Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
John Lahr
Coward the Playwright
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In five dexterously argued chapters, John Lahr investigates all the major plays and many of Noël Coward's lesser-known pieces. Hay Fever, Private Lives, and Design for Living, for instance, make a fascinating group of "Comedies of Bad Manners." Blithe Spirit and Relative Values raise the "Ghost in the Fun Machine." And Lahr explores the "politics of charm" oozing through The Vortex, Easy Virtue, and Present Laughter. Further chapters consider the patriotic plays like Cavalcade and This Happy Breed and examples of Coward's later work, such as Waiting in the Wings and A Song at Twilight.
In all Coward's stage work, Lahr detects a coherent philosophy in which charm is both the subject of Coward's comedies and the trap that makes his very public life a perpetual performance.
B. P. Reardon
Collected Ancient Greek Novels
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Prose fiction, although not always associated with classical antiquity, did in fact flourish in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure to which they are related. Popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s excellent volume.
Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: ideal romance, travel adventure, historical fiction, and comic parody. A new foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.
Samuel Pepys
The Diary of Samuel Pepys, Vol. 8
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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
Luigi Luca Cavalli-Sforza
Genes, Peoples, and Languages
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Luigi Luca Cavalli-Sforza was among the first to ask whether the genes of modern populations contain a historical record of the human species. Cavalli-Sforza and others have answered this question—anticipated by Darwin—with a decisive yes. Genes, Peoples, and Languages comprises five lectures that serve as a summation of the author's work over several decades, the goal of which has been nothing less than tracking the past hundred thousand years of human evolution.
Cavalli-Sforza raises questions that have serious political, social, and scientific import: When and where did we evolve? How have human societies spread across the continents? How have cultural innovations affected the growth and spread of populations? What is the connection between genes and languages? Always provocative and often astonishing, Cavalli-Sforza explains why there is no genetic basis for racial classification.
Don Gifford
Ulysses Annotated
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Don Gifford's annotations to Joyce's great modern classic comprise a specialized encyclopedia that will inform any reading of Ulysses. The suggestive potential of minor details was enormously fascinating to Joyce, and the precision of his use of detail is a most important aspect of his literary method. The annotations in this volume illuminate details which are not in the public realm for most of us.
The annotations gloss place names, define slang terms, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, trace literary allusions and references to other cultures. Annotations are keyed not only to the reading text of the critical edition of Ulysses, but to the standard 1961 Random House edition, and the current Modern Library and Vintage texts.
George Russell
Piers Plowman
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This definitive and long-awaited edition of the C Version of Piers Plowman now joins the California editions of the A and B Versions to complete the set of Piers Plowman texts prepared under the general editorship of George Kane. Piers Plowman is the single most important Middle English poem, with the exception of Chaucer's Canterbury Tales. The forty-eight extant manuscripts of the poem are classified in three main versions: A, the earliest, written about 1362; B, a longer revision, written about 1378; and C, the most finished and public form, written about 1394. The basis of this edition is the text in Huntingon Library MS 143, corrected and restored from the evidence of all known manuscripts of the C tradition to that of the first fair copy of the poet's revision materials. The correction and restoration are described in an extensive introduction, and there is a full apparatus of variant readings. Two appendices cover excluded lines and passages and the Ilchester Prologue.
Jerome Rothenberg
Symposium of the Whole
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Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions.
In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion.
Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”
Samuel Pepys
The Diary of Samuel Pepys, Vol. 3
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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
Dorothee E. Kocks
Dream a Little
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In this innovative and exciting synthesis of historical analysis, literary criticism, and personal essay, Dorothee E. Kocks explores the links between place and political ideals in the twentieth century, focusing in particular on the iconography of the American West. Dream a Little explores the American tradition of using the land to reveal and elaborate our dreams for social justice.
Writing with a novelist's sensitivity toward language, Kocks explores the idea that Americans have historically looked to the land for answers to society's problems. To illustrate this point, she shows that the frontier state with its homestead program was actually the predecessor of the modern welfare state. Instead of money, the federal government gave away land. Kocks shows how we have "forgotten" the politics and history behind this giveaway and unravels the significance of this forgetting for our national consciousness.
In the second half of the book, Kocks journeys into three symbolic landscapes: the West, the family farm, and the small community. She looks at these landscapes through the eyes of writers Mari Sandoz and Josephine Johnson, and civil rights activist Ella Baker. Interweaving her own life experiences in this analysis, she traces the relationship between geography and democracy, and of the hopes we attach to the West.
William Buck
Mahabharata
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Few works in world literature have inspired so vast an audience, in nations with radically different languages and cultures, as the Ramayana and Mahabharata, two Sanskrit verse epics written some 2,000 years ago.
In Ramayana (written by a poet known to us as Valmiki), William Buck has retold the story of Prince Rama—with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil—in a length and manner that will make the great Indian epics accessible to the contemporary reader.
The same is true for the Mahabharata—in its original Sanskrit, probably the longest Indian epic ever composed. It is the story of a dynastic struggle, between the Kurus and Pandavas, for land. In his introduction, Sanskritist B. A. van Nooten notes, "Apart from William Buck’s rendition [no other English version has] been able to capture the blend of religion and martial spirit that pervades the original epic."
Presented accessibly for the general reader without compromising the spirit and lyricism of the originals, William Buck’s Ramayana and Mahabharata capture the essence of the Indian cultural heritage.
Mark Collier
How to Read Egyptian Hieroglyphs
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Hieroglyphs are pictures used as signs in writing. When standing before an ancient tablet in a museum or visiting an Egyptian monument, we marvel at this unique writing and puzzle over its meaning. Now, with the help of Egyptologists Mark Collier and Bill Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt.
Collier and Manley's novel approach is informed by years of experience teaching Egyptian hieroglyphs to non-specialists. Using attractive drawings of actual inscriptions displayed in the British Museum, they concentrate on the kind of hieroglyphs readers might encounter in other collections, especially funerary writings and tomb scenes. Each chapter introduces a new aspect of hieroglyphic script or Middle Egyptian grammar and encourages acquisition of reading skills with practical exercises.
The texts offer insights into the daily experiences of their ancient authors and touch on topics ranging from pharaonic administration to family life to the Egyptian way of death. With this book as a guide, one can enjoy a whole new experience in understanding Egyptian art and artifacts around the world.
Lesley B. Simpson
The Poem of the Cid
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Students of Spanish literature have long been familiar with this eight-hundred-year-old epic detailing the legendary exploits of the soldier-adventurer Ruy Díaz of Bivar, El Cid, and of his part in the long struggle between Christianity and Islam. The epic poem recounts the adventures of the Cid; of his peerless steed, Babieca, and of his two famous swords, Colada and Tizón; of his wife, Doña Ximena, and his two daughters, Doña Elvira and Doña Sol, who found sanctuary with Abbot Don Sancho in the monastery of San Pedro de Cardeña during the Cid's exile; and of the despicable and black-hearted princes of Carrión, Diego and Fernando González.
Samuel Pepys
The Diary of Samuel Pepys, Vol. 11
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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
Samuel Pepys
The Diary of Samuel Pepys, Vol. 6
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$31.95
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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
Samuel Pepys
The Diary of Samuel Pepys, Vol. 1
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Samuel Pepys is as much a paragon of literature as Chaucer and Shakespeare. His Diary is one of the principal sources for many aspects of the history of its period. In spite of its significance, all previous editions were inadequately edited and suffered from a number of omissions—until Robert Latham and William Matthews went back to the 300-year-old original manuscript and deciphered each passage and phrase, no matter how obscure or indiscreet.
The Diary deals with some of the most dramatic events in English history. Pepys witnessed the London Fire, the Great Plague, the Restoration of Charles II, and the Dutch Wars. He was a patron of the arts, having himself composed many delightful songs and participated in the artistic life of London. His flair for gossip and detail reveals a portrait of the times that rivals the most swashbuckling and romantic historical novels. In none of the earlier versions was there a reliable, full text, with commentary and notation with any claim to completeness. This edition, first published in 1970, is the first in which the entire diary is printed with systematic comment. This is the only complete edition available; it is as close to Pepys’s original as possible.
James Campbell
Talking at the Gates
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James Baldwin was one of America's finest and most influential writers. By the time he died in 1987, his books, such as The Fire Next Time, Go Tell It on the Mountain, and Giovanni's Room, had become modern classics.
