Name: A Difficult Soul
Brand: Vladimir Zlobin Edited and Annotated by Simon Karlinsky
Price: 95.0 USD
Availability: InStock

Vladimir Zlobin Edited and Annotated by Simon Karlinsky

A Difficult Soul

$95.00

guide the Symbolist movement which dominated Russian literature for the first third of the twentieth century. A major poet, important playwright, and influential literary critic, she was also a sexual rebel who rejected traditional male/female roles as early as the 1890s.

Vladimir Zlobin, her secretary and factotum from the time of her emigration to Paris after the revolution until her death in 1945, exposes the consequential inner workings of the literary circle around Gippius. His account of her three most important personal involvements--with her husband, the novelist and critic Dmitry Merezhkovsky; with the unattainable love of her life, the critic Dmitry Filosofov; and with the Devil, with whom she believed herself in personal contact--facilitates the task of understanding this truly "difficult soul." Himself a poet, Zlobin also offeres a detailed commentary on her poetry, and persuasively connects it to her personal and mystical experiences.

In Karlinsky's perceptive introduction, Gippius emerges not only as one of the principals in the Modernist renascence of Russian poetry between 1890 and 1930, but as a figure of considerable historical interest, whose views, life, and work stand in significant relation to the major social, sexual, religious, and political currents of her time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

Samuel Kinser

Rabelais's Carnival

$49.95

How is it possible, after four centuries, that a major episode in Rabelais's novels remains systematically misread? The episode, which playfully and grotesquely treats the relation of Carnival to Lent, occurs in Rabelais's Fourth Book, his last and most artfully crafted novel. Samuel Kinser argues that the text has been distorted because critics have not attended to the episode's performative as well as literary contexts, overlooking the innovative use Rabelais made in his work of his immediate world. In this original interpretation of the Fourth Book, Kinser evokes the gestures, games, and visual, oral, bodily semantics of Carnival and Lent as they were performed in Rabelais's day. He also underscores the importance to Rabelais of the invention of printing, an innovation which revolutionized the relationships of author and reader. Understanding this and fearing it, Rabelais adopted an extraordinary set of disguises as an author, disguises which in their bewildering interplay constitute the truest sense of his carnival.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Kathleen Williams

Spenser's World of Glass

$39.95

Spencer's World of Glass: A Reading of *The Faerie Queene presents Kathleen Williams’s luminous reappraisal of Spenser as not merely a painter of sumptuous scenes but a rigorous maker of worlds. Refusing the tired cliché that Spenser’s epic is “a poem that nobody reads,” Williams shows how its apparent luxuriance serves a profoundly architectonic purpose: the poem generates its own coherent universe, where romance wandering and moral design interlock. Knights such as Red Crosse, Guyon, and Britomart are not walking abstractions but experiential agents whose quests model the mind’s labor to wrest meaning from a resistant world.

At the center of Williams’s argument is Spenser’s fusion of romance narrative with an allegorical method that orders rather than flattens lived experience. Allegory here is no pageant of personifications; it is a structural principle that binds episodes, images, and “virtues” into an intelligible cosmos—what Williams, following Spenser, evokes as a “world of glass,” round, reflective, and exacting. The poem’s “mighty maze” is “not without a plan”: its digressions are dramatizations of human perplexity; its resolutions disclose a lawfulness felt before it is understood.

Williams traces how Spenser’s epic “makes” nature by compressing and clarifying significances across psychological, ethical, political, and cosmic registers. The virtues organize books as points of view rather than labels, converging toward magnificence, Gloriana’s court, and Nature’s ordinance. Throughout, Williams’s readings are alert to texture and structure alike, revealing how Spenser’s ease is the mark of controlled power and how the poem’s generosity of detail is the condition of its truth.

A model of analytic poise and critical tact, this study restores The Faerie Queene as a living, intelligible whole—an artful imitation of life in which order emerges from bewilderment and the glassy world clarifies the one we inhabit.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.

Edited by Maximillian E. Novak

English Literature in the Age of Disguise

$95.00

English Literature in the Age of Disguise explores the pervasive theme of disguise, deception, and masked identities in the works of writers from the Restoration through the eighteenth century. The concept of disguise was central to the social and literary fabric of the period, with figures like Fielding and Defoe lamenting the deception inherent in society. Fielding, for example, described the world as a vast masquerade, echoing a sentiment common among writers of the time, including Defoe, who critiqued the age as one of Plot and Deceit. Disguise and masks were more than just thematic elements; they were metaphors for the societal and personal facades that individuals maintained. In the literature of this period, comedies, such as Congreve's The Double Dealer, frequently centered around characters using masks and deceit for social or romantic advantage. Similarly, works like Defoe’s Robinson Crusoe and Richardson’s Clarissa employ different forms of disguise and role-playing, reflecting both the moral complexities and the personal struggles of characters.

This book also delves into the role of irony and wit in literature during this time, with many authors using these tools to both entertain and critique society. Writers such as Pope and Swift masterfully employed irony to conceal their true messages, offering a layered critique of contemporary politics, religion, and morality. Irony, according to Lionel Gossman, was a form of disguise in itself, where the external narrative concealed deeper, often more subversive, meanings. Through an exploration of key works like Swift's satirical poetry and Pope's mock-epic verse, the book examines how the era’s emphasis on disguise influenced literary style and the construction of meaning. Additionally, the essays in the collection provide new interpretations of well-known texts, suggesting that the use of disguise and role-playing was not just a narrative device but also a form of social commentary, revealing the moral and political undercurrents of the time. Through these analyses, the book offers a fresh perspective on the literary techniques of the Restoration and eighteenth century, showing how disguise, in both its social and literary manifestations, shaped the era’s cultural and artistic landscape.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

Hugh M. Richmond

The Christian Revolutionary: John Milton

$95.00

The Christian Revolutionary offers a profound and reflective exploration of the shifting perception of classical art, its cultural resonance, and its philosophical underpinnings. Through evocative descriptions of the Parthenon and its surrounding landscape, the text delves into the intricate interplay between historical reverence and contemporary disillusionment. The author examines how classical art, once heralded as the pinnacle of intellectual and artistic achievement, is increasingly seen as remote and academic by modern audiences. Against the backdrop of changing cultural values and a growing skepticism of idealism, the book invites readers to ponder the enduring relevance of Greek art and its unique commentary on life, intellect, and harmony.

This work is more than a critique of cultural shifts; it is a meditation on the contrasts between ancient and modern worldviews. It juxtaposes the Greek aspiration for intellectual and aesthetic purity with the modern embrace of complexity, imperfection, and personal expression. Through the lens of the Parthenon—both as a physical structure and a symbol of philosophical ideals—the book challenges readers to consider how art reflects the spirit of its age and how the ideals of the past might illuminate the uncertainties of the present. The Christian Revolutionary is an intellectually rich and deeply poetic exploration that will captivate readers interested in philosophy, art history, and the timeless dialogue between antiquity and modernity.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

The Christian Revolutionary: John Milton

Cornelia Nixon

Lawrence's Leadership Politics and the Turn Against Women

$39.95

Lawrence's Leadership: Politics and the Turn Against Women delves into the dramatic ideological shift of D. H. Lawrence during the early 20th century, particularly his move toward authoritarian politics and his critical stance on women. The book explores how personal crises, including Lawrence’s internal struggles with sexuality, his disillusionment with the war, and societal upheavals, shaped his evolving views. Through detailed analyses of his letters, essays, and novels, including The Rainbow and Women in Love, the study reveals Lawrence’s turn from advocating creative freedom and sensuality to promoting hierarchical leadership and male dominance. It examines how these changes were influenced by broader cultural trends, such as the rise of authoritarian thought in Europe, and Lawrence's alignment with certain reactionary ideas about gender and society.

This volume situates Lawrence’s shifting beliefs within the broader historical and cultural contexts of World War I and its aftermath, offering insight into how personal despair and social anxieties fueled his ideological transformation. By tracing these changes in his works and writings, Lawrence's Leadership provides a nuanced understanding of Lawrence's complex relationship with modernity, masculinity, and power. The book offers a compelling analysis of how individual struggles intersect with broader political ideologies, highlighting Lawrence’s unique yet troubling role in the cultural and intellectual currents of his time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

Anne Kostelanetz Mellor

Blake's Human Form Divine

$49.95

In Blake’s Human Form Divine, the profound interplay between philosophy and stylistic principles in William Blake’s work comes to life. This study delves into Blake’s evolving perception of "form," focusing on its dual role as a philosophical concept and a defining feature of his visual-verbal art. Through detailed analysis, the book explores a central paradox in Blake’s creative journey: his simultaneous rejection of form as a constraining "Urizenic tyranny" and his reliance on bounded, outlined forms in his artwork. By 1795, Blake grappled with the dilemma of expressing divinity and imaginative freedom within the constraints of mortal, finite forms, a conflict central to both his artistic and philosophical pursuits. The study illuminates Blake’s struggle to reconcile these opposing forces, charting his journey through the interplay of visual style and poetic vision.

Blake’s stylistic roots in the late eighteenth-century neoclassical idiom of romantic classicism provide the backdrop for this exploration. Characterized by clear outlines, linear rhythms, and idealized human forms, this style shaped Blake’s early illuminated works, such as Songs of Innocence, which reflect a harmonious, self-contained vision of human divinity. However, as his philosophical outlook shifted toward a critique of reason’s dominance in society, Blake began to question the aesthetic and philosophical implications of bounded form. This internal conflict between his artistic reliance on romantic classicism and his philosophical denunciation of reason’s constraints culminated in iconic works like The Ancient of Days. Through a nuanced analysis of Blake’s poetry and visual art, this book examines how he sought to transcend these tensions, offering fresh insights into the evolution of his radical imagination.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Robert Humphrey

Stream of Consciousness in the Modern Novel

$95.00

Stream of Consciousness in the Modern Novel by Robert Humphrey is a foundational study that clarifies one of the most elusive terms in modern literary criticism. While “stream of consciousness” has often been applied loosely to a wide range of works, Humphrey offers a precise definition: fiction that emphasizes the prespeech levels of consciousness in order to reveal the psychic being of characters. Focusing on the major practitioners—Dorothy Richardson, James Joyce, Virginia Woolf, and William Faulkner—he identifies the varied purposes behind their use of inner awareness: from Woolf’s search for mystical vision, to Joyce’s comic objectivity, to Faulkner’s tragic exploration of psychic conflict. In doing so, he situates these writers within broader philosophical and psychological currents while distinguishing their methods from earlier naturalism and experimental realism.

The book is not merely theoretical but also practical, serving as an inductive manual of how stream-of-consciousness fiction is constructed. Humphrey systematically analyzes the functions, techniques, devices, and forms that shape this mode of narrative, including interior monologue, time- and space-montage, suspended coherence, and metaphorical transformation. By concentrating on technique, he demonstrates how these authors expanded the possibilities of fiction, moving beyond external action to depict the inner drama of thought, memory, and vision. First published in 1954, Stream of Consciousness in the Modern Novel remains an indispensable resource for students and scholars of modernism, offering both a framework for understanding a pivotal literary form and an evaluation of its artistic achievements.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Gary Schmidgall

Shakespeare and the Courtly Aesthetic

$49.95

Shakespeare and the Courtly Aesthetic, by Gary Schmidgall, situates *The Tempest* and the other late plays within the elaborate cultural and political framework of Jacobean court art. Schmidgall argues that to understand Shakespeare’s final dramas, one must examine the courtly aesthetic that shaped—and was shaped by—royal entertainments, masques, and visual allegories, particularly those patronized by James I. Drawing on analogies with painting, music, and spectacle, he demonstrates how Shakespeare absorbed the pressures of court taste while never being simply a partisan of court culture. Instead, his plays, and *The Tempest* above all, reflect both the allure and the dangers of a world where artifice, illusion, and spectacle could conceal as much as they revealed.

The study proceeds in two broad movements. The first half outlines the nature of the courtly aesthetic, emphasizing its rise under James and its continuities with Elizabethan culture, but also its transformation into a more baroque mode. Schmidgall carefully positions *The Tempest* within this revolution, attending to courtly traditions in masque, allegory, and political symbolism. The second half turns directly to Shakespeare’s play, analyzing its imagery, structure, and characterization in light of courtly assumptions, while acknowledging its profound ambivalence. Prospero, Ariel, Caliban, and Miranda all resonate with courtly types, but Shakespeare’s treatment of them ultimately refuses to resolve into uncritical celebration. For Schmidgall, *The Tempest* is both deeply political and strikingly comprehensive: a work of “compression and density” that condenses the inclusiveness of epic into the scope of a play. Throughout, the book insists that Shakespeare’s late style can only be appreciated by illuminating his engagement with the courtly environment, while recognizing his simultaneous skepticism toward its illusions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Michael N. Nagler

Spontaneity and Tradition

$39.95

Spontaneity and Tradition: A Study in the Oral Art of Homer by Michael N. Nagler offers a groundbreaking reappraisal of the Iliad and the Odyssey through the lens of oral poetics. Building on the work of Milman Parry and Albert Lord, Nagler demonstrates how Homer’s epics are best understood as oral-dictated performances that balance inherited formulas with the poet’s spontaneous artistry. Rather than viewing formulas and type-scenes as rigid conventions, Nagler argues that they function as dynamic resources for invention, enabling Homer to shape expansive, unified works in real time before a listening audience. Drawing on his own fieldwork with modern singers in Crete, Nagler provides a compelling analogy for how oral poets, far from being constrained, perform at their most creative when engaging an audience or even a recording device.

At once a contribution to Homeric studies and to broader debates in comparative literature, Spontaneity and Tradition reframes the “Homeric Question” by underscoring the coherence, flexibility, and depth of Homer’s art. Nagler situates the epics within a continuum of “spontaneous-traditional art,” emphasizing how oral composition-in-performance generates meaning at multiple levels—from formula and phrase to type-scene and narrative design. His analysis of textual transmission and his defense of a unitarian Homer highlight both the stability and the vitality of this tradition. Engaging with linguistics, anthropology, and literary theory, this book offers scholars a fresh perspective on Homer while modeling a method for approaching oral traditions worldwide.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Giovanni Verga

Mastro-Don Gesualdo

$95.00

Mastro-don Gesualdo by Giovanni Verga is a masterpiece of Italian verismo, offering a poignant exploration of ambition, social mobility, and personal tragedy in 19th-century Sicily. As the second novel in Verga’s ambitious cycle, I vinti ("The Doomed"), it examines humanity’s relentless pursuit of material success and the profound costs it exacts. Gesualdo Motta, a self-made man of humble origins, rises through sheer determination to become a wealthy landowner and marries into the local aristocracy. However, his newfound status isolates him from both his working-class roots and the aristocracy he strives to join. The marriage, driven by ambition rather than love, fails to bring him personal happiness or lasting legacy, as his wealth ultimately returns to the very social class he sought to surpass.

