PM Press

Riding More with Less is the bike repair manual for everyone else.

Pulling away from the obsolescence and disposability so often implied within consumer economies, the book surveys experienced community bike shop mechanics worldwide to identify the best and safest repair solutions when new parts are not an option. For those already familiar with the finer arts of bicycle preservation, Riding More with Less aligns the most useful technical references within a well-organized compilation of the most effective low-cost and for-free repair techniques. And for the uninitiated, the book includes an overview of the community bike shops many readers may find in their own neighborhoods, where many begin to discover real alternatives.

Presented in a compact and info-rich writing style, the technical discussion within Riding More with Less goes beyond identifying innovative techniques for fixing bikes with little or no money to demonstrate just how common these approaches really are. Most cyclists globally do not ride expensive or even modern ones, after all, and from this perspective the option of new repair parts might even be exceptional, rather than normative. Moreover, the Covid pandemic underlines how supply chain disruptions beyond our control can lead larger numbers of people towards reusing salvageable bike parts and other creative solutions.

We're in turbulent times. The US is experiencing its first Pluto Return, and Uranus, Neptune, and Pluto are all set to move into new zodiac signs in the near future.

The astrology suggests that we're collectively standing on the precipice of a major shift here on Earth. So, how do we use this astrological energy of change to our advantage? The 78 tarot archetypes invite us to self-reflect and entertain curiosity around designing our future within our larger communities. During these times of intense transformation, tarot can act as both a mirror and an anchor for personal empowerment, reminding us that we write our tomorrow. This DIY quality is reflected in the Turning Terrestrial Tides Tarot artwork. The travel-friendly, poker-sized deck was created in the approachable cut-and-paste collage style of 90s zines and includes the astrological linkages to each tarot archetype as well as words to reflect on, both on the cards and within the included mini guidebook.

They were unlike any other band in the punk scene they called home.

NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.

NoMeansNo: From Obscurity to Oblivion is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.

For established fans, this book serves as a "love letter" to their favorite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.

Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist.

From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published on a slightly larger American press), All We Have Is the Story chronicles the life and work—to date—of “Probably the most influential novelist of the post-war period.” (The Times)

Drawing deeply on a radical tradition that is simultaneously political, philosophical, cultural, and literary, James Kelman articulates the complexities and tensions of the craft of writing; the narrative voice and grammar; imperialism and language; art and value; solidarity and empathy; class and nation state; and. above all, that it begins and ends with the story.

“One of the things the establishment always does is isolate voices of dissent and make them specific—unique if possible. It's easy to dispense with dissent if you can say there's him in prose and him in poetry. As soon as you say there's him, him, and her there, and that guy here and that woman over there, and there's all these other writers in Africa, and then you've got Ireland, the Caribean—suddenly there's this kind of mass dissent going on, and that becomes something dangerous, something that the establishment won't want people to relate to and go Christ, you're doing the same as me. Suddenly there's a movement going on. It's fine when it's all these disparate voices; you can contain that. The first thing to do with dissent is say ‘You're on your own, you're a phenomenon.’ I'm not a phenomenon at all: I'm just a part of what's been happening in prose for a long, long while.” —James Kelman from a 1993 interview

Magic is an essential tool for healing and social change within our communities.

Liberation Tarot is a collection of 79 tarot cards and accompanying guidebook, created over the course of four years by more than thirty artists and writers living in the US, Canada, France, Brazil, Palestine, and Mexico. The booklet includes an introduction from deck organizer Elicia Epstein, insightful essays by adrienne maree brown and lawrence barriner II, and beautifully crafted card descriptions from poet emet ezell.

Following in the lineage of projects like Slow Holler, The Collective Tarot, and Next World Tarot, Liberation Tarot seeks to serve as a tool for those inspired towards revolution in the face of the able-centered, capitalist, heterocis-normative, white-supremacist patriarchy.

Tarot helps us re-write the vocabulary of power, and with it, to strengthen our muscles of radical, revolutionary, and abolitionist dreaming. The deck eschews conventional tarot cards like the Emperor or Knight in favor of non-hierarchical cards honoring revolutionary concepts and figures such as the Crone, the Healer, and the Rebel, among others. Figures in the deck have bodies of all shapes and sizes, colors, genders, ages, and abilities—together, elaborating a vision of collective liberation and co-resistance.

Featuring artwork by INVASORIX, Eva Wǒ, Elicia Epstein, Cole James, Danielle Wright, As They Lay (Karryl Eugene and Abdu Ali), Charmaine Bee, Petra Floyd and Cyree Jarelle Johnson, Katie Kaplan, Cassie Thornton, J. Wu, Anne Horel, Kinoko, Malaya Tuyay, Scarlet Tunkl, Amina Ross, Nissa Gustafson, Malak Mattar, Edgar Fabián Frías, Amir Khadar, Mark Allen, Syan Rose, Aparna Sarkar, Shoog McDaniel, nkiruka oparah, Nathaniel Russell, Jennifer Moon, and Jarret Hood.

Before the Golden Age of comic books, there was Mr. Block: a bumbling, boss-loving, anti-union blockhead, brought to life over a hundred years ago by subversive cartoonist Ernest Riebe.

A dedicated labour activist and member of the Industrial Workers of the World, Riebe dreamed up his iconic, union-hating anti-hero to satirize conservative workers’ faith in the capitalist system that exploits them. This wickedly funny anthology of Riebe’s writings and comics is a treasure trove of radical 20th-century art and an essential addition to the bookshelves of comics lovers, historians, and labour activists alike.

As income inequality skyrockets and the collective power of the working class is undermined, the lessons from Mr. Block’s misadventures and misbeliefs are as relevant today as ever. Building the new world from the ashes of the old demands many tools—and laughter will always be one of them.

Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK.

Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling. For the first time ever, their whole story is told, straight from the recollections of every band member past and present, as well as a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, it’s the definitive account of the much-loved band.

Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK.

Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling. For the first time ever, their whole story is told, straight from the recollections of every band member past and present, as well as a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, it’s the definitive account of the much-loved band.

Class, Race, and Gender: Challenging the Injuries and Divisions of Capitalism is for those who want to understand the underlying connections among today’s social justice movements.

Bringing forth the basic operations of capitalist economies, it reveals what is driving many of today’s most urgent and vexing problems: the common origins of the inequalities of income, wealth, and power; environmental devastation; militarism; racism and white supremacy; patriarchy and male chauvinism; periodic economic crises; and the cultural conflicts that are tearing at US life.

Michael Zweig illuminates all propositions with specific examples from US history, from the first settlement of the New World to current life, including his own lived experiences as an activist, educator, and organizer over the past six decades. As such, the book is an urgently needed resource for activists and organizers seeking structural and moral transformation of life in the US. Building on his analysis, Zweig also presents strategies for political action in electoral and movement-building work.

Anton Pannekoek (1873-1960), the Dutch astronomer and Marxist revolutionary, was a key theoretician of council communism—a Marxist alternative to both Leninism and Social Democracy that instead emphasized working-class self-emancipation through workers’ councils.

The first half of this book walks the reader through the fundamentals of council communism and the conditions that led to the development of these ideas. The second half of the book demonstrates the rich depth of Pannekoek’s thinking, with penetrating essays and insightful letters on revolutionary organization, state capitalism, Marxism, the limitations of trade unions and political parties, the potential of wildcat strikes, public vs. common ownership, the necessity of combining organization and freedom, the deceptiveness of parliamentarism, workers’ councils, the vital importance of working-class self-emancipation, and more. With the recent resurgence in the naïve hope that Democratic Socialism and trade unionism can act as radical methods to meaningfully confront or even overthrow capitalism, Pannekoek’s council communist ideas encourage workers to think for themselves rather than submit to the dead-end traditions of the old movement and embrace the collective self-activity that can build a new movement capable of overcoming the struggles we face ahead.

Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist.

From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published on a slightly larger American press), All We Have Is the Story chronicles the life and work—to date—of “Probably the most influential novelist of the post-war period.” (The Times)

Drawing deeply on a radical tradition that is simultaneously political, philosophical, cultural, and literary, James Kelman articulates the complexities and tensions of the craft of writing; the narrative voice and grammar; imperialism and language; art and value; solidarity and empathy; class and nation state; and. above all, that it begins and ends with the story.

“One of the things the establishment always does is isolate voices of dissent and make them specific—unique if possible. It's easy to dispense with dissent if you can say there's him in prose and him in poetry. As soon as you say there's him, him, and her there, and that guy here and that woman over there, and there's all these other writers in Africa, and then you've got Ireland, the Caribean—suddenly there's this kind of mass dissent going on, and that becomes something dangerous, something that the establishment won't want people to relate to and go Christ, you're doing the same as me. Suddenly there's a movement going on. It's fine when it's all these disparate voices; you can contain that. The first thing to do with dissent is say ‘You're on your own, you're a phenomenon.’ I'm not a phenomenon at all: I'm just a part of what's been happening in prose for a long, long while.” —James Kelman from a 1993 interview

"Some girls fancy sailors, others fancy soldiers. But you, my dear, are a fag hag!"

