Columbia University Press

Tibetan Buddhism teaches compassion toward all beings, a category that explicitly includes animals. Slaughtering animals is morally problematic at best and, at worst, completely incompatible with a religious lifestyle. Yet historically most Tibetans—both monastic and lay—have made meat a regular part of their diet. In this study of the place of vegetarianism within Tibetan religiosity, Geoffrey Barstow explores the tension between Buddhist ethics and Tibetan cultural norms to offer a novel perspective on the spiritual and social dimensions of meat eating.

Food of Sinful Demons shows the centrality of vegetarianism to the cultural history of Tibet through specific ways in which nonreligious norms and ideals shaped religious beliefs and practices. Barstow offers a detailed analysis of the debates over meat eating and vegetarianism, from the first references to such a diet in the tenth century through the Chinese invasion in the 1950s. He discusses elements of Tibetan Buddhist thought—including monastic vows, the Buddhist call to compassion, and tantric antinomianism—that see meat eating as morally problematic. He then looks beyond religious attitudes to examine the cultural, economic, and environmental factors that oppose the Buddhist critique of meat, including Tibetan concepts of medicine and health, food scarcity, the display of wealth, and idealized male gender roles. Barstow argues that the issue of meat eating was influenced by a complex interplay of factors, with religious perspectives largely supporting vegetarianism while practical concerns and secular ideals pulled in the other direction. He concludes by addressing the surge in vegetarianism in contemporary Tibet in light of evolving notions of Tibetan identity and resistance against the central Chinese state. The first book to discuss this complex issue, Food of Sinful Demons is essential reading for scholars interested in Tibetan religion, history, and culture as well as global food history.

This timely book examines far-right politics in Hungary—but its relevance points much beyond Hungary. With its two main players, the radical right Jobbik and populist right Fidesz, it is at the same time an Eastern European, European, and global phenomenon. Jobbik and Fidesz, political parties with a populist, nativist, authoritarian approach, Eastern and pro-Russian orientation, and strong anti-Western stance, are on the one hand products of the problematic transformation period that is typical for post-communist countries. But they are products of a "populist zeitgeist" in the West as well, with declining trust in representative democratic and supranational institutions, politicians, experts, and the mainstream media. The rise of politicians such as Nigel Farage in the U.K., Marine Le Pen in France, Norbert Hofer in Austria, and, most notably, Donald Trump in the U.S. are clear indications of this trend.

In this book, the story of Jobbik (and Fidesz), contemporary players of the Hungarian radical right scene, are not treated as separate case studies, but as representatives of broader international political trends. Far-right parties such as Jobbik (and increasingly Fidesz) are not pathologic and extraordinary, but exaggerated, seemingly pathological manifestations of normal, mainstream politics. The radical right is not the opposite and denial of the mainstream, but the sharp caricature of the changing national, and often international mainstream.

Anthony Barron explores the relationship between the philosophy of Schopenhauer and the forms and themes of Beckett's critical and creative writings. He shows that Beckett's aesthetic preoccupations are consonant with some of Schopenhauer's seminal arguments regarding the arational basis of artistic composition and appreciation and the impotence of reason in human affairs. While Beckett's critical writings are, in places, formidably opaque, this work examines the ways in which such texts can be elucidated when their intertextual affinities with Schopenhauer's arguments are revealed. Using Schopenhauer's thought as a presiding interpretative framework, Barron demonstrates how the widespread presence of philosophical and theological ideas in Beckett's creative texts signifies less about his personal convictions than it does about his authorial aims. He thereby highlights the ways in which discursive ideas were appropriated and manipulated by Beckett for purely literary ends.

A central contention of this book is that to judge the place of ideas within Beckett's art, we should ignore questions of their theoretical persuasiveness and consider their role as purely aesthetic devices, the value of which is revealed in terms of the existential impact they have upon his characters. In each of the chapters that deal with Beckett's fiction, Barron underscores the artistically energizing tensions that exist between the concepts that Beckett's characters invoke in their attempts to comprehend the import of their experiences and their conative and affective tribulations which invariably prove resistant to such analysis. Here the means by which such conceptual aporias engender semantic potentialities underpin an exploration of Beckett's creative assimilation of rational discourse. While the focus of this publication is upon Beckett's early and middle fiction, which was composed at a time when the relationship between the chaos of quotidian ordeals and the value of rational thought became most acutely relevant for him, numerous cross-references to his dramatic and poetical works are provided in order to highlight the overall significance of these issues within his oeuvre.

Much has been written on the 1917–1920 revolution in Ukraine, on the national movement, the Makhnovists and the Bolsheviks. Yet there were others with a mass following whose role has faded from history books. One such party was the Borot'bisty, the heirs of the mass Ukrainian Party of Socialist-Revolutionaries, an independent party seeking to achieve national liberation and social emancipation. Though widely known in revolutionary Europe in their day, the Borot'bisty were decimated during the Stalinist holocaust in Ukraine. Out of print for over half a century, this lost text by Ivan Maistrenko, the last survivor of the Borotbisty, provides a unique account on this party and its historical role. Part memoir and part history, this is a thought-provoking book which challenges previous approaches to the revolution and shows how events in Ukraine decided the fate not only of the Russian Revolution but the upheavals in Europe at the time.

After World War II, states on both sides of the Atlantic enacted comprehensive social benefits to protect working people and constrain capitalism. A widely shared consensus specifically linked social welfare to democratic citizenship, upholding greater equality as the glue that held nations together. Though the "two Wests," Europe and the United States, differ in crucial respects, they share a common history of social rights, democratic participation, and welfare capitalism. But in a new age of global inequality, welfare-state retrenchment, and economic austerity, can capitalism and democracy still coexist?

In this book, leading historians and social scientists rethink the history of social democracy and the welfare state in the United States and Europe in light of the global transformations of the economic order. Separately and together, they ask how changes in the distribution of wealth reshape the meaning of citizenship in a post-welfare-state era. They explore how the harsh effects of austerity and inequality influence democratic participation. In individual essays as well as interviews with Ira Katznelson and Frances Fox Piven, contributors from both sides of the Atlantic explore the fortunes of the welfare state. They discuss distinct national and international settings, speaking to both local particularities and transnational and transatlantic exchanges. Covering a range of topics—the lives of migrant workers, gender and the family in the design of welfare policies, the fate of the European Union, and the prospects of social movements—Democracy and the Welfare State is essential reading on what remains of twentieth-century social democracy amid the onslaught of neoliberalism and right-wing populism and where this legacy may yet lead us.

A great wave of fundraising patriotic associations followed in the wake of Great Britain's declaration of war on Germany on 4 August 1914, at home but also right across the empire. The most successful public campaign of all was launched in London at the beginning of 1915. Known as the Imperial Aircraft Flotilla, the scheme aimed to attract contributions towards aircraft production costs from throughout the British Empire. Any country, locality, or community that provided sufficient funds for an entire aeroplane could have it named after them. It was promised that when the machine crashed or was shot down, the name would be transferred to a new one of the same type.

Margaret Hall examines the Imperial Aircraft Flotilla as a facet of imperial history. She analyzes the fundraising efforts in Canada and Newfoundland; the Zanzibar Protectorate; Fiji, Mauritius, and the Caribbean; Hong Kong; the Malay states and Straits Settlements; West Africa, especially Gold Coast; Southern Rhodesia; Basutoland; Swaziland and the Union of South Africa; the Indian empire and Burma; (British subjects in) independent Abyssinia and Siam; in the Shanghai International Settlement, and the British community of Argentina; Australia; and New Zealand. This remarkable and detailed book discusses the propaganda and counter-subversion usages of the Imperial Aircraft Flotilla—and what the support for the imperial war effort reveals about contemporary national and regional identities and aspirations.

This is the only book that systematically examines transgender sex work in the United States and globally. Bringing together perspectives from a rich range of disciplines and experiences, it is an invaluable resource on issues related to commercial sex in the transgender community and in the lives of trans sex workers, including mental health, substance use, relationship dynamics, encounters with the criminal justice system, and opportunities and challenges in the realm of public health.