Verga’s verismo style captures the intricate social dynamics of Sicilian life with unflinching realism, blending the voices of its characters with the narrator’s restrained perspective. Gesualdo’s relentless drive for wealth and power, while initially triumphant, leads to alienation and tragedy, reflecting the novel’s broader fatalistic critique of social mobility and human ambition. Through its vivid portrayal of class struggles and the emotional toll of relentless aspiration, Mastro-don Gesualdo offers a timeless reflection on the tension between individual desires and the rigid structures of society. Verga’s meticulous attention to language and social nuance ensures the novel remains a landmark of European literary realism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

Brents Stirling

The Shakespeare Sonnet Order

$95.00

The Shakespeare Sonnet Order, Poems and Groups, by Brents Stirling, confronts one of the most persistent puzzles in Shakespeare studies: the sequence of the 1609 Quarto. Published without Shakespeare’s sanction and likely pirated by Thomas Thorpe, the Quarto is the only surviving early text of the Sonnets, but its arrangement is riddled with incoherence, abrupt shifts, and broken continuities. Stirling contends that while the volume preserves genuine “runs” of closely interconnected poems—linked by theme, syntax, or recurring imagery—it also fragments larger, coherent groups into disordered miscellany. Against the skepticism of earlier critics who saw revision as futile, he argues that Shakespeare’s practice of “intensive linkage” sets a verifiable standard by which authentic sequences may be identified and disrupted ones restored. His principle is exacting: a sonnet can be relocated only when multiple forms of evidence—logical, thematic, and verbal—converge, and only when its movement yields coherence not otherwise present.

Rather than constructing a single grand narrative or treating the Sonnets as veiled autobiography, Stirling presents them as a series of discrete but intricately designed units. These poems, he maintains, demonstrate Shakespeare’s artistry in shaping small coherent groups rather than a continuous plot. By restoring such sequences, Stirling claims to reveal “new poems” obscured by Thorpe’s disorder, offering readers the experience of Shakespeare’s lyric craft in forms closer to the poet’s design. At stake is not only textual fidelity but interpretive clarity: where the Quarto encourages disjointed or speculative readings, Stirling’s reordered groups highlight Shakespeare’s deliberate strategies of repetition, variation, and development. His study, at once skeptical of past rearrangements and bold in its method, reopens the debate over sonnet order as central to appreciating Shakespeare’s most enigmatic lyric collection.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

John E. Jordan

De Quincey to Wordsworth

$95.00

De Quincey to Wordsworth: A Biography of a Relationship delves into the dynamic and complex connection between Thomas De Quincey and William Wordsworth, chronicled through decades of revealing correspondence. This biography goes beyond the letters themselves, placing them within the broader context of their lives and interactions. It explores De Quincey's evolution from a nature-loving Oxford dropout to a celebrated master of English prose, touching upon his struggles with opium addiction, financial instability, and literary aspirations. Wordsworth emerges not just as a correspondent but as a significant influence on De Quincey's life and work, shaping his intellectual and personal journey.

Through meticulous chronological organization and editorial commentary, this book presents a rich narrative of two remarkable figures and their intertwining lives. By examining these letters alongside biographical fragments, gossip, and hearsay, readers gain a vivid glimpse into their human complexities. Moments of humor, pathos, and tragedy reveal the profound impact they had on one another, offering a compelling study of their relationship and its influence on their art. This work serves as both a testament to their creativity and an intimate portrayal of their shared and individual struggles.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Alice Lotvin Birney

Satiric Catharsis in Shakespeare

$95.00

Alice Lotvin Birney reopens the most intractable question in aesthetics—catharsis—and relocates it in the charged arena of satire. Arguing that Aristotle’s purgation can illuminate drama driven by invective as surely as it explains tragedy, Satiric Catharsis in Shakespeare proposes a twofold model: the satirist’s own psychic “release” and the audience’s socially consequential purgation. Through closely argued, exegetical readings, Birney tracks how Shakespeare manipulates hatred, censure, and reformist energy—emotions native to satire—either to purge them harmlessly or to leave them provocatively unresolved. Four early histories culminating in *Richard III* reveal the curse as primitive satire; the Henriad tests whether Falstaff’s corrosive wit cleanses or corrupts; *As You Like It* models a comic society that expels its railer to restore equilibrium; *Troilus and Cressida* refuses release, letting Thersites’ disease-like scorn infect the whole play; *Timon of Athens* completes a cathartic circle in which the misanthrope dies as tragic scapegoat.

Birney’s governing insight is structural and political. Where Plato feared art that agitates the polis, Shakespeare sometimes prevents satiric catharsis so that satire “works,” and sometimes effects catharsis to stabilize the fictional commonwealth—and, by implication, its audience. Bridging classical theory and Renaissance stagecraft, the book clarifies how mimetic “cures” (scapegoat expulsions) differ from disturbances intended to spur change, and how Shakespeare calibrates that choice through voice, plot stasis or resolution, and the placement of the satirist within the action. A substantial critical apparatus surveys scholarship through 1968, while the conclusion extends the model from Aristophanes to Brecht. Written with clarity and argumentative rigor, this study offers Shakespeareans, theorists of satire, and historians of performance a durable framework for understanding how dramatic structures manage the volatile energies of social critique.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

John E. Jordan

De Quincey to Wordsworth

$49.95

De Quincey to Wordsworth: A Biography of a Relationship delves into the dynamic and complex connection between Thomas De Quincey and William Wordsworth, chronicled through decades of revealing correspondence. This biography goes beyond the letters themselves, placing them within the broader context of their lives and interactions. It explores De Quincey's evolution from a nature-loving Oxford dropout to a celebrated master of English prose, touching upon his struggles with opium addiction, financial instability, and literary aspirations. Wordsworth emerges not just as a correspondent but as a significant influence on De Quincey's life and work, shaping his intellectual and personal journey.

Through meticulous chronological organization and editorial commentary, this book presents a rich narrative of two remarkable figures and their intertwining lives. By examining these letters alongside biographical fragments, gossip, and hearsay, readers gain a vivid glimpse into their human complexities. Moments of humor, pathos, and tragedy reveal the profound impact they had on one another, offering a compelling study of their relationship and its influence on their art. This work serves as both a testament to their creativity and an intimate portrayal of their shared and individual struggles.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Bertrand Evans

Gothic Drama from Walpole to Shelley

$39.95

Gothic Drama from Walpole to Shelley examines the often-overlooked realm of Gothic drama in the late 18th and early 19th centuries, arguing that it deserves equal attention to its more famous counterpart, the Gothic novel. While the Gothic novel, with its castles, tyrants, and eerie atmospheres, has been extensively studied and linked to the Romantic movement, Gothic drama has remained in relative obscurity. Yet, the plays of this period offer unique insights into the cultural and aesthetic shifts of the era, including the transition from the Age of Johnson to the Age of Byron. The study asserts that Gothic drama not only reflects the same fascination with mystery, terror, and the supernatural as Gothic novels but also provides a crucial bridge in understanding the evolution of literary tropes, such as the transformation of the Gothic villain into the Byronic hero.

The work highlights the importance of Gothic drama in shaping Romantic literature, particularly through the dramatic medium's continuity from Walpole to Shelley. Unlike novels, the plays reveal a direct lineage that influenced Romantic poets, many of whom wrote works in the Gothic tradition. The study explores how the machinery of Gothic literature—its castles, villains, and themes of terror—expanded to include non-medieval elements like forests and banditti, all while retaining its core rooted in the ruin and the associated mood of gloom. This accumulation of elements, driven by the 18th-century fascination with medievalism, demonstrates the Gothic's adaptability and influence. By tracing the gradual evolution of the Gothic villain into the Romantic hero within the dramatic form, this study sheds light on a literary transformation that profoundly impacted the Romantic movement and beyond.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1947.

Bertrand Evans

Gothic Drama from Walpole to Shelley

$95.00

Gothic Drama from Walpole to Shelley examines the often-overlooked realm of Gothic drama in the late 18th and early 19th centuries, arguing that it deserves equal attention to its more famous counterpart, the Gothic novel. While the Gothic novel, with its castles, tyrants, and eerie atmospheres, has been extensively studied and linked to the Romantic movement, Gothic drama has remained in relative obscurity. Yet, the plays of this period offer unique insights into the cultural and aesthetic shifts of the era, including the transition from the Age of Johnson to the Age of Byron. The study asserts that Gothic drama not only reflects the same fascination with mystery, terror, and the supernatural as Gothic novels but also provides a crucial bridge in understanding the evolution of literary tropes, such as the transformation of the Gothic villain into the Byronic hero.

The work highlights the importance of Gothic drama in shaping Romantic literature, particularly through the dramatic medium's continuity from Walpole to Shelley. Unlike novels, the plays reveal a direct lineage that influenced Romantic poets, many of whom wrote works in the Gothic tradition. The study explores how the machinery of Gothic literature—its castles, villains, and themes of terror—expanded to include non-medieval elements like forests and banditti, all while retaining its core rooted in the ruin and the associated mood of gloom. This accumulation of elements, driven by the 18th-century fascination with medievalism, demonstrates the Gothic's adaptability and influence. By tracing the gradual evolution of the Gothic villain into the Romantic hero within the dramatic form, this study sheds light on a literary transformation that profoundly impacted the Romantic movement and beyond.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1947.

Candace Slater

Trail of Miracles

$49.95

Trail of Miracles: Stories from a Pilgrimage in Northeast Brazil by Candace Slater offers a vivid literary ethnography of devotion, memory, and community in Juazeiro do Norte, a city renowned for its annual pilgrimage honoring Padre Cícero Romão Batista. Unlike most Catholic pilgrimages, Juazeiro draws more than a million people each year in honor of a priest never canonized as a saint. Through the miracle stories told by residents and pilgrims, Slater reveals how Padre Cícero’s figure continues to embody poverty, resilience, and traditional values in Northeast Brazil—while also traveling south with migrants seeking work in Brazil’s industrial centers. These narratives are not only testimonies of faith but also documents of social survival, enmeshed in hierarchies of patronage and infused with centuries-old hagiographic traditions.

Slater approaches her subject as both listener and writer, foregrounding her methods and the challenges of ethnography. Drawing on over 150 hours of recorded stories from more than 700 individuals, she examines how residents privatize Padre Cícero’s miracles as personal memories while pilgrims fashion them into communal “lives” that serve as master legends. In doing so, she highlights how oral traditions adapt across contexts, sustaining belief and identity amid poverty and rapid change. Trail of Miracles is at once a work of folklore, anthropology, and literary analysis, offering an unparalleled window into the symbolic power of Padre Cícero for millions of Brazilians. It illuminates the ways in which storytelling sustains faith, negotiates hardship, and binds individuals into a shared, if contested, sense of belonging.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

James Gindin

Postwar British Fiction

$39.95

Postwar British Fiction: New Accents and Attitudes by James Gindin offers the first comprehensive account of the striking changes in British literature after 1945. Situating novelists, dramatists, and critics in the turbulence of postwar society, Gindin charts how writers from Alan Sillitoe and Kingsley Amis to Doris Lessing, Iris Murdoch, and William Golding grappled with class realignments, political disillusionment, and the search for identity. Moving across fiction and drama, the book uncovers how satire, existential uncertainty, and comic understatement became vehicles for articulating the contradictions of a rapidly changing Britain.

Attentive to both individual artistry and shared cultural conditions, Gindin demonstrates that “angry young men” and other postwar voices were neither isolated nor opportunistic, but part of a coherent shift toward moral inquiry, iconoclasm, and the affirmation of ordinary life. Postwar British Fiction remains a foundational study for scholars of twentieth-century literature, cultural history, and theater, showing how new tones, techniques, and attitudes transformed the novel and stage into key sites for exploring social fracture and renewal.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.

James Gindin

Postwar British Fiction

$95.00

Postwar British Fiction: New Accents and Attitudes by James Gindin offers the first comprehensive account of the striking changes in British literature after 1945. Situating novelists, dramatists, and critics in the turbulence of postwar society, Gindin charts how writers from Alan Sillitoe and Kingsley Amis to Doris Lessing, Iris Murdoch, and William Golding grappled with class realignments, political disillusionment, and the search for identity. Moving across fiction and drama, the book uncovers how satire, existential uncertainty, and comic understatement became vehicles for articulating the contradictions of a rapidly changing Britain.

Attentive to both individual artistry and shared cultural conditions, Gindin demonstrates that “angry young men” and other postwar voices were neither isolated nor opportunistic, but part of a coherent shift toward moral inquiry, iconoclasm, and the affirmation of ordinary life. Postwar British Fiction remains a foundational study for scholars of twentieth-century literature, cultural history, and theater, showing how new tones, techniques, and attitudes transformed the novel and stage into key sites for exploring social fracture and renewal.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.

Candace Slater

Trail of Miracles

$95.00

Trail of Miracles: Stories from a Pilgrimage in Northeast Brazil by Candace Slater offers a vivid literary ethnography of devotion, memory, and community in Juazeiro do Norte, a city renowned for its annual pilgrimage honoring Padre Cícero Romão Batista. Unlike most Catholic pilgrimages, Juazeiro draws more than a million people each year in honor of a priest never canonized as a saint. Through the miracle stories told by residents and pilgrims, Slater reveals how Padre Cícero’s figure continues to embody poverty, resilience, and traditional values in Northeast Brazil—while also traveling south with migrants seeking work in Brazil’s industrial centers. These narratives are not only testimonies of faith but also documents of social survival, enmeshed in hierarchies of patronage and infused with centuries-old hagiographic traditions.

