Celebrate Women's History Month

At Fault (1890) is a novel by American author Kate Chopin. Published at the author’s expense, At Fault is the undervalued debut of a pioneering feminist and gifted writer who sought to portray the experiences of Southern women struggling to survive in an era decimated by war and economic hardship.

Thérèse Lafirme is a Creole widow whose husband’s death has made the Place-du-Bois plantation on the Cane River in northwestern Louisiana her sole responsibility. Struggling to survive in a region that, following the fall of the Confederacy, has failed to recover from the devastation of defeat, Lafirme agrees to sell her land’s timber rights to a recently divorced businessman named David Hosmer. As the two begin to fall in love, Hosmer’s sawmill causes tension in an agrarian community unaccustomed to modern industry. Hosmer proposes to Thérèse, she is forced to consider the prospect of marriage against the opinion her community as well as her own moral and religious values, to set her personal desires aside in order to appease tradition. When Fanny, Hosmer’s alcoholic ex-wife, re-enters the picture, trouble ensues that threatens to ruin Lafirme’s reputation as an honest, hardworking woman. At Fault, like much of Chopin’s work, went largely unnoticed upon publication, but has since garnered critical acclaim as a work that explores the lived experiences of women and racial minorities during a period of political and economic upheaval. Both fictional and autobiographical—Chopin was a widow of French heritage who struggled to provide for her family following her husband’s death—At Fault is an underappreciated masterpiece of nineteenth-century literature.

This edition of Kate Chopin’s At Fault is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Urbain, the Marquis de Villemer is the younger brother of Duke d’Aleria, and is eager to clear his family’s debt to ensure his mother’s happiness. The siblings have drastically different views on the purpose of money and marriage.

A marchioness is eager to marry off her two sons: Duke d’Aleria and Urbain, the Marquis de Villemer. The former is the eldest, a charming playboy whose gambling addiction has saddled the family with debt. Urbain is the younger, more responsible son, who’s willing to sacrifice his happiness for his mother’s security. The men interact with several women, including Caroline, a secretary and companion to their mother. She is pulled into a strange world that hinges on marriage arrangements and social capital.

The Marquis de Villemer is a nineteenth century novel that embodies popular elements of that time. It’s fueled by class disparity, mismatched romance and financial strain. It also highlights family legacy and the desire to keep up appearances.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Marquis de Villmer is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Indiana, a young woman stuck in a loveless marriage, is seduced by a charming neighbor who is not as polished and pure as he appears. She embarks on a journey to find real love, leading to an unexpected discovery about the object of her affection.

Indiana is a young woman from French Louisiana who’s married to the much older Colonel Delmare. Their union is strict and often oppressive, leaving her unfulfilled. Indiana shares their home with her cousin Ralph and her loyal maid, Noun. One evening they encounter a handsome young man, Raymon de Ramière, who becomes interested in Indiana. Yet, prior to their meeting, Raymon had already seduced Noun who is pregnant with his child. This complicated dynamic forces Indiana to decide what she really wants: passion or stability?

Indiana is a bold commentary on the institution of marriage in France. It examines the implied gender roles and responsibilities pushed upon women. Sand champions the need for passion and true love, regardless of social convention.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Indiana is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mathilda (1959) is a posthumous novella by English writer and Romantic Mary Shelley. Written as a means of self-distraction following the deaths of her young children in Italy, Mathilda is a work haunted by tragic loss. Unpublished for over a century, its posthumous appearance helped cement Shelley’s reputation as a leading Romantic, an artist unafraid of confronting such themes and taboos as incest and suicide in her work.

Mathilda, named after its narrator, traces a young woman’s troubled life from birth to her premature deathbed. Following her mother’s death during childbirth and her father’s subsequent abandonment, Mathilda is raised by her aunt in rural Loch Lomond, Scotland. A gifted reader and promising intellectual, she rises from her difficult circumstances to lead a relatively happy childhood. When, at the age of 16, her father reenters her life, the two reconnect and eventually move together to London. As she begins to receive suitors however, her father’s strange jealousy and irrational behavior conceal a terrible secret. When he reveals his incestuous desires to Mathilda, she rejects him, resulting in his suicide and leaving her unmarried, orphaned, and financially unstable. Living in self-imposed exile, she befriends the similarly melancholy Woodville, a young widower and poet who does his best to care for her despite her crushing bouts of depression and frequent suicidal thoughts. Mathilda is an emotionally complex and ultimately difficult novella recognized for its controversial themes and for its parallels to Shelley’s own tragic life.

This edition of Mary Shelley’s Mathilda is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When John Barton’s wife dies, he is forced to raise his daughter, Mary, alone, while he grieves the love of his life. Though he is a hard-working man, John struggles to provide for his family. Realizing how unfair his financial situation is, John becomes very resentful towards the unethical distribution of wealth between the social classes. Against John’s wishes, when Mary comes of age, she decides to help support their family by working in a dressmaking factory. Neither John nor Mary are happy with the unsafe working conditions in the factory, but soon, Mary is presented with a way out when Henry Carson, the handsome son of a wealthy mill owner, takes an interest in her. Mary knows that marrying Henry would secure a comfortable life for her and her father, but she is conflicted when Jem Wilson, a respectful and hardworking man also declares his love for her. Though Mary reciprocates his feelings, she is conflicted. Mary rejects Jem and avoids Henry while she tries to decide whether to embrace her love for Jem or accept the financial comfort Henry would provide as a husband. While Jem respectfully accepts Mary’s rejection, he decides to give her space. However, when someone warns him of the possible ill intent Henry has for Mary, he tries to defend her honor. After a fight between Jem and Henry is broken up by the police, Jem decides to spend time with his cousin, a sailor. But when a dead body is found soon after, and Jem becomes the prime suspect, Mary must solve the murder and leave home to help clear Jem’s name before it’s too late.

Set in Manchester, England, Mary Barton follows the Barton family as they witness and experience the hardships faced by Victorian working-class families, providing thoughtful insight on the social conditions of the 19th century. With murder, love, and discussions of serious social issues, Mary Barton depicts a powerful narrative that resonates even with modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in a small English town during the 19th century, Cranford depicts the lives of women, centering on the elderly, the widowed, and the unmarried. The social expectations and customs of Cranford are mostly enforced by three older women. Rowena Fowler is a wealthy woman who takes pride in her luxury items and has outlived all of her kin. Betsy Barker is a sweet, but a bit odd lady who has a pet cow that she loves so dearly that she sews pajamas for the animal. Deborah Jenkyns possesses the most social power. While the other two ladies help her police other townspeople, Deborah is the one who establishes the norms and customs that the town is expected to abide by. The town have more or less agreed to the standards these leading ladies set, which has set a balanced dynamic in Cranford. With vigorous gossip and a close-knit community, Cranford is a picturesque rural town. However, Cranford is shaken when a new family moves into town. Captain Brown and his two daughters unknowingly challenge Cranford’s rules soon after they arrive. First, Captain Brown openly admits that he is poor. Traditionally, he is expected to keep up appearances to appear well-off, but Captain Brown, who is unfamiliar with such a custom freely admits his financial troubles. Next, he disagrees with Deborah over who is the best author of the time, which Deborah sees as a personal attack. As the town of Cranford witnesses every quirk and flaw of the Brown family, tearing them apart with gossip, they notice something else too. Captain Brown is an incredibly kind man, who makes homemade gifts and emphatically listens to others. This glowing virtue paired with all of Brown’s social inadequacies challenge the town of Cranford like never before, forcing the townspeople to decide what merits really matter.

Told through a series of satirical sketches, Cranford provides an intimate narrative that allows readers to experience the life and people of the 19th century, especially the women. Often excluded from narratives, Gaskell has created strong and memorable female characters, giving the women a well-deserved spotlight. Filled with humor and sentiment, Cranford is a tranquil and fun read.

This edition of Elizabeth Cleghorn Gaskell’s Cranford is printed in a modern font and features an eye-catching cover design, creating an assessible reading experience for a contemporary audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Story of an African Farm (1883) is a novel by South African political activist and writer Olive Schreiner. Her first published novel, The Story of an African Farm was a bestseller upon its release despite being criticized for its portrayal of controversial social, religious, and political themes. Part Bildungsroman, part philosophical fiction, the novel is recognized as a groundbreaking work for its exploration of feminism, atheism, and the influence of British imperialism on the peoples of South Africa.

Split into three sections, the novel begins with the childhood of its three main characters. Waldo, the son of the German farm-keeper Otto, is an intelligent and introspective boy who struggles with his religious faith and attempts to understand himself in relation to the order of the universe. Lyndall is a deeply philosophical thinker who strives toward independence and resists the gender norms imposed upon her by adults and others who would try to control her. Em, Lyndall’s cousin, is a friendly girl who tends to believe others without questioning authority or intention. When an English businessman named Bonaparte Blenkins arrives at the farm looking for work, the children begin to suffer under his cruelly selective verbal and psychological abuse. As Blenkins attempts to position himself for control of Tant Sannie’s farm, the children gain an informal education in treachery and the dynamics of power, disrupting their seemingly idyllic life in rural South Africa. The novel follows Waldo, Lyndall, and Em into adulthood, tracing their lives through their changing opinions towards romance, faith, and gender while illuminating the love that binds them despite their differences.

This edition of Olive Schreiner’s The Story of an African Farm is a classic of South African literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

As it is common and necessary in the academic world, students study art and its history, perceiving many, many works over their academic career. However, it is rare that a piece art can be traced back to a student through personal history. Yet, Professor Fletcher’s pupils get this chance as they study a portrait of a woman named Lady Hammerton. First starting with the story of his grandfather’s scandalous marriage to a woman twenty-four years younger than him, Professor Fletcher leads the discussion on the intriguing story behind the portrait, and the colorful personality and accomplishments of the lady immortalized on the canvas. While the students hear of stories both heart-breaking, inspirational, and shocking, they become even more invested when they realize the uncanny resemblance a fellow student, Milly, shares with the woman in the painting. As they learn of their blood connection, the students keep these stories in mind as they continue their studies with a greater perspective.

Though not often found in print, The Invader: A Novel by Margaret Louisa Woods is a compelling and thought-provoking read. Through the exploration of topics such as art, history, and ancestry, this dramatic novel allows modern readers a privileged perspective into the culture of the early 20th century, especially concerning the academic world. With captivating characters, and vivid description, The Invader: A Novel is alluring and fascinating. Decorated with Woods’ gorgeous and poem-like prose, The Invader: A Novel intimately depicts characters and scenery that stay imprinted on readers’ minds long after the narrative is finished.

This edition of The Invader: A Novel by Margaret Louisa Woods features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring The Invader: A Novel to modern standards while preserving the poetic prose and mastery of Margaret Lousia Woods’ work.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published as a serial story, Wives and Daughters is told with an episodic narrative, following a young woman named Molly Gibson as she comes of age. Molly is the only child of a widowed doctor. Raised in an English provincial town, Molly’s childhood is filled with trips to aristocratic mansions and bonding experiences with her father. As she grows older however, men become more interested in her because of her attractive appearance. When Dr. Gibson discovers a creepy crush one of his apprentices has on his daughter, he sends her away to live with another family. Though she misses her father, Molly enjoys her life with the Hamley family. Treated as if she were their daughter, Molly grows very close with Mrs. Hamley and the youngest son, Roger. Meanwhile, as domestic drama unfolds at the Hamley’s, Dr. Gibson entertains the idea of remarrying. Thinking that another woman would have a good influence on Molly, Dr. Gibson decides to marry Miss Claire, who Molly had met once as a child. Though he had good intentions, Dr. Gibson was mistaken in his assumption that Molly and his new wife would get along. Already shy and a little awkward, Molly does her best to keep the peace, but feels that her stepmother is selfish and too social ambitious. Even though Molly misses living with the Hamley’s, she soon finds joy in her new homelife as she grows close to her stepsister, Cynthia, who has a nearly opposite personality compared to Molly. Despite their differences, Molly and Cynthia form a unique bond that they must nurture as they grow together, enduring the unfair social expectations of 19th century England.

