Celebrate Women's History Month

In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become.

Why are women so often considered unreliable witnesses to their own experiences? How are women discredited in legal courts and in courts of public opinion? Why is women's testimony so often mired in controversies fueled by histories of slavery and colonialism? How do new feminist witnesses enter testimonial networks and disrupt doubt? Tainted Witness examines how gender, race, and doubt stick to women witnesses as their testimony circulates in search of an adequate witness. Judgment falls unequally upon women who bear witness, as well-known conflicts about testimonial authority in the late twentieth and early twenty-first centuries reveal. Women's testimonial accounts demonstrate both the symbolic potency of women's bodies and speech in the public sphere and the relative lack of institutional security and control to which they can lay claim. Each testimonial act follows in the wake of a long and invidious association of race and gender with lying that can be found to this day within legal courts and everyday practices of judgment, defining these locations as willfully unknowing and hostile to complex accounts of harm. Bringing together feminist, literary, and legal frameworks, Leigh Gilmore provides provocative readings of what happens when women's testimony is discredited. She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.

With writings that span more than thirty-five years, American Woman, Italian Style is a rich collection of essays that fleshes out the realities of today’s Italian American women and explores the myriad ways they continue to add to the American experience. The status of modern Italian-American women in the United States is
noteworthy: their quiet and continued growth into respected positions in the professional worlds of law and medicine surpasses the success achieved in that of the general population—so too does their educational attainment and income.

Contributions include Donna Gabaccia on the oral-to-written history of cookbooks, Carol Helstosky on the Tradition of Invention, an interview with Sandra Gilbert, Paul Levitt’s look at Lucy Mancini as a metaphor for the modern world, William Egelman’s survey of women’s work patterns, and Edvige Giunta on the importance of a selfconscious understanding of memory. There are explorations of Jewish-Italian intermarriages and interpretations of entrepreneurship in Milwaukee. Readers will find challenges to common assumptions and stereotypes, departures from normal samplings, and springboards to further research.

American Woman, Italian Style: Italian Americana’s Best Writings on Women offers unique insights into issues of gender and ethnicity and is a voice for the less heard and less seen side of the Italian-American experience from immigrant times to the present. Instead of seeking consensus or ideological orthodoxy, this collection
brings together writers with a wide range of backgrounds, outlooks, ideas, and experiences. It is an impressive postmodern collection for interdisciplinary studies: a book and a look about being and becoming an American.

This groundbreaking collection interrogates protest camps as sites of gendered politics and feminist activism.

Drawing on case studies that range from Cold War women-only peace camps to more recent mixed-gender examples from around the world, diverse contributors reflect on the recurrence of gendered, racialised and heteronormative structures in protest camps, and their potency and politics as feminist spaces.

While developing an intersectional analysis of the possibilities and limitations of protest camps, this book also tells new and inspiring stories of feminist organising and agency. It will appeal to feminist theorists and activists, as well as to social movement scholars.

Spanning the United Kingdom, United States and Australia, this comparative study brings maternal workers’ politicized voices to the centre of contemporary debates on childcare, work and gender.

The book illustrates how maternal workers continue to organize against low pay, exploitative working conditions and state retrenchment and provides a unique theorization of feminist divisions and solidarities.

Bringing together social reproduction with maternal studies, this is a resonating call to build a cross-sectoral, intersectional movement around childcare. Maud Perrier shows why social reproduction needs to be at the centre of a critical theory of work, care and mothering for post-pandemic times.

Using interviews with women from diverse backgrounds, Dabrowski makes an invaluable contribution to the debates around the gendered politics of austerity in the UK.

Exploring the symbiotic relationship between the state’s legitimization of austerity and women’s everyday experiences, she reveals how unjust policies are produced, how alternatives are silenced and highlights the different ways in which women are used or blamed.

By understanding austerity as more than simply an economic project, this book fills important gaps in existing knowledge on state, gender and class relations in the context of UK austerity.

Austerity, Women and the Role of the State is shortlisted for the 2021 BSA Philip Abrams Memorial Prize.

The outsourcing of domestic work in the UK has been steadily rising since the 1970s, but there has been little research into White British women who work as independent providers of cleaning services.

Work, Labour and Cleaning is a cross-cultural analysis based on new research into two particular social contexts, one in the UK and one in India. It argues that outsourced domestic cleaning can be undertaken either as work (using mental and manual skills) or as labour (usually defined as unskilled, 'natural' women’s work) depending on the social context and working conditions in which it occurs. The book challenges feminist dogma and popular myths about housework.

Available Open Access under CC-BY-NC-ND licence

Women are at the heart of civil society organisations. Through them they have achieved many successes, challenged oppressive practices at a local and global level and have developed outstanding entrepreneurial activities. Yet Civil Service Organisation (CSO) research tends to ignore considerations of gender and the rich history of activist feminist organisations is rarely examined.

This collection examines the nexus between the emancipation of women, and their role(s) in these organisations. Featuring contrasting studies from a wide range of contributors from different parts of the world, it covers emerging issues such as the role of social media in organising, the significance of religion in many cultural contexts, activism in Eastern Europe and the impact of environmental degradation on women’s lives. Asking whether involvement in CSOs offers a potential source of emancipation for women or maintains the status quo, this anthology will also have an impact on policy and practice in relation to equal opportunities.

Exploited young women or committed union activists? How should we remember the allumettières working at the E. B. Eddy match factory, in Hull?

Between 1854 and 1928, an anonymous workforce of female workers produced 90% of Canada’s matches—grueling and incredibly dangerous work given the continual risk of fire and, more importantly, given the manipulation of toxic chemicals. This work had disastrous consequences for these women, and it is therefore of little surprise that they launched the very first female-driven union dispute in Quebec.

In this first-ever book devoted to Hull’s allumettières, historian Kathleen Durocher tells their fascinating story using a trove of historical documents, including Canadian censuses, various governments, private, and parish archives, as well as numerous articles published in scientific journals and large-circulation newspapers.

Durocher presents a demographic profile of the allumettières, followed by sections on their daily life, their role within the working class, their positions at the factory, their working conditions—particularly hazards linked to the use of white phosphorus—, and their union activities from 1918 to 1928, when the company closed its doors in Hull.

Tragic and inspiring, the history of Hull’s allumettières has marked both regional and Canadian history for more than a century, yet it remains little known. With this book, it is finally brought to light.

Published in French.

As competing American, European, and later Japanese imperial and colonial ambitions spread across the ocean in the nineteenth century, Honolulu emerged as a transnational hub for the exchange of ideas. Rumi Yasutake reveals the pivotal role of women’s organizing in this era of rapid globalization, tracing how diverse movements intersected and converged in Hawai‘i—with worldwide consequences.