Lola Miesseroff's childhood certainly predisposed her to be a rebel. She was born in Marseilles in 1947 to immigrant parents, her mother a Russian-Jewish social worker, her father an Armenian-Russian with a sandpaper-making workshop in sheds left behind by the Americans. The family ran and lived in a nudist colony, a place where the men were allowed to be feminine, the women masculine. Hers was what she calls a "degendered" childhood: "I never suffered from identity problems. There were two genocides in my background, one Jewish, the other Armenian, and my education was Russophone, naturist and libertarian, not least with respect to love and sex. In other words, we were marginal in every possible way."

Lola’s picaresque memoir Fag Hag tracks her peregrinations through what she calls the "Outer Left"—always deeply committed and involved in women's liberation, sexual liberation, gay, and LBGTQ liberation—yet always on the fringe of formal organizations (or driven there) because of her belief that anarcho-communist revolution (not her term) trumps all (inter)sectional struggles without reducing them. From Marseilles to Avignon and Paris, Lola's trajectory epitomizes a far left that opposed a spirit of provocation and raillery to the austerity of many militant groupuscules and experimented enthusiastically with communal and polysexual living.

"I have dredged my memory," Lola writes, "in the hope that revisiting the past might help illuminate our present; if it doesn't, I shall have failed. I want to contribute in some small measure to the struggles of today by exposing the strengths and weaknesses of the struggles of the past, and to contest fragmented identity politics in favor of all-for-one-and-one-for-all. Which is my way of continuing to challenge the power structure."

Beneath the Pavement the Garden is a coloring book featuring the artwork of N.O. Bonzo. Kids and adults of all ages are invited to let their imagination soar with this beautiful celebration of the many forms of anarchism, from direct action and mutual aid to abolition and community gardens, and more.

Set in 1973 Greece during the military dictatorship, Shades of Resistance follows thirty-year-old American Jonas Korda as he stumbles blindly into the islands of the Aegean.

Attempting to physically escape from a life—a disillusioned engagement with 1960s politics and an ill-fated sort-of-marriage—that he has long since emotionally fled, Jonas is instead faced with the question of his capacity for true human connections.

Unwittingly he becomes involved with two expatriate Greek musicians who had self-exiled from their homeland six years before, when the military junta took power, but are now returning to create oppositional energy through the form they know best: traditional Greek poetry set to the music of a composer who’s been banned by the brutal and surreal junta. Through the force of their commitment and sacrifice, Jonas is reacquainted with the relation between the heart and the larger world.

Jonas is also confronted, sequentially, by two women who in very different ways bring his emotional struggles into focus. One—a Greek-Canadian searching for her father lost somewhere to the depredations of the dictatorship—who seeks to draw him in. The other—an alienated Belgian painter turning her back on a life of artistic and gender frustrations—who holds him away.

The novel’s lyrically evoked Greek islands are counterpoint to political terror captured with both shuddering intensity and mordant black humor. Shades of Resistance is that rare work of fiction that explores the relationship between the personal and the political, the heightened responses of a man trapped in a moment of history.

Signal:08 collects and connects the culture and politics of international Black Power publishing, the 1960s anarchist and antimilitarist illustrations of Vera Williams and Liberation magazine, memorializing those murdered by anti-Sikh violence in India, the agitprop of the Popular Front for the Liberation of Palestine, and the aesthetics and politics of a reenactment of the largest rebellion of enslaved people in US history.

Crossing continents and communities, print and performance, Signal weaves a story of how culture is central to social transformation, both yesterday and today.

Highlights of the eighth volume of Signal include:

• Writing for the Revolution: Publishing and Designing Black Power Books by Andrew Fearnley
• Hope in the Midst of Apathy: Liberation magazine and the Covers of Vera Williams by Alec Dunn
• Most of My Heroes: Stamps in Memory of Anti-Sikh Violence by Vijay S. Jodha & S. Ravi
• Our Code of Morals Is Our Revolution: Agit Prop Travel Documents of the Popular Front for the Liberation of Palestine
• Slave Rebellion Reenactment: An Interview with Dread Scott by Josh MacPhee

Portland, Oregon, 1988: the brutal murder of Ethiopian immigrant Mulugeta Seraw by racist skinheads shocked the city.

In response disparate groups quickly came together to organize against white nationalist violence and right-wing organizing throughout the Rose City and the Pacific Northwest.

It Did Happen Here compiles interviews with dozens of people who worked together during the waning decades of the twentieth century to reveal an inspiring collaboration between groups of immigrants, civil rights activists, militant youth, and queer organizers. This oral history focuses on participants in three core groups: the Portland chapters of Anti-Racist Action and Skinheads Against Racial Prejudice, and the Coalition for Human Dignity.

Using a diversity of tactics—from out-and-out brawls on the streets and at punk shows, to behind-the-scenes intelligence gathering—brave antiracists unified on their home ground over and over, directly attacking right-wing fascists and exposing white nationalist organizations and neo-Nazi skinheads. Embattled by police and unsupported by the city, these citizen activists eventually drove the boneheads out of the music scene and off the streets of Portland. This book shares their stories about what worked, what didn’t, and ideas on how to continue the fight.

The Department of Justice sought information on all who visited the DisruptJ20.org website for Donald Trump's inauguration.

Undercover agents infiltrate BlackLivesMatter protests. Police routinely command bystanders to stop filming them by falsely claiming it is a crime. Agricultural states such as Iowa, Idaho, Utah, and Wyoming enact laws that criminalize the filming of factory farm cruelty while allowing other-than-human animal suffering to continue unabated. Dissent and poverty are increasingly criminalized by the state as precarity grows.

Abolishing Surveillance offers the first in-depth study of how various communities and activist organizations are resisting such efforts by integrating digital media activism into their actions against state surveillance and repression and for a better world. The book focuses on a wide array of movements within the United States such as Latinx copwatching groups in New York City, Muslim and Arab American communities in Minneapolis, undercover animal rights activists, and countersummit protesters to explore the ways in which government surveillance and repression impacts them and, more importantly, their different but related online and offline tactics and strategies employed for self-determination and liberation. Digital media production becomes a core element in such organizing as cell phones and other forms of handheld technology become more ubiquitous. Yet such uses of technology can only be successfully employed when built upon strong grassroots organizing that has always been essential for social movements to take root. Neither idealizing nor disparaging the digital media activism explored within its pages, Abolishing Surveillance analyzes the successes and failures that accompany each case study. The book explores the historically shifting terrain since the 1980s to the present of how historically disenfranchised communities, activist organizations, and repressive state institutions battle over the uses of digital technology and media-making practices as civil liberties, community autonomy, and the very lives of people and other-than-human animals hang in the balance.

Having stormed mainstream literature from the outskirts, Lethem has won a readership both wide and deep, all of whom appreciate his literary excellence, his mordant but compassionate humor, and the cultish attentiveness of his SF origins. He has earned the right to tread anywhere, and his many admirers are ready to follow.

This collection compiles his intensely personal thoughts on the most interesting and deplorable topics in post-postmodern America. It moves from original new fiction to insights on popular culture, cult and canonical authors, and problematic people.

Plus…

“David Bowman and the Furry-Girl School of American Fiction” is a personal true adventure, as Lethem tries (with the help of a seeming expert) to elbow his way into literary respectability. “The Collapsing Frontier” and “In Mugwump Four” are fictions mapping ominous new realms. “Calvino’s 'Lightness' and the Feral Child of History” is an intimate encounter with a legendary author. In “My Year of Reading Lemmishly” and “Snowden in the Labyrinth” he explores courage, art, and the search for truth, with wildly different results.

And Featuring: Our usual Outspoken Interview, in which Lethem reveals the secret subtext of his books, how he spent his MacArthur award money, and how a Toyota he owned was used in the robbery of a fast-food restaurant.

With his blue mohawk and ragged leather jacket, Alex Damage fits in to only a small pocket of 1981 Los Angeles: the dynamic, changing punk scene.

In this world, he survives on favors and reputation as a small-time private investigator, but when a young woman hires him to solve the potential murder of the singer of one of his favorite local bands, everything in his life amps up. As he digs deeper into what really happened, Alex must both seek out and dodge an endless array of dangerously powerful drug dealers, aging porn stars, crooked cops, neo-Nazi skinheads, and shadowy, corrupt politicians. The deeper he gets—and the more punishment his body takes and the more he begins to fall for the woman who hired him—the more determined he becomes to follow the trail to its conclusion. In the end, the truth is far more complicated than Alex had thought: not only about the murder and the victim’s unsavory private life but also about Alex’s own past behaviors and attitudes.

Meticulously researched and drawing from memoirs, zines, and documentaries, Alex Damage’s story comes to life with real hangouts and real shows from LA in 1981, which makes the book immersive for the people who were there as well as those who wish they could have been.

Set in 1973 Greece during the military dictatorship, Shades of Resistance follows thirty-year-old American Jonas Korda as he stumbles blindly into the islands of the Aegean.

Attempting to physically escape from a life—a disillusioned engagement with 1960s politics and an ill-fated sort-of-marriage—that he has long since emotionally fled, Jonas is instead faced with the question of his capacity for true human connections.

Unwittingly he becomes involved with two expatriate Greek musicians who had self-exiled from their homeland six years before, when the military junta took power, but are now returning to create oppositional energy through the form they know best: traditional Greek poetry set to the music of a composer who’s been banned by the brutal and surreal junta. Through the force of their commitment and sacrifice, Jonas is reacquainted with the relation between the heart and the larger world.