With secret proposals, family drama, abusive men, and hurtful gossip, Wives and Daughters is a thrilling account of life as a woman in 19th century England. While Gaskell provides fascinating insight on home life and societal expectations during this period, Wives and Daughters also features strong and intriguing characters that have captured the hearts of readers for centuries.

Regarded as one of Elizabeth Cleghorn Gaskell’s most popular novels, this edition of Wives and Daughters features an eye-catching cover design and is printed in an easy-to-read font. With these accommodations, modern readers are able to experience this gripping classic with ease.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

On his deathbed, John Bergson, the head of a Swedish American family, decided to will the family farm to his daughter, Alexandra, instead of her two older brothers. Though it upset his sons, John was firm in his decision, knowing that the conditions in Nebraska required discipline and strength to strive. Alexandra, already a strong-willed woman, accepted the farm and devoted herself to it. Through droughts and depression, Alexandra’s neighbors give up and move away, but Alexandra is determined to make the farm succeed and prove that her father made the right decision. A time jump in the narrative affirms Alexandra’s goals, but invites troubles to rival those presented by the harsh realities of the Nebraska plains. Carl Lindstrum, an old friend and neighbor, comes back into town after his abrupt departure years before, stirring an old flame between he and Alexandra. Emil, Alexandra’s younger brother, also returns home after going to a state college. The two Bergson siblings, Alexandra and Emil, soon find themselves in forbidden relationships. With the pressure of secret love, unpredictable weather, murder, and scandal, Alexandra and Emil must persevere to protect their family and preserve their happiness.

Separated into five sections, The Wild Land, Neighboring Fields, Winter Memories, The White Mulberry Tree, and Alexandra, Willa Cather’s O Pioneers! depicts neighborly disputes, forbidden love, family drama, and murder, all to the backdrop of pioneer Nebraska. With themes of feminism and innovation, O Pioneers inspires perseverance and participation in new inventions and ideas. O Pioneers! is the first of the critically acclaimed and commercially praised Great Plains trilogy, entertaining with its drama and sentiment while enlightening audiences with visceral depictions of pioneer life in the early origins of midwestern America.

With a new eye-catching cover design and reprinted in an easy-to-read font, this edition of O Pioneers! , written by the esteemed author Willa Cather, is now accessible and appealing for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

In Evelina or the History of a Young Lady’s Entrance into the World, the title character leaves her isolated country home for vibrant London society. As she stumbles through the city, she encounters many people including the handsome, Lord Orville.

Evelina is a young woman who’s spent her entire childhood in seclusion. Although the legitimate daughter of Sir John Belmont, she was raised in the country with Reverend Villars. When Evelina is offered a chance to visit London, she quickly accepts the opportunity. Upon her arrival, her questionable origins and naïveté make her a target for rumors and speculation. Despite her unconventional ways, she catches the eye of nobleman, Lord Orville and tries to navigate formal rules of society and courtship.

Evelina or the History of a Young Lady’s Entrance into the World is a compelling story bursting with humor and romanticism. The author beautifully weaves multiple characters and arcs into one satisfying narrative. Originally published in 1778, Evelina maintains its refreshing outlook on contemporary life.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Evelina is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Villette (1853) is a novel by English writer Charlotte Brontë. It was the third and final novel she published in her lifetime, followed only by The Professor, her posthumously released first novel which was largely reconceived and rewritten as Villette. Inspired by Brontë’s experience traveling and teaching English in Brussels, where she went at the age of 26 with her sister Emily before returning alone the following year, Villette is the story of an Englishwoman abroad and contains the themes of loneliness, secrecy, romance, and tragedy which circulate throughout much of her work.

Following a family tragedy, Lucy Snowe becomes employed as a caregiver by an elderly woman named Miss Marchmont, who treats her kindly and shares stories of life and lost love. When Miss Marchmont dies, Lucy—now without family, home, or employment—decides to leave England for Labassecour, a fictional country based on Brontë’s experience of Belgium. She is hired to teach English at a boarding school in the city of Villette, where she meets a strangely familiar English doctor and falls in love with M. Paul Emanuel, a local professor. Although he is a widower, M. Paul faces pressure from family members and religious authorities alike, and is forced to choose between a life of social acceptance and a life with the woman he loves. Amidst these circumstances, and haunted by repeated encounters with a nun rumored to be a ghost, Lucy Snowe must rely on her wits and courage as she suffers through not only intense loneliness, but a lack of control over the events which shape her life.

Charlotte Brontë’s Villette is a compelling gothic novel which explores the psychological effects of a lack of agency on its protagonist while illuminating the horrors which loom over everyday life.

This edition of Charlotte Brontë’s Villette is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Agnes Grey exposes the harsh working conditions of a young governess who’s hired by multiple families, including the overly critical Bloomfields and the delusional Murrays. While on assignment, Agnes endures consistent cruelty, forcing her to look inward for strength and encouragement.

Agnes is a young woman who comes from an impoverished background. Eager for financial independence, she accepts a position as a governess for an upper-class family. Agnes is initially charged with the Bloomfield children, who are unruly and slightly sadistic. The oldest boy, Tom, is particularly threatening, as he likes to capture and harm small animals. Agnes also engages with the extremely wealthy Murrays and their daughters, Matilda and Rosalie, who are in dire need of direction. Agnes attempts to navigate her growing responsibilities, while maintaining her morals and resilience.

In Agnes Grey, Anne Brontë examines a common plight among working-class people. It offers a revealing look at the corruptive nature of wealth, and the moral differences between the haves and the have nots. It goes beyond the surface to expose an unflattering but honest reality.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Agnes Grey is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Anne Brontë’s second novel The Tenant of Wildfell Hall centers the arrival of the mysterious Helen Graham and her young son at the old mansion. She captures the attention of many locals, including Gilbert Markham, who becomes gradually infatuated with her.

Helen Graham is a young widow and mother of a five-year-old son. She moves into the Wildfell Hall mansion and attempts to lead a quiet life. Helen is very private and refuses to divulge any details about her personal affairs. Despite reservations, she starts a friendship with Gilbert Markham, who eventually falls in love with her. Helen’s secretive nature is a point of contention with neighbors, leading to constant speculation. When targeted by a vulgar rumor, she’s forced to reveal the truth about her peculiar behavior and dark past.

In The Tenant of Wildfell Hall, Helen’s focus and resilience is undeterred by tradition or social conventions. Brontë gives unprecedented agency to a female protagonist living in the Victorian era. Her story is a testament to the human spirit and the art of self-preservation.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tenant of Wildfell Hall is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Set in both England and colonial India, The Woman in the Bazaar follows Captain George Coventry as he wrestles with guilt and the consequences of his actions. Rigid even by old fashioned standards, George Coventry holds misogynistic beliefs regarding the role women fill in a marriage, and in society. When he meets a beautiful woman named Rafella, they marry quickly after dating for a short period of time. Despite this rush and George’s misogyny, they are a happy couple for a while, until Rafella starts making friends. After she befriends the handsome Mr. Kennister, George assumes that Rafella is cheating on him. Absolutely irate and sick with jealousy, George terrorizes Rafella with a possessive rage until she runs away, never to be seen again. Years later, George falls in love again, but is unable to enjoy his second chance as he is haunted by rumors of a woman in the bazaar, an Englishwoman who had been sold into slavery. As George becomes engrossed in this rumor, he is forced to wonder if Rafella could have suffered the same fate. Finally taking accountability of and reflecting on his actions, George realizes that he first must resolve his past with Rafella before entering a new marriage.

With its feminist themes, complex characters and unique setting, The Woman in the Bazaar keeps audiences engaged and constrained. Originally published in 1917, Alice Perrin’s The Woman in the Bazaar colorfully depicts a setting uncommon in literature while featuring a marriage riddled with jealousy. With the vivid portrayal of colonial India as well as the many sides to relationships, The Woman in the Bazaar is a compelling narrative of an aspect of marriage not often explored. Following George’s pre-existing polarizing beliefs, Perrin explores their fruition and the effect it has on Rafella and George’s relationship. This rare portrayal of marital problems caters to an unfortunately common consequence of matrimony and still resonates with contemporary audiences.

Now featuring a brand new, eye-catching cover design and a readable font, this edition of The Woman in the Bazaar, written by the celebrated author, Alice Perrin, is perfect for a modern audience.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Coquette (1797) is a novel by American author Hannah Webster Foster. Published anonymously, The Coquette was one of eighteenth-century America’s bestselling books. Based on the story of Elizabeth Whitman, a New England socialite whose death during the birth of her illegitimate child was a sensational topic in newspapers at the time, Foster’s novel attempts to turn tragedy and gossip into a topic of serious moral and social discussion. The Coquette both empathizes with its main character and promotes the need for educating women, making it a groundbreaking work of early feminism and an important example of the epistolary form, a popular style of eighteenth century fiction which uses letters between characters as narration.

Having been released from an unhappy marriage by the death of her husband, Eliza Wharton—the daughter of a prominent clergyman—finds herself hoping for more from life. As she begins to envision the independent life she desires, two competing suitors threaten to disrupt her plans before she can even realize them. Rev. J. Boyer is a kind but unappealing man who fails to inspire a sense of romance in Eliza, while Major Peter Sanford, a known womanizer, is an exciting and unpredictable man who manages to pique Eliza’s interest before marrying another woman. As she loses sight of her newfound sense of independence, Eliza becomes a mere object of male affection, a woman to be seduced, but not respected. When an affair with Sanford goes terribly wrong, and finding herself with nowhere to turn, Eliza’s life slowly falls to pieces before our eyes. The Coquette is a tragic novel with a complex message. While it critiques Eliza’s moral failures, it also deconstructs society’s attempts to blame women for the ways in which men manipulate and abandon them. The solution, according to Hannah Webster Foster, must be to educate women so that they will not only be given the tools for independence, but the ability to succeed either without men or as their rational equals.

This edition of Hannah Webster Foster’s The Coquette is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Originally published in Robin Goodfellow magazine, Lady Audley's Secret is the essential work of Mary Elizabeth Braddon and is considered a staple of sensation fiction. The story centers on a mysterious woman, whose dark past slowly comes to light.

Lady Audley is a former governess who marries the wealthy widower, Sir Michael Audley. She thoroughly enjoys the life of privilege and status associated with her new husband. Although she appears beautiful and polished, Lady Audley is more than meets the eye. She has a dark secret that could jeopardize everything she’s worked for. To maintain her façade, she plots and schemes to silence those who threaten her happiness. Lady Audley will stop at nothing to maintain her comfortable lifestyle, including murder.