Slater approaches her subject as both listener and writer, foregrounding her methods and the challenges of ethnography. Drawing on over 150 hours of recorded stories from more than 700 individuals, she examines how residents privatize Padre Cícero’s miracles as personal memories while pilgrims fashion them into communal “lives” that serve as master legends. In doing so, she highlights how oral traditions adapt across contexts, sustaining belief and identity amid poverty and rapid change. Trail of Miracles is at once a work of folklore, anthropology, and literary analysis, offering an unparalleled window into the symbolic power of Padre Cícero for millions of Brazilians. It illuminates the ways in which storytelling sustains faith, negotiates hardship, and binds individuals into a shared, if contested, sense of belonging.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

James Olney

The Rhizome and the Flower

$95.00

The Rhizome and the Flower: The Perennial Philosophy—Yeats and Jung offers an ambitious exploration of what its author terms “Yeats-and-Jung,” a conceptual pairing examined not through conventional literary criticism or psychological analysis but through the broader framework of intellectual history and the “perennial philosophy.” Rather than isolating Yeats’s poetics, Jung’s psychology, or the metaphysical traditions of the Pre-Socratics and Platonism, the study investigates the ways these traditions interpenetrate, revealing a shared set of ideas about imagination, archetype, and spiritual order that defy disciplinary boundaries. The book resists straightforward categorization, instead advancing an integrative reading of Yeats and Jung as participants in—and exemplars of—a much older philosophical and symbolic lineage.

The work proceeds through an extended intellectual genealogy, situating Yeats’s symbolic system and Jung’s theory of the collective unconscious in the long tradition of Western esotericism and metaphysical thought. In doing so, it makes the case that both figures embody aspects of the perennial philosophy, a vision of reality that recurs across cultural and historical contexts. Later chapters (7 and 8) focus directly on Yeats’s poetics and Jung’s psychology, yet the study insists that these cannot be fully understood apart from their shared philosophical heritage. For specialists in modernist studies, Jungian thought, or the history of ideas, *The Rhizome and the Flower* provides not a comparative exercise but a synthetic meditation on the cultural and intellectual currents that shaped—and were reshaped by—two of the twentieth century’s most influential minds.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

James Olney

The Rhizome and the Flower

$49.95

The Rhizome and the Flower: The Perennial Philosophy—Yeats and Jung offers an ambitious exploration of what its author terms “Yeats-and-Jung,” a conceptual pairing examined not through conventional literary criticism or psychological analysis but through the broader framework of intellectual history and the “perennial philosophy.” Rather than isolating Yeats’s poetics, Jung’s psychology, or the metaphysical traditions of the Pre-Socratics and Platonism, the study investigates the ways these traditions interpenetrate, revealing a shared set of ideas about imagination, archetype, and spiritual order that defy disciplinary boundaries. The book resists straightforward categorization, instead advancing an integrative reading of Yeats and Jung as participants in—and exemplars of—a much older philosophical and symbolic lineage.

The work proceeds through an extended intellectual genealogy, situating Yeats’s symbolic system and Jung’s theory of the collective unconscious in the long tradition of Western esotericism and metaphysical thought. In doing so, it makes the case that both figures embody aspects of the perennial philosophy, a vision of reality that recurs across cultural and historical contexts. Later chapters (7 and 8) focus directly on Yeats’s poetics and Jung’s psychology, yet the study insists that these cannot be fully understood apart from their shared philosophical heritage. For specialists in modernist studies, Jungian thought, or the history of ideas, *The Rhizome and the Flower* provides not a comparative exercise but a synthetic meditation on the cultural and intellectual currents that shaped—and were reshaped by—two of the twentieth century’s most influential minds.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.

Antonio Machado

Juan de Mairena

$95.00

Antonio Machado’s Juan de Mairena is a singular work that bridges poetic and philosophical traditions, crafting an imaginative space where art, pedagogy, and metaphysics converge. As much an exploration of the Spanish soul as it is a reflection of the poet himself, this work reveals Machado's profound preoccupation with identity, otherness, and the essence of human experience. Through the voice of the fictional professor Juan de Mairena and his teacher Abel Martín, Machado delves into questions of being, time, and Spain’s cultural heritage, presenting a tapestry of aphorisms, dialogues, and musings that blend irony, introspection, and wit. This translation, including excerpts from The Apocryphal Songbooks, introduces English readers to the depth and complexity of Machado’s intellectual and artistic achievement.

The book offers more than a literary experience; it serves as an intimate dialogue with Machado's inner world, colored by the tragedies and reflections of his life. Mairena becomes not just a mouthpiece for the poet’s philosophical inclinations but a "complementary" self, allowing Machado to explore ideas he might not have expressed directly. This duality of creator and persona, coupled with Machado’s blend of existential musings and Spanish cultural critique, creates a work that is at once deeply personal and broadly resonant. As this translation demonstrates, Juan de Mairena is not merely a product of its time but a timeless inquiry into the nature of human thought, creativity, and the ineffable connections between them.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

Antonio Machado

Juan de Mairena

$39.95

Antonio Machado’s Juan de Mairena is a singular work that bridges poetic and philosophical traditions, crafting an imaginative space where art, pedagogy, and metaphysics converge. As much an exploration of the Spanish soul as it is a reflection of the poet himself, this work reveals Machado's profound preoccupation with identity, otherness, and the essence of human experience. Through the voice of the fictional professor Juan de Mairena and his teacher Abel Martín, Machado delves into questions of being, time, and Spain’s cultural heritage, presenting a tapestry of aphorisms, dialogues, and musings that blend irony, introspection, and wit. This translation, including excerpts from The Apocryphal Songbooks, introduces English readers to the depth and complexity of Machado’s intellectual and artistic achievement.

The book offers more than a literary experience; it serves as an intimate dialogue with Machado's inner world, colored by the tragedies and reflections of his life. Mairena becomes not just a mouthpiece for the poet’s philosophical inclinations but a "complementary" self, allowing Machado to explore ideas he might not have expressed directly. This duality of creator and persona, coupled with Machado’s blend of existential musings and Spanish cultural critique, creates a work that is at once deeply personal and broadly resonant. As this translation demonstrates, Juan de Mairena is not merely a product of its time but a timeless inquiry into the nature of human thought, creativity, and the ineffable connections between them.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1963.

W. D. King

Henry Irving's Waterloo

$49.95

In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself.

Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.

James T. Araki

The Ballad-Drama of Medieval Japan

$95.00

The Ballad-Drama of Medieval Japan delves into the kowaka, a ballad-drama genre that flourished during Japan’s tumultuous Medieval Era, a period shaped by samurai culture and the heroic values of loyalty and chivalry. Emerging in the 16th century, kowaka captured the martial exploits and epic struggles of the early Medieval Era, including the famed Genji-Heike conflict. Despite its initial popularity among samurai, the kowaka faded into obscurity during the Edo Period, only to be rediscovered in modern times. This study aims to reconstruct the history, artistry, and literary significance of kowaka, drawing on Japanese scholarship, field observations in Kyushu’s Oe Village (where the tradition endures), and textual analysis.

The book is divided into two parts. The first examines kowaka as a performing art, detailing its historical development, influences, and stylistic elements while highlighting the author’s original fieldwork and critiques of prior research. The second part focuses on the literary aspects of kowaka with a comprehensive analysis of its texts and translations. Through this exploration, the author strives to bridge gaps in understanding the kowaka’s aesthetic and cultural legacy while acknowledging the limitations of available research and resources. The study serves as both a detailed introduction and a foundation for future inquiries into this unique art form.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.

James T. Araki

The Ballad-Drama of Medieval Japan

$49.95

The Ballad-Drama of Medieval Japan delves into the kowaka, a ballad-drama genre that flourished during Japan’s tumultuous Medieval Era, a period shaped by samurai culture and the heroic values of loyalty and chivalry. Emerging in the 16th century, kowaka captured the martial exploits and epic struggles of the early Medieval Era, including the famed Genji-Heike conflict. Despite its initial popularity among samurai, the kowaka faded into obscurity during the Edo Period, only to be rediscovered in modern times. This study aims to reconstruct the history, artistry, and literary significance of kowaka, drawing on Japanese scholarship, field observations in Kyushu’s Oe Village (where the tradition endures), and textual analysis.

The book is divided into two parts. The first examines kowaka as a performing art, detailing its historical development, influences, and stylistic elements while highlighting the author’s original fieldwork and critiques of prior research. The second part focuses on the literary aspects of kowaka with a comprehensive analysis of its texts and translations. Through this exploration, the author strives to bridge gaps in understanding the kowaka’s aesthetic and cultural legacy while acknowledging the limitations of available research and resources. The study serves as both a detailed introduction and a foundation for future inquiries into this unique art form.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.

Robert M. Polhemus

The Changing World of Anthony Trollope

$39.95

Explore the transformative world of Anthony Trollope through Robert M. Polhemus's seminal study, The Changing World of Anthony Trollope. This work delves deep into Trollope’s mastery as a chronicler of societal shifts and individual moral dilemmas. Polhemus intricately examines Trollope's best and most representative novels, such as the Barset and Palliser series, revealing the nuanced interplay between personal growth and historical currents. From the humor and poignancy of his characters to his exploration of the evolving Victorian mindset, Trollope emerges as both a mirror of his age and a commentator on the timeless challenges of adaptation and conscience.

With a focus on Trollope’s unique ability to weave history, humor, and human emotion, Polhemus sheds light on the novelist's enduring relevance. Highlighting Trollope's celebration of the ordinary as extraordinary, the book captures his exploration of middle-class virtues and the often-overlooked complexities of everyday life. A must-read for lovers of Victorian literature, The Changing World of Anthony Trollope offers a fresh perspective on a literary giant whose works continue to resonate with modern audiences.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Janet Lembke

Bronze and Iron

$39.95

Bronze and Iron: Old Latin Poetry from Its Beginnings to 100 B.C. offers an in-depth exploration of the fragments and traditions of early Roman poetry, tracing its evolution from archaic ritual chants to more developed literary forms. This volume situates Old Latin poetry within its historical and cultural context, posing profound questions about the nature of art, the role of poetry in society, and the symbolic shifts it underwent during Rome’s formative years. Through engaging with the surviving fragments—ranging from the mystical Salian hymns to the sophisticated works of Naevius and Ennius—this study illuminates the poetic transition from collective survival and state celebration to the exploration of individual possibilities.

Divided into three sections—Historia, Mythos, and Plasmata—the book examines the factual preservation of Old Latin texts, proposes imaginative insights into their cultural and artistic significance, and offers a methodological approach to their translation. Through this framework, it investigates the maturation of poetic expression, the influence of early Roman deities like the Camenae, and the evolving purposes of poetry in the state and personal realms. Whether addressing questions about Ennius as a mathematical poet or the cinematic qualities of archaic epic, this work provides fresh perspectives on the foundations of Western poetic tradition, making it indispensable for classicists, literary historians, and anyone intrigued by the early origins of Roman art and thought.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Robert M. Polhemus

The Changing World of Anthony Trollope

$95.00

Explore the transformative world of Anthony Trollope through Robert M. Polhemus's seminal study, The Changing World of Anthony Trollope. This work delves deep into Trollope’s mastery as a chronicler of societal shifts and individual moral dilemmas. Polhemus intricately examines Trollope's best and most representative novels, such as the Barset and Palliser series, revealing the nuanced interplay between personal growth and historical currents. From the humor and poignancy of his characters to his exploration of the evolving Victorian mindset, Trollope emerges as both a mirror of his age and a commentator on the timeless challenges of adaptation and conscience.

With a focus on Trollope’s unique ability to weave history, humor, and human emotion, Polhemus sheds light on the novelist's enduring relevance. Highlighting Trollope's celebration of the ordinary as extraordinary, the book captures his exploration of middle-class virtues and the often-overlooked complexities of everyday life. A must-read for lovers of Victorian literature, The Changing World of Anthony Trollope offers a fresh perspective on a literary giant whose works continue to resonate with modern audiences.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Janet Lembke

Bronze and Iron

$95.00

Bronze and Iron: Old Latin Poetry from Its Beginnings to 100 B.C. offers an in-depth exploration of the fragments and traditions of early Roman poetry, tracing its evolution from archaic ritual chants to more developed literary forms. This volume situates Old Latin poetry within its historical and cultural context, posing profound questions about the nature of art, the role of poetry in society, and the symbolic shifts it underwent during Rome’s formative years. Through engaging with the surviving fragments—ranging from the mystical Salian hymns to the sophisticated works of Naevius and Ennius—this study illuminates the poetic transition from collective survival and state celebration to the exploration of individual possibilities.

Divided into three sections—Historia, Mythos, and Plasmata—the book examines the factual preservation of Old Latin texts, proposes imaginative insights into their cultural and artistic significance, and offers a methodological approach to their translation. Through this framework, it investigates the maturation of poetic expression, the influence of early Roman deities like the Camenae, and the evolving purposes of poetry in the state and personal realms. Whether addressing questions about Ennius as a mathematical poet or the cinematic qualities of archaic epic, this work provides fresh perspectives on the foundations of Western poetic tradition, making it indispensable for classicists, literary historians, and anyone intrigued by the early origins of Roman art and thought.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Joan Rees

Fulke Greville, Lord Brooke 1554-1628

$95.00

Dive into the enigmatic and intellectual world of Fulke Greville, a towering yet often misunderstood figure of the English Renaissance. Fulke Greville, Lord Brooke, 1554–1628: A Critical Biography unveils the life and works of this poet, statesman, and thinker whose writings combine political insight, moral philosophy, and profound religious conviction. Known as a confidant of Sir Philip Sidney and a courtier under Queen Elizabeth I, Greville’s poetry remained unpublished during his lifetime, awaiting future generations to uncover its depth. This book sheds light on Greville’s intricate exploration of human ambition, the tension between worldly honor and divine grace, and the complex interplay of power and faith.

Through meticulous scholarship, the biography examines Greville's seminal works, including Caelica, his philosophical treatises, and his dramatic plays, all of which reflect his intellectual rigor and distinctive ""plain style"" infused with moral complexity. Readers will journey through Greville's labyrinthine texts, rich with meditations on fame, virtue, and the fragility of human aspirations. With detailed historical context and insightful analysis, this critical biography brings clarity to Greville’s apocalyptic and cabalistic style, revealing a master poet whose reflections on human frailty resonate deeply across the centuries. Perfect for lovers of Renaissance literature and intellectual history, this biography reclaims Greville’s rightful place among the great poets and thinkers of his age.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

Joan Rees

Fulke Greville, Lord Brooke 1554-1628

$39.95

Dive into the enigmatic and intellectual world of Fulke Greville, a towering yet often misunderstood figure of the English Renaissance. Fulke Greville, Lord Brooke, 1554–1628: A Critical Biography unveils the life and works of this poet, statesman, and thinker whose writings combine political insight, moral philosophy, and profound religious conviction. Known as a confidant of Sir Philip Sidney and a courtier under Queen Elizabeth I, Greville’s poetry remained unpublished during his lifetime, awaiting future generations to uncover its depth. This book sheds light on Greville’s intricate exploration of human ambition, the tension between worldly honor and divine grace, and the complex interplay of power and faith.

