighted throughout, and emphasise the intersection of topics ranging from natural theology and scientific education to literature, theatre and music. The essays variously engage with historiographies of early modern life-writing, Enlightenment sociability, and the emotional economies of medicine, while offering reflections that challenge colonial silences and foreground global entanglements. Drawing on recent work in history of science, literature, and feminist theory, this volume redefines the diary as a critical artefact of Enlightenment culture and offers a compelling model for studying gendered intellectual life in regional contexts.
Michael Allis
Granville Bantock and the Orchestral Refiguring of Literature
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Illuminates Bantock's experimentation with musical structure to create effective representations of literature, while offering new notions of the modern in late nineteenth- and early twentieth-century music.
Granville Bantock (1868-1946) remains one of the most significant British composers of the late nineteenth and early twentieth century. This book provides an in-depth exploration of a series of orchestral compositions by Bantock based on different forms of literature (the poem, the drama, the novel) penned by a wide range of authors including Robert Browning, Samuel Butler, Dante, Ernest Dowson, Thomas Moore, Percy Shelley, Sophocles and Robert Southey. The majority of the musical works discussed date from Bantock's most successful period as a composer (c.1899-1911), when his music was perceived to be 'modern'. Although critics were struck by his skills in orchestration, central to his modernist credentials is his distinctive approach to musical structure. The book's in-depth analyses, drawing on a wide range of literary scholarship, demonstrate a more meaningful way to appreciate these designs as individual responses to the literary texts on which they are based. As well as tackling the vexed issue of programme music, the book also highlights Bantock's association with orientalism. As the first major study of Bantock's orchestral music, this book not only demonstrates the composer's experimentation with musical structure to create effective representations of literature, but its findings also have a wider significance in terms of notions of the modern and the interdisciplinary potential of music-literature studies in general.
Alston Kennerley
British Merchant Seafarer Training and Education
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The first overview of merchant seafarer training and education in a single volume, outlining the development of training and education from the earliest time to the present.
Because merchant seafarers practise their occupation largely out of sight of the general population ashore, there persists a widespread ignorance of seafaring and seafarers, which has been labelled "sea blindness". Moreover, much writing on seafarers and seafarer training is dispersed in journal articles, which tend to be restricted in scope. This book presents the first overview of merchant seafarer training and education in a single volume. It outlines the development of training and education from the earliest time to the present, examines the different aspects of training and education, and covers the numerous and differing policies and training structures put in place by various shipowners. Despite national state regulation merchant shipping is not a single organisation like the Royal Navy. In addition to being a contribution to maritime studies and maritime history, the book also reveals a great deal about vocational training and education in general.
Nigel Simeone and Jiří Zahrádka
Janácek’s Sinfonietta
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A definitive study of Janáček's Sinfonietta, tracing its creation, reception, and rise to international prominence.
This book provides a musical 'biography' of Leoš Janáček's (1854-1928) most famous orchestral piece - his Sinfonietta - by analysing its sources, composition, reception history, recordings and musical component parts. The most up-to-date research on the genesis and performance history of the work, it considers in detail Janáček's orchestral writing, the inspiration and genesis of the Sinfonietta, a documentation of all the surviving sources for the work, the work's performance history during Janáček's lifetime and following his death until the end of the Second World War, including press reviews and relevant correspondence.
The book also examines the growth in the worldwide popularity of the Sinfonietta. This evolved from cautious and hostile critical responses to the premiere recording in 1946 to its gradual acceptance as one of the key works of the 1920s, largely thanks to the advocacy of conductors whose work is considered in detail, alongside other significant recordings. Questions of performance, rehearsal, interpretation and the musical text are considered in a wide-ranging interview with the conductor Jakub Hrůša, and a concluding chapter provides a detailed commentary on the music itself. The book includes a valuable appendix describing the annotated scores used by conductors such as Otto Klemperer, František Neumann and Henry Wood, as well as a comprehensive discography.
Edited by G. H. Bennett
Lloyd George and the Coalition Liberal Party
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Key documents from around the time that the Labour Party replaced the Liberals as the main opposition to the Conservatives.
The Scovell papers provide previously unseen insights into the Coalition Liberal party: a party created to support David Lloyd George, prime minister 1916-1922, and his allies who had split from the main Liberal party during the First World War. They document the evolution of British politics at the point when the Liberals were giving way to Labour as the opposition to the Conservatives. They also document Lloyd George's failure to achieve a fusion of the Conservatives and Coalition Liberals to create an anti-socialist centre right party to stem the rise of Labour. The documents, at the intersection between the party at Westminster and the wider party in the country, make a significant contribution to debates about the relative primacy of the higher level versus the lower level within the evolution of British political system in this period. They show that the Coalition Liberal party had genuine substance at the local level,built up with painstaking spadework by Scovell and others, sufficiently strong to strike local deals in the 1922 election, thereby raising Lloyd George's hopes, falsely as it turned out, that he would be a key power broker and potentially still prime minister in the new parliament.
Ralph Moffat
Medieval Arms and Armour: A Sourcebook. Volume III: 1450-1500
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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.
Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, and is lavishly illustrated with images of both extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Stewart Spencer
Richard Wagner: My Life [Two Volume Set]
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The first fully annotated scholarly edition and masterful new translation of Wagner's autobiography, revealing the composer's self-fashioning and mythmaking.
Richard Wagner's life was as tempestuous as his music and in his own retelling it constitutes a gripping narrative. His autobiography, My Life, matters if one wants to understand the composer's life or the way in which he himself saw that life. And yet, it has a flawed publishing history: Bayreuth published the first commercial edition in 1911, but it was not until 1963 that the full text appeared in an annotated German edition. An anonymous English translation was published in 1911, the work of a translator unfamiliar with the subject. A second translation, published in 1987, is notable for its wayward style and many inaccuracies. Until this day, no edition published in any language has risen to the challenge of providing adequate annotation. This new scholarly edition and translation by Stewart Spencer is the first edition to do so.
Annotations provided here explain references and allusions that Wagner himself took for granted and correct lapses of memory that the text contains. The edition highlights various strategies of concealment as far as Wagner's love life and revolutionary activities were concerned. Crucially, as this edition illuminates, by the 1860s Wagner was anxious to portray himself as Beethoven's natural successor, and his life in defence of art as a bulwark against the decline of Western civilization. This new critical edition and translation of Richard Wagner's autobiography is a response to one of the most pressing needs in the entire Wagner bibliography. It will be widely welcomed by a substantial Wagner community of readers.
Andrew P. Dorman
The British Army, Society and Soldiering in Ireland, 1699-1793
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A comprehensive overview of the British army in Ireland in the eighteenth century and the army's relationship with the local population.
The eighteenth-century army in Ireland, which consisted of 12,000 to 15,000 men, and which was its own quasi-independent "Establishment", paid for, housed by, and commanded from Dublin, represented a significant proportion of overall British military forces. This book, based on extensive original research, presents an overview of army life in Ireland in the period. It covers the administration of the Irish Establishment, recruitment, desertion, criminality, drunkenness, everyday routines, soldier-civilian relations, the response of soldiers to growing revolutionary unrest, and more. It overturns much established thinking, demonstrating for example that desertion in the army in Ireland was no different from desertion in the army elsewhere, that the army in Ireland was well-trained and efficient, and that Irish soldiers were far more common in British service than previously thought. In addition, the book discusses ideas of masculinity, the army's place in the defence of Ireland against foreign invasion, in securing the ascendancy regime and in suppressing unrest, and the unusual situation of Ireland as both subject and participant in the development of the British empire.
John Bulaitis
The Tithe War in England and Wales, 1881-1936
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Brings to life a fascinating page of history in a scholarly but highly readable account of the "tithe war".
Co-WINNER: 2025 Thirsk Prize (British Agricultural History Society)
During the 1930s, farming communities waged a campaign of "passive resistance" against Tithe Rentcharge, the modern version of medieval tithe. Led by the National Tithepayers' Association, farmers refused to pay the charge, disrupted auctions of seized stock and joined demonstrations to prevent action by bailiffs. The National Government condemned their "unconstitutional action", ruled out changes in the law and mobilised police to support the titheowners. Meanwhile, the Church of England and lay titheowners - including Oxford and Cambridge colleges, public schools and major landowners - sought to vindicate their right to tithe; in a particularly shameful episode, the Church established a secret company to buy taken produce and remove it from farms.
This "tithe war" was fought outside farms, in the courts, in the press and in the wider arena of public opinion. It posed problems for the Church, legal system, and every political party; split the National Farmers' Union; and provided opportunities for the British Union of Fascists and other sections of the extreme right to cause disturbance.
Drawing on extensive archival research, accounts in local newspapers, and private papers, John Bulaitis traces the evolution of what has been described as this "curious rural revolt", from the late nineteenth century to its climax in 1936, when the Tithe Act brought an end to this form of tax.
Edited by Alexandra Lester-Makin and Gale R. Owen-Crocker
Textiles of the Viking North Atlantic
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An examination of the uses, meanings, and social impact of Viking Age textiles.
This volume offers the first full study of archaeological fabrics and their decoration found in the North Atlantic region and dating broadly from the Viking or Norse period. With contributions from both academic scholars and practitioners, it shows how approaching early medieval textiles from archaeological, historical and literary contexts, and through the processes of learning and employing the traditional skills of making them, brings about a more nuanced understanding of early medieval cloths: their creation, use and meanings within their respective societies.
The book is divided into two parts. The first, "Textiles and their Interpretation", takes the reader on a journey from how wool was processed in the Viking Age, and the conservator's role in preserving and interpreting archaeological textiles, to different types of analyses that researchers use to understand and explain textiles from across the wide area of the Viking-influenced North Atlantic region. The second, "Understanding through Replicating", investigates the results of practical experiments in the reconstruction of surviving medieval fabrics and the resulting empirical conclusions that can be made about their manufacture and wider cultural implications.
Ralph Moffat
Medieval Arms and Armour: A Sourcebook. Volume II: 1400–1450
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Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.
Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.
Michael Brown
Scotland, the Wars of the Roses, and European Politics
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Traces Scotland's involvement in the increasingly dynamic international relations of the fifteenth century.
In 1461 the eyes of much of Europe were trained on Scotland. King Henry VI of England had fled into exile there following his defeat by Edward of York at Towton. This attention may have been exceptional, but it demonstrates that despite its location, Scotland was an integral part of the European political world and, in particular, between the 1450s and 1490s, a key external player in the Wars of the Roses. However, although Scotland's role in these decades was never confined to Britain, scholarship has tended to downplay its continental connections. This book demonstrates the extent to which the Scots were active and engaged participants on a wider stage. Military, dynastic, and economic contacts meant that during the fifteenth century, Scotland was a recognised factor in the diplomacy of rulers from Italy to Scandinavia. It shows the importance of maintaining external relationships for the Scots, the fluctuating value of these relationships to other rulers, and how English political events were also bound up with wider patterns abroad.
Chassica Kirchhoff
The Thun-Hohenstein Album
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The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it.
In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tournament arena.
Previously believed to contain preliminary designs sketched by master armourers, the Thun-Hohenstein album is a bound collection of drawings by professional book painters depicting some of the most artistically and technologically innovative armours of the fifteenth and sixteenth centuries. Like a paper version of the princely armories that first formed during the 1500s, the album's images offered rich sites of meaning and memory. Their organization within the codex suggests the images' significance to their compiler. At the same time, the composition and details allow the reader to trace the transmission of recognizable armours, and the memories they embodied, from the anvil to the page.
This book is the first to examine the album, and the armor it depicts, in their vibrant artistic and cultural context. In five thematic chapters, it moves from case studies of these drawings to explore the album's complex intersections with the genres of martial history, material culture, and literature. It also reveals the album's participation in cultures of remembrance that carried mythic, knightly personae constructed around powerful Habsburg princes forward in time from the Middle Ages into the early modern era, from the courts of the Holy Roman Empire to emerging urban audiences.
Edited by David Morris and Andrew Neill
The Importance of Elgar
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A landmark celebration of Edward Elgar's life, music and enduring influence, bringing together leading voices from across the musical world.
Of the many biographies and other books published about Edward Elgar few have brought together as many composers, performers, and writers as this anthology, in celebration of his art and life. Published to celebrate the 75th anniversary of the Society which bears his name, The Importance of Elgar brings together both executant musicians and others who share their love and appreciation of his music and what it means to them and, more widely, his place in the canon of western music. With a foreword by the Society's President, Sir Mark Elder, the more than 60 contributors include Dame Janet Baker, Sir Stephen Hough, Sir James MacMillan and Christian Tetzlaf. The choice of the word 'importance' ensured that those who contributed to this volume would write something personal. The Elgar Society's first President, Sir Adrian Boult, was one of the great interpreters of Elgar's music and his commitment remains an inspiration to many today. It was Sir Adrian who suggested the formation of The Elgar Society during a series of concerts in Malvern in 1950. Four months later, in January 1951, what became the largest composer society in Britain was formed. Edited by David Morris, The Elgar Society's Secretary, and Andrew Neill a former Society Chairman, this book offers the practising musician and music lover alike some fresh insights into Elgar's music and his importance beyond the shores of Britain.