Lady Audley is driven by desperation and fear. Her outlandish behavior leads to an unpredictable narrative taking the reader on a journey full of twists and turns. A combination of melodrama, crime and romance, Lady Audley's Secret is an extreme commentary on Victorian gender and class.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Lady Audley's Secret is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

After the death of his parents, Jim Burden is sent to live with his grandparents in Nebraska, where he meets his first and most prominent love, Antonia Shimera. As pioneers in Nebraska, the Shimera family expected hardships, but none as devastating as a death in the family. Narrated by Jim Burden, an orphan living with his grandparents next door to the Shimera’s, My Antonia follows the coming of age and life of Jim and Antonia, the eldest daughter in the Shimera family. Starting when Jim and Antonia were young kids, the Burdens and the Shimera’s live as neighbors in the plains of 19th century Nebraska. While the weather was often harsh and the untamed land made it difficult to yield crops, the Shimera family worked hard to maintain a content life. However, when a tragic death strikes the Shimera family, they fall into poverty despite the aid Jim’s grandparents try to offer. As her family’s farm fails, Antonia has to quit school to help out with manual labor. Antonia gets a job as a town girl, helping care for children and households in order to support her family. Meanwhile, Jim moves into town as well for higher education, and is able to reconnect with Antonia, though she does not have as much leisure time as he does. As they both grow into adulthood, Jim witnesses the Shimera’s and Antonia to make difficult choices and somber sacrifices, contrasting their hardships to his own comfortable life.

My Antonia earned commercial and critical acclaim soon after its publication, and has inspired film and stage adaptations since. With themes of feminism, insight on lower class Americans, and the use of deep metaphors, Willa Cather’s My Antonia is a classic gem worthy of even more recognition.

Now redesigned with an eye-catching cover and printed in an easy-to-read font, this edition of Willa Cather’s My Antonia restores the classic novel to create an engaging experience for modern audiences.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

First appearing in 1899 The Awakening is regarded as work presaging both feminist fiction and literary modernism. The author’s clear vision of a woman’s internal and external conflicts continue to demand engagement and response from readers.

The Awakening follows Edna Pontellier as she recognizes and attempts to deal with her confining lot as a woman and mother in the 19th century American South. Torn between traditional roles and an inchoate desire for independence and a more passionate life, she faces more than one difficult choice, leading to a grim reckoning. Initially receiving a mixed critical reception, including much condemnation for its frank depiction of adultery, the novel has gone on to be recognized as both a classic piece of fiction and a groundbreaking work of women’s realism. The poignant portrayal of the protagonist attempting to determine her true feminine identity makes this one of the first novels willing to openly confront women’s issues, to make clear that traditional roles could be limiting and to legitimatize an emotional life that transcended society’s boundaries.

With an eye-catching new cover, and professionally typeset manuscript, this edition of The Awakening is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Professor (1857) is English writer Charlotte Brontë’s first novel. Rejected by several publishing houses, Brontë shelved the novel in order to write her masterpiece Jane Eyre (1847). After her death, The Professor was edited by Brontë’s widower, Arthur Bell Nichols, who saw that the novel was published posthumously. Based on Brontë’s experience as a student and teacher in Brussels—which similarly inspired her novel Villette—The Professor is an underappreciated early work from one of English literature’s most important writers.

After rejecting a life as a clergyman, William Crimsworth goes to work as a clerk for his brother Edward, a successful businessman. Although he excels, his brother grows jealous of his ability and intelligence, abusing and belittling him until he is forced to quit. Disappointed, he accepts a job at a boarding school in Belgium where, mentored by the kind Monsieur Pelet, William flourishes as a professor. When news of his work reaches Mademoiselle Reuter, a local headmistress at a school for girls, she offers him a position, and William joins her staff. He begins to grow suspicious, however, when he overhears Reuter speaking about him with Pelet and discovers that the pair are engaged to be married. As he begins to second-guess their kindness, he falls in love with Frances, a young teacher-in-training. Harboring her own secret affection for William, Mademoiselle Reuter decides she must dismiss Frances if she is to maintain her control of the young Englishman. Charlotte Brontë’s The Professor is a novel of romance, jealousy, and gothic mystery, an early and promising work by one of Victorian England’s most prominent writers.

This edition of Charlotte Brontë’s The Professor is a classic of English literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This book explores the social, educational and linguistic acculturation of a group of Saudi wives and mothers sojourning in New Zealand while their husbands undertook full time study. Such sojourners, and their families, are faced with many challenges due to linguistic, social and cultural distance – as well as ethnic stereotyping and prejudice. They tell their stories in a series of interviews and focus groups, relating their pre-sojourn background, the challenges they faced and the changes they made during their sojourn, and their preparation for returning home post-sojourn. The narratives illustrate how these women renegotiated their own identities in relation to their changed circumstances and environment. The authors address the distinctive challenges faced by sojourners as opposed to immigrants, and present a nuanced and detailed picture of the women as individuals negotiating the complex interaction between the influence of the host country and the Saudi and Islamic identities of themselves and their children.

An examination of hysterectomy and the struggle for bodily and reproductive autonomy

At least one hysterectomy is performed every minute of the year, making it the most common gynecological surgery worldwide. By the age of sixty-five, one out of five people born with a uterus will have it removed. So, why do we seldom talk about this surgery? Highly performed yet overlooked, examining the paradox of hysterectomy begins to unravel the various problems with how we medically treat uteruses and the people who have them.

Get It Out weaves centuries of medical history with rich qualitative data from 100 women, trans men, and nonbinary people who had, want, or are considering hysterectomy. In compelling detail, Andréa Becker reveals how America’s healthcare system routinely deprives people of the ability to control their own bodies along race and gender lines. When people ask for a hysterectomy, they are often met with pushback: Are you sick enough? Old enough? Have you had enough babies? Will you regret this? How will your future husband feel about this? Yet this pushback is not equally experienced. While some people are barred access, others are ushered toward a hysterectomy. These contradictory recommendations reveal the persistent biases entrenched within healthcare.

Get It Out interrogates how little choice people with uteruses ultimately have over their reproductive health, and explores what these “choices” signify amid interlocking systems of inequality.

This ethnography unravels the continuing political tensions surrounding Senegal’s 1999 national ban on “female genital mutilation”

The Senegalese parliament authorized a national ban on “Female Genital Mutilation” in 1999. Because only a third of the Senegalese population practiced female genital cutting (FGC) at the time, policy makers did not expect that the new law would cause controversy or provoke commotion. Yet, in Fouta Toro and among Fulani, who traditionally practiced FGC, the response to the new law was fury, and frustrations often turned violent. More than a decade after the ban, Fouta Toro was considered “the most difficult region” for anti-FGC activists, both from inside and outside the government. Tires were burned, international NGO delegates were threatened, and activists publicly speaking out against the practice were religiously condemned. Animosity toward the ban remains palpable in the region to this day. The ban, many (but not all) locals say, is nothing other than an overt act of Western cultural imperialism imposed on their community. For these individuals, resisting the ban is critical for maintaining the autonomy and integrity of a traditional way of life. And from the outside, opposition to the law and NGOs can seem unified.

However, anthropologist Sarah O’Neill discovers that on the ground, there are tensions between those who oppose the ban and those who support it—even as that support is nuanced and often complicated. This ethnography unravels the continuing political tensions surrounding both national and international interventions in Fouta Toro and in Senegal that place protection of the female body at the center of their concerns. By way of the many stories of ordinary women and men caught up in debates around the value of the practice and meaning of FGC, Compromised Bodies reveals the personal struggles and difficult decisions Fulani face, be they traditional cutters, religious leaders, mothers, husbands, divorced women, or anti-FGC activists.

In this book, Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary.

The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes.

Locating Black girls’ desires, needs, knowledge bases, and lived experiences in relation to their social identities has become increasingly important in the study of transnational girlhoods. Black Schoolgirls in Space pushes this discourse even further by exploring how Black girls negotiate and navigate borders of blackness, gender, and girlhood in educational spaces. The contributors of this collected volume highlight Black girls as actors and agents of not only girlhood but also the larger, transnational educational worlds in which their girlhoods are contained.

There is growing interest in urbanization as currently a third of the world’s urban population live in slums, and by 2030 there may be two billion slum dwellers across the globe (Davies 2004, 17). During economic crises, slum dwellers are involved in increasing feats of self-exploitation. The literature on slums and informal settlements tends to focus on economic survival strategies, particularly those of men. But how do women, as the most marginalized and excluded slum-dwellers, survive in the face of poverty and gender oppression? What are the emotional rather than material costs of poverty? This book conveys the rich fabric of life in the slum.

‘Body Parts on Planet Slum’ discusses the importance of Christianity and telenovelas, and explores what it is about women’s lives in particular that makes these stories so central. Yet it is also increasingly clear that for the poorest women, church attendance has become a rare luxury – whereas telenovelas are piped into their homes on a daily basis. The unemployed women watch up to six hours of telenovelas a day in the midst of arduous physical labour in the home. The women suffer in relation to their bodies, but invest in a masochistic glorification of suffering. It is this glorification of suffering that links the women’s lives to the telenovelas in crucial ways. It reveals disturbing valuations of women’s bodies that traverse reality and fiction, and connect to a central feminist question, ‘What is a woman?’

A new edition of a groundbreaking, feminist defense of pornography as free speech

Named a Notable Book by The New York Times Book Review in 1995, Defending Pornography examines a key question that has divided feminists for decades: is censoring pornography good or bad for women? Nadine Strossen makes a powerful case that increasing government power to censor sexual expression, beyond the limits that the First Amendment sensibly permits (for example, outlawing child pornography) would do more harm than good for women and others who have traditionally been marginalized due to sex or gender, She explains how the very anti-porn laws pushed by some feminists have led to the censorship of LGBTQ+ and feminist works, and she examines the startling connections between anti-porn feminists and right-wing fundamentalists. In an illuminating new Preface, Strossen lays out the multiple current assaults on sexual expression, which continue to come from across the ideological spectrum. She shows that freedom for such expression remains an essential prerequisite for the equality, safety, and dignity of women and sexual/gender minorities.

As women’s sport continues to grow and develop there is an increasing need to critically examine the conditions in which women as athletes operate. The Professionalisation of Women’s Sport discusses the processes of professionalisation in women’s sports as distinct from, and different to, that seen in men’s sport, identifying different challenges that face the growth of women’s elite sport.

Within this collection, the complex and often fragmented nature of women’s involvement across a range of sports are critically discussed. Contributions span the fields of sport sociology, sport history, sport economics and beyond, and across the varying geographical contexts of North America, Europe, Australia and South Africa. Examining American football, basketball, cricket, cycling, golf, ice hockey, tennis, rugby union and rugby league, scholars consider the emergence of professionalisation, the role of the media, and experiences in and of women’s (semi-)professional sport.

The Professionalisation of Women’s Sport is an essential reference point for any student, researcher or professional interested in, or working in, elite women’s sport settings.

The global professionalisation of women’s football has gathered momentum in the twenty first century, and professional women footballers are now more prevalent and evident in cultures around the world. Despite increased professionalisation and record-breaking viewing and participation figures for women’s football, there are persistent challenges for women in the game. Professional football is now a viable career opportunity for women globally; however, as Women’s Football in a Global, Professional Era demonstrates, there are pressing issues and unanswered questions that remain in the game.

In this collection, a range of scholars contribute research covering three key areas as women’s football shifts into a global, professional era: issues surrounding the historical development of professional women’s football, documentation of the lived experiences of women in an emerging professional space and, finally, discussions around commercialisation and media coverage of the sport.

Women’s Football in a Global, Professional Era is an important addition to discussions on sport as work for women, and an essential reference point for students, researchers and sports professionals interested in the debates around the professionalisation of women’s football internationally.