Through meticulous scholarship, the biography examines Greville's seminal works, including Caelica, his philosophical treatises, and his dramatic plays, all of which reflect his intellectual rigor and distinctive ""plain style"" infused with moral complexity. Readers will journey through Greville's labyrinthine texts, rich with meditations on fame, virtue, and the fragility of human aspirations. With detailed historical context and insightful analysis, this critical biography brings clarity to Greville’s apocalyptic and cabalistic style, revealing a master poet whose reflections on human frailty resonate deeply across the centuries. Perfect for lovers of Renaissance literature and intellectual history, this biography reclaims Greville’s rightful place among the great poets and thinkers of his age.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

Raymond Oliver

Poems Without Names

$39.95

Poems Without Names: The English Lyric, 1200–1500 is an in-depth exploration of the Middle English lyric tradition, offering a study of anonymous poems written between 1200 and 1500. This anthology is interwoven with 86 full-text poems chosen to illustrate the structural and stylistic coherence of Middle English verse. The book delves into the anonymous and communal nature of these works, emphasizing their practical and public purpose rather than personal expression. Organized around ten thematic categories, including love poems, feast songs, Marian hymns, and morality verses, the collection reflects the oral and rhetorical foundations of the lyric tradition. The book investigates the shared stylistic elements—such as alliteration, rhyme, and metaphor—that bind these diverse poems into a unified literary tradition, creating a poetic "grammar" that transcends individual authorship.

With a focus on the functional and social aspects of these works, the study also addresses their historical and educational contexts. It highlights the role of medieval rhetorical instruction and the influence of religious and moral values on the style and purpose of the poems. By analyzing the public and communal intentions behind these verses, Poems Without Names sheds light on a poetic tradition that remains foundational to English literature. The text bridges the medieval past with modern appreciation, making these historically significant yet often overlooked works accessible to contemporary readers while underscoring their lasting influence on the English lyric form.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.

W. D. King

Henry Irving's Waterloo

$95.00

In this creative study of history and popular culture, W. D. King ingeniously illustrates how a long-forgotten instance in theatre history can reveal the very process of historical change itself.

Late in the nineteenth century, Henry Irving, the leading actor-manager of the English stage, was scathingly attacked by George Bernard Shaw for his popular performance in Conan Doyle's play, A Story of Waterloo. Shaw's review was one of the first onslaughts in a war against the old guard of the English stage, against Victorianism, against England and Empire itself. King's depiction of this event and its aftermath illuminates the period's crucial values and cultural issues, and is presented in a manner that is both convincing and highly entertaining.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.

Leonard Cabell Pronko

The World of Jean Anouilh

$95.00

The World of Jean Anouilh by Leonard Cabell Pronko presents the French dramatist as one of the twentieth century’s most incisive playwrights, a writer whose enduring reputation rests on his exploration of moral compromise, political expediency, and the tension between purity and complicity. While Anouilh’s later works after 1960 tended toward whimsy or self-conscious mannerism, his major contributions remain the serious dramas of the 1940s and the bitter comedies of the postwar decade—*Antigone*, *Ardèle*, *L’Alouette*, and the late triumph *Becket*. These plays established him not as a boulevard entertainer but as a poet of the “dirty hands” dilemma: whether to plunge into the sordid world of politics and power, as Creon does, or to refuse altogether, like Antigone or Hugo, and risk irrelevance.

Pronko situates Anouilh’s achievement in a broader cultural and theatrical frame. U.S. audiences initially resisted his bleak vision and the French conventions of *ménage à trois* and anti-realist staging, but Off- and Off-Off-Broadway, alongside the theater of the absurd, created receptive spaces. Antigone, staged during the German Occupation, became a touchstone for audiences who read in it the conflict between collaboration and resistance, even if the playwright disavowed explicit politics. Becket confirmed Anouilh’s capacity for depth after lighter boulevard pieces, while the late plays repeatedly stage upstairs/downstairs contrasts between perfumed salons and grim kitchens, dramatizing class and moral divides. Throughout, Anouilh maintained that he sought only to entertain, yet the ethical gravitas of his work, its recurring dialectic of purity and compromise, belies this modest claim. For theater practitioners and scholars alike, Pronko’s study underscores why Anouilh’s core works—above all Antigone, Becket, and La Valse des toréadors—remain essential to modern repertoires.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.

Raymond Oliver

Poems Without Names

$95.00

Poems Without Names: The English Lyric, 1200–1500 is an in-depth exploration of the Middle English lyric tradition, offering a study of anonymous poems written between 1200 and 1500. This anthology is interwoven with 86 full-text poems chosen to illustrate the structural and stylistic coherence of Middle English verse. The book delves into the anonymous and communal nature of these works, emphasizing their practical and public purpose rather than personal expression. Organized around ten thematic categories, including love poems, feast songs, Marian hymns, and morality verses, the collection reflects the oral and rhetorical foundations of the lyric tradition. The book investigates the shared stylistic elements—such as alliteration, rhyme, and metaphor—that bind these diverse poems into a unified literary tradition, creating a poetic "grammar" that transcends individual authorship.

With a focus on the functional and social aspects of these works, the study also addresses their historical and educational contexts. It highlights the role of medieval rhetorical instruction and the influence of religious and moral values on the style and purpose of the poems. By analyzing the public and communal intentions behind these verses, Poems Without Names sheds light on a poetic tradition that remains foundational to English literature. The text bridges the medieval past with modern appreciation, making these historically significant yet often overlooked works accessible to contemporary readers while underscoring their lasting influence on the English lyric form.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.

Leonard Cabell Pronko

The World of Jean Anouilh

$39.95

The World of Jean Anouilh by Leonard Cabell Pronko presents the French dramatist as one of the twentieth century’s most incisive playwrights, a writer whose enduring reputation rests on his exploration of moral compromise, political expediency, and the tension between purity and complicity. While Anouilh’s later works after 1960 tended toward whimsy or self-conscious mannerism, his major contributions remain the serious dramas of the 1940s and the bitter comedies of the postwar decade—*Antigone*, *Ardèle*, *L’Alouette*, and the late triumph *Becket*. These plays established him not as a boulevard entertainer but as a poet of the “dirty hands” dilemma: whether to plunge into the sordid world of politics and power, as Creon does, or to refuse altogether, like Antigone or Hugo, and risk irrelevance.

Pronko situates Anouilh’s achievement in a broader cultural and theatrical frame. U.S. audiences initially resisted his bleak vision and the French conventions of *ménage à trois* and anti-realist staging, but Off- and Off-Off-Broadway, alongside the theater of the absurd, created receptive spaces. Antigone, staged during the German Occupation, became a touchstone for audiences who read in it the conflict between collaboration and resistance, even if the playwright disavowed explicit politics. Becket confirmed Anouilh’s capacity for depth after lighter boulevard pieces, while the late plays repeatedly stage upstairs/downstairs contrasts between perfumed salons and grim kitchens, dramatizing class and moral divides. Throughout, Anouilh maintained that he sought only to entertain, yet the ethical gravitas of his work, its recurring dialectic of purity and compromise, belies this modest claim. For theater practitioners and scholars alike, Pronko’s study underscores why Anouilh’s core works—above all Antigone, Becket, and La Valse des toréadors—remain essential to modern repertoires.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.

Aldo Scaglione

Knights at Court

$55.00

Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.

Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.

All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people—the courtiers and knights—in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

Aldo Scaglione

Knights at Court

$95.00

Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.

Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.

All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people—the courtiers and knights—in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

Brents Stirling

The Shakespeare Sonnet Order

$49.95

The Shakespeare Sonnet Order, Poems and Groups, by Brents Stirling, confronts one of the most persistent puzzles in Shakespeare studies: the sequence of the 1609 Quarto. Published without Shakespeare’s sanction and likely pirated by Thomas Thorpe, the Quarto is the only surviving early text of the Sonnets, but its arrangement is riddled with incoherence, abrupt shifts, and broken continuities. Stirling contends that while the volume preserves genuine “runs” of closely interconnected poems—linked by theme, syntax, or recurring imagery—it also fragments larger, coherent groups into disordered miscellany. Against the skepticism of earlier critics who saw revision as futile, he argues that Shakespeare’s practice of “intensive linkage” sets a verifiable standard by which authentic sequences may be identified and disrupted ones restored. His principle is exacting: a sonnet can be relocated only when multiple forms of evidence—logical, thematic, and verbal—converge, and only when its movement yields coherence not otherwise present.

Rather than constructing a single grand narrative or treating the Sonnets as veiled autobiography, Stirling presents them as a series of discrete but intricately designed units. These poems, he maintains, demonstrate Shakespeare’s artistry in shaping small coherent groups rather than a continuous plot. By restoring such sequences, Stirling claims to reveal “new poems” obscured by Thorpe’s disorder, offering readers the experience of Shakespeare’s lyric craft in forms closer to the poet’s design. At stake is not only textual fidelity but interpretive clarity: where the Quarto encourages disjointed or speculative readings, Stirling’s reordered groups highlight Shakespeare’s deliberate strategies of repetition, variation, and development. His study, at once skeptical of past rearrangements and bold in its method, reopens the debate over sonnet order as central to appreciating Shakespeare’s most enigmatic lyric collection.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Giovanni Verga

Mastro-Don Gesualdo

$49.95

Mastro-don Gesualdo by Giovanni Verga is a masterpiece of Italian verismo, offering a poignant exploration of ambition, social mobility, and personal tragedy in 19th-century Sicily. As the second novel in Verga’s ambitious cycle, I vinti ("The Doomed"), it examines humanity’s relentless pursuit of material success and the profound costs it exacts. Gesualdo Motta, a self-made man of humble origins, rises through sheer determination to become a wealthy landowner and marries into the local aristocracy. However, his newfound status isolates him from both his working-class roots and the aristocracy he strives to join. The marriage, driven by ambition rather than love, fails to bring him personal happiness or lasting legacy, as his wealth ultimately returns to the very social class he sought to surpass.

Verga’s verismo style captures the intricate social dynamics of Sicilian life with unflinching realism, blending the voices of its characters with the narrator’s restrained perspective. Gesualdo’s relentless drive for wealth and power, while initially triumphant, leads to alienation and tragedy, reflecting the novel’s broader fatalistic critique of social mobility and human ambition. Through its vivid portrayal of class struggles and the emotional toll of relentless aspiration, Mastro-don Gesualdo offers a timeless reflection on the tension between individual desires and the rigid structures of society. Verga’s meticulous attention to language and social nuance ensures the novel remains a landmark of European literary realism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

Alice Lotvin Birney

Satiric Catharsis in Shakespeare

$39.95

Alice Lotvin Birney reopens the most intractable question in aesthetics—catharsis—and relocates it in the charged arena of satire. Arguing that Aristotle’s purgation can illuminate drama driven by invective as surely as it explains tragedy, Satiric Catharsis in Shakespeare proposes a twofold model: the satirist’s own psychic “release” and the audience’s socially consequential purgation. Through closely argued, exegetical readings, Birney tracks how Shakespeare manipulates hatred, censure, and reformist energy—emotions native to satire—either to purge them harmlessly or to leave them provocatively unresolved. Four early histories culminating in *Richard III* reveal the curse as primitive satire; the Henriad tests whether Falstaff’s corrosive wit cleanses or corrupts; *As You Like It* models a comic society that expels its railer to restore equilibrium; *Troilus and Cressida* refuses release, letting Thersites’ disease-like scorn infect the whole play; *Timon of Athens* completes a cathartic circle in which the misanthrope dies as tragic scapegoat.

Birney’s governing insight is structural and political. Where Plato feared art that agitates the polis, Shakespeare sometimes prevents satiric catharsis so that satire “works,” and sometimes effects catharsis to stabilize the fictional commonwealth—and, by implication, its audience. Bridging classical theory and Renaissance stagecraft, the book clarifies how mimetic “cures” (scapegoat expulsions) differ from disturbances intended to spur change, and how Shakespeare calibrates that choice through voice, plot stasis or resolution, and the placement of the satirist within the action. A substantial critical apparatus surveys scholarship through 1968, while the conclusion extends the model from Aristophanes to Brecht. Written with clarity and argumentative rigor, this study offers Shakespeareans, theorists of satire, and historians of performance a durable framework for understanding how dramatic structures manage the volatile energies of social critique.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Paul A. Jorgensen

Shakespeare's Military World

$49.95

Shakespeare’s Military World by Paul A. Jorgensen offers a penetrating study of how Shakespeare imagined and dramatized the life of war. Rather than focusing only on battles staged in the theater, Jorgensen explores the full breadth of Shakespeare’s military imagination—from the music of war and the hierarchy of ranks to the plight of common soldiers, the ideals of discipline, and the tensions between war and peace. Drawing deeply on Renaissance military treatises and contemporary debates, the book situates Shakespeare’s depictions of soldiers, armies, and strategy within the Elizabethan understanding of warfare, showing how the playwright reworked classical and contemporary sources alike to shape his characters and themes.

This study illuminates Shakespeare’s world by showing how the realities and metaphors of military life informed his plays across genres. Jorgensen traces how Shakespeare’s conception of war extended beyond literal battles to encompass broader cultural concerns—disorder and order, authority and insubordination, the soldier’s role in society, and the uneasy relation between martial glory and human cost. By treating war as both lived experience and imaginative framework, Shakespeare’s Military World offers scholars and students a compelling lens through which to view the histories, tragedies, and even comedies, grounding Shakespeare’s artistry in the military ideas of his time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Edited with an Introduction by Leo Ou-fan Lee

Lu Xun and His Legacy

$49.95

Lu Xun and His Legacy explores the profound and complex impact of Lu Xun, a towering figure in modern Chinese literature, whose influence has extended far beyond his writings. Hailed as a revolutionary thinker and a literary pioneer, Lu Xun's works, including Call to Arms and Wild Grass, were instrumental in shaping the intellectual and cultural landscape of 20th-century China. The book examines the dichotomy between his public persona as a revered advocate of social reform and his private struggles with self-doubt and existential anguish. It delves into the Chinese Communist Party's canonization of Lu Xun, framing him as an ideological forerunner to Mao Zedong, while critically assessing the simplifications and distortions that resulted from this state-sponsored idealization.