Jonas is also confronted, sequentially, by two women who in very different ways bring his emotional struggles into focus. One—a Greek-Canadian searching for her father lost somewhere to the depredations of the dictatorship—who seeks to draw him in. The other—an alienated Belgian painter turning her back on a life of artistic and gender frustrations—who holds him away.

The novel’s lyrically evoked Greek islands are counterpoint to political terror captured with both shuddering intensity and mordant black humor. Shades of Resistance is that rare work of fiction that explores the relationship between the personal and the political, the heightened responses of a man trapped in a moment of history.

In the spring of 2013, a wave of urban riots swept across Sweden after police shot an elderly man in his own home. When community residents from his marginalized city-district demanded an official apology, they were ignored. The anti-police insurgences that followed addressed deep problems of the Swedish welfare state, and the official responses revealed glitches built into democracy itself.

In this updated edition of Anarchist Critique of Radical Democracy: The Impossible Argument, sociologist and historian Markus Lundström explores the boundaries of Swedish democracy. He probes in-depth interviews with community residents to explain how the 2013 riots intensified a profound democratic conflict: the social divide between the governors and the governed. Resistance to this divide is then traced through the defiance of governance and approaches to democracy in the history of anarchist thought.

This book offers an original introduction to anarchism. It relates the diversity of anarchist thought to anti-police riots and the radicalization of democracy.

A rattling good yarn and a suspenseful whodunit, against the backdrop of real historical events, that brings sixteen-year-old Sherlock Holmes together with Karl Marx and his brilliant daughter Eleanor to solve a cascading series of murders at a Bohemian spa. Karl Marx Private Eye is a page-turner filled with tricky clues, colorful detectives, and an "exotic" setting. Written in a brilliant parody of Arthur Conan Doyle, this cozy historical mystery will keep readers guessing until its shocking final pages.

From the cooks who have quietly fed rebels and revolutionaries to the collective kitchens set up after hurricanes and floods, food has long played a crucial role in resistance, protest, and mutual aid. Until very recently, food-based work—steadfast and not particularly flashy—slipped under the radar or was centered on celebrity chefs and well-funded nonprofits. Adding to a growing constellation of conversations that push against this narrative, Nourishing Resistance centers the role of everyday people in acts of culinary solidarity.

Twenty-three contributors—cooks, farmers, writers, organizers, academics, and dreamers—write on queer potlucks, BIPOC-centered farms and gardens, rebel ancestors, disability justice, indigenous food sovereignty, and the fight against toxic diet culture, among many other topics. They recount bowls of biryani at a Delhi protest, fricasé de conejo on a Puerto Rican farm, pay-as-you-want dishes in a collectively-run Hong Kong restaurant, and lemon cake cooked in a New Jersey disaster relief kitchen. They chronicle the communal kitchens and food distribution programs that emerged in Buenos Aires and New York City in the wake of COVID-19, which caused surging food insecurity worldwide. They look to the past, revealing how “Bella Ciao” was composed by striking women rice workers, and the future, speculating on postcapitalist worlds that include both high-tech collective farms and herbs gathered beside highways.

Through essays, articles, poems, and stories, Nourishing Resistance argues that food is a central, intrinsic part of global struggles for autonomy and collective liberation.

Fiercely intelligent, fantastically transgressive, Working It is an intimate portrait of the lives of sex workers. A polyphonic story of triumph, survival, and solidarity this collection showcases the vastly different experiences and interests of those who have traded sex; among them a brothel worker in Australia, First Nation survivors of the Canadian child welfare system, and an afro-latina single parent raising a radicalized child. Packed with first-person essays, interviews, poetry, drawings, mixed-media collage, and photographs Working It honors the complexity of lived experience. Sometimes heartbreaking, sometimes hardboiled, these dazzling pieces will go straight to the heart.

In this strident, necessary, meticulously researched book Michael Fine uses the COVID-19 pandemic and many other examples to show the costly failure of the American health care system in bold relief.

Hospitals, insurance companies, Big Pharma, specialists, and even primary care doctors have all become tools of the new health profiteers. On Medicine as Colonialism shows how the American health care system cannibalizes communities in the US and around the world. Focusing on how health care profiteers co-opt the state’s regulatory power, Medicare, and Medicaid to extract resources from communities, this book reveals how medicine and health care have become tools of a new health colonialism, turning medicine on its head, so that individuals and communities lose their agency, health becomes impossible, and profits are used to dismantle democracy itself.

What does it mean to risk all for your beliefs? How do you fight an enemy in your midst? We Go Where They Go recounts the thrilling story of a massive forgotten youth movement that set the stage for today's anti-fascist organizing in North America. When skinheads and punks in the late 1980s found their communities invaded by white supremacists and neo-nazis, they fought back. Influenced by anarchism, feminism, Black liberation, and Indigenous sovereignty, they created Anti-Racist Action. At ARA’s height in the 1990s, thousands of dedicated activists in hundreds of chapters joined the fights—political and sometimes physical—against nazis, the Ku Klux Klan, anti-abortion fundamentalists, and racist police. Before media pundits, cynical politicians, and your uncle discovered “antifa,” Anti-Racist Action was bringing it to the streets.

Based on extensive interviews with dozens of ARA participants, We Go Where They Go tells ARA’s story from within, giving voice to those who risked their safety in their own defense and in solidarity with others. In reproducing the posters, zines, propaganda and photos of the movement itself, this essential work of radical history illustrates how cultural scenes can become powerful forces for change. Here at last is the story of an organic yet highly organized movement, exploring both its triumphs and failures, and offering valuable lessons for today’s generation of activists and rabble-rousers. We Go Where They Go is a page-turning history of grassroots anti-racism. More than just inspiration, it's a roadmap.

What does it mean to risk all for your beliefs? How do you fight an enemy in your midst? We Go Where They Go recounts the thrilling story of a massive forgotten youth movement that set the stage for today's anti-fascist organizing in North America. When skinheads and punks in the late 1980s found their communities invaded by white supremacists and neo-nazis, they fought back. Influenced by anarchism, feminism, Black liberation, and Indigenous sovereignty, they created Anti-Racist Action. At ARA’s height in the 1990s, thousands of dedicated activists in hundreds of chapters joined the fights—political and sometimes physical—against nazis, the Ku Klux Klan, anti-abortion fundamentalists, and racist police. Before media pundits, cynical politicians, and your uncle discovered “antifa,” Anti-Racist Action was bringing it to the streets.

Based on extensive interviews with dozens of ARA participants, We Go Where They Go tells ARA’s story from within, giving voice to those who risked their safety in their own defense and in solidarity with others. In reproducing the posters, zines, propaganda and photos of the movement itself, this essential work of radical history illustrates how cultural scenes can become powerful forces for change. Here at last is the story of an organic yet highly organized movement, exploring both its triumphs and failures, and offering valuable lessons for today’s generation of activists and rabble-rousers. We Go Where They Go is a page-turning history of grassroots anti-racism. More than just inspiration, it's a roadmap.

What would it take to topple Amazon? To change how health care works in America? To break up the media monopolies that have taken hold of our information and imaginations? How is it possible to organize those without hope working on the margins? In Labor Power and Strategy, legendary strategist, historian, and labor organizer John Womack, speaks directly to a new generation, providing rational, radical, experience-based perspectives that help target and run smart, strategic, effective campaigns in the working class.

In this sleek, practical, pocket inspiration, Womack lays out a timely plan for identifying chokepoints and taking advantage of supply chain issues in order to seize and build labor power and solidarity. Interviewed by Peter Olney of the International Longshore and Warehouse Union—Womack’s lively, illuminating thoughts are built upon by ten young labor organizers and educators, whose responses create a rich dialogue and open a space for joyful, achievable change. With stories of triumph that will bring readers to tears this back-pocket primer is an instant classic.

With contributions from Gene Bruskin, Carey Dall, Dan DiMaggio, Katy Fox-Hodess, Bill Fletcher Jr., Jane McAlevey, Jack Metzgar, Joel Ochoa, Melissa Shetler, and Rand Wilson.

Incendiary and heartrending, the sixteen essays in The State Is the Enemy lay bare government brutality against the working class, immigrants, asylum-seekers, ethnic minorities, and all who are deemed of “a lower order.” Drawing parallels between atrocities committed against the Kurds by the Turkish State, and the racist police brutality, and government sanctioned murders in the UK, James Kelman shatters the myth of Western exceptionalism,revealing the universality of terror campaigns levied against the most vulnerable, and calling on a global citizenship to stand in solidarity with victims of oppression. Kelman’s case against the Turkish and British governments is not just a litany of murders, or an impassioned plea—it is a cool-headed take down of the State and an essential primer for revolutionaries.

In this gorgeous collection of allegorical stories, Subcomandante Marcos, idiosyncratic spokesperson of the Zapatistas, has provided “an accidental archive” of a revolutionary group’s struggle against neo-liberalism. For 30 years, the Zapatistas have influenced and inspired movements worldwide, showing that another world is possible. They have infused Left politics with a distinct imaginary—and an imaginative, literary or poetic dimension—organizing horizontally, outside and against the state, and with a profound respect for difference as a source of political insight, not division. Marcos’s inspiring and sometimes Kafkaesque stories bear witness to how a defense of indigenous traditions can become a lever for the construction of a new anti-capitalist and anti-patriarchal world. With commentaries that illuminate their historical, political, and literary contexts and an introduction by the translators, this timeless elegiac volume is perfect for lovers of literature and lovers of revolution.