The High-Caste Hindu Woman (1887) is a work of political nonfiction by Pandita Ramabai. Written for an American audience, The High-Caste Hindu Woman was published in Philadelphia while Ramabai was living in the United States as a lecturer for the Women’s Christian Temperance Union. Born and raised in India, Ramabai converted to Christianity and dedicated her life to advocating on behalf of impoverished women and children. A fiery orator and true iconoclast, Ramabai’s activism led to important educational and social reforms in her native country.

Arguing for the need to offer education to women, Ramabai examines the nature of life for Hindu women born into the Brahman caste in nineteenth century India. Despite their position in Indian society, these women remained subjected to the control of their husbands, who limited their freedom and social mobility. Ramabai examines the traditions and customs of Hinduism in order to show how women are made ignorant by their oppression and taught to accept their conditions, thereby prolonging the suffering of lower caste and impoverished Hindus. Through education alone, Ramabai shows, are women able to alter their oppressed condition. Both a portrait of Indian life and a moving political treatise, The High-Caste Hindu Woman showcases Ramabai’s foresight as an activist and reformer who sought to radically improve the lives of her people.

This edition of Pandita Ramabai The High-Caste Hindu Woman is a classic work of Indian political nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

A Stanford University Press classic.

This innovative interdisciplinary collection confronts the worldwide challenge of women's under-representation in science through an interrogation of the field of physics and its gender imbalance.

Leading physicists and sociologists from across Europe collaborate to adopt a comparative approach. They draw on theoretical perspectives and empirical evidence to explore the reasons behind low participation levels, from entering the field to sustaining a career, emphasising the importance of social perspectives over biological explanations.

Evaluating policy solutions implemented in various European contexts, this book offers key insights into the world of women physicists and sheds light on their life stories.

Many scholars have critiqued the neocolonial assumptions embedded in global development agendas. These often focus on the bodies and lives of poor, racialized adolescent girls in the global south as ideal sites for intervention based on these girls’ potential to multiply investment, interrupt intergenerational poverty, and predict economic growth. Girls in Global Development presents case studies from established and emerging scholars to collectively theorize and examine the concept of “Girls in Development” (GID), a distinctive way of approaching notions of girls and girlhoods in locations around the globe, at various points in history, through a critical feminist lens.

Why are women so dramatically underrepresented in formal leadership positions—and what can be done to improve the situation? This unique collection takes up these questions in the crucial practical concepts of law, politics, and business—the arenas in which women’s leadership has the most public influence. Bridging the worlds of theory and practice, the essays in this collection bring new insights to long-standing questions about the difference gender difference makes, both in access to leadership and in its exercise.

The contributors to this collection represent some of the nation’s most distinguished women leaders and most respected scholars on women and leadership, and reflect a distinctive array of perspectives and backgrounds. Among others, they include former Congresswoman Patricia Schroeder; former NOW president Patricia Ireland; the Right Honorable Kim Campbell, former prime minister of Canada; and Judith Resnik, the Arthur Liman Professor of Law, Yale Law School. Written in accessible, lively prose, and informed by a wealth of scholarship and personal experience, this collection should appeal to a broad audience.

A study of the women who led the United States section of the Women's International League for Peace and Freedom in the interwar years, this book argues that the ideas of these women—the importance of nurturing, nonviolence, feminism, and a careful balancing of people's differences with their common humanity—constitute an important addition to our understanding of the intellectual heritage of the United States.

Most of these women were well educated and prominent in their chosen fields: they included Jane Addams and Emily Greene Balch, the only two United States women to win Nobel Prizes for Peace; Jeannette Rankin, the first woman elected to the U.S. Congress; and Dorothy Detzer, the woman who prompted the investigation of the munitions industry in the 1930's. The ideas of these women were not usually expressed in forms conventionally studied by intellectual historians. On the whole, their ideas must be teased out of organizational records, statements of principle and policy, and personal correspondence. When combined with an understanding of the personal backgrounds of the WIL leaders and placed in the context of early-twentieth-century America, these documents tell us what these women thought was important and why.

The ideas of the WIL leaders are also analyzed in the context of the intellectual themes of Victorianism and modernism. Our understanding of these themes has been based largely on the work of privileged European and American men, and the ideas of women often fit uncomfortably into these traditional categories. A reconstruction of the ideas of the WIL leaders suggests that historians have overlooked an important, alternative intellectual tradition in the United States. To understand and appreciate women's thoughts, we must dissolve the old constructs and let new, multifaceted ones replace them.

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of the age, and gives us a sense of what women felt and believed, and what they actually did, during this period.

Most analyses of gender in High Qing times have focused on literature and on the writings of the elite; this book broadens the scope of inquiry to include women's work in the farm household, courtesan entertainment, and women’s participation in ritual observances and religion. In dealing with literature, it shows how women's poetry can serve the historian as well as the literary critic, drawing on one of the first anthologies of women's writing compiled by a woman to examine not only literary sensibilities and intimate emotions, but also political judgments, moral values, and social relations.

After an introductory chapter that evaluates the historiography of Chinese women, the book surveys High Qing history, charts the female life course, and discusses women's place in writing and learning, in entertainment, at work, and in religious practice. The concluding chapter returns to broad historiographic questions about where women figure in space and time and why we can no longer write histories that ignore them.

Star of India is a romantic novel that follows the complicated courtship and marriage of a young woman who’s disenchanted with the minutiae of life. Refusing to embrace the role of a missionary or tutor, she hastily weds an older man in hopes of breaking away from her family’s oppressive influence.

Stella Carrington is eager to experience life outside the confines of her grandmother’s home. In an attempt to curb Stella’s unconventional desires, her family seeks the help of her godfather Robert Crayfield, a colonel in the Indian service. Instead of occupational guidance, he offers to marry Stella and take her to India as his bride.

Stella discovers the complicated nature of marriage having to navigate new and unexpected responsibilities. Soon, conflicts are amplified by the appearance of Philip Flint, a handsome young officer stationed in town. It’s a classic tale of love and duty that forces Stella to make a difficult but necessary decision.

This is a complex story that bucks tradition pitting one character’s happiness against the desires of another. Star of India is a fascinating look at marriage, the military and colonial politics.

With an eye-catching new cover, and professionally typeset manuscript, this edition of Star of India is both modern and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Higher Court (1911) is a novel of religion and romance by Mary Stewart Daggett, a writer well-known in her community of Pasadena, California whose work has yet to find the audience it deserves.

Father Barry, a young Catholic priest in the Midwest, is beginning to question his vows. A tense meeting with the local bishop, combined with a feeling of mental unease, have shaken Barry’s faith to the core. Meanwhile, in the midst of a heavy blizzard, a letter arrives from Isabel Doan, a friend of Barry’s from before he took his orders—she is stopping by to see him on her way to Southern California, where she is moving with her young son Reginald. When they arrive, Barry is shaken by a series of events—Reginald has come down with a terrible illness; news arrives of the death of his estranged mother; and his love for Isabel threatens to tear down the final vestige of his already fleeting faith. Faced with a choice, Father Barry abandons the cloth and travels to Europe, but he will soon find something stronger than religion to guide his heart back home.

Mary Stewart Daggett’s The Higher Court interrogates tradition in order to get to the truth, while simultaneously illuminating the inexorable changes faced by the nation and world in the early-twentieth century.

This edition of Mary Stewart Daggett’s The Higher Court is a newly unearthed classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

When Fanny Price is sent away from her struggling family to live with her wealthy aunt and uncle, life doesn’t suddenly transform for her. At least, not for the better. From failed marriage proposals to unavoidable class conflicts, Fanny must learn to fit in to a place where she does not always feel welcome.

As Fanny grows up in the new house, with new rules, and new consequences, she learns about the trials one faces as they enter adulthood. Having nothing to shield her from the constant abuse of her relatives, Sir Thomas and Lady Bertram, Fanny’s life at Mansfield Park is anything but comfortable. Fanny struggles to keep up with the vicious family dynamic among those coming and going at the manor, finding comfort in her only kind relationship with Edmund, the eldest son of Sir and Lady Bertram.

When Henry Crawford and his sister Mary arrive at Mansfield Park, suddenly things start to get complicated. As a web of lies, jealousy, and failed attempts at love circulate through the house, Fanny must set aside her own desires to keep the truth from slipping through her fingers.

This edition of Mansfield Park is both modern and readable. With an eye-catching new cover and a professionally type-set manuscript, order your copy and start reading this striking new edition today.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

From what acclaimed novelist Jane Austen wrongly suspected was the least-liked of her protagonists comes a character unlike any other. Emma is the story of a fiercely independent young woman who defines the boundaries of what a conventional lady was supposed to resemble in 19th century Britain.

Emma Woodhouse is a bit of an anomaly in her sleepy town of Highbury. Curious, intelligent, and spoiled rotten, Emma is a young lady whose nose is always in other people’s business. With nothing but time on her hands, Emma delights in the chaos of her good intentions gone awry. With an inclination towards matchmaking, she decides this skill is one that must be perfected, even at the expense others. Quickly becoming the self-professed village matchmaker, it isn’t until Emma’s own heart is on the line that she realizes she’s gone perhaps a bit too far.

Now a major Hollywood film starring Anya Taylor-Joy as Emma, Johnny Flynn as Mr. Knightly, and Bill Nighy as Mr. Woodhouse, Jane Austen’s Emma continues to resonate with readers of all ages. With an eye-catching new cover, and a cleanly typeset manuscript, this edition of Emma is both modern, and readable.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

This book examines the many different ways in which women achieved public standing and exercised political power in England from the middle of the eighteenth century to the present. It shows how rank, property, and inheritance could confer de facto power on privileged women, and how across the centuries the arrogance of birth and title empowered aristocratic women to overawe enfranchised men of lower social standing.

The essays contribute to an ongoing “rethinking of the political,” a consequence in part of the rediscovery of the work of Jürgen Habermas by political and social historians. For Habermas, the public sphere included print media and voluntary associations, and the contributors stress the extent of female engagement in political culture broadly conceived. However, they extend this definition of the public sphere further still to include the “private” world of family connections and friendship networks, within which political ideas were debated and new social practices played out.

Many of the essays are inspired by a related effort to reintegrate radical female activists within their political milieu. Although feminist hagiography has accustomed us to see female activists as heroic outsiders rising sui generis from a hostile environment, recent research restores them to their intellectual and familial contexts. Finally, the contributors explore the limits and possibilities of women’s citizenship both before and after winning the right to vote. Together, the essays tell a continuous and complex story, redefining political activity and reassessing the turning points of British political history.

A Stanford University Press classic.

A Stanford University Press classic.

Residents of Parma, Italy pride themselves on their sophistication and connection to European modernity. But despite a reputation for civility, intimate partner violence continues to take place, largely hidden from public view. Offering a detailed ethnography of two women's shelters—one leftist, the other Catholic—this book provides the political, cultural, and legal contexts of competing explanations for intimate partner violence.

Some contend that violence against women reflects the cultural and historical gender inequalities embedded in Italian society, including "old-fashioned" or "traditional" understandings of masculinity. Others argue that it stems from confusion and ambivalence over "new" or "modern" forms of gender relations. While the first explanation places the blame on tradition and the second cites the transition to modernity, both emphasize societal understandings of gender and point to collective, rather than individual, responsibility. Through an intimate portrayal of everyday life, Sheltering Women reveals how violence against women can be studied as one part of a continuum of locally relevant understandings of gender relations and gender change.

