Native American Heritage Month

For young readers, an inspiring story about a river, a successful Native-led movement for environmental justice, and the making of a scientist.

Growing up in the Yurok and Karuk Tribes, Brook Thompson learned to care for the fish that nurtured her and her family. She knew that along the Klamath River in Northern California, salmon and lampreys are a needed part of life. But she also saw how these fish were in danger. People had built dams along the Klamath River, making it very hard for salmon and lampreys to live. Tribal people and their friends organized to have four of the dams removed, and they won. In I Love Salmon and Lampreys, Thompson tells this inspiring tale, and she shares how it motivated her to become a scientist. Featuring adorable illustrations by Anastasia Khmelevska, as well as fun facts about salmon and lampreys, this is a stirring story about stewarding nature for the generations to come.

This alphabet board book welcomes youngsters of all cultures into the abundant world of Native California.

Beautiful illustrations of animals, plants, and cultural objects show off the spectacular diversity of California's indigenous cultures and environments. Sturdy enough to withstand any toddler's grasp, A Is for Acorn is a playful, loving introduction to California's oldest and most abiding sense of itself.

Now in paperback and newly expanded, this gripping memoir is hailed as essential by Joy Harjo, Leslie Marmon Silko, and ELLE magazine—among others.

Bad Indians—part tribal history, part lyric and intimate memoir—is essential reading for anyone seeking to learn about California Indian history, past and present. Widely adopted in classrooms and book clubs throughout the United States, Bad Indians—now reissued in significantly expanded form—plumbs ancestry, survivance, and the cultural memory of Native California.

In this best-selling, now-classic memoir, Deborah A. Miranda tells stories of her Ohlone/Costanoan-Esselen family and the experiences of California Indians more widely through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems. This expanded edition includes several new poems and essays, as well as an extensive afterword, totaling more than fifty pages of new material. Wise, indignant, and playful all at once, Bad Indians is a beautiful and devastating read, and an indispensable book for anyone seeking a more just and accurate telling of American history.

Selected by the San Francisco Chronicle’s as one of the top 100 western nonfiction books of the twentieth century.

“Beautifully imagined and written.”—Alice Walker

One of the most ground-breaking and highly-acclaimed titles that Heyday has published, The Ohlone Way describes the culture of the Indian people who inhabited Bay Area prior to the arrival of Europeans. With clear and accessible writing that is spirited and at the same time informed, Malcolm Margolin vividly recreates the Ohlones’ lost world. From his unique vantage point as a “friend of the family,” he updates this classic text with a new preface that tells stories of the Ohlones’ continued endurance and resurgence.

The follow-up to Heyday's best-selling A Is for Acorn takes young readers to a Native California Big Time, with Coyote as their guide.

Counting from one clapperstick up to ten stars twinkling above the gathering, Coyote explores indigenous cultural traditions, including songs, dances, hand games, art—and, of course, delicious food. Lyn Risling's beautiful illustrations depict the diversity of traditions that continue to thrive throughout the state. At once a fun introduction to numbers and a celebration of community, this lively counting book shows babies and toddlers how to take in the beautiful world around them.

Contemporary accounts of urban Native identity in two pan-Indian communities

In the last half century, changing racial and cultural dynamics in the United States have caused an explosion in the number of people claiming to be American Indian, from just over half a million in 1960 to over three million in 2013. Additionally, seven out of ten American Indians live in or near cities, rather than in tribal communities, and that number is growing.

In Indigenous Memory, Urban Reality, Michelle Jacobs examines the new reality of the American Indian urban experience. Drawing on ethnographic research conducted over two and a half years, Jacobs focuses on how some individuals are invested in reclaiming Indigenous identities whereas others are more invested in relocating their sense of self to the urban environment. These groups not only apply different meanings to indigeneity, but they also develop different strategies for asserting and maintaining Native identities in an urban space inundated with false memories and fake icons of “Indian-ness.” Jacobs shows that “Indianness” is a highly contested phenomenon among these two groups: some are accused of being "wannabes" who merely "play Indian," while others are accused of being exclusionary and "policing the boundaries of Indianness." Taken together, the interconnected stories of relocators and reclaimers expose the struggles of Indigenous and Indigenous-identified participants in urban pan-Indian communities. Indigenous Memory, Urban Reality offers a complicated portrait of who can rightfully claim and enact American Indian identities and what that tells us about how race is “made” today.

First written in Chamtéela and developed in accordance with fourth grade Common Core State Standards, Dear Miss Karana tells a compelling story of family, determination, and cultural perseverance.