Incendiary and heartrending, the sixteen essays in The State Is the Enemy lay bare government brutality against the working class, immigrants, asylum-seekers, ethnic minorities, and all who are deemed of “a lower order.” Drawing parallels between atrocities committed against the Kurds by the Turkish State, and the racist police brutality, and government sanctioned murders in the UK, James Kelman shatters the myth of Western exceptionalism,revealing the universality of terror campaigns levied against the most vulnerable, and calling on a global citizenship to stand in solidarity with victims of oppression. Kelman’s case against the Turkish and British governments is not just a litany of murders, or an impassioned plea—it is a cool-headed take down of the State and an essential primer for revolutionaries.

James Kelman's inimitable voice brings the stories of lost men to light in these twenty-one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world.

Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream-of-consciousness narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An ideal introduction to Kelman's work and a wonderful edition for fans and Kelman completists, this lovely volume will make clear why James Kelman is known as the greatest living modernist writer. Five of the stories collected here are brand new, and the rest have been significantly revised by the author for this definitive edition.

A sweeping history of revolutionary struggle and unbreakable alliances, Revolutionary Affinities takes readers from the Paris Commune to the Occupy movement, and through the heart of bloody fratricidal struggles to paint a vivid picture of the greatest anarchist and Marxist figures who dared to join forces, from Louise Michel to Subcomandante Marcos, from Emma Goldman to Walter Benjamin. With the urgent need for a unified front against the far right, there has never been a better time for this inspiring story.

Authors Olivier Besancenot and Michael Löwy, two of the foremost voices in the French anti-authoritarian radical left, explore the promises—and challenges—of developing a fully sustainable, libertarian Marxist society by examining questions of political organization, economic policy, radical ecology, and more. Strikingly accessible, brilliantly illuminating, Besancenot and Löwy have given readers more than a history book, they’ve created a road map for the future.

Deeply personal, astutely political, Fighting Times: Organizing on the Front Lines of the Class War recounts the thirteen-year journey of Jonathan Melrod to harness working-class militancy and jump start a revolution on the shop floor of American Motors. Melrod faces termination, dodges the FBI, outwits collaborators in the UAW, and becomes the central figure in a lawsuit against the labor newsletter Fighting Times, as he strives to build a class-conscious workers’ movement from the bottom up.

A radical to the core, Melrod was a key part of campus insurrection at University of Wisconsin–Madison. He left campus for the factory in 1973, hired along with hundreds of youthful job seekers onto the mind-numbing assembly line. Fighting Times paints a portrait of these rebellious and alienated young hires, many of whom were Black Vietnam vets.

Containing dozens of archival photographs, Fighting Times captures the journey of a militant antiracist revolutionary who rose to the highest elected ranks of his UAW local without compromising his politics or his dedication to building a class-conscious workers’ movement. The book will arm and inspire a new generation of labor organizers with the skills and attitude to challenge the odds and fight the egregious abuses of the exploitative capitalist system.

The Cargo Rebellion tells a true story of mutiny on the high seas in which four hundred indentured Chinese men overthrew their captor, the Connecticut businessman and slave trader Leslie Bryson, taking a stand against an exploitative global enterprise.

The laborers learned that Bryson’s claimed destination of San Francisco was a lie to trick them into deadly servitude in the dreaded guano islands of Peru. Reaching a dramatic tipping point, the mutineers rose up and killed Bryson and several of the ship's officers and then attempted to sail back to China.

This book's centerpiece, a deft graphic account of the rebellion in the context of the “coolie trade” and the struggle to end traffic in human “cargo,” is supported by essays that spotlight the rebellion itself, how the subject of indentured Asian workers is being taught in classrooms, and how Chinese workers shaped the evolution of American music, particularly in the making of the first drum set. The Cargo Rebellion is a history from below that does justice to the memory of hundreds of thousands of indentured workers and demonstrates how Asian migration to the Americas was rooted in slavery, colonialism, and the life-and-death struggle against servitude.

James Kelman's inimitable voice brings the stories of lost men to light in these twenty-one tales of down on their luck antiheroes who wander, drink, hatch plans, ponder existence, and survive in an unwelcoming and often comic world.

Keep Moving and No Questions is a collection of the finest examples of Kelman's facility with dialog, stream-of-consciousness narrative, and sharp cultural observation. Class is always central in these brief glimpses of men abiding the hands they've been dealt. An ideal introduction to Kelman's work and a wonderful edition for fans and Kelman completists, this lovely volume will make clear why James Kelman is known as the greatest living modernist writer. Five of the stories collected here are brand new, and the rest have been significantly revised by the author for this definitive edition.

A new world is possible and not just in our hearts. Anarchic Agreements is a quintessential field guide for the revolution, answering the practical questions often left out of works of political theory and philosophy.

How do leaderless groups organize? How might they create constitutions, balance power and write protocols? How do group cultures and institutions maintain coalitions? This urgent and inspiring how-to is the product of more than twenty years of research. Designed explicitly for everyday use, it contains lived examples, illustrations throughout, and text from current horizontally organized constitutions. These documents illustrate the never-ending process of developing community and keeping collaborations alive in the fairest ways possible. Written by dedicated anarchist scholars and organizers, and based on the widely popular Anarchic Agreements pamphlet series, this book facilitates grassroots activism and provides methods to improve and streamline decision making. It is an inspiring celebration of the novel, complex and flexible constitutions Anarchists have created over time. This book shows how to realize another world, collectively without domination, while leaving the future open to infinite other possibilities.

In the summer of 2020, America experienced one of the biggest uprisings in half a century. Waves of enraged citizens took to the streets to streets in Minneapolis to decry the murder of George Floyd at the hands of the police. Battles broke out night after night, with a pandemic weary populace fighting the police and eventually burning down the Third Precinct. The revolt soon spread to cities large and small across the country where protesters set police cars on fire, looted luxury shopping districts and forced the president into hiding in a bunker beneath the White House. As the initial crest receded, localized rebellions continued to erupt throughout the summer and into the fall in Atlanta, Chicago, Kenosha, Louisville, Philadelphia, and elsewhere.

Written during the riots, The George Floyd Uprising is a compendium of the most radical writing to come out of that long, hot summer. These incendiary dispatches—from those on the frontlines of the struggle—examines the revolt and the obstacles it confronted. It paints a picture of abolition in practice, discusses how the presence of weapons in the uprising and the threat of armed struggle play out in an American context, and shows how the state responds to and pacifies rebellions. The George Floyd Uprising poses new social, tactical, and strategic plans for those actively seeking to expand and intensify revolts of the future. This practical, inspiring collection is essential reading for all those hard at work toppling the state and creating a new revolutionary tradition.

Advertising Shits in Your Head calls adverts what they are—a powerful means of control through manipulation—and highlights how people across the world are fighting back. It diagnoses the problem and offers practical tips for a DIY remedy. Faced with an ad-saturated world, activists are fighting back, equipped with stencils, printers, high-visibility vests, and utility tools. Their aim is to subvert the adverts that control us.

With case studies from both sides of the Atlantic, this book showcases the ways in which small groups of activists are taking on corporations and states at their own game: propaganda. This international edition includes an illustrated introduction from Josh MacPhee, case studies and interviews with Art in Ad Places, Public Ad Campaign, Resistance Is Female, Brandalism, and Special Patrol Group, plus photography from Luna Park and Jordan Seiler.

This is a call-to-arts for a generation raised on adverts. Beginning with a rich and detailed analysis of the pernicious hold advertising has on our lives, the book then moves on to offer practical solutions and guidance on how to subvert the ads. Using a combination of ethnographic research and theoretical analysis, Advertising Shits in Your Head investigates the claims made by subvertising practitioners and shows how they impact their practice.

For years Abdullah Öcalan has unraveled the sources of hierarchical relations, power, and the formation of nation-states that has led to capitalism’s emergence and global domination. Capitalism: The Age of Unmasked Gods and Naked Kings is the second volume of his definitive five-volume work The Manifesto of the Democratic Civilization. He makes the convincing argument that capitalism is not a product of the last four hundred years but a continuation of classical civilization.

Unlike Marx, Öcalan sides with Braudel by giving less importance to the mode of production than to the accumulation of surplus value and power, thus centering his criticisms on the capitalist nation-state as the most powerful monopoly of economic, military, and ideological power. He argues that the fundamental strength of capitalist hegemony, however, is the competition in voluntary servitude that a market economy has given rise to—not a single worker would reject higher wages—resulting in an unprecedented ability to convince people to surrender their individual power and autonomy. Öcalan further contends that the capitalist phase of city-class-state-based civilization is not the last phase of human intelligence; rather, the traditional morals upon which it is based are being exhausted and the intelligence of freedom is rising in all its richness. That is why he prefers to interpret capitalist modernity as the era of hope—but only insofar as we are able to develop a sustainable defense against it.

Written between 1974 and 2016, Revolution at Point Zero collects four decades of research and theorizing on the nature of housework, social reproduction, and women’s struggles on this terrain—to escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations.