The Communist revolution promised Chinese women an end to thousands of years of subjugation, an equality with men in all matters legal, political, social, and economic. This book examines the extent to which this promise has been kept. Based on nearly a year of field research and interviews with over 300 women in six widely separated rural and urban areas, it gives us a vivid picture of Chinese women today - their day-to-day lives, their views of the present, and their hopes for the future. To date nothing approximating equality has been achieved: in working conditions, in pay, in educational opportunity. In the cities, and to a lesser extent in the countryside, women are better off than in pre-revolutionary China. But nowhere except in the rhetoric of the regime are they equal to men. Nor does the immediate future look much brighter, given the continuing social constraints, the government's controversial family limitation program, and the nature of the new economic policies introduced in 1980. So far as possible, the women interviewed are allowed to speak for themselves. Some take refuge behind government slogans, some are shy or wary, but a surprising number are quick to give their own opinions despite an ever-present government cadre. These opinions, combined with the author's astute observations on their local and national context, add up to a wholly new perspective on an all too familiar problem.

Dramatic and far-reaching changes have occurred in the lives of Chinese women in the years since the death of Mao and the fall of the Gang of Four During the decade of the Cultural Revolution, attention to personal life was regarded as 'bourgeois'; in the post-Mao decade, abrupt turns in public policy made discussion of personal life imperative, and nowhere has this been more evident than in the debate about the role of women in Chinese society. This book is based on extensive personal viewing of urban women and study of contemporary literature and articles in the periodical press that touched on the problems of rural women. It is not only about the changes in women's lives but also about the excitement, confusion, and anxieties that Chinese women express as they contemplate the future of their society and their own place in it. Each chapter is devoted to one aspect of women's Lives: girlhood, adornment and sexuality, courtship, marriage, family relations, divorce, work, violence against women, and gender inequality. Giving a personal dimension to the issues discussed, the chapters close with a rich sampling of excerpts from the newly thriving women's press and other contemporary publications. Although many women in China still suffer discrimination in working life and mistreatment in the family, they can now raise questions that would have been unthinkable even ten years ago. Most notably, they can and do use the press to voice complaints, expose injustices, seek advice, and support or deplore the social changes of the 1980's.

This is the intimate and richly informative diary kept in 1910 by the young wife of a bustling merchant household in Kyoto. Makiko's husband was the had of his family's pharmaceutical business, and because the store and the family's living quarters were under one roof, it was a very busy place. Makiko writes perceptively about both special occasions (such as weddings, funerals, ancestral memorial services, and festivals) and the daily routine of the complex household.

Almost all of the Japanese women whose accounts of family life are available in English were members of the elite or individuals who distinguish themselves in public life or in the arts. Makiko's Diary differs in that it is a spirited, first-hand account of the domestic world of a housewife, the role played by the vast majority of Japanese women. Makiko herself emerges as an engaging young woman, displaying flashes of sly humor, anger, sarcasm, and self-pity to temper her usual cheerfulness, eagerness to please, and determination to become a better person. Hers is a compelling voice.

Lot's Daughters explores the relationship of fathers and daughters and of older men and younger females in history, life, art, and culture. This ambitious, daringly original book shows how humanity has remembered and been formed by Lot's daughters—how the shocking biblical text describing the crucial relationship between that patriarch and his daughters has haunted the human imagination and shaped history and behavior right down to the present.

Robert Polhemus terms this ongoing human drama—the mutual attraction between young females and older males—the "Lot complex," and illustrates his theory with a wide-ranging series of portraits that analyze and dramatize the lives and work of famous men and women who, in very diverse ways, have made the world care more deeply about the destiny of daughters.

In witty, probing chapters on an entertaining selection of daughters that includes women as varied as Lewis Carroll's Alice, Shirley Temple, Mia Farrow, and Monica Lewinsky, Polhemus tells the story of men's ambivalent desire for young women and of women's quest for authority. It is an indispensable work on male-female relations.

The prominent scholars featured in Gendered Innovations in Science and Engineering explore how gender analysis can profoundly enhance human knowledge in the areas of science, medicine, and engineering. Where possible, they provide concrete examples of how taking gender into account has yielded new research results and sparked creativity, opening new avenues for future research.

Several government granting agencies, such as the National Institutes of Health and the European Commission, now require that requests for funding address whether, and in what sense, sex and gender are relevant to the objectives and methodologies of the research proposed, yet few research scientists or engineers know how to do gender analysis. This book begins to rectify the situation by shedding light on the how and the why.

In the 1890s, German feminists fighting for female higher education envied American women their small colleges. Yet by 1910, German women could study at any German university, a level of educational access not reached by American women until the 1960s. This book investigates this development as well as the cultural significance of the tremendous debate generated by aspiring female students.

Central to Mazón's analysis is the concept of academic citizenship, a complex discourse permeating German student life. Shaped by this ideal, the student years were a crucial stage in the formation of masculine identity in the educated middle class, and a female student was unthinkable. Only by emphasizing the need for female gynecologists and teachers did the women's movement carve out a niche for academic women.

Because the nineteenth-century German university was the model for the modern research university, the controversy resonates with contemporary American debates surrounding multiculturalism and higher education.

This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia—as well as international and transnational feminist organizations.

The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European history from a feminist perspective. By placing gender, or relations between women and men, at the center of European politics, where the author argues that it belongs but from which it has long been marginalized, the book aims to reconfigure our understanding of the European past and to make visible a long but neglected tradition of feminist thought and politics.

On another level, by providing a broad and accurate historical analysis, the book seeks to disentangle some misperceptions and to demystify some confusing contemporary debates about the Enlightenment, reason, nature, equality vs. difference, and public vs. private, among others. The author argues that historical feminisms offer us far more than logical paradoxes and contradictions; feminisms are about sexual politics, not philosophy. Feminist victories are not, strictly speaking, about getting the argument right, nor is gender merely “a useful category of analysis”; sexual difference lies at the heart of human thought and politics.

Breaking the Codes is a cultural history of the fin-de-siecle that uses the "problem" of the criminal woman to examine both the debates around the appropriate place of women in French society and the ways in which issues of gender were central to the most important cultural transformations of the period.

The author asserts that "female criminality" was a code that condensed and obscured larger concerns. For example, to what degree and in what ways did the symbolic overtones of female criminality connect to the substantive issues that appeared over and over again in the stories of women's crime? How were the crimes of domestic violence, infanticide, and abortion interpreted in the context of broader debates about divorce, depopulation, sexuality, and women's roles in the public sphere? What was the role of expert commentary - from the forensic psychiatrist, the criminologist, the legal scholar - in producing a normative code for female behavior? And how did this code accommodate or resist the newly recognized voice of popular opinion and changing notions of citizenship?

This study demonstrates both the inadequacy of the categories of public and private as they have been conventionally used to segregate the subjects of historical inquiry and the artificiality of the boundaries between high and low culture. Instead, it moves between domestic life and public courtrooms, between social science literature and popular journalism, analyzing the complex responses to female crime among different constituencies and through different genres. In so doing, the author sheds light on various overlapping processes of cultural negotiation in a period of profound change.

God has assumed a significant role in the sex lives of believers. It is God who decrees which types of sexual expression are permitted, and which forbidden. Through the Church, a patriarchal sexual landscape has been enacted to control sexual bodies which exerts its influence even in our secular culture.
The Good News of the Body is a wide-ranging anthology on feminist sexual theology. Noting that Jesus, while being declared divine, took human form, the volume questions what happens when the flesh, rather than the Word, is placed at the center of theological reflection. What happens when women's bodies form the incarnational starting point for sexual politics and theology? Contributors, including Rosemary Ruether, Mary Hunt, and Melissa Raphael, examine such topics as the possibility of a Roman Catholic approach to sexuality bringing together the three aspects of Christian love of eros, philia, and agape; Jewish sexual and mystical teaching; the de-sexing of the disabled; erotic celibacy; human sexuality and the concept of the goddess; and the sometimes surprisingly similar conclusions about contraception reached by feminists and popes.

The active role of women in the labor force is not limited to recent decades, or even to the last century. As William Chester Jordan amply demonstrates in Women and Credit in Pre-Industrial and Developing Societies, women in premodern times played an integral part both as a source of labor and as participants in lending and borrowing. In this wide-ranging and provocative study, the author assesses the overall significance of women's work in medieval and early modern Europe, and in colonial and postcolonial societies.

While earlier studies have concentrated on women in agriculture or craftwork, Jordan investigates consumption lending and borrowing among women in the European Middle Ages, female investment in early modern Europe, and, in a final section, the role of African and Caribbean marketwomen and their provision of and access to credit. By viewing the historical situation, Jordan sheds light on contemporary concerns about commercialization, the transformation of rural society, and industrialization. He provides a historical and comparative context for some of the current issues that plague the twentieth-century female work force. By understanding the role of gender in such an important aspect of traditional life as credit relationships, Jordan advances an ongoing reexamination of the issue in general.

This work will be of interest to students and scholars of medieval and early modern European, African, and Caribbean history; anthropology; and women's studies.

PROSE Award Winner for Biography and Autobiography

Named one of Library Journal's Best Books of 2023

Winner, Next Generation Indie Book Awards - Women's Nonfiction

Offers thought-provoking theories and life-transforming ways to deal with pain

What can we ask of pain? How can we be more creative and courageous in carrying pain in our lives? In this genre-bending work that is equal parts memoir and scholarly criticism, L. Ayu Saraswati provides thought-provoking theories and life-transforming ways to understand pain, specifically in relation to feminism. Arguing that pain is not merely a state we are in, Scarred reframes pain as a “transnational feminist object,” something that we can carry across international borders. Drawing on her own experience traveling across twenty countries within just over a year, Saraswati aims to bring readers along on her journey so that they might ask themselves, “How can I live with pain differently?”

By using pain as a lens of feminist analysis, Scarred allows us to chart how power produces and operates through pain, and how pain is embodied and embedded in relationships. Saraswati provides a heartfelt and engaging recount of her experiences while also pushing the boundaries of the respective fields her story engages with. She allows for renewed academic and personal insights to blossom by using a blend of transnational feminist theory, travel studies, and pain studies. Ultimately, Scarred invites us to reframe pain and ask how might we carry it in a more humane, life-sustaining, enchanting, and feminist way.

An interdisciplinary collection of critical, feminist reflections on interpersonal gender violence

Despite the growing interest in the subject of gender violence, surprisingly little has been written in recent years about the methodology behind this emerging field of research. This interdisciplinary collection seeks to fill this gap by empowering scholars to conduct gender violence research in ways that deconstruct rather than reinforce existing power structures and hierarchies.

The book argues for new approaches to research and activism on gender-based violence grounded in the intersectional realities of individuals and communities. Each chapter discusses the role of reflective methodologies to recognize institutional and intersectional inequalities, challenging the reader to contemplate ethical considerations of an embodied feminist methodology when researching gender-based violence. By centering these issues for applied scholars, practitioners, and academic activists, the book offers insights about where sociocultural notions of criminality and innocence might align across geographies of gender-based violence.

The volume encourages further thinking about embodied methodological creativity in and for the future of interpersonal gender-based violence research. A powerful tool for conducting productive scholarship, Researching Gender-Based Violence provides recommendations for interrogating, practicing, and collaborating across fields, disciplines, and lived realities.

"My guilty pleasure wasn’t just reading low-brow fiction or even female-authored fiction, it was being femme itself."