Edited by Juan Pan-Montojo, Lourenzo Fernández Prieto and Miguel Cabo
Agricultural Modernisation and the Green Revolution in the Twentieth-Century World
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An overarching history of the origins, development, and application of agricultural innovation in the past, and of the paradigms and institutional frameworks in which they were developed throughout the twentieth century.
From the late nineteenth century onwards, rural societies and agrarian production across the world were profoundly transformed. Prior to the Second World War, technological innovations developed within an intensive organic framework and advanced largely in dialogue with existing producers. After the war, social engineering became the prevailing model in agricultural and rural policies almost everywhere. Modernisation was imposed from above, targeting so-called "archaic" or "anti-modern" peasants and farmers, who were pushed to produce ever-greater quantities of food, timber, and other raw materials through the expanded use of industrial and inorganic resources. Applied as a USA political programme in Asian, Latin American and African countries, this strategy became known as the "Green Revolution". Although it undermined rural societies and eroded the sustainability of agricultural production, it remained central to political agendas, leaving a difficult legacy for future generations.
This book analyses agrarian change and agricultural policies before and after 1945, highlighting the socio-economic and environmental consequences of these two very different periods in global agrarian history. Its diverse case studies span continents and political systems, considering topics from post-war reconstruction in the UK and Denmark to development policies in the Belgian Congo and post-fascist Ethiopia; from production projects in communist Hungary to agricultural transformations across the Southern Cone and India.
Chapter 6 is available as Open Access under the Creative Commons licence CC BY-NC-ND
Julian Luxford
Drawings in Books in Medieval Britain from the Ninth Century to the Reformation
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The first broad and long study of a major aspect of British medieval art, examining the historical relationships between medieval drawings and books.
The art of drawing and its products had a determining relationship to the visual arts of the Middle Ages. They also had other purposes, which if understood, help one to grasp the broader availability and usefulness of the medium. This groundbreaking study deals particularly with the historical relationships between medieval drawings and books. Using a wide range of material and documentary evidence, it explains how book-bound drawings may be defined, classified, and understood in relation to their physical settings and the ends they were made to serve. In orientation, the study is primarily art historical: most of its arguments emerge from curiosity about the psychology and experience of making drawn images. As such, it tackles a surprisingly neglected field. Because it deals with a pervasive aspect of book-design, it also makes a basic contribution to medieval codicology. There are six substantial chapters, the first two dealing with the definition of drawings, existing scholarly approaches to them, and issues of artistic status and agency. These lay the groundwork for the rest of the study, which analyses the placement of drawings at the fronts and backs of books (chapters 3, 4), and drawings embedded in the bodies of manuscripts that were mainly devoted to text (chapters 5, 6). Drawing emerges as an accessible, flexible medium of expression to rank with writing.
Jayne Friend
Destroyers, Naval Culture and British Identity
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An overview of what destroyers were and how their capacity for heroic deeds captured the popular imagination.
Destroyers, first developed over the course of the late 1880s and 1890s, were fast, manoeuverable warships intended to escort larger vessels and defend them against a wide range of threats. In Britain their speed, nimbleness and capacity for heroic deeds captured the popular imagination, and they became symbolic vessels, encapsulating the fortitude and ingenuity which contemporaries felt characterised the British navy. Based on extensive original research, this book provides both an overview of destroyers' operational roles and how these developed over time and also a detailed examination of destroyers' place within British culture, society and identity. Considering a wide range of sources including news reporting, pageantry, literature, film, art and more, the book reveals how the destroyer as symbol was used as propaganda, fitted in to popular, civic and artistic cultures and affected naval policy, British people's morale and outlook, and international views of Britain's naval power. One striking example of the depth of British people's attachment to destroyers was the scheme during the Second World War for individual towns to each adopt their own destroyer, a scheme which achieved astonishing success, with many small towns raising huge sums sufficient to fund entirely the building of their own destroyer.
Edited by Joe Davies and Natasha Loges
Global Perspectives on Women Pianists
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Pathbreaking study that explores the piano as an instrument of globalism, colonialism and mobility and what this meant for women pianists from around the world.
This book surveys women pianists around the world. It focuses on the mid-nineteenth to the late-twentieth centuries, an era that witnessed sustained interest in piano performance against a backdrop of technological and socio-political transformation. The authors range from emerging to established scholars, from the Americas, Europe, Africa, and Asia. They take diverse approaches to the piano as an instrument of globalism, colonialism, class, and mobility, within women's lives. These include explorations of mapping, networks, and cultural transfer; feminist examinations of archival traces; the implications of distinctive geographies and socio-political conditions; and the links between gender and genre, including contemporary and experimental musics. The volume offers a bold account of global approaches to women in music and encourages innovative ways of rethinking piano culture.
Global Perspectives on Women Pianists will be an exciting contribution to the growing landscape of global music history. This book will also contribute to the fields of gender studies, historical musicology, and material history.
The editors have curated a volume that achieves a genuine spread of "global" essays (and commendably, one that includes the "West" as simply another part of the globe).
JOE DAVIES is a faculty member in the Arts and Humanities Division at New York University Abu Dhabi. He previously held research and teaching positions at Maynooth University, the University of California, Irvine, and the University of Oxford.
NATASHA LOGES is Professor of Musicology at the Hochschule für Musik Freiburg. She was previously Head of Postgraduate Programmes at the Royal College of Music, London.
Steven Zohn
The Telemann Compendium
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The first guide to research on Telemann in any language.
The 'Telemann Renaissance' is now more than half-century old. The veritable explosion of performances, both live and recorded, of the composer's music in recent decades has won him an ever-increasing following among musicians and concert-goers worldwide. This book presents a much-needed gateway for further study. As with other books in the Composer Compendia series, the book includes a brief biography, dictionary, works-list, and selective bibliography.
Michael Tugendhat and Elizabeth De Montlaur Martin
Liberty in France and Britain, 1159–1789
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Documents the influence Britain and France had on the ideas of liberty and human rights from the twelfth century to the French Revolution.
Liberty, Equality, Fraternity, the motto of the French Republic, encapsulates the 1789 Declaration of the Rights of Man. The authors trace the history of each article in that Declaration to the twelfth to the sixteenth centuries. That period saw the invention by the French-speaking Norman rulers in England of the common law based on reason and natural rights, of limited monarchy and habeas corpus; and in both France and England the replacement of trials by ordeal and battle with the right to a fair trial or due process, the disappearance of chattel slavery, and the development of the rule of law and republican government. The authors show that the ideas that the French and British held in common from that period were deployed to justify the rebellions and revolutions in the Netherlands and Britain in the sixteenth and seventeenth centuries, and in France and the USA in the eighteenth century. That in turn led to the adoption of human rights declarations, treaties and laws in the twentieth century. The authors trace these ideas from the Policraticus (1159) of John of Salisbury, the Englishman educated in France who dedicated his work to his patron Thomas Becket, through (among others) Thomas More's Utopia (1516), Jean Bodin's Six Books of the Republic (1576), John Locke's Treatises on Government (c.1689), Montesquieu's Spirit of the Laws (1748) and William Blackstone's Commentaries on the Laws of England (1765-69) that was widely cited in France and propounds the natural rights of mankind listed in the 1789 Declaration.
Eric McElroy
Weird Music: Reading John Ireland and Arthur Machen
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Using John Ireland's fascination with Arthur Machen as case study, this book challenges our perception of the correspondence between music and literature in twentieth-century Britain.
The composer John Ireland (1879-1962) declared repeatedly that no one could understand his music until they had first read the work of his favourite writer, Arthur Machen (1863-1947). This book is the first study to take Ireland at his word. Revolving around Machen's classification as a founding figure of 'weird fiction', it uses weird aesthetics as an interpretative lens with which to understand Ireland's notoriously cryptic life and music. Its four chapters deal respectively with Machen's and Ireland's parallel explorations of weird art's relationship with eroticism; with fin-de-siècle London; with the English pastoral tradition; and with unsettling implications of alternative historiography.
The resulting portrait reveals Ireland to be one of Britain's pre-eminent 'weird artists', placing Ireland in the aesthetic context with which he wished to be associated. It therefore fills a significant gap in British musicology, while at the same time contributing to a growing appreciation of Machen as a major figure in British culture, one whose influence exceeds far beyond the literary sphere to which he is traditionally confined. Using Ireland's fascination with Machen as its case study, this book makes a timely and necessary connection between the literary weird and its musical doppelgänger, enriching and challenging our perception of the correspondence between music and literature in twentieth-century Britain.
James Ross
Robert de Vere, Earl of Oxford and Duke of Ireland (1362-1392)
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The first full-length study of one of the most controversial figures of later fourteenth century England.
Robert de Vere was a close friend of the young King Richard II. He was accused of a wide range of political crimes and private vices by his opponents, the Lords Appellant. Defeated by them at the battle of Radcot Bridge in 1387, he died abroad in exile aged only 30. He was, in the eyes of many contemporaries - most notably the hostile chroniclers Walsingham and Froissart - and modern historians, a typical royal favourite: unmartial, immoral, self-seeking, and promoted and enriched far beyond what he deserved.
But what was a royal favourite, and what were the accusations made against them? This book investigates these questions across late medieval England, and assesses de Vere against contemporary criteria. Based on extensive archival research, this book shows there was more to de Vere than a grasping courtier. He had been Earl of Oxford since the age of nine, heir to a large landed estate, and had twice served in foreign wars. He also made a serious attempt to govern the English lordship in Ireland given to him by Richard. The findings here show him to be a far more rounded and complex figure than previously assumed.
Nigel Simeone
The Janácek Compendium
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Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian (and wider Czech) culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist.
One of the greatest and most original composers of the early twentieth century, Leos Janácek (1854-1928) occupied a pre-eminent position in Moravian culture, not only as a composer but also as a folksong collector, journalist, educator and nationalist. His friends and associates included artists, writers, ethnographers and politicians, as well as conductors, singers and instrumentalists. Janácek's many pupils included the conductor Bretislav Bakala and thecomposer Pavel Haas. He had important associations with publishers in Vienna and Prague and with the earliest years of Czech Radio. Janácek was strongly attached to particular places - Hukvaldy, Brno, Luhacovice - and had professional links with Prague, Berlin, London and beyond. The Janácek Compendium includes nearly 300 entries on every aspect of Janácek's life and works, with detailed notes on all his significant compositions - above all the operas - providing the latest information to emerge about some of his most famous pieces. An extensive bibliography supports the entries, which are cross-referenced to enable wider exploration of particular topics.
Edited by Lisa Jefferson
The Accounts of Two Westminster Fraternities, 1474-1540
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An edition of the surviving accounts of two important religious fraternities, one based at St Margaret's Westminster, the other at the Chapel of St Mary Rounceval at Charing Cross.
These organisations drew their membership from across the social spectrum, from nobles and senior clergy, to local parishioners and merchants. They formed a key focus of social and religious life, and their accounts throw light on the regular activities of Westminster inhabitants.
Edited by Sarah Semple and Jane Hawkes
Early Medieval Sculpture in Stone
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Multidisciplinary scholarship showcasing innovative methods for working with sculptural material - with essays ranging from Merovingian funerary art to Old English and Scandinavian runic inscriptions.
The stone sculptures surviving across Europe from the early medieval period are an exceptional resource for understanding the communities that created them. Found at waysides, in architectural settings, and graveyards - standing crosses, inscribed stones, runestones and grave-markers are just some of the highly varied forms that attest to the art, technologies and beliefs of both Christian and non-Christian societies. The new approaches to sculpture studies found in this volume range from rethinking late antique influences to exploring how sculpture was used and encountered in a variety of political and cultural contexts; contributors also draw out the dialogues inherent in form and decoration within and across temporal and national boundaries. These fresh perspectives on iconographies, narrative art, sculpture and nature and the power of sculpture in multi-media environments, alongside studies of sourcing, production and portability, and the afterlives of carved stones, reflect the vibrancy of current research and the way in which it now integrates digital, scientific and spatial methods.
The introduction and chapters 26 and 27 are available as Open Access under the Creative Commons licence CC BY-NC-ND. This work was supported by the Arts and Humanities Research Council [AH/R003556/1] and the British Academy [AQ2324\240012].
Chapter 17 is Open Access under the Creative Commons License CC BY-NC-ND with funding from the Swedish National Heritage Board.
R. Larry Todd, Katharina Uhde
The Art of Musical Ciphers, Riddles and Sundry Curiosities
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Offers the first comprehensive account of a centuries-old tradition of encrypting covert messages into music, from the Middle Ages to the present day.
Question: What do J. S. Bach, beef cabbage, coffee, the SATOR Square, and Marlene Dietrich have in common?
Answer: Composers have enciphered these and many other words into music.
Since time immemorial riddles have intrigued us, partly for their mirthful manner of connecting incongruous ideas, partly for their arresting way of opening fresh perspectives on our shared human condition. When we think of riddles, we normally recall verbal conundrums from cultures around the globe. But riddles can penetrate non-verbal aspects of our existence as well. Masking messages in music so that they lurk beneath the sonorous surface is an august Western tradition spanning the Middle Ages to the present. Known as musical cryptography, these puzzling pursuits form the subject of this book, construed broadly enough to capture not just musical ciphers and codes but also a curiosity shop of related techniques, which arguably can advance the greater virtue. They entertain, edify, and enthral, but also bewitch and bewilder, and, when unsolved, perplex and perturb.