Indeed, as Federici reveals, behind the capitalist organization of work and the contradictions inherent in “alienated labor” is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reproduction.

Beginning with Federici’s organizational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive work and its effects on the sexual division of labor, the globalization of care work and sex work, the crisis of elder care, the development of affective labor, and the politics of the commons.

This revised and expanded edition includes three additional essays and a new preface by the author.

The long-awaited Volume 2 of the first-ever English-language study of the Red Army Faction—West Germany’s most notorious urban guerillas—covers the period immediately following the organization’s near-total decimation in 1977. This work includes the details of the guerilla’s operations, and its communiqués and texts, from 1978 up until the 1984 offensive.

This was a period of regrouping and reorientation for the RAF, with its previous focus on freeing its prisoners replaced by an anti-NATO orientation. This was in response to the emergence of a new radical youth movement in the Federal Republic, the Autonomen, and an attempt to renew its ties to the radical left. The possibilities and perils of an armed underground organization relating to the broader movement are examined, and the RAF’s approach is contrasted to the more fluid and flexible practice of the Revolutionary Cells. At the same time, the history of the 2nd of June Movement (2JM), an eclectic guerilla group with its roots in West Berlin, is also evaluated, especially in light of the split that led to some 2JM members officially disbanding the organization and rallying to the RAF. Finally, the RAF’s relationship to the East German Stasi is examined, as is the abortive attempt by West Germany’s liberal intelligentsia to defuse the armed struggle during Gerhard Baum’s tenure as Minister of the Interior.

Dancing with Imperialism will be required reading for students of the First World guerilla, those with interest in the history of European protest movements, and all who wish to understand the challenges of revolutionary struggle.

What do you call 1000 hackers assembled into one hotel for the weekend? A menace to society? Trouble waiting to happen? They call it a computer security conference, or really, a Hacker Con. A place for hackers, security experts, penetration testers, and tech geeks of all stripes to gather and discuss the latest hack, exploits, and gossip. For Paul, Chloe, and their Crew of con artist vigilantes, it’s the perfect hunting ground for their most ambitious plans yet.

After a year of undercover recruiting at hacker cons all over the country, Chloe and Paul have assembled a new Crew of elite hackers, driven anarchist activists, and seductive impersonators. Under the cover of one of the Washington DC’s biggest and most prestigious hacker events, they’re going up against power house lobbyists, black hat hackers, and even the U.S. Congress in order to take down their most challenging, and most deserving target yet. The stakes have never been higher for them, and who knows if their new recruits are up to the immense challenge of undermining “homeland security” for the greater good.

Inspired by years of author Rick Dakan’s research in the hacker community, Geek Mafia: Black Hat Blues, opens a new, self-contained chapter in the techno-thriller series.

The first collection of its kind, this anthology by members of the Mohawk Warrior Society uncovers a hidden history and paints a bold portrait of the spectacular experience of Kanien'kehá:ka survival and self-defense. Providing extensive documentation, context, and analysis, the book features foundational writings by prolific visual artist and polemicist Karoniaktajeh Louis Hall (1918–1993)—such as his landmark 1979 pamphlet, The Warrior's Handbook, as well as selections of his pioneering artwork. This book contains new oral history by key figures of the Rotisken'rhakéhte's revival in the 1970s, and tells the story of the Warriors’ famous flag, their armed occupation of Ganienkeh in 1974, and the role of their constitution, the Great Peace, in guiding their commitment to freedom and independence. We hear directly the story of how the Kanien'kehá:ka Longhouse became one the most militant resistance groups in North America, gaining international attention with the Oka Crisis of 1990. This auto-history of the Rotisken'rhakéhte is complemented by a Mohawk history timeline from colonization to the present, a glossary of Mohawk political philosophy, and a new map of Iroquoia in Mohawk language. At last, the Mohawk Warriors can tell their own story with their own voices, and to serve as an example and inspiration for future generations struggling against the environmental, cultural, and social devastation cast upon the modern world.

Mississippi is the poorest state in the US, with the highest percentage of Black people and a history of vicious racial terror. Black resistance at a time of global health, economic, and climate crisis is the backdrop and context for the drama captured in this new and revised collection of essays. Cooperation Jackson, founded in 2014 in Mississippi’s capital to develop an economically uplifting democratic “solidarity economy,” is anchored by a network of worker-owned, self-managed cooperative enterprises. The organization developed in the context of the historic election of radical Mayor Chokwe Lumumba, lifetime human rights attorney. Subsequent to Lumumba’s passing less than one year after assuming office, the network developed projects both inside and outside of the formal political arena. In 2020, Cooperation Jackson became the center for national and international coalition efforts, bringing together progressive peoples from diverse trade union, youth, church, and cultural movements. This long-anticipated anthology details the foundations behind those successful campaigns. It unveils new and ongoing strategies and methods being pursued by the movement for grassroots-centered Black community control and self-determination, inspiring partnership and emulation across the globe.

In the summer of 2012 the Kurdish people of northern Syria set out to create a multiethnic society in the Middle East. Persecuted for much of the 20th century, they dared to try to overcome social fragmentation by affirming social solidarity among all the region’s ethnic and religious peoples. As Syria plunged into civil war, the Kurds and their Arab and Assyrian allies established a self-governing polity that was not only multiethnic but democratic. And women were not only permitted but encouraged to participate in all social roles alongside men, including political and military roles.

To implement these goals, Rojava wanted to live in peace with its neighbors. Instead, it soon faced invasion by ISIS, a force that was in every way its opposite. ISIS attacked its neighbors in Iraq and Syria, imposing theocratic, tyrannical, femicidal rule on them. Those who might have resisted fled in terror. But when ISIS attacked the mostly Kurdish city of Kobane and overran much of it, the YPG and YPJ, or people's militias, declined to flee. Instead they resisted, and several countries, seeing their valiant resistance, formed an international coalition to assist them militarily. While the YPG and YPJ fought on the ground, the coalition coordinated airstrikes with them. They liberated village after village and in March 2019 captured ISIS’s last territory in Syria.

Around that time, two UK-based filmmakers invited the author to spend a month in Rojava making a film. She accepted, and arrived to explore the society and interview people. During that month, she explored how the revolution had progressed and especially the effects of the war on the society. She found that the war had reinforced social solidarity and welded together the multiethnic, gender-liberated society. As one man in Kobane told her, “Our blood got mixed.”

In a fascinating and radical critique of identity and class, Your Place or Mine? examines the modern invention of homosexuality as a social construct that emerged in the 19th century. Examining “fairies” in Victorian England, transmen in early 20th century Manhattan, sexual politics in Soviet Russia as well as Stonewall’s attempt to combine gay self-defence with revolutionary critique, Dauvé turns his keen eye on contemporary political correctness in the United States, and the rise of reactionary discourse.

The utopian vision of Your Place or Mine? is vital to a just society: the invention of a world where one can be human without having to be classified by sexual practices or gender expressions. Where one need not find shelter in definition or assimilation. A refreshing reminder that we are not all the same, nor do we need to be.

Told with great intimacy and compassion, The Bootleg Coal Rebellion uncovers a long-buried history of resistance and resilience among depression-era miners in Pennsylvania, who sunk their own mines on company grounds and fought police, bankers, coal companies and courts to form a union that would safeguard not just their livelihoods, but protect their collective autonomy as citizens and workers for decades.

Community and Labor organizer Mitch Troutman brings this explosive and accessible American tale to life through the bootleggers’ own words. Scholars, historians, organizers and activists will celebrate this story of the people who literally seized mountains and stood their ground to create the Equalization movement, the miners’ union democracy movement, and the Communist-led Unemployed Councils of the anthracite region. This epic story of work, love and community stands as a testament to the power of collective action; a story that is sorely needed as communities today rise to confront neoliberal policies ravaging our planet.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

Marx’s Critique of the Gotha Program is a revelation. It offers the fullest elaboration of his vision for a communist future, free from the shackles of capital, but also the state. Neglected by the statist versions of socialism, whether Social Democratic or Stalinist that left a wreckage of coercion and disillusionment in their wake, this new annotated translation of Marx’s Critique makes clear for the first time the full emancipatory scope of Marx’s notion of life after capitalism. An erudite new introduction by Peter Hudis plumbs the depth of Marx’s argument, elucidating how his vision of communism, and the transition to it, was thoroughly democratic. At a time when the rule of capital is being questioned and challenged, this volume makes an essential contribution to a real alternative to capitalism, rather than piecemeal reforms. In the twenty-first century, when it has never been more needed, here is Marx at his most liberatory.

The Cry of Mother Earth: Plan of Action of the Ecosocialist International recognizes and records the history and the future of the world’s first Ecosocialist International, a chorus of grief and praise for Mother Earth, and a planetary program of revolutionary action in defense of free life.

It combines two historic documents, written in a collective process of loving exchange and hope, in a land that knows liberation, the Bolivarian Republic of Venezuela. The first is an invitation—an urgent summons to come together and draft a plan of action for the salvation of ourselves and the planet. It is a wish—a seed. The second is the fruit of that seed written a year later, over the course of four days with the words of over 100 delegates from five continents. It is a compass and a cradle, a map and a manifesto, for a global revolution—a return to a way of life in unity with nature.