The Feminist Pacific examines transnational networks in Hawai‘i beginning in 1820, with the arrival of American missionary wives, and through the rise of women’s internationalism in the interwar years. It follows an array of suffragists, missionaries, maternalists, and antiwar activists in their international campaigns for peace and social justice that culminated in the formation of the Pan-Pacific Women’s Association (PPWA) and subsequent conferences. Yasutake explores how these movements radiated from Honolulu and branched out to the United States, Japan, and China. She illuminates their contradictions, showing how women’s striving for collective power went at once in the face of and hand in hand with globalization, settler colonialism, and imperialism. Yasutake underscores how the PPWA and the movements that formed it wrestled with the dichotomies of their world: home and public, domestic and foreign, native and settler, white and nonwhite, feminist and antifeminist. Bridging nineteenth-century Protestant churchwomen’s evangelism with twentieth-century feminist internationalism, this book recasts women’s global organizing from the perspective of the Pacific.

Trailblazing women of Australian Public Broadcasting, 1945-1975 offers a compelling new perspective of Australian radio and television history. It chronicles how a group of female producers defied the odds and forged remarkable careers in the traditionally male domain of public-affairs production at the ABC in the post-war decades. Kay Kinane, Catherine King, Therése Denny and Joyce Belfrage were ambitious and resourceful producers, part of the vanguard of Australian broadcasters who used mass media as a vehicle for their social and political activism. Fiercely dedicated to their audiences, they wrote, directed and produced ground-breaking documentaries and current affairs programs that celebrated Australian life, while also challenging its cultural complacency, its racism and sexism. They immersed themselves in the ABC’s many networks of collaboration and initiated a range of strategies to expand their agency and authority. With vivid descriptions of life at the ABC, it traces their careers as they crossed borders and crossed mediums, following them as they worked on location shoots and in production offices, in television studios, control rooms and radio booths. In doing so it highlights the barriers, both official and unofficial, that confronted so many women working in broadcasting after World War II.

“It’s a girl!” the Ontario press announced, as Canada’s first woman lawyer was called to the Ontario bar in February 1897. Quiet Rebels explores experiences of exclusion among the few women lawyers for the next six decades, and how their experiences continue to shape gender issues in the contemporary legal profession.

Mary Jane Mossman tells the stories of all 187 Ontario women lawyers called to the bar from 1897 to 1957, revealing the legal profession’s gendered patterns. Comprising a small handful of students—or even a single student—at the Law School, women were often ignored, and they faced discrimination in obtaining articling positions and legal employment. Most were Protestant, white, and middle-class, and a minority of Jewish, Catholic, Black, and immigrant women lawyers faced even greater challenges. The book also explores some changes, as well as continuities, for the much larger numbers of Ontario women lawyers in recent decades.

This longitudinal study of women lawyers’ gendered experiences in the profession during six decades of social, economic, and political change in early twentieth-century Ontario identifies factors that created—or foreclosed on—women lawyers’ professional success. The book’s final section explores how some current women lawyers, despite their increased numbers, must remain “quiet rebels” to succeed.

Women have a long history of keeping the lights burning, from tending ancient altar flames or bonfires to modern-day lighthouse keeping. Yet most of their stories are little-known. Guiding Lights includes true stories from around the world, chronicling the lives of the extraordinary women who mind the world's storm-battered towers.

From Hannah Sutton and her partner Grant, the two caretakers living alone on Tasmania's wild Maatsuyker Island, to Karen Zacharuk, the keeper in charge of Cape Beale on Canada's Vancouver Island, where bears, cougars and wolves roam, the lives of lighthouse women are not for the faint of heart. Stunning photographs from throughout history accompany accounts of the dramatic torching of Puysegur Point, one of NZ's most inhospitable lighthouses; & haunted' lighthouses in across the US and their tragic tales; lighthouse accidents and emergencies around the world; and two of the world's most legendary lighthouse women: Ida Lewis (US) and Grace Darling (UK), who risked their lives to save others.

The book also explores our dual perception of lighthouses: are they comforting and romantic beacons symbolising hope and trust, or storm-lashed and forbidding towers with echoes of lonely, mad keepers? Whatever our perception, stories of women's courage and dedication in minding the lights - then and now - continue to capture our imagination and inspire.

Focusing on youth, family, work, and consumption, Ambiguous Transitions analyzes the interplay between gender and citizenship postwar Romania. By juxtaposing official sources with oral histories and socialist policies with everyday practices, Jill Massino illuminates the gendered dimensions of socialist modernization and its complex effects on women’s roles, relationships, and identities. Analyzing women as subjects and agents, the book examines how they negotiated the challenges that arose as Romanian society modernized, even as it clung to traditional ideas about gender. Massino concludes by exploring the ambiguities of postsocialism, highlighting how the legacies of the past have shaped politics and women’s lived experiences since 1989.

For over half a century, the countless organizations and initiatives that comprise the Women’s Liberation movement have helped to reshape many aspects of Western societies, from public institutions and cultural production to body politics and subsequent activist movements. This collection represents the first systematic investigation of WLM’s cumulative impacts and achievements within the West. Here, specialists on movements in Europe systematically investigate outcomes in different countries in the light of a reflective social movement theory, comparing them both implicitly and explicitly to developments in other parts of the world.

This volume, the first of its kind in English, brings together scholars from different disciplines who address the history of women in Austria, as well as their place in contemporary Austrian society, from a variety of theoretical and methodological perspectives, thus shedding new light on contemporary Austria and in the context of its rich and complicated history.

For many centuries Prague has exerted a particular fascination because of its beauty and therichness of its culture and history. Its famous group of German and Czech writers of mostly Jewish extraction in the earlier part of this century has deeply influenced Western culture.However, little attention has so far been paid to the roles of women in the history of thisethnically diverse area in around Prague. Based on largely autobiographical writings and letters by women and enhanced by extensive historical introduction, this book redresses a serious imbalance. The vivid and often moving portraits, which emerge from the varied material used bythe author, offer fascinating and new insights into the social and cultural history of this region.

Until recently, histories of women tended to be segregated from the larger historical context. This pioneering volume places the role of women within the history of the interwar years, whenboth the women's and socialist movements became prominent, and raises the key question of how power was distributed between the genders in a historical setting. The emblematic title of this volume highlights the fundamental conception of this comparative study of eleven West European countries: that in the interwar decades two great movements gained in strength, converged, diverged, competed, and cooperated. Each of these movements is viewed as acomplex matrix of organized and unorganized participants. However, by far the most provocative questions deal with gender relations. Central to these are definitions of femininity and masculinity in terms of mechanisms of inclusion and exclusion at the workplace, in the home, and in the political arena. The mystique of the "new woman" in the 1920s and the 1930s challenged traditional notions of gender identity and relations, not the least of which was the redefinition of the role of men. The main issue addressed in this volume is not how male socialists "dealt with" the woman question or how women functioned in or outside left-wingparties; it rather centers on illustrating the power distribution between the sexes in specific political and cultural contexts. This rigorously focused and coherent volume, to which some of the best-known scholars in the field have contributed, will no doubt establish itself as the standard reference work for years to come.

The murder of a third of Europe's Jews by the Nazis is unquestionably the worst catastrophe in the history of contemporary Judaism and a formative event in the history of Zionism and the State of Israel. Understandably, therefore, the Shoah, written about, analyzed, and given various political interpretations, has shaped public discourse in the history of the State of Israel. The key element of Shoah in the Israeli context is victimhood and as such it has become a source of shame, shrouded in silence and subordinated to the dominant discourse which, resulting from the construction of a "new Hebrew" active subjectivity, taught the postwar generation of Israelis to reject diaspora Jewry and its alleged passivity in the face of catastrophe.