Martin Carver
The Experimental Sutton Hoo Ship
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Unearthed from its burial mound, the Sutton Hoo ship offers a profound window into the political, cultural and technological world of seventh-century East Anglia.
On the eve of war in 1939 the remains of a wooden ship nearly 90 feet long were excavated beneath a mound at Sutton Hoo in Suffolk. Only the lines of iron rivets that secured the planking were still in place. This is the largest ship so far recovered from north-eastern Europe in the pre-Viking period. Now this great vessel is being reconstructed by the Sutton Hoo Ship's Company on the Woodbridge waterfront.
In this book - the first of three - Martin Carver pictures the people that created the ship in the seventh century, and explores their world of beliefs, burial, ornamental metalwork, clothes, and carpentry. The treasure found in the ship marks the high point of the kingdom of East Anglia, a realm linked with continental Europe, the Mediterranean and the Byzantine empire. This coincided with the creation of great timber halls and great clinker-built wooden ships. In order to see what influenced the design and construction of the Sutton Hoo ships, we have to look at the surviving evidence for seventh century boats from a wide variety of countries.
This roll-call of broadly contemporary boats is followed by a description of how our ship came to be reconstructed today, through the initiatives of Sutton Hoo's researchers and custodians and the people of Woodbridge, how it was designed and made a reality, concluding with an overview of what we can learn from this kind of recreation of a major archaeological discovery.
R. Larry Todd
The Art of Musical Ciphers, Riddles and Sundry Curiosities
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$190.00
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Offers the first comprehensive account of a centuries-old tradition of encrypting covert messages into music, from the Middle Ages to the present day.
Question: What do J. S. Bach, beef cabbage, coffee, the SATOR Square, and Marlene Dietrich have in common?
Answer: Composers have enciphered these and many other words into music.
Since time immemorial riddles have intrigued us, partly for their mirthful manner of connecting incongruous ideas, partly for their arresting way of opening fresh perspectives on our shared human condition. When we think of riddles, we normally recall verbal conundrums from cultures around the globe. But riddles can penetrate non-verbal aspects of our existence as well. Masking messages in music so that they lurk beneath the sonorous surface is an august Western tradition spanning the Middle Ages to the present. Known as musical cryptography, these puzzling pursuits form the subject of this book, construed broadly enough to capture not just musical ciphers and codes but also a curiosity shop of related techniques, which arguably can advance the greater virtue. They entertain, edify, and enthral, but also bewitch and bewilder, and, when unsolved, perplex and perturb.
Sara Elin Roberts
The Growth of Law in Medieval Wales, c.1100-c.1500
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2022 Hywel Dda Award (University of Wales Literary Awards)
A ground-breaking study of the lawbooks which were created in the changing social and political climate of post-conquest Wales.
The Middle Ages in Wales were turbulent, with society and culture in constant flux. Edward I of England's 1282 conquest brought with it major changes to society, governance, power and identity, and thereby to the traditional system of the law. Despite this, in the post-conquest period the development of law in Wales and the March flourished, and many manuscripts and lawbooks were created to meet the needs of those who practised law. This study, the first to fully reappraise the entire corpus of law manuscripts since Aneurin Owen's seminal 1841 edition, begins by considering the background to the creation of the law from the earliest period, particularly from c.1100 onwards, before turning to the "golden age" of lawmaking in thirteenth-century Gwynedd. The nature of the law in south Wales is also examined in full, with a particular focus on later developments, including the different use of legal texts in that region and its fourteenth- and fifteenth-century manuscripts. The author approaches medieval Welsh law, its practice, texts and redactions, in their own contexts, rather than through the lens of later historiography. In particular, she shows that much manuscript material previously considered "additional" or "anomalous" in fact incorporates new legal material and texts written for a particular purpose: thanks to their flexible accommodation of change, adjustment and addition, Welsh lawbooks were not just shaped by, but indeed shaped, medieval Welsh law.
Eric Wolever
North, South, East and West in Twelfth-Century Thought
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Considers how twelfth-century authors used the four cardinal points as a conceptual system to make sense of and construct their world.
From the Great White North to the West End or the Global South, we frequently carve up our world according to the cardinal points. These divisions are rarely mere geographical conveniences; they bring with them a host of ideas about regions and their inhabitants.
This book examines how this phenomenon operated in the Middle Ages, drawing on sources from the Ordinary Gloss on the Bible to the geographies of Hugh of Saint Victor and Honorius Augustodunensis. It begins by tracing the consolidation of the cardinal points as a foundational spatial vocabulary in the Middle Ages and looks athow these terms accumulated new meaning and significance in biblical exegesis, geography and history writing over the twelfth century. It pays particular attention to the ways in which authors actively engaged with and manipulated this tradition, showing how authors like Sigebert of Gembloux, Romuald of Salerno and Orderic Vitalis made use of these ideas to underscore the broader narrative agendas of their universal histories. Subsequent chapters focus on the role of space in narratives of identity formation, using as case studies histories of the First Crusade, the duchy of Normandy and the abbey of Cluny.
Nancy November and Imogen Morris
Musical Amateurs as Artistic Citizens in Schubert’s Vienna
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Details the wide, integral and influential role played by 'amateur' participants in early nineteenth-century Vienna's musical life.
During Franz Schubert's lifetime in early nineteenth-century Vienna, amateurs and dilettantes were a vital part of the music scene, so much so that Eduard Hanslick considered it the high point of musical dilettantism in Vienna. Schubert himself participated extensively in this rich world of domestic music-making. Around 1800 terms such as "amateur" and "dilettante" had broader and more positive connotations than today, and "amateurs" could indeed often portray a high skill level. The book considers the amateurs' and dilettantes' identities and motivations for making music, and their various roles in the musical life of early nineteenth-century Vienna. It dives deeply into contexts, performance practices and spaces, as well as instruments that have so far been little explored. Musical Amateurs in Schubert's Vienna uncovers new key agents in early nineteenth-century Viennese musical life who have so far remained invisible.
Peter Ward Jones
British Choral Singing
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Charts choral traditions in Britain, evolution, sociological composition, engagement with and place within cathedrals and secular spaces.
Choirs are living organisms and ever changing. This book tells the story of British choral singing (not choral music) and deals with both sacred and secular choirs and institutions from the medieval era through to the Covid pandemic and its aftermath. A series of different choral traditions has emerged over the centuries. The oldest is that of the all-male cathedral choir, while the secular choral society evolved from the eighteenth century onwards. Although there are many histories of individual cathedrals and choral societies, this is the first general history of British choral traditions. While English matters predominate, those of Scotland, Wales and Ireland are also considered. Even though British choral traditions have penetrated many parts of the world, there has also been much cross-fertilization of late with the rich choral cultures of other nations in Europe and beyond. Choral singing inevitably involved matters of social class, and a much more nuanced story is told here than the current view of choirs as being a largely middle-class phenomenon might suggest.
Scholarly in method while highly readable, the book offers invaluable background to choral practitioners. When choral activity is reviving healthily after the Covid 19 pandemic, such a volume appears timely, reminding the reader of the essentially communal and social nature of the choral experience.
Peter Ward Jones
British Choral Singing
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$170.00
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Charts choral traditions in Britain, evolution, sociological composition, engagement with and place within cathedrals and secular spaces.
Choirs are living organisms and ever changing. This book tells the story of British choral singing (not choral music) and deals with both sacred and secular choirs and institutions from the medieval era through to the Covid pandemic and its aftermath. A series of different choral traditions has emerged over the centuries. The oldest is that of the all-male cathedral choir, while the secular choral society evolved from the eighteenth century onwards. Although there are many histories of individual cathedrals and choral societies, this is the first general history of British choral traditions. While English matters predominate, those of Scotland, Wales and Ireland are also considered. Even though British choral traditions have penetrated many parts of the world, there has also been much cross-fertilization of late with the rich choral cultures of other nations in Europe and beyond. Choral singing inevitably involved matters of social class, and a much more nuanced story is told here than the current view of choirs as being a largely middle-class phenomenon might suggest.
Scholarly in method while highly readable, the book offers invaluable background to choral practitioners. When choral activity is reviving healthily after the Covid 19 pandemic, such a volume appears timely, reminding the reader of the essentially communal and social nature of the choral experience.
James William Sobaskie
Gabriel Fauré: Influences and Influence
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Presents Fauré not as a solitary figure, but part of a vibrant continuum of nineteenth- and twentieth-century composers and the first member of a French musical 'trinity', with Debussy and Ravel.
A composition professor at the Paris Conservatoire since 1896, and its director from 1906 to 1920, Gabriel Fauré (1845-1924) was said to have created no school as Cesar Franck had before him, encouraging originality among his students rather than emulation. This collection portrays Fauré, influenced by Wolfgang Mozart, Fryderyk Chopin, and Felix Mendelssohn, plus the poetry of Charles Baudelaire and Paul Verlaine, as an early Modernist who provided a reference point for Claude Debussy, Maurice Ravel, and Francis Poulenc. Casting a wide net, it explores Fauré's influence on his younger contemporaries Lili Boulanger and Frederick Delius, as well as on the later twentieth-century American composers Aaron Copland, Walter Arlen, Robert Helps, and Ned Rorem. Fauré no longer appears as a solitary figure, but part of a vibrant continuum of nineteenth- and twentieth-century composers, and the first member of a French musical 'trinity' that included Debussy and Ravel.
Mark A. Pottinger
Science and the Romantic Vision in Early Nineteenth-Century Opera
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An interdisciplinary study of how early nineteenth-century science and opera articulated a transnational romantic vision of harmony between self and nature, and how this ideal gave way to mid-century realism and social conflict.
The end of the Napoleonic era ushered in a transnational outlook for Europe, where the traditional boundaries that separated people, ideas and things were blurred in favour of a unified and cosmopolitan vision for society. The result of this shift created a 'romantic vision', a new way to perceive the imagined potential of the self in correspondence with the infinite reality of the natural world. Early nineteenth-century scientists such as Alexander von Humboldt (earth sciences), Franz Anton Mesmer (mesmerism), Johann Wilhelm Ritter (galvanism) and Frédéric Dubois d'Amiens (hysteria) are explored in this context to see how the romantic vision was reflected in their work and received by society. Seeing opera as a confluence of all the arts and encompassing a similar romantic vision, this book examines three paradigmatic operas that contend with the forces of nature: Weber's Der Freischütz (1821), Meyerbeer's Robert le diable (1831) and Donizetti's Lucia di Lammermoor (1835). In these three highly successful works from separate operatic traditions, the unseen, inner world of nature reveals a wholeness of the self with the divine, showcasing a healthy optimism for society. The book concludes by discussing Gounod's Faust (1859), a work that highlights the struggle of an early-16th-century scientist and places it against the context of the social revolutions of 1848 and the seminal publication of Charles Darwin's The Origin of Species in 1859. In this post-1850 era, the potential of the unseen reality of nature is cast aside and replaced with the certainty of the everyday-the violence of man against man, the struggle for power and the destruction of nature itself.
Nigel Simeone and Jiří Zahrádka
Janácek’s Sinfonietta
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A definitive study of Janáček's Sinfonietta, tracing its creation, reception, and rise to international prominence.
This book provides a musical 'biography' of Leoš Janáček's (1854-1928) most famous orchestral piece - his Sinfonietta - by analysing its sources, composition, reception history, recordings and musical component parts. The most up-to-date research on the genesis and performance history of the work, it considers in detail Janáček's orchestral writing, the inspiration and genesis of the Sinfonietta, a documentation of all the surviving sources for the work, the work's performance history during Janáček's lifetime and following his death until the end of the Second World War, including press reviews and relevant correspondence.
The book also examines the growth in the worldwide popularity of the Sinfonietta. This evolved from cautious and hostile critical responses to the premiere recording in 1946 to its gradual acceptance as one of the key works of the 1920s, largely thanks to the advocacy of conductors whose work is considered in detail, alongside other significant recordings. Questions of performance, rehearsal, interpretation and the musical text are considered in a wide-ranging interview with the conductor Jakub Hrůša, and a concluding chapter provides a detailed commentary on the music itself. The book includes a valuable appendix describing the annotated scores used by conductors such as Otto Klemperer, František Neumann and Henry Wood, as well as a comprehensive discography.
Edited by Jörg Peltzer and Nicholas Vincent
Thirteenth Century England XIX
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Essays addressing Anglo-German connections and comparisons across the period from 1190 to 1300, with particular attention to the economic, social and personal aspects of an entangled transregnal connection.
A wide range of topics are covered in this significant collection. It begins with an examination of macro-economic developments, together with comparative studies of serfdom, and the record-keeping of English and German towns. Personal contacts are the subject of articles on the hostages delivered by Richard the Lionheart following his release from captivity by the Emperor Henry VI, the diplomatic initiatives of 1227, the subsequent marriage of Henry III's sister Isabella with the Emperor Frederick II, Richard of Cornwall's German itinerary, and relations between England and Cologne. Another article investigates what happened if foreigners travelling in England came into conflict with the law. Turning from people to manuscripts, three articles analyse in turn the English reception of Oliver of Cologne's Historia Damiatina, the representation of English kings in Gervase of Tilbury's Otia imperialia, and Matthew Paris's attempts to depict royal emotion.