The collection features interdisciplinary essays that dissect Lu Xun's literary genius, political engagement, and lasting cultural legacy. It investigates his innovative narrative techniques, his nuanced critique of Chinese society, and the tensions between his humanistic morality and revolutionary ideals. The book also highlights the varied global reception of Lu Xun's works, from Japan's deep intellectual engagement to Western scholars' burgeoning interest. Through a blend of historical context, literary analysis, and cultural commentary, Lu Xun and His Legacy offers an indispensable resource for understanding the life and works of one of China's most iconic and enigmatic figures, while charting new directions for scholarly discourse.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Edited with an Introduction by Leo Ou-fan Lee

Lu Xun and His Legacy

$95.00

Lu Xun and His Legacy explores the profound and complex impact of Lu Xun, a towering figure in modern Chinese literature, whose influence has extended far beyond his writings. Hailed as a revolutionary thinker and a literary pioneer, Lu Xun's works, including Call to Arms and Wild Grass, were instrumental in shaping the intellectual and cultural landscape of 20th-century China. The book examines the dichotomy between his public persona as a revered advocate of social reform and his private struggles with self-doubt and existential anguish. It delves into the Chinese Communist Party's canonization of Lu Xun, framing him as an ideological forerunner to Mao Zedong, while critically assessing the simplifications and distortions that resulted from this state-sponsored idealization.

The collection features interdisciplinary essays that dissect Lu Xun's literary genius, political engagement, and lasting cultural legacy. It investigates his innovative narrative techniques, his nuanced critique of Chinese society, and the tensions between his humanistic morality and revolutionary ideals. The book also highlights the varied global reception of Lu Xun's works, from Japan's deep intellectual engagement to Western scholars' burgeoning interest. Through a blend of historical context, literary analysis, and cultural commentary, Lu Xun and His Legacy offers an indispensable resource for understanding the life and works of one of China's most iconic and enigmatic figures, while charting new directions for scholarly discourse.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Paul A. Jorgensen

Shakespeare's Military World

$95.00

Shakespeare’s Military World by Paul A. Jorgensen offers a penetrating study of how Shakespeare imagined and dramatized the life of war. Rather than focusing only on battles staged in the theater, Jorgensen explores the full breadth of Shakespeare’s military imagination—from the music of war and the hierarchy of ranks to the plight of common soldiers, the ideals of discipline, and the tensions between war and peace. Drawing deeply on Renaissance military treatises and contemporary debates, the book situates Shakespeare’s depictions of soldiers, armies, and strategy within the Elizabethan understanding of warfare, showing how the playwright reworked classical and contemporary sources alike to shape his characters and themes.

This study illuminates Shakespeare’s world by showing how the realities and metaphors of military life informed his plays across genres. Jorgensen traces how Shakespeare’s conception of war extended beyond literal battles to encompass broader cultural concerns—disorder and order, authority and insubordination, the soldier’s role in society, and the uneasy relation between martial glory and human cost. By treating war as both lived experience and imaginative framework, Shakespeare’s Military World offers scholars and students a compelling lens through which to view the histories, tragedies, and even comedies, grounding Shakespeare’s artistry in the military ideas of his time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Rosalie L. Colie Edited by Barbara K. Lewalski

The Resources of Kind

$95.00

The Resources of Kind: Genre-Theory in the Renaissance, edited by Barbara K. Lewalski, presents the four Una’s Lectures delivered at Berkeley in 1972 by Rosalie Littell Colie, whose sudden death prevented their further expansion into the major study she had planned. Even in this form, the essays offer a landmark contribution to Renaissance literary history and critical theory. With Colie’s characteristic erudition and elegance, they emphasize the richness and flexibility of Renaissance genre, challenging the modern prejudice that genre constrains originality. Instead, she shows how genres act as frames of communication and metaphors for human understanding, shaping both literature and the apprehension of reality itself.

Colie identifies a central tension in Renaissance genre theory between the strict differentiation of kinds and the conception of literature as a totalizing paideia that could incorporate all knowledge. This tension opened the way for the elevation of “minor” or unconventional forms—emblems, epigrams, prose fiction, philosophical poems, dialogues—and for the invention of new forms like the essay, the picaresque novel, and the historical epic. Her lectures trace the assimilation of small forms into larger works and demonstrate how masterpieces such as Paradise Lost and King Lear achieve greatness through their encyclopedic blending of multiple genres, presenting the full range of human experience. Though unfinished, these lectures encapsulate Colie’s wide-ranging scholarship and her enduring influence, offering both new insights into Renaissance genre and a model of intellectual speculation that continues to shape the field.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Viola L. Hagopian

Italian Ars Nova Music

$95.00

The Italian Ars Nova Music: A Bibliographic Guide to Modern Editions and Related Literature is an essential resource for scholars, students, and enthusiasts of Italian Trecento music. This revised and expanded second edition reflects the vibrant and ongoing exploration of fourteenth-century Italian music, building on decades of meticulous scholarship. Originally compiled by Viola Hagopian, this guide has become a cornerstone in musicology, offering a comprehensive classification and concise descriptions of the wealth of materials related to this transformative period in music history.

The Italian Ars Nova, marked by its intricate melodic structures and the rise of the madrigal, remains a field of dynamic research, as new manuscripts and interpretations continue to emerge. With significant contributions from international scholars and institutions like the Centro di Studi sull'Ars Nova Italiana del Trecento, this volume contextualizes the music within its cultural and historical framework. This edition not only revisits earlier discoveries but also incorporates new findings, making it a crucial tool for navigating the rich and ever-expanding scholarship on this period.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Myron Simon

The Georgian Poetic

$39.95

T. S. Eliot, in his 1961 address "To Criticize the Critic," admitted that his early critiques of Georgian poetry were partly motivated by a desire to defend the Modernist poetry he and his peers championed. This personal insight reflects a broader pattern where critics, advocating for successive waves of "new" poetry in the 1920s through 1940s, often targeted the Georgians as symbols of outdated literary styles. Figures like Day Lewis used dismissive caricatures of Georgian poets, such as calling them writers of "very low vitality," to promote revolutionary poetic movements, reducing the Georgians to mere counterexamples in Modernist polemics. Over time, distinctions between Edward Marsh’s original Georgian circle and John Squire’s Neo-Georgians blurred, and the widespread disdain for Georgian poetry became an unquestioned axiom. However, the 1950s brought a reassessment through biographies, editions, correspondence, and histories that highlighted the Georgians’ pivotal role in shaping twentieth-century English poetics. The scholarship of Christopher Hassall and Robert H. Ross corrected earlier misjudgments and provided a foundation for deeper understanding, which this book aims to expand by refining their findings and exploring overlooked aspects of the Georgian poetic legacy.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

Myron Simon

The Georgian Poetic

$95.00

T. S. Eliot, in his 1961 address "To Criticize the Critic," admitted that his early critiques of Georgian poetry were partly motivated by a desire to defend the Modernist poetry he and his peers championed. This personal insight reflects a broader pattern where critics, advocating for successive waves of "new" poetry in the 1920s through 1940s, often targeted the Georgians as symbols of outdated literary styles. Figures like Day Lewis used dismissive caricatures of Georgian poets, such as calling them writers of "very low vitality," to promote revolutionary poetic movements, reducing the Georgians to mere counterexamples in Modernist polemics. Over time, distinctions between Edward Marsh’s original Georgian circle and John Squire’s Neo-Georgians blurred, and the widespread disdain for Georgian poetry became an unquestioned axiom. However, the 1950s brought a reassessment through biographies, editions, correspondence, and histories that highlighted the Georgians’ pivotal role in shaping twentieth-century English poetics. The scholarship of Christopher Hassall and Robert H. Ross corrected earlier misjudgments and provided a foundation for deeper understanding, which this book aims to expand by refining their findings and exploring overlooked aspects of the Georgian poetic legacy.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

Steven Cassedy

Flight from Eden

$95.00

Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism—from structuralism to postmodern criticism—rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.

It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

William A. Lyell, Jr.

Lu Hsun's Vision of Reality

$95.00

Lu Hsün’s Vision of Reality delves into the revolutionary shifts in modern Chinese fiction during the early 20th century, spotlighting Lu Hsün (pen name of Chou Shu-jen) as a pioneering figure in the short story genre. His seminal collections, Call to Arms (1923) and Wandering (1926), are celebrated as enduring classics, encapsulating the socio-political upheavals of the time. The book contextualizes Lu Hsün’s works within the rich cultural and historical backdrop of his hometown, Shaohsing, a city renowned for its clever inhabitants and steeped in memories of rebellion and resilience. Through vivid depictions of Shaohsing’s traditions, landscapes, and the remnants of the Taiping Rebellion, the study connects Lu Hsün’s literary vision to his roots, offering readers insights into the shaping of his critical perspective on Chinese society.

This comprehensive introduction serves both seasoned scholars and new readers, balancing an accessible narrative with in-depth analysis of Lu Hsün’s stories and their broader implications. It combines personal history, cultural critique, and literary examination, illustrating how Lu Hsün’s upbringing in a storied yet turbulent environment influenced his masterful storytelling and unflinching critique of Chinese tradition. Through translations, detailed descriptions, and scholarly commentary, the book invites readers to appreciate the depth of Lu Hsün’s contributions to modern Chinese literature and the universal themes embedded in his tales of human struggle and societal change.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

William A. Lyell, Jr.

Lu Hsun's Vision of Reality

$49.95

Lu Hsün’s Vision of Reality delves into the revolutionary shifts in modern Chinese fiction during the early 20th century, spotlighting Lu Hsün (pen name of Chou Shu-jen) as a pioneering figure in the short story genre. His seminal collections, Call to Arms (1923) and Wandering (1926), are celebrated as enduring classics, encapsulating the socio-political upheavals of the time. The book contextualizes Lu Hsün’s works within the rich cultural and historical backdrop of his hometown, Shaohsing, a city renowned for its clever inhabitants and steeped in memories of rebellion and resilience. Through vivid depictions of Shaohsing’s traditions, landscapes, and the remnants of the Taiping Rebellion, the study connects Lu Hsün’s literary vision to his roots, offering readers insights into the shaping of his critical perspective on Chinese society.

This comprehensive introduction serves both seasoned scholars and new readers, balancing an accessible narrative with in-depth analysis of Lu Hsün’s stories and their broader implications. It combines personal history, cultural critique, and literary examination, illustrating how Lu Hsün’s upbringing in a storied yet turbulent environment influenced his masterful storytelling and unflinching critique of Chinese tradition. Through translations, detailed descriptions, and scholarly commentary, the book invites readers to appreciate the depth of Lu Hsün’s contributions to modern Chinese literature and the universal themes embedded in his tales of human struggle and societal change.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.

Saad Abdullah Sowayan

Nabati Poetry

$39.95

Nabati Poetry: The Oral Poetry of Arabia offers a deep exploration of a vibrant poetic tradition that has long captured the cultural and social essence of Arabia. Rooted in the central region of Najd, Nabati poetry serves as a vernacular artistic expression of the Arabian Peninsula, blending historical narrative, tribal ethos, and personal emotion into its verse. This book illuminates the profound role Nabati poetry has played as a form of communication, social commentary, and historical documentation, transcending the boundaries of formal literary traditions. Through its study of the poetic forms, cultural context, and oral transmission, the book provides a window into the dynamic interplay between tradition and modernity, as Nabati poetry grapples with the rapid transformations of Arabian society.

The work is structured to address the aesthetic, linguistic, and historical dimensions of Nabati poetry. It delves into the composition and performance of this art form, highlighting the oral traditions that have preserved its vitality while examining its connections to classical Arabic poetry. By drawing comparisons between Nabati and classical traditions, the book situates this vernacular form within the broader framework of Arabic literature. The final sections provide an urgent call for the preservation of this fading art form, emphasizing its significance as both a historical record and a cultural treasure. Rich with poetic examples and insightful analysis, Nabati Poetry: The Oral Poetry of Arabia is an essential resource for understanding the poetic soul of premodern Arabia.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Steven Cassedy

Flight from Eden

$39.95

Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism—from structuralism to postmodern criticism—rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.

It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Saad Abdullah Sowayan

Nabati Poetry

$95.00

Nabati Poetry: The Oral Poetry of Arabia offers a deep exploration of a vibrant poetic tradition that has long captured the cultural and social essence of Arabia. Rooted in the central region of Najd, Nabati poetry serves as a vernacular artistic expression of the Arabian Peninsula, blending historical narrative, tribal ethos, and personal emotion into its verse. This book illuminates the profound role Nabati poetry has played as a form of communication, social commentary, and historical documentation, transcending the boundaries of formal literary traditions. Through its study of the poetic forms, cultural context, and oral transmission, the book provides a window into the dynamic interplay between tradition and modernity, as Nabati poetry grapples with the rapid transformations of Arabian society.

The work is structured to address the aesthetic, linguistic, and historical dimensions of Nabati poetry. It delves into the composition and performance of this art form, highlighting the oral traditions that have preserved its vitality while examining its connections to classical Arabic poetry. By drawing comparisons between Nabati and classical traditions, the book situates this vernacular form within the broader framework of Arabic literature. The final sections provide an urgent call for the preservation of this fading art form, emphasizing its significance as both a historical record and a cultural treasure. Rich with poetic examples and insightful analysis, Nabati Poetry: The Oral Poetry of Arabia is an essential resource for understanding the poetic soul of premodern Arabia.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

Amy Schrager Lang

Prophetic Woman

$39.95

Prophetic Woman: Anne Hutchinson and the Problem of Dissent in the Literature of New England offers an incisive exploration of how the story of Anne Hutchinson has been repeatedly reshaped in American cultural narratives to address anxieties about female autonomy, dissent, and individualism. Examining literary representations of Hutchinson, particularly in the works of Nathaniel Hawthorne, the study uncovers the persistent tension between the self-assertion of women in public discourse and the societal impulse to suppress that assertion. Hutchinson, infamous for her religious radicalism in Puritan Massachusetts, becomes a literary archetype of the "public woman," a figure whose defiance of established authority—whether religious, political, or literary—threatens the fabric of the social order.

This book situates the antinomian controversy not merely as a theological dispute but as a crucial episode in the broader American struggle to balance personal conviction with communal authority. The narrative of Anne Hutchinson, as reframed over centuries, functions as both a cautionary tale and a touchstone for evolving conceptions of individualism, gender roles, and power. By tracing how her story has been invoked and reinterpreted—from Puritan histories to nineteenth-century literature—Prophetic Woman reveals the deep-seated fears surrounding female intellectual and spiritual independence. It is an essential work for those interested in American literary history, feminist criticism, and the intersection of religion and cultural identity in the shaping of the national consciousness.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Amy Schrager Lang

Prophetic Woman

$95.00

Prophetic Woman: Anne Hutchinson and the Problem of Dissent in the Literature of New England offers an incisive exploration of how the story of Anne Hutchinson has been repeatedly reshaped in American cultural narratives to address anxieties about female autonomy, dissent, and individualism. Examining literary representations of Hutchinson, particularly in the works of Nathaniel Hawthorne, the study uncovers the persistent tension between the self-assertion of women in public discourse and the societal impulse to suppress that assertion. Hutchinson, infamous for her religious radicalism in Puritan Massachusetts, becomes a literary archetype of the "public woman," a figure whose defiance of established authority—whether religious, political, or literary—threatens the fabric of the social order.