The volume covers trans sex workers' interactions with health, social service, and mental-health agencies, featuring more than forty contributors from across the globe. Synthesizing introductions by the editor help organize and put into context a vast and scattered research and empirical literature. The book is essential for researchers, health practitioners, and policy analysts in the areas of sex-work research, HIV/AIDS, and LGBTQ/gender studies.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa—the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories—voluntarily or not—sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media.

Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of “making” the news, from the events that brought an ordinary person to journalists’ attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

A great movie’s first few minutes provide the key to the rest of the film. Like the opening paragraphs of a novel, they draw the viewer in, setting up the thematic concerns and stylistic approach that will be developed over the course of the narrative. A strong opening sequence leads the viewer to trust the filmmakers. Other times, opening shots are intentionally misleading as they invite alert, active participation with the film. In Cinematic Overtures, Annette Insdorf discusses the opening sequence so that viewers turn first impressions into deeper understanding of cinematic technique.

From Joe Gillis’s voice-over in Sunset Boulevard as he lies dead in a swimming pool to the hallucinatory opening of Apocalypse Now, from the stream-of-consciousness montage as found in Hiroshima, mon amour to the slowly unfolding beginning of Schindler’s List, Cinematic Overtures analyzes opening shots from a range of Hollywood as well as international films. Insdorf pays close attention to how the viewer makes sense of these scenes and the cinematic world they are about to enter. Including dozens of frame enlargements that illustrate the strategies of opening scenes, Insdorf also examines how films explore and sometimes critique the power of the camera’s gaze. Along with analyses of opening scenes, the book offers a series of revelatory and surprising readings of individual films by some of the leading directors of the past seventy-five years. Erudite but accessible, Cinematic Overtures will lead film scholars and ardent movie fans alike to greater attentiveness to those fleeting opening moments.

When the tough-on-crime politics of the 1980s overcrowded state prisons, private companies saw potential profit in building and operating correctional facilities. Today more than a hundred thousand of the 1.5 million incarcerated Americans are held in private prisons in twenty-nine states and federal corrections. Private prisons are criticized for making money off mass incarceration—to the tune of $5 billion in annual revenue. Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America.

From divestment campaigns to boardrooms to private immigration-detention centers across the Southwest, Eisen examines private prisons through the eyes of inmates, their families, correctional staff, policymakers, activists, Immigration and Customs Enforcement employees, undocumented immigrants, and the executives of America’s largest private prison corporations. Private prisons have become ground zero in the anti-mass-incarceration movement. Universities have divested from these companies, political candidates hesitate to accept their campaign donations, and the Department of Justice tried to phase out its contracts with them. On the other side, impoverished rural towns often try to lure the for-profit prison industry to build facilities and create new jobs. Neither an endorsement or a demonization, Inside Private Prisons details the complicated and perverse incentives rooted in the industry, from mandatory bed occupancy to vested interests in mass incarceration. If private prisons are here to stay, how can we fix them? This book is a blueprint for policymakers to reform practices and for concerned citizens to understand our changing carceral landscape.

Few people have done as much to change how we view the world as Charles Darwin. Yet On the Origin of Species is more cited than read, and parts of it are even considered outdated. In some ways, it has been consigned to the nineteenth century. In The Theory That Changed Everything, the renowned cognitive scientist Philip Lieberman demonstrates that there is no better guide to the world’s living—and still evolving—things than Darwin and that the phenomena he observed are still being explored at the frontiers of science.

In an exploration that ranges from Darwin’s transformative trip aboard the Beagle to Lieberman’s own sojourns in the remotest regions of the Himalayas, this book relates fresh, contemporary findings to the major concepts of Darwinian theory, which transcends natural selection. Drawing on his own research into the evolution of human linguistic and cognitive abilities, Lieberman explains the paths that adapted human anatomy to language. He demystifies the role of recently identified transcriptional and epigenetic factors encoded in DNA, explaining how nineteenth-century Swedish famines alternating with years of plenty caused survivors’ grandchildren to die many years short of their life expectancy. Lieberman is equally at home decoding supermarket shelves and climbing with the Sherpas as he discusses how natural selection explains features from lactose tolerance to ease of breathing at Himalayan altitudes. With conversational clarity and memorable examples, Lieberman relates the insights that led to groundbreaking discoveries in both Darwin’s time and our own while asking provocative questions about what Darwin would have made of controversial issues today, such as GMOs, endangered species, and the God question.

Are American colleges and universities failing their students by refusing to teach the philosophical traditions of China, India, Africa, and other non-Western cultures? This biting and provocative critique of American higher education says yes. Even though we live in an increasingly multicultural world, most philosophy departments stubbornly insist that only Western philosophy is real philosophy and denigrate everything outside the European canon. In Taking Back Philosophy, Bryan W. Van Norden lambastes academic philosophy for its Eurocentrism, insularity, and complicity with nationalism and issues a ringing call to make our educational institutions live up to their cosmopolitan ideals.

In a cheeky, agenda-setting, and controversial style, Van Norden, an expert in Chinese philosophy, proposes an inclusive, multicultural approach to philosophical inquiry. He showcases several accessible examples of how Western and Asian thinkers can be brought into productive dialogue, demonstrating that philosophy only becomes deeper as it becomes increasingly diverse and pluralistic. Taking Back Philosophy is at once a manifesto for multicultural education, an accessible introduction to Confucian and Buddhist philosophy, a critique of the ethnocentrism and anti-intellectualism characteristic of much contemporary American politics, a defense of the value of philosophy and a liberal arts education, and a call to return to the search for the good life that defined philosophy for Confucius, Socrates, and the Buddha. Building on a popular New York Times opinion piece that suggested any philosophy department that fails to teach non-Western philosophy should be renamed a “Department of European and American Philosophy,” this book will challenge any student or scholar of philosophy to reconsider what constitutes the love of wisdom.

What is the character of secularism in countries that were not pervaded by Christianity, such as China, India, and the nations of the Middle East? To what extent is the secular an imposition of colonial rule? How does secularism comport with local religious cultures in Africa, and how does it work with local forms of power and governance in Latin America? Has modern secularism evolved organically, or is it even necessary, and has it always meant progress?

A vital extension of Charles Taylor's A Secular Age, in which he exhaustively chronicled the emergence of secularism in Latin Christendom, this anthology applies Taylor's findings to secularism's global migration. Abdullahi Ahmed An-Na'im, Rajeev Bhargava, Akeel Bilgrami, Souleymane Bachir Diagne, Sudipta Kaviraj, Claudio Lomnitz, Alfred Stepan, Charles Taylor, and Peter van der Veer each explore the transformation of Western secularism beyond Europe, and the collection closes with Taylor's response to each essay. What began as a modern reaction to—as well as a stubborn extension of—Latin Christendom has become a complex export shaped by the world's religious and political systems. Brilliantly alternating between intellectual and methodological approaches, this volume fosters a greater engagement with the phenomenon across disciplines.

On Christmas Eve 1951, Santa Claus was hanged and then publicly burned outside of the Cathedral of Dijon in France. That same decade, ethnologists began to study the indigenous cultures of central New Guinea, and found men and women affectionately consuming the flesh of the ones they loved. "Everyone calls what is not their own custom barbarism," said Montaigne. In these essays, Claude Lévi-Strauss shows us behavior that is bizarre, shocking, and even revolting to outsiders but consistent with a people's culture and context.

These essays relate meat eating to cannibalism, female circumcision to medically assisted reproduction, and mythic thought to scientific thought. They explore practices of incest and patriarchy, nature worship versus man-made material obsessions, the perceived threat of art in various cultures, and the innovations and limitations of secular thought. Lévi-Strauss measures the short distance between "complex" and "primitive" societies and finds a shared madness in the ways we enact myth, ritual, and custom. Yet he also locates a pure and persistent ethics that connects the center of Western civilization to far-flung societies and forces a reckoning with outmoded ideas of morality and reason.