Sarah Kirby
Inventing Percy Grainger
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Investigates the dialogue and tensions between Percy Grainger's public biography and his self-conscious autobiographical construction via his own writings and autobiographical museum.
The Australian-American composer Percy Grainger (1882-1961) was a true polymath: composer, pianist, ethnographer, essayist, folk-song collector and more. This book considers the construction of Percy Grainger's biography on stage and screen, exploring the tensions and dialogue between these and Grainger's self-conscious autobiographical construction through his own writings and autobiographical museum.
The book explores biographies of Grainger published during his lifetime and considers the ways in which Grainger was depicted in the years following his death, from immediate laudatory tributes to the first academic biographical studies and the first appearance of Grainger as a character in Ken Russell's 1968 Song of Summer. It explores the significant shift in constructions of Grainger's biography that occurred in the 1970s with the expansion of access to the Grainger museum's archive (Grainger himself began documenting his everyday existence and creative practice), public awareness of Grainger's sadomasochism, and the publication of John Bird's import biography in 1976. Further case studies of plays, films and performance art pieces explore how Grainger and his music have been understood in the changing political and social climate of twentieth and twenty-first century Australia. In examining (semi)fictionalised representations of Grainger through the work of other artists the book considers questions of identity, meaning and representation in Australian society and culture.
Diego Alonso Tomás
Hanns Eisler and His Circle in Republican Spain
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Studies the development and impact of Hanns Eisler's music and Marxist activism in the tensions of 1930s Spain, revealing the interplay of varied influences, ideology and antifascist propaganda.
Hanns Eisler in Republican Spain is the first comprehensive study to explore the political, artistic, and intellectual engagements of Hanns Eisler and his circle of Marxist musicians - including the singer Ernst Busch and the musicologist Otto Mayer-Serra - in relation to Spain between 1931 and 1939. The book reconstructs Eisler's collaborations with a broad range of Spanish antifascist organisations, examines the reception of his compositional and theoretical work in Republican Spain, and assesses the deep impact of the Spanish civil war on his vocal and symphonic music. It highlights the influence of key local, national, and international communist structures - notably the Unified Socialist Party of Catalonia (PSUC), the Communist Party of Spain (PCE), and the Comintern (Third International) - on the musical and political projects of Eisler and his circle. Grounded in detailed analysis of an extensive corpus of textual, musical, and press materials - primarily preserved in archives in Spain, Germany, Russia, France, and the United States - this study offers new critical frameworks for understanding the role of Western modernist music in contexts of ideological conflict and war. It provides a fresh perspective on the complex entanglements between antifascist propaganda and musical modernism in the interwar period. Hanns Eisler in Republican Spain makes a vital contribution to scholarship at the intersection of music, exile, propaganda, communism, and antifascism, and more broadly, to the study of how political ideologies shaped music, aesthetics, and musical thought across national boundaries during a pivotal era in twentieth-century European history.
On publication this book is available as an Open Access ebook under the Creative Commons license CC BY-NC.
P. J. Marshall
Slave Owner and Paternalist
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An account of the life and ideas of Sir William Young, a leading opponent of the abolition of slavery, who used the rhetoric of paternalism to argue that slavery could be ameliorated to become a benign system.
This book charts the life and ideas of Sir William Young, owner of enslaved people on Antigua, St Vincent and Tobago and a leading opponent of the abolition of slavery. It outlines how he used the rhetoric of paternalism to argue that slavery could be ameliorated to become a benign system, akin to the paternalism which he worked towards in rural England, and contrasts his aims width his failure to implement them. It considers his place in the British elite - country gentleman, active back-bench MP and a man of learning - and examines his activity in attempting to improve conditions for the rural English poor. It explores his eventual financial failure, which included the loss of both his West Indian and his English estates, and his last years as Governor of Tobago. William Young was a considerable figure in both the world of the Caribbean, source of his wealth, and the world of London and the English countryside, where he spent that wealth. Young's doctrines of paternalism, unreal and self-serving as they may have been, were widely accepted by the British upper classes.
Diego Alonso Tomás
Hanns Eisler and His Circle in Republican Spain
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Studies the development and impact of Hanns Eisler's music and Marxist activism in the tensions of 1930s Spain, revealing the interplay of varied influences, ideology and antifascist propaganda.
Hanns Eisler in Republican Spain is the first comprehensive study to explore the political, artistic, and intellectual engagements of Hanns Eisler and his circle of Marxist musicians - including the singer Ernst Busch and the musicologist Otto Mayer-Serra - in relation to Spain between 1931 and 1939. The book reconstructs Eisler's collaborations with a broad range of Spanish antifascist organisations, examines the reception of his compositional and theoretical work in Republican Spain, and assesses the deep impact of the Spanish civil war on his vocal and symphonic music. It highlights the influence of key local, national, and international communist structures - notably the Unified Socialist Party of Catalonia (PSUC), the Communist Party of Spain (PCE), and the Comintern (Third International) - on the musical and political projects of Eisler and his circle. Grounded in detailed analysis of an extensive corpus of textual, musical, and press materials - primarily preserved in archives in Spain, Germany, Russia, France, and the United States - this study offers new critical frameworks for understanding the role of Western modernist music in contexts of ideological conflict and war. It provides a fresh perspective on the complex entanglements between antifascist propaganda and musical modernism in the interwar period. Hanns Eisler in Republican Spain makes a vital contribution to scholarship at the intersection of music, exile, propaganda, communism, and antifascism, and more broadly, to the study of how political ideologies shaped music, aesthetics, and musical thought across national boundaries during a pivotal era in twentieth-century European history.
On publication this book is available as an Open Access ebook under the Creative Commons license CC BY-NC.
Caroline Potter
Erik Satie
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$29.95
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Satie's music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris.
Sunday Times Classical Music Book of the Year
Erik Satie's (1866-1925) music appeals to wide audiences and has influenced both experimental artists and pop musicians. Little about Satie was conventional, and he resists classification under easy headings such as "classical music". Instead of pursuing the path of a professional composer, Satie initially earned a living as a café pianist and moved in bohemian circles which prized satire, popular culture and experiment. Small wonder that his music is fundamentally new in conception. It is music which is not always designed to be listened to attentively: music which can be machine-like but is to be played by humans. For Satie, music was part of a wider concept of artistic creation, as evidenced by his collaborations with leading avant-garde artists and in works which cross traditional genre boundaries such as his texted piano pieces. His music was created in some of the most exciting and creatively stimulating environments of the late nineteenth and early twentieth century: Montmartre and Montparnasse. Paris was the artistic centre of Europe, and Satie was a notorious figure whose music and ideas are inextricably linked with the City of Light. This book situates Satie's work within the context and sonic environment of contemporary Paris. It shows that the influence of street music, musicians and poets interested in new technology, contemporary innovations and radical politics are all crucial to an understanding of Satie. Music from the ever-popular Gymnopédies to newly discovered works are discussed, and an online supplement features rare pieces recorded especially for the book.
Susan Haynes
Charles Bridgeman (c.1685-1738)
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An examination of the garden plans of eighteenth-century landscape architect Charles Bridgeman, shedding light on his artistic vision and contributions to English garden history.
Charles Bridgeman was a popular and highly successful landscape architect in the first part of the eighteenth century. He was Royal Gardener to George I and George II, designing the gardens at Kensington Palace for them and working for many of the ruling Whig elite, including Sir Robert Walpole at Houghton Hall in Norfolk. His landscapes were audacious and monumental, but he is barely known outside the world of academic garden history; most of his gardens have disappeared, changed out of all recognition to chime with later tastes shaped by Lancelot Brown's vision of a more "natural" landscape, or buried under housing developments and golf courses; and there is little archaeological or written evidence of his work.
This book aims to redress this injustice and rescue his legacy. It draws on the only significant body of evidence which survived him: an extensive but wildly heterogenous corpus of garden plans. Close examination of them reveals an artistic vision heavily influenced by the late seventeenth-century geometric garden but deeply rooted in the "genius of the place", and working methods that include a proto-business model which prefigures the gentleman improvers who followed him. The volume brings him from obscurity to demonstrate his skill as an artist, a manipulator of space on a grand scale and a consummate practitioner, a deserved member of the canon of famous and revered English landscape gardeners.
Jonathan McGovern
The Early Parliaments of Henry VIII, 1510-1523
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An administrative study of Henry VIII's early parliaments (1510 to 1523), which systematically explains and analyses every aspect of parliament in the early sixteenth century.
This book is an administrative study of Henry VIII's early parliaments (1510 to 1523). It systematically explains and analyses every aspect of parliament in the early sixteenth century, from legislative procedure to the composition of the House of Lords and the House of Commons. Some of the matters under discussion include statutory litigation - how parliamentary legislation was actually applied in the king's courts - and the rules of precedence and inheritance of title in the Upper House. The book's main purpose is to explain how parliament worked - what parliament did, how it was done and who was involved in doing it. It forms part of a burgeoning academic movement known as the New Administrative History, which seeks to restore a knowledge of administrative processes to its rightful place of importance in the historiography of early modern England. The book will be essential reading for anyone wishing to understand the early history of parliament.
Edited by John D. Hosler and Stephen Bennett
The Third Crusade (1189-1192)
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Fresh perspectives on one of the largest and most complex crusades ever launched, covering all aspects of the expeditions - from preparation and commencement to results and consequences.
Saladin's victory at the Battle of Hattin in 1187 produced three profound results: a shattered Jerusalem army, a pope falling dead from the news, and the launching of the Third Crusade in response. Under the banners of renowned rulers like Richard the Lionheart, Philip Augustus, and Frederick Barbarossa, men and women from across Latin Christendom took the Cross and joined in the largest western military expedition since Urban II's call to arms in 1095 for the First Crusade.
Long dormant in the renewal of crusade studies in the twenty-first century, the Third Crusade has in recent years begun to attract increased scholarly attention. Adopting a cross-cultural focus that examines both western and eastern societies, this book offers a substantial and timely reappraisal. Chapters shed light on the crusade's causes, context, organization, participants, preparations, commencement, military progress, and short and long-term consequences, and scrutinise well-known sources through new lenses. They also engage with communication theory, the history of emotions, textual criticism and textuality, historiography, archaeology, and topography. Together, they provide both a fresh view of this complex and multifaceted war and a useful survey of its major contours.
Nicole Pohl
Women, Transnational Networks and Patriotism in Northern and Central Europe, 1763-1814
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A gateway to the complex world of eighteenth-century sociability of elite women and of their lasting impact on modern concepts of national identity and community.
In the dynamic intellectual and social landscape of eighteenth-century Northern Europe, the interplay between patriotism, nationalism, and cosmopolitanism was pivotal in shaping the era's cultural and political discourse. This study delves into the intricate networks of elite women who navigated and influenced these concepts through their participation in salons and literary circles. By examining figures such as Anna Amalia of Weimar, Dorothea von Kurland, members of the Bluestockings, Friederike Brun and the grande Dame of eighteenth-century salon world, Mme de Staël, the narrative uncovers how these women fostered transnational dialogues and cultural exchanges that were crucial in redefining public spirit and national identity.
Grounded in extensive archival research and touching on the lives of over twenty-five individuals, the work highlights the nuanced roles these women played as cultural mediators and agents of change across national borders, challenging the traditional male-dominated historiography. The exploration of their contributions offers fresh insights into the interconnectedness of European intellectual life and the critical role of gender in shaping historical discourses. This book not only broadens our understanding of the Enlightenment but also provides a rich, interdisciplinary perspective on the socio-political transformations of the era.
Nicholas L Paul
How the Holy Cross came from Antioch to Brogne
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The first critical edition, with facing-page English translation, of a thirteenth-century source, offering insights into crusading, material culture, and aristocratic-monastic relations.
In 1152, a knight from the southern Low Countries named Manasses of Hierges returned home after eleven years spent crusading in the Holy Land. He carried with him a precious relic, said to be a fragment of the True Cross that had belonged to the princes of Antioch. Nearly sixty years later, a writer associated with a nearby monastery composed a new Latin narrative, hagiographical, and liturgical textual programme known as Quomodo Sancta Crux ab Antiochia allata sit in Broniense cenobium (How the Holy Cross Came from Antioch to the Monastery of Brogne). It tells the story of Manasses, his career in Europe and the Near East, and of the conflict that broke out over possession of the relic after his death.
This volume provides the first critical edition and English translation of a source that contributes greatly to our knowledge of the medieval world, from crusading to material religion to relations between the lay aristocracy and religious communities. The work of a learned author with ambitions to a high literary and homiletic style, it offers a fresh perspective on the question of what motivated crusaders and on the history of the Holy Land under crusader occupation, providing critical new details to the story of the civil war between Queen Melisende of Jerusalem and her son, King Baldwin III. The sustained account of the conflict over a relic provides a window into the importance of sacred objects, and competing notions of sacrality, legal possession, and value. Previously unknown to historians, this work provides a rich illustration of the place of crusading in the memory of a local community. A detailed critical apparatus establishes what can be known about the work's composition and the author's reliance on Classical, Patristic, and Scriptural authorities, while an introduction gives an account of the work's political, cultural, and intellectual context.
Rose Walker
Art and Artifice in Twelfth-Century Iberia
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"This innovative, wide-ranging and erudite book illuminates the sophistication of artistic exchange at this time and place." Costanza Beltrami, Stockholm University.
