House of Anansi Press

Part of the CBC Massey Lectures Series

In History’s People internationally acclaimed historian Margaret MacMillan gives her own personal selection of figures of the past, women and men, some famous and some little-known, who stand out for her. Some have changed the course of history and even directed the currents of their times. Others are memorable for being risk-takers, adventurers, or observers. She looks at the concept of leadership through Bismarck and the unification of Germany; William Lyon MacKenzie King and the preservation of the Canadian Federation; Franklin Delano Roosevelt and the bringing of a unified United States into the Second World War. She also notes how leaders can make huge and often destructive mistakes, as in the cases of Hitler, Stalin, and Thatcher. Richard Nixon and Samuel de Champlain are examples of daring risk-takers who stubbornly went their own ways, often in defiance of their own societies. Then there are the dreamers, explorers, and adventurers, individuals like Fanny Parkes and Elizabeth Simcoe who manage to defy or ignore the constraints of their own societies. Finally, there are the observers, such as Babur, the first Mughal emperor of India, and Victor Klemperer, a Holocaust survivor, who kept the notes and diaries that bring the past to life.

History’s People is about the important and complex relationship between biography and history, individuals and their times.

A courageous, moving, and powerful memoir from a renowned feminist activist, Heroes in My Head is the incredible untold story of Judy Rebick’s struggle with depression and Dissociative Identity Disorder.

In this riveting memoir, renowned feminist Judy Rebick tells the story of the eleven personalities she developed in order to help her cope with, and survive, childhood sexual abuse. In Heroes in My Head, Rebick chronicles her struggle with depression in the 1980s, when she became a high-profile spokesperson for the pro-choice movement during the fight to legalize abortion. It was in the 1990s, when she took on her biggest challenge as a public figure by becoming president of a major women’s rights association, that her memories began to surface and became too persistent to ignore.

Rebick reveals her moment of discovery: meeting the eleven personalities; uncovering her repressed memories of childhood sexual abuse; and then communicating with each personality in therapy and on the page in a journal — all of this while she is leading high-profile national struggles.

Heroes in My Head is a fascinating, heartbreaking, but ultimately empowering story. With courage and honesty, Rebick lays bare the public and private battles that have shaped her life.

The highly anticipated follow-up to the award-winning poetry collection drift, Kevin Connolly's Revolver is a daring marriage of brilliant technical skill and explosive imagination. Each of the poems in this extraordinary collection is written in a different vocal register -- revolving through poetic voices with precise control and sharp wit. Connolly reveals himself to be one of the few poets in Canada who can pull off such a high wire act, and make it both thrilling and meaningful.

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2024 Griffin Poetry Prize.

Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

This stunningly intimate collection of stories is an exquisite portrait of a Jewish community — the secular and religious families who inhabit it and the tensions that exist there — that illuminates the unexpected ways we remain connected during times of change.

When Uncle Isaac moves back from L.A. to help his sister, Elaine Levine, care for her suddenly motherless grandchildren, he finds himself embroiled in even more drama than he would like in their suburban neighbourhood. Meanwhile, a nanny miles from her own family in the Philippines, cares for a young boy who doesn’t fit in at school. A woman in mid-life contends with the task of cleaning out the house in which she grew up, while her teenage son struggles with why his dad moved out. And down the street, a mother and her two daughters prepare for a wedding and transitions they didn’t see coming.

Spanning fifteen years in the lives of a multi-generational family and their neighbours, this remarkable collection is an intimate portrait of a suburban Jewish community by a writer with a keen eye for detail, a gentle sense of humour, and an immense literary talent.

A landmark collection from one of Canada’s literary icons, and the founder of House of Anansi Press, Heart Residence collects for the first time work from all corners of Dennis Lee’s extraordinary career.

This book is an exhilarating revelation. No other poet in Canada has the depth and range of Dennis Lee — jazzman, jester, and metaphysician, hardball political thinker and passionate lover, he has been publishing poems for fifty years. His first book, Kingdom of Absence, published in 1967, was the founding publication of House of Anansi Press. Since then Lee has produced work across the poetic spectrum, from nursery rhymes and skipping songs to uncompromising moral introspection to full-tilt love songs, plangent psalms, and ecstatic, solitary prayer.

There are poets’ poets and people’s poets. And then there are those few who are neither and both: the few who become, over time, part of the warp and weft of their culture. Heart Residence collects, for the first time, work from all corners of this extraordinary career. In its verve and variety, this is a one-of-a-kind collection.

Karen Solie launched to prominence with her first collection of poems, Short Haul Engine (2001), finalist for the Griffin Poetry Prize and winner of many other awards and citations. She continued her upward trajectory with Modern and Normal (2005), and is now considered one of Canada's best poets.

Pigeon is yet another leap forward for this singer of existential bewilderment. These poems are X-rays of our delusions and mistaken perceptions, explorations of violence, bad luck, fate, creeping catastrophe, love, and the eros of danger. Once again, Solie shows that her ear is impeccable, her poetic intelligence rare and razor-sharp.

Finalist, 2024 Giller Prize

Engrossing, witty yet devastating stories about diasporic Indians that deftly question what it means to be safe, to survive, and to call a place home.