What is it about ribald romance novels, luxurious interior design, and frothy wedding dresses that often make women feel their desires come with a shadow of shame? In Avidly Reads Guilty Pleasures, Arielle Zibrak considers the specifically pleasurable forms of feminine guilt and desire stimulated by supposedly “lowbrow” aesthetic tendencies. She takes up the overwhelming preoccupation with the experience of being humiliated, dominated, or even abused that has pervaded the stories that make up women’s culture—from eighteenth-century epistolary novels to popular twentieth-century teen magazine features to present-day romantic comedies.

In three chapters—“Rough Sex,” “Expensive Sheets,” and “Saying Yes to the Dress”—that mirror the plot structures of feminine fictions themselves, this book tells the story of the desires that only the guiltiest of pleasures evoke. Zibrak reexamines documents of femme culture long dismissed as “trash” to reveal the surprisingly cathartic experiences produced by tales of domination, privilege, and the material trappings of the heteropatriarchy.

Part of the Avidly Reads series, this slim book gives us a new way of looking at American culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Guilty Pleasures reclaims women’s experiences for themselves.

Groundbreaking essays by female activists and scholars documenting women’s resistance before, during, and after the Arab Spring

Images of women protesting in the Arab Spring, from Tahrir Square to the streets of Tunisia and Syria, have become emblematic of the political upheaval sweeping the Middle East and North Africa. In Women Rising, Rita Stephan and Mounira M. Charrad bring together a provocative group of scholars, activists, artists, and more, highlighting the first-hand experiences of these remarkable women.

In this relevant and timely volume, Stephan and Charrad paint a picture of women’s political resistance in sixteen countries before, during, and since the Arab Spring protests first began in 2011. Contributors provide insight into a diverse range of perspectives across the entire movement, focusing on often-marginalized voices, including rural women, housewives, students, and artists.

Women Rising offers an on-the-ground understanding of an important twenty-first century movement, telling the story of Arab women’s activism.

Winner, Next Generation Indie Book Awards - Women's Nonfiction

Best Book of 2020, National Law Journal

The inspiring and previously untold history of the women considered—but not selected—for the US Supreme Court

In 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph.

Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women.

In addition to filling a notable historical gap, the book exposes the tragedy of the shortlist. Listing and bypassing qualified female candidates creates a false appearance of diversity that preserves the status quo, a fate all too familiar for women, especially minorities. Shortlisted offers a roadmap to combat enduring bias and discrimination. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.

Winner, 2021 PROSE Award in the Cultural Anthropology & Sociology Category

Finalist, 2021 Lambda Literary Award in LGBTQ Studies

A troubling account of heterosexual desire in the era of #MeToo

Heterosexuality is in crisis. Reports of sexual harassment, misconduct, and rape saturate the news in the era of #MeToo. Straight men and women spend thousands of dollars every day on relationship coaches, seduction boot camps, and couple’s therapy in a search for happiness.

In The Tragedy of Heterosexuality, Jane Ward smartly explores what, exactly, is wrong with heterosexuality in the twenty-first century, and what straight people can do to fix it for good. She shows how straight women, and to a lesser extent straight men, have tried to mend a fraught patriarchal system in which intimacy, sexual fulfillment, and mutual respect are expected to coexist alongside enduring forms of inequality, alienation, and violence in straight relationships.

Ward also takes an intriguing look at the multi-billion-dollar self-help industry, which markets goods and services to help heterosexual couples without addressing the root of their problems. Ultimately, she encourages straight men and women to take a page out of queer culture, reminding them “about the human capacity to desire, fuck, and show respect at the same time.”

2021 Outstanding Academic Title, Choice Magazine

Shows how reproductive justice organizations' collaborative work across racial lines provides a compelling model for other groups to successfully influence change

Patricia Zavella experienced firsthand the trials and judgments imposed on a working professional mother of color: her own commitment to academia was questioned during her pregnancy, as she was shamed for having children "too young." And when she finally achieved her professorship, she felt out of place as one of the few female faculty members with children.

These experiences sparked Zavella’s interest in the movement for reproductive justice. In this book, she draws on five years of ethnographic research to explore collaborations among women of color engaged in reproductive justice activism. While there are numerous organizations focused on reproductive justice, most are racially specific, such as the National Asian Pacific American Women's Forum and Black Women for Wellness. Yet Zavella reveals that many of these organizations have built coalitions among themselves, sharing resources and supporting each other through different campaigns and struggles. While the coalitions are often regional—or even national—the organizations themselves remain racially or ethnically specific, presenting unique challenges and opportunities for the women involved.

Zavella argues that these organizations provide a compelling model for negotiating across differences within constituencies. In the context of the war on women's reproductive rights and its disproportionate effect on women of color, and increased legal violence toward immigrants, and now incorporating an updated preface addressing the Dobbs decision which struck down Roe v. Wade, The Movement for Reproductive Justice demonstrates that a truly intersectional movement built on grassroots organizing, culture shift work, and policy advocating can offer visions of strength, resiliency, and dignity for all.

What prenatal tests and down syndrome reveal about our reproductive choices

When Alison Piepmeier—scholar of feminism and disability studies, and mother of Maybelle, an eight-year-old girl with Down syndrome—died of cancer in August 2016, she left behind an important unfinished manuscript about motherhood, prenatal testing, and disability. In Unexpected, George Estreich and Rachel Adams pick up where she left off, honoring the important research of their friend and colleague, as well as adding new perspectives to her work.

Based on interviews with parents of children with Down syndrome, as well as women who terminated their pregnancies because their fetus was identified as having the condition, Unexpected paints an intimate, nuanced picture of reproductive choice in today’s world. Piepmeier takes us inside her own daughter’s life, showing how Down syndrome is misunderstood, stigmatized, and condemned, particularly in the context of prenatal testing.

At a time when medical technology is rapidly advancing, Unexpected provides a much-needed perspective on our complex, and frequently troubling, understanding of Down syndrome.

An innovative anthology showcasing Asian American and Pacific Islander women’s histories

Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond.

This volume is unique in exploring Asian American and Pacific Islander women’s lives along local, transnational, and global dimensions. The contributions present new research on diverse aspects of Asian American and Pacific Islander women’s history, from the politics of language, to the role of food, to experiences as adoptees, mixed race, and second generation, while acknowledging shared experiences as women of color in the United States.

Our Voices, Our Histories showcases how new approaches in US history, Asian American and Pacific Islander studies, and Women’s and Gender studies inform research on Asian American and Pacific Islander women. Attending to the collective voices of the women themselves, the volume seeks to transform current understandings of Asian American and Pacific Islander women’s histories.

A sweeping chronicle of women’s battles for reproductive freedom

Reproductive politics in the United States has always been about who has the power to decide—lawmakers, the courts, clergy, physicians, or the woman herself. Authorities have rarely put women’s needs and interests at the center of these debates. Instead, they have created reproductive laws and policies to solve a variety of social and political problems, with outcomes that affect the lives of different groups of women differently.

Reproductive politics were at play when slaveholders devised “breeding” schemes, when the US government took indigenous children from their families in the nineteenth century, and when doctors pressured Latina women to be sterilized in the 1970s. Tracing the main plot lines of women’s reproductive lives, the leading historian Rickie Solinger redefines the idea of reproductive freedom, putting race and class at the center of the effort to control sex and pregnancy in America over time.

Revisiting these issues after more than a decade, this revised edition of Pregnancy and Power reveals how far the reproductive justice movement has come, and the renewed struggles it faces in the present moment. Even after nearly a half-century of “reproductive rights,” a cascade of new laws and policies limits access and prescribes punishments for many people trying to make their own reproductive decisions. In this edition, Solinger traces the contemporary rise of reproductive consumerism and the politics of “free market” health care as economic inequality continues to expand in the US, revealing the profound limits of “choice” and the continued need for the reproductive justice framework.

A blueprint for the next generation of feminist activists

Fight Like a Girl offers a vision of the past, present, and future of feminism. With an eye toward what it takes to create actual change and a deep understanding of women’s history and the key issues facing girls and young women today, Megan Seely offers a pragmatic introduction to feminism. Written in an upbeat and personal style, Fight Like a Girl offers an overview of feminism, including historical roots, myths and meanings, triumphs and shortcomings.

Sharing personal stories from her own experience as a young activist, as a mother, and as a teacher, Seely offers a practical guide to getting involved, taking action, and waging successful events and campaigns. The second edition addresses more themes and topics than before, including gender and sexuality, self-esteem, reproductive health, sexual violence, body image and acceptance, motherhood and family, and intersections of identities, such as race, gender, class, and sexualities.

Fight Like a Girl is an invaluable introduction to both feminism and activism, defining the core tenets of feminism, the key challenges both within and outside the feminist movement, and the steps we can take to create a more socially just world.

Explores accountability as a framework for building movements to transform systemic oppression and violence

What does it take to build communities to stand up to injustice and create social change? How do we work together to transform, without reproducing, systems of violence and oppression?In an age when feminism has become increasingly mainstream, noted feminist scholar and activist Ann Russo asks feminists to consider the ways that our own behavior might contribute to the interlocking systems of oppression that we aim to dismantle.

Feminist Accountability offers an intersectional analysis of three main areas of feminism in practice: anti-racist work, community accountability and transformative justice, and US-based work in and about violence in the global south. Russo explores accountability as a set of frameworks and practices for community- and movement-building against oppression and violence. Rather than evading the ways that we are implicated, complicit, or actively engaged in harm, Russo shows us how we might cultivate accountability so that we can contribute to the feminist work of transforming oppression and violence.

Among many others, Russo brings up the example of the most prominent and funded feminist and LGBT antiviolence organizations, which have become mainstream in social service, advocacy, and policy reform projects. This means they often approach violence through a social service and criminal legal lens that understands violence as an individual and interpersonal issue, rather than a social and political one. As a result, they ally with, rather than significantly challenge, the state institutions, policies, and systems that underlie and contribute to endemic violence.

Grounded in theories, analyses, and politics developed by feminists of color and transnational feminists of the global south, with her own thirty plus years of participation in community building, organizing, and activism, Russo provides insider expertise and critical reflection on leveraging frameworks of accountability to upend inequitable divides and the culture that supports them.

A critique of population control narratives reproduced by international development actors in the 21st century

Since the turn of the millennium, American media, scientists, and environmental activists have insisted that the global population crisis is “back”—and that the only way to avoid catastrophic climate change is to ensure women’s universal access to contraception. Did the population problem ever disappear? What is bringing it back—and why now? In On Infertile Ground, Jade S. Sasser explores how a small network of international development actors, including private donors, NGO program managers, scientists, and youth advocates, is bringing population back to the center of public environmental debate. While these narratives never disappeared, Sasser argues, histories of human rights abuses, racism, and a conservative backlash against abortion in the 1980s drove them underground—until now.

Using interviews and case studies from a wide range of sites—from Silicon Valley foundation headquarters to youth advocacy trainings, the halls of Congress and an international climate change conference—Sasser demonstrates how population growth has been reframed as an urgent source of climate crisis and a unique opportunity to support women’s sexual and reproductive health and rights. ­Although well-intentioned—promoting positive action, women’s empowerment, and moral accountability to a global community—these groups also perpetuate the same myths about the sexuality and lack of virtue and control of women and the people of global south that have been debunked for decades. Unless the development community recognizes the pervasive repackaging of failed narratives, Sasser argues, true change and development progress will not be possible.

On Infertile Ground presents a unique critique of international development that blends the study of feminism, environmentalism, and activism in a groundbreaking way. It will make any development professional take a second look at the ideals driving their work.