Sculptors and painters produced exceptional, and sometimes eccentric works of art in the middle decades of the twelfth century in Iberia. The high-level artistic expertise needed to produce such works could be gifted, loaned, and even stolen in the same way as other precious items. It could be moved, like a commodity, across networks forged by reforming churchmen and rulers that traversed the Pyrenees and the Peninsula. Much of this sculpture and wall-painting shows an ability to play with the different repertoires that emerged from these established routes of exchange.
The pilgrimage roads of the Codex Calixtinus have had a strong imaginative pull and even been invoked to explain such artistic production. By contrast, this book argues that the more playful and satirical aspects of that manuscript - the pseudonyms, exaggerated claims, and pointed selections - resonate not only with a wider culture of forged charters and re-invented institutional histories but also with the imaginative, eclectic, and sometimes ludic art of these decades. This art encompasses sculpted church façades, painted interiors, illuminated missals and cartularies, as well as carved Atlas figures that encapsulate the complex status of the artists who made them.
W. G. Miller and Ann G. Smith
Maritime Misadventures in Early Modern Southeast Asia
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An analysis of the misadventures which befell British, Danish and Portuguese merchant mariners in Southeast Asia between 1790 and 1820, a time when British trade and imperialism were expanding.
This study describes and analyses the misadventures which befell British, Danish and Portuguese 'country traders', that is, merchant mariners who operated independently of but with the approval of the English East India Company, in Southeast Asia between 1790 and 1820, a time when British trade and imperialism were expanding. It is based on hitherto un-utilised first-hand accounts by captains and crew members as given to authorities at the major port of Malacca. These accounts, required by insurance companies, were a statement of the events which had occurred and a declaration by the declarant of non-culpability. The misadventures ranged from typhoons, groundings and piracy to fire, mutiny and collisions with other vessels.
The work places the misadventures in the context of the contemporary knowledge of navigation of the area's seas, current awareness of the local climatic conditions, the local indigenous societies and the contemporary European rivalry between the imperial powers. The analysis of the reporting is seen against the background of local administrative arrangements in Dutch-ruled Malacca, whereby the British, in control from 1795-1818, nevertheless maintained the continuity of Dutch procedures and Dutch personnel. Overall, the book provides rich information about everyday life in the eastern seas in the period.
David Cressy
Careers and Crises in the Age of Charles I
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Examines a selection of Charles I's people, exploring their aspirations and discontents, their engagement with kindred and colleagues, and central authority, in an age they recognized as 'troubled'.
This book examines the lives and circumstances of a variety of English men and women in the decades before the English Civil War, and follows some of them to the Restoration. It introduces a selection of Charles I's people, some of them previously undocumented, and explores their aspirations and discontents, their engagement with their kindred, their colleagues and central authority. These were members of the clerical, professional and commercial classes or from the minor gentry and aristocratic fringe - the backbone of the political nation - engaged, in various ways, with military, governmental, ecclesiastical or commercial affairs.
Most feature little in previous historical studies, but key moments in their lives are reconstructed here from scattered references or rare collections. They are shown negotiating the shoals of ambition and opportunity, kinship and patronage, religious anxiety and personal distress, in an age they recognized as 'troubled'. Preoccupied by their own careers and comforts, and driven by personal anxieties and ambitions, Charles I's subjects coped with the pressures of public occurrences and the business of church and state. In that regard they shared some stresses with our own age, though theirs eventuated in civil war and revolution.
A. B. McLeod
British Naval Prize Law in the Seven Years' War
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Examines in detail the full legal process of prize law from capture of the prize to payment of the prize money.
Naval historians are well aware that prize money was a huge incentive for British naval officers and sailors during the eighteenth century and much has been written about prize taking and the associated fighting. What is much less known about are the processes which then followed, the legal process which confirmed that the prize was lawful, or otherwise, the valuation and sale of the prize, the allocation and distribution of the prize money.
Based on extensive original research and including detailed case studies this book takes the reader through the full process from capture to payment. It outlines prize law, explores the role of prize agents, and discusses how the courts worked when considering prize cases. It covers appeals, examines how some naval officers gained great wealth through prize taking with others being much less successful, and highlights how particular individuals influenced the process. Throughout the reader follows the stories of individual captains and their struggles and triumphs in the prize law process.
Edited by Mark Hagger
Anglo-Norman Studies XLVII
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"A series which is a model of its kind": Edmund King
The articles collected here demonstrate the range and vitality of current work on the Anglo-Norman period. Writers and writing form an important strand, with analyses of the work and contribution of Peter the Deacon; the portrayal of Harold and Tostig Godwinson and William the Conqueror in Old Norse sagas; the forging of charters in the twelfth century; the production of charters in Oxfordshire in the twelfth and thirteenth centuries; and what the career of Baldwin of Bury St Edmunds tells us about the production of diplomas during the reign of Edward the Confessor. The volume also includes articles on the relationship between Bishop Odo of Bayeux and Abbot Scolland of St Augustine's Canterbury; the rise and fall of Old Sarum as a centre of Anglo-Norman power; Archbishop Lanfranc of Canterbury, Pope Clement III and the papal crisis of 1088; the career of Eudo Dapifer and his foundation of St John's abbey in Colchester; the Augustinians in Britain and Normandy c. 1100-c. 1215; and the activities of papal judges-delegate during the reign of King Stephen.
Claire A. McCormick
European Migrants in Eighteenth Century Ireland
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A study of an unexpected large-scale migration, of the many issues it gave rise to, and of its aftermath.
Although Ireland is usually thought of as a place from which people emigrate, there was in the early eighteenth century a significant immigration to Ireland of 'poor Palatines' from southwestern states of the Holy Roman Empire. This book explores this mass immigration and the related issues. It outlines what caused the sudden movement of so many people in one six-month period - successive wars, widespread devastation, famine and the notably cold winter of 1708/09. It discusses the role of pan European Protestantism, with churchmen working alongside colonists and shows how the migration was a Whig initiative, supported by a major public relations exercise in which leading literary figures participated.
It situates the migration within the migration of poor Palatines more widely in Britain and Britain's American colonies and examines the subsequent evolution of the Palatine community as they struggled with problems of identity and worked to settle and integrate, in some cases making significant contributions to Irish life. Throughout, the book highlights the debates, familiar at present, as to whether migrants were potential contributors to the wealth of a nation, or simply a likely drain on a nation's resources.
Translated by Craig Taylor and Jane Taylor
The French Conquest of the Canary Islands, 1402-1405 (Le Canarien)
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A translation of two rival accounts of an expedition that deteriorated into friction and feuding, offering an unusually intimate view of chivalry and conquest at the close of the Middle Ages.
Le Canarien tells the gripping story of a French expedition that conquered three of the Canary Islands between 1402 and 1405. It is the only surviving written account of this pivotal moment in the history of the archipelago. The European invaders successfully employed strategies that would become the template for the colonization of the New World. The islanders were overwhelmed by the devastating military superiority of the invaders who killed countless people and sold many others into slavery, before beginning the process of colonization.
Le Canarien was written by two chaplains who took part in the expedition and celebrated it as a grand chivalric and crusading enterprise to convert the indigenous peoples of Lanzarote, Fuerteventura and El Hierro to Christianity. Their mission was led by two French noblemen, Jean IV de Béthencourt and Gadifer de La Salle, who fell out disastrously with one another during its course. As a result, there are two rival versions of the story: one bitterly accuses Béthencourt of treachery, whilst the other expresses surprise and incomprehension at Gadifer's allegations. This book presents translations of each of these versions of Le Canarien that reveal the dark truths hidden behind the façade of chivalry and open a fascinating window into late medieval views on crusading, conversion and conquest.
Edited by Robert Blackmore and Craig Lambert
Kent and Europe, 1450-1640
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An in-depth overview of Kent's economy, society and politics, and their relationship with Kent's environs over two centuries.
Kent is surrounded by water on three sides, close to both the European continent and London: geography that has influenced those who have lived there in countless ways. This book explores their history in this setting from the mid-fifteenth to mid-seventeenth centuries, emphasising Kent's deep connection with Europe. Its chapters, which draw on a wide range of local and national sources, primarily centre on maritime affairs, reflecting the historical and ongoing significance of the sea to the region's inhabitants. These include a bold new description of Kent at the end of the Middle Ages and a reconstruction of the county's early modern maritime trade, including its merchants, both native and foreign, the commodities traded, as well as the impact of migration. An in-depth study also provides quantitative analyses of shipping and of the lives and careers of the shipboard community.
Furthermore, there is a detailed examination of the military community of Kent, with a particular focus on the county's coastal fortifications and a chapter on predatory maritime activities in adjacent waters. Overall, the book puts forward the findings of deep research that connects Kent's economy, society and politics with its environs over a long period. As such, it exemplifies how future county studies might be composed.
W.A. Sibly
The Chronicle of William of Puylaurens
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First translation into English of key chronicle for events of the Albigensian Crusade and the attack on heresy, including the siege of the Cathar stronghold, Montsegur.
The Albigensian Crusade, which forms the main subject of William of Puylaurens' Chronicle, was a defining episode in the history of France. Launched in 1209 by Pope Innocent III, it was directed against the aristocracy of southern France (especially the Counts of Toulouse) who were accused of protecting heresy, and especially Catharism, a dualist heresy which represented a major threat to the Catholic Church. The Crusade ended in 1229 with the defeat of Count Raymond VII of Toulouse. It was followed in the 1230s by the establishment of the Papal Inquisition against heresy. The long-term outcome of the Crusade was the defeat of Catharism, and the establishment of French Royal power in the region.
William of Puylaurens' Chronicle, here translated into English for the first time, is one of the main contemporary accounts of these events. It describes heresy in the south of France in the early 13th century; provides a narrative of the Crusade; and then outlines the growth of the Inquisition and the sustained attack on heresy which followed, including the siege of the Cathar fortress of Montségur in 1243-44. This translation is accompanied by an introduction, full notes, appendices, and a bibliography.
Colmán Etchingham
Vikings in Early Medieval Ireland
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Illuminates the dynamics of church raiding by Vikings in Ireland, relating this phenomenon to their wider objectives and political ambitions.
This book offers the first comprehensive investigation of Viking raids on Irish churches from the late eighth to the early eleventh century, drawing on a wide range of sources, including Irish legal and literary material, archaeological and historical evidence and English and Frankish chronicles. Through a rigorous quantitative analysis of annalistic evidence, it sheds light on all aspects of this phenomenon: its chronological development, geographical distribution, immediate purpose and the broader context of Viking engagement with Gaelic Irish royal polities. Challenging the view that such raiding was merely a precursor to settlement and trade, it demonstrates that these attacks remained intrinsic to Viking activities throughout this period; it argues in particular that human captives-rather than metalwork or bullion-constituted the primary objective of church raids, with many held for ransom or sold into slavery. By tracing the evolution of random raids to strategically motivated attacks, it establishes church raiding as a deliberate instrument of political strategy, until the Battle of Clontarf (1014) marked a turning point in Viking-Irish relations.
Misha Donat
The Piano in Beethoven’s Chamber Music
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Donat's vast expertise provides unique insight into the history and genesis of key works in the chamber music repertoire.
This is the first full-length study in English of an important area of Beethoven's output that has seldom been explored in detail. The principal compositions covered are the violin sonatas, cello sonatas and piano trios of the composer's maturity, ranging chronologically from the three piano trios op.1, to the two cello sonatas op.102 which stand on the threshold of his last period. The repertoire includes some of Beethoven's most famous chamber pieces, among them the 'Spring' and 'Kreutzer' violin sonatas, and the 'Ghost' and 'Archduke' piano trios.
The works are analysed in detail with the help of copious music examples, and are placed in their historical context through extracts from letters and contemporary reviews. The book provides performers, music students and music lovers with an insight into the history and genesis of some of the greatest works in the chamber music repertoire.
Misha Donat
The Piano in Beethoven’s Chamber Music
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Donat's vast expertise provides unique insight into the history and genesis of key works in the chamber music repertoire.
This is the first full-length study in English of an important area of Beethoven's output that has seldom been explored in detail. The principal compositions covered are the violin sonatas, cello sonatas and piano trios of the composer's maturity, ranging chronologically from the three piano trios op.1, to the two cello sonatas op.102 which stand on the threshold of his last period. The repertoire includes some of Beethoven's most famous chamber pieces, among them the 'Spring' and 'Kreutzer' violin sonatas, and the 'Ghost' and 'Archduke' piano trios.
The works are analysed in detail with the help of copious music examples, and are placed in their historical context through extracts from letters and contemporary reviews. The book provides performers, music students and music lovers with an insight into the history and genesis of some of the greatest works in the chamber music repertoire.
Shaun Evans
Coming of Age Celebrations on Welsh Landed Estates
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The first comprehensive study of gentry coming of age celebrations, offering insights into the social and cultural dynamics of estate communities in eighteenth- and nineteenth-century Wales.
"Coming of age" celebrations were landmark events in the annals of gentry families and for local society, marking the occasion when the heir or heiress to an estate attained their majority at the age of twenty-one, with an assumption that they would eventually inherit the land together with all the privileges and responsibilities attached to its proprietorship. Hundreds of these lively dynastic occasions were celebrated in Wales from the late eighteenth through the "long" nineteenth century, involving masses of participants in an array of public festivities; they provide fascinating evidence for understanding the social and cultural dynamics of estate communities in a rapidly changing environment.