This book is the culmination of years of preoccupation with the meaning of the Shoah for the author, an Israeli woman with a "split subjectivity: - that of a daughter of a family of Shoah survivors, and that of a daughter of the first Israeli-born generation; the culmination of her need to break the silence about the Shoah in a society which constructed itself as the Israeli antithesis to diaspora Jewry, and to excavate a "truth" from underneath the mountain of Zionist nation-building myths. These myths, the author argues, not only had deep implication for the formation of her generation but also a profound impact on the Israeli-Palestinian conflict. Moreover, they are shot through with images of the "masculine" Israeli, constrasted with those of the weak, passive, non-virile Jewish "Other" of the diaspora. This book offers the first gendered analysis of Israeli society and the Shoah. The author employs personal narratives of nine Israeli daughters of Shoah survivors, writers and film makers, and a feminist re-reading of official and unofficial Israeli and Zionist discourses to explore the ways in which the relationship between Israel and the Shoah has been gendered in that the Shoah was "feminized" while Israel was "masculinized." This new perspective has considerable implications for the analysis of Israeli society; a gendered analysis of Israeli construction of nation reveals how the Shoah and Shoah discourse are exploited to justify Israel's, i.e. the "new Hebrew's," self-perceived right of occupation. Israel thus not only negated the Jewish diaspora, but also stigmatized and feminized Shoah victims and survivors, all the while employing Shoah discourses as an excuse for occupation, both in the past and in the present.

How many “bodies” does a queen have? What is the significance of multiple “bodies”? How has the gendered body been constructed and perceived within the context of the European courts during the course of the past five centuries? These are some of the questions addressed in this anthology, a contribution to the ongoing debate provoked by Ernst H. Kantorowicz in his seminal work from 1957, The King’s Two Bodies. On the basis of both textual self-presentations and visual representations a gradual transformation of the queen appears: A sacred/providential figure in medieval and early modern period, an ideal bourgeois wife during the late-18th and 19th Centuries, and a star-like (re-) presentation of royalty during the past century. Twentieth-century mass media has produced the celebrity and film star queens personified by the contested and enigmatic Nefertiti of ancient Egypt, the mysterious Elizabeth (Sisi) of Austria, Grace Kelly as Queen of both Hollywood and Monaco and Romy Schneider as the invented Empress.

Recent debates have used the concept of “transnational history” to broaden research on historical subjects that transcend national boundaries and encourage a shift away from official inter-state interactions to institutions, groups, and actors that have been obscured. This approach proves particularly fruitful for the dynamic field of global gender and women’s history. By looking at the restless lives and work of women’s activists in informal border-crossings, ephemeral NGOs, the lower management of established international organizations, and other global networks, this volume reflects the potential of a new perspective that allows for a more adequate analysis of transnational activities. By pointing out cultural hierarchies, the vicissitudes of translation and re-interpretation, and the ambiguity of intercultural exchange, this volume demonstrates the critical potential of transnational history. It allows us to see the limits of universalist and cosmopolitan claims so dear to many historical actors and historians.

Abortion in the Weimar Republic is a compelling subject since it provoked public debates and campaigns of an intensity rarely matched elsewhere. It proved so explosive because populationist, ecclesiastical and political concerns were heightened by cultural anxieties of a modernity in crisis. Based on an exceptionally rich source material (e.g., criminal court cases, doctors’ case books, personal diaries, feature films, plays and literary works), this study explores different attitudes and experiences of those women who sought to terminate an unwanted pregnancy and those who helped or hindered them. It analyzes the dichotomy between medical theory and practice, and questions common assumptions, i.e. that abortion was “a necessary evil,” which needed strict regulation and medical control; or that all back-street abortions were dangerous and bad. Above all, the book reveals women’s own voices, frequently contradictory and ambiguous: having internalized medical ideas they often also adhered to older notions of reproduction which opposed scientific approaches.

German-American women played many roles in the US women’s rights movement from 1848 to 1890. This book focuses on three figures—Mathilde Wendt, Mathilde Franziska Anneke, and Clara Neymann—who were simultaneously included and excluded from the nativist women’s rights movement. Accordingly, their roles and arguments differed from those of their American colleagues, such as Susan B. Anthony, Elizabeth Cady Stanton, or Lucy Stone. Moreover, German-American feminists were confronted with the opposition to the women’s rights movement in their ethnic community of German-Americans. As outsiders in the women’s rights movement they became critics; as “women of two countries” they became translators of feminist and ethnic concerns between German- Americans and the US women’s rights movement; and as messengers they could bridge the gap between American and German women in a transatlantic space. This book explores the relationship between ethnicity and gender and deepens our understanding of nineteenth-century transatlantic relationships.

The first German women’s movement embraced the belief in a demographic surplus of unwed women, known as the Frauenüberschuß, as a central leitmotif in the campaign for reform. Proponents of the female surplus held that the advances of industry and urbanization had upset traditional marriage patterns and left too many bourgeois women without a husband. This book explores the ways in which the realms of literature, sexology, demography, socialism, and female activism addressed the perceived plight of unwed women. Case studies of reformers, including Lily Braun, Ruth Bré, Elisabeth Gnauck-Kühne, Helene Lange, Alice Salomon, Helene Stöcker, and Clara Zetkin, demonstrate the expansive influence of the discourse surrounding a female surfeit. By combining the approaches of cultural, social, and gender history, The Surplus Woman provides the first sustained analysis of the ways in which imperial Germans conceptualized anxiety about female marital status as both a product and a reflection of changing times.

In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, Distant Sisters uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide—long considered the peripheries of the feminist world—cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection.
This book is relevant to United Nations Sustainable Development Goal 5, Gender equality.

This book draws upon original research into women’s workplace protest to deliver a new account of working-class women’s political identity and participation in post-war England. Focusing on the voices and experiences of women who fought for equal pay, skill recognition and the right to work between 1968 and 1985, it explores why working-class women engaged in such action when they did, and it analyses the impact of workplace protest on women’s political identity. A combination of oral history and written sources are used to illuminate how everyday experiences of gender and class antagonism shaped working-class women’s political identity and participation. The book contributes a fresh understanding of the relationship between feminism, workplace activism and trade unionism during the years 1968-1985.
This book is relevant to United Nations Sustainable Development Goal 5, Gender equality.

This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.

An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Volume 8: Florence Nightingale on Women, Medicine, Midwifery and Prostitution makes available a great range of Florence Nightingale’s work on women: her pioneering study of maternal mortality in childbirth (Introductory Notes on Lying-in Institutions), her opposition to the regulation of prostitution through the Contagious Diseases Acts (attempts to stop the legislation and otherwise to facilitate the voluntary treatment of syphilitic prostitutes), her views on gender roles, marriage and measures for income security for women and excerpts from her draft (abandoned) novel. There is correspondence with women friends and colleagues from childhood to old age, on a vast range of subjects. Correspondents include old family friends, royal and notable personages, nuns and colleagues in various causes. Most of this material has not been published before and some letters wil be new even to Nightingale scholars. Altogether a very different view of Nightingale emerges from what normally appears in biographies and other secondary sources. This material will enable a new assessment of her feminism, her relations with women and her contribution to improving the status of women of her time.
Currently, Volumes 1 to 11 are available in e-book version by subscription or from university and college libraries through the following vendors: Canadian Electronic Library, Ebrary, MyiLibrary, and Netlibrary.