Climate change is already affecting millions of people. Governments talk about taking action to limit global heating to 2 degrees Celsius above pre-industrial levels, but the greenhouse gas emissions allowed by their policies have the Earth on track to heating far more than that by the end of the century—a level of heating that will have truly disastrous consequences. Visionary plans for how to slash emissions and make society better at the same time abound, including various Green New Deals. But how can we make the changes that are so urgently needed?

Future on Fire argues that a just transition from fossil fuels and other drivers of climate change will not be delivered by businesspeople or politicians that support the status quo. Nor will electing green left leaders be enough to overcome the opposition of capitalists and state bureaucrats. Only the power of disruptive mass social movements has the potential to force governments to make the changes we need, so supporters of climate justice should commit to building them. Confronting the question “what if heating above 2 degrees becomes unavoidable?” and refusing to despair, David Camfield argues that even a ravaged planet is worth fighting for—and that ultimately the only solution to the ecological crisis created by capitalism is a transition to ecosocialism.

My Mom Had an Abortion is a unique coming-of-age tale told by a self-described dyslexic-asexual-lesbian-feminist teenager and illustrated by body-positive comic artist Tatiana Gill. We follow our protagonist Beezus B. Murphy as she chronicles her evolving understanding of menstruation, reproduction, and abortion and finds her place in a confusing world. Initially influenced by harmful narratives in pop media such as the “the pregnant teenager” cliche, we watch Beezus’s ideas change as her body changes and as she learns more about the intricacies of her family history and her mom’s own reproductive experiences. She grows from a confused, out-of-place kid into a self-assured, empathetic, and strong-willed activist teen. As Beezus says, “People shouldn’t be shamed for getting or not getting abortions. Young people absorb the information that we gather from our surroundings. Sometimes it’s good information and other times it can be harmful. But now I realize abortion is perfectly normal and should be kept safe and legal.” Sprinkled with pop culture references, hilariously apt descriptions of unwanted body changes and menstruation like the chapter “Blood, Bath, and Beyond,” and instantly understandable revelations of growing-up, this beautifully illustrated short graphic novel crucially fills a cultural gap around complexities of abortion, pop culture, body changes, and finding out where we fit in.

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of god, and lovers in a penal colony who communicate through technical drawings—these are just a few of the characters who live among the ruins. RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left in their wake. Cara Hoffman’s short fictions are brutal, surreal, hilarious, and transgressive, celebrating the sharp beauty of outsiders and the infinitely creative ways humans muster psychic resistance under oppressive conditions. The ultimate effect of these ten interconnected stories is one of invigoration and a sense of possibilities—hope for a new world extracted from the rubble of the old.

This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists.

Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.

As Noam Chomsky writes about something—US foreign policy, corporate policies, an election, or a movement—he is not only quite specific in recounting the topic and its facts but also exercises blisteringly relentless logic to discern the interconnections between the evidence and broader themes involved. This may seem mundane, but virtually every time, even aside from the details of the case in question, the process, the steps, the ways of linking one thing to another illustrate what it means to be a thinking, critical subject of history and society, in any time and place.

Taming the Rascal Multitude is a judicious selection of essays and interviews from Z Magazine from 1997 to 2014. In each, Chomsky takes up some question of the moment. As such, in sum, the essays provide an historical overview of the history that preceded Trump and the reaction to Trump. The essays situate what followed even without having known what would follow. They explicate what preceded the current era and provide a step-by-step revelation or how-to for successfully comprehending social events and relations. They are a pleasure to read, much like the pleasure of watching a great athlete or performer, but they also edify. They educate.

Reading Chomsky is about understanding how society works, how people relate to society and social trends and patterns and why, and, beyond the specifics, how to approach events, relations, occurrences, trends, and patterns in a way that reveals their inner meanings and their outer connections and implications. It is like reading the best you can get about topic after topic, and, more, it is like watching a master-craftsmen in a discipline that ought to be all of ours understanding the world to change it.

One of contemporary SF’s most original and compelling voices, Vandana Singh is a professor of physics who weaves the ancient wisdom of her native India and the hard truths of quantum science into stories that speak to the complex wonders of today’s world. This collection includes both her fiction and her report on the Utopian experiments that are finding new ways to save our unraveling dystopia.

Y'all Means All is a celebration of the weird and wonderful aspects of a troubled region in all of their manifest glory! This collection is a thought-provoking hoot and a holler of "we’re queer and we’re here to stay, cause we’re every bit a piece of the landscape as the rocks and the trees" echoing through the hills of Appalachia and into the boardrooms of every media outlet and opportunistic author seeking to define Appalachia from the outside for their own political agendas. Multidisciplinary and multi-genre, Y’all necessarily incorporates elements of critical theory, such as critical race theory and queer theory, while dealing with a multitude of methodologies, from quantitative analysis, to oral history and autoethnography.

This collection eschews the contemporary trend of "reactive" or "responsive" writing in the genre of Appalachian studies, and alternatively, provides examples of how modern Appalachians are defining themselves on their own terms. As such, it also serves as a toolkit for other Appalachian readers to follow suit, and similarly challenge the labels, stereotypes and definitions often thrust upon them. While providing blunt commentary on the region's past and present, the book’s soul is sustained by the resilience, ingenuity, and spirit exhibited by the authors; values which have historically characterized the Appalachian region and are continuing to define its culture to the present.

This book demonstrates above all else that Appalachia and its people are filled with a vitality and passion for their region which will slowly but surely effect long-lasting and positive changes in the region. If historically Appalachia has been treated as a "mirror" of the country, this book breaks that trend by allowing modern Appalachians to examine their own reflections and to share their insights in an honest, unfiltered manner with the world.

Wry, dark humor burnishes visionary SF in these often prophetic, sometimes troubling, but always fascinating tales that combine and masterfully conflate the disparate worlds of corporate tech and literary art.

“After the Thaw” is a hi-tech take on an ancient idea: immortality. “Terrible Trudy on the Lam” based on actual events, is a modern fable about a zoo escape, a private eye, a vaudeville act and keeping your mouth shut. “Night Shift at NanoGobblers,” written for a NASA website, is about asteroid-altering AIs and their world-weary earthbound handlers. “Transitions” deals with jet lag when your flight is decades late. Gunn’s long-awaited third collection is rounded out by incisive and affectionate portraits of her SF colleagues, mentors, and friends, beginning with Ursula Le Guin. All illuminated of course by our artfully intimate interview.

San Francisco, 1916. The streets roiling: pitched battles between radical workers and the henchmen of industrial barons, and between a vibrant, largely Italian immigrant anarchist milieu and the forces of state and church. All in the looming shadow of Europe’s raging war, and of a fierce struggle over whether the U.S. should commit its might, and human fodder, to the slaughter in the trenches.

Into this maelstrom arrives Kate Jameson, a novice envoy from Washington tasked to secretly investigate the tenor of support for war entry among San Francisco’s business elite. She’s also hoping to glimpse her wayward daughter, Maggie, whose last message to Kate had come from there. And, too, she’s seeking the ghost of her husband Jamey, who fifteen years earlier had landed there upon his return, shattered, from his part in the U.S. occupation of the Philippines.

Arriving back in the city at the same moment is Baldo Cavanaugh, a Sicilian-Irish son of San Francisco whose militant beliefs and special skills have led him time and again to the violent extremes of the city’s turbulent history. And who now must confront the doubts and demons of his own character, which he’d sought to escape by fleeing the city three years before.

This stunning tale explores how these two seemingly disparate characters become engaged with the city’s and nation’s turmoil, and with the complexities of their related pasts in Boston, Dublin, London, Cuba, and the Philippines. A vivid picture of a city and a moment, the novel brilliantly reveals the explosive admixture of the deeply personal and the deeply political.

Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest.

Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

A classically elegant hardcover, sewn bound with 55lb paper. An enduring repository for your thoughts, dreams, and battle plans for collective action. Includes inspirational words of wisdom from the likes of: Audre Lorde, Emma Goldman, Ambalavaner Sivanandan, George Lamming, Lucy Gonzalez Parsons, Marsha P Johnson, He Zhen, Frantz Fanon, Albert Spies, CLR James, Ricardo Flores Magón, Bhagat Singh, Walter Rodney, Ursula Le Guin, Pablo Neruda, Crawford Morgan, Jayaben Desai and more.

Mississippi is the poorest state in the US, with the highest percentage of Black people and a history of vicious racial terror. Black resistance at a time of global health, economic, and climate crisis is the backdrop and context for the drama captured in this new and revised collection of essays. Cooperation Jackson, founded in 2014 in Mississippi’s capital to develop an economically uplifting democratic “solidarity economy,” is anchored by a network of worker-owned, self-managed cooperative enterprises. The organization developed in the context of the historic election of radical Mayor Chokwe Lumumba, lifetime human rights attorney. Subsequent to Lumumba’s passing less than one year after assuming office, the network developed projects both inside and outside of the formal political arena. In 2020, Cooperation Jackson became the center for national and international coalition efforts, bringing together progressive peoples from diverse trade union, youth, church, and cultural movements. This long-anticipated anthology details the foundations behind those successful campaigns. It unveils new and ongoing strategies and methods being pursued by the movement for grassroots-centered Black community control and self-determination, inspiring partnership and emulation across the globe.