Animals fall in love, establish rules for fair play, exchange valued goods and services, hold "funerals" for fallen comrades, deploy sex as a weapon, and communicate with one another using rich vocabularies. Animals also get jealous and violent or greedy and callous and develop irrational phobias, just like us. Monkeys address inequality, wolves miss each other, elephants grieve for their dead, and prairie dogs name the humans they encounter. Human and animal behavior is not as different as once believed.

In Not So Different, the biologist Nathan H. Lents argues that the same evolutionary forces of cooperation and competition have shaped both humans and animals. Identical emotional and instinctual drives govern our actions. By acknowledging this shared programming, the human experience no longer seems unique, but in that loss we gain a fuller appreciation of such phenomena as sibling rivalry and the biological basis of grief, helping us lead more grounded, moral lives among animals, our closest kin. Through a mix of colorful reporting and rigorous scientific research, Lents describes the exciting strides scientists have made in decoding animal behavior and bringing the evolutionary paths of humans and animals closer together. He marshals evidence from psychology, evolutionary biology, cognitive science, anthropology, and ethology to further advance this work and to drive home the truth that we are distinguished from animals only in degree, not in kind.

Love Letters from Golok chronicles the courtship between two Buddhist tantric masters, Tāre Lhamo (1938–2002) and Namtrul Rinpoche (1944–2011), and their passion for reinvigorating Buddhism in eastern Tibet during the post-Mao era. In fifty-six letters exchanged from 1978 to 1980, Tāre Lhamo and Namtrul Rinpoche envisioned a shared destiny to "heal the damage" done to Buddhism during the years leading up to and including the Cultural Revolution. Holly Gayley retrieves the personal and prophetic dimensions of their courtship and its consummation in a twenty-year religious career that informs issues of gender and agency in Buddhism, cultural preservation among Tibetan communities, and alternative histories for minorities in China.

The correspondence between Tare Lhamo and Namtrul Rinpoche is the first collection of "love letters" to come to light in Tibetan literature. Blending tantric imagery with poetic and folk song styles, their letters have a fresh vernacular tone comparable to the love songs of the Sixth Dalai Lama, but with an eastern Tibetan flavor. Gayley reads these letters against hagiographic writings about the couple, supplemented by field research, to illuminate representational strategies that serve to narrate cultural trauma in a redemptive key, quite unlike Chinese scar literature or the testimonials of exile Tibetans. With special attention to Tare Lhamo's role as a tantric heroine and her hagiographic fusion with Namtrul Rinpoche, Gayley vividly shows how Buddhist masters have adapted Tibetan literary genres to share private intimacies and address contemporary social concerns.

Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty.

Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles.

Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.

Marco Politi takes us deep inside the power struggle roiling the Roman Curia and the Catholic Church worldwide, beginning with Benedict XVI, the pope who famously resigned in 2013, and intensifying with the contested and unexpected election of Jorge Mario Bergoglio, archbishop of Buenos Aires, now known as Pope Francis. Politi's account balances the perspectives of Pope Francis's supporters, Benedict's sympathizers, and those disappointed members of the Catholic laity who feel alienated by the institution's secrecy, financial corruption, and refusal to modernize.

Politi dramatically recounts the sexual scandals that have rocked the church and the accusations of money laundering and other financial misdeeds swirling around the Vatican and the Italian Catholic establishment. Pope Francis has tried to shine a light on these crimes, but his work has been met with resistance from entrenched factions. Politi writes of the decline in church attendance and vocations to the priesthood throughout the world as the church continues to prohibit divorced and remarried Catholics from receiving the communion wafer. He visits European parishes where women now perform the functions of missing male priests—and where the remaining parishioners would welcome the admission of women to the priesthood, if the church would allow it.
Pope Francis's emphasis on pastoral compassion for all who struggle with the burden of family life has also provoked the ire of traditionalists in the Roman Curia and elsewhere. He knows from personal experience what life is like for the poor in Buenos Aires and other metropolises of the globalized world, and highlights the contrast between the vital, vibrant faith of these parishioners and the disillusionment of European Catholics. Pope Francis and his supporters are locked in a battle with the defenders of the traditional hard line and with ecclesiastical corruption. In this conflict, the future of Catholicism is at stake—and it is far from certain Francis will succeed in saving the institution from decline.

In this brisk and accessible history, sinologist Thomas O. Höllmann explains the development of the Chinese writing system and its importance in literature, religion, art, and other aspects of culture. Spanning the earliest epigraphs and oracle bones to writing and texting on computers and mobile phones today, Chinese Script is a wide-ranging and versatile introduction to the complexity and beauty of written text and calligraphy in the Chinese world.

Höllmann delves into the origins of Chinese script and its social and political meanings across millennia of history. He recounts the social history of the writing system; written and printed texts; and the use of writing materials such as paper, silk, ink, brush, and printing techniques. The book sheds light on the changing role of literacy and education; the politics of orthographic reform; and the relationship of Chinese writing to non-Han Chinese languages and cultures. Höllmann explains the inherent complexity of Chinese script, demonstrating why written Chinese expresses meaning differently than oral language and the subtleties of the relationship between spoken word and written text. He explores calligraphy as an art, the early letter press, and other ways of visually representing Chinese languages. Chinese Script also provides handy illustrations of the concepts discussed, showing how ideographs function and ways to decipher them visually.

Living sustainably is not just about preserving the wilderness or keeping nature pristine. The transition to a green economy depends on cities. For the first time in human history, the majority of the people on the planet live in urban areas. If we are to avert climate catastrophe, we will need our cities to coexist with nature without destroying it. Many places are already investing in the infrastructure of the future—including renewable energy, energy efficiency, mass and personal transit, and advanced sewage and waste management—but the modern city still has a long way to go.

In The Sustainable City, Steven Cohen provides a broad and engaging overview of the urban systems of the twenty-first century, surveying policies and projects already under way in cities around the world and pointing to more ways progress can be made. Cohen discusses the sustainable city from an organizational-management and public-policy perspective that emphasizes the local level, looking at case studies of existing legislation, programs, and public-private partnerships that strive to align modern urban life and sustainability. From waste management in Beijing to energy infrastructure in Africa to public space in Washington, D.C., there are concrete examples of what we can do right now. Cohen synthesizes the disparate strands of sustainable city planning in an approachable and applicable guide that highlights how these issues touch our lives on a daily basis, whether the transportation we take, where our energy comes from, or what becomes of our food waste. Providing recommendations and insights with immediacy and relevance, this book has invaluable lessons for anyone seeking to link public policy to promoting a sustainable lifestyle.

Since the 1979 revolution, scholars and policy makers alike have tended to see Iranian political actors as religiously driven—dedicated to overturning the international order in line with a theologically prescribed outlook. This provocative book argues that such views have the link between religious ideology and political order in Iran backwards. Religious Statecraft examines the politics of Islam, rather than political Islam, to achieve a new understanding of Iranian politics and its ideological contradictions.

Mohammad Ayatollahi Tabaar traces half a century of shifting Islamist doctrines against the backdrop of Iran’s factional and international politics, demonstrating that religious narratives in Iran can change rapidly, frequently, and dramatically in accordance with elites’ threat perceptions. He argues that the Islamists’ gambit to capture the state depended on attaining a monopoly over the use of religious narratives. Tabaar explains how competing political actors strategically develop and deploy Shi’a-inspired ideologies to gain credibility, constrain political rivals, and raise mass support. He also challenges readers to rethink conventional wisdom regarding the revolution, Ayatollah Khomeini, the U.S. embassy hostage crisis, the Iran-Iraq War, the Green Movement, nuclear politics, and U.S.–Iran relations. Based on a micro-level analysis of postrevolutionary Iranian media and recently declassified documents as well as theological journals and political memoirs, Religious Statecraft constructs a new picture of Iranian politics in which power drives Islamist ideology.

Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer.

Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.