A New York Times 100 Best Books of the 21st Century Readers Pick 

#1 New York Times Bestseller

A Washington Post and Los Angeles Times Bestseller

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on "a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise" (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

Wynema: A Child of the Forest (1891) is a novel by Muscogee American writer Sophia Alice Callahan. Published when the author was only 23 years old, Wynema: A Child of the Forest is the first novel written by an American Indian woman. Although it gained little, if any, attention upon publication, the novel was rediscovered and reprinted in 1997. Wynema: A Child of the Forest is an essential record of the Massacre at Wounded Knee and the subsequent Lakota Ghost Dance movement, a work of fiction which looks at the suffering of American Indians through the eyes of an assimilated Muscogee woman, a character not unlike Callahan herself.

Wynema is a young Muscogee girl. Raised in Indian Territory, she is educated in English and becomes a teacher at a local mission school. There, she befriends a white coworker, whose brother she eventually marries. In time, the couple gives birth to a child and begins to raise their family. However, following the Massacre at Wounded Knee, and horrified by stories of orphaned Lakota children left to fend for themselves, Wynema and her husband decide to expand their family by adopting a young Lakota girl. Through this family narrative, Callahan examines the assimilation of American Indians into Western culture while providing a critical comparison of Christianity and the Ghost Dance religion. In its description of the events at Wounded Knee, the novel portrays heroic Lakota women risking their lives to save children from the onslaught of American soldiers, a circumstance unreported in the press’s presentation of the Massacre. Wynema: A Child of the Forest is an important and vastly unknown novel from the first woman novelist of American Indian heritage.

This edition of Sophia Alice Callahan’s Wynema: A Child of the Forest is a classic of American Indian literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Winner of the Reading the West Book Award

Winner of the Pacific Northwest Book Award

A People Best Memoir of the Year

A Kirkus Reviews Best Nonfiction of the Year Selection

A Book Riot Best Book of the Year

“I’m in awe of Chris La Tray’s storytelling. Becoming Little Shell creates a multilayered narrative from threads of personal, family, community, tribal, and national histories.”—Robin Wall Kimmerer, author of Braiding Sweetgrass

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother’s consistent mention of their Chippewa heritage.

When La Tray attended his grandfather’s funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. “Who were they?” he wondered, and “Why was I never allowed to know them?” Combining diligent research and compelling conversations with authors, activists, elders, and historians, La Tray embarks on a journey into his family’s past, discovering along the way a larger story of the complicated history of Indigenous communities—as well as the devastating effects of colonialism that continue to ripple through surviving generations. And as he comes to embrace his full identity, he eventually seeks enrollment with the Little Shell Tribe of Chippewa Indians, joining their 158-year-long struggle for federal recognition. 

Both personal and historical, Becoming Little Shell is a testament to the power of storytelling, to family and legacy, and to finding home. Infused with candor, heart, wisdom, and an abiding love for a place and a people, Chris La Tray’s remarkable journey is both revelatory and redemptive.

• A glossary of Cree animal names used throughout the text
• A letter to the reader from Julie Flett

“A wonderful place to start if you’ve never read Wagamese, a must-read if you have, and an indispensable read for everyone.” —LITERARY HUB

“We may not relight the fires that used to burn in our villages, but we can carry the embers from those fires in our hearts and learn to light new fires in a new world.”

Ojibwe tradition calls for fathers to walk their children through the world, sharing the ancient understanding “that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe.” In this new entry in the Seedbank series, an intimate series of letters to the six-year-old son from whom he was estranged, Richard Wagamese fulfills this traditional duty with grace and humility, describing his own path through life—separation from his family as a boy, substance abuse, incarceration, and ultimately the discovery of books and writing—and braiding this extraordinary story with the teachings of his people, in which animals were the teachers of human beings, until greed and a desire to control the more-than-human world led to anger, fear, and eventually profound alienation.  

At once a deeply moving memoir and a fascinating elucidation of a rich indigenous cosmology, Walking the Ojibwe Path is an unforgettable journey.

• Sheet music of Buffy Sainte-Marie's beloved song
• Notes from Sainte-Marie and Flett about their inspiration for the song and illustrations

A 2025 National Endowment for the Arts Big Reads Selection

Winner of the Minnesota Book Award

A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family’s struggle to preserve their way of life, and their sacrifices to protect what matters most.

Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn’t return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato—where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they’ve inherited.

On a winter’s day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband’s farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron—women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools.

Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.