James Campbell knew Baldwin for ten years before Baldwin's death. For this book, he interviewed many of Baldwin's friends and examined several hundred pages of correspondence. He quotes from the vast and disturbing file that the FBI compiled on Baldwin and he discusses Baldwin's sometimes turbulent relationships with Norman Mailer, Richard Wright, and Marlon Brando, as well as his friendship with Martin Luther King Jr. Elegantly written, candid, and original, Talking at the Gates is a comprehensive account of the life and work of a writer who believed that "the unexamined life is not worth living."
Petronius
Satyrica
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Encolpius, a soldier of fortune, despiser of pedantry, lecherous and contrary, and the beautiful Giton, who lives off his charms, are invited to a gargantuan banquet hosted by the prodigal, pompous, newly rich Trimalchio. When the feast turns into a riot, the two, joined by the down-on-his-luck poet Eumolpus, leave town quickly to avoid trouble. So begins the Satyrica, a bizarre odyssey through the carnivalesque landscape of Nero's empire.
The author of the Satyrica, Petronius, had been Nero's intimate and advisor on all matters of artistic taste and elegance but a jealous rival turned Nero against him. No longer enduring "the suspense of fear or of hope," Petronius eluded his former patron by ending his own life. His novel has lived on, preserving for centuries tales of a time when virtue and vice, power and money, human comedy and human cruelty, mixed and melded unpredictably.
The translation is accurate and contemporary. In addition, a chronology, introduction, and commentary offer the reader background on Petronius's social milieu and on the fascinating complexity of his seemingly low-brow novel's poetic structure.
Sappho
Sappho
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These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct--the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.
Thomas Carlyle
Historical Essays
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Thomas Carlyle, renowned nineteenth-century essayist and social critic, came to be thought of as a secular prophet by many of his readers and as the "undoubted head of English letters" by Ralph Waldo Emerson. Historical Essays brings together Carlyle's essays on history and historical subjects in a fully annotated modern edition for the first time. These essays, which were originally collected in Critical and Miscellaneous Essays, span Carlyle's career from 1830 to 1875 and represent a major facet of his writings. This edition uses all the extant authoritative versions of the essays to create an accurate critical text and includes a mine of lucidly presented information to enhance readers' understanding of Carlyle's densely allusive prose.
The collection includes essays on the French Revolution, Cromwell, Frederick the Great, and medieval Scandinavia. It also includes such essential pieces as "On History," "On History Again," "Count Cagliostro," and "The Diamond Necklace." Together the essays show Carlyle positioning himself in relation to the new Romantic historiography but not yet ready to adopt the strictures of modern scientific history. They also exhibit his talent for analyzing the historical significance of seemingly minor events. He describes a plot to steal a diamond necklace in which Marie Antoinette became implicated, a visit of Whig sympathizers to the National Assembly during the French Revolution, and the kidnapping of two fifteenth-century German princes, one of whose descendents was Carlyle’s contemporary Prince Albert.
This volume, the third of the eight-volume Strouse Edition of Carlyle’s works, includes a historical introduction and illustrations along with complete textual apparatus.
Maurizio Bettini
The Portrait of the Lover
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There are a surprising number of stories from antiquity about people who fall in love with statues or paintings, and about lovers who use such visual representations as substitutes for an absent beloved. In a charmingly conversational, witty meditation on this literary theme, Maurizio Bettini moves into a wide-ranging consideration of the relationship between self and image, the nature of love in the ancient world, the role of representation in culture, and more. Drawing on historical events and cultural practices as well as literary works, The Portrait of the Lover is a lucid excursion into the anthropology of the image.
The majority of the stories and poems Bettini examines come from Greek and Roman classical antiquity, but he reaches as far as Petrarch, Da Ponte, and Poe. The stories themselves—ranging from the impassioned to the bizarre, and from the sublime to the hilarious—serve as touchstones for Bettini's evocative explorations of the role of representation in literature and in culture. Although he begins with a consideration of lovers' portraits, Bettini soon broadens his concerns to include the role of shadows, dreams, commemorative statues, statues brought to life, and vengeful statues—in short, an entire range of images that take on a life of their own.
The chapters shift skillfully from one theme to another, touching on the nature of desire, loss, memory, and death. Bettini brings to the discussion of these tales not only a broad learning about cultures but also a delighted sense of wonder and admiration for the evocative power and endless variety of the stories themselves.
James Campbell
This Is the Beat Generation
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Beginning in New York in 1944, James Campbell finds the leading members of what was to become the Beat Generation in the shadows of madness and criminality. Jack Kerouac, Allen Ginsberg, and William Burroughs had each seen the insides of a mental hospital and a prison by the age of thirty. A few months after they met, another member of their circle committed a murder that involved Kerouac and Burroughs as material witnesses.
This book charts the transformation of these experiences into literature, and a literary movement that spread across the globe. From "The First Cut-Up"--the murder in New York in 1944--we end up in Paris in 1960 with William Burroughs at the Beat Hotel, experimenting with the technique that made him notorious, what Campbell calls "The Final Cut-Up."
In between, we move to San Francisco, where Ginsberg gave the first public reading of Howl. We discover Burroughs in Mexico City and Tangiers; the French background to the Beats; the Buddhist influence on Kerouac, Gary Snyder, and others; the "Muses" Herbert Huncke and Neal Cassady; the tortuous history of On the Road; and the black ancestry of the white hipster.
William Buck
Ramayana
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Few works in world literature have inspired so vast an audience, in nations with radically different languages and cultures, as the Ramayana and Mahabharata, two Sanskrit verse epics written some 2,000 years ago.
In Ramayana (written by a poet known to us as Valmiki), William Buck has retold the story of Prince Rama--with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil--in a length and manner that will make the great Indian epics accessible to the contemporary reader.
The same is true for the Mahabharata--in its original Sanskrit, probably the longest Indian epic ever composed. It is the story of a dynastic struggle, between the Kurus and Pandavas, for land. In his introduction, Sanskritist B. A. van Nooten notes, "Apart from William Buck’s rendition [no other English version has] been able to capture the blend of religion and martial spirit that pervades the original epic."
Presented accessibly for the general reader without compromising the spirit and lyricism of the originals, William Buck’s Ramayana and Mahabharata capture the essence of the Indian cultural heritage.
Gunter Gebauer
Mimesis
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Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting meanings of the term. Beginning with the Platonic doctrine of imitation, they chart the concept's appropriation and significance in the aesthetic theories of Aristotle, Molière, Shakespeare, Racine, Diderot, Lessing, and Rousseau. They examine the status of mimesis in the nineteenth-century novel and its reworking by such modern thinkers as Benjamin, Adorno, and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, their work suggests the continuing value of mimetic theory and will prove essential reading for scholars and students of literature, theater, and the visual arts.
Aeschylus
Oresteia
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The most famous series of ancient Greek plays, and the only surviving trilogy, is the Oresteia of Aeschylus, consisting of Agamemnon, Choephoroe, and Eumenides. These three plays recount the murder of Agamemnon by his queen Clytemnestra on his return from Troy with the captive Trojan princess Cassandra; the murder in turn of Clytemnestra by their son Orestes; and Orestes' subsequent pursuit by the Avenging Furies (Eumenides) and eventual absolution.
Hugh Lloyd-Jones's informative notes elucidate the text, and introductions to each play set the trilogy against the background of Greek religion as a whole and Greek tragedy in particular, providing a balanced assessment of Aeschylus's dramatic art.
Carroll F. Terrell
A Companion to The Cantos of Ezra Pound
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The Companion is a major contribution to the literary evaluation of Pound's great, but often bewildering and abstruse work, The Cantos. Available in a one-volume paperback edition for the first time, the Companion brings together in conveniently numbered glosses for each canto the most pertinent details from the vast body of work on the Cantos during the last thirty years. The Companion contains 10,421 separate glosses that include translations from eight languages, identification of all proper names and works, Pound's literary and historical allusions, and other exotica, with exegeses based upon Pound's sources. Also included is a supplementary bibliography of works on Pound, newly updated, and an alphabetized index to The Cantos.