Religion and magic have often played important roles in Baltic, Eastern European, and post-Soviet societies like those in Russia, Romania, Serbia, Latvia, Kyrgyzstan, and Estonia. Taken together, the studies presented in this collection suggest that the idea that religion and magic are connected to each other in some consistent, universal way may be nothing more than a remnant from nineteenth-century anthropology. Further, these studies challenge another part of anthropology's historical legacy: the idea that magic is something that modernity and modernization will transcend. Rather, these studies suggest instead that magic is a form of work that brings modernity into being and helps render it intelligible to those who find themselves engaged in its creation.

This volume brings together historical (pre- and post-1989), ethnographic, and area studies that look at the divergent roles of state, culture, society, tradition, and the individual in enactments of magic and religion. Assessing the role magic and religion have played in the countries of Eastern Europe and beyond before and after the Cold War, it is an absorbing read for scholars of anthropology and history as well as ethnology.

This volume retraces Carl Lutz's diplomatic wartime rescue efforts in Budapest, Hungary, through the lens of Jewish eyewitness testimonies. Together with his wife, Gertrud Lutz-Fankhauser, the director of the Palestine Office in Budapest, Moshe Krausz, fellow Swiss citizens Harald Feller, Ernst Vonrufs, Peter Zürcher, and the underground Zionist Youth Movement, Carl Lutz led an extensive rescue operation between March 1944 and February 1945. It is estimated that Lutz and his team of rescuers issued more than 50,000 lifesaving letters of protection (Schutzbriefe) and placed persecuted Jews in 76 safe houses—annexes of the Swiss Legation. Based on interviews with Holocaust survivors in Canada, Hungary, Israel, Switzerland, the UK, and the United States, this volume shines a light on the extraordinary scope and scale of Carl Lutz's humanitarian response.

Konstantin Batyushkov was one of the great poets of the Golden Age of Russian literature in the early nineteenth century. His verses, famous for their musicality, earned him the admiration of Alexander Pushkin and generations of Russian poets to come. In Writings from the Golden Age of Russian Poetry, Peter France interweaves Batyushkov’s life and writings, presenting masterful new translations of his work with the compelling story of Batyushkov’s career as a soldier, diplomat, and poet and his tragic decline into mental illness at the age of thirty-four.

Little known among non-Russian readers, Batyushkov left a varied body of writing, both in verse and in prose, as well as memorable letters to friends. France nests a substantial selection of his sprightly epistles on love, friendship, and social life, his often tragic elegies, and extracts from his essays and letters within episodes of his remarkable life—particularly appropriate for a poet whose motto was “write as you live, and live as you write.” Batyushkov’s writing reflects the transition from the urbane sociability of the Enlightenment to the rebellious sensibility of Pushkin and Lermontov; it spans the Napoleonic Wars and the rapid social and literary change from Catherine the Great to Nicholas I. Presenting Batyushkov’s poetry of feeling and wit alongside his troubled life, Writings from the Golden Age of Russian Poetry makes his verse accessible to English-speaking readers in a necessary exploration of this transitional moment for Russian literature.

The sibling stands out as a ubiquitous—yet unacknowledged—conceptual touchstone across the European long nineteenth century. Beginning in the late eighteenth century, Europeans embarked on a new way of classifying the world, devising genealogies that determined degrees of relatedness by tracing heritage through common ancestry. This methodology organized historical systems into family trees in a wide array of new disciplines, transforming into siblings the closest contemporaneous terms on trees of languages, religions, races, nations, species, or individuals. In literature, a sudden proliferation of siblings—often incestuously inclined—negotiated this confluence of knowledge and identity. In all genealogical systems the sibling term, not quite same and not quite other, serves as an active fault line, necessary for and yet continuously destabilizing definition and classification.

In her provocative book, Stefani Engelstein argues that this pervasive relational paradigm shaped the modern subject, life sciences, human sciences, and collective identities such as race, religion, and gender. The insecurity inherent to the sibling structure renders the systems it underwrites fluid. It therefore offers dynamic potential, but also provokes counterreactions such as isolationist theories of subjectivity, the political exclusion of sisters from fraternal equality, the tyranny of intertwined economic and kinship theories, conflicts over natural kinds and evolutionary speciation, and invidious anthropological and philological classifications of Islam and Judaism. Integrating close readings across the disciplines with panoramic intellectual history and arresting literary interpretations, Sibling Action presents a compelling new understanding of systems of knowledge and provides the foundation for less confrontational formulations of belonging, identity, and agency.

As one of the foremost Spanish directors of all time, Luis Buñuel’s filmography has been the subject of innumerable studies. Despite the fact that the twenty films he made in Mexico between 1947 and 1965 represent the most prolific stage of his career as a filmmaker, these have remained relatively neglected in writing on Buñuel and his work. This book focuses on nine of the director’s films made in Mexico in order to show that a concerted focus on space, an important aspect of the films’ narratives that is often intimated by scholars, yet rarely developed, can unlock new philosophical meaning in this rich body of work.

Although in recent years Buñuel’s Mexican films have begun to enjoy a greater presence in criticism on the director, they are often segregated according to their perceived critical value, effectively creating two substrands of work: the independent movies and the studio potboilers. The interdisciplinary approach of this book unites the two, focusing on films such as Los olvidados, Nazarín, and El ángel exterminador alongside La Mort en ce jardin, The Young One, and Simón del desierto, among others. In doing so, it avoids the tropes most often associated with Buñuel’s cinema—surrealism, Catholicism, the derision of the bourgeoisie—and the approach most often invoked in analysis of these themes: psychoanalysis. Instead, this book takes inspiration from the fields of human geography, anthropology, and philosophy, applying these to film-focused readings of Buñuel’s Mexican cinema to argue that ultimately these films depict an overriding sense of placelessness, overtly or subliminally enacting a search for belonging that forces the viewer to question what it means to be in place.

One of the first Russian writers to make a name for herself on the Internet, Linor Goralik writes conversational short works that conjure the absurd in all its forms, reflecting post-Soviet life and daily universals. Her mastery of the minimal, including a wide range of experiments in different forms of micro-prose, is on full display in this collection of poems, stories, comics, a play, and an interview, here translated for the first time.

In Found Life, speech, condensed to the extreme, captures a vivid picture of fleeting interactions in a quickly moving world. Goralik's works evoke an unconventional palette of moods and atmospheres—slight doubt, subtle sadness, vague unease—through accumulation of unexpected details and command over colloquial language. While calling up a range of voices, her works are marked by a distinct voice, simultaneously slightly naïve and deeply ironic. She is a keen observer of the female condition, recounting gendered tribulations with awareness and amusement. From spiritual rabbits and biblical zoos to poems about loss and comics about poetry, Goralik's colorful language and pervasive dark comedy capture the heights of ridiculousness and the depths of grief.

Joss Whedon’s Serenity (2005) is at once a symbol of failure and a triumphant success of fan activism. The cult television icon's feature directorial debut functions as an extension of his canceled Fox series Firefly. Mourning their loss, fans of the show fought for more, making Serenity not just a cult film but a monument to cultdom. A minor box-office success upon first release, Serenity continues to be a sci-fi favorite, attracting fans, cosplayers, fan fiction authors, and more to conventions and charity screenings internationally.

This book examines the relationship between the film and its peculiar cult following, largely established before a cult object even existed, and situates the film in relation to the series and its other transmedia continuations to plumb the status of different media texts and their platforms. Additionally, it explores those cult features of Serenity—a playful engagement with genre, with high and low culture, with gender roles—that predisposed it to such a fierce following, one that would follow Whedon into future series and blockbuster projects such as The Avengers.

In this elegantly written and beautifully illustrated book, Nico Israel reveals how spirals are at the heart of the most significant literature and visual art of the twentieth century. Juxtaposing the work of writers and artists—including W. B. Yeats and Vladimir Tatlin, James Joyce and Marcel Duchamp, and Samuel Beckett and Robert Smithson—he argues that spirals provide a crucial frame for understanding the mutual involvement of modernity, history, and geopolitics, complicating the spatio-temporal logic of literary and artistic genres and of scholarly disciplines.