An underappreciated coffee shop server haunted by her past attracts thousands of followers on social media with her peacock jewellery. A hotel housekeeper up against a world of gender and class inequity quietly gets revenge on her chauvinist boss. And a foster child, orphaned in an accident directly attributable to climate change, brings down her foster father, an oil lobbyist, in spectacular fashion.

With an intense awareness of privilege and the lack of it, the fourteen stunning stories in Peacocks of Instagram explore what it means to be safe, to survive, and to call a place home.

Winner, 2024 Blue Metropolis First Peoples Prize, for the whole of her work
Finalist, 2018 Nayef Al-Rodhan Prize for Global Cultural Understanding
Finalist, 2018 Hilary Weston Writers’ Trust Prize for Nonfiction

Tanya Talaga, the bestselling author of Seven Fallen Feathers, calls attention to an urgent global humanitarian crisis among Indigenous Peoples — youth suicide.

“Talaga’s research is meticulous and her journalistic style is crisp and uncompromising. She brings each story to life, skillfully weaving the stories of the youths’ lives, deaths, and families together with sharp analysis… The book is heartbreaking and infuriating, both an important testament to the need for change and a call to action.” — Publishers Weekly *Starred Review*

“Talaga has crafted an urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario… Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.” — Booklist *Starred Review*

In this urgent and incisive work, bestselling and award-winning author Tanya Talaga explores the alarming rise of youth suicide in Indigenous communities in Canada and beyond. From Northern Ontario to Nunavut, Norway, Brazil, Australia, and the United States, the Indigenous experience in colonized nations is startlingly similar and deeply disturbing. It is an experience marked by the violent separation of Peoples from the land, the separation of families, and the separation of individuals from traditional ways of life — all of which has culminated in a spiritual separation that has had an enduring impact on generations of Indigenous children. As a result of this colonial legacy, too many communities today lack access to the basic determinants of health — income, employment, education, a safe environment, health services — leading to a mental health and youth suicide crisis on a global scale. But, Talaga reminds us, First Peoples also share a history of resistance, resilience, and civil rights activism.

Based on her Atkinson Fellowship in Public Policy series, All Our Relations is a powerful call for action, justice, and a better, more equitable world for all Indigenous Peoples.

In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation.

He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.

In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

Finalist for the 2023 Trillium Book Award

The world is desperate for cobalt. It drives the proliferation of digital and clean technologies. But this “demon metal” has a horrific present and a troubled history.

The modern search for cobalt has brought investors back to a small town in Northern Canada, a place called Cobalt. Like the demon metal, this town has a dark and turbulent history. 

The tale of the early-twentieth-century mining rush at Cobalt has been told as a settler’s adventure, but Indigenous people had already been trading in metals from the region for two thousand years. And the events that happened here — the theft of Indigenous lands, the exploitation of a multicultural workforce, and the destruction of the natural environment — established a template for resource extraction that has been exported around the world. 

Charlie Angus reframes the complex and intersectional history of Cobalt within a broader international frame — from the conquistadores to the Western gold rush to the struggles in the Democratic Republic of Congo today. He demonstrates how Cobalt set Canada on its path to become the world’s dominant mining superpower.

A delicately rendered memoir on motherhood, family, and the beauty of the natural world.

In fall 2007, Lynn Thomson experiences a huge life shift. Her teenage son, Yeats, is just beginning high school. Yeats has always struggled against the system, against the pressure to conform. He is a poet at heart: acutely sensitive, highly intelligent, and solitary by nature. Lynn and Yeats have always been close, but after fourteen years as a stay-at-home mom Lynn is going back to work for her husband, Ben, who has just opened his own bookstore.

When Lynn and Yeats take a trip to Vancouver Island, they discover a mutual love of bird watching. Lynn is the only other person Yeats has found who loves nature and watching birds. Plus, she has a car. Lynn describes in wondrous detail the many trips she and Yeats take, from the Wye Marsh and Pelee Island in Ontario, to Vancouver Island in British Columbia, to an ill-fated trip to the Galapagos Islands. The two grow closer with each bird-watching expedition. At the same time, Lynn notices that her son is beginning to pull away — and she must learn to let go.

Birding with Yeats is a delicate, sensitive, and gentle reflection on the unique bond between a mother and son, and the magic that is the natural world.

A timely tale of ownership and loss, loneliness and connection, and a meditation on all the stuff in our lives.

Home staging is an art of erasure. But in some cases—no matter how much clutter you remove, or how many coats of white paint you apply—stains bleed through, and memories rise from the walls like ghosts. Harriet, an elderly poet whose eccentricities have been compounded by years of living alone, must sell her beloved house. Having been recently diagnosed with dementia, she is being moved into a care facility against her wishes. When stagers Eleanor and Jacob are hired for the job, they quickly find themselves immersed in Harriet’s brimming and mysterious world, but as they struggle to help her, their own lives are unravelling.

Keep is a meditation on all the stuff in our lives—from the singular, handcrafted artifact to indelible, mass-produced plastics. As Jenny Haysom excavates the material of our domestic spaces, she centres the people within them and celebrates the power of memory, even when it falters.

The A List edition of Leo McKay’s superb collection. Shortlisted for the Scotiabank Giller Prize, Like This takes you inside small-town Nova Scotia to expose the troubles that lie at its heart.