Samuel Pepys
A Pepys Anthology
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Samuel Pepys (1633-1703) is known as the first published diarist. His eleven-volume work, written between 1660 and 1669, was first published in 1825. Ever since, this chronicler of his time has held readers' fascination. The essential anthology of selections from Samuel Pepys's famous diary is finally available in paperback. By collecting passages by subject, it provides a fresh look at some of the themes running through Pepys's massive work. Robert and Linnet Latham's lively presentation shows Pepys the man of fashion, the booklover, the musician and theatergoer as well as Pepys the husband and Pepys the public servant. Through descriptions of the everyday and of historic events like the Fire and the Plague, Pepys's life and times are revealed in all their richness and variety. For fans of the Diary, this work offers the opportunity to rediscover favorite passages; for anyone unfamiliar with Pepys, this anthology serves as a delightful introduction.
Rosemary Marangoly George
The Politics of Home
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The Politics of Home examines the changing representations of "home" in twentieth-century English literature. Examining imperial fiction, contemporary literary and cultural theory, and postcolonial narratives on belonging, exile and immigration, Rosemary Marangoly George argues that literary allegiances are always more complicated than expected and yet curiously visible in textual reformulations of "home." She reads English women's narration of their success in the empire against Joseph Conrad's accounts of colonial masculine failure, R. K. Narayan alongside Frederic Jameson, contemporary Indian women writers as they recycle the rhetoric of the British Romantic poets, Edward Said next to M. G. Vassanji and Jamaica Kincaid, and Conrad through Naipaul and Ishiguro.
Donald Allen
The New American Poetry, 1945-1960
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With more than 100,000 copies sold, The New American Poetry has become one of the most influential anthologies published in the United States since World War II. As one of the first counter-cultural collections of American verse, this volume fits in Robert Lowell's famous definition of the raw in American poetry. Many of the contributors once derided in the mainstream press of the period are now part of the postmodern canon: Olson, Duncan, Creeley, Guest, Ashbery, Ginsberg, Kerouac, Levertov, O'Hara, Snyder, Schuyler, and others. Donald Allen's The New American Poetry delivered the first taste of these remarkable poets, and the book has since become an invaluable historical and cultural record, now available again for a new generation of readers.
Thomas Carlyle
Sartor Resartus
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Sartor Resartus is Thomas Carlyle's most enduring and influential work. First published in serial form in Fraser's Magazine in 1833-1834, it was discovered by the American Transcendentalists. Sponsored by Ralph Waldo Emerson, it was first printed as a book in Boston in 1836 and immediately became the inspiration for the Transcendental movement. The first London trade edition was published in 1838. By the 1840s, largely on the strength of Sartor Resartus, Carlyle became one of the leading literary figures in Britain.
Sartor Resartus became one of the important texts of nineteenth-century English literature, central to the Romantic movement and Victorian culture. At the time of Carlyle's death in 1881, more than 69,000 copies had been sold. The post-Victorian influence continued and extends to writers as diverse as Virginia Woolf and James Joyce, Willa Cather and Ernest Hemingway.
This edition of Sartor Resartus is the first publication of the work that uses all extant versions to create an accurate authorial text. This volume, the second in an eight-volume series, includes a complete textual apparatus as well as a historical introduction and full critical and explanatory annotation.
Christopher Ehret
Reconstructing Proto-Afroasiatic (Proto-Afrasian)
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This work provides the first truly comprehensive and systematic reconstruction of proto-Afroasiatic (proto-Afrasian). It rigorously applies, throughout, the established canon and techniques of the historical-comparative method. It also fully incorporates the most up-to-date evidence from the distinctive African branches of the family, Cushitic, Chadic, and Omotic. Using concrete and specific evidence and argument, the author proposes full vowel and consonant reconstructions and a provisional reckoning of tone. Each aspect of these reconstructions is substantiated in detail in an extensive etymological vocabulary of more than 1000 roots. The results, while confirming some previous views on proto-Afroasiatic (proto-Afrasian), revise or overturn many others, and add much that is new.
Carolyn See
Dreaming
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In this bittersweet and beautifully written memoir, Carolyn See embarks on nothing less than a reevaluation of the American Dream. Although it features a clan in which dysfunction was something of a family tradition, Dreaming is no victim's story. With a wry humor and not a trace of self-pity, See writes of fights and breakups and hard times, but also of celebration and optimism in the face of adversity. The story of See's family speaks for the countless people who reached for the shining American vision, found it eluded their grasp, and then tried to make what they had glitter as best they could.
Simone de Beauvoir
America Day by Day
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Here is the ultimate American road book, one with a perspective unlike that of any other. In January 1947 Simone de Beauvoir landed at La Guardia airport and began a four-month journey that took her from one coast of the United States to the other, and back again. Embraced by the Condé Nast set in a swirl of cocktail parties in New York, where she was hailed as the "prettiest existentialist" by Janet Flanner in The New Yorker, de Beauvoir traveled west by car, train, and Greyhound, immersing herself in the nation's culture, customs, people, and landscape. The detailed diary she kept of her trip became America Day by Day, published in France in 1948 and offered here in a completely new translation. It is one of the most intimate, warm, and compulsively readable texts from the great writer's pen.
Fascinating passages are devoted to Hollywood, the Grand Canyon, New Orleans, Las Vegas, and San Antonio. We see de Beauvoir gambling in a Reno casino, smoking her first marijuana cigarette in the Plaza Hotel, donning raingear to view Niagara Falls, lecturing at Vassar College, and learning firsthand about the Chicago underworld of morphine addicts and petty thieves with her lover Nelson Algren as her guide. This fresh, faithful translation superbly captures the essence of Simone de Beauvoir's distinctive voice. It demonstrates once again why she is one of the most profound, original, and influential writers and thinkers of the twentieth century.
On New York:"I walk between the steep cliffs at the bottom of a canyon where no sun penetrates: it's permeated by a salt smell. Human history is not inscribed on these carefully calibrated buildings: They are closer to prehistoric caves than to the houses of Paris or Rome."
On Los Angeles:"I watch the Mexican dances and eat chili con carne, which takes the roof off my mouth, I drink the tequila and I'm utterly dazed with pleasure."
Peter Nicholls
Modernisms
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The recent enthusiasm for things postmodern has often produced a caricature of Modernism as monolithic and reactionary. Peter Nicholls argues instead that the distinctive feature of Modernism is its diversity. Through a lively analysis of each of Modernism's main literary movements, he explores the connections between the new stylistic developments and the shifting politics of gender and authority.
Nicholls introduces a wealth of literary experimentation, beginning with Baudelaire and Mallarmé and moving forward to the first avant-gardes. Close readings of key texts monitor the explosive histories of Futurism, Expressionism, Cubism, Dada, and Surrealism, histories that allow Anglo-American Modernism to be seen in a strikingly different light. In revealing Modernism's broad and varied terrain, Nicholls evokes the richness of a cultural moment that continues to shape our own.
Jacques Merceron
Le message et sa fiction
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This reappraisal of the role of medieval messengers as "language conveyors" represents the first general survey of messengers, diplomatic envoys, and message scenes in the Medieval French literary corpus (12th- and 13th-century epics, romances, lyric poetry, and fabliaux). The author addresses a variety of issues central to the problematics of literature and culture in the French Middle Ages and beyond, e.g., the conveyance and distortion of oral messages; issues of authentifications, veracity,and falsification or written messages; and issues in writing and reading letters. he also discusses literary fiction as a craft representing a mixed message of truth and lies, and approaches the subject from a multidisciplinary perspective that includes literary analysis, socio-historical studies, and linguistics and communication theories.
Bob Perelman
The Trouble with Genius
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A paradox: Ezra Pound, James Joyce, Gertrude Stein, and Louis Zukofsky all wrote their central works to be "masterpieces," synoptic views of the world that would change the very consciousness of the public. And yet these writings are so hard to read that instead of producing social change, they have produced critical industries dedicated to decoding them.
In new, provocative readings of these demanding authors, Bob Perelman shows how the inaccessibility of their writing reveals the conflict between the goals of social relevance and literary innovation. As self-proclaimed geniuses, they used language in new ways that were inevitably incomprehensible to the large audiences that they sought to instruct, change, or simply dazzle. By seeing genius as a role that is simultaneously social and poetic, Perelman reads the difficulty of their works as rooted in the cultural relationship between authors and their readers.