The book takes the spiral not only as its topic but as its method. Drawing on the writings of Walter Benjamin and Alain Badiou, Israel theorizes a way of reading spirals, responding to their dual-directionality as well as their affective power. The sensations associated with spirals––flying, falling, drowning, being smothered—reflect the anxieties of limits tested or breached, and Israel charts these limits as they widen from the local to the global and recoil back. Chapters mix literary and art history to explore 'pataphysics, Futurism, Vorticism, Dada and Surrealism, "Concentrisme," minimalism, and entropic earth art; a coda considers the work of novelist W. G. Sebald and contemporary artist William Kentridge. In Spirals, Israel offers a refreshingly original approach to the history of modernism and its aftermaths, one that gives modernist studies, comparative literature, and art criticism an important new spin.

As editor of the quarterly Salmagundi for the past fifty years, Robert Boyers has been on the cutting edge of developments in politics, culture, and the arts. Reflecting on his collaborations and quarrels with some of the twentieth century's most transformative writers, artists, and thinkers, Boyers writes a wholly original intellectual memoir that rigorously confronts selected aspects of contemporary society.

Organizing his chapters around specific ideas, Boyers anatomizes the process by which they fall in and out of fashion and often confuse those who most ardently embrace them. In provocative encounters with authority, fidelity, "the other," pleasure, and a wide range of other topics, Boyers tells colorful stories about his own life and, in the process, studies the fate of ideas in a society committed to change and ill equipped to assess the losses entailed in modernity. Among the writers who appear in these pages are Susan Sontag and V. S. Naipaul, Jamaica Kincaid and J. M. Coetzee, as well as figures drawn from all walks of life, including unfaithful husbands, psychoanalysts, terrorists, and besotted beauty lovers.

Taxidermy, once the province of natural history and dedicated to the pursuit of lifelike realism, has recently resurfaced in the world of contemporary art, culture, and interior design. In Speculative Taxidermy, Giovanni Aloi offers a comprehensive mapping of the discourses and practices that have enabled the emergence of taxidermy in contemporary art. Drawing on the speculative turn in philosophy and recovering past alternative histories of art and materiality from a biopolitical perspective, Aloi theorizes speculative taxidermy: a powerful interface that unlocks new ethical and political opportunities in human-animal relationships and speaks to how animal representation conveys the urgency of addressing climate change, capitalist exploitation, and mass extinction.

A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability. Carefully considering a select number of key examples including the work of Nandipha Mntambo, Maria Papadimitriou, Mark Dion, Berlinde De Bruyckere, Roni Horn, Oleg Kulik, Steve Bishop, Snæbjörnsdóttir/Wilson, and Cole Swanson, Speculative Taxidermy contextualizes the resilient presence of animal skin in the gallery space as a productive opportunity to rethink ethical and political stances in human-animal relationships.

Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study.

Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.

In this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh's important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another.

Preston's critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston's assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston's analysis and her journey reflect a more nuanced understanding of cultural exchange.

During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West.

Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International.

The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.

Lyme disease is the most common tick-borne illness in the United States, with more than 300,000 cases diagnosed each year. However, doctors are deeply divided on how to diagnose and treat it, giving rise to the controversy known as the “Lyme Wars.” Firmly entrenched camps have emerged, causing physicians, patient communities, and insurance providers to be pitted against one another in a struggle to define Lyme disease and its clinical challenges. Health care providers may not be aware of its diverse manifestations or the limitations of diagnostic tests. Meanwhile, patients have felt dismissed by their doctors and confused by the conflicting opinions and dubious self-help information found online.

In this authoritative book, the Columbia University Medical Center physicians Brian A. Fallon and Jennifer Sotsky explain that, despite the vexing “Lyme Wars,” there is cause for both doctors and patients to be optimistic. The past decade’s advances in precision medicine and biotechnology are reshaping our understanding of Lyme disease and accelerating the discovery of new tools to diagnose and treat it, such that the great divide previously separating medical communities is now being bridged. Drawing on both extensive clinical experience and cutting-edge research, Fallon, Sotsky, and their colleagues present these paradigm-shifting breakthroughs in language accessible to both sides. They clearly explain the immunologic, infectious, and neurologic basis of chronic symptoms, the cognitive and psychological impact of the disease, as well as current and emerging diagnostic tests, treatments, and prevention strategies. Written for the educated patient and health care provider seeking to learn more, Conquering Lyme Disease gives an up-to-the-minute overview of the science that is transforming the way we address this complex illness. It argues forcefully that the expanding plague of Lyme and other tick-borne diseases can be confronted successfully and may soon even be reversed.

To some, food allergies seem like fabricated cries for attention. To others, they pose a dangerous health threat. Food allergies are bound up with so many personal and ideological concerns that it is difficult to determine what is medical and what is myth.

Another Person's Poison parses the political, economic, cultural, and genuine health factors of a phenomenon that dominates our interactions with others and our understanding of ourselves. For most of the twentieth century, food allergies were considered a fad or junk science. While many physicians and clinicians argued that certain foods could cause a range of chronic problems, from asthma and eczema to migraines and hyperactivity, others believed that allergies were psychosomatic.

This book traces the trajectory of this debate and its effect on public-health policy and the production, manufacture, and consumption of food. Are rising allergy rates purely the result of effective lobbying and a booming industry built on self-diagnosis and expensive remedies? Or should physicians become more flexible in their approach to food allergies and more careful in their diagnoses? Exploring the issue from scientific, political, economic, social, and patient-centered perspectives, this book is the first to engage fully with the history of a major modern affliction, illuminating society's troubled relationship with food, disease, nature, and the creation of medical knowledge.

Spanning the 1960s to the 2000s, these nonfiction writings showcase Shirley Hazzard's extensive thinking on global politics, international relations, the history and fraught present of Western literary culture, and postwar life in Europe and Asia. They add essential clarity to the themes that dominate her award-winning fiction and expand the intellectual registers in which her writings work.

Hazzard writes about her employment at the United Nations and the institution's manifold failings. She shares her personal experience with the aftermath of the Hiroshima atomic bombing and the nature of life in late-1940s Hong Kong. She speaks to the decline of the hero as a public figure in Western literature and affirms the ongoing power of fiction to console, inspire, and direct human life, despite—or maybe because of—the world's disheartening realities. Cementing Hazzard's place as one of the twentieth century's sharpest and most versatile thinkers, this collection also encapsulates for readers the critical events defining postwar letters, thought, and politics.

A leading authority explains the ideas and practice of Chinese medicine from its beginnings in antiquity to today. Paul U. Unschuld describes medicine's close connection with culture and politics throughout Chinese history. He brings together texts, techniques, and worldviews to understand changing Chinese attitudes toward healing and the significance of traditional Chinese medicine in both China and the Western world.

Unschuld reveals the emergence of a Chinese medical tradition built around a new understanding of the human being, considering beliefs in the influence of cosmology, numerology, and the supernatural on the health of the living. He describes the variety of therapeutic approaches in Chinese culture, the history of pharmacology and techniques such as acupuncture, and the global exchange of medical knowledge. Insights are offered into the twentieth-century decline of traditional medicine, as military defeats caused reformers and revolutionaries to import medical knowledge as part of the construction of a new China. Unschuld also recounts the reception of traditional Chinese medicine in the West since the 1970s, where it is often considered an alternative to Western medicine at the same time as China seeks to incorporate elements of its medical traditions into a scientific framework. This concise and compelling introduction to medical thought and history suggests that Chinese medicine is also a guide to Chinese civilization.

In April 1859, at age fifty, Shinohara Chūemon left his old life behind. Chūemon, a well-off farmer in his home village, departed for the new port city of Yokohama, where he remained for the next fourteen years. There, as a merchant trading with foreigners in the aftermath of Japan’s 1853 “opening” to the West, he witnessed the collapse of the Tokugawa shogunate, the civil war that followed, and the Meiji Restoration’s reforms. The Merchant’s Tale looks through Chūemon’s eyes at the upheavals of this period.