Set in a fictional town called Albion Mines, (the old name for author Leo McKay's home town of Stellarton), Like This offers a gripping, and at times frightening, look at small-town Nova Scotia life. These superb stories are startling and often disturbing, filled with complexity and power. McKay portrays characters with astonishing depth and dead-on emotional rightness. The world is not fair in these stories. There is pain, abuse, solitude; but somehow there is also hope.

Featuring a new introduction by Scotiabank Giller Prize–winning author Lynn Coady.

The 2025 Massey Lectures delivered by human rights activist and former secretary general of Amnesty International Canada Alex Neve.

Universality is the core promise of the human rights order born out of the devastation of World War II and the Holocaust: these rights extend to everyone, everywhere, at all times, without exception. But the cruel reality is that the word universal also screams of our profound failure to keep the promise. Too often, human rights are applied selectively, withdrawn on the whims of political leaders, or ignored altogether, and the broken promise is palpable in humanity’s darkest moments, not only in violent conflict, but also in the economic, political, and social structures of our fractured world.

This is not universality’s finest hour. At a time of immense global challenges, including the climate crisis, mass atrocities, and the rise of hate, the promise of the Universal Declaration of Human Rights is deeply contested and frayed, even as people demand and embrace their rights as never before.

Weaving together law, history, and stories from decades on the front lines of the struggle for human rights, Alex Neve investigates where we went wrong, how we have progressed, and what we can do to fulfill the promise that human rights are inherent, inalienable, and applicable to all people.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the shortlist of the 2020 Griffin Poetry Prize.

Each year, the best books of poetry published in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

"A piece of paper with writing on it is flat, but when what is written on that paper fills the mind of a reader, it takes off into the wind like a box kite on a windy day," writes Baziju — the shared voice of poets Roo Borson and Kim Maltman. This exquisite, collaboratively written sequence of prose poems, unfolding through rich, delicate imagery, journeys through streets and gardens, houses and temples, cities and countryside, Canada and China. It is a meditation on the way we travel between places and between times, and how words and ideas travel between languages.

Baziju explores the literature of China, from centuries past to the present, exploring, at the same time, the meaning of hope and of home: childhood homes, the homes we grow into, and the homes in our minds. In Lu Xun's classic story "My Old Home," the hero returns from a distant city to the home he left two decades earlier. Hope, he ponders, "is just like the roads of the earth… . [T]o begin with the earth has no roads, but where many people pass, there a road is made."

These sensual, deeply personal prose poems ponder change, loss, friendship, and belonging. In a life in which every detail has significance, the smallest observation grows, and spreads like the branches of wisteria.

The ninth novel in internationally acclaimed author Marie-Claire Blais’s extraordinary Soifs cycle, Songs for Angel is an impassioned interrogation of violence and hate that takes us into the soul of a white supremacist on the verge of a racist attack.

In the penultimate installment of the magnificent and ambitious Soifs cycle, widely regarded as one of the most original and ambitious endeavors ever to be undertaken in contemporary literature, renowned novelist Marie-Claire Blais once again marries the highest artistic standards with the most pressing human and political concerns. Revisiting figures from the previous novels in a swirling fresco of more than a hundred characters, Blais also takes us into the soul of “the Young Man,” a white supremacist preparing to attack a Black church and murder its entire congregation. This is an extraordinary portrait of the times that jostles and discomboluates the reader while inviting us to see the world in all its injustice and distress, but also its promise and beauty. Songs for Angel reminds us that Blais is a writer who never ceases to situate us in the world and the roles we play in it, and that reading her is always an unforgettable human experience.

In 1907, the fifteen-year-old French-Canadian Ernest Dufault left his home in Quebec for Montana, where he was promptly arrested as a cattle thief. As a prisoner of the state of Nevada, he passed himself off as an American cowboy named Will James. Over the next few decades, Dufault, a.k.a. James, would flourish as a cowboy and horsebreaker and go on to become an artist, a soldier, a Hollywood stuntman, and a bestselling author of award-winning westerns — and his own false memoir. The Quebecer was so successful a pretender that he was later inducted into the Hall of Great Westerners, and his estranged wife, Alice Conradt, would only learn his true identity when, at the age of fifty, Will James died and left his estate to a man she had never heard of: one Ernest Dufault.

In Benediction, Olivier Dufault recreates the true story of his distant relative Ernest’s incarceration in a Nevada prison and his subsequent reinvention as “Will James.” Relying on authentic historical materials, including letters, telegrams, and court documents, as much as his own imagination, Olivier Dufault’s magnificent novel is a posthumous benediction of an exceptional American life in which truth and lies walk side by side.

The new collection from Governor General’s Literary Award–winning poet and translator Erín Moure is a book about tenderness, and about The Good, in the face of destruction.

The Elements is a family book, a thinker’s biography in poetry, and a polylingual homage. Poems about and for Moure’s late father — accepting his dementia as a real way of thinking “world” and “self” in a struggle against invasive powers — are braced alongside poems invoking the struggle of Galician peasants against the invasion of the armies of Napoleon. It is a book about tenderness, and about The Good, in the face of destructions. By celebrating our ability to think and to revolt, it defends the human pull toward happiness and sovereignty, toward life, toward living. “The infinitely transmissible,” it says, “demands this polyvalent body.”