Perelman's brilliant analysis offers scholars new insight and opens these works to readers who have been frustrated by their difficulty. The Trouble with Genius is one poet's passionate attempt to make sense of the stylistic and political challenge of these modernists and to find, although not uncritically, the value of their work for readers and writers today.
Geoffrey Nunberg
The Future of the Book
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The death of the book has been duly announced, and with it the end of brick-and-mortar libraries, traditional publishers, linear narrative, authorship, and disciplinarity, along with the emergence of a more equitable discursive order. These essays suggest that it won't be that simple. The digitization of discourse will not be effected without some wrenching social and cultural dislocations.
The contributors to this volume are enthusiastic about the possibilities created by digital technologies, instruments that many of them have played a role in developing and deploying. But they also see the new media raising serious critical issues that force us to reexamine basic notions about rhetoric, reading, and the nature of discourse itself.
Derek Nurse
Swahili and Sabaki
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The Sabaki languages form a major Bantu subgroup and are spoken by 35 million East Africans in Somalia, Kenya, Tanzania, Mozambique, and the Comoro Islands. The authors provide a historical/comparative treatment of Swahili (and other Sabaki languages), an account of the relationship of Swahili to Sabaki and to other Bantu languages, and some data on contemporary Sabaki languages. Data sets, appendices, maps, and figures present essential information on phonology, lexical makeup, and tense/aspect morphology. The final chapter is a synthesis describing the linguistic and historical relationship of the Sabaki dialects to each other and to hypothetical proto-stages.
Frederick Crews
The Sins of the Fathers
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Surveying Hawthorne's entire career, from his earliest surviving stories through the romances left unfinished at his death, Frederick Crews defines the terms of Hawthorne's self-debate as revealed in his fiction. Hawthorne emerges from this study as a writer of acute psychological awareness.
In an Afterword written for this edition, Crews interrogates his own argument with characteristic unsparingness. He candidly reassesses the theoretical commitments behind his book, reflects on the path taken by Hawthorne criticism since 1966, and answers the question that many readers have asked of this ex-Freudian: "How much, today, remains valid in The Sins of the Fathers?" This essay is itself a significant contribution to the current debate over the role of 'theory' in literary studies.
Hugo Friedrich
Montaigne
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Friedrich considers the Montaigne of the Essays on of the first "moralists" in the French sense of the term, recording with anthropological fervor and in fresh, informal language the full spectrum of human thought and commerce as he saw it. Philippe Desan, who introduces this fine translation, commends Friedrich's holistic interpretation of Montaigne's unstructured creation, so often reduced by critics to its smallest fragments. Friedrich, says Desan, evokes "an epoch, distilled from accounts given by the best witness of the Renaissance."
Roland Barthes
The Rustle of Language
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The Rustle of Language is a collection of forty-five essays, written between 1967 and 1980, on language, literature, and teaching—the pleasure of the text—in an authoritative translation by Richard Howard.
Plato
Symposium of Plato
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A superb example of the bookmaker's and translator's art, this new edition of Plato's Symposium exhibits aesthetic, literary, and intellectual excellences rarely found together in a single volume.
Tom Griffith's translation of this foundation work of Western culture is unsurpassed for the balance it achieves between readability and fidelity to Plato's Greek. For felicity of phrasing, freshness, care to match the sense of the Greek rather than its wording, and for its idiomatic rendering of the spoken word, it has no peer.
Originally published in a limited edition with facing Greek and color wood engravings, Griffith's translation is here presented in reduced format that retains the aesthetic quality of the original version at an affordable price.
François Rabelais
The Complete Works of Francois Rabelais
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Rip-roaring and rib-tickling, François Rabelais's irreverent story of the giant Gargantua, his giant son Pantagruel, and their companion Panurge is a classic of the written word. This complete translation by Donald Frame, helpfully annotated for the nonspecialist, is a masterpiece in its own right, bringing to twentieth-century English all the exuberance and invention of the original sixteenth-century French. A final part containing all the rest of Rabelais's known writings, including his letters, supplements the five books traditionally known as Gargantua and Pantagruel.
This great comic narrative, written in hugely popular installments over more than two decades, was unsparingly satirical of scholarly pomposity and the many abuses of religious, legal, and political power. The books were condemned at various times by the Sorbonne and narrowly escaped being banned. Behind Rabelais's obvious pleasure in lampooning effete erudition and the excesses of society is the humanist's genuine love of knowledge and belief in the basic goodness of human nature. The bawdy wit and uninhibited zest for life that characterize his unlikely trio of travelers have delighted readers and inspired other writers ever since the exploits of Gargantua and Pantagruel first appeared.
Emilio Gabba
Dionysius and The History of Archaic Rome
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In The History of Archaic Rome, Dionysius purposely viewed Roman history as an embodiment of all that was best in Greek culture. Gabba places Dionysius's remarkable thesis in its cultural context, comparing this author with other ancient historians and evaluating Dionysius's treatment of his sources.
In truth, the last decades B.C. made the historian's task an enormous challenge. On the one hand, the ancient writers knew Rome to be the greatest empire the world had seen, seemingly impregnable in military power and still capable of expansion. On the other hand, they were acutely aware that it recently had barely survived half a century of civil strife.
Gabba recalls to us how little was confidently known of Rome's actual origins in an illuminating examination of Dionysius's methodology as a historian.
Wayne C. Booth
The Company We Keep
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In The Company We Keep, Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature.
But the questions he asks are not confined to morality. Returning ethics to its root sense, Booth proposes that the ethical critic will be interested in any effect on the ethos, the total character or quality of tellers and listeners. Ethical criticism will risk talking about the quality of this particular encounter with this particular work. Yet it will give up the old hope for definitive judgments of "good" work and "bad." Rather it will be a conversation about many kinds of personal and social goods that fictions can serve or destroy. While not ignoring the consequences for conduct of engaging with powerful stories, it will attend to that more immediate topic, What happens to us as we read? Who am I, during the hours of reading or listening? What is the quality of the life I lead in the company of these would-be friends?
Through a wide variety of periods and genres and scores of particular works, Booth pursues various metaphors for such engagements: "friendship with books," "the exchange of gifts," "the colonizing of worlds," "the constitution of commonwealths." He concludes with extended explorations of the ethical powers and potential dangers of works by Rabelais, D. H. Lawrence, Jane Austen, and Mark Twain.
Tomas Hägg
The Novel in Antiquity
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Tracing the development of Greek romances from 200 B.C. through twelfth-century Byzantium, Tomas Hägg analyses the content, plot and narrative techniques of the ancient novel, and explores the social and literary milieu in which the genre flourished.
Frits Pieter Van Oostrom
Court and Culture
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Our common image of the Middle Ages, constructed partly from popular accounts by Tuchman and Huizinga, is a period in European history when cultural activity was in decay. Van Oostrom convincingly challenges this notion by presenting evidence of a lively medieval court culture in the northern Netherlands. Not only is this a new chapter in Dutch literary and cultural history, it also provides a new perspective on the larger court culture of medieval Europe.
Van Oostrom interweaves dynastic history, documentary evidence, art, architecture, and literature in his analysis of the medieval Dutch court. In expanding our knowledge of the period, this exemplary work confronts fundamental questions of how cultures shape themselves and how we can effectively reconstruct and define the past.
Edward Sapir
Culture, Language and Personality
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Edward Sapir was one of those men, rare among scientists and scholars, who are spoken of by their colleagues in terms of genius. His writings on frontier problems in cultural anthropology, psychology, and linguistics are outstanding for their provocative insights and remarkable control of factual data. His long essay on language, his principal field of study, is an illuminating exploration of various aspects of the subject. His stress on the fact that language is a cultural or social product helped to make linguistics an integral part of the study of man. The interplay of culture and personality was a field where Sapir was a pioneer and many of his essays have become classics in the social sciences. The nine contributions brought together in this volume well show the distinction and lasting quality of Sapir's work. They include "Culture, Genuine and Spurious," "The Meaning of Religion," "Language," "Cultural Anthropology and Psychiatry," and "The Statue of Linguistics as a Science."
H. Marshall
The Disenchanted Self
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The question of the "dramatic principle" in the Canterbury Tales, of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.
Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.
D. A. Miller
The Novel and The Police
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Through a series of readings in the work of the decisive triumvirate of Victorian fiction, Dickens, Trollope and Wilkie Collins, Miller investigates the novel as an oblique form of social control.