The Home: Its Work and Influence (1903) is a sociological study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the role of the home as a human institution, as well as to address the problems and inequities of home life—especially for women. In the beginning, Gilman argues that “[e]very human being should have a home.” The role of the home in human society, she claims, is not only to provide safety and comfort, but to facilitate the productivity, creativity, and individuality of every person. Despite this, the home has evolved far slower than all other human institutions, ensuring that the life of humanity has failed to progress as far as its ideals would suggest. Having identified this problem—as well as shown that women bear responsibility for maintaining households while men control the home as a system of power—Gilman moves through such topics as domesticity, cooking, entertainment, and children in order to properly identify the highly gendered roles of each member of the home. Ultimately, Gilman argues that a progressive home will benefit not only each individual within the family unit, but the whole of society at large. The Home: Its Work and Influence is a powerful work of sociological thought by a leading reformer and feminist of her day.

This edition of Charlotte Perkins Gilman’s The Home: Its Work and Influence is a classic of American literature and nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Women and Economics (1898) is a sociological and economic study by American author and feminist Charlotte Perkins Gilman. Inspired by her work as a social reformer and advocate for women’s suffrage, Gilman sought to write a work of nonfiction that explained the need to introduce women into the workforce while alleviating their responsibilities as wives and mothers. Women and Economics, arguably Gilman’s most important work, employs the theories of Karl Marx, Charles Darwin, and Thorstein Veblen to not only assess the damage done to women and human society by inequality, but to propose realistic ways of eliminating gender oppression while benefitting humanity at large.

Observing that women in their roles as wives and mothers tend to work harder for longer hours than men while being excluded from the work force, Gilman proposes that the progress of human society depends upon the equality of men and women in all aspects of working and domestic life. She acknowledges the importance of the suffragist movement—in which she was a leading figure—while making the case for the economic equality of men and women in addition to the democratic equality sought by their activism. Ultimately, Gilman advocates for the professionalization of domestic work, suggesting that women should be allowed to enter the workforce while hiring others to care for and educate their children as well as perform the duties necessary for the upkeep of the home. Grounding her work in the dominant sociological, biological, and economic theories of the time, Gilman provided the intellectual arguments necessary for elevating the feminist cause from a popular movement to a true political force. Women and Economics is a powerful work of sociological thought by a leading reformer and feminist of her day.

This edition of Charlotte Perkins Gilman’s Women and Economics is a classic of American literature and nonfiction reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The globe-trotting tales of five women who fought for the right to enjoy the wild places of the earth.

For millennia the ‘wild’ was a place heroic men went on epic quests. Women were prevented from joining them, either through physical control or powerful myths about what would happen if they ventured beyond the city wall or village boundary. So how did women claim their place in the remote and lovely parts of our planet?

In Wildly different, historian Sarah Lonsdale traces the lives of five women who fought for the right to work in, enjoy and help to save the earth’s wild places. We’ll meet Mina Hubbard, who outraged the exploration community when she stepped into a canoe in northern Labrador. Evelyn Cheesman, who became the first female keeper of insects at London Zoo. Dorothy Pilley, who shocked polite society by donning men’s climbing breeches. Ethel Haythornthwaite, who helped make the Peak District Britain’s first National Park. And Wangari Maathai, who started a movement to plant millions of trees across sub-Saharan Africa.

Drawing on interviews with Sir David Attenborough, Wangari Maathai’s daughter and others, Lonsdale recounts the women’s adventures across five continents. Evocative and inspiring, this book shows how women can be ‘wildly different’.

IF ARAB WOMEN WERE GIVEN A VOICE, WHAT STORY WOULD THEY TELL?
To be a woman is a gift. But that gift does not come without challenges. Historically, women around the globe have fought to be heard. The stories of Arab women in particular have often been veiled in mystery.

In Hear Us Speak, Suzy Kanoo lifts the veil. As a CEO, Suzy has enjoyed great success as an Arab businessperson; as a woman, she has witnessed firsthand how Arab legislation and culture has not always kept pace with a world that continues to evolve. By curating letters from a wide array of women—and one good man—Suzy reveals story after story of courageous, resilient human beings who flourish in the face of impossible odds.
The letters in this book are inspiring, shocking, empowering, harrowing—and a thousand shades between. When read together, they paint a rich portrait of what life is like for Arab women today. These are wives, mothers, daughters, and sisters. They are businesspeople, entrepreneurs, citizens, and refugees. They have seen and done remarkable things, been bruised and emerged stronger for it.

Hear Us Speak is a book by and for women, a chorus of voices that will forever change the way you see the world.

If the poor are always with us, how we have perceived and treated them has changed like the seasons. Such was the massive and pitiless industrialization of the nation after the Civil War that Josephine Shaw Lowell (1843-1905) recoiled and sought a new way to approach poverty. She rationalized charity toward hapless families and children in ways that established social responsibility for the welfare of the poor. This introduction of "scientific" methods in social work bridged two great eras of social reform, creating a civic maternalism only denied in law in 1996.

A Brahmin, member of an illustrious family, sister of the martyred Robert Gould Shaw, who led his proud black troops against Fort Wagner, and, later, a war widow, Lowell constantly responded to changing ideological and economic conditions affecting the poor. From an emphasis on the regeneration of the individual, she soon showed an appreciation of the importance of social conditions.

This book challenges all previous interpretations of Lowell as a "genteel" reformer mostly interested in social control of the underclass. Rather, her aim was to cure pauperism, and her strategies eventually led her to support higher wages and full employment.

Women in Japanese Studies: Memoirs from a Trailblazing Generation brings together trailblazing women scholars from diverse disciplines in Japanese Studies to reflect on their careers and offer advice to colleagues.

Most books present research and pedagogies. We do something different: We share lives—personal stories of how women scholars earned graduate degrees and began careers bridging Japan and North America between the 1950s and 1980 and balanced professional and personal responsibilities. We challenge the common narrative that Japanese Studies was established by men who worked for the US military after World War II or were from missionary families in Japan. This is only part of the story—the field was also created by women who took advantage of postwar opportunities for studying Japan. Women of this generation were among the first scholars to use Japanese source materials in research published in English and the first foreigners to study at Japanese universities. Their careers benefitted from fellowships, educational developments, activist movements to include the study of women and Asia in university curricula, and measures to prevent gender discrimination. Yet there were instances when, due to their gender, women received smaller salaries, faced hurdles to tenure, and were excluded from, or ignored, at conferences.

Our book pioneers a genre of academic memoirs, capturing emotional and intellectual experiences omitted from institutional histories. We offer lively, engaging, thoughtful, brave, empowering stories that start larger conversations about gender and inclusion in the academy and in Japan-American educational exchange.