Naked under a tattered shower curtain, fifteen-year old Tracey Berkowitz has been sitting in the back of a bus for two days, looking for her brother, Sonny, who thinks he is a dog. Tracey's stories begin to twist and intertwine truth with lies, absorbing the reader into the games and delusions she uses to escape her despair.

The Tracey Fragments is a raw, moving account that immerses the reader into the labyrinth of a troubled, adolescent psyche, full of twists and turns, fear and uncertainty, trust and betrayal.

Maureen Medved adapted her novel into a film screenplay that was directed by acclaimed filmmaker Bruce McDonald. At the Berlin Film Festival in early 2007, the motion picture won the Manfred Salzgeber Prize for an innovative film that broadens the boundaries of cinema.

In the tradition of Daniel Levitin’s This Is Your Brain on Music and Oliver Sacks’ Musicophilia, Bad Singer follows the delightful journey of Tim Falconer as he tries to overcome tone deafness — and along the way discovers what we’re really hearing when we listen to music.

Tim Falconer, a self-confessed “bad singer,” always wanted to make music, but soon after he starts singing lessons, he discovers that he’s part of only 2.5 percent of the population afflicted with amusia — in other words, he is scientifically tone-deaf.

Bad Singer chronicles his quest to understand human evolution and music, the brain science behind tone-deafness, his search for ways to retrain the adult brain, and his investigation into what we really hear when we listen to music. In an effort to learn more about his brain disorder, he goes to a series of labs where the scientists who test him are as fascinated with him as he is with them. He also sets out to understand why we love music and deconstructs what we really hear when we listen to it. And he unlocks the secret that helps explain why music has such emotional power over us.

Winner of the Trillium Book Award for Poetry

In Intruder, acclaimed poet Bardia Sinaee explores with vivid and precise language themes of encroachment in contemporary life.

Bemused and droll, paranoid and demagogic, Sinaee’s much-anticipated debut collection presents a world beset by precarity, illness, and human sprawl. Anxiety, hospitalization, and body paranoia recur in the poems’ imagery — Sinaee went through two-and-a-half years of chemotherapy in his mid-twenties, documented in the vertiginous multipart prose poem “Twelve Storeys” — making Intruder a book that seems especially timely, notably in the dreamlike, minimalist sequence “Half-Life,” written during the lockdown in Toronto in spring 2020.

Progressing from plain-spoken dispatches about city life to lucid nightmares of the calamities of history, the poems in Intruder ultimately grapple with, and even embrace, the daily undertaking of living through whatever the hell it is we’re living through.

First published in 1970, The Honeyman Festival chronicles one night in the life of Minn Burge, a woman in her mid-thirties who is torn between affection for her family and the need for a life in which impulse and intelligence can once again find play.

Pregnant with her fourth child, and unable to take refuge in facile resolutions, Minn interrogates her life with a razor-edge passion in which many readers will find they too are involved.

This groundbreaking novel by one of Canada’s most beloved novelists is now available in a beautifully packaged A List edition, featuring an introduction by novelist and short story writer Caroline Adderson.

In the latest thrilling novel in the Ava Lee series, Ava launches an investigation into a fraudulent investment scheme that sends her around the globe on the trail of illegal diamonds, drug smuggling, and offshore banking.

Ava and Pang Fai are in Toronto to attend a party at the home of Ava’s mother, Jennie Lee. When Ava’s best friend, Mimi, fails to appear, Ava goes looking for her. She finds Mimi at home, distraught over the death of her father, who has taken his own life after losing the family’s savings in a fraudulent investment scheme. Moved to avenge this tragedy and recover the stolen money, Ava launches an investigation that takes her to cities on three continents.

As she tracks the money, Ava is thrust into the underworld of illegal diamond trading, international drug smuggling, and the world’s most secretive offshore banking haven. Along the way, a number of Ava’s old friends offer their assistance—from her business partner, May Ling Wong, to her ge ge, the Mountain Master of Shanghai, Xu. Most poignant of all, Ava is visited in her dreams by Uncle, who offers her much-needed guidance as she confronts a new face of power and corruption.

The prestigious and highly anticipated annual anthology of the best Canadian and international poetry from the 2022 Griffin Poetry Prize shortlist.

Each year, the best books of poetry published in Canada and internationally in English are honoured with the Griffin Poetry Prize, one of the world’s richest literary awards. Since 2001, this annual prize has spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets.The Griffin Poetry Prize Anthology features the work of extraordinary poets shortlisted for the awards and introduces us to some of the finest poems from their collections.

Featuring works from shortlisted poets Sharon Dolin, Gemma Gorga, Douglas Kearney, Ali Kinsella, Dzvinia Orlowsky, Natalka Bilotserkivets, Ed Roberson, David Bradford, Liz Howard, and Tolu Oloruntoba.

A poet and journalist looks back on a remarkable journey from Turkey to Nepal in 1978, when the region was on the brink of massive transformation.
In the spring of 1978, at age twenty-two, Mark Abley put aside his studies at Oxford and set off with a friend on a three-month trek across the celebrated Hippie Trail — a sprawling route between Europe and South Asia, peppered with Western bohemians and vagabonds. It was a time when the Shah of Iran still reigned supreme, Afghanistan lay at peace, and city streets from Turkey to India teemed with unrest. Within a year, many of the places he visited would become inaccessible to foreign travellers.
Drawing from the tattered notebooks he filled as a youthful wanderer, Abley brings his kaleidoscope of experiences back to life with vivid detail: dancing in a Turkish disco, clambering across a glacier in Kashmir, travelling by train among Baluchi tribesmen who smuggled kitchen appliances over international borders. He also reflects on the impact of the Hippie Trail and the illusions of those who journeyed along it. The lively immediacy of Abley’s journals combined with the measured wisdom of his mature, contemporary voice provides rich insight, bringing vibrant witness and historical perspective to this beautifully written portrait of a region during a time of irrevocable change.