Edward H. Schafer
The Golden Peaches of Samarkand
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In the seventh century the kingdom of Samarkand sent formal gifts of fancy yellow peaches, large as goose eggs and with a color like gold, to the Chinese court at Ch'ang-an. What kind of fruit these golden peaches really were cannot now be guessed, but they have the glamour of mystery, and they symbolize all the exotic things longed for, and unknown things hoped for, by the people of the T'ang empire.
This book examines the exotics imported into China during the T'ang Dynasty (A.D. 618-907), and depicts their influence on Chinese life. Into the land during the three centuries of T'ang came the natives of almost every nation of Asia, all bringing exotic wares either as gifts or as goods to be sold. Ivory, rare woods, drugs, diamonds, magicians, dancing girls—the author covers all classes of unusual imports, their places of origin, their lore, their effort on costume, dwellings, diet, and on painting, sculpture, music, and poetry.
This book is not a statistical record of commercial imports and medieval trade, but rather a "humanistic essay, however material its subject matter."
Zareer Masani
Indian Tales of the Raj
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As rich and varied as India itself, these accounts bring to the reader the Indian perspective on the British Raj. Included are the memories and experiences of more than fifty Indian men and women who worked under the British, made friends with them, and then fought to throw them out. They describe the role of apprentice under the sahibs, the complex racial barriers that divided the rulers from the ruled, the Western education which eventually encouraged rebellion, and the ways in which liberal British political arguments were turned against the Raj by nationalist campaigns to force the British to quit India.
Bernard M. Knox
The Heroic Temper
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The first two chapters of this book isolate and describe the literary phenomenon of the Sophoclean tragic hero. In all but one of the extant Sophoclean dramas, a heroic figure who is compounded of the same literary elements faced a situation which is essentially the same. The demonstration of this recurrent pattern is made not through character-analysis, but through a close examination of the language employed by both the hero and those with whom he contends. The two chapters attempt to present what might, with a slight exaggeration, be called the "formula" of Sophoclean tragedy.
A great artist may repeat a structural pattern but he never really repeats himself. In the remaining four chapters, a close analysis of three plays, the Antigone, Philoctetes, and Oedipus at Colonus, emphasizes the individuality and variety of the living figures Sophocles created on the same basic armature.
This approach to Sophoclean drama is (as in the author's previous work on the subject) both historical and critical; the universal and therefore contemporary appeal of the plays is to be found not by slighting or dismissing their historical context, but by an attempt to understand it all in its complexity. "The play needs to be seen as what it was, to be understood as what it is."
Garrett Stewart
Reading Voices
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Ian Watt
Conrad in the Nineteenth Century
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“Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s.”—New York Times
Harry Steinhauer
German Stories/Deutsche Erzählungen
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This book is designed primarily to alleviate the agony that language learning in its early stages entails, when the foreign words in the sentence simply will not combine to make sense. Legions of beginners give up when they could have made it with the aid of a book like this. But for centuries schoolmasters have frowned on this device, calling it dirty names like crib, crutch, pony. But the truth is that highly educated and motivated people have learned to read a foreign language this way. The great German archaeologist Heinrich Schliemann, who knew many ancient and modern languages, acquired them by using Bernardin de Saint-Pierre's Paul et Virginie as a pony. There are many bilingual series, such as the Loeb Classics or the Bollingen series, which have gained high prestige.
George Levine
The Endurance of Frankenstein
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Abram (Andrei Sinyavsky) Tertz
The Trial Begins
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Abram Tertz, one of the most important writers to emerge in the Soviet Union since World War II, came to prominence in 1959 when On Socialist Realism was published in the West. It was the first important critique of the central dogma of Soviet literature. It arrived with a novel. The Trial Begins, which was published in 1960. Other books followed these into the West, until in 1965 a respected literary scholar at the Gorky Institute, Andrei Sinyavsky was arrested, revealed to be Abram Tertz, tried, and sentenced to seven years in a forced labor camp.
Walter Burkert
Homo Necans
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Blood sacrifice, the ritual slaughter of animals, has been basic to religion through history, so that it survives in spiritualized form even in Christianity. How did this violent phenomenon achieve the status of the sacred? This question is examined in Walter Burkert's famous study.
Alan Dundes
Sacred Narrative
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Alan Dundes defines myth as a sacred narrative that explains how the world and humanity came to be in their present form. This new volume brings together classics statements on the theory of myth by authors such as William Bascom, Jan de Vries, G. S. Kirk, James G. Frazer, Theodor H. Gaster, Mircea Eliade, Bronislaw Malinowski, C. G. Jung, and Claude Lévi-Strauss.
Rather than limiting this collection to classical Roman and Greek mythology, Dundes gives the book a worldwide scope. The twenty-two essays by leading experts on myth represent comparative functionalist, myth-ritual, Jungian, Freudian, and structuralist approaches to studying the genre.
Czeslaw Milosz
The History of Polish Literature, Updated edition
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This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.
Giovanni Verga
The House by the Medlar Tree
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Giovanni Verga (1840-1922) is the most important of the Italian Realist School of novelists. This new edition of The House by the Medlar Tree (I Malavoglia) makes the complete English version of his masterpiece available once more. The story of the Malavoglia, a family of poor Sicilian fisherman, is Verga's moving rendering of the theme of mankind's struggle for self-betterment, the dignity of the struggle in the face of poverty and hardship, and the tragedy that the struggle inevitably incurs.
D. H. Lawrence described Vega's work as "Homeric." Rayond Rosenthal's translation of I Malavoglia is the only complete version of this novel in English and conveys Vega's lyrical realism and the flavor of Sicialian village life superbly.
The book is introduced by Giovanni Ceccheti, whose own translations of Verga, Mastro-don Gesualdo and The She-Wolf and Other Stories, are also available from California.
Michael Paul Rogin
Subversive Genealogy
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In this major reconsideration of Herman Melville’s life and work, Michael Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family.
Kenneth Burke
Attitudes Toward History, Third edition
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This book marks Kenneth Burke’s breakthrough in criticism from the literary and aesthetic into social theory and the philosophy of history. In this volume we find Burke’s first entry into what he calls his theory of Dramatism; and here also is an important section on the nature of ritual.
Giacomo Leopardi
Operette Morali
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Terry Eagleton
Marxism and Literary Criticism
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Seth L. Schein
The Mortal Hero
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Joseph Mileck
Hermann Hesse
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August Strindberg
Strindberg
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Strindberg's most important and most frequently performed plays—The Father, Miss Julie, A Dream Play, The Dance of Death, and The Ghost Sonata—are gathered together here in translations praised for their fluency and their elegance.
Kenneth Burke
Permanence and Change
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Kenneth Burke
Counter-Statement
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Czeslaw Milosz
Emperor of the Earth
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This stimulating collection of essays, mostly concerned with subjects taken from Slavic literatures, is at once scholarly and reflective. The volume opens with a true story, "Brognart," which is a confession of the author's remorse based on conflict with French intellectuals. "Science Fiction and the Coming of the Antichrist" concerns Vladimir Solovyov. "Krasinski's Retreat" is another return to the author's student readings, which attempts to determine how a Polish romantic poet could write in 1833 a drama on the approaching world revolution. "Joseph Conrad's Father" sketches the biography of a poet and revolutionary and also throws some light upon the fate of the hero of the last chapter.
Clive Hart
James Joyce's Ulysses
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This book contains eighteen original essays by leading Joyce scholars on the eighteen separate chapters of Ulysses. It attempts to explore the richness of Joyce's extraordinary novel more fully than could be done by any single scholar. Joyce's habit of using, when writing each chapter in Ulysses, a particular style, tone, point of view, and narrative structure gives each contributor a special set of problems with which to engage, problems which coincide in every case with certain of his special interests. The essays in this volume complement and illuminate one another to provide the most comprehensive account yet published of Joyce's many-sided masterpiece.
Floyd L. Moreland
Latin
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This is a comprehensive introduction to Latin forms and syntax, designed to train the student in reading ancient texts at an early stage.
Mark Twain
Mark Twain's Hannibal, Huck, and Tom
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This volume provides authoritative texts of Twain’s unpublished writings, both fictional and factual, about the people and places of his home town, Hannibal, Missouri.