In a narrative history rich in colorful detail, Simon Partner uses the story of an ordinary merchant farmer and its Yokohama setting as a vantage point onto sweeping social transformation and its unwitting agents. Chūemon, like most newcomers to Yokohama, came in search of economic opportunity. His story sheds light on vital issues in Japan’s modern history, including the legacies of the Meiji Restoration; the East Asian treaty port system; and the importance of everyday life—food, clothing, medicine, and hygiene—for national identity. Centered on an individual, The Merchant’s Tale is also the story of a place. Created under pressure from aggressive foreign powers, Yokohama was the scene of gunboat diplomacy, a connection to global markets, the birthplace of new lifestyles, and the beachhead of Japan’s modernization. Partner’s history of a vibrant meeting place humanizes the story of Japan’s revolutionary 1860s and their profound consequences for Japanese society and culture.

With the work of reporters under fire worldwide, this year’s anthology of National Magazine Award finalists and winners is a timely reminder of the power of journalism. The pieces included here explore the fault lines in American society. Shane Bauer’s visceral “My Four Months as a Private Prison Guard” (Mother Jones) and Sarah Stillman’s depiction of the havoc wreaked on young people’s lives when they are put on sex-offender registries (The New Yorker) examine controversial criminal-justice practices. And responses to the shocks of the recent election include Matt Taibbi’s irreverent dispatches from the campaign trail (Rolling Stone), George Saunders’s transfixing account of Trump’s rallies (The New Yorker), and Andrew Sullivan’s fears for the future of democracy (New York).

In other considerations of the political scene, Jeffrey Goldberg talks through Obama’s foreign-policy legacy with the former president (The Atlantic), and Gabriel Sherman analyzes how Roger Ailes’s fall sheds light on conservative media (New York). Linking personal stories to the course of history, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine), and Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor’s life (Texas Monthly). A selection of Rebecca Solnit’s Harper’s commentary ranges from a writer on death row to the isolation at the heart of conservatism. Becca Rothfeld ponders women waiting on love from the Odyssey to Tinder (Hedgehog Review). Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland follows a deranged expedition to Cuba in search of the ivory-billed woodpecker (Audubon). The collection concludes with Zandria Robinson’s eloquent portrait of her father as reflected in the music he loved (Oxford American).

Against the backdrop of China’s mounting influence and North Korea’s growing nuclear capability and expanding missile arsenal, South Korea faces a set of strategic choices that will shape its economic prospects and national security. In South Korea at the Crossroads, Scott A. Snyder examines the trajectory of fifty years of South Korean foreign policy and offers predictions—and a prescription—for the future. Pairing a historical perspective with a shrewd understanding of today’s political landscape, Snyder contends that South Korea’s best strategy remains investing in a robust alliance with the United States.

Snyder begins with South Korea’s effort in the 1960s to offset the risk of abandonment by the United States during the Vietnam War and the subsequent crisis in the alliance during the 1970s. A series of shifts in South Korean foreign relations followed: the “Nordpolitik” engagement with the Soviet Union and China at the end of the Cold War; Kim Dae Jung’s “Sunshine Policy,” designed to bring North Korea into the international community; “trustpolitik,” which sought to foster diplomacy with North Korea and Japan; and changes in South Korea’s relationship with the United States. Despite its rise as a leader in international financial, development, and climate-change forums, South Korea will likely still require the commitment of the United States to guarantee its security. Although China is a tempting option, Snyder argues that only the United States is both credible and capable in this role. South Korea remains vulnerable relative to other regional powers in northeast Asia despite its rising profile as a middle power, and it must balance the contradiction of desirable autonomy and necessary alliance.

Thirty-year-old Piotr Alekseevich Marakulin lives a contented, if humdrum life as a financial clerk in a Petersburg trading company. He is jolted out of his daily routine when, quite unexpectedly, he is accused of embezzlement and loses his job. This change of status brings him into contact with a number of women—the titular “sisters of the cross”—whose sufferings will lead him to question the ultimate meaning of the universe.

The first English translation of this remarkable 1910 novel by Alexei Remizov, an influential member of the Russian Symbolist movement, Sisters of the Cross is a masterpiece of early modernist fiction. In the tradition of Gogol’s Petersburg Tales and Dostoevsky’s Crime and Punishment, it deploys densely packed psychological prose and fluctuating narrative perspective to tell the story of a “poor clerk” who rebels against the suffering and humiliation afflicting both his own life and the lives of the remarkable women whom he encounters in the tenement building where he lives in Petersburg. The novel reaches its haunting climax at the beginning of the Whitsuntide festival, when Marakulin thinks he glimpses the coming of salvation both for himself and for the “fallen” actress Verochka, the unacknowledged love of his life, in one of the most powerfully drawn scenes in Symbolist literature. Remizov is best known as a writer of short stories and fairy tales, but this early novel, masterfully translated by Roger Keys and Brian Murphy, is perhaps his most significant work of sustained artistic prose.

Over roughly the past decade, oil and gas production in the United States has surged dramatically—thanks largely to technological advances such as high-volume hydraulic fracturing, more commonly known as “fracking.” This rapid increase has generated widespread debate, with proponents touting economic and energy-security benefits and opponents highlighting the environmental and social risks of increased oil and gas production. Despite the heated debate, neither side has a monopoly on the facts. In this book, Daniel Raimi gives a balanced and accessible view of oil and gas development, clearly and thoroughly explaining the key issues surrounding the shale revolution.

The Fracking Debate directly addresses the most common questions and concerns associated with fracking: What is fracking? Does fracking pollute the water supply? Will fracking make the United States energy independent? Does fracking cause earthquakes? How is fracking regulated? Is fracking good for the economy? Coupling a deep understanding of the scholarly research with lessons from his travels to every major U.S. oil- and gas-producing region, Raimi highlights stories of the people and communities affected by the shale revolution, for better and for worse. The Fracking Debate provides the evidence and context that have so frequently been missing from the national discussion of the future of oil and gas production, offering readers the tools to make sense of this critical issue.

Every rock is a tangible trace of the earth’s past. The Story of the Earth in 25 Rocks tells the fascinating stories behind the discoveries that shook the foundations of geology. In twenty-five chapters—each about a particular rock, outcrop, or geologic phenomenon—Donald R. Prothero recounts the scientific detective work that shaped our understanding of geology, from the unearthing of exemplary specimens to tectonic shifts in how we view the inner workings of our planet.

Prothero follows in the footsteps of the scientists who asked—and answered—geology’s biggest questions: How do we know how old the earth is? What happened to the supercontinent Pangea? How did ocean rocks end up at the top of Mount Everest? What can we learn about our planet from meteorites and moon rocks? He answers these questions through expertly chosen case studies, such as Pliny the Younger’s firsthand account of the eruption of Vesuvius; the granite outcrops that led a Scottish scientist to theorize that the landscapes he witnessed were far older than Noah’s Flood; the salt and gypsum deposits under the Mediterranean Sea that indicate that it was once a desert; and how trying to date the age of meteorites revealed the dangers of lead poisoning. Each of these breakthroughs filled in a piece of the greater puzzle that is the earth, with scientific discoveries dovetailing with each other to offer an increasingly coherent image of the geologic past. Summarizing a wealth of information in an entertaining, approachable style, The Story of the Earth in 25 Rocks is essential reading for the armchair geologist, the rock hound, and all who are curious about the earth beneath their feet.

For seven days in April 1968, students occupied five buildings on the campus of Columbia University to protest a planned gymnasium in a nearby Harlem park, links between the university and the Vietnam War, and what they saw as the university’s unresponsive attitude toward their concerns. Exhilarating to some and deeply troubling to others, the student protests paralyzed the university, grabbed the world’s attention, and inspired other uprisings. Fifty years after the events, A Time to Stir captures the reflections of those who participated in and witnessed the Columbia rebellion.

With more than sixty essays from members of the Columbia chapter of Students for a Democratic Society, the Students’ Afro-American Society, faculty, undergraduates who opposed the protests, “outside agitators,” and members of the New York Police Department, A Time to Stir sheds light on the politics, passions, and ideals of the 1960s. Moving beyond accounts from the student movement’s white leadership, this book presents the perspectives of black students, who were grappling with their uneasy integration into a supposedly liberal campus, as well as the views of women, who began to question their second-class status within the protest movement and society at large. A Time to Stir also speaks to the complicated legacy of the uprising. For many, the events at Columbia inspired a lifelong dedication to social causes, while for others they signaled the beginning of the chaos that would soon engulf the left. Taken together, these reflections present a nuanced and moving portrait that reflects the sense of possibility and excess that characterized the 1960s.