A muscle’s “twitch force” is a measurement of its energy potential. It’s history dependent: you can forget it, but it’s engraved on you where you can’t see it, and all it wants to do is repeat. Scotiabank Giller Prize winner Michael Redhill’s first collection of poetry in eighteen years, Twitch Force has a gnomic, satirical, and lucid intelligence. In “Ingredients,” heredity’s recipe is told via short-form family narrative; in “My Arrangements,” a stolen laptop battery leads to an encounter with the Israeli Olympic women’s beach volleyball team; while in “The Women,” human beauty is parsed down to the level of chromosomes: “I’m beautiful; I have my mother’s feet. The women who change into men are beautiful men who were once beautiful women.”

This is poetry concerned with love and its loss, despair and hard-won hope, knowledge and essential mystery, aging and timelessness. Readers are cautioned: ideas that present as self-explanatory may be closer than they appear. Twitch Force is a stunningly realized return to the form from one of Canada’s bravest and most original poets.

Now more relevant than ever, Ronald Wright’s #1 national bestseller, A Short History of Progress. The fifteenth anniversary edition includes a new introduction warning of the accelerating patterns of progress and disaster.

Each time history repeats itself, so it’s said, the price goes up. The twentieth century was a time of runaway growth in human population, consumption, and technology, placing a colossal load on all natural systems, especially earth, air, and water — the very elements of life. The most urgent questions of the twenty-first century are: Where will this growth lead? Can it be consolidated or sustained? And what kind of world is our present bequeathing to our future?

In his #1 national bestseller A Short History of Progress Ronald Wright argues that our modern predicament is as old as civilization, a 10,000-year experiment we have participated in but seldom controlled. Only by understanding the patterns of triumph and disaster that humanity has repeated around the world since the Stone Age can we recognize the experiment’s inherent dangers, and, with luck and wisdom, shape its outcome. In his new introduction to the fifteenth anniversary edition, Wright looks at the past fifteen years of human innovation — and asks whether we can still get the future right.

A humorous and vivid collection of stories about the struggle for human connection by two-time Scotiabank Giller Prize nominee Russell Wangersky.

As entertaining as they are insightful, the stories in The Path of Most Resistance are anchored by the concept of passive aggression in our everyday lives: ordinary people who are quietly, desperately, and indirectly trying to impose their will on the uncaring world around them. From a woman who compulsively shops for luggage in order to sublimate her desire for a divorce to a senior citizen who tries to force his family to visit by refusing to eat, the characters in this collection try to change their lives through oblique resistance.

The Path of Most Resistance is an observant and compassionate look at the feelings of powerlessness that we all share, and will have readers silently cringing and nodding in recognition of their own bad behaviour.

From the award-winning and bestselling author of Bear, an atmospheric novel set in the Mediterranean where it is discovered that she who travels alone does not necessarily travel best.

Originally published in 1973, Monodromos is one of Marian Engel’s most accomplished novels — intensely readable, sensitive, and assured. Its story concerns Audrey Moore, a thirty-six-year-old woman who travels to Cyprus, the island once sacred to Aphrodite. Staying with her estranged husband, a has-been concert pianist, Audrey is troubled by memories of her past as she attempts to fathom the rich cultural confusion of a place that has changed hands a hundred times since Cleopatra presented it to Anthony. Her deepening involvement with island life, with a lover and a circle of expatriates, artists, and doubtful acquaintances, provide many insights, but she also has a sense that this place, for her, is a one-way street — monodromos in Greek.

Enough small talk. Let’s get right to it: Why can’t we talk to each other anymore? What makes good communication? And how do we restore the lost art of conversation?

In contemporary society, much of our communication exists in a new dimension, the online space, and it’s changing how we regard each other and how we converse. In the digital realm, we can be anonymous, we can make false and hurtful comments yet evade consequences in a hurried scroll of clicks and swipes. But a good conversation takes time and patience, courage, even. We need to realize that one-half of our conversations is, in fact, listening. And aren't the best conversationalists—like the best musicians—good listeners?

With What I Mean to Say, award-winning novelist and poet Ian Williams seeks to ignite a conversation about conversation, to confront the deterioration of civic and civil discourse, and to reconsider the act of conversing as the sincere, open exchange of thoughts and feelings. Alternately serious and playful, Williams nimbly leaps between topics of discussion and, along the way, is discursive, digressive, and endlessly generous—like any great conversationalist.

The 2011 CBC Massey Lectures celebrates fifty years with bestselling author, essayist, cultural observer, and famed New Yorker contributor Adam Gopnik, whose subject is winter -- the season, the space, the cycle.