A significant part of only one of them, "Jane Lampton Clemens," has been published; it was inserted unjustifiably in Twain's Authobiography . Written soon after the death of Clemens's mother on 27October 1890, it arranges and assesses a son's recollections of a vibrant personality important in shaping his life. At the start the author turns to the time when he, a six-year-old, knelt with his mother by the bed on which his dead brother lay—a harassing experience that understandably seared the boy's memory. The sketch moves on to a host of details about antebellum Hannibal, its society and its attitudes toward slavery, and to vivid memories about the child, his mother, and his father in the 1840's and 1850's. The movement from a single remembered episode to a series of loosely associated recollections was a typical performance in Clemens's "autobiography" and his fiction.
Stephen Orgel
The Illusion of Power
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Elegant, deeply learned, and intellectually adventurous, its implications extend far beyond the boundaries of the Stuart and Caroline masque. It is an indispensible exploration of political art and aestheticized politics . . . a classic."—Stephen Greenblatt, University of California, Berkeley
"The book remains to-day as informative and suggestive as it was when new; in the clarity and grace of its writing, the breadth and precision of its arguments, the aptness and resonance of its examples, it is unsurpassed as an introduction to the dialectic of theatrical illusion and state authority—of play and power—in the culture of Elizabethan and Stuart England."—Louis Montrose, University of California, San Diego
"First published 15 years ago, this splendid study is now revealed as having been prophetic of much important recent work in Renaissance and later literature. As knowing of art, theatrical and political history as it is sensitive to poetry, Orgel's book is learned, lively, and beautifully clear."—John Hollander, Yale University
J. Michael Walton
Euripides Our Contemporary
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In this accessible and beautifully written study of Euripides, the first study of all the plays of Euripides for thirty years, J. Michael Walton provides a wide-ranging appreciation of the playwright’s entire canon. Euripides Our Contemporary treats these ancient dramas as vital engagements with issues of a moral, social, psychological, and political nature, as significant today as when the works were first performed. Walton moves with expert familiarity through all the plays, emphasizing what Euripides might have to say to us as our “contemporary.” The book considers how Euripides finds parallels to ordinary life in the world of myth, how characters behave under extraordinary pressure and how personal responsibility may be absolved by circumstance, and discusses the nature of his theater, the great roles, and the playwrights most influenced by his work.
Kenneth Burke
A Grammar of Motives
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About this book Mr. Burke contributes an introductory and summarizing remark, "What is involved, when we say what people are doing and why they are doing it? An answer to that question is the subject of this book. The book is concerned with the basic forms of through which, in accordance with the nature of the world as all men necessarily experience it, are exemplified in the attributing of motives. These forms of though can be embodied profoundly or trivially, truthfully or falsely. They are equally present in systematically elaborated or metaphysical structures, in legal judgments, in poetry and fiction, in political and scientific works, in news and in bits of gossip offered at random."
Harry Steinhauer
Twelve German Novellas
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The novella, one of the most sophisticated genres of narrative literature, owes its development primarily to German belles letters. In the present collection, Mr. Steinhauer has assembled a representative sampling that ranges from the Enlightenment to the postwar periods and reveals the scope and flexibility of this art form. Included are Wieland's Love and Friendship Tested, Kleist's Michael Kohlhaas, Chamisso's Peter Schlemihl, Hoffmann's Mademoiselle de Scudéry, Keller's Clothes Make the Man, Meyer's Sufferings of a Boy, Mann's The Bajazzo, Fontane's Stine, Hauptmann's Heretic of Soana, Kafka's Hunger Artist, Schnitzler's Fräulein Else, and Bergengruen's Ordeal by Fire.
Jack Hicks
The Literature of California, Volume 1
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The Literature of California is a landmark publication—unmatched by any existing collection and distinguished by its breadth, variety of sources, and historical sweep. The editors have been refreshingly inclusive and imaginative in their selection: some of the writers are internationally known, others are anthologized here for the first time. The richness of material, ranging from Native American origin myths to Hollywood novels dissecting the American Dream; from the familiar voices of John Steinbeck, Jack London, and William Saroyan to the less-well-known narratives of Maria Amparo Ruiz de Burton, Josephine Miles, and Jade Snow Wong—all of it captures the spirit and scope of the state itself.
This first volume of the comprehensive two-volume anthology is divided into four parts. The first includes stories, legends, and songs of the indigenous tribes. The second section comprises letters, diaries, reports, and travel narratives that trace a century of exploration, discovery, and conquest. Part III includes Mother Lode tales by Mark Twain and Bret Harte, the first signs of California poetry, the rise of narrative by California women, the nature writing of John Muir and Mary Austin, and some of the earliest prose from writers of Asian background, as well as the maturing fiction of Jack London and Frank Norris. Part IV traces the period between the World Wars, when California literature came fully into its own.
A lively introduction contextualizes each section, and concise biographical material is included for each writer. Volume Two, to be published in 2007, concentrates on the second half of the twentieth-century, during which California became one of the most active literary regions in the world. A colossal contribution to the culture of the state, The Literature of California broadens our sense of this region's richness, both past and present, offering new ways of perceiving history, community, and oneself.
K. J. Dover
Aristophanic Comedy
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Professor Dover's newest book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language.
The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B.C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous “dramatic illusion” or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Kenneth Burke
A Rhetoric of Motives
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As critic, Kenneth Burke's preoccupations were at the beginning purely esthetic and literary; but after Counter-Statement (1931), he began to discriminate a "rhetorical" or persuasive component in literature, and thereupon became a philosopher of language and human conduct.
In A Grammar of Motives (1945) and A Rhetoric of Motives (1950), Burke's conception of "symbolic action" comes into its own: all human activities—linguisitc or extra-linguistic—are modes of symbolizing; man is defined as the symbol-using (and -misusing) animal. The critic's job becomes one of the interpreting human symbolizing wherever he finds it, with the aim of illuminating human motivation. Thus the reach of the literary critic now extends to the social and ethical.
A Grammar of Motives is a "methodical meditation" on such complex linguistic forms as plays, stories, poems, theologies, metaphysical systems, political philosophies, constitutions. A Rhetoric of Motives expands the field to human ways of persuasion and identification. Persuasion, as Burke sees it, "ranges from the bluntest quest of advantage, as in sales promotion or propaganda, through courtship, social etiquette, education, and the sermon, to a 'pure' form that delights in the process of appeal for itself alone, without ulterior purpose. And identification ranges from the politician who, addressing an audience of farmers, says, 'I was a farm boy myself,' through the mysteries of social status, to the mystic's devout identification with the sources of all being."
Kenneth Burke
Language As Symbolic Action
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Harry Steinhauer
German Stories/Deutsche Erzahlungen
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The short stories in this bilingual anthology are from the works of some of the great masters of the German literary tradition—including Goethe, Kleist, Mann, and Kafka—and offer a representative collection illustrating the development of German fiction from the late eighteenth to the late twentieth centuries.
Lawrence Rogers
Tokyo Stories
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This anthology of translated short stories by Japanese writers captures the city of Tokyo through most of the twentieth century--a period of war, bombing, urbanization, and modernization, in short, constant change that has altered and continues to alter the very geography of the city. The eighteen stories, varying from literary sketches to popular fiction, picture everyday life in different parts of the city--in its nightclubs, department stores, bars, homes, and working-class neighborhoods. For the tourist, armchair traveler, or long-time resident, this book is a literary excursion into Tokyo illuminated by the evocative, and often ironic, words of its writers.
These expertly translated stories range from reflections on deaths in his family by Akutagawa Ryunosuke, the venerated master of the short story, written just before his own suicide; to a story of an all-too-brief affair in the old part of Tokyo by Hayashi Fumiko; to an unsettling tale of high politics and possible blackmail by the ever-popular Mishima Yukio. The volume also introduces the work of Ikeda Michiko and Inaba Mayumi, who have never been translated into English before.
Lawrence Rogers's introduction leads us on an intimate meditative stroll through the city's various districts--from the marble and mahogany of the business district to the skid row of San'ya--describing each in delightful vignettes. As an introduction to Tokyo and to the literary imaginations it has inspired, this engaging book will reveal something new about the nature of Japan's capital to all who wander through its pages.