“Intrepid and empathetic, gifted with the dispassionate gaze of a born observer…a  harmonious collage of worldview and character, a wunderkammer of experiences in a life fully lived.” —Melissa Febos, The New York Times

Winner of the 2023 Lowell Thomas Award

“DeSanctis encounters spies and love interests, but it’s her lushly polished writing that makes this book a joy to read.” —The Washington Post

Vogue's Best Books of 2022

The Washington Post’s Best Travel Books of 2022

Restless to leave, eager to return: this memoir in essays captures the unrelenting pull between the past and the present, between traveling the world and staying home.

Starting in a dreary Moscow hotel room in 1983, weaving back and forth to rural New England, and ending on a West Texas trail in 2020, Marcia DeSanctis tells stories that span the globe and half a lifetime. With intimacy and depth, over quicksand in France, insomnia in Cambodia, up a volcano in Rwanda, spinning through the eye of a snowstorm in Bismarck, and atop a dumpster in her own backyard, this New York Times bestselling author, award-winning essayist and journalist for Vogue and Travel + Leisure immerses us in places waiting to be experienced and some that may be more than we’re up for. She encounters spies, angels, leopards, shoes, the odd rattlesnake, a random head of state, and many times over, the ghosts of her past. Each subsequent voyage leads to revelations about her search for solitude, a capacity for adventure, and always, a longing for home.

For half a century Sarah Josepha Hale was the most influential woman in America. As editor of Godey’s Lady’s Book, Hale was the leading cultural arbiter for the growing nation. Women (and many men) turned to her for advice on what to read, what to cook, how to behave, and—most important—what to think. Twenty years before the declaration of women’s rights in Seneca Falls, NY, Sarah Josepha Hale used her powerful pen to promote women’s right to an education, to work, and to manage their own money.

There is hardly an aspect of nineteenth-century culture in which Hale did not figure prominently as a pathbreaker. She was one of the first editors to promote American authors writing on American themes. Her stamp of approval advanced the reputations of Edgar Allan Poe, Harriet Beecher Stowe, and Nathaniel Hawthorne. She wrote the first antislavery novel, compiled the first women’s history book, and penned the most recognizable verse in the English language, “Mary Had a Little Lamb.”

Americans’ favorite holiday—Thanksgiving—wouldn’t exist without Hale. Re-imagining the New England festival as a patriotic national holiday, she conducted a decades-long campaign to make it happen. Abraham Lincoln took up her suggestion in 1863 and proclaimed the first national Thanksgiving.

Most of the women’s equity issues that Hale championed have been achieved, or nearly so. But women’s roles in the “domestic sphere” are arguably less valued today than in Hale’s era. Her beliefs about women’s obligations to family, moral leadership, and principal role in raising children continue to have relevance at a time when many American women think feminism has failed them. We could benefit from re-examining her arguments to honor women’s special roles and responsibilities.

Lady Editor re-creates the life of a major nineteenth-century woman, whose career as a writer, editor, and early feminist encompassed ideas central to American history.

A woman's fight to reclaim her body after a paralysis-inducing cycling accident

In the early evening on October 1, 2003, Christina Crosby was three miles into a seventeen mile bicycle ride, intent on reaching her goal of 1,000 miles for the riding season. She was a respected senior professor of English who had celebrated her fiftieth birthday a month before. As she crested a hill, she caught a branch in the spokes of her bicycle, which instantly pitched her to the pavement. Her chin took the full force of the blow, and her head snapped back. In that instant, she was paralyzed.

In A Body, Undone, Crosby puts into words a broken body that seems beyond the reach of language and understanding. She writes about a body shot through with neurological pain, disoriented in time and space, incapacitated by paralysis and deadened sensation. To address this foreign body, she calls upon the readerly pleasures of narrative, critical feminist and queer thinking, and the concentrated language of lyric poetry. Working with these resources, she recalls her 1950s tomboy ways in small-town, rural Pennsylvania, and records growing into the 1970s through radical feminism and the affirmations of gay liberation.

Deeply unsentimental, Crosby communicates in unflinching prose the experience of "diving into the wreck" of her body to acknowledge grief, and loss, but also to recognize the beauty, fragility, and dependencies of all human bodies. A memoir that is a meditation on disability, metaphor, gender, sex, and love, A Body, Undone is a compelling account of living on, as Crosby rebuilds her body and fashions a life through writing, memory, and desire.

"Music, I have come to realize, is for me a kind of golden thread running through my life. It has helped maintain my connection with the past that otherwise might have been severed by catastrophe and time. I am often asked—indeed, I often wonder myself—why it is that I should always have had such joie de vivre in the face of the losses and dislocations I had to endure in my early years. The answer I always gave was that the warmth and security of my early childhood had a remarkable power and influence. This is certainly true. But now I have realized that there is another part to the answer. And that is music."—from the introduction

Who among us does not have a song that triggers vivid memories—of jubilation, of belonging, of sorrow, of love? In Musically Speaking, Dr. Ruth K. Westheimer, one of America's most beloved personalities, has written a warm and contemplative book about the role music has played in her life and the ineradicable traces it has left on her thoughts, emotions, her very being.

In this memoir through song, Dr. Ruth invites us to share her story from a uniquely musical perspective. By the time she was thirty, Ruth Westheimer had lived in five countries, each with a distinctive musical culture, each with a different hold on her sensibility. For the first ten years of her life, the comforting melodies of childhood helped drown out the anthems of Nazism to be heard elsewhere in her native Germany; as an adolescent refugee in Switzerland, she came to be aware that, however loudly she sang the patriotic songs of the land that gave her shelter, she could never truly be at home there.

Present at the creation of the modern state of Israel, she sang and danced to the new music of a new nation; as a young woman eagerly absorbing all that Paris had to offer in the way of romance and worldliness in the early 1950s, the songs of Edith Piaf, Mouloudji, and Yves Montand were her tutors. An almost accidental emigration to America brought new challenges and new stability, as she became a wife, mother, and professional; tremendous and unforeseen celebrity came later, and with it the giddy opportunity to indulge her love of music as never before.

Always, the classical repertoire of Mozart, Haydn, Beethoven, and Brahms has drawn Westheimer to a German culture that has belonged—and not belonged—to her throughout her life. And always, the music of the Jewish tradition has given her strength and comfort beyond words.

Affording a view of Dr. Ruth from a rare private vantage point, Musically Speaking offers wondrous testimony to the resilience of the human spirit. This is a book full of color, verve, humor, and wisdom, unfolding gracefully through the beloved music of the Jewish holidays, the lullabies of childhood, the songs that sustained an orphan and roused the courage of a young woman, the melodies that enable a widow grieving for her husband to recall, from deep within the years of love, companionship, and happiness.

Traces the remarkable life of a feminist poet through the items and images that have have defined her experiences

My Life in 100 Objects is a personal reflection on the events and moments that shaped the life and work of one extraordinary woman. With a masterful, poetic voice, Margaret Randall uses talismanic objects and photographs as launching points for her nonlinear narrative. Through each “object,” Randall uncovers another part of herself, starting in a museum in Amman, Jordan, and ending in the Latin American Studies Association in Boston. Interwoven throughout are her most precious relationships, her growth as an artist, and her brave, revolutionary spirit.