Gopnik takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists, and thinkers, who helped shape a new and modern idea of winter. Here we learn how a poem by William Cowper heralds the arrival of the middle class; how snow science leads to existential questions of God and our place in the world; how the race to the poles marks the human drive to imprint meaning on a blank space. Gopnik’s kaleidoscopic work ends in the present day, when he traverses the underground city in Montreal, pondering the future of Northern culture.

 A stunningly beautiful meditation buoyed by Gopnik’s trademark gentle wit, Winter is at once an enchanting homage to an idea of a season and a captivating journey through the modern imagination. This deluxe 50th anniversary edition includes full-colour images printed on two 8-page inserts.

The Good Body is a triumphant blend of mordant humour and heartbreak. It tells the comic and poignant story of a retired pro-hockey ruffian named Bobby Bonaduce who is stubbornly ignoring a disease - multiple sclerosis - that may be killing him. Bobby returns to his hometown and scams his way into university in a misguided attempt to redeem his messy past and lay emotional claim to a son he abandoned twenty years earlier.

With this terrific novel, Bill Gaston demonstrates yet again that he is "a writer of great empathy, capable it seems of getting beneath the skin of anybody." (2002 Giller Prize jury)

The twenty-fourth semi-annual Munk Debate, held on May 9, 2019, pits former Assistant to the President for National Security Affairs H. R. McMaster and Director for Chinese Strategy at the D.C.-based Hudson Institute think tank Michael Pillsbury against former President of the United Nations Security Council Kishore Mahbubani and president of one of China’s top independent think tanks, the Center for China Globalization, Huiyao Wang to debate the threat of China to the liberal international order.

Increasingly in the West, China is being characterized as a threat to the liberal international order, one that must be overcome through economic, political, technological, and even military means. For those who believe that the policies of the Chinese Communist Party pose a threat to free and open societies, the U.S. and like-minded nations must band together to preserve a rules-based international order. For others, this approach spells disaster; it ignores the history and dynamics propelling China’s rise to superpower status. Rather than threatening the post-war order, China is its best, and maybe only, guarantor in an era of declining U.S. leadership, increased regional instability, and slowing global growth.

A taut tale of female friendship and betrayal.

Set between the 1970s and 2010, I Never Said That I Was Brave examines the complicated relationship between two women as they navigate a culture vastly different from their parents’. Motivated by guilt and confusion, the unnamed narrator recounts the shifting dynamics of her lifelong friendship with Miriam, a charismatic astrophysicist who focuses on dark matter. As childhood immigrants to Canada from Uganda, the girls are able to assimilate (though not always easily). In adulthood, they chafe against the deeply held traditions and expectations of their South Asian community and their own internalized beliefs about women.

As the narrator follows her memories on their unpredictable and unreliable paths, the reader is taken along on a devastating journey, one which blurs distinctions between right and wrong, victim and manipulator, life and death.

How should the West deal with Putin’s Russia? For the U.S. and some European powers the answer is obvious: isolate Russia with punishing economic sanctions, remove it from global institutions such as the G8, and arm the nations directly threatened by Putin. In short, return to the Cold War doctrine that froze Soviet aggression in Europe and helped bring about the collapse of communist Russia. Others argue that such a policy is a dead end. Putin’s Russia has legitimate grievances against Western and NATO powers meddling in its sphere of influence. Instead of further antagonizing Putin and risking a dangerous escalation of the current conflict, the U.S. and Europe should seek common cause with Russia to address shared threats, from the Middle East to Asia to combatting terrorism.

In the fifteenth semi-annual Munk Debate, acclaimed academic Stephen F. Cohen and veteran journalist and bestselling author Vladimir Poznar square off against internationally renowned expert on Russian history Anne Applebaum and Russian-born political dissident Garry Kasparov to debate the future of the West’s relationship with Russia.

John Mighton’s revolutionary JUMP at Home: Grade 4 workbook, now available as a PDF for the first time for at-home learning.

“John Mighton’s JUMP program has demonstrated powerfully that, with the right instruction, no one need be left behind in math.” — New York Times

John Mighton's innovative JUMP (Junior Undiscovered Math Prodigies) Math program is changing the way math is taught. With these workbooks, parents and caregivers can bring the JUMP program home to keep children learning.

The key to the enormous success of the program is a step-by-step teaching method that isolates and describes concepts so clearly that children can not only understand them, but also build up great confidence in themselves and their ability.

This workbook includes an introduction that clearly explains the thinking behind the program and follows the carefully designed worksheets used by JUMP tutors and classroom teachers.

Royalties from the sales of the JUMP workbooks are donated to the JUMP organization.

An entrancing novel about a wellness retreat on a remote Greek island hosted by a celebrity guru who is more than meets the eye.

On a flight to New York at the end of her first book tour, up-and-coming writer Agnes Oliver meets Jack Verity, the handsome filmmaker and ex-husband of Geia Stone, a famous actress turned wellness guru, whose popular lifestyle brand Goddess™ promotes controversial therapies and expensive beauty tools in the name of self-care and inner nourishment. Jack invites Agnes to a party in the Hamptons, where she meets Geia and finds herself welcomed into the guru’s inner circle.

That summer, Geia arranges for Agnes to attend the Goddess™ Summit, an exclusive wellness retreat held on a remote Greek island. There, Agnes observes many strange happenings she can’t explain, as one by one the other guests seem to fall under the spell of their enchanting host. When Agnes begins to discover who Geia really is, she realizes it’s up to her to protect the other women at the summit from an unexpected and unwelcome fate.