For decades, most anti-capitalist and anti-imperialist movements identified radical change with capturing state power.

The collapse of statist projects from the 1970s fostered both neo-liberalism and a global crisis of left and working-class politics. But it also opened space for rediscovering democratic, society-centered and anti-capitalist modes of bottom-up change, operating at a distance from the state. This resurgent alternative has influenced the Zapatistas in Mexico, Rojava in Syria, Occupy, and independent unions and struggles worldwide around austerity, land, and the city. Its lineages include anarchism, syndicalism, autonomist Marxism, philosophers like Alain Badiou, and popular praxis.

This pathbreaking volume helps recover this once sidelined politics, with a focus on South Africa and Zimbabwe. It includes a dossier of texts from a century of anarchists, syndicalists, radical unionists, and anti-apartheid activists in South Africa. Originating in an African summit of scholars, social movements, and anti-apartheid veterans, this book also features a preface from John Holloway.

An interview with Noam Chomsky is a bit like throwing batting practice to Babe Ruth. What you lob in, he will hammer out.

This conversational interview by Michael Albert, who has been close to Chomsky for roughly half a century and talked with him many hundreds of times, spans a wide range of topics including journalism, science, religion, the racist foundations of American society, education as indoctrination, issues of class and resistance, colonialism, imperialism, and much more. The thread through it all is that every topic—and the list above takes us just about halfway through this book—reveals how social systems work, what their impact on humanity is, and how they are treated by the elite, mainstream intellectuals, and leftists. It gets personal, theoretical, and observational. The lessons are relevant to all times, so far, and pretty much all places, and Chomsky’s logical scalpel, with moral guidance, is relentless.

“The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.”

This exhilarating collection of essays, interviews, and correspondence—spanning the years 1988 through 2018, and reaching back a decade more—is about the simple concept that ideas matter. They mutate, inform, create fuel for thought, and inspire actions.<.p>

As Kelman says, the State relies on our suffocation, that we cannot hope to learn “the truth. But whether we can or not is beside the point. We must grasp the nettle, we assume control and go forward.”

Between Thought and Expression Lies a Lifetime is an impassioned, elucidating, and often humorous collaboration. Philosophical and intimate, it is a call to ponder, imagine, explore, and act.

“The world is full of information. What do we do when we get the information, when we have digested the information, what do we do then? Is there a point where ye say, yes, stop, now I shall move on.”

This exhilarating collection of essays, interviews, and correspondence—spanning the years 1988 through 2018, and reaching back a decade more—is about the simple concept that ideas matter. They mutate, inform, create fuel for thought, and inspire actions.<.p>

As Kelman says, the State relies on our suffocation, that we cannot hope to learn “the truth. But whether we can or not is beside the point. We must grasp the nettle, we assume control and go forward.”

Between Thought and Expression Lies a Lifetime is an impassioned, elucidating, and often humorous collaboration. Philosophical and intimate, it is a call to ponder, imagine, explore, and act.

THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS.

Established in 1976 at the fore London’s punk rock insurgence, The Clash would outlast their peers while creating some of the most influential albums in rock ’n’ roll history. Author Martin Popoff dissects each of the Clash’s ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band’s six studio releases (including the double LP London Calling and the triple Sandinista!) and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title “The Only Band That Matters.”

Following up on his earlier best-seller, The Global Police State, this exciting new study by critically-acclaimed scholar and activist William I. Robinson offers a big-picture contribution to understanding contemporary global society in the aftermath of the coronavirus pandemic. It puts forth an original and cutting-edge exposé of the radical transformation of global capitalism now underway, driven by new digital technologies and turbo-charged by the pandemic. It provides shocking data and analysis on the concentration of power and control in the hands of corporate conglomerates, tech giants, mega-banks, and the military-industrial complex. The book documents the extent of unprecedented global inequalities as the mass of humanity faces violent dispossession and uncertain survival. Enabled by digital applications, the ruling groups, unless they are pushed to change course by mass pressure from below, will turn to ratcheting up the global police state to contain the global revolt. If the book issues a dire warning against the emergence of a dystopic digitalized dictatorship it also finds great hope and inspiration in the burgeoning social movements of the poor and the dispossessed as humanity descends into global civil war. While deeply analytical and theoretically sophisticated, the study is written in such a style that it is eminently accessible to a wider public beyond the academy. While the work will satisfy scholars, it is destined to become a companion text to those struggling on the frontlines for global social justice and a more hopeful future.

Peter Kropotkin remains one of the best-known anarchist thinkers, and Words of a Rebel was his first libertarian book. Published in 1885 while he was in a French jail for anarchist activism, this collection of articles from the newspaper Le Revolté sees Kropotkin criticise the failings of capitalism and those who seek to end it by means of its main support, the state. Instead, he urged the creation of a mass movement from below that would expropriate property and destroy the state, replacing their centralised hierarchies with federations of self-governing communities and workplaces.

Kropotkin’s instant classic included discussions themes and ideas he returned to repeatedly during his five decades in the anarchist movement. Unsurprisingly, Words of a Rebel was soon translated into numerous languages—including Italian, Spanish, Bulgarian, Russian, and Chinese—and reprinted time and time again. But despite its influence as Kropotkin’s first anarchist work, it was the last to be completely translated into English.

This is a new translation from the French original by Iain McKay except for a few chapters previously translated by Nicolas Walter. Both anarchist activists and writers, they are well placed to understand the assumptions within and influences on Kropotkin’s revolutionary journalism. It includes all the original 1885 text along with the preface to the 1904 Italian as well as the preface and afterward to the 1919 Russian editions. In addition, it includes many articles on the labour movement written by Kropotkin for Le Revolté which show how he envisioned getting from criticism to a social revolution. Along with a comprehensive glossary and an introduction by Iain McKay placing this work within the history of anarchism as well as indicating its relevance to radicals and revolutionaries today, this is the definitive edition of an anarchist classic.

At a time when we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In Patriarchy of the Wage, Silvia Federici, bestselling author and the most important Marxist feminist of our era, asks why Marx's crucial analysis of the exploitation of human labor was blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century creating a new patriarchal regime?  Patriarchy of the Wage does more than just redefine classical Marxism. It is an urgent call for a new kind of radical politics.

Grammy-winning music producer, Ian Brennan’s seventh book, Muse-Sick: a music manifesto in fifty-nine notes, acts as a primer on how mass production and commercialization have corrupted the arts. Broken down into a series of core points and actions plans, Muse-Sick is a concise and affordable pocket primer follow-up to Brennan’s two previous music missives, How Music Dies (or Lives): Field Recording and the Battle for Democracy in the arts and Silenced by Sound: The Music Meritocracy Myth.

Popular culture has woven itself into the social fabric of our lives, penetrating people’s homes and haunting their psyche through images and earworm hooks. Justice, at most levels, is something that the average citizen might have little influence upon leaving us feeling helpless and complacent. But pop music is a neglected arena where some change can concretely occur—by exercising active and thoughtful choices to reject the low-hanging, omnipresent commercialized and pre-packaged fruit, we begin to re-balance the world, one engaged listener at a time.

In fifty-nine concise and clear points, Brennan reveals how corporate media has constricted local culture and individual creativity, leading to a lack of diversity within “diversity.” Muse-Sick’s narrative portions are driven and made corporeal via the author’s ongoing field-recording chronicles with widely disparate groups, such as the Sheltered Workshop Singers. Marilena Umuhoza Delli’s striking photographs accompany and bring to life each tale.

As John Waters says: “I didn’t think it was possible to write a shocking book about music anymore. But Brennan has.”

Imagine a capitalist paradise. An island utopia governed solely by the rules of the market and inspired by the fictions of Ayn Rand and Robinson Crusoe. Sound far-fetched? It may not be. The past half century is littered with the remains of such experiments in what Raymond calls “libertarian exit.” Often dismissed as little more than the dreams of crazy, rich Caucasians, exit strategies have been tried out from the southwest Pacific to the Caribbean, from the North Sea to the high seas, often with dire consequences for local inhabitants.  Based on research in archives in the US, the UK, and Vanuatu, as well as in FBI files acquired through the Freedom of Information Act, Craib explores in careful detail the ideology and practice of libertarian exit and its place in the histories of contemporary cap­italism, decolonization, empire, and oceans and islands. Adventure Capitalism is a global history that intersects with an array of figures: Fidel Castro and the Koch brothers, American segregationists and Melanesian socialists, Honolulu-based real estate speculators and British Special Branch spies, soldiers of fortune and English lords, Orange County engineers and Tongan navigators, CIA operatives and CBS news executives, and a new breed of techno-utopians and an old guard of Honduran coup leaders. This is not only a history of our time but, given the new iterations of privatized exit—seasteads, free private cities, and space colonization—it is also a history of our future.

Crisis and Care reveals what is possible when activists mobilize for the radical changes our society needs. In a time of great uncertainty, fear, and isolation, Queer activists organized for health equity, prison abolition, racial justice, and more. Nobody who lived through the COVID-19 pandemic will soon forget the challenges, sacrifices, and incredible loss felt during such an uncertain time in history. Crisis and Care anthologizes not what happened during COVID-19, or why it happened, but rather how Queer activists responded in real time. It considers the necessity to memorialize resiliency as well as loss, hope as well as pain, to remember the strides forward as well as the steps back. Activist contributors Zephyr Williams, Mark Travis Rivera, Jamie Gliksburg, Denise Spivak, Emmett Patterson, Omar Gonzales-Pagan, Kenyon Farrow, and more provide a radical lens through which future activists can consider effective strategies to make change, even or perhaps especially, during periods of crisis.