Kate Phillips
Helen Hunt Jackson
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Novelist, travel writer, and essayist Helen Hunt Jackson (1830–1885) was one of the most successful authors and most passionate intellects of her day. Ralph Waldo Emerson also regarded her as one of America’s greatest poets. Today Jackson is best remembered for Ramona, a romantic novel set in the rural Southern Californian Indian and Californio communities of her day. Ramona, continuously in print for over a century, has become a cultural icon, but Jackson’s prolific career left us with much more, notably her achievements as a prose writer and her work as an early activist on behalf of Native Americans. This long-overdue biography of Jackson’s remarkable life and times reintroduces a distinguished figure in American letters and restores Helen Hunt Jackson to her rightful place in history.
Discussing much new material, Kate Phillips makes extensive use of Jackson's unpublished private correspondence. She takes us from Jackson's early years in rural New England to her later pioneer days in Colorado and to her adventerous travels in Europe and Southern California. The book also gives the first in-depth discussions of Jackson's writing in every genre, her beliefs about race and religion, and the significance of her chronic illnesses. Phillips also discusses Jackson's intimate relationships—with her two husbands, her mentor Thomas Wentworth Higginson, the famed actress Charlotte Cushman, and the poet Emily Dickinson. Phillips concludes with a re-evaluation of Ramona, discussing the novel as the earliest example of the California dystopian tradition in its portrayal of a state on the road to self-destruction, a tradition carried further by writers like Nathanael West and Joan Didion.
In this gripping biography, Phillips offers fascinating glimpses of how social context both shaped and inspired Jackson's thinking, highlighting the inextricable presence of gender, race, and class in American literary history and culture and opening a new window onto the nineteenth century.
Sarah R. Bin Tyeer
The Well-Tempered Reader
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
The Well-Tempered Reader provides a new understanding of the term adab, a ubiquitous concept in Arabic literature with many meanings. In Sarah R. Bin Tyeer's analysis, adab is more than just a way of writing or the cultivation of moral excellence, as it is often understood. It is rather an ethical way of perceiving, understanding, and living that results from ceaseless critical interaction between the individual and all aspects of his or her social, cultural, natural, and metaphysical environment. Through a close reading of texts from eighth-century Baghdad to nineteenth-century Lebanon, in which adab emerges as a force across historical periods and geographies, Bin Tyeer posits the term as a generative literary and cultural framework and a discursive force for analyzing literary acts. This is the first book-length study of adab as an intellectual institution; examining its role and historical influence in the moral and intellectual formation of the adabized subject, Bin Tyeer reveals the import of adab not only for Arabic literary studies but for comparative literary inquiry.
Sarah R. Bin Tyeer
The Well-Tempered Reader
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$95.00
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A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
The Well-Tempered Reader provides a new understanding of the term adab, a ubiquitous concept in Arabic literature with many meanings. In Sarah R. Bin Tyeer's analysis, adab is more than just a way of writing or the cultivation of moral excellence, as it is often understood. It is rather an ethical way of perceiving, understanding, and living that results from ceaseless critical interaction between the individual and all aspects of his or her social, cultural, natural, and metaphysical environment. Through a close reading of texts from eighth-century Baghdad to nineteenth-century Lebanon, in which adab emerges as a force across historical periods and geographies, Bin Tyeer posits the term as a generative literary and cultural framework and a discursive force for analyzing literary acts. This is the first book-length study of adab as an intellectual institution; examining its role and historical influence in the moral and intellectual formation of the adabized subject, Bin Tyeer reveals the import of adab not only for Arabic literary studies but for comparative literary inquiry.
Andrea Horbinski
Manga's First Century
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A comprehensive English-language history of a beloved medium, Manga’s First Century tells the story of the artists and fans who built a cultural juggernaut.
Manga is the world’s most popular style of comics. How did manga and anime—“moving manga”—become ubiquitous? Manga’s First Century delves into the history and finds surprising answers.
In fact, manga has always been a global phenomenon. Countering essentialist myths of manga’s emergence from the deepest wells of Japanese art, author Andrea Horbinski shows it was born in the early 1900s, a hybrid form that crossed single-panel satirical cartoons popular in Europe and America with the Edo period’s artistic legacy. As a medium, manga initially focused on political commentary, expanding to include social satire, children’s comics, and proletarian art in the 1920s and 1930s. Manga’s evolution into a medium embracing complex, long-form storytelling was likewise driven by creators and fans pushing publishers to accept new, radical expansions in manga’s artistic and narrative practices. In the 1970s, innovative creators and fans empowered a new breed of fan-generated comics (dōjinshi) and established robust audiences of adult, female, and queer manga readers, while nurturing generations of amateur and professional creators who continue to enrich and renew manga today.
Gaius Valerius Catullus
The Poems of Catullus
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Catullus, who lived during some of the most interesting and tumultuous years of the late Roman Republic, spent his short but intense life (?84-54 B.C.E.) in high Roman society, rubbing shoulders with various cultural and political luminaries, including Caesar, Cicero, and Pompey. Catullus's poetry is by turns ribald, lyric, romantic, satirical; sometimes obscene and always intelligent, it offers us vivid pictures of the poet's friends, enemies, and lovers. The verses to his friends are bitchy, funny, and affectionate; those to his enemies are often wonderfully nasty. Many poems brilliantly evoke his passionate affair with Lesbia, often identified as Clodia Metelli, a femme fatale ten years his senior and the smart, adulterous wife of an arrogant aristocrat. Cicero later claimed she poisoned her husband.
This new bilingual translation of Catullus's surviving poems by Peter Green is fresh, bawdy, and utterly engaging. Unlike its predecessors, it adheres to the principle that the rhythm of a poem, whether familiar or not, is among the most crucial elements for its full appreciation. Green provides an essay on the poet's life and literary background, a historical sketch of the politically fraught late Roman Republic in which Catullus lived, copious notes on the poems, a wide-ranging bibliography for further reading, and a full glossary.
Samuel G. Armistead
Folk Literature of the Sephardic Jews, Vol. III
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Folk Literature of the Sephardic Jews: Judeo-Spanish Ballads from Oral Tradition offers a comprehensive exploration of the rich oral traditions within the Sephardic Jewish community, focusing on ballads that trace their roots to medieval epic narratives. Drawing from a collection of ballads recorded between 1957 and 1980 across Eastern and North African Sephardic communities, the book examines five key narrative types, particularly those connected to the French medieval epic Chanson de Roland and the historical event of Roncesvalles. The volume provides a deep dive into the relationship between these modern Sephardic ballads and their epic antecedents, comparing them with sixteenth-century romancero versions, and placing them within the wider context of Pan-European balladry. Through synthetic texts and an analysis of variants, it uncovers the creative evolution of these ballads within the oral tradition, offering a fresh perspective on their narrative structures and thematic elements.
The book addresses ongoing debates in scholarship, particularly the contested connection between epic poetry and ballads. While some critics have downplayed or denied this link, the study presents ample evidence to confirm the genetic and oral-traditional relationship between the romancero and its epic origins. It highlights the preservation of medieval poetic forms and narrative motifs across centuries, particularly the survival of specific poetic features in the Sephardic ballads. The volume also emphasizes the importance of these ballads in understanding the continuity of Hispanic epic poetry within the Sephardic diaspora. Through detailed analysis and scholarly commentary, the book sheds light on the dynamic, living tradition of balladry, demonstrating the creative and evolving nature of these oral narratives across generations.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Samuel G. Armistead and Joseph H. Silverman
Folk Literature of the Sephardic Jews, Vol. III
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$49.95
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Folk Literature of the Sephardic Jews: Judeo-Spanish Ballads from Oral Tradition offers a comprehensive exploration of the rich oral traditions within the Sephardic Jewish community, focusing on ballads that trace their roots to medieval epic narratives. Drawing from a collection of ballads recorded between 1957 and 1980 across Eastern and North African Sephardic communities, the book examines five key narrative types, particularly those connected to the French medieval epic Chanson de Roland and the historical event of Roncesvalles. The volume provides a deep dive into the relationship between these modern Sephardic ballads and their epic antecedents, comparing them with sixteenth-century romancero versions, and placing them within the wider context of Pan-European balladry. Through synthetic texts and an analysis of variants, it uncovers the creative evolution of these ballads within the oral tradition, offering a fresh perspective on their narrative structures and thematic elements.