A propulsive and captivating story about beauty and influence, self-doubt and seduction, Goddess is an electrifying new novel from a talented writer to watch.

The twenty-third semi-annual Munk Debate, held on November 2, 2018, pits Stephen Bannon, the CEO of the Donald Trump presidential campaign, against columnist and author David Frum to debate the future of liberalism against the rising tide of populism.

Throughout the Western world, politics is undergoing a sea-change. Long-held notions of the role of government, trade and economic policy, foreign policy, and immigration are being challenged by populist thinkers and movements. Does this surging populist agenda in Western nations signal a permanent shift in our politics? Or is it a passing phenomenon that will remain at the fringes of society and political power? Will our politics continue to be shaped by the post-war consensus on trade, inclusive national identity, and globalization, or by the agenda of insurgent populist politics, parties, and leaders?

The twenty-third semi-annual Munk Debate pits former Donald Trump advisor Stephen K. Bannon against columnist and public intellectual David Frum to debate the future of the liberal political order.

A groundbreaking, insightful book about women and power from award-winning journalist Lauren McKeon, which shows how women are disrupting the standard (very male) vision of power, ditching convention, and building a more equitable world for everyone.

In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they’ll have to work twice as hard, be told to “play nice,” and face countless double standards that curb their personal, political, and economic power. Women today remain a surprisingly, depressingly long way from gender and racial equality. It’s worth asking: Why do we keep playing a game we were never meant to win?

Award-winning journalist and author of F-Bomb: Dispatches from the War on Feminism, Lauren McKeon examines the many ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage. In doing so, she reveals why we need more than parity, visible diversity, and lone female CEOs to change this power game. She talks to people doing power differently in a variety of sectors and uncovers new models of power. And as the toxic, divisive, and hyper-masculine style of leadership gains ground, she underscores why it’s time to stop playing by the rules of a rigged game.

Ruth Ware meets Shari Lapena in this internationally bestselling psychological thriller about the inescapable pull of destiny and revenge.

Norah Richter has recently moved from Berlin to Vienna, hoping to put her old life behind her. While walking to her new office one morning, Norah is approached by an elderly woman who utters these chilling words:

On the eleventh of February, you will kill a man called Arthur Grimm …

With good reason. And of your own free will.

Norah is unnerved — many years earlier, something terrible happened to her on February 11 — but she chooses to shrug off the encounter as mere coincidence, until a few days later when she meets a man named Arthur Grimm.

Soon Norah begins to have a dreadful suspicion: Does she have a good reason to hate this man she’s never met? Could he be responsible for the tragic event in her past? And can Norah make sure that justice is done without committing murder?

For the first time in history, will it be better to be a woman than a man in the upcoming century? The twelfth semi-annual Munk Debate pits Hanna Rosin and Maureen Dowd against Caitlin Moran and Camille Paglia to debate one of the biggest socio-economic phenomena of our time — the relative decline of the power and status of men in the workplace, in the family, and society at large.

Men have traditionally been the dominant sex. But now, for the first time, a host of indicators suggests that women not only are achieving equality with men, but are fast emerging as the more successful sex of the species. Whether in education, employment, personal health, or child rearing, statistics point to a rise in the status and power of women at home, in the workplace, and in traditional male bastions such as politics. But are men, and the age-old power structures associated with “maleness,” permanently in decline?

In this edition of the Munk Debates — Canada’s premier debate series — renowned author and editor Hanna Rosin and Pulitzer Prize–winning columnist Maureen Dowd square off against New York Times–bestselling author Caitlin Moran and academic trailblazer Camille Paglia to debate the future of men.

With women increasingly demonstrating their ability to “have it all” while men lag behind, the Munk Debate on gender tackles the essential socio-economic question: Are men obsolete?

In the latest installment of the Ava Lee novels, Ava must infiltrate the seedy world of the Chinese film industry to protect the woman she loves.

Ava travels to Beijing for the premiere of Mao’s Daughter, the latest film starring her secret lover, Pang Fai. After the screening, a distraught Fai tells Ava that she is being blackmailed by senior officials of the China Movie Syndicate, who seek sexual favours in return for their continued support of Fai’s career and films. When Fai resists, the threats become increasingly menacing and include the release of scandalous videos of the young Fai that could end her career entirely.

Working alongside Fai and several of her friends, Ava delves deep into the dark side of the Chinese film industry in an attempt to liberate her lover from the grasp of the Syndicate. But can Ava save Fai from her memories?

Here is inventive new poetry from one of our most original and admired poets: Erin Moure, two-time winner of the Governor General's Literary Award for Poetry, winner of the Pat Lowther Memorial Award, and a finalist for the prestigious Griffin Poetry Prize.

Moure's brilliant collection explores the idea that the act of reading contains all the experiences of the body itself: love, splendour, travel, doubling, loss. The "resplandor" of the title refers to the radiance of the body when the language of the book flows into ears and eyes. In unexpected ways -- through impossible translation, anachronistic journeys, and a fictional mystery that involves a search for a translator who exists only in the future beyond the book itself - O Resplandor confounds notions of authorship and translation, all while conveying the clamour over love and loss. Richly challenging and charged with Erin Moure's distinctive energy, O Resplandor is a work about the powerful light contained in the human body, in translation, and in poetry - even as it shows how these are all one and the same in the end: inventions.