As Randall’s adventures often coincide with important moments in history, many of her objects provide a transcontinental glimpse into social upheavals and transitions. She shares memories from her years in Cuba (1969 to 1980) and Nicaragua (1980 to 1984), as well as briefer periods in North Vietnam (immediately preceding the end of the war in 1975), and Peru (during the government of Velasco Alvarado). In her introduction, Randall states, “objects and places have always been alive to me.” Her history too is alive, as much of a means to consider our own present as it is to
glimpse her vibrant past.

Brings the trailblazing career of a Saskatchewan icon, Sylvia Fedoruk, to life

Award-winning author Merl Massie brings to the page the life and career of Sylvia Fedoruk (1927-2012), which encompassed some of the most ground-breaking scientific, athletic and public transformations of the twentieth century. A pioneer in leading-edge cancer research, primarily in the field of nuclear medicine, she was the first woman to join the Atomic Energy Board of Canada. Sylvia was an outstanding athlete, competing at an elite level in women’s softball and curling. Elected as the first woman chancellor of the University of Saskatchewan, she went on to be the first woman to serve as Lieutenant Governor of Saskatchewan, coaching two premiers through potential legislative and constitutional crises. With support from the University, the provincial government and the media, she withstood a major outing controversy, revealing a particular provincial touchpoint around issues of homosexuality, artistic activism, and power dynamics in the midst of the AIDS crisis of the 1990s. Known for a warm but no-nonsense style, Sylvia Fedoruk built a legacy which drew Saskatchewan’s north into the provincial consciousness, advocated for equal education for all, pushed for support for women in science, technology, engineering, and math, and worked tirelessly as the University of Saskatchewan and the province’s most vocal cheerleader.

A woman ahead of her time, Florence James revolutionized American theatre before finding safe haven in Canada from a fascistic strain of American politics that continues to exist to this day.

Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on stage, she founded both the Negro Repertory Theatre and the Seattle Repertory Playhouse. She worked with Francis Farmer, Paul Robson, and Helen Hayes, but her views on art and politics and her choice of plays led to a clash with the Un-American Activities Committee. In the wake of two Kafkaesque trials, where she condemned her persecutors as liars, she fled to Canada and kick-started professional theatre in Saskatchewan, the home to North America’s first socialist government.

This new edition of Fists Upon a Star (called “sensational” by Jimmy Cagney) tells an inspiring story of one woman speaking truth to power.

The history of Everywoman—the Book of Genesis's famously debated character

Eve: A Biography is the history of Everywoman. Her brief adventure in the Book of Genesis is where the Western idea of woman began, and three thousand years after Eve offered Adam the forbidden fruit, everyone still knows that losing Paradise was Eve's fault.

Pamela Norris traces the evolution of Eve's bad reputation, drawing on a rich and diverse tradition of storytelling that embraces myth, folk tale and popular romance, and puts the spotlight firmly on women and their sexuality. From Dinah and Delilah, Pandora and Psyche, to the snaky Lamias and Liliths who haunted nineteenth-century painting and literature, centuries of disobedient women have been linked with Eve, the original bad girl, providing ample ammunition for male fears and fantasies. But Eve's story has also been retold by women, who have found ingenious and often subversive ways to free her from her disreputable past.

Stimulating, intriguing and wittily erudite, Eve: A Biography is the entrancing tale of a folk maiden who metamorphoses into a vamp, a mermaid, a bluestocking, a witch, a virgin trapped inside the walls of a fertile garden and finally, perhaps, into a thoroughly modern woman who chews the apple of knowledge with gusto and wouldn't dream of offering Adam a bite.

Women’s Suffrage and the Continuing Fight for Women’s Rights

“Weatherford’s book traces the philosophical roots of the Seneca Falls convention to the 17th century and women who defied the dominant religious leadership in the nascent American colonies.” ―Publishers Weekly 

2020 Winner Sarton Women's Literary Award for Nonfiction

An inspirational women’s rights gift. In her book Victory for the Vote, women’s history expert Doris Weatherford offers an engaging and detailed narrative history of women’s seven-decade fight for the vote, and the continuing current-day struggle for human rights and equality.

Foreword by Speaker of the House Nancy Pelosi. Victory for the Vote puts the fight for women’s suffrage into contemporary context by discussing key challenges for women in the decades that followed 1920, such as reproductive rights, the Equal Rights Amendment, and political power.

Celebrate the centennial of women’s right to vote in the U.S. Victory for the Vote is an expansion and update of Doris Weatherford’s A History of the American Suffragist Movement, published in 1998 in honor of the 150th anniversary of the 1848 Seneca Falls Convention, considered to be the beginning of the Women’s Rights Movement in the United States.

Read Doris Weatherford’s Victory for the Vote and:

• Take pride in the struggles and accomplishments of strong women
• Understand and appreciate the Women’s Suffrage Movement and the Nineteenth Amendment
• Celebrate Women’s History Month, feminism, and recognize the challenges that still remain on the road to human rights for all
  

If you enjoyed books such as And Yet They Persisted, Suffrage by Ellen Carol DuBois, I Know Why the Caged Bird Sings by Maya Angelou, The Woman’s Hour, Rad Women Worldwide, Warriors Don’t Cry, or The Book of Awesome Women; you will want to read and be inspired by Victory for the Vote.

In the watershed year of 1919, world leaders met in Paris, promising to build a new international order rooted in democracy and social justice. Female activists demanded that statesmen live up to their word. Excluded from the negotiating table, women met separately, crafted their own agendas, and captured global headlines with a message that was both straightforward and revolutionary: enduring peace depended as much on recognition of the fundamental humanity and equality of all people—regardless of sex, race, class, or creed—as on respect for the sovereignty of independent states.

Peace on Our Terms follows dozens of remarkable women from Europe, the Middle East, North America, and Asia as they crossed oceans and continents; commanded meeting halls in Paris, Zurich, and Washington; and marched in the streets of Cairo and Beijing. Mona L. Siegel’s sweeping global account of international organizing highlights how Egyptian and Chinese nationalists, Western and Japanese labor feminists, white Western suffragists, and African American civil rights advocates worked in tandem to advance women’s rights. Despite significant resistance, these pathbreaking women left their mark on emerging democratic constitutions and new institutions of global governance. Drawing on a wide range of sources, Peace on Our Terms is the first book to demonstrate the centrality of women’s activism to the Paris Peace Conference and the critical diplomatic events of 1919. Siegel tells the timely story of how female activists transformed women’s rights into a global rallying cry, laying a foundation for generations to come.

Canada's foremost cookbook author began her career, not as a cook, but as a journalist writing for Canadian magazines. She was 60 when she turned her attention to food. Food That Really Schmecks immediately became a best-seller, and continues to sell 35 years later. It's more than a book of wonderful recipes - it also describes the Mennonite way of life. The success of that book led to two more Schmecks books and many other cookbooks. Edna has received the Order of Canada among many other awards.