This book provides the first comprehensive study of these events, examining their development, purpose and significance. It considers the role that gentry and aristocracy played in their communities, why landed estates were an integral part of Welsh society, and how they contributed to the character and experience of place, landscape and landowner-tenant relations. Overall, it offers a reassessment of still-prevalent interpretations of an anglicised, alien and absentee landowning elite bearing no connection with or consideration for Welsh communities, culture and consciousness in the two centuries prior to the mass sale and breakup of their country houses and estates in the early-mid twentieth century.
Malcolm Miller
Boundaries, Space and Register in Beethoven’s Piano Music
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Develops a new theory of space and register which will be essential reading for the music analyst, while offering radical new interpretations of canonical repertoire for the pianist, Beethoven scholar and informed listener.
This is the first book to demonstrate the significance of registral structure and spatial narrative in Beethoven's oeuvre across his stylistic evolution. Introducing a far-reaching new analytical method and theoretical framework to a substantial corpus of piano music including sonatas, variations and bagatelles, the book extends conventional notions of register, Beethoven's handling of the highs and lows of pitch, to the broader concepts of pitch boundaries and the shaping of sonic space. Tracing theories of register from Schenker to the present-day, Miller moves beyond these approaches in his discussions of what he terms "spatial analysis". Proceeding from simple to more complex forms in a broadly chronological sequence, the author describes 'spatial narratives' of each work by means of cutting-edge computational diagrams and close-to-the text commentary.
This book shows how linear patterns at extreme boundaries correlate with structural highpoints and divisions within musical forms, for instance sonata structures, forming striking large-scale connections within, and between, individual movements. Analysed are interactions of high and low boundaries through gestures such as registral bridges, registral shifts, and the distribution of climatic peaks and wide-spans. Equally central to Miller's study is the survey of keyboard instruments of Beethoven's day, keyboard choreography, and spatial expansion and contraction, reflecting pianistic virtuosity and expression. The mediation of structural and expressive aspects culminates in the physicality and spirituality of the late works interpreted with metaphorical symbolism.
Edited by Julie Hotchin and Jirki Thibaut
Women and Monastic Reform in the Medieval West, c. 1000 – 1500
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New approaches to understanding religious women's involvement in monastic reform, demonstrating how women's experiences were more ambiguous and multi-layered than previously assumed.
Over the last two decades, scholarship has presented a more nuanced view of women's attitude to and agency in medieval monastic reform, challenging the idea that they were, by and large, unwilling to accept or were necessarily hostile towards reform initiatives. Rather, it has shown that they actively participated in debates about the ideas and structures that shaped their religious lives, whether rejecting, embracing, or adapting to calls for "reform" contingent on their circumstances. Nevertheless, fundamental questions regarding the gendered nature of religious reform are ripe for further examination.
This book brings together innovative research from a range of disciplines to re-evaluate and enlarge our knowledge of women's involvement in spiritual and institutional change in female monastic communities over the period c. 1000 - c. 1500. Contributors revise conventional narratives about women and monastic reform, and earlier assumptions of reform as negative or irrelevant for women. Drawing on a diverse array of visual, material and textual sources, it presents "snapshots" of reform from western Europe, stretching from Ireland to Iberia. Case-studies focussing on a number of different topics, from tenth-century female saints' lives to fifteenth-century liturgical books, from the tenth-century Leominster prayerbook to archaeological remains in Ireland, from embroideries and tapestries to the rebellious nuns of Sainte-Croix in Poitiers, offer a critical reappraisal of how monastic women (and their male associates) reflected, individually and collectively, on their spiritual ideals and institutional forms.
Linda A. Pollock
Affective Authority: Passions, Morality and Governance in Early Modern England
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Throws new light on the history of emotions, as well as on cultural norms and elite governance in early modern English society.
This book investigates the intimate connection between emotion and morality in the landed ranks in England from 1580 to 1700, reintegrating the artificially separated spheres of emotions and ethics. It argues that, long before the "modern" eighteenth century, emotions lay at the core of early modern ethics: virtues and passions were fused and affect underpinned authority. Passions, affections, and ethics were intertwined and must be understood together: feelings enabled and constituted ethical conduct and were often mandated obligations, while cultural norms were based on affective concepts. Through a detailed analysis of four key affective values - love, gratitude, repentance and obedience - the book throws new light on the history of emotions, as well as on cultural norms and elite governance in early modern English society. The book merges social, cultural and intellectual history. It explores how ideals and concepts were practiced in daily life, emphasizes the importance of the domestic, familial world for the understanding and exercise of public authority and governance, and insists on the centrality of the passions and affections to early modern morality. It contributes to the history of emotions by reconnecting affect and ethics, advances the history of English society by showing how authority was based on affect, thus demonstrating the relevance of emotion to larger historical issues.
Lynneth Miller Renberg
Women, Dance and Parish Religion in England, 1300-1640
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A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil.
The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil?
Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.
Kathryn A. Smith
The Painted Histories of the Welles-Ros Bible (Paris, BnF Fr.1)
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A lavishly illustrated study of the Welles-Ros Bible, exploring its provenance, ownership, design and production.
At some point between c.1366 and 1373, the noblewoman Maud de Ros, widow of the Lincolnshire baron John de Welles, commissioned what is now the earliest surviving entire translated Bible from England. The Welles-Ros Bible contains the most complete edition of the Anglo-Norman Bible - a close, often literal translation of the Vulgate into insular French - as well as 82 narrative, highly personalized illustrations.
As this first long-form study of the manuscript argues, Maud commissioned the Bible to serve as a mirror, guide, family archive, dynastic chronicle, and source of spiritual instruction and consolation for her youthful son, John, 5th Baron Welles (1352-1421). Moreover, Maud played a key role in the production of the text edition and the design of many of the images. This book analyzes the manuscript, its text, and its vivid illuminations in the context of rich traditions of medieval biblical translation, production, and illustration, offering fresh insights into the roles of images in shaping and mediating scripture and religious experience. Adding to our understandings of life among the lower nobility in later fourteenth-century England, this cultural history of a major artefact also expands our picture of the cultural patronage and creative agency of laywomen, as well as medieval strategies of memorialization, responses to the Plague, and ideas about gender, identity, sexuality and the emotions.
Marco Barducci
The Crisis of the English Mind, 1650-1750
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Places the central intellectual and religious debates of seventeenth- and eighteenth-century England in a refreshing transnational perspective.
Between 1650 and 1750 the intellectual and religious landscape of England underwent profound transformations, shaped by an unprecedented engagement with Dutch and French books and ideas. Works by Descartes, Grotius, Spinoza, Bayle and others introduced new modes of thought, prompting English thinkers to reimagine the relationship between scripture, reason, ethics and scholarship. These texts, circulating in Latin, French and English, challenged traditional authority and invited scholars to reconcile Christianity with history, philosophy and the emerging natural sciences.
Marco Barducci presents a detailed exploration of how these imported ideas catalysed key conceptual shifts. This book shows how scripture was read as a cultural artifact; metaphysics was disentangled from natural philosophy; the church's role was reframed to prioritize social cohesion; and human agency was increasingly viewed through a worldly lens. By viewing these changes as part of a transnational framework of writers, the book highlights how intellectual exchanges between England and the Continent shaped English responses to crises of faith, scholarship, and epistemology.
Combining intellectual and book history, this study not only reframes the notion of an "English Enlightenment" but also interrogates broader questions of secularization and modernity. It offers fresh insights into the interplay of ideas, books, and society, while examining how England adapted-and transformed - Continental thought.
Chih-Hsin Huang
Conduct Literature and the Politics of the Stage Controversy
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Examines the struggle between factions debating the morality and impact on public behaviour of the theatre following the Glorious Revolution, and the political significance of public feeling around this controversy.
In 1698 the Jacobite clergyman Jeremy Collier published his famous pamphlet in which he attacked a number of prominent playwrights on the grounds that their work contained profanity, blasphemy and indecency, and therefore was undermining public morality. He called for the closure of the stage, and in so doing sparked vigorous public debates that lasted for three decades. This book investigates the relationship between this Stage Controversy and the period of political instability evident in Britain in the aftermath of the Glorious Revolution.
Instead of adopting the definition of the Stage Controversy as a pamphlet war and as a literary or moral event, Huang argues that in both pamphlets and plays, especially reform comedies, the discussions of conduct were employed to make political points. The book characterizes this controversy as a competition for public opinion and support, in which the stage controversialists sought to convince the audiences of the rightness of their interpretations of behaviour in drama. Contributing to debates about the nature of post-revolutionary political thinking and action, this work will be of great interest and use to scholars and students of the political, social and cultural history of late seventeenth-and early eighteenth-century England.
Tim Thornton
The Isle of Man, 1405-1830 - Social and Economic History
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This is the first comprehensive modern account of the history of the Isle of Man, through the years between the establishment of the Stanley lordship early in the fifteenth century and the Revestment of 1830 by which the Island's lordship was returned to the English crown.
Focusing on social and economic aspects, it traces developments in society, economy, religion and the Island church, education and literacy, daily life, arts and culture, and landscape and the built environment. Generously illustrated, it explores demographic changes, charts the growth of trade, and surveys social and cultural change including the changing status of the Manx language. It discusses disputes over land ownership, considers improvements in agriculture and fishing, and examines the encouragement of industry. Throughout the book emphasises the distinctiveness of the Manx experience, connected to, but different from the history of England, and of Scotland and Ireland.
Edited by Alice R. Taylor-Griffiths and Seosamh Mac Cárthaigh
Storytelling in Gaelic from AD 700 to the Present
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Examines common themes and connections in Gaelic storytelling from the Middle Ages to present day.
From the great medieval saga Táin Bó Cúailnge to cautionary folk tales in contemporary Gaeltacht areas, storytelling has remained a cornerstone of Gaelic culture for over a thousand years. Pre-Christian motifs and ecclesiastical influences, with nods to classical literature and poetic devices, provide the framework for many stories that remain familiar today (such as St Patrick's journey across Ireland and the exploits of Finn mac Cumhaill). However, despite this rich tradition, scholarship on Gaelic storytelling that crosses both medieval and modern fields is a rarity; as a result, there is a question mark over what of the early tradition remains in the modern, and what this can tell us about the ecology and the survival of Gaelic storytelling.
This volume presents ground-breaking research from scholars in both areas, providing a dynamic insight into the refractions of Gaelic storytelling across a broad chronological period. Contributors address matters such as composition, style, narrative techniques, audience, and the importance of physical and social landscapes, drawing on a variety of methodologies, including philological, narratological, comparative literature, folkloristic, and translation studies. From seminal research on notions of scél "story" and truth to an exploration of the issues facing a Gaelic translator today, these essays work together to widen and deepen our understanding of how and why stories were so fundamental - and remain so fundamental - to Gaelic culture.
Suzanne Amy Foxley
The American Experience of British Prize Law, 1776-1804
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A detailed examination of one of the key issues for British-American relations, for international trade and for international law.
The taking of prizes, that is the capture of enemy vessels either by the Royal Navy or by private individuals licensed as privateers, was a crucial component of British naval strategy in the eighteenth century. The legality of prize-taking depended on the determination of the nationality or neutrality of both vessel and cargo - a major point of contention between Britain and other powers, including the United States. This book examines the American experience of British prize law from 1776 to 1804, with additional insights up until the 1820s, examining how this branch of international law changed and perpetuated in the wake of the Revolution and the Jay Treaty. It traces the lives of Robert Bayard, a loyalist and New York Vice-Admiralty Judge, Samuel Bayard, US agent for British prize cases in London in the 1790s, and William Bayard Jr., an American economic lobbyist, politician and merchant. Setting these lives in the wider context, it analyses court records held in previously unexplored archival collections, including about 1,600 court actions and 1,150 appeals cases. The book draws new conclusions on an individual, national and international scale and alters our outlook on the impact of prize law on American and British foreign policy, on the lives of maritime and mercantile communities and on the development of American maritime law.
Jonathan Parry
Institutions, Individuals and Modern British History
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This collection of essays celebrates the influence of David Cannadine and examines the place of Britain's political and cultural institutions, and the impact of individuals in their formation and evolution.
The focus of this Festschrift is the steady making and remaking of British political and cultural institutions since 1800, and the importance of individual agency in that process. Such focus reflects the preoccupations of one of Britain's most prominent professional and public historians: Sir David Cannadine. Cannadine has written on the changing public face of the monarchy and on the impact of aristocratic sensibilities on modern British political culture. He has examined some of Britain's most well-established institutions, and interpreted the British empire as a project to sustain and promote social hierarchy. In Cannadine's writings on aristocracy, empire, institutional life and national historical memory, individuals appear as history-makers, but always situated in their social and cultural contexts.
Essays in this volume draw inspiration from all these themes. Among the institutions discussed are Parliament, the Primrose League, the civil service, the London Library, the Institute of Historical Research and the National Portrait Gallery. The role of individuals in context features in essays on Benjamin Disraeli, Henry Drummond Wolff, Winston Churchill, the museum director Roy Strong and the National Park publicists Walter Greenwood and Laurie Lee. Tensions between intellectual work and institutional public service are uncovered in essays on Noel Annan, Geoffrey Crowther and Owen Chadwick. Authority (political, social, cultural) - its construction and re-construction - is the central concern guiding the essays. An introductory section discusses the many-sided work of Cannadine himself, both as a historian and as a servant of institutions.