The definitive guide to fighting coronaviruses, colds, flus, pandemics, and deadly diseases, from one of North America’s leading public health authorities, now updated with a new introduction on protecting yourself and others from COVID-19.

Dr. Bonnie Henry, a leading epidemiologist (microbe hunter) and public health doctor at the forefront of the fight against the worldwide COVID-19 coronavirus outbreak, has spent the better part of the last three decades chasing bugs all over the world — from Ebola in Uganda to polio in Pakistan, SARS in Toronto, and the H1N1 influenza outbreak across North America. Now she offers three simple rules to live by: wash your hands, cover your mouth when you cough, and stay at home when you have a fever.

From viruses to bacteria to parasites and fungi, Dr. Henry takes us on a tour through the halls of Microbes Inc., providing up-to-date and accurate information on everything from the bugs we breathe, to the bugs we eat and drink, the bugs in our backyard, and beyond. Urgent and informative, Soap and Water & Common Sense is the definitive guide to staying healthy in a germ-filled world.

Now available in paperback, an insightful exploration and moving meditation on identity, art, and belonging from one of the most celebrated writers of the last decade.
What happens when we begin to consider stories at the margins, when we grant them centrality? How does that complicate our certainties about who we are, as individuals, as nations, as human beings? Through the lens of visual art, literature, film, and the author’s lived experience, Out of the Sun examines Black histories in art, offering new perspectives to challenge us.
In this groundbreaking, reflective, and erudite book, two-time Scotiabank Giller Prize winner and internationally bestselling author Esi Edugyan illuminates myriad varieties of Black experience in global culture and history. Edugyan combines storytelling with analyses of contemporary events and her own personal story in this dazzling first major work of non-fiction.

The Polymers is a bold new work from one of our most ambitious poetic minds. Structured as an imaginary science project, the varied pieces in this collection investigate the intersection of poetry and chemicals, specifically plastics, attempting to understand their essential role in culture. Through various procedures, constraints, and formal mutations, the poems express the repeating structures fundamental to plastic molecules as they appear in cultural and linguistic behaviours such as arguments, anxieties, and trends.

A wildly experimental and chemically reactive work, The Polymers thrills and provokes. You’ll never look at the world of a poem — or the world itself — in the same way again.

Winner of the Griffin Poetry Prize and shortlisted for the Trillium Book Award

Marooned in the shiftless, unnamed space between a map of the world and a world of false maps, the poems in Methodist Hatchet cling to what’s necessary from each, while attempting to sing their own bewilderment. Carolinian forest echoes back as construction cranes in an urban skyline. Second Life returns as wildlife, as childhood. Even the poem itself -- the idea of a poem -- as a unit of understanding is shadowed by a great unknowing.

Fearless in its language, its trajectories and frames of reference, Methodist Hatchet gazes upon the objects of its attention until they rattle and exude their auras of strangeness. It is this strangeness, this mysterious stillness, that is the big heart of Ken Babstock’s playful, fierce, intelligent book.

From award-winning playwright and filmmaker Jordan Tannahill comes a masterful and moving novel in the tradition of Ben Lerner’s Leaving the Atocha Station and Sheila Heti’s How Should a Person Be.

At 11:04 a.m. on January 21st, 2017, Jordan opens the door to his mother’s bedroom. As his eyes adjust to the half-light, he finds her lying in bed, eyes closed and mouth agape. In that instant he cannot tell whether she is asleep or dead. The sight of his mother's body, caught between these two possibilities, causes Jordan to plunge headlong into the uncertain depths of consciousness itself.

From androids to cannibals to sex clubs, an unforgettable personal odyssey emerges, populated by a cast of sublime outsiders in search for the ever-elusive nature of self. Part ontological thriller, part millennial saga, Liminal is a riotous and moving portrait of a young man in volatile times, a generation caught in suspended animation, and a son’s enduring love for his mother.

The water slurps my shoulders, torso, and back in a big, wet kiss, bending my image into an ironic clone of the truth. I bow to its dominance and let it break me open. The water alone will have me.

Watched obsessively by her guru-like coach, a nameless swimmer battles the element of water in a gruelling physical regimen. Outside of training, she floats loose in waters murky, salty, and chlorinated, engaging in aimless self-destruction, restraint looming just beyond her drifting hand. Incrementally, swimming is killing her; the pool is killing her. Hovering always nearby is a prickly vulture, waiting to feed on the swimmer’s remains …

Intense and immersive, Kiss the Undertow is a psychologically gripping account of endurance pushed to extremes. 

Shortlisted for the Kobzar Literary Award.

The Unmemntioable joins letters that should not be joined. There is, in this word, an act of force. Of devastation. The unmentionable is love, of course. But in Moure's poems, love is bound to a duty: to comprehend what it was that the immigrants would not speak of. Now they are dead; their children and grandchildren know but an anecdotal pastiche of Ukrainian history. On Saskatoon Mountain in Alberta where they settled, only the chatter of the leaves remains of their presence. What was not spoken is sealed over, unmemntioable. There is no one left to contact in the Old Country. Can the unmemntioable retain its silence, yet be eased into words? Can experience still be spoken?