This book situates the antinomian controversy not merely as a theological dispute but as a crucial episode in the broader American struggle to balance personal conviction with communal authority. The narrative of Anne Hutchinson, as reframed over centuries, functions as both a cautionary tale and a touchstone for evolving conceptions of individualism, gender roles, and power. By tracing how her story has been invoked and reinterpreted—from Puritan histories to nineteenth-century literature—Prophetic Woman reveals the deep-seated fears surrounding female intellectual and spiritual independence. It is an essential work for those interested in American literary history, feminist criticism, and the intersection of religion and cultural identity in the shaping of the national consciousness.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Susan Kirkpatrick

Las Romanticas

$95.00

A pioneering critical work that establishes the existence and elaborates the history of a female literary tradition in Spain early in the nineteenth century, this book will greatly interest specialists in Spanish literature. It also addresses those concerned with Romanticism in general, with feminist criticism, and with the cultural history of women.

Who were las románticas? The first generation of Spanish women to conceive of themselves as "writing women," they made their appearance in the press around 1841. It was the apogee of Spain's Romantic movement and of a first wave of liberal reforms, and these women gave voice to their experience as women within the terms of liberal Romantic ideology. Susan Kirkpatrick examines the textual representations that link liberal ideology, Romantic configurations of subjectivity, and women's writing, in an exciting revelation of early nineteenth-century gender consciousness.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

Barbara J. Bono

Literary Transvaluation

$39.95

Literary Transvaluation: From Vergilian Epic to Shakespearean Tragicomedy is a meticulous exploration of literary influence, focusing on how Shakespeare's works, especially Antony and Cleopatra, engage in a profound reimagining of Vergil’s Aeneid. The book introduces the concept of “transvaluation,” describing how later authors consciously reinterpret and transform the values of antecedent texts to align with new cultural and historical contexts. Through detailed analysis, the author traces this process from the epic tradition of Vergil through significant literary milestones like Augustine’s Confessions, Dante’s Divine Comedy, and Spenser’s The Faerie Queene. These works reinterpret the Aeneid's themes of duty, love, and civilization, reflecting a dynamic dialogue between classical constraints and the expressive freedom of Renaissance creativity.

The study culminates in an examination of Shakespeare’s Antony and Cleopatra as a pinnacle of this transvaluative tradition. By blending elements of epic, tragedy, and romance, Shakespeare redefines Vergilian themes of heroism and eros, creating a “discordia concors” that transcends the tragic framework of the Aeneid. The book also connects these reinterpretations to broader cultural movements, such as the Renaissance emphasis on human creativity and the evolving role of the artist as a historical agent. A final analysis of The Tempest extends this exploration, illustrating how the legacy of classical texts transforms into a myth of artistic and psychological creation in later works. Through its nuanced investigation, the book offers profound insights into the continuity and evolution of literary traditions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.

Susan Kirkpatrick

Las Romanticas

$49.95

A pioneering critical work that establishes the existence and elaborates the history of a female literary tradition in Spain early in the nineteenth century, this book will greatly interest specialists in Spanish literature. It also addresses those concerned with Romanticism in general, with feminist criticism, and with the cultural history of women.

Who were las románticas? The first generation of Spanish women to conceive of themselves as "writing women," they made their appearance in the press around 1841. It was the apogee of Spain's Romantic movement and of a first wave of liberal reforms, and these women gave voice to their experience as women within the terms of liberal Romantic ideology. Susan Kirkpatrick examines the textual representations that link liberal ideology, Romantic configurations of subjectivity, and women's writing, in an exciting revelation of early nineteenth-century gender consciousness.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

Barbara J. Bono

Literary Transvaluation

$95.00

Literary Transvaluation: From Vergilian Epic to Shakespearean Tragicomedy is a meticulous exploration of literary influence, focusing on how Shakespeare's works, especially Antony and Cleopatra, engage in a profound reimagining of Vergil’s Aeneid. The book introduces the concept of “transvaluation,” describing how later authors consciously reinterpret and transform the values of antecedent texts to align with new cultural and historical contexts. Through detailed analysis, the author traces this process from the epic tradition of Vergil through significant literary milestones like Augustine’s Confessions, Dante’s Divine Comedy, and Spenser’s The Faerie Queene. These works reinterpret the Aeneid's themes of duty, love, and civilization, reflecting a dynamic dialogue between classical constraints and the expressive freedom of Renaissance creativity.

The study culminates in an examination of Shakespeare’s Antony and Cleopatra as a pinnacle of this transvaluative tradition. By blending elements of epic, tragedy, and romance, Shakespeare redefines Vergilian themes of heroism and eros, creating a “discordia concors” that transcends the tragic framework of the Aeneid. The book also connects these reinterpretations to broader cultural movements, such as the Renaissance emphasis on human creativity and the evolving role of the artist as a historical agent. A final analysis of The Tempest extends this exploration, illustrating how the legacy of classical texts transforms into a myth of artistic and psychological creation in later works. Through its nuanced investigation, the book offers profound insights into the continuity and evolution of literary traditions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.

Hugh MacDiarmid Edited by Duncan Glen

Selected Essays of Hugh MacDiarmid

$95.00

Selected Essays of Hugh MacDiarmid, edited and introduced by Duncan Glen, brings together a wide-ranging selection of prose by the poet otherwise known as Christopher Murray Grieve, a towering figure of twentieth-century Scottish letters. While MacDiarmid is now recognized as one of the century’s great poets, his prolific prose—scattered across journals, newspapers, pamphlets, and polemical tracts—remains less accessible. Glen’s introduction situates MacDiarmid’s output within the contexts of journalism, nationalism, communism, and cultural polemic, emphasizing the urgency with which he wrote rather than stylistic polish. Trained as a reporter before the First World War and active as a journalist for over a decade thereafter, MacDiarmid developed a capacity for producing vivid, quotational, argumentative prose at speed. That facility was turned into a tool for cultural agitation: whether in The Scottish Chapbook, The Northern Review, or The Voice of Scotland, MacDiarmid used his essays to argue for a revival of Scots language, to demand recognition of Scotland’s artistic traditions, and to intervene in contemporary political debates from socialism to Douglasite economics.

The essays collected here span several decades, revealing MacDiarmid as cultural critic, propagandist, educator, and agitator. Many are framed by his broader project of a Scottish literary renaissance, in which recovering and reinventing linguistic and cultural resources were inseparable from advancing radical political commitments. Glen traces how MacDiarmid wrote not only under his own name but also pseudonymously, replying to detractors and constructing defenses of his poetry and politics in a hostile climate. The selection underscores his deep internationalism—his ability to draw on European literatures, Marx and Engels, or Ruskin and Morris—while insisting on the particularity of Scottish experience. In these essays, MacDiarmid deploys prose as a companion to his poetry: an arsenal of manifestos, critiques, and provocations that embody the restless intelligence behind his verse. This volume, long overdue, makes available the other half of MacDiarmid’s achievement and situates his cultural struggle within both Scottish and international modernism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Paul A. Jorgensen

Our Naked Frailties

$95.00

Our Naked Frailties: Sensational Art and Meaning in Macbeth by Paul A. Jorgensen offers a penetrating reinterpretation of Shakespeare’s darkest tragedy through the lens of sensational art. Jorgensen argues that Macbeth is distinguished among Shakespeare’s plays by its deliberate evocation of physical and emotional sensation—what Banquo calls “our naked frailties.” Exploring imagery, language, and atmosphere, the book demonstrates how Shakespeare crafts a play that disturbs not only the intellect but the nervous system, producing a tactile, almost bodily experience of evil. Rather than treating the sensational merely as excess, Jorgensen situates it in Renaissance traditions of biblical spectacle, witchcraft literature, and moralized violence, showing how Macbeth’s artistry magnifies horror into moral recognition.

At once a work of literary criticism and a study in Renaissance culture, the book moves from broad accounts of sensationalism in Elizabethan drama to close readings of Macbeth’s murders, blood imagery, witches, and visions of torment. Jorgensen contends that the play embodies a tragedy of crime and punishment, where the protagonist’s ordeal is rendered through poetic sensation and condign suffering. By linking Shakespeare’s dramaturgy to contemporary notions of providence, imagination, and conscience, Our Naked Frailties reveals how Macbeth achieves its haunting power: not by abstract philosophy but by forcing audiences to confront their own capacities for fear, pity, and guilty recognition. This study stands as both a defense of sensational artistry and an exploration of Shakespeare’s most viscerally unsettling work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

Hugh MacDiarmid Edited by Duncan Glen

Selected Essays of Hugh MacDiarmid

$39.95

Selected Essays of Hugh MacDiarmid, edited and introduced by Duncan Glen, brings together a wide-ranging selection of prose by the poet otherwise known as Christopher Murray Grieve, a towering figure of twentieth-century Scottish letters. While MacDiarmid is now recognized as one of the century’s great poets, his prolific prose—scattered across journals, newspapers, pamphlets, and polemical tracts—remains less accessible. Glen’s introduction situates MacDiarmid’s output within the contexts of journalism, nationalism, communism, and cultural polemic, emphasizing the urgency with which he wrote rather than stylistic polish. Trained as a reporter before the First World War and active as a journalist for over a decade thereafter, MacDiarmid developed a capacity for producing vivid, quotational, argumentative prose at speed. That facility was turned into a tool for cultural agitation: whether in The Scottish Chapbook, The Northern Review, or The Voice of Scotland, MacDiarmid used his essays to argue for a revival of Scots language, to demand recognition of Scotland’s artistic traditions, and to intervene in contemporary political debates from socialism to Douglasite economics.

The essays collected here span several decades, revealing MacDiarmid as cultural critic, propagandist, educator, and agitator. Many are framed by his broader project of a Scottish literary renaissance, in which recovering and reinventing linguistic and cultural resources were inseparable from advancing radical political commitments. Glen traces how MacDiarmid wrote not only under his own name but also pseudonymously, replying to detractors and constructing defenses of his poetry and politics in a hostile climate. The selection underscores his deep internationalism—his ability to draw on European literatures, Marx and Engels, or Ruskin and Morris—while insisting on the particularity of Scottish experience. In these essays, MacDiarmid deploys prose as a companion to his poetry: an arsenal of manifestos, critiques, and provocations that embody the restless intelligence behind his verse. This volume, long overdue, makes available the other half of MacDiarmid’s achievement and situates his cultural struggle within both Scottish and international modernism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

Grahame Smith

Dickens, Money, and Society

$39.95

Dickens, Money, and Society explores how Charles Dickens’ fiction wrestles with one of the central realities of Victorian England: the pervasive power of money. Grahame Smith traces Dickens’ evolving treatment of wealth, poverty, and social value, showing how the novelist’s characters, plots, and even comic inventions are shaped by the economic transformations of nineteenth-century Britain. From Pickwick’s exuberant humor to Martin Chuzzlewit’s satire of financial speculation, Smith demonstrates that Dickens’ novels are neither mere social reportage nor pure imaginative fancy but rather complex engagements with the moral and cultural consequences of capitalism.

Balancing close literary analysis with historical context, the book situates Dickens alongside thinkers like Ruskin, Carlyle, and Mill in their shared recognition of the destabilizing effects of a money-driven society. Smith argues that Dickens’ artistry lay in fusing didactic impulses with creative autonomy, producing narratives at once socially incisive and imaginatively free. A major contribution to Dickens studies and Victorian cultural criticism, Dickens, Money, and Society will appeal to literary scholars, historians of capitalism, and all readers interested in how fiction both reflects and critiques the economic order of its time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Paul A. Jorgensen

Our Naked Frailties

$39.95

Our Naked Frailties: Sensational Art and Meaning in Macbeth by Paul A. Jorgensen offers a penetrating reinterpretation of Shakespeare’s darkest tragedy through the lens of sensational art. Jorgensen argues that Macbeth is distinguished among Shakespeare’s plays by its deliberate evocation of physical and emotional sensation—what Banquo calls “our naked frailties.” Exploring imagery, language, and atmosphere, the book demonstrates how Shakespeare crafts a play that disturbs not only the intellect but the nervous system, producing a tactile, almost bodily experience of evil. Rather than treating the sensational merely as excess, Jorgensen situates it in Renaissance traditions of biblical spectacle, witchcraft literature, and moralized violence, showing how Macbeth’s artistry magnifies horror into moral recognition.

At once a work of literary criticism and a study in Renaissance culture, the book moves from broad accounts of sensationalism in Elizabethan drama to close readings of Macbeth’s murders, blood imagery, witches, and visions of torment. Jorgensen contends that the play embodies a tragedy of crime and punishment, where the protagonist’s ordeal is rendered through poetic sensation and condign suffering. By linking Shakespeare’s dramaturgy to contemporary notions of providence, imagination, and conscience, Our Naked Frailties reveals how Macbeth achieves its haunting power: not by abstract philosophy but by forcing audiences to confront their own capacities for fear, pity, and guilty recognition. This study stands as both a defense of sensational artistry and an exploration of Shakespeare’s most viscerally unsettling work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

Grahame Smith

Dickens, Money, and Society

$95.00

Dickens, Money, and Society explores how Charles Dickens’ fiction wrestles with one of the central realities of Victorian England: the pervasive power of money. Grahame Smith traces Dickens’ evolving treatment of wealth, poverty, and social value, showing how the novelist’s characters, plots, and even comic inventions are shaped by the economic transformations of nineteenth-century Britain. From Pickwick’s exuberant humor to Martin Chuzzlewit’s satire of financial speculation, Smith demonstrates that Dickens’ novels are neither mere social reportage nor pure imaginative fancy but rather complex engagements with the moral and cultural consequences of capitalism.

