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Parallel lines
Describes how post-9/11 cinema, from Spike Lee’s 25th Hour (2002) to Kathryn Bigelow’s Zero Dark Thirty (2012), relates to different, and competing, versions of US national identity in the aftermath of the September 11th terrorist attacks
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Avant-garde film
Avant-Garde Film: Forms, Themes and Passions examines the variety of concerns and practices that have comprised the long history of avant-garde film at a level appropriate for undergraduate study. It covers the developments of experimental film-making since the modernist explosion in the 1920s in...
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The voice in cinema
How can a voice whose source is never seen—such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho—have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji...
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The cinema of sally potter
Internationally renowned as a filmmaker, writer and composer, Sally Potter has always been a provocateur: as a feminist filmmaker and performer, a leading light of the BFI Production Board generation, a British filmmaker Oscar-nominated for a low-budget costume drama, and a pioneer of digital cin...
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The cinema of terry gilliam
Terry Gilliam has been making movies for more than forty years, and this volume analyzes a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). The frenetic genius, auteur, and social critic continues to create indelibl...
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The new european cinema
New European Cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s. Made around the time of the revolutions of 19...
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Uncovering the holocaust
Nuit et Brouillard (Night and Fog, 1956) by Alain Resnais carried the impact of the Holocaust to the cinema screen and to societies across the world. This volume, which coincides with the fiftieth anniversary of the film's release, examines its representation of the Holocaust and documents its re...
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Dekalog 4
East Asian cinema has become a worldwide phenonemon, and directors such as Park Chan-wook, Wong Kar Wai, and Takashi Miike have become household names. Dekalog 4: On East Asian Filmmakers solicits scholars from Japan, Hong Kong, Switzerland, North America, and the U.K. to offer unique readings of...
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Documents of utopia
This timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri...
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The road movie
As analyzed in this study, from its most familiar origins in Hollywood the road movie has become a global film practice, whether as a vehicle for exploring the relationship between various national contexts and American cinema, as a means of narrating different national and continental histories,...
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Die strahlkraft der stadt [german-language edition]
?Films, in their generic, stylistic, and rhetorical variety, are modes of experience that provide a sense for the unexpected dynamics of urban life and historical reality. This understanding of cinema, as loving as it is theoretical, inspired the writings on film which form a central part of the ...
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The unsilvered screen
Leading critics from the United Kingdom, the United States, Australia, Canada, and Japan offer fresh, provocative views of canonical Surrealist works from Luis Buñuel, Jan Svankmajer, and David Lynch. They also offer lively analyses of surrealist aspects of contemporary Japanese, Russian, and Bri...
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The cinema of agnès varda
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films l...
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Revolutionary becomings
Revolutionary upheavals characterized China’s twentieth century. Ying Qian studies documentary film as an “eventful medium” deeply embedded in these upheavals and as a prism to investigate the entwined histories of media and China’s revolutionary movements.
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Latin hitchcock
This study explores how five major Spanish and Latino directors modeled their early careers on Hitchcock and his film aesthetics.
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Lachende körper
Claudia Preschl's study focusses on female performers in comedies between 1910 and 1918. The book is a contribution to the rediscovery of this early "other" cinema in which comediennes such as "Rosalie", "Léa" or Asta Nielsen played a decisive part. Lachende Körper describes the variety of prepos...
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Hollywood's censor
From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was o...
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At the end of the street in the shadow
Explores Welles’s vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture.
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The cinema of sean penn
Sean Penn’s directorial works consist of some of the most interesting and singular films made in the United States over the past twenty years.
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Playing to the camera
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us...
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Aufbrechen [german-language edition]
The founding of the Austrian Film Museum in February 1964 was part of the radical innovations in early 1960s German-language film culture. This work of historical research describes the establishment, development and early critical success of the institution – from post-war Viennese film culture ...
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New digital cinema
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium.
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Last words
Last Words features extensive interviews with contemporary directors and overviews of the directors' work
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Hitchcock's romantic irony
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at onc...
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James bond will return
Spanning the franchise’s entire history, from Sean Connery’s iconic swagger to Daniel Craig’s rougher, more visceral interpretation of the superspy, James Bond Will Return offers both academic readers and fans a comprehensive view of the series’s transformations against the backdrop of real-world...
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Eye of the century
Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests ...