Over the years, Edna developed longstanding friendships with many of Canada's greatest writers, including Margaret Laurence, W.O. Mitchell, Sheila Burnford, and Pierre Berton. In 1991 she established The Edna Staebler Award for Creative Non-fiction to recognize the first or second book of a Canadian writer.

To Experience Wonder is the first book to explore behind the scenes of this successful writer's life. At the age of 97, Edna leads an active life at her cottage on Sunfish Lake, where she writes, reads, and welcomes the many aspiring writers who come to visit.

Neuville’s status as a woman, and an outsider, made her a particularly keen and sympathetic observer of individuals from a range of socioeconomic and ethnic backgrounds. She drew the earliest ethnographically correct images of indigenous Americans, together with vistas predating the works of other traveler-artists, and long-vanished buildings. Although she arrived in America as an outcast, by the end of her second residency, as the celebrated wife of the French Minister Plenipotentiary, she was interacting with political leaders and making her mark on society in Washington, DC and New York City. Artist in Exile tells her compelling story.

The Nazi regime opened its first concentration camps within weeks of coming to power, but with the exception of Dachau the history of these early, improvised camps and their inmates is not yet widely known. Gabriele Herz's memoir, published for the first time, is a unique record of a Jewish woman's detention in the first women's concentration camp in Moringen (housed in part of an old-established workhouse), at a time when most other inmates were communists or Jehovah's Witnesses. This original translation of her wry and perceptive memoir is accompanied by an extensive introduction that sets Herz's experience in the history both of political detention under the Nazi regime and of the German workhouse system.

Drawing on family materials, historical records, and eyewitness accounts, this book shows the impact of war on individual women caught up in diverse and often treacherous situations. It relates stories of partisans in Holland, an Italian woman carrying guns and provisions in the face of hostile soldiers, and Kikuyu women involved in the Mau Mau insurrection in Kenya. A woman displaced from Silesia recalls fleeing with children across war-torn Germany, and women caught up in conflicts in Burma and in Rwanda share their tales. War's aftermath can be traumatic, as shown by journalists in Libya and by a midwife on the Cambodian border who helps refugees to give birth and regain hope. Finally, British women on active service in Afghanistan and at NATO headquarters also speak.

Her joyous remembrance of her first decade on an enchanted island

And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace.

With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.”

Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor.

These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”

The last and longest private owner of the Hope Diamond, Evalyn Walsh McLean led anything but an ordinary life. Evalyn grew up a poor girl in a rough Colorado mining town where her father discovered one of the largest gold mines in the United States. The newly wealthy family relocated to Washington, D.C., where she met and married Ned McLean, who inherited the renowned Washington Post and the Cincinnati Enquirer. With the combined influence of the Walsh and McLean families, Evalyn developed friendships with the politically prominent in the nation’s capital and became the city’s favorite hostess. Notorious for giving magnificent parties, she counted the Tafts, the Hardings, the Coolidges, Alice Roosevelt, J. Edgar Hoover, and Ethel Barrymore among her many personal friends.

The McLeans purchased the Hope Diamond when Evalyn was only twenty-four.Wagging tongues and the diamond’s supposed curse did not, however, prevent her from wearing it. She lost the diamond a few times, too, once by putting it around her Great Dane’s neck. When she left the Hope Diamond to her grandchildren in 1947, it was worth two million dollars.

Evalyn loved her diamonds, but she loved children, pets, and life more. The deep indigo stone is but a single facet of her story. Her autobiography, Father Struck It Rich, became a best-seller in the mid-thirties. Now illustrated with many previously unpublished photographs, Queen of Diamonds is that autobiography with a foreword by her great-grandson and an epilogue describing the last decade of her life.

Women Learning from Women

Here comes advice, inspiration, and fun from bestselling author BJ Gallagher. From Katherine Hepburn to her friend Suzanne, Where Would I Be Without You? brings the experiences and life lessons of women from all walks of life.

When women choose wisdom over wiles. True wisdom is the ability to learn from other people's experiences, and although we learn from books, movies, and preachers, women also learn from other women. With inspiring stories, funny words of wisdom, and positive affirmations for women, Where Would I Be Without You? brings female empowerment to all generations of strong women.

Where would we be without women? Where Would I Be Without You? is all about being thankful for the women in your life (and their wit). Whether our mothers or sisters, writers or inventors, sometimes we have to celebrate the women and girls around us. In this colorful book, Gallagher has collected pages of advice on love, work, growing older, and staying young; making readers ask what is wisdom, what does wisdom mean to these women, and most importantly, where would I be without you?

If you’re thankful and grateful for the women around you, and enjoyed books like Badass Affirmations, In Praise of Difficult Women, or The Shared Wisdom of Mothers and Daughters, then you’ll love Where Would I Be Without You.

One hundred years after his death, Leo Tolstoy continues to be regarded as one of the world’s most accomplished writers. Historically, little attention has been paid to his wife Sofia Andreevna Tolstaya.

Acting in the capacity of literary assistant, translator, transcriber, and editor, she played an important role in the development of her husband’s career. Her memoirs – which she titled My Life – lay dormant for almost a century. Now their first-time-ever appearance in Russia is complemented by an unabridged and annotated English translation. Tolstaya’s story takes us from her childhood through the early years of her marriage, the writing of War and Peace and Anna Karenina and into the first year of the twentieth century. She paints an intimate and honest portrait of her husband’s character, providing new details about his life to which she alone was privy. She offers a better understanding of Tolstoy’s character, his qualities and failings as a husband and a father, and forms a picture of the quintessential Tolstoyan character which underlies his fiction.

My Life also reveals that Tolstaya was an accomplished author in her own right—as well as a translator, amateur artist, musician, photographer, and businesswoman—a rarity in the largely male-dominated world of the time. She was actively involved in the relief efforts for the 1891–92 famine and the emigration of the Doukhobors in 1899. She was a prolific correspondent, in touch with many prominent figures in Russian and Western society. Guests in her home ranged from peasants to princes, from anarchists to artists, from composers to philosophers. Her descriptions of these personalities read as a chronicle of the times, affording a unique portrait of late-19th- and early-20th-century Russian society, ranging from peasants to the Tsar himself. My Life is the most important primary document about Tolstoy to be published in many years and a unique and intimate portrait of one of the greatest literary minds of all time.

The Modern Language Association (MLA) awarded the Lois Roth Award to John Woodsworth and Arkadi Klioutchanski of the University of Ottawa’s Slavic Research Group for their translation of Sofia Andreevna Tolstaya’s My Life memoirs. My Life was selected among the top 100 non-fiction works of 2010 by The Globe and Mail. It has also won an honourable mention in the Biography and Autobiography category of the 2010 American Publishers Awards for the Professional and Scholarly Excellence (PROSE) awards. And, finally, it made it into the Association of American University Presses' 2011 Book, Jacket and Journal Show.

Published in English.