The Balkans, in particular the turbulent ex-Yugoslav territory, have been among the most important world regions in Noam Chomsky’s political reflections and activism for decades. His articles, public talks, and correspondence have provided a critical voice on political and social issues crucial not only to the region but the entire international community, including “humanitarian intervention,” the relevance of international law in today’s politics, media manipulations, and economic crisis as a means of political control.

This volume provides a comprehensive survey of virtually all of Chomsky’s texts and public talks that focus on the region of the former Yugoslavia, from the 1970s to the present. With numerous articles and interviews, this collection presents a wealth of materials appearing in book form for the first time along with reflections on events twenty-five years after the official end of communist Yugoslavia and the beginning of the war in Bosnia. The book opens with a personal and wide-ranging preface by Andrej Grubačić that affirms the ongoing importance of Yugoslav history and identity, providing a context for understanding Yugoslavia as an experiment in self-management, antifascism, and mutlethnic coexistence.

The Great French Revolution, 1789–1793 is Peter Kropotkin’s most substantial historical work. In it he presents a people’s history of the world-shaking events of the Revolution and shows the key role the working men and women of the towns and countryside played in it. Without the constant pressure of popular organisations and activity, the politicians would never have created a Republic, nor been able to survive the counterrevolutionary forces internally or externally.

Focusing on such mass movements—and especially the peasant majority—rather than on the few great men beloved of bourgeois accounts, this is a groundbreaking account of the period and a seminal work of “history from below.” Later research may have corrected some factual details and opened new avenues of scholarship, but Kropotkin’s text remains an exemplar of anarchist history-writing, challenging both bourgeois republican and Marxist interpretations of the Revolution.

Yet it is more than a history: Kropotkin uses the experience of the French Revolution to aid us in our current struggles and to learn its lessons in order to ensure the success of future revolutions. This book raises issues which have resurfaced time and again, as well as offering solutions based on the self-activity of the masses, the new, decentralised, directly democratic social organisations they forged during the Revolution, and the need to transform a political revolt into a social revolution which seeks to secure the well-being of all by transforming the economy from the start.

An interview with Noam Chomsky is a bit like throwing batting practice to Babe Ruth. What you lob in, he will hammer out.

This conversational interview by Michael Albert, who has been close to Chomsky for roughly half a century and talked with him many hundreds of times, spans a wide range of topics including journalism, science, religion, the racist foundations of American society, education as indoctrination, issues of class and resistance, colonialism, imperialism, and much more. The thread through it all is that every topic—and the list above takes us just about halfway through this book—reveals how social systems work, what their impact on humanity is, and how they are treated by the elite, mainstream intellectuals, and leftists. It gets personal, theoretical, and observational. The lessons are relevant to all times, so far, and pretty much all places, and Chomsky’s logical scalpel, with moral guidance, is relentless.

Black metal is a paradox. A noisy underground metal genre brimming with violence and virulence, it has captured the world’s imagination for its harsh yet flamboyant style and infamous history involving arson, blasphemy, and murder. Today black metal is nothing less than a cultural battleground between those who claim it for nationalist and racist ends, and those who say: Nazi black metal fvck off!

Black Metal Rainbows is a radical collection of writers, artists, activists, and visionaries, including Drew Daniel, Kim Kelly, Laina Dawes, Espi Kvlt, Hunter Hunt-Hendrix, Svein Egil Hatlevik, Eugene S. Robinson, Margaret Killjoy, and many more. Across essays and theory-fictions, artworks and comics, we say out loud: Long live black metal’s trve rainbow!

This unique volume envisions black metal as always already open, inclusive, and unlimited: a musical genre whose vital spirit of total antagonism rebels against the forces of political conservatism. Beyond its clichés of grimness, nihilism, reaction, and signature black/white corpse-paint sneer, black metal today is a vibrant and revolutionary paradigm. This book reveals its ludic, carnival worlds animated by spirits of joy and celebration, community and care, queerness and camp, LGBTQI+ identities and antifascist, antiracist, and left-wing politics, not to mention endless aesthetic experimentation and fabulousness. From the crypt to the cloud, Black Metal Rainbows unearths black metal’s sparkling core and illuminates its prismatic spectrum: deep within the black, far beyond grimness, and over a darkly glittering rainbow!

A little girl who disguises herself as an old man, an addict who collects dollhouse furniture, a crime reporter confronted by a talking dog, a painter trying to prove the non-existence of god, and lovers in a penal colony who communicate through technical drawings—these are just a few of the characters who live among the ruins.

RUIN is both bracingly timely and eerily timeless in its examination of an American state in free-fall, unsparing in its disregard for broken institutions, while shining with compassion for all who are left in their wake. Cara Hoffman’s short fictions are brutal, surreal, hilarious, and transgressive, celebrating the sharp beauty of outsiders and the infinitely creative ways humans muster psychic resistance under oppressive conditions. The ultimate effect of these ten interconnected stories is one of invigoration and a sense of possibilities—hope for a new world extracted from the rubble of the old.

Founded in 1979 by Seth Tobocman and Peter Kuper, World War 3 Illustrated is a labor of love run by a collective of artists (both first-timers and established professionals) and political activists working with the unified goal of creating a home for political comics, graphics, and stirring personal stories. Their confrontational comics shine a little reality on the fantasy world of the American kleptocracy, and have inspired the developing popularity and recognition of comics as a respected art form.

This full-color retrospective exhibition is arranged thematically, including housing rights, feminism, environmental issues, religion, police brutality, globalization, and depictions of conflicts from the Middle East to the Midwest. World War 3 Illustrated isn’t about a war that may happen; it’s about the ongoing wars being waged around the world and on our very own doorsteps. World War 3 Illustrated also illuminates the war we wage on each other—and sometimes the one taking place in our own minds. World War 3 artists have been covering the topics that matter for over 30 years, and they’re just getting warmed up.

Contributors include Sue Coe, Eric Drooker, Fly, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Kevin Pyle, Spain Rodriguez, Nicole Schulman, Seth Tobocman, Susan Willmarth, and dozens more.

One hundred years after his death, Peter Kropotkin is still one of the most inspirational figures of the anarchist movement. It is often forgotten that Kropotkin was also a world-renowned geographer whose seminal critique of the hypothesis of competition promoted by Social Darwinism helped revolutionize modern evolutionary theory. An admirer of Darwin, he used his observations of life in Siberia as the basis for his 1902 collection of essays Mutual Aid: A Factor of Evolution. Kropotkin demonstrated that mutually beneficial cooperation and reciprocity—in both individuals and as a species—plays a far more important role in the animal kingdom and human societies than does individualized competitive struggle. Kropotkin carefully crafted his theory making the science accessible. His account of nature rejected Rousseau’s romantic depictions and ethical socialist ideas that cooperation was motivated by the notion of “universal love.” His understanding of the dynamics of social evolution shows us that the power of cooperation—whether it is bison defending themselves against a predator or workers unionizing against their boss. His message is clear: solidarity is strength!

Every page of this new edition of Mutual Aid has been beautifully illustrated by one of anarchism’s most celebrated current artists, N.O. Bonzo. The reader will also enjoy original artwork by GATS and insightful commentary by David Graeber, Ruth Kinna, Andrej Grubacic, and Allan Antliff.

At a time when we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In Patriarchy of the Wage, Silvia Federici, bestselling author and the most important Marxist feminist of our era, asks why Marx's crucial analysis of the exploitation of human labor was blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century creating a new patriarchal regime? Patriarchy of the Wage does more than just redefine classical Marxism. It is an urgent call for a new kind of radical politics.

As Noam Chomsky writes about something—US foreign policy, corporate policies, an election, or a movement—he is not only quite specific in recounting the topic and its facts but also exercises blisteringly relentless logic to discern the interconnections between the evidence and broader themes involved. This may seem mundane, but virtually every time, even aside from the details of the case in question, the process, the steps, the ways of linking one thing to another illustrate what it means to be a thinking, critical subject of history and society, in any time and place.

Taming the Rascal Multitude is a judicious selection of essays and interviews from Z Magazine from 1997 to 2014. In each, Chomsky takes up some question of the moment. As such, in sum, the essays provide an historical overview of the history that preceded Trump and the reaction to Trump. The essays situate what followed even without having known what would follow. They explicate what preceded the current era and provide a step-by-step revelation or how-to for successfully comprehending social events and relations. They are a pleasure to read, much like the pleasure of watching a great athlete or performer, but they also edify. They educate.

Reading Chomsky is about understanding how society works, how people relate to society and social trends and patterns and why, and, beyond the specifics, how to approach events, relations, occurrences, trends, and patterns in a way that reveals their inner meanings and their outer connections and implications. It is like reading the best you can get about topic after topic, and, more, it is like watching a master-craftsmen in a discipline that ought to be all of ours understanding the world to change it.

Straight edge—hardcore punk’s drug-free offshoot—has thrived as a subculture since the early 1980s. Its influence has reached far beyond musical genres and subcultural divides. Today it is