Edited by Phyllis Weliver and Katharine Ellis
Reading Texts in Music and Literature of the Long Nineteenth Century
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This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.
This is the first coursebook to help students explore the many types of relationship that exist between music and literature when studied in historical or aesthetic contexts. It fosters interdisciplinary study among students in these subject areas and helps to break down the barrier of music as seeming "impenetrable" to students outside musicology. Chapters each discuss music/text relationships via an important social, aesthetic or cultural theme that maps onto key preoccupations of the long nineteenth century.
Each chapter presents a case-study text first, followed by a short summary that sets out the challenges of approach and interpretation involved. A section on background then places the featured case-study in historical or aesthetic context, leading to a detailed discussion. The book offers a learning experience combining the methodological in music/text relationships with the substantive or thematic.
Contributors: Charlotte Bentley, Philip Burnett, Alisa Clapp-Itnyre, Elicia Clements, Jeremy Coleman, Sarah Collins, Katharine Ellis, Daniel M. Grimley, Elizabeth Helsinger, Fraser Riddell, Emma Sutton, Shafquat Towheed, Phyllis Weliver, Christopher Wiley
Edited by Markman Ellis and Jack Orchard
Bluestockings and Landscape in Eighteenth-Century Britain
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Captures in unprecedented depth the cultural significance of the designed landscape and its relationship with Bluestocking philosophy.
Situated within the broader context of eighteenth-century intellectual and cultural history, this collection redefines the role of the Bluestocking circle in shaping Britain's landscapes and social ideals. Against the backdrop of Whiggish notions of "improvement"-encompassing agricultural innovation, aesthetic refinement, and moral progress-it explores how women such as Elizabeth Montagu, Mary Delany, and Elizabeth Carter navigated the intersections of polite sociability, intellectual production, and estate management. Their contributions reveal a dynamic interplay between cultural critique and practical reform, positioning them as active participants in the period's debates on land, labour, and national identity.
Drawing on insights from the Elizabeth Montagu's Correspondence Online (EMCO) project, these essays uncover the creative and social tensions embedded in iconic estates such as Montagu's Sandleford and Lord Lyttelton's Hagley Hall. They delve into the poetic and philosophical musings of James Woodhouse, the sociable artistry of Mary Delany, and the symbolic landscapes of Wrest Park. By examining correspondence, poetry, visual arts, and cartography, this volume offers an unprecedented exploration of the ways Bluestocking women engaged with and redefined the designed landscape as a site of intellectual and environmental innovation.
This interdisciplinary collection reshapes the historiography of gender, environment, and cultural progress, offering fresh insights into the enduring significance of eighteenth-century landscapes and the intellectual communities that shaped them.
Joanne Cusack
Women in Irish Traditional Music
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Traces the position, experiences and reception of women in Irish traditional music through detailed ethnographic and statistical findings.
This book is the first of its kind to engage with the larger subject of women in commercial Irish traditional music. It considers the experiences of performers in the various commercial arenas of the tradition, while also engaging in critical discussions of choice, agency, feminism and sexualisation. It reveals how the commercial music industry and Celtic music label continues to place women within a stereotypical idealised role or occupation.
The book provides new insight into the legacy of women-led bands and compilations as well as their impact on Irish traditional music over five decades. Its findings on commercial dance shows are equally significant. While these shows had a positive impact on performers, at the same time they enforced gendered, racial and heteronormative expectations.
Drawing on extensive ethnographic and statistical research, the book finds strong evidence that women and other marginalised practitioners continue to face greater challenges and different expectations when maintaining a professional career and participating in Irish traditional music. It also uncovers characteristics and dynamics related to the recreational and commercial spaces of the Irish traditional music and Irish dance scene that enable harmful and predatory behaviour.
The author's findings support understandings and aid future legislation for creating a safe, inclusive and equitable performance space for all.
Cover artwork by Claire Prouvost
Harry White
Fieldwork: Essays on the Cultural History of Music in Ireland
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An absorbing study of the development and reception of musical culture in Ireland by a pioneering and deservedly renowned author.
This volume is a collection of fourteen essays on the history and reception of Irish music and music in Ireland. It addresses three prevailing themes: the historiography of Irish music, the influence of music on Irish writing (and vice versa), and the cultural identity and reception of Irish music both domestically and in the world at large. Its principal protagonists include Thomas Moore, W. H. Grattan Flood, George Moore, Edward Martyn, Charles Villiers Stanford, James Joyce, Dora Pejačević, Ina Boyle, Aloys Fleischmann and Jennifer Walshe. These essays also identify and interrogate key questions underpinning a general crisis of reception in relation to Irish music, and particularly art music, within the domain of Irish studies. Fieldwork examines this crisis in the aftermath of The Encyclopaedia of Music in Ireland (published in 2013) and a major retrospective of Irish art music, Composing the Island (curated and presented in 2016). It thereby engages closely with contemporary Irish art music and the challenges which this music has faced in the early decades of the twenty-first century.
This well-conceived and beautifully written work testifies to Harry White's central place in the shaping of the discourse surrounding the cultural history of Irish music over the last 40 years. White's gift for expression and memorably poetic turns of phrase allows the complexity of ideas and range of historical and literary knowledge examined in these essays to be deftly excavated and evaluated. Curiosity, provocativeness, imagination and literature are threaded through his exploration of how Irish history and experience have been imagined musically.
Rhys Kaminski-Jones
Welsh Revivalism in Imperial Britain, 1707-1819
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Reframes the study of Welsh cultural revivalism, highlighting transnational and imperial contexts.
In the long eighteenth century, as Britain grappled with the aftermath of the 1707 Acts of Union and consolidated a global empire, Welsh 'Cambro-Britons' developed a movement of cultural awakening, reinventing their traditions for a new age. Amid profound local, national and imperial transformations, Welsh authors and activists sought to reimagine their history, language and literature, claiming a place for Wales and the Welsh diaspora in the British imperial order. Far from being an insular phenomenon, this revival intersected with key debates of the era, from enlightenment science and radical politics to colonial expansion, transatlantic abolitionism and metropolitan sociability.
This study reframes Welsh cultural revivalism, revealing its fundamentally international and archipelagic dimensions. Nationally significant Welsh authors like Lewis Morris, David Samwell, Thomas Pennant, and Iolo Morganwg are placed in their transnational, imperial, and global contexts. Examined alongside Thomas Gray's British bardism, William Jones's Orientalism, and the imperialism of Cook's voyages, their writings demonstrate how Welsh thinkers engaged with - and shaped - shifting ideas of Britishness, empire, race, and identity. Drawing on new archival research, and giving equal attention to Welsh - and English - language texts, Rhys Kaminski-Jones challenges traditional narratives of Welsh cultural nationalism as a simple precursor to modern Welsh nationhood, instead positioning the revival as central to transatlantic intellectual currents. With its pathbreaking bilingual and interdisciplinary approach, this book offers fresh insights into the complexities of nationhood, empire, and cultural memory.
Edited by Scott Mandelbrote
Music, Politics and Religion in Early Seventeenth-Century Cambridge
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This major study of the famous seventeenth century music manuscripts at Peterhouse sets them in the context of the religious and political movements leading to the Civil War.
The Peterhouse partbooks constitute a unique resource for studying two periods of English choral music. Their witness to musical trends at the time of the Henrician Reformation has attracted much attention since their assimilation into scholarly accounts of English music in the mid-nineteenth century. Less has been written, however, about what the collection can tell us about music on the eve of the English Civil War, in the period when the partbooks were brought together and when much of their music was composed. This volume considers the music of the partbooks as part of the broader cultural, intellectual, and material history of the 1630s. It breaks new ground in describing the institutional context for the creation of the partbooks and in providing an account of the materials used in them, as well as analysis of the scribal cultures from which they originated. For the first time, it properly situates the partbooks within the developing ecclesiology of the Church of England and investigates the influence of local and personal commitments on the liturgy and practice for which they were compiled.
Local and personal factors shaped the implementation of national political and religious change in the 1630s and this volume shows how these forces came together in short-lived and contentious innovation in cultural and intellectual life. Contributions consider the extent to which musical renewal formed part of a conscious programme of architectural, artistic, literary, and liturgical change whose purpose was to redirect the education and formation of future generations of priests and patrons within the Church of England. While exploring the mechanisms of change, they also consider the force of reaction to and dissatisfaction with novelty and the resulting turmoil, iconoclasm, and exile that transformed the careers of the protagonists in the story of the partbooks. Although particular in focus, the volume demonstrates how political, intellectual, and religious dispute infiltrated the lives of individuals and communities and generated conflicts that proved impossible to control. The story of the Peterhouse partbooks provides an unusually rich opportunity to review a critical period of British history through the prism provided by a remarkable example of musical and cultural survival.
Phyllis Weliver
Reading Texts in Music and Literature of the Long Nineteenth Century
Regular price
$120.00
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This collection offers students a practical guide to understanding the ways music and literature intersect and the influence of each on the other, as well as developing methods of study.
This is the first coursebook to help students explore the many types of relationship that exist between music and literature when studied in historical or aesthetic contexts. It fosters interdisciplinary study among students in these subject areas and helps to break down the barrier of music as seeming "impenetrable" to students outside musicology. Chapters each discuss music/text relationships via an important social, aesthetic or cultural theme that maps onto key preoccupations of the long nineteenth century.
Each chapter presents a case-study text first, followed by a short summary that sets out the challenges of approach and interpretation involved. A section on background then places the featured case-study in historical or aesthetic context, leading to a detailed discussion. The book offers a learning experience combining the methodological in music/text relationships with the substantive or thematic.
Contributors: Charlotte Bentley, Philip Burnett, Alisa Clapp-Itnyre, Elicia Clements, Jeremy Coleman, Sarah Collins, Katharine Ellis, Daniel M. Grimley, Elizabeth Helsinger, Fraser Riddell, Emma Sutton, Shafquat Towheed, Phyllis Weliver, Christopher Wiley
Anne Morddel
Napoleon's American Prisoners
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Tells the story of the 1,500 or so common seamen of the American merchant marine who were held as prisoners of war in France during the Napoleonic Wars.
Based on extensive original research, this book tells the story of the 1,500 or so common seamen of the American merchant marine who were held as prisoners of war in France during the Napoleonic Wars. Although the United States was neutral, Napoleon interpreted neutrality narrowly, and included among the enemy merchants doing business with the enemy and seamen working on enemy vessels. Drawing on remarkably full source material in French, American and British archives, including the seamen's letters, their pleas for help to the consuls, the correspondence about them between the French authorities and the US diplomatic service, and the British Admiralty lists of prisoners, the book reveals a great deal about who these seamen were, and about their vastly different experience in French prisons. It contrasts their fate with that of British seamen and officers, discusses the labyrinthine maritime laws that ensnared the seamen and how their nationality, in an era before passports, was determined, charts the establishment of the US consular service, first established at this time to help "distressed American seamen", and relates the American seamen's experiences to the wider scholarly literature. Throughout, the book includes fascinating case studies of the adventures and misadventures of individual seamen.
Hannes Ziegler
Coastal Policing in Eighteenth-Century Britain
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The first comprehensive study of Britain's coastal policing and administration across the long eighteenth century.
Throughout Britain's past its coast has presented security concerns. Despite this long history of raids, smugglers and warfare, consistent, designated and permanent coastal enforcement bodies were only established in England in the 1690s. Initially a reaction to the threats of the Nine Years' Wars, their creation spoke to a new understanding of "The Coast" as a politically distinct and liminal space - a region neither land nor sea - with its own issues and social dynamics that had to be controlled through new, more sophisticated, methods.
This study explores the circumstances that both necessitated a formalised policing of coastal areas and influenced the subsequent development of these enforcement bodies, showing how their missions and practices fluctuated in relation to key political events and economic policies across the century. In doing so, the book encompasses a long eighteenth century, starting with political developments in the run-up to the Glorious Revolution and ending with the overhaul of coastal bureaucracies in the wake of the Napoleonic Wars.
In conjunction with this larger historical sweep, through extensive archival research, the book reveals the failures in coastal policing, arguing that these shortcomings stemmed not from the cunning of smugglers or bureaucratic inefficiency but from inherent contradictions in Britain's imperial ambitions. In highlighting the complexities of this watery borderland, Hannes Ziegler sheds new light on the inner workings of Britain's fiscal-military enterprises and state-building challenges of its evolving imperial identity.
Stephanie Carter
The Music Trade in Regional Britain, 1650–1800
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Explores the breadth, diversity and significance of the commercial music trade and its communities across Britain during the late seventeenth and eighteenth centuries.
Adding to the existing scholarship on music publishers and instrument makers, mostly based in London and the university cities, the collection challenges this historiography by offering the first collective narrative for the commercial trade in musical goods and services - including the printing, publishing and sale of printed music, the sale of manuscript music, musical instruments and related wares, and the tuning and general maintenance of musical instruments such as organs and pianos.