Balancing close literary analysis with historical context, the book situates Dickens alongside thinkers like Ruskin, Carlyle, and Mill in their shared recognition of the destabilizing effects of a money-driven society. Smith argues that Dickens’ artistry lay in fusing didactic impulses with creative autonomy, producing narratives at once socially incisive and imaginatively free. A major contribution to Dickens studies and Victorian cultural criticism, Dickens, Money, and Society will appeal to literary scholars, historians of capitalism, and all readers interested in how fiction both reflects and critiques the economic order of its time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

Laura Kendrick

Chaucerian Play

$39.95

In Chaucerian Play: Comedy and Control in the Canterbury Tales, the author examines the intricate relationship between laughter, fiction, and the human condition in Chaucer’s work. Drawing on Baudelaire’s assertion that humor reflects humanity’s fallibility and serves as a coping mechanism for imperfection, the book explores how Chaucer’s humor operates as both a tool for navigating life's uncertainties and a form of artistic expression. Despite medieval religious skepticism toward humor and storytelling—seen as distractions or falsehoods—Chaucer’s Canterbury Tales embraces comedy and laughter, inviting readers to question their ethical and social implications. By employing theories from thinkers like Freud and Huizinga, the study demonstrates how Chaucer’s humor and fictional play address existential fears, transform chaos into order, and provide a framework for cultural reflection. The stories in the Canterbury Tales, particularly those blending comedy and moral complexity like the Pardoner’s Tale and the Miller’s Tale, encourage audiences to engage actively with the text, uncovering deeper insights beneath the laughter.

The study situates Chaucer’s storytelling within the broader human need for art and fiction as a form of solace during periods of crisis, such as the Black Death. Chaucer’s playful narratives serve not only to entertain but to help audiences process societal anxieties, offering an ordered space where chaos can be imaginatively controlled. The Canterbury Tales creates a dynamic literary "game," where each tale interacts with others, provoking laughter while addressing serious moral and philosophical questions. This duality reflects the enduring power of storytelling to comfort and transform. By framing laughter as a denial of reality and a means of reasserting control, Chaucerian Play positions Chaucer’s work as a profound exploration of the human need for meaning and connection, highlighting the universal role of humor and fiction in confronting the complexities of life.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Laura Kendrick

Chaucerian Play

$95.00

In Chaucerian Play: Comedy and Control in the Canterbury Tales, the author examines the intricate relationship between laughter, fiction, and the human condition in Chaucer’s work. Drawing on Baudelaire’s assertion that humor reflects humanity’s fallibility and serves as a coping mechanism for imperfection, the book explores how Chaucer’s humor operates as both a tool for navigating life's uncertainties and a form of artistic expression. Despite medieval religious skepticism toward humor and storytelling—seen as distractions or falsehoods—Chaucer’s Canterbury Tales embraces comedy and laughter, inviting readers to question their ethical and social implications. By employing theories from thinkers like Freud and Huizinga, the study demonstrates how Chaucer’s humor and fictional play address existential fears, transform chaos into order, and provide a framework for cultural reflection. The stories in the Canterbury Tales, particularly those blending comedy and moral complexity like the Pardoner’s Tale and the Miller’s Tale, encourage audiences to engage actively with the text, uncovering deeper insights beneath the laughter.

The study situates Chaucer’s storytelling within the broader human need for art and fiction as a form of solace during periods of crisis, such as the Black Death. Chaucer’s playful narratives serve not only to entertain but to help audiences process societal anxieties, offering an ordered space where chaos can be imaginatively controlled. The Canterbury Tales creates a dynamic literary "game," where each tale interacts with others, provoking laughter while addressing serious moral and philosophical questions. This duality reflects the enduring power of storytelling to comfort and transform. By framing laughter as a denial of reality and a means of reasserting control, Chaucerian Play positions Chaucer’s work as a profound exploration of the human need for meaning and connection, highlighting the universal role of humor and fiction in confronting the complexities of life.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

Giovanni Verga

The She-Wolf and Other Stories

$49.95

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Giovanni Verga

The She-Wolf and Other Stories

$95.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Willard Farnham

The Medieval Heritage of Elizabethan Tragedy

$55.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1936.

Willard Farnham

The Medieval Heritage of Elizabethan Tragedy

$95.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1936.

John Traugott

Tristram Shandy's World

$95.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

John Traugott

Tristram Shandy's World

$39.95

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Alexander Gottlieb Baumgarten Translated by Karl Aschenbrenner and William B. Holther

Reflections on Poetry

$95.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Carl J. Stratman

Bibliography of Medieval Drama

$95.00

The study of medieval drama has long been hindered by the absence of a centralized, comprehensive bibliography that accommodates the wide-ranging interests of scholars and students. Existing references are often too narrow, focusing exclusively on specific genres like mysteries and miracles, or too limited in the number of entries. While resources such as Wells’s Manual provide some guidance, their segmented supplements and restricted scope fall short of addressing the broader needs of the field. This bibliography seeks to fill that gap by encompassing a wide range of materials, including liturgical plays, mysteries, miracles, moralities, and interludes, while excluding formal comedies, tragedies, and masques. By incorporating not only English drama but also influential works from France, Germany, Italy, and Spain, the bibliography underscores the interconnectedness of medieval theatrical traditions across Europe.

Organized into twelve main divisions with detailed subdivisions, the bibliography is designed for ease of use and practicality. It includes general critical studies, individual play editions, and analyses of specific works, all listed alphabetically for quick reference. Each entry provides comprehensive bibliographic details, including author names, full titles, publication information, and pagination. Starred entries highlight particularly authoritative works, and cross-references link materials spanning multiple categories. Special attention is given to unique sections, such as the comprehensive treatment of Everyman, the rarely addressed writings of Hrotswitha, and anthologies of cycle plays. Additional resources include entries for unpublished masters' and doctoral dissertations, critical book reviews, and Festschriften, offering a multidimensional view of medieval drama scholarship.

To further assist researchers, the bibliography incorporates practical tools such as library location symbols, a subject-indexing system for articles within books, and an appendix that cross-references plays with their respective anthologies. Manuscripts are cataloged wherever possible, and periodical articles are represented using standard or custom symbols for efficient reference. Appendices also provide information on library holdings of serial publications and trace plays across various collections. This detailed organization ensures that the bibliography serves as both a foundational resource for beginners and an advanced tool for seasoned scholars, encouraging deeper exploration and new contributions to the study of medieval drama.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Carl J. Stratman

Bibliography of Medieval Drama

$49.95

The study of medieval drama has long been hindered by the absence of a centralized, comprehensive bibliography that accommodates the wide-ranging interests of scholars and students. Existing references are often too narrow, focusing exclusively on specific genres like mysteries and miracles, or too limited in the number of entries. While resources such as Wells’s Manual provide some guidance, their segmented supplements and restricted scope fall short of addressing the broader needs of the field. This bibliography seeks to fill that gap by encompassing a wide range of materials, including liturgical plays, mysteries, miracles, moralities, and interludes, while excluding formal comedies, tragedies, and masques. By incorporating not only English drama but also influential works from France, Germany, Italy, and Spain, the bibliography underscores the interconnectedness of medieval theatrical traditions across Europe.

Organized into twelve main divisions with detailed subdivisions, the bibliography is designed for ease of use and practicality. It includes general critical studies, individual play editions, and analyses of specific works, all listed alphabetically for quick reference. Each entry provides comprehensive bibliographic details, including author names, full titles, publication information, and pagination. Starred entries highlight particularly authoritative works, and cross-references link materials spanning multiple categories. Special attention is given to unique sections, such as the comprehensive treatment of Everyman, the rarely addressed writings of Hrotswitha, and anthologies of cycle plays. Additional resources include entries for unpublished masters' and doctoral dissertations, critical book reviews, and Festschriften, offering a multidimensional view of medieval drama scholarship.

To further assist researchers, the bibliography incorporates practical tools such as library location symbols, a subject-indexing system for articles within books, and an appendix that cross-references plays with their respective anthologies. Manuscripts are cataloged wherever possible, and periodical articles are represented using standard or custom symbols for efficient reference. Appendices also provide information on library holdings of serial publications and trace plays across various collections. This detailed organization ensures that the bibliography serves as both a foundational resource for beginners and an advanced tool for seasoned scholars, encouraging deeper exploration and new contributions to the study of medieval drama.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

Alexander Gottlieb Baumgarten Translated by Karl Aschenbrenner and William B. Holther

Reflections on Poetry

$39.95

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

M.C. Bradbrook

The Growth and Structure of Elizabethan Comedy

$39.95

The Growth and Structure of Elizabethan Comedy is a rich exploration of the evolution, dynamics, and cultural underpinnings of comedy during the Elizabethan and Jacobean periods. This work delves into the interplay of popular traditions and learned classical influences, illustrating how Elizabethan drama emerged from the fusion of folk revelry, rhetorical traditions, and evolving theatrical practices. It examines the roots of comedy in seasonal festivals, city pageantry, and moralistic plays, while also addressing the challenges faced by playwrights as they sought to balance the expectations of public entertainment with the structured demands of classical forms. Through an engaging analysis of major figures like Shakespeare and Jonson, the book traces how these writers navigated and shaped the comedic landscape, creating works that bridged the gap between the popular and the scholarly.

This comprehensive study not only contextualizes the comedies within their historical and social milieu but also highlights their enduring relevance. The book offers insights into the vibrant collaboration between audiences and performers, the transition from oral to literary traditions, and the shifting dynamics of humor, satire, and social commentary. From the organic growth seen in Shakespeare’s works to the structured precision of Jonson’s, The Growth and Structure of Elizabethan Comedy captures the vitality and complexity of a theatrical golden age. This is an essential resource for readers interested in the artistry, innovation, and cultural significance of one of the most dynamic periods in English literary history.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

M.C. Bradbrook

The Growth and Structure of Elizabethan Comedy

$95.00

The Growth and Structure of Elizabethan Comedy is a rich exploration of the evolution, dynamics, and cultural underpinnings of comedy during the Elizabethan and Jacobean periods. This work delves into the interplay of popular traditions and learned classical influences, illustrating how Elizabethan drama emerged from the fusion of folk revelry, rhetorical traditions, and evolving theatrical practices. It examines the roots of comedy in seasonal festivals, city pageantry, and moralistic plays, while also addressing the challenges faced by playwrights as they sought to balance the expectations of public entertainment with the structured demands of classical forms. Through an engaging analysis of major figures like Shakespeare and Jonson, the book traces how these writers navigated and shaped the comedic landscape, creating works that bridged the gap between the popular and the scholarly.

This comprehensive study not only contextualizes the comedies within their historical and social milieu but also highlights their enduring relevance. The book offers insights into the vibrant collaboration between audiences and performers, the transition from oral to literary traditions, and the shifting dynamics of humor, satire, and social commentary. From the organic growth seen in Shakespeare’s works to the structured precision of Jonson’s, The Growth and Structure of Elizabethan Comedy captures the vitality and complexity of a theatrical golden age. This is an essential resource for readers interested in the artistry, innovation, and cultural significance of one of the most dynamic periods in English literary history.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.

Eudo C. Mason

Goethe's Faust

$95.00

Goethe's Faust: Its Genesis and Purport offers an exploration of one of the most complex and multifaceted works in literary history. The author delves into Faust's intricate layers, examining its genesis, historical context, and Goethe's personal experiences that influenced the play. The work navigates the significant polarities that define Goethe's masterpiece—realism and idealism, the sensual and the spiritual, and the amoral versus ethical dimensions—highlighting the tensions and synthesis that give the drama its enduring power. The study acknowledges that Faust resists definitive interpretation, as each reader is drawn to different aspects of its dualities, and its richness lies in this very tension.

This comprehensive review not only addresses Goethe's artistic intentions and thematic depth but also critiques the complexities added by decades of academic analysis. The author challenges the "Higher Critics," suggesting that their overly intricate dissection often obscures the play's accessible elements, creating unnecessary barriers for readers. Instead, the book emphasizes the need to return to the text itself, Goethe's broader oeuvre, and his poetic vision to uncover the "inner fairy tale" that underpins Faust. Drawing inspiration from influential critics like Konrad Burdach and Emil Staiger, the study ultimately seeks to balance scholarly insight with a clear understanding of Goethe's intentions, offering a pathway to appreciating the universal and timeless nature of his work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

R. W. Dent

John Webster's Borrowing

$49.95

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1960.

Eudo C. Mason

Goethe's Faust

$49.95

Goethe's Faust: Its Genesis and Purport offers an exploration of one of the most complex and multifaceted works in literary history. The author delves into Faust's intricate layers, examining its genesis, historical context, and Goethe's personal experiences that influenced the play. The work navigates the significant polarities that define Goethe's masterpiece—realism and idealism, the sensual and the spiritual, and the amoral versus ethical dimensions—highlighting the tensions and synthesis that give the drama its enduring power. The study acknowledges that Faust resists definitive interpretation, as each reader is drawn to different aspects of its dualities, and its richness lies in this very tension.

This comprehensive review not only addresses Goethe's artistic intentions and thematic depth but also critiques the complexities added by decades of academic analysis. The author challenges the "Higher Critics," suggesting that their overly intricate dissection often obscures the play's accessible elements, creating unnecessary barriers for readers. Instead, the book emphasizes the need to return to the text itself, Goethe's broader oeuvre, and his poetic vision to uncover the "inner fairy tale" that underpins Faust. Drawing inspiration from influential critics like Konrad Burdach and Emil Staiger, the study ultimately seeks to balance scholarly insight with a clear understanding of Goethe's intentions, offering a pathway to appreciating the universal and timeless nature of his work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

Dorothea Prall Radin

Eugene Onegin

$95.00

Eugene Onegin, a narrative poem by Alexander Pushkin, is often regarded as his greatest work and a landmark of Russian literature. Written intermittently from 1823 to 1831, the poem is considered a masterpiece for its insightful portrayal of Russian society and its timeless depiction of love, regret, and the clash of characters and ideals. Pushkin’s creation of Tatyana, the heroine, is especially notable, as she is viewed as the precursor to many of the compelling Russian women that would later appear in works by writers such as Turgenev, Dostoyevsky, and Tolstoy. This enduring legacy has made Eugene Onegin an essential text for students of Russian literature.

The current translation draws heavily on Professor Patrick’s meticulous prose version, which was carefully reviewed for accuracy. While earlier English translations have existed, such as Lieutenant-Colonel Spalding’s 1881 edition, this translation aims to preserve the natural flow and grace of Pushkin's original. Pushkin’s rhyme scheme, which follows a distinctive fourteen-line stanza with a specific rhyme pattern, has been adapted here to fit English while maintaining its musicality. The diction is intentionally informal to match Pushkin’s ease of expression, with slight adjustments made for cultural nuances, especially in the portrayal of Tatyana’s courageous declarations of love. This version also integrates Pushkin’s original notes and helpful commentary to ensure readers can fully appreciate the depth of the poem.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1937.

R. W. Dent

John Webster's Borrowing

$95.00

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1960.