Honors for The Seed Keeper: 

• Winner of the Minnesota Book Award in Fiction

• A BuzzFeed "Best Book of Spring"

• A Literary Hub “Most Anticipated Book of the Year”

• A Bustle “Most Anticipated Debut Novel”

• A Bon Appetit “Best Summer Read”

• A Thrillist “Best New Book of Spring”

• A Ms. Magazine “Best Book of the Year”

• A Books Are Magic “Most Anticipated Book of the Year”

• Named a “Most Anticipated Book of the Year” by The Millions

• A Daily Beast “Best Summer Read”

In a collection by the author of The Grass Dancer, a Sioux spirit travels the night sky in search of good dreams that are rendered true when he consumes them, from a Sioux elder's hope to return to her prairie home to a Harvard student's reevaluation of the learning process.

Roofwalker, made up of a unique combination of fiction and nonfiction, or "stories" and "histories," reveals the ways that native traditions and beliefs work in the lives of characters who live far from the reservation—and in the author’s own life. Many of the "histories" repeat subjects and themes found in the "stories," making Roofwalker a book in which spirits and the living commingle and Sioux culture and modern life collide with disarming power, humor, and joy.

The first seven pieces in the book are "stories," fictional accounts primarily of girls and women. In the title story, a young girl believes in the power of the "roofwalker" spirit to make her dreams come true. In "Beaded Souls," a woman is cursed by the sin of her great-grandfather, an Indian policeman who arrested Sitting Bull. "First Fruits" follows a native girl’s first-year at Harvard.

The nonfiction pieces include Power’s imaginary account of the meeting of her Phi Beta Kappa father and Sioux mother, a piece about the letters of an Irish ancestor and another in which Power and her mother visit the Field Museum in Chicago, where a native ancestor’s dress is on display.

Bold, passionate, and more urgent than ever, Debra Magpie Earling’s powerful classic novel is reborn in this new edition.

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans.

Since childhood, Louise has been pursued by Baptiste Yellow Knife, feared not only for his rough-and-tumble ways, but also for the preternatural gifts of his bloodline. Baptiste’s rival is his cousin, Charlie Kicking Woman: a man caught between worlds, torn between his duty as a tribal officer and his fascination with Louise. And then there is Harvey Stoner. The white real estate mogul can offer Louise her wildest dreams of freedom, but at what cost?

As tensions mount, Louise finds herself trying to outrun the bitter clutches of winter and the will of powerful men, facing choices that will alter her life—and end another’s—forever.

Winner of the Pacific Northwest Book Award

“An astonishing book: exotic as a dream, acrid and beautiful and honest as life.”—Barbara Kingsolver

After his mother flees back to the Lower 48, never to return, Cutuk Hawcly is raised along with his older sister and brother by his father, Abe, in an igloo on Alaska’s tundra. Cutuk learns from the local indigenous community how to survive and provide for himself by hunting, fishing, and trading, yet he’s still deemed an outsider by the Iñupiaq residents in the nearby village of Takunak because he’s white. Despite his love for Alaska’s wilderness and Dawna, a young woman in the village, he leaves for the city and its modern-world trappings. But when incompatible realities collide, Cutuk is forced to choose between two worlds, both seemingly bent on rejecting him.

A stunning, powerfully told, and authentically rendered coming-of-age novel, Ordinary Wolves brilliantly captures a young man finding his place in the world that’s shifting in ways he never imagined.

Native American cuisine comes of age in this elegant, contemporary collection that reinterprets and updates traditional Native recipes with modern, healthy twists. Andrew George Jr. was head chef for aboriginal foods at the 2010 Winter Olympics in Vancouver; his imaginative menus reflect the diverse new culinary landscape while being mindful of an ages-old reverence for the land and sea, reflecting the growing interest in a niche cuisine that is rapidly moving into the mainstream to become the "next big thing" among food trends. Andrew also works actively at making Native foods healthier and more nutritious, given that Native peoples suffer from diabetes at twice the rates of non-Natives; his recipes are lighter, less caloric, and include Asian touches, such as bison ribs with Thai spices, and a sushi roll with various cooked fish wrapped in nori. Other dishes include venison barley soup, wild berry crumble, seas asparagus salad, and buffalo tourtière.

Full of healthy, delicious, and thoroughly North American fare, Modern Native Feasts is the first Native American foods cookbook to go beyond the traditional and take a step into the twenty-first century.

Andrew George Jr. is a member of the Wet'suwet'en Nation in British Columbia. He participated on the first all-Native team at the Culinary Olympics in Frankfurt, Germany, and in 2012 was part of a group of chefs from twenty-five countries on a US State Department initiative called "Culinary Diplomacy: Promoting Cultural Understanding Through Food." His first book, A Feast for All Seasons, was published in 2010.