Honorable Mention, 2019 Distinguished Book Award, given by the Sex & Gender Section of the American Sociological Association

Honorable Mention, 2019 Marysa Navarro Book Prize, given by the New England Council of Latin American Studies (NECLAS)


A profound reflection on state violence and women’s survival

In the 1970s and early 80s, military and security forces in Argentina hunted down, tortured, imprisoned, and in many cases, murdered political activists, student organizers, labor unionists, leftist guerrillas, and other people branded “subversives.” This period was characterized by massive human rights violations, including forced disappearances committed in the name of national security. State terror left a deep scar on contemporary Argentina, but for many survivors and even the nation itself, talking about this dark period in recent history has been difficult, and at times taboo.

For women who endured countless forms of physical, sexual, and emotional violence in clandestine detention centers, the impetus to keep quiet about certain aspects of captivity has been particularly strong. In Surviving State Terror, Barbara Sutton draws upon a wealth of oral testimonies to place women’s bodies and voices at the center of the analysis of state terror. The book showcases poignant stories of women’s survival and resistance, disinterring accounts that have yet to be fully heard, grappled with, and understood. With a focus on the body as a key theme, Sutton explores various instances of violence toward women, such as sexual abuse and torture at the hands of state officials. Yet she also uses these narratives to explore why some types of social suffering and certain women’s voices are heard more than others, and how this can be rectified in our own practices of understanding and witnessing trauma. In doing so, Sutton urges us to pay heed to women survivors’ political voices, activist experiences, and visions for social change.

Recounting not only women’s traumatic experiences, but also emphasizing their historical and political agency, Surviving State Terror is a profound reflection on state violence, social suffering, and human resilience—both personal and collective.

A candid and generous color-illustrated account of women artists creating politically and personally effective art works, exhibitions, and actions over two tumultuous decades

This abundantly illustrated personal narrative takes readers through twenty-two years of activism in the women's art movements in New York City during a period of great cultural change. Author Sabra Moore vividly recounts life in this era of social upheaval in which women artists responded to war, racial tension and reconciliation, cultural and aesthetic inequality, and struggles for reproductive freedom. We learn intimately how she and fellow women artists found ways to create politically and personally effective art works, exhibitions, actions, and institutions.

The book features Moore's involvement in pivotal art organizations of this time and her own development as an artist, counterbalanced with her connections to family in rural East Texas and friends in New Mexico. Moore was a member of the Heresies Collective, an influential feminist activist group, became editor of their art and politics journal Heresies, and was president of the NYC/Women's Caucus for Art. She helped coordinate and curate many of the earliest large-scale exhibitions of women artists in NYC, including Views by Women Artists (1982), and the collaborative shows Reconstruction Project and Connections Project/Conexus. Moore was a principle organizer of the 1984 demonstration against MoMA over their lack of inclusion of women artists and was a member of various groundbreaking collaborative arts groups in the 1970s, including Atlantic Gallery and WAR (Women Artists in Revolution).

While Openings is an historical narrative of women artists' actions, organizations, and ideas, it also candidly describes their periods of challenge, including the death of sculptor Ana Mendieta and the indictment of her husband and the author's own attempted murder by her former art teacher.

The book is illustrated throughout by a treasure of 950 color and black & white images of the art from this momentous period: a valuable collection that is concurrently being archived by Barnard College along with papers, letters, show cards, posters, original artworks, and other documents.

This eye-opening book includes forewords by renowned art critic Lucy Lippard and poet/activist Margaret Randall.

There are people dedicated to improving the way we eat, and people dedicated to improving the way we give birth. A Bun in the Oven is the first comparison of these two social movements. The food movement has seemingly exploded, but little has changed in the diet of most Americans. And while there’s talk of improving the childbirth experience, most births happen in large hospitals, about a third result in C-sections, and the US does not fare well in infant or maternal outcomes.
In A Bun in the Oven Barbara Katz Rothman traces the food and the birth movements through three major phases over the course of the 20th century in the United States: from the early 20th century era of scientific management; through to the consumerism of Post World War II with its ‘turn to the French’ in making things gracious; to the late 20th century counter-culture midwives and counter-cuisine cooks. The book explores the tension throughout all of these eras between the industrial demands of mass-management and profit-making, and the social movements—composed largely of women coming together from very different feminist sensibilities—which are working to expose the harmful consequences of industrialization, and make birth and food both meaningful and healthy.
Katz Rothman, an internationally recognized sociologist named ‘midwife to the movement’ by the Midwives Alliance of North America, turns her attention to the lessons to be learned from the food movement, and the parallel forces shaping both of these consumer-based social movements. In both movements, issues of the natural, the authentic, and the importance of ‘meaningful’ and ‘personal’ experiences get balanced against discussions of what is sensible, convenient and safe. And both movements operate in a context of commercial and corporate interests, which places profit and efficiency above individual experiences and outcomes. A Bun in the Oven brings new insight into the relationship between our most intimate, personal experiences, the industries that control them, and the social movements that resist the industrialization of life and seek to birth change.

What
kind of woman dances naked for money? Bernadette Barton takes us inside
countless strip bars and clubs, from upscale to back road as well as those that
specialize in lap dancing, table dancing, topless only, and peep shows, to
reveal the startling lives of exotic dancers.

Originally published in 2006, the product of years of first-hand research in strip clubs around the country, Stripped is a classic portrait of what it’s like for those who choose to strip as a profession. Barton explores why women begin stripping, the initial excitement and financial rewards of the work, the dangers of the life—namely, drugs and prostitution—and, inevitably, the difficulties in staying in the business over time, especially for their relationships, sexuality and self-esteem.

In this completely revised and updated edition, Barton returns to the strip clubs she originally studied to observe the major changes in the industry that have occurred over the last decade. She examines how “raunch culture” affects exotic dancers’ treatment by their clientele, who are now accustomed to seeing nudity and sexualized performance in accessible, R and X -rated media from a variety of outlets, particularly the Internet. Barton explores how new media has transformed exotic dancing, allowing dancers to build an online brand, but also introducing possibilities for customers to take unauthorized nude photos and videos of the entertainers.. And finally, Barton speaks to new dancers as well as dancers she interviewed in the previous edition, examining how the toll of stripping still impacts the lives of exotic dancers in a changing industry. Incorporating new scholarship, new observations, and increased awareness of emerging media technology, Barton brings a fresh and important perspective on the challenges that women face working in the still-thriving world of exotic dancing.

A comprehensive history of women in Japanese religious traditions

Scholars have widely acknowledged the persistent ambivalence with which the Japanese religious traditions treat women. Much existing scholarship depicts Japan’s religious traditions as mere means of oppression. But this view raises a question: How have ambivalent and even misogynistic religious discourses on gender still come to inspire devotion and emulation among women?

In Women in Japanese Religions, Barbara R. Ambros examines the roles that women have played in the religions of Japan. An important corrective to more common male-centered narratives of Japanese religious history, this text presents a synthetic long view of Japanese religions from a distinct angle that has typically been discounted in standard survey accounts of Japanese religions.

Drawing on a diverse collection of writings by and about women, Ambros argues that ambivalent religious discourses in Japan have not simply subordinated women but also given them religious resources to pursue their own interests and agendas. Comprising nine chapters organized chronologically, the book begins with the archeological evidence of fertility cults and the early shamanic ruler Himiko in prehistoric Japan and ends with an examination of the influence of feminism and demographic changes on religious practices during the “lost decades” of the post-1990 era. By viewing Japanese religious history through the eyes of women, Women in Japanese Religions presents a new narrative that offers strikingly different vistas of Japan’s pluralistic traditions than the received accounts that foreground male religious figures and male-dominated institutions.

A trailblazing look at how the law regulates women’s bodies as reproductive sites and what can be done about it.

At the center of the “war on women” lies the fact that women in the contemporary United States are facing more widespread and increased surveillance of their reproductive health and decisions. In recent years states have passed a record number of laws restricting abortion. Physicians continue to sterilize some women against their will, especially those in prison, while other women who choose to forego reproduction cannot find physicians to sterilize them. While these actions seem to undermine women’s decision-making authority, experts and state actors often defend them in terms of promoting women’s autonomy.

In Governed through Choice, Jennifer M. Denbow exposes the way that the notion of autonomy allows for this apparent contradiction and explores how it plays out in recent reproductive law, including newly enacted informed consent to abortion laws like ultrasound mandates and the regulation of sterilization. Denbow also shows how developments in reproductive technology, which would seem to increase women’s options and autonomy, provide even more opportunities for state management of women’s bodies. The book argues that notions of autonomy and choice, as well as transformations in reproductive technology, converge to enable the state’s surveillance of women and undermine their decision-making authority. Yet, Denbow asserts that there is a way forward and offers an alternative understanding of autonomy that focuses on critique and social transformation. Moreover, while reproductive technologies may heighten surveillance, they can also help disrupt oppressive norms about reproduction and gender, and create space for transformation. A critically important analysis, Governed through Choice is a trailblazing look at how the law regulates women’s bodies as reproductive sites and what can be done about it.

Among the most prominent icons of the American south is that of the southern belle, immortalized by such figures as Scarlett O'Hara, Dolly Madison, and Lucy Pickens (whose elegant image graced the Confederate $100 bill). And yet the women of America's south iave always defied pat generalization, no more readily forced into facle categories than women in the country's other regions.
Never before has a book of southern history so successfully integrated the experiences of white and non-white women. Among the myriad subjects addressed in the book are black women's suffrage, the economic realities of Choctaw women, female kin and female slaves in planters's wills, the northern myth of the rebel girl, second wave feminism in the South, and southern lesbians. Bringing to light the lives of Cherokee women, Appalachian "coal daughters," and Jewish women in the South, the essays all but one published in this book for the first time, ensure that monolithic representations of southern womanhood are a thing of the past.
Filling a crucial gap in southern history and women's history, Women of the American South is a valuable reference and pedagogical aid for a wide range of scholars and students.

Uncovers the truth behind the ideas, struggles, and eventually success of Black and Puerto Rican Nationalists regarding key feminist issues of the 1960s, 1970s, and 1980s

While most people believe that the movement to secure voluntary reproductive control for women centered solely on abortion rights, for many women abortion was not the only, or even primary, focus. Jennifer Nelson tells the story of the feminist struggle for legal abortion and reproductive rights in the 1960s, 1970s, and early 1980s through the particular contributions of women of color. She explores the relationship between second-wave feminists, who were concerned with a woman's right to choose, Black and Puerto Rican Nationalists, who were concerned that Black and Puerto Rican women have as many children as possible “for the revolution,” and women of color themselves, who negotiated between them. Contrary to popular belief, Nelson shows that women of color were able to successfully remake the mainstream women's liberation and abortion rights movements by appropriating select aspects of Black Nationalist politics—including addressing sterilization abuse, access to affordable childcare and healthcare, and ways to raise children out of poverty—for feminist discourse.