Contributions draw on evidence from across the country of the trade's activities, networks and communities, and recognize the significance of small cities, market towns and regional hubs in cultural dissemination. The Music Trade in Regional Britain therefore contributes to a growing body of work offering a nationwide account of musical culture. It foregrounds a trade that was far more geographically dispersed, economically significant and culturally broad than has previously been acknowledged.
CONTRIBUTORS: Stephanie Carter, Simon D.I. Fleming, David Griffiths, Nancy A. Mace, Martin Perkins, Christopher Roberts, Roz Southey, Matthew Spring, Robert Thompson
Peter Holman, Bryan White
The Purcell Compendium
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$105.00
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Ground breaking and comprehensive reference volume covering an extensive range of Purcell studies, including his life and works, his milieu and the reception of his music to the present.
In the 30 years since the Tercentenary of Purcell's death in 1995 research into him and the musical culture of Restoration England has developed rapidly. Even the most authoritative books published then are now seriously out of date, and no-one since then has attempted to cover the whole range of Purcell studies. The book is largely taken up with A-Z dictionary entries, preceded by an up-to-date biography and followed by a work-list and bibliography. The dictionary includes entries for many of Purcell's works; the genres he contributed to; the titles and terms he used; the instruments he wrote for; the most important manuscript and printed sources of his music; and some pressing performance practice issues.
Important threads are devoted to people associated with Purcell, including earlier composers who influenced him; his fellow composers; his pupils and followers; those who provided him with texts to set; his patrons and employers; the most important copyists, publishers and instrument makers associated with him; and those contemporaries who wrote about him. The book breaks new ground by giving particular emphasis to his performers, including the most prominent singers and dancers he worked with; and the individuals and institutions responsible for maintaining (or sometimes altering) his legacy up to the present.
Edited by Craig M. Nakashian and Peter W. Sposato
Journal of Medieval Military History: Volume XXIII
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"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval Warfare
This volume examines the diverse ways in which medieval European cities, towns, and other urban communities engaged with warfare. For northern Europe, articles consider how subterfuge and betrayal were deployed to capture strongholds, the role of urban communities (large and small) in English warfare in the eleventh through the thirteenth centuries, how morale was maintained (or undermined) during a siege, how Scottish cities and towns supported efforts to resist English invasion, the military agreements with magnates used by Rhineland cities to promote peace, and what economic evidence can show us about the contribution of French cities to war efforts in the later Middle Ages.
Moving south, essays explore the nature of warfare in twelfth and thirteenth century Lombardy, the actions of the Angevin royal family in Tuscan urban warfare and politics, the composition of Italian armies (gleaned from cavalry musters from Bologna), the importance of the city of Murcia during the War of the Two Pedros, and the creation of chivalric spaces out of Andalucian cities.
Edited by Nathalie Joly and Federico D'Onofrio
Farm Accounts in Rural Europe, c.1700-1914
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Analyses how book-keeping and estate accounting transformed attitudes and practices in farm management over three centuries of European history.
From the eighteenth until well into the twentieth century, an ideal model developed of a farmer as accountant, who would record economic transactions meticulously; tidy book-keeping was regarded as the basis of sound management, and only those who accurately dealt with finances would survive and thrive. It is clear that this happened in both theory and practice, with growing numbers of farmers (men and women) keeping increasingly formalized records of their businesses during this period; a wide range of valuable documentation, originating from large estates, small sharecroppers, tenant and owner-farmers alike, has survived.
Drawing on that rich body of sources, this book examines book-keeping and account practices in farm management across Europe, with case studies ranging from Westphalia and the Rhineland to France and Switzerland, over three centuries. It considers who kept these records and their motivations, how practices changed and developed across the period, and in what ways and to what extent accounts and accounting influenced the development of agriculture. It also examines the role of farmers' own organisations and government in encouraging higher standards of accounting.
The Introduction and chapters 7 and 9 are available as Open Access under the Creative Commons licence CC BY-NC-ND.
Edited by Melanie Schuessler Bond and Cordelia Warr
Medieval Clothing and Textiles 19
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The best new research on medieval clothing and textiles, drawing from a range of disciplines.
The essays collected here continue to showcase the Journal's wide-ranging and eclectic tradition. The topics addressed are the sensory perceptions of textiles in Early Medieval Britain; evidence of the global textile trade as reflected in church facades in Lucca, Italy; the ways in which spinning and weaving in late medieval Cologne influenced the presentation of the cult of the Eleven Thousand Virgins within the city; sumptuary legislation in thirteenth-century Montauban, in the Occitan region of Southern France; visual representations of male underwear in northern European art; and the late sixteenth- and early seventeenth-century trade in knitted jersey stockings in Norwich and Yarmouth.
Jake Dyble
Managing Maritime Risk in Early Modern Europe
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Draws on the rich surviving archives of the Tuscan port of Livorno to explore how General Average worked.
Commercial seafaring, both dangerous and with large amounts of capital at stake, was the source of the risk-management institutions that still undergird the global economy today. A key institution of early modern risk management was General Average, a procedure used to redistribute extraordinary costs arising from a maritime venture between all financially interested parties. For example, should one merchant's cargo be jettisoned to lighten a ship in a storm, the loss would be shared pro rata by the shipper and all the cargo-owners. A risk-sharing practice, different from the risk-shifting of marine insurance which became established relatively late, General Average is still in widespread use.
This book explores how General Average worked. It reveals the gap between General Average in law and how it worked on the ground. It shows how General Average partitioned a wide array of business costs, thereby performing a significant role in structuring maritime commerce, managing risk and promoting shipping and trade. In addition, the book discusses how far General Average was a feature of a supposedly ancient, universal, customary maritime law, and contributes to debates about the evolution of institutions in economic development.
Adrian Jobson
Rebellion in Medieval Europe, c.1000-c.1500
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Essays exploring the dynamics of rebellion across Europe - from Sweden and Slovakia to the Iberian Peninsula and Hungary - over five centuries.
Rebellion was a fundamental part of the political ecosystem of the Middle Ages. Medieval Europe witnessed numerous instances of noble rebellion, popular protest and communal resistance against political authority. However, most scholarship has focused on the causes and/or life cycle of the most famous individual movements, such as the Barons' War in England, the Hussites in Bohemia and the Burgundian-Armagnac conflict in France, and there has been relatively little comparative analysis of political protest across both time and "national" borders. Where it exists, it tends to favour a thematic approach and be narrowly focused in terms of geographical coverage.
Conversely, this book breaks new ground in its wide geographical and chronological range, from twelfth-century Sicily to late fifteenth-century Ireland, exploring the various forms that active resistance could take. Its essays offer fresh perspectives on rebellion: as a political act, its theoretical justifications, the role of language and propaganda, the royal counter-responses that it provoked, and its ramifications, both personal and communal. Together they shine a new light on the complex interrelationship between legal authority, violence and politics, and significantly enhance our understanding of rebellion during this period.
Deborah McGrady
Joan of Arc
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Traces contemporary and later reception of Joan of Arc, examining how cultural beliefs and conventions have shaped her story.
Joan of Arc stands out as one of the most recognized historical figures of medieval Europe. Learned writings as well as popular imagination, from the Middle Ages to today, have celebrated her as an exceptional character and hailed her legacy. And yet, there is scant recognition of her enduring status as an icon.
What is one to make of a young, female medieval peasant-turned-warrior-turned-heretic-turned-martyr who has repeatedly been drawn back from oblivion, revived, and made relevant time and again? Unravelling the mystery of this question requires revisiting contemporary and historical accounts, listening anew to Joan's "voice" as seen in her letters and trial documents, and inquiring into the lively debate her afterlife has generated in the arts, from paintings and sculptures to romance, theatre and cinema. To unearth this new story of Joan of Arc, this study focuses on her French legacy, where her continued cultural and aesthetic importance are most vibrant, and it brings this phenomenon into dialogue with modern discussions about gender and class, anachronism and memory, and metafiction, creative time, and the gaze.
Axel E. W. Müller
Gunpowder Technology in the Fifteenth Century
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The first full edition and English translation of the RA I.34 Firework Book.
Produced from the early fifteenth century onwards, Firework Books are, broadly speaking, manuals on how to use gunpowder, witnessing a major development in warfare. Surviving in a corpus of some 65, each text has different content and components, but core elements are present throughout. An important example is a manuscript in the collection of the Royal Armouries (RA I.34), written in Early New High German, and (unlike many other manuscripts) still in what appears to be its original format and binding; it also, unusually, contains a number of illustrations.
This volume provides the first full edition and English translation of the material, with a detailed analysis of its content and context. It positions the Firework Books at a crucial stage in the development of gunpowder artillery, offering an unparalleled insight into fifteenth-century gunpowder technology at a critical juncture of military and technological change at the end of the Middle Ages.
Kimm Curran
Medieval Women Religious, c. 800-c. 1500
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A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister.
Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.
Laura L. Gathagan
The Queenship of Mathilda of Flanders, c. 1031-1083
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The first full-scale scholarly treatment of Mathilda of Flanders (d. 1083), duchess of Normandy and post-Conquest queen of England.
In Norman England, Mathilda's unique practice of queenship was robustly public. It was characterized by an unapologetic embrace of both new and traditional institutions: military lordship, royal justice, monastic foundation and ecclesiastical reform, documentary initiatives and cultural networks. Although she may appear only glancingly in the chronicle "story sources" of her day, she is everywhere else: governing in documents and charters, articulating her identity in architecture, expressing her authority through innovative custom-made liturgies, handing down juridical sentences and participating in the most fundamental theological issues of her day. However, unlike her husband William "the Conqueror", her impact and influence have not ensured her a place of centrality in modern memory. This book redresses that imbalance. Moving away from the traditional chronological approach to a woman's life, its thematic chapters use the metaphor of Mathilda's body to center her actions, creations and speech, showing how Mathilda embodied power in a world often construed as primarily masculine. It thus brings back into focus the policies she championed, the strategies she pursued and the shape of her authority.
Edited by Tim Thornton, Harold Mytum and Michael Hoy
The Isle of Man, 1405-1830 - Political and Constitutional History
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This is the first comprehensive modern account of the history of the Isle of Man, through the years between the establishment of the Stanley lordship early in the fifteenth century and the Revestment of 1830.
Focusing on political and constitutional aspects, the book traces developments through the successive lordships of the Stanley Earls of Derby, Thomas Fairfax and the Dukes of Atholl and highlights the evolution of the Isle of Man's distinctive constitution. It includes coverage of the succession dispute within the Stanley family in the period 1594 to 1610 between the sixth Earl of Derby and the widowed countess of his elder brother, the fifth Earl, who had died with daughters but no son. It also covers the troubled civil war period when the seventh Earl of Derby raised troops to fight for the king despite the pro-Parliamentarian sympathies of the bulk of the population and the extensive smuggling activities of the population in the eighteenth century which prompted the British crown to reassert its rule. Throughout the book emphasises the distinctiveness of the Manx experience, connected to, but different from the history of England, Scotland and Ireland.
Robert Pascall
Brahms: Symphonist
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$170.00
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This long-awaited book situates the symphonies in their biographical context, offers text-critical investigations, presents matters of performance practice and gives an analytical overview of each work.
In Brahms: Symphonist, the late Robert Pascall offers new revelations about Brahms symphonies resulting from a life-long pursuit of Brahms scholarship. Completed shortly before his death, Pascall's book brings together four scholarly perspectives. First, it situates the symphonies in their biographical context narrating their genesis, performance history and reception. Second, the book offers text-critical observations, by investigating the relationships between sketches, manuscript sources, publications and arrangements made by the composer or by others in his lifetime. Third, matters of performance practice are presented: how were the symphonies performed in Brahms's lifetime, what performance values did Brahms espouse, what were the practicalities of performance, and what legacy as conductor did Brahms pass on to succeeding generations? Finally, the book gives an analytical overview of each work. One of the book's highlights is a reappraisal of the materials for Brahms's unfinished Fifth Symphony, situating them in relation to the broader question of Brahms's 'retirement' from composition. Brahms: Symphonist will be required reading for students and scholars of nineteenth-century and Romantic music, Johannes Brahms aficionados, as well as those interested in the development of the nineteenth-century symphony.
Jacqueline Waeber
Speaking German Musically: Poetic Recitation in Central Europe, 1760-1820
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$130.00
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Shows how poetic recitation and the interweaving of music and poetry contributed to the advent of a German identity in late eighteenth- and early nineteenth-century Europe.
The art of reciting a text out loud, known as Vortragskunst, be it in a private circle or in a concert hall, originated in German-speaking countries in the 1760s, and by the nineteenth century had become a well-established practice subjected to an artistic blossoming unparalleled in the rest of Europe.
In this book Jacqueline Waeber explains and examines how and why this happened, focusing on the origins of poetic recitation and its development during the late eighteenth and early nineteenth centuries, a period essential to the development of modern German literature and theatre, bookended by the two main figures who contributed to the theoretical and aesthetical tenets of poetic recitation, the poet Friedrich Gottlieb Klopstock (1724-1803) and Johann Wolfgang von Goethe (1749-1832).
Poetic recitation quickly gained attraction for the Lied and the musical melodrama, both musical genres that were driven by a search for new declamatory styles. As a result, poetic recitation became increasingly 'musicalized' by the frequent addition of a musical accompaniment. As the book shows, this intertwining of music and poetry made a huge contribution to the advent of German identity through the reappraisal of its language.
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