“A novel about the role of stories in our lives, those we tell ourselves about ourselves and those we agree to live by.” —Globe and Mail

When Franklin Starlight is called to visit his father, he has mixed emotions. Raised by the old man he was entrusted to soon after his birth, Frank is haunted by the brief and troubling moments he has shared with his father, Eldon. When he finally travels by horseback to town, he finds Eldon on the edge of death, decimated from years of drinking.

The two undertake a difficult journey into the mountainous backcountry, in search of a place for Eldon to die and be buried in the warrior way. As they travel, Eldon tells his son the story of his own life—from an impoverished childhood to combat in the Korean War and his shell-shocked return. Through the fog of pain, Eldon relates to his son these desolate moments, as well as his life’s fleeting but nonetheless crucial moments of happiness and hope, the sacrifices made in the name of love. And in telling his story, Eldon offers his son a world the boy has never seen, a history he has never known.

The third edition of the iconic collection Making Space for Indigenous Feminism features feminist, queer and two-spirit voices from across generations and locations.

Feminism has much to offer Indigenous women, and all Indigenous Peoples, in their struggles against oppression. Indigenous feminists in the first edition fought for feminism to be considered a valid and essential intellectual and activist position. The second edition animated Indigenous feminisms through real-world applications. This third edition, curated by award-wining scholar Gina Starblanket, reflects and celebrates Indigenous feminism’s intergenerational longevity through the changing landscape of anti-colonial struggle and theory. Diverse contributors examine Indigenous feminism’s ongoing relevance to contemporary contexts and debates, including queer and two-spirit approaches to decolonization, gendered and sexualized violence, storytelling and narrative, digital and land-based presence, Black and Indigenous relationalities and more. This book bridges generations of powerful Indigenous feminist thinking to demonstrate the movement’s cruciality for today.

Winner of the American Book Award
Winner of the Montana Book Award
Winner of the PNBA Book Award

“In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry.”

Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history.

Here, the young Sacajewea is bright and bold, growing strong from the hard work of “learning all ways to survive.” When her village is raided, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper. Heavy with grief, she learns how to survive at the edge of a strange new world. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves.

Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told.

The creators of Raven, Rabbit, Deer are back with another thoughtful tale of a young boy and his grandfather taking a walk through the woods and all the creatures and plants they encounter.

Walking as “quiet as mice and rabbits and deer” they come upon fresh moose droppings and set out to find the moose itself. They discover the branches where the moose ate breakfast, greet a chipmunk and goose, and inspect rosehips and pussy willows, but the moose is nowhere to be found. Finally, after accepting that they will have to try again next time, the boy and his grandfather head home… only to be met with a big surprise.

In Finding Moose, Governor General’s Award-nominated author Sue Farrell Holler gives us a glimpse into the wondrous world of nature through the eyes of a curious child. Grandpa quietly encourages this curiosity while offering answers and further lessons where he can. Illustrator Jennifer Faria draws us in with gentle paintings that make us want to reach out and touch the scenery.

“Acrylic and colored pencil artwork by debut illustrator Faria (Chippewas of Rama First Nation) startles with rich, startling winter sunset hues...Holler’s story gains from the interplay of dimensions: the affectionate relationship between the boy and his grandfather, the growing vocabulary they share, and their slow-paced appreciation of the natural world.”—Publishers Weekly *Starred Review* for Raven, Rabbit, Deer

"This is familial redemption at its finest, which is to say agonizingly complex and wholly engaging." - Booklist

Every winter, Tommy Jack McMorsey watches the meteor showers in northern Minnesota. On the long haul from Texas to Minnesota, Tommy encounters a deluded Japanese tourist determined to find the buried ransom money from the movie Fargo. When the Japanese tourist dies of exposure in Tommy Jack’s care, a media storm erupts and sets off a series of journeys into Tommy Jack’s past as he remembers the horrors of Vietnam, a love affair, and the suicide of his closest friend, Fred Howkowski.

Exploring with great insight and wit the ways images, stereotypes, and depictions intersect, Extra Indians offers a powerful glimpse into contemporary Native American life.

Essays and short stories from a celebrated Cupeño/Cahuilla journalist.

"Johnson is by turns tender and hilarious—as ever. This book is a welcome addition to his loving history of the world as he knows it." —Susan Straight, author of Sacrament

In this moving collection of short stories and essays, Gordon Lee Johnson (Cupeño/Cahuilla) cements his voice not only as a commentator on American Indian reservation life but also as a master of fiction writing. From the noir-tinged mystery of "Unholy Wine" to the gripping intensity of "Tukwut," Johnson effortlessly switches genre and perspective, vividly evoking people and places that are fictional but profoundly true to life. Johnson’s nonfiction is equally revelatory in its exploration of connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice on cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.