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Notes for an oratorio on small things that fall
Notes for an Oratorio on Small Things That Fall is a poetic, creative, and sociological take on our contemporary silk roads and hazmat highways. The journey reconstructs a via dolorosa through the excesses and forms of exploitation, discrimination, and suffering.
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The cinema of spain and portugal
An overview of Spanish and Portuguese cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films from the early era of cinema up to the present day are featured, from directors such as Florián Rey, Juan Antonio Bardem, Luis Bunuel, Víctor Erice, Manuel Gutiérre...
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Reform cinema in iran
An inside look at parole board decision making and its consequences.
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What is japanese cinema?
What Is Japanese Cinema? is a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota Inuhiko considers films in light of both Japanese cultural particularities and cinema as a world...
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Licence to thrill
The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing...
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Unspeakable histories
William Guynn reads seven films depicting atrocities, exploring the emotional resonance that still adheres to traumatic events and the dimensions of experience that historiography leaves untouched. Unspeakable Histories argues that the film medium triggers moments of heightened awareness in which...
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Gustav deutsch
Since the 1990s, "found footage film" has flourished internationally. Among the filmmakers that gained prominence in this context of "applied media archaeology" is Gustav Deutsch, an outstanding case. His workincluding the series Film Is or Welt Spiegel Kinohas been shown widely at film festiva...
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Where film meets philosophy
The formal techniques two classic French filmmakers developed to explore cinema’s philosophical potential.
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After uniqueness
A historical-conceptual perspective on the concept of "the political"
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The essay film after fact and fiction
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. The essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genr...
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The cinema of central europe
This new volume in the Twenty-Four Frames series focuses on twenty-four key Czech, Slovak, Hungarian, and Polish films from the twenties to the present. Between the wars the cinemas of Hungary, Poland, and the former Czechoslovakia each claimed their pioneers of early cinema and attained signific...
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Fünfzig jahre österreichisches filmmuseum, 1964–2014
This is a three-volume set about the founding, the 50-year history, and the collections of the Austrian Film Museum. Volume 1 (in German) is a work of historical research, describing in detail the establishment and development of the institution—from postwar Viennese film culture and its protagon...
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Virtual publics
How does virtuality affect reality? Fourteen experts consider this question from the perspective of law, architecture, rhetoric, philosophy, and art. Nearly all of the contributors have been online since before Netscape and a graphical World Wide Web; thus they have a thorough understanding of th...
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The celluloid madonna
The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and fil...
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Weimar cinema
Taken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intri...
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Snow in august
From Gao Xingjian, a winner of the 2000 Nobel Prize for Literature, comes a "major drama about life.Snow in August blends Eastern and Western cultures. In form, there are elements of Shakespearean and Greek tragedy, but in spirit, it embodies a uniquely Eastern sensibility."—Gao XingjianSnow in A...
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The cinema of george a. romero
Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
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The marowitz compendium
Charles Marowitz was the first American to direct at the Royal Shakespeare Company and the first American to direct at the Czech National Theatre, where he nurtured numerous figures who have come to shape contemporary theater and society. The Marowitz Compendium seeks to spark a revaluation of th...
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John–ghatak–tarkovsky
This book tells the history of the protest at the Film & Television Institute of India in 2015. Amid growing state totalitarianism, technological and political transformations a redefined cinema in India emerged that created a new era in political struggle.
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The real eighties [german-language edition]
A transformative decade that witnessed the U.S. film industry's restructuring under the pressures of neoliberal globalization, the 1980s swept away the last remnants of Old and New Hollywood alike while preparing the ground for today's High Concept wasteland – thus goes an all too familiar tale o...
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Npr
The people who shaped America's public broadcasting system thought it should be "a civilized voice in a civilized community"—a clear alternative to commercial broadcasting. This book tells the story of how NPR has tried to embody this idea. Michael P. McCauley describes NPR's evolution from virtu...
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New york’s yiddish theater
In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled...
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Horror film and otherness
Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other.
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On the screen
Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. She challenges conventional narratives about the novelty of the twenty-first-century multiscreen enviro...
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Projections of war
Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classi...
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The cinema of steven soderbergh
The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, Soderbergh has directed nearly thirty films, including political provocations, digital expe...
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To desire differently
Using biographic, historical, and textual analyses to elaborate an alternative, feminist cinematic tradition, this groundbreaking study presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.