The book addresses ongoing debates in scholarship, particularly the contested connection between epic poetry and ballads. While some critics have downplayed or denied this link, the study presents ample evidence to confirm the genetic and oral-traditional relationship between the romancero and its epic origins. It highlights the preservation of medieval poetic forms and narrative motifs across centuries, particularly the survival of specific poetic features in the Sephardic ballads. The volume also emphasizes the importance of these ballads in understanding the continuity of Hispanic epic poetry within the Sephardic diaspora. Through detailed analysis and scholarly commentary, the book sheds light on the dynamic, living tradition of balladry, demonstrating the creative and evolving nature of these oral narratives across generations.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Hilton Landry
Interpretations in Shakespeare's Sonnets
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Interpretations in Shakespeare's Sonnets offers a deep exploration into the timeless beauty and complexity of Shakespeare’s celebrated poetic collection. The book examines how Sonnets have been both misunderstood and admired across centuries, tracing historical biases and shifting critical perceptions. From their initial neglect in the 17th century to their 19th-century elevation as masterpieces of lyrical intensity, the Sonnets have often been constrained by readers’ attempts to impose narrative structure or conform them to preconceived notions of poetry.
Rejecting traditional divisions, such as the binary grouping of the Fair Youth and Dark Lady poems, this work underscores the individuality of each Sonnet and the nuanced relationships between them. Through detailed analysis, it reveals how Shakespeare’s poetry resists categorization, embracing ambiguity and interconnected themes. By examining the rich linguistic, emotional, and thematic layers of the Sonnets, the book illuminates their enduring power to challenge, inspire, and captivate readers and scholars alike.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Hilton Landry
Interpretations in Shakespeare's Sonnets
Regular price
$95.00
Save $-95.00
Interpretations in Shakespeare's Sonnets offers a deep exploration into the timeless beauty and complexity of Shakespeare’s celebrated poetic collection. The book examines how Sonnets have been both misunderstood and admired across centuries, tracing historical biases and shifting critical perceptions. From their initial neglect in the 17th century to their 19th-century elevation as masterpieces of lyrical intensity, the Sonnets have often been constrained by readers’ attempts to impose narrative structure or conform them to preconceived notions of poetry.
Rejecting traditional divisions, such as the binary grouping of the Fair Youth and Dark Lady poems, this work underscores the individuality of each Sonnet and the nuanced relationships between them. Through detailed analysis, it reveals how Shakespeare’s poetry resists categorization, embracing ambiguity and interconnected themes. By examining the rich linguistic, emotional, and thematic layers of the Sonnets, the book illuminates their enduring power to challenge, inspire, and captivate readers and scholars alike.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.
Edited by E. Valentine Daniel and Jeffrey M. Peck
Culture/Contexture
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The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies—to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies.
Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
E. Valentine Daniel
Culture/Contexture
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$95.00
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The rapprochement of anthropology and literary studies, begun nearly fifteen years ago by such pioneering scholars as Clifford Geertz, Edward Said, and James Clifford, has led not only to the creation of the new scholarly domain of cultural studies but to the deepening and widening of both original fields. Literary critics have learned to "anthropologize" their studies—to ask questions about the construction of meanings under historical conditions and reflect on cultural "situatedness." Anthropologists have discovered narratives other than the master narratives of disciplinary social science that need to be drawn on to compose ethnographies.
Culture/Contexture brings together for the first time literature and anthropology scholars to reflect on the antidisciplinary urge that has made the creative borrowing between their two fields both possible and necessary. Critically expanding on such pathbreaking works as James Clifford and George Marcus's Writing Culture and Marcus and Michael M. J. Fischer's Anthropology as Cultural Critique, contributors explore the fascination that draws the disciplines together and the fears that keep them apart. Their topics demonstrate the rich intersection of anthropology and literary studies, ranging from reading and race to writing and representation, incest and violence, and travel and time.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
V. Norskov Olsen
John Foxe and the Elizabethan Church
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$95.00
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John Foxe and the Elizabethan Church by V. Norskov Olsen offers a deeply researched study of one of the most influential figures of the English Reformation. Foxe, best known for his monumental Acts and Monuments (popularly called the Book of Martyrs), has long been seen as a martyrologist and historian. Olsen goes further, presenting Foxe as a theologian whose ecclesiology shaped both Elizabethan religious identity and subsequent Protestant self-understanding. By tracing Foxe’s engagement with Christian Humanism, Puritan impulses, and the politics of the Elizabethan Settlement, Olsen demonstrates how Foxe articulated a vision of the Church that was simultaneously Anglican, reformist, and deeply apocalyptic.
This volume situates Foxe within broader currents of Protestant historiography and apocalyptic thought, emphasizing his unique synthesis of Erasmian moderation, Puritan rigor, and English nationalism. Through close readings of Foxe’s minor works alongside the successive editions of the Acts and Monuments, Olsen reconstructs Foxe’s understanding of the Church as both persecuted and triumphant, defined by continuity with the ancient faith and oriented toward eschatological hope. Essential for scholars of Reformation theology, church history, and Elizabethan religion, the book reframes Foxe not simply as a chronicler of martyrdom, but as a central architect of Protestant ecclesial thought.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
V. Norskov Olsen
John Foxe and the Elizabethan Church
Regular price
$39.95
Save $-39.95
John Foxe and the Elizabethan Church by V. Norskov Olsen offers a deeply researched study of one of the most influential figures of the English Reformation. Foxe, best known for his monumental Acts and Monuments (popularly called the Book of Martyrs), has long been seen as a martyrologist and historian. Olsen goes further, presenting Foxe as a theologian whose ecclesiology shaped both Elizabethan religious identity and subsequent Protestant self-understanding. By tracing Foxe’s engagement with Christian Humanism, Puritan impulses, and the politics of the Elizabethan Settlement, Olsen demonstrates how Foxe articulated a vision of the Church that was simultaneously Anglican, reformist, and deeply apocalyptic.
This volume situates Foxe within broader currents of Protestant historiography and apocalyptic thought, emphasizing his unique synthesis of Erasmian moderation, Puritan rigor, and English nationalism. Through close readings of Foxe’s minor works alongside the successive editions of the Acts and Monuments, Olsen reconstructs Foxe’s understanding of the Church as both persecuted and triumphant, defined by continuity with the ancient faith and oriented toward eschatological hope. Essential for scholars of Reformation theology, church history, and Elizabethan religion, the book reframes Foxe not simply as a chronicler of martyrdom, but as a central architect of Protestant ecclesial thought.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.
Bertrand Harris Bronson
The Ballad as Song
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The Ballad as Song is a collection of essays tracing the author's decades-long exploration of the intersection between traditional ballads and their accompanying tunes. Initially approached as a casual hobby, the project grew into a comprehensive inquiry into the melodies of Child ballads and their historical and cultural significance. The essays aim to bring together folk song and balladry, offering a perspective on how these elements interact and evolve through traditional transmission. The author reflects on challenges in classifying melodies, understanding modal shifts, and analyzing the interplay of text and tune, areas that remain underexplored in the field of folk music studies.
While the essays adhere to a consistent viewpoint, they also provide insights into enduring problems in ballad research, such as melodic identity, variation, and the transmission of tradition. Though not aligned with contemporary trends in social theory, the collection emphasizes the value of historical perspective, underscoring the importance of roots in understanding folk music. Through these essays, the author seeks to engage with current assumptions and open up new directions for comparative and analytical approaches to traditional balladry and its music.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
Bertrand Harris Bronson
The Ballad as Song
Regular price
$95.00
Save $-95.00
The Ballad as Song is a collection of essays tracing the author's decades-long exploration of the intersection between traditional ballads and their accompanying tunes. Initially approached as a casual hobby, the project grew into a comprehensive inquiry into the melodies of Child ballads and their historical and cultural significance. The essays aim to bring together folk song and balladry, offering a perspective on how these elements interact and evolve through traditional transmission. The author reflects on challenges in classifying melodies, understanding modal shifts, and analyzing the interplay of text and tune, areas that remain underexplored in the field of folk music studies.
While the essays adhere to a consistent viewpoint, they also provide insights into enduring problems in ballad research, such as melodic identity, variation, and the transmission of tradition. Though not aligned with contemporary trends in social theory, the collection emphasizes the value of historical perspective, underscoring the importance of roots in understanding folk music. Through these essays, the author seeks to engage with current assumptions and open up new directions for comparative and analytical approaches to traditional balladry and its music.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.