Virginia C. Gildersleeve was the most influential dean of Barnard College, which she led from 1911 to 1947. An organizer of the Seven College Conference, or “Seven Sisters,” she defended women's intellectual abilities and the value of the liberal arts. She also amassed a strong set of foreign policy credentials and, at the peak of her prominence in 1945, served as the sole woman member of the U.S. delegation to the drafting of the United Nations Charter. But her accomplishments are undercut by other factors: she had a reputation for bias against Jewish applicants for admission to Barnard and early in the 1930s voiced an indulgent view of the Nazi regime.

In this biography, historian Nancy Woloch explores Gildersleeve’s complicated career in academia and public life. At once a privileged insider, prone to elitism and insularity, and a perpetual outsider to the sexist establishment in whose ranks she sought to ascend, Gildersleeve stands out as richly contradictory. The book examines her initiatives in higher education, her savvy administration, her strategies for gaining influence in academic life, the ways that she acquired and deployed expertise, and her drive to take part in the world of foreign affairs. Woloch draws out her ambivalent stance in the women’s movement, concerned with women’s status but opposed to demands for equal rights. Tracing resonant themes of ambition, competition, and rivalry, The Insider masterfully weaves Gildersleeve’s life into the histories of education, international relations, and feminism.

Memory Is Our Home is a powerful biographical memoir based on the diaries of Roma Talasiewicz-Eibuszyc, who was born in Warsaw before the end of World War I, grew up during the interwar period and who, after escaping the atrocities of World War II, was able to survive in the vast territories of Soviet Russia and Uzbekistan.

Translated by her own daughter, interweaving her own recollections as her family made a new life in the shadows of the Holocaust in Communist Poland after the war and into the late 1960s, this book is a rich, living document, a riveting account of a vibrant young woman's courage and endurance.

A forty-year recollection of love and loss, of hopes and dreams for a better world, it provides richly-textured accounts of the physical and emotional lives of Jews in Warsaw and of survival during World War II throughout Russia. This book, narrated in a compelling, unique voice through two generations, is the proverbial candle needed to keep memory alive.

Throughout her life, Diana Trilling (1905-1996) wrote about profound social changes with candor and wisdom, first for The Nation and later for Partisan Review, Harpers, and such popular magazines as Vogue and McCalls. She went on to publish five books, including the best-selling Mrs. Harris: The Death of the Scarsdale Diet Doctor, written when she was in her late seventies. She was also one half of one of the most famous intellectual couples in the United States.

Diana Trilling’s life with Columbia University professor and literary critic Lionel Trilling was filled with secrets, struggles, and betrayals, and she endured what she called her “own private hell” as she fought to reconcile competing duties and impulses at home and at work. She was a feminist, yet she insisted that women’s liberation created unnecessary friction with men, asserting that her career ambitions should be on equal footing with caring for her child and supporting her husband. She fearlessly expressed sensitive, controversial, and moral views, and fought publicly with Lillian Hellman, among other celebrated writers and intellectuals, over politics. Diana Trilling was an anticommunist liberal, a position often misunderstood, especially by her literary and university friends. And finally, she was among the “New Journalists” who transformed writing and reporting in the 1960s, making her nonfiction as imaginative in style and scope as a novel. The first biographer to mine Diana Trilling’s extensive archives, Natalie Robins tells a previously undisclosed history of an essential member of New York City culture at a time of dynamic change and intellectual relevance.

A thousand years ago, a young Japanese girl embarked on a journey from deep in the countryside of eastern Japan to the capital. Forty years later, with the long account of that journey as a foundation, the mature woman skillfully created an autobiography that incorporates many moments of heightened awareness from her long life. Married at age thirty-three, she identified herself as a reader and writer more than as a wife and mother; enthralled by fiction, she bore witness to the dangers of romantic fantasy as well as the enduring consolation of self-expression.

This reader’s edition streamlines Sonja Arntzen and Moriyuki Itō’s acclaimed translation of the Sarashina Diary for general readers and classroom use. This translation captures the lyrical richness of the original text while revealing its subtle structure and ironic meaning, highlighting the author’s deep concern for Buddhist belief and practice and the juxtaposition of poetic passages and narrative prose. The translators’ commentary offers insight into the author’s family and world, as well as the style, structure, and textual history of her work.

At the heart of fame is the tricky business of image management. Over the last 115 years, the celebrity autobiography has emerged as a popular and useful tool for that project. In Limelight, Katja Lee examines the memoirs of famous Canadian women like L. M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience.
Arguing that the celebrity autobiography is always negotiating historically specific conditions, Lee charts a history of celebrity in English Canada and the conditions that shape the way women access and experience fame. These contexts shed light on the stories women tell about their lives and the public images they cultivate in their autobiographies. As strategies of self-representation change and the pressure to represent the private life escalates, the celebrity autobiography undergoes distinct shifts—in form, function, and content—during the period examined in this study.
Limelight: Canadian Women and the Rise of Celebrity Autobiography is the first book to explore the history and development of the celebrity autobiography and offers compelling evidence of the critical role of gender and nation in the way fame is experienced and represented.

Women’s letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera and relegated to basements, attics, closets, and, increasingly, cyberspace rather than public institutions. This collection showcases the range of critical debates that animate thinking about women’s archives in Canada.

The essays in Basements and Attics, Closets and Cyberspace consider a series of central questions: What are the challenges that affect archival work about women in Canada today? What are some of the ethical dilemmas that arise over the course of archival research? How do researchers read and make sense of the materials available to them? How does one approach the shifting, unstable forms of new technologies? What principles inform the decisions not only to research the lives of women but to create archival deposits? The contributors focus on how a supple research process might allow for greater engagement with unique archival forms and critical absences in narratives of past and present.

From questions of acquisition, deposition, and preservation to challenges related to the interpretation of material, the contributors track at various stages how fonds are created (or sidestepped) in response to national and other imperatives and to feminist commitments; how archival material is organized, restricted, accessed, and interpreted; how alternative and immediate archives might be conceived and approached; and how exchanges might be read when there are peculiar lacunae—missing or fragmented documents, or gaps in communication—that then require imaginative leaps on the part of the researcher.

A Colorado favorite, Tomboy Bride presents the first-hand account of a young pioneer woman and her life in a rough and tumble mining town of the Old West.

In 1906 at the age of twenty, Harriet Fish hopped on a train from Oakland, California, to the San Juan Mountains of Colorado in search of a new life as the bride of assayer George Backus. Together, the couple ventured forth to discover mining town life at the turn of the twentieth century, adjusting to dizzying elevation heights of 11,500 feet and all the hardships that come with it: limited water, rationed food supplies, lack of medical care, difficulty in travel, avalanches, and many more. As she and George move from Telluride’s Tomboy Mine to the rugged coast of British Columbia, to the town of Elk City, Idaho, and then back to Colorado’s Leadville, Harriet paints a poignant picture of a world centered around mining, sharing amusing and often challenging experiences as a woman of the era.

With a new foreword by award-winning author Pam Houston, this 50th anniversary edition also includes previously unpublished black and white photographs documenting Harriet's journey. Tomboy Bride endures as a classic of the region to this day as it captures in heart-felt emotion and vivid detail the personal account of Harriet Backus, a true pioneer of the West.