Dorothea Prall Radin

Eugene Onegin

$39.95

Eugene Onegin, a narrative poem by Alexander Pushkin, is often regarded as his greatest work and a landmark of Russian literature. Written intermittently from 1823 to 1831, the poem is considered a masterpiece for its insightful portrayal of Russian society and its timeless depiction of love, regret, and the clash of characters and ideals. Pushkin’s creation of Tatyana, the heroine, is especially notable, as she is viewed as the precursor to many of the compelling Russian women that would later appear in works by writers such as Turgenev, Dostoyevsky, and Tolstoy. This enduring legacy has made Eugene Onegin an essential text for students of Russian literature.

The current translation draws heavily on Professor Patrick’s meticulous prose version, which was carefully reviewed for accuracy. While earlier English translations have existed, such as Lieutenant-Colonel Spalding’s 1881 edition, this translation aims to preserve the natural flow and grace of Pushkin's original. Pushkin’s rhyme scheme, which follows a distinctive fourteen-line stanza with a specific rhyme pattern, has been adapted here to fit English while maintaining its musicality. The diction is intentionally informal to match Pushkin’s ease of expression, with slight adjustments made for cultural nuances, especially in the portrayal of Tatyana’s courageous declarations of love. This version also integrates Pushkin’s original notes and helpful commentary to ensure readers can fully appreciate the depth of the poem.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1937.

Arnold Stein

The Art of Presence

$39.95

Milton’s Paradise Lost is a profound exploration of the poet’s presence within his work, blending his role as a poet-prophet with the challenges of conveying grandeur and divine themes through poetic mastery. Milton presents himself as a figure of immense dedication, overcoming personal adversities, including blindness, to embody a sense of sublime confidence and humility. His voice, deeply imbued with strength and austerity, resonates through the poem, commanding attention and reflection while balancing personal convictions with the broader truths of art and morality. The narrative voice alternates between anonymity and distinct personality, enriching the poem’s texture with moments of vibrant clarity and deliberate mystery, compelling readers to confront both its complexities and Milton's creative force. Critics have long debated the depth of Milton’s self-revelation in the poem, with interpretations ranging from seeing him as a detached craftsman to an intensely autobiographical figure. Yet, Milton's ability to merge his identity with the universal themes of his work makes Paradise Lost not only a masterpiece of literary imagination but also a testament to the enduring dialogue between creator, creation, and audience. Through this interplay, Milton transcends simple authorial presence, engaging readers in an ongoing exploration of human and divine narratives, a conversation as relevant today as in its own time.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

William Matthews

The III-Framed Knight

$39.95

The Ill-Framed Knight: A Skeptical Inquiry into the Identity of Sir Thomas Malory embarks on a meticulous and spirited investigation into the enigmatic figure behind the Le Morte d'Arthur. Author William Matthews recounts a decades-long scholarly quest sparked by a deceptively simple question, weaving through archives, libraries, and historical records in search of answers. This book offers not only a critical exploration of Malory's identity but also a vivid journey through the fields of genealogy, linguistics, and medieval history, inviting readers to join the intellectual "hunt" that has captivated the author for years.

With its lively prose and sharp skepticism, Matthews’ work is more than an academic inquiry—it’s a celebration of the process of discovery. Acknowledging the collaborative contributions of scholars, archivists, and institutions worldwide, Matthews presents a study that is at once rigorous and deeply personal. This book challenges established assumptions and raises new questions, providing readers with the excitement of unearthing historical puzzles and a fresh perspective on one of literature's enduring mysteries.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.

Gerry H. Brookes

The Rhetorical Form of Carlyle's Sartor Resartus

$39.95

The Rhetorical Form of Carlyle’sSartor Resartus by Gerry H. Brookes offers a searching reappraisal of Thomas Carlyle’s most enigmatic early masterpiece. Long considered a perplexing hybrid—part satire, part philosophy, part spiritual autobiography—Sartor Resartus has resisted conventional classification. Brookes argues instead that the work is best understood as a persuasive essay, a sustained rhetorical performance that weaves fiction and philosophy into a coherent attempt to move its readers toward belief and action. By tracing Carlyle’s invention of fictional voices such as Teufelsdröckh and the Editor, the study demonstrates how rhetorical strategy, rather than narrative consistency, drives the form of the book.

Engaging both historical context and modern critical theory, Brookes situates Sartor within the periodical culture of the 1830s, showing how its unconventional style drew from magazine satire while pressing toward a new mode of moral exhortation. Through close analysis of the work’s structure, fictional devices, and the interplay of “intuition quickened by experience,” the book clarifies how Carlyle’s Clothes Philosophy—his symbolic vision of the spiritual unity underlying material existence—was crafted not as philosophical system but as rhetorical persuasion. Essential for scholars of Romantic and Victorian literature, this study illuminates how Carlyle reshaped essay, fiction, and prophetic discourse into a singular form that anticipated both modernist experimentation and later cultural criticism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Gerry H. Brookes

The Rhetorical Form of Carlyle's Sartor Resartus

$95.00

The Rhetorical Form of Carlyle’sSartor Resartus by Gerry H. Brookes offers a searching reappraisal of Thomas Carlyle’s most enigmatic early masterpiece. Long considered a perplexing hybrid—part satire, part philosophy, part spiritual autobiography—Sartor Resartus has resisted conventional classification. Brookes argues instead that the work is best understood as a persuasive essay, a sustained rhetorical performance that weaves fiction and philosophy into a coherent attempt to move its readers toward belief and action. By tracing Carlyle’s invention of fictional voices such as Teufelsdröckh and the Editor, the study demonstrates how rhetorical strategy, rather than narrative consistency, drives the form of the book.

Engaging both historical context and modern critical theory, Brookes situates Sartor within the periodical culture of the 1830s, showing how its unconventional style drew from magazine satire while pressing toward a new mode of moral exhortation. Through close analysis of the work’s structure, fictional devices, and the interplay of “intuition quickened by experience,” the book clarifies how Carlyle’s Clothes Philosophy—his symbolic vision of the spiritual unity underlying material existence—was crafted not as philosophical system but as rhetorical persuasion. Essential for scholars of Romantic and Victorian literature, this study illuminates how Carlyle reshaped essay, fiction, and prophetic discourse into a singular form that anticipated both modernist experimentation and later cultural criticism.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Dante Gabriel Rossetti Edited by Sally Purcell

The Early Italian Poets

$95.00

The Early Italian Poets by Dante Gabriel Rossetti offers a comprehensive exploration of early Italian poetry, spanning from poets like Ciullo d'Alcamo to Dante Alighieri. Initially published in 1861, this collection features Rossetti's translations of seminal works from the Italian trecento, capturing the vibrancy and intricacies of early Italian verse in their original meters. By presenting these works to an English-speaking audience, Rossetti sought to broaden knowledge of Italy’s poetic heritage, providing insight into the stylistic and thematic developments that would later influence Dante. His translations not only serve as a valuable historical record but also reflect Rossetti's artistic sensitivity, blending scholarly rigor with poetic expression.

Rossetti’s own poetic inclinations are evident in his approach to translation, which he saw as a means of honing his craft while offering a fresh perspective on Italian poetry. As a key member of the Pre-Raphaelite Brotherhood, Rossetti brought an artist’s eye to his translations, emphasizing the detail and vividness found in the original works. His translations stand apart from his contemporaries, evoking a unique lyricism that is rich in color, rhythm, and emotion. The 1874 revised edition reorganized the material and added new poems, making this work not just a translation but also a personal reflection on the relationship between translation and creation. Through his careful and reflective translations, Rossetti introduced a poetic vitality that would resonate through Victorian English poetry, influencing poets like Ezra Pound and others in their own exploration of Italian literary traditions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Calvin Bedient

Architects of the Self

$95.00

In the post-Jane Austen era, George Eliot, D.H. Lawrence, and E.M. Forster uniquely probe the evolving nature of selfhood, each contributing to a broader dialogue on what it means to be fully human. Eliot embodies the Victorian commitment to duty and moral conscience, where restraint and selflessness form the highest ideals. In stark contrast, Lawrence celebrates instinctual vitality, emphasizing the authenticity found in embracing bodily desires as a form of spiritual truth. Forster, positioned between these two extremes, advocates a balanced integration of mind and flesh, famously urging that we "only connect." Together, these writers represent key perspectives in a shifting era where traditional Christian values gave way to modern self-assertion, reflecting a spectrum of approaches to identity amid the disintegration of Victorian norms.

These authors capture the post-Christian struggle to redefine human ideals, resonating with Nietzsche's individualism and pushing back against Victorian rigidity. Eliot, Lawrence, and Forster each envision a path toward wholeness that reflects the era’s rethinking of moral and social values. Eliot’s structured conscience, Lawrence’s fervent embrace of natural vitality, and Forster’s pursuit of harmonious connection reveal the tensions of the human experience—between duty and desire, spiritual and physical, selflessness and fulfillment. In their distinct yet complementary ways, they mark a cultural and literary transition, showing the self as a complex site of conflict and potential, redefining what it means to live fully and meaningfully in a rapidly changing world.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Dante Gabriel Rossetti Edited by Sally Purcell

The Early Italian Poets

$49.95

The Early Italian Poets by Dante Gabriel Rossetti offers a comprehensive exploration of early Italian poetry, spanning from poets like Ciullo d'Alcamo to Dante Alighieri. Initially published in 1861, this collection features Rossetti's translations of seminal works from the Italian trecento, capturing the vibrancy and intricacies of early Italian verse in their original meters. By presenting these works to an English-speaking audience, Rossetti sought to broaden knowledge of Italy’s poetic heritage, providing insight into the stylistic and thematic developments that would later influence Dante. His translations not only serve as a valuable historical record but also reflect Rossetti's artistic sensitivity, blending scholarly rigor with poetic expression.

Rossetti’s own poetic inclinations are evident in his approach to translation, which he saw as a means of honing his craft while offering a fresh perspective on Italian poetry. As a key member of the Pre-Raphaelite Brotherhood, Rossetti brought an artist’s eye to his translations, emphasizing the detail and vividness found in the original works. His translations stand apart from his contemporaries, evoking a unique lyricism that is rich in color, rhythm, and emotion. The 1874 revised edition reorganized the material and added new poems, making this work not just a translation but also a personal reflection on the relationship between translation and creation. Through his careful and reflective translations, Rossetti introduced a poetic vitality that would resonate through Victorian English poetry, influencing poets like Ezra Pound and others in their own exploration of Italian literary traditions.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Calvin Bedient

Architects of the Self

$39.95

In the post-Jane Austen era, George Eliot, D.H. Lawrence, and E.M. Forster uniquely probe the evolving nature of selfhood, each contributing to a broader dialogue on what it means to be fully human. Eliot embodies the Victorian commitment to duty and moral conscience, where restraint and selflessness form the highest ideals. In stark contrast, Lawrence celebrates instinctual vitality, emphasizing the authenticity found in embracing bodily desires as a form of spiritual truth. Forster, positioned between these two extremes, advocates a balanced integration of mind and flesh, famously urging that we "only connect." Together, these writers represent key perspectives in a shifting era where traditional Christian values gave way to modern self-assertion, reflecting a spectrum of approaches to identity amid the disintegration of Victorian norms.

These authors capture the post-Christian struggle to redefine human ideals, resonating with Nietzsche's individualism and pushing back against Victorian rigidity. Eliot, Lawrence, and Forster each envision a path toward wholeness that reflects the era’s rethinking of moral and social values. Eliot’s structured conscience, Lawrence’s fervent embrace of natural vitality, and Forster’s pursuit of harmonious connection reveal the tensions of the human experience—between duty and desire, spiritual and physical, selflessness and fulfillment. In their distinct yet complementary ways, they mark a cultural and literary transition, showing the self as a complex site of conflict and potential, redefining what it means to live fully and meaningfully in a rapidly changing world.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Ruth El Saffar

Beyond Fiction

$95.00

Beyond Fiction: The Recovery of the Feminine in Cervantes explores how Cervantes's works, particularly his long-form fiction, grapple with themes of illusion, reality, desire, and the evolving role of women in literature. The book positions Cervantes as a writer acutely aware of the limits and contradictions of literary constructs, reflecting his transition from entanglement in traditional narratives to an eventual mastery of form and meaning. The study identifies a consistent pattern in Cervantes's works, from La Galatea through Don Quixote Parts I and II, where he moves from depicting unresolved conflicts and fragmented characters to crafting stories with deeper integration and more liberated representations of both men and women. By tracing the evolution of Cervantes's narrative structures, it shows how his characters increasingly break free from conventional roles, especially those imposed by the love triangle—a recurring emblem of displaced desire in his earlier works.

This transformation is most evident in Don Quixote Part II, where Cervantes fully controls his material, integrates secondary tales seamlessly, and elevates female characters beyond their traditional roles as mere objects of male desire. Women in this later work, along with male characters like Sancho and Basilio, assert agency and individuality, reflecting a broader liberation from the confines of literary and societal archetypes. By shifting away from the constraints of pastoral and chivalric traditions, Cervantes demonstrates a profound shift in his artistic vision, using his narrative to explore truth and identity while rejecting the artificial hierarchies and illusions of his time. This study asserts that Cervantes's journey as a writer mirrors the transformative journeys of his characters, making his works a masterful interrogation of both fiction and reality.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.

William A. McClung

The Country House in English Renaissance Poetry

$95.00

The Country House in English Renaissance Poetry explores a unique literary genre that emerged during the seventeenth century, celebrating the ideals of the English manor estate while critiquing the societal shifts that threatened its values. These poems, written by figures such as Ben Jonson, Andrew Marvell, Robert Herrick, and Thomas Carew, praise the virtues of traditional manorial life—hospitality, responsibility, and order—set against the backdrop of expansive and ostentatious estates built by political elites of the Elizabethan and Jacobean periods. By juxtaposing the modest yet harmonious homes of families like the Sidneys of Penshurst against the grandiose mansions of newly affluent courtiers, these works reflect a nostalgia for a simpler, more virtuous era, tied to a hierarchical and agrarian ideal.

The book examines the classical and social influences on the genre, tracing its roots to Roman poets like Martial and its connections to the myth of the Golden Age. It also delves into the architectural and societal contexts of the period, demonstrating how poets critiqued modern extravagance and upheld the moral prestige of country living. Through a detailed analysis of seminal works, the study reveals how these poets used the country house as both a symbol of cultural stability and a stage for their critiques of contemporary life, blending aesthetic appreciation with social commentary. The genre, deeply intertwined with notions of labor, productivity, and divine order, serves as a lens through which to view the changing dynamics of seventeenth-century England.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.