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Film authorship
Few topics in the study of film produce as much controversy as authorship. Critics, historians, and theoreticians heatedly debate film authors, arguing vociferously about the nature of film authorship and questioning whether films even have authors at all. Film Authorship evaluates these debates ...
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The subject of torture
Showcases film and television studies’ singular ability to expose and potentially disable the fantasies that sustain torture and the regimes that deploy it
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Hollywood science
Whether depicting humans battling aliens or a brave geologist saving lives as a volcano erupts, science-fiction films are an exciting visual and sensuous introduction to the workings of science and technology. These films explore a range of complex topics in vivid and accessible ways, from space ...
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Kollektion [german-language edition]
The collections of the Austrian Film Museum feature a wide range of artworks, objects, apparatus and historical documents. Picturing and describing 50 artifacts from these collections, the book suggests a non-dogmatic reading of film history. The 50 selected items represent a rough timeline, from...
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More-than-human choreography
Moritz Frischkorn takes a fresh look at recent performing arts practices that deal with everyday objects on and beyond the stage.
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They live
Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John Carpenter's singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler "...
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Chromatic modernity
Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film led the way in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Chromatic Modernity portrays the 1920s as a pivotal and profoundly chromatic period of cosmopolitan ex...
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Trash cinema
This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilçam studios (and their YouTube afterlife). Critically examining the...
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The horror genre
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wel...
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Hitchcock annual
Hitchcock Annual: Volume 17 contains essays on two of Hitchcock's most well-known films, Notorious and The Birds, and two of his lesser-known works, Juno and the Paycock and Stage Fright. It also includes a detailed study of the unused score for Frenzy by Henry Mancini, an examination of Hitchcoc...
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Astaire and rogers
Fred Astaire and Ginger Rogers endure in the American imagination. The charm and grace of their dancing in the ten films they made together, including Top Hat and Swing Time, elicit nostalgia today. Most books about the Astaire-Rogers films focus exclusively on the music and dance scenes, but thi...
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Superstar: the karen carpenter story
Banned by the Carpenter estate, Todd Haynes' experimental biopic Superstar: The Karen Carpenter Story (which uses Barbie dolls to narrate the tragic life of the American singer) has become a cult hit because of both its controversy and its rarity. This study details the film's fascinating history...
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Crossing new europe
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual an...
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Projecting race
Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights.
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Ruth beckermann [german-language edition]
With her documentaries and essay films since the late 1970s, Viennese filmmaker Ruth Beckermann has created an exciting and widely recognized body of personal/political cinema. Her work reflects on the relations between history and contemporaneity, on her life as a Jewish woman in postwar Austria...
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Electric dreamland
Amusement parks were the playgrounds of the working class in the early twentieth century, combining numerous, mechanically-based spectacles into one unique, modern cultural phenomenon. Lauren Rabinovitz describes the urban modernity engendered by these parks and their media, encouraging ordinary ...
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Pina bausch's dance theater
This volume provides new perspectives on the Tanztheater Wuppertal and its iconic founder and artistic director—Pina Bausch. This is the first book to focus on the artistic research conducted for the Tanztheater’s international coproductions, featuring interviews with dancers, collaborators, and ...
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Dekalog 1
Released in 2003, Lars von Trier and Jorgen Leth's collaborative film has been received as one of the most intriguing and significant cinematic works of recent times. The film comprises five episodes, each a re-creation of Leth's classic film The Perfect Human (1967), but with five different crea...
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The cinema of krzysztof kieslowski
Since his death in 1996, Krzysztof Kieslowski has remained the best-known contemporary Polish filmmaker and one of the most popular and respected European directors, internationally renowned for his ambitious Decalogue and Three Colors trilogy. In this new addition to the Directors'Cuts series, M...
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The orphan of zhao and other yuan plays
The zaju in this volume explore the consequences of loyalty and betrayal, ambition and enlightenment, and piety and drunkenness.
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The trouble with men
A collection of original essays focusing on masculinity and film, particularly the representation of European masculinity. Spilt into four sections—stars, class and race, fathers and bodies—areas covered include the Carmen films, Yiddish cinema, romantic comedy and beur cinema.
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Theatre and evolution from ibsen to beckett
Reveals the deep, transformative entanglement among science, art, and culture in modern times
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