Contemporary culture is haunted by its media. Yet in their ubiquity, digital media have become increasingly banal, making it harder for us to register their novelty or the scope of the social changes they have wrought. What do we learn about our media environment when we look closely at the ways novelists and filmmakers narrate and depict banal use of everyday technologies? How do we encounter our own media use in scenes of waiting for e-mail, watching eBay bids, programming as work, and worrying about numbers of social media likes, friends, and followers?

Zara Dinnen analyzes a range of prominent contemporary novels, films, and artworks to contend that we live in the condition of the “digital banal,” not noticing the affective and political novelty of our relationship to digital media. Authors like Jennifer Egan, Dave Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson Whitehead, Mark Amerika, Ellen Ullman, and Danica Novgorodoff and films such as The Social Network and Catfish critique and reveal the ways in which digital labor isolates the individual; how the work of programming has become an operation of power; and the continuation of the “Californian ideology,” which has folded the radical into the rote and the imaginary into the mundane. The works of these writers and artists, Dinnen argues, also offer ways of resisting the more troubling aspects of the effects of new technologies, as well as timely methods for seeing the digital banal as a politics of suppression. Bridging the gap between literary studies and media studies, The Digital Banal recovers the shrouded disturbances that can help us recognize and antagonize our media environment.

Album provides an unparalleled look into Roland Barthes's life of letters. It presents a selection of correspondence, from his adolescence in the 1930s through the height of his career and up to the last years of his life, covering such topics as friendships, intellectual adventures, politics, and aesthetics. It offers an intimate look at Barthes's thought processes and the everyday reflection behind the composition of his works, as well as a rich archive of epistolary friendships, spanning half a century, among the leading intellectuals of the day.

Barthes was one of the great observers of language and culture, and Album shows him in his element, immersed in heady French intellectual culture and the daily struggles to maintain a writing life. Barthes's correspondents include Maurice Blanchot, Michel Butor, Jacques Derrida, Michel Foucault, Julia Kristeva, Claude Lévi-Strauss, Georges Perec, Raymond Queneau, Alain Robbe-Grillet, Marthe Robert, and Jean Starobinski, among others. The book also features documents, letters, and postcards reproduced in facsimile; unpublished material; and notes and transcripts from his seminars. The first English-language publication of Barthes's letters, Album is a comprehensive testimony to one of the most influential critics and philosophers of the twentieth century and the world of letters in which he lived and breathed.

Jun'ichirō Tanizaki's In Black and White is a literary murder mystery in which the lines between fiction and reality are blurred. The writer Mizuno has penned a story about the perfect murder. His fictional victim is modeled on an acquaintance, a fellow writer. When Mizuno notices just before the story is about to be published that this man’s real name has crept into his manuscript, he attempts to correct the mistake, but it is too late. He then becomes terrified that an actual murder will take place—and that he will be the main suspect. Mizuno goes to great lengths to establish an alibi, venturing into the city's underworld. But he finds himself only more entangled as his paranoid fantasies, including a mysterious "Shadow Man" out to entrap him, intrude into real life. A sophisticated psychological and metafictional mystery, In Black and White is a masterful yet little-known novel from a great writer at the height of his powers.

The year 1928 was a remarkable one for Tanizaki. He wrote three exquisite novels, but while two of them—Some Prefer Nettles and Quicksand—became famous, In Black and White disappeared from view. All three were serialized in Osaka and Tokyo newspapers and magazines, but In Black and White was never published as an independent volume. This translation restores it to its rightful place among Tanizaki's works and offers a window into the author's life at a crucial point in his career. A critical afterword explains the novel's context and importance for Tanizaki and Japan's literary and cultural scene in the 1920s, connecting autobiographical elements with the novel's key concerns, including Tanizaki's critique of Japanese literary culture and fiction itself.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation.

This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development.

A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

The history of modern art is often told through aesthetic breakthroughs that sync well with cultural and political change. From Courbet to Picasso, from Malevich to Warhol, it is accepted that art tracks the disruptions of industrialization, fascism, revolution, and war. Yet filtering the history of modern art only through catastrophic events cannot account for the subtle developments that lead to the profound confusion at the heart of contemporary art.

In Industry and Intelligence, the artist Liam Gillick writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events. Taking a broad view of artistic creation from 1820 to today, Gillick follows the response of artists to incremental developments in science, politics, and technology. The great innovations and dislocations of the nineteenth and twentieth centuries have their place in this timeline, but their traces are alternately amplified and diminished as Gillick moves through artistic reactions to liberalism, mass manufacturing, psychology, nuclear physics, automobiles, and a host of other advances. He intimately ties the origins of contemporary art to the social and technological adjustments of modern life, which artists struggled to incorporate truthfully into their works.

Karl Polanyi (1886–1964) was one of the twentieth century's most original interpreters of the market economy. His penetrating analysis of globalization's disruptions and the Great Depression's underlying causes still serves as an effective counterargument to free market fundamentalism. This biography shows how the major personal and historical events of his life transformed him from a bourgeois radical into a Christian socialist but also informed his ambivalent stance on social democracy, communism, the New Deal, and the shifting intellectual scene of postwar America.

The book begins with Polanyi's childhood in the Habsburg Empire and his involvement with the Great War and Hungary's postwar revolution. It connects Polanyi's idealistic radicalism to the political promise and intellectual ferment of Red Vienna and the horror of fascism. The narrative revisits Polanyi's oeuvre in English, German, and Hungarian, includes exhaustive research in five archives, and features interviews with Polanyi's daughter, students, and colleagues, clarifying the contradictory aspects of the thinker's work. These personal accounts also shed light on Polanyi's connections to scholars, Christians, atheists, journalists, hot and cold warriors, and socialists of all stripes. Karl Polanyi: A Life on the Left engages with Polanyi's biography as a reflection and condensation of extraordinary times. It highlights the historical ruptures, tensions, and upheavals that the thinker sought to capture and comprehend and, in telling his story, engages with the intellectual and political history of a turbulent epoch.

Journalists are being imprisoned and killed in record numbers. Online surveillance is annihilating privacy, and the Internet can be brought under government control at any time. Joel Simon, the executive director of the Committee to Protect Journalists, warns that we can no longer assume that our global information ecosystem is stable, protected, and robust. Journalists are increasingly vulnerable to attack by authoritarian governments, militants, criminals, and terrorists, who all seek to use technology, political pressure, and violence to set the global information agenda.

Reporting from Pakistan, Russia, Turkey, Egypt, and Mexico, among other hotspots, Simon finds journalists under threat from all sides. The result is a growing crisis in information—a shortage of the news we need to make sense of our globalized world and fight human rights abuses, manage conflict, and promote accountability. Drawing on his experience defending journalists on the front lines, he calls on "global citizens," U.S. policy makers, international law advocates, and human rights groups to create a global freedom-of-expression agenda tied to trade, climate, and other major negotiations. He proposes ten key priorities, including combating the murder of journalists, ending censorship, and developing a global free-expression charter to challenge the criminal and corrupt forces that seek to manipulate the world's news.

Everyone deserves to be able to retire with dignity, but this core feature of the social contract is in jeopardy. Companies have swerved away from pensions, and most of the workforce has woefully inadequate retirement savings. If we don’t act to fix this broken system, rates of impoverishment for senior citizens threaten to skyrocket, and tens of millions of Americans reaching retirement age in the coming decades will be forced to delay retirement and will experience a dramatic drop in their standard of living.