"A lot of people in the general public think female bodybuilding is gross and freaky . . . that that's not what a woman is supposed to look like." So says Michelle, a national bodybuilding judge. In fact, athletic women, especially those in sports where strength, muscle, and sweat feature prominently, are typically viewed by the public as being outside the boundaries of appropriate femininity. And perhaps no group of women athletes embodies this gender outlaw status more than female bodybuilders, who by their bulk and sheer strength challenge our very notions of what it means to be a woman. Why would women choose to look like that? And what does it take to get and stay so muscular?
Maria R. Lowe has interviewed more than one hundred people connected with women's bodybuilding, from the bodybuilders themselves, to trainers, family members, spouses, judges, and sponsors. In Women of Steel, Lowe introduces us to a world where size and strength must be balanced with a nod toward grace and femininity. Lowe, who actually worked out with a couple of the bodybuilders she interviewed, gets at the heart of what it is to be a woman bodybuilder. We learn about "paying the price"--doing the necessary exercise, and sometimes drugs--that allows women to rise to the top of their profession. We follow their successes and failures, and discover the benefits-- including increased self-esteem and physical strength--as well as the sometimes unhealthy effects of their training regimen, from dehydration to baldness to rampant acne to high blood pressure. We travel with the women from competition to competition and find that judges' standards seem to vary alarmingly depending on momentary notions of what constitutes "the overall package"--that elusive perfect body that catches judges' eyes and wins competitions.
Above all, Women of Steel is a keenly observant diary of life in women's bodybuilding, a must-read for people interested in sports, competition, physical culture, and gender.

"Johanna Brenner writes with a clarity of purpose that arises out of a lifetime of participation in the struggles of working-class women. A major voice on the American left."
--Mike Davis, May 2000
Is there a future for feminism? The debate over the direction and politics of the women's movement has been joined recently by post-feminists and anti-feminists, in addition to competing feminist perspectives. In Women and the Politics of Class, Johanna Brenner offers a distinctive view, arguing for a strategic turn in feminist politics toward coalitions centered on the interests of working-class women.
Women and the Politics of Class engages many crucial contemporary feminist issues-abortion, reproductive technology, comparable worth, the impoverishment of women, the crisis in care-giving, and the shredding of the social safety net through welfare reform and budget cuts. These problems, Brenner argues, must be set in the political and economic context of a state and society dominated by the imperatives of capital accumulation.
Drawing on historical explorations of the labor movement and working-class politics, Brenner provides a fresh materialist approach to one of the most important issues of feminist theory today: the intersection of race, ethnicity, nationality, gender, sexuality, and class.

Each year hundreds of thousands of women are diagnosed with cancer, and more and more frequently, women are turning to alternative treatments to take control of their illnesses and their lives. Information, however, has been scarce for women navigating through conventional and unconventional medicine. Research funding continues to support traditional cancer therapies. Women Confront Cancer declares the need for new, less toxic therapies and diagnostic procedures.
For the first time, Women Confront Cancer unites the voices of women leaders who have breast, cervical, ovarian, and other cancers. Documenting the decision process, the choices, and the dilemmas these women faced as they chose alternative and complementary cancer treatments, a powerful unity emerges, pointing the way to the future of the diagnosis and treatment of cancer by less toxic methods. Ann Frahm, the author of A Cancer Battle Plan, Susan Moss, the author of Keep Your Breasts, and Cathy Hitchcock, coauthor of Breast Cancer, are only three of the leaders who relate their personal experiences with cancer. All of the women featured in Women Confront Cancer share how and why they created treatment programs that combine the best of conventional and unconventional approaches, and how it has improved their health and their lives.
A call for patients' rights, for policy reform in cancer research, for better information about both conventional and alternative medicine, Women Confront Cancer will be both a source of inspiration for women who have cancer and an aid for them in creating their own approach to healing.
* Did you know that October is [ NATIONAL BREAST CANCER AWARENESS MONTH ] and pink is the color that symbolizes breast cancer awareness?

An anthology of primary documents and scholarly interpretations of witchcraft from the 15th to 18th century

This unique anthology is the first to provide a multicultural perspective on witchcraft from the 15th to 18th century. Featuring primary documents as well as scholarly interpretations, Witches of the Atlantic World builds upon information regarding both Christian and non-Christian beliefs about possession and the demonic. Elaine G. Breslaw draws on Native American, African, South American, and African-American sources, as well as the European and New England heritage, to illuminate the ways in which witchcraft in early America was an attempt to understand and control evil and misfortune in the New World.

Organized into sections on folklore and magic, diabolical possession, Christian perspectives, and the question of gender, the volume includes selections by Cotton Mather, Matthew Hopkins, and Samuel Willard, among others; Salem trial testimonies; and commentary by a host of distinguished scholars.

Together the materials demonstrate how the Protestant and Catholic traditions shaped American concepts, and how multicultural aspects played a key role in the Salem experience. Witches of the Atlantic World sheds new light on one of the most perplexing aspects of American history and provides important background for the continued scholarly and popular interest in witches and witchcraft today.

A wide-ranging collection of voices that redefine the field of women and politics

As the largest political constituency in the United States, women present a radical challenge to the foundations of our political system. The integration of women into political life fundamentally changes the nature of American politics, necessitating a reassessment of the definition of politics, the nature of political action and the purpose of public life.

Women Transforming Politics: An Alternative Reader redefines the field of women and politics. By displacing the experiences of white, middle and upper class elite women as central, this volume brings to light the lives and actions of poor and working class women, women of color, and others defined as marginal. Covering topics as diverse as community organizing by South Asian women in New York, the governing styles of Chicana/Latina elected officials in California, the labor struggles of working-class women in Tennessee, the participation pattern of poor African-American women in Ohio, and the challenge of reproductive and sexual rights in international feminist politics, each essay provides a new and more expansive way to think about politics.

Contributors representing a wide range of professions including political science, sociology, history, law, grassroots organizing and cultural work challenge us to expand the range of experiences and acts considered political. Combining classic essays by renowned figures with groundbreaking work by a new generation of scholars, the publication of Women Transforming Politics will change forever the study of politics in the United States.

"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."—Itinerario
"The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."—Journal of Colonialism and Colonial History
Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples.
In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland.
Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.

Our consumer culture sets exacting standards and norms for what constitutes an ideal child. The tough realities of life often create children and child-bearing and rearing circumstances that are outside the ideal. How do women whose experiences don't match the norm cope and adapt? How do they make sense of it to themselves and to the world?
In a rich series of ethnographic case studies, Transformative Motherhood intimately conveys the experiences of women in the United States who, in each case, have reproductive encounters that do not match up to these cultural standards. From women who choose to become surrogate, foster, or adoptive mothers, to others who give birth to children with disabilities or who have had a pregnancy loss, all creatively meet the challenges posed by their particular mothering experiences. It is often the language of giving and getting, so prominent in a consumer culture, that these women use to make sense of their situation.
In the process, Transformative Motherhood redefines conventional understandings of motherhood, the mother/child relationship, and the role of biology and the law in determining what constitutes a family.
The contributors include Rayna Rapp, Helena Ragone, Judith A. Modell, Danielle Wozniak, Gail Landsman, and Linda L. Layne.
"This text opens up multiple possibilities for reading contemporary women as responsive speaking subjects involved in reconstructing and transferring meanings without consolidating or totalizing their outcomes."
—Resources for Feminist Research, Winter/Spring 2001, Vol. 28, No. ¾

A comprehensive volume sweeping across geographies that brings together foremost scholars on war and women

War affects women in profoundly different ways than men. Women play many roles during wartime: they are "gendered" as mothers, as soldiers, as munitions makers, as caretakers, as sex workers. How is it that womanhood in the context of war may mean, for one woman, tearfully sending her son off to war, and for another, engaging in civil disobedience against the state? Why do we think of war as "men's business" when women are more likely to be killed in war and to become war refugees than men?

The Women and War Reader brings together the work of the foremost scholars on women and war to address questions of ethnicity, citizenship, women's agency, policy making, women and the war complex, peacemaking, and aspects of motherhood. Moving beyond simplistic gender dichotomies, the volume leaves behind outdated arguments about militarist men and pacifist women while still recognizing that there are patterns of difference in men's and women's relationships to war.

The Women and War Reader challenges essentialist, class-based, and ethnocentric analysis. A comprehensive volume covering such regions as the former Yugoslavia, Northern Ireland, Israel and Palestine, Iran, Nicaragua, Chiapas, South Africa, Afghanistan, Sri Lanka, South Korea, and India, it will provide a much-needed resource. The volume includes the work of over 35 contributors, including Cynthia Enloe, Sara Ruddick, V. Spike Peterson, Betty Reardon, April Carter, Leila J. Rupp, Harriet Hyman Alonso, Francine D'Amico, Nancy Scheper-Hughes, and Carolyn Nordstrom.

The American South before the Civil War was the site of an unprecedented social experiment in women's education. The South offered women an education explicitly designed to be equivalent to that of men, while maintaining and nurturing the gender conventions epitomized by the ideal of the Southern belle. This groundbreaking work provides us with an intimate picture of the entire social experience of antebellum women's colleges and seminaries in the South, analyzing the impact of these colleges upon the cultural construction of femininity among white Southern women, and their legacy for higher education.
Christie Farnham investigates the contradiction involved in using a male-defined curricula to educate females, and explores how educators denied these incongruities. She also examines the impact of slavery on faculty and students. The emotional life of students is revealed through correspondence, journals, and scrapbooks, highlighting the role of sororities and romantic friendships among female pupils. Farnham ends with an analysis of how the end of the Civil War resulted in a failure to keep up with the advances that had been achieved in women's education.
The most comprehensive history of this brief and unique period of reform to date, The Education of the Southern Belle is must reading for anyone interested in women's studies, Southern history, the history of American education, and female friendship.

The 1980s and 1990s have seen an unprecedented emphasis on global feminism, on the connectedness of women regardless of race, class, or geography. And yet, the status and position of women throughout the world remains enormously disparate. Even so fundamental an issue as a woman's right to vote has been--and in many countries continues to be--hotly contested. How then have suffrage movements evolved? What are the similarities and differences in the manner in which women, in a range of different economic, religious, and political contexts, have sought the vote?
Bringing together such eminent scholars as Nancy Cott, Ellen Dubois, and Carole Pateman, Suffrage and Beyond offers a comprehensive look at the political history of suffrage on a global scale.

For centuries, the "great man" format and masculine discourse of biography and autobiography have eclipsed women. If we accept this history, we remain ignorant of "Lady Sarashina," a Japanese woman of the Han period, whose book survives from the 11th century. We overlook Margaret Cavendish and Dame Julian, two early English autobiographers. And we fail to consider sufficiently slave narratives, oral histories, or lesbian "coming out" stories.
Telling Women's Lives assesses existing traditions of autobiography and biography in search of a method capable of conveying the distinctive content of women's lives while retaining the tenor of feminine subjectivity. Drawing on feminist research methodologies of the past two decades as well as anthropology and sociology, Long paves the way for the formulation of an emergent feminist methodology for telling women's lives.
This highly original study seeks to revise and recreate the genre so as to accommodate a feminine discourse, narrator, reader, and subject. The "messiness" of women's lives-the daily work and detail that men have programmatically excluded-acquires new meaning as Long develops here an innovative theory of sociobiography.

Still Lifting, Still Climbing is the first volume of its kind to document African American women's activism in the wake of the civil rights movement.
Covering grassroots and national movements alike, contributors explore black women's mobilization around such areas as the black nationalist movements, the Million Man March, black feminism, anti-rape movements, mass incarceration, the U.S. Congress, welfare rights, health care, and labor organizing. Detailing the impact of post-1960s African American women's activism, they provide a much-needed update to the historical narrative.
Ideal for course use, the volume includes original essays as well as primary source documents such as first-hand accounts of activism and statements of purpose. Each contributor carefully situates their topic within its historical framework, providing an accessible context for those unfamiliar with black women's history, and demonstrating that African American women's political agency does not emerge from a vacuum, but is part of a complex system of institutions, economics, and personal beliefs.
This ambitious volume will be an invaluable resource on the state of contemporary African American women's activism.