In Rescuing Retirement, Teresa Ghilarducci and Tony James offer a comprehensive yet simple plan to help workers save for retirement, increase retirement savings by earning higher returns, and guarantee lifelong income for everyone. Built on people’s own money in individual Guaranteed Retirement Accounts, the plan requires no new taxes, no more bureaucracy, and no increase in the deficit. Speaking to Americans’ growing anxiety about their ability to retire, Rescuing Retirement provides answers to anyone wanting to understand the growing movement to protect a period of life once considered a deserved time of rest and creativity and offers a practical guide to the future of secure retirement.

Every fossil tells a story. Best-selling paleontology author Donald R. Prothero describes twenty-five famous, beautifully preserved fossils in a gripping scientific history of life on Earth. Recounting the adventures behind the discovery of these objects and fully interpreting their significance within the larger fossil record, Prothero creates a riveting history of life on our planet.

The twenty-five fossils portrayed in this book catch animals in their evolutionary splendor as they transition from one kind of organism to another. We witness extinct plants and animals of microscopic and immense size and thrilling diversity. We learn about fantastic land and sea creatures that have no match in nature today. Along the way, we encounter such fascinating fossils as the earliest trilobite, Olenellus; the giant shark Carcharocles; the "fishibian" Tiktaalik; the "Frogamander" and the "Turtle on the Half-Shell"; enormous marine reptiles and the biggest dinosaurs known; the first bird, Archaeopteryx; the walking whale Ambulocetus; the gigantic hornless rhinoceros Paraceratherium, the largest land mammal that ever lived; and the Australopithecus nicknamed "Lucy," the oldest human skeleton. We meet the scientists and adventurers who pioneered paleontology and learn about the larger intellectual and social contexts in which their discoveries were made. Finally, we find out where to see these splendid fossils in the world's great museums.

Ideal for all who love prehistoric landscapes and delight in the history of science, this book makes a treasured addition to any bookshelf, stoking curiosity in the evolution of life on Earth.

The United States has long epitomized capitalism. From its enterprising shopkeepers, wildcat banks, violent slave plantations, huge industrial working class, and raucous commodities trade to its world-spanning multinationals, its massive factories, and the centripetal power of New York in the world of finance, America has come to symbolize capitalism for two centuries and more. But an understanding of the history of American capitalism is as elusive as it is urgent. What does it mean to make capitalism a subject of historical inquiry? What is its potential across multiple disciplines, alongside different methodologies, and in a range of geographic and chronological settings? And how does a focus on capitalism change our understanding of American history?

American Capitalism presents a sampling of cutting-edge research from prominent scholars. These broad-minded and rigorous essays venture new angles on finance, debt, and credit; women’s rights; slavery and political economy; the racialization of capitalism; labor beyond industrial wage workers; and the production of knowledge, including the idea of the economy, among other topics. Together, the essays suggest emerging themes in the field: a fascination with capitalism as it is made by political authority, how it is claimed and contested by participants, how it spreads across the globe, and how it can be reconceptualized without being universalized. A major statement for a wide-open field, this book demonstrates the breadth and scope of the work that the history of capitalism can provoke.

On March 28, 1979, the worst nuclear reactor accident in U.S. history occurred at the Three Mile Island power plant in Central Pennsylvania. Radiation Nation tells the story of what happened that day and in the months and years that followed, as local residents tried to make sense of the emergency. The near-meltdown occurred at a pivotal moment when the New Deal coalition was unraveling, trust in government was eroding, conservatives were consolidating their power, and the political left was becoming marginalized. Using the accident to explore this turning point, Natasha Zaretsky provides a fresh interpretation of the era by disclosing how atomic and ecological imaginaries shaped the conservative ascendancy.

Drawing on the testimony of the men and women who lived in the shadow of the reactor, Radiation Nation shows that the region's citizens, especially its mothers, grew convinced that they had sustained radiological injuries that threatened their reproductive futures. Taking inspiration from the antiwar, environmental, and feminist movements, women at Three Mile Island crafted a homegrown ecological politics that wove together concerns over radiological threats to the body, the struggle over abortion and reproductive rights, and eroding trust in authority. This politics was shaped above all by what Zaretsky calls "biotic nationalism," a new body-centered nationalism that imagined the nation as a living, mortal being and portrayed sickened Americans as evidence of betrayal. The first cultural history of the accident, Radiation Nation reveals the surprising ecological dimensions of post-Vietnam conservatism while showing how growing anxieties surrounding bodily illness infused the political realignment of the 1970s in ways that blurred any easy distinction between left and right.

Dariusz Jeziorny explores British diplomatic relations in the years 1933–1935, illuminating London's attitude towards the Eastern Pact and highlighting British diplomacy's way of thinking and acting toward the European and even global situation. Was His Majesty's Government interested in the success of the initiative promoted by Moscow and Paris? Did they understand the motives of the promoters? How did they react to the resistance of countries unwilling to accept such an issue? Who were London's main partners to negotiate with? Could the Foreign Office be regarded competent in dealing with European problems, especially Eastern European ones? Were the former conclusions of the academic literature correct in assessing the particular powers' role in the failure of the concept of the Eastern Pact?

Jeziorny provides answers to these questions through detailed analysis of governmental materials available in the National Archives in London, particularly the general correspondence of the British Foreign Office. He provides a fascinating look behind the scenes of British diplomacy and its attitudes toward the French initiative.

Protesters now routinely fill the streets when any large, formal meeting dealing with international economic issues takes place. They express concern about the potential social and environmental costs of globalization and want negotiators to address these issues in trade agreements and international organizations. In addition, the debate over whether and how to link labor standards to trade has led to an impasse in American trade policy for much of the past decade and has tied the hands of US trade negotiators. Proposals to "let the market do it" or "let the International Labor Organization (ILO) do it" abound, but it is less common to find any serious analysis of just how activists can galvanize consumers to demand that corporations raise labor standards in their global operations or how the ILO can become more effective.

In this study, Elliott and Freeman move beyond the debate on the relative merits and risks of a social clause in trade agreements and focus on practical approaches for improving labor standards in a more integrated global economy. The authors examine both what is being done in these areas and what more needs to be done to ensure that steady and tangible progress toward universal respect for core labor standards is made. While concluding that the ILO should have primary responsibility for labor standards, the book also suggests that the WTO should consider how to address egregious and willful violations of core labor standards if they are trade related.

Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal—part Fantômas, part James Bond—and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys.

This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella. It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000.

In this fascinating book, Johanna Emeney examines the global proliferation of new poetry related to illness and medical treatment from the perspective of doctors, patients, and carers in light of the growing popularity of the medical humanities. She provides a close analysis of poetry from New Zealand, the U.S., and the U.K. that deals with sociological and philosophical aspects of sickness, ailment, medical treatment, care, and recuperation.

Beckett's Late Stage reexamines the Nobel laureate's postwar prose and drama in the light of contemporary trauma theory. Through a series of sustained close readings, the study demonstrates how the comings and goings of Beckett's prose unsettles the Western philosophical tradition; it reveals how Beckett's live theatrical productions are haunted by the rehearsal of traumatic repetition, and asks what his ghostly radio recordings might signal for twentieth-century modernity. Drawing from psychoanalytic and poststructuralist traditions, Beckett's Late Stage explores how the traumatic symptom allows us to rethink the relationship between language, meaning, and identity after 1945.

The turmoil that rocked Asian markets after the middle of 1997 and that spread far afield was the third major currency crisis of the 1990s. Thailand, Indonesia, Malaysia, and South Korea suffered outright recessions in 1998. In an effort to contain the crisis, almost $120 billion was pledged in IMF-led official rescue packages. How could this happen to a group of countries that has been so highly regarded in the 1990's by private international capital markets? How could the crisis be overcome, and what changes are necessary to prevent it from happening again?

Morris Goldstein provides the answers to these questions by first explaining how the Asian financial crisis arose and spread. He traces the crisis through its three interrelated origins: financial sector weaknesses; external sector problems; and the contagion that spread from Thailand to other countries. Goldstein then outlines what needed to be done in the ASEAN-4 economies, in Japan and China, and in the design of IMF-led official rescue packages to end the crisis. Goldstein's final remarks offer specific proposals for improving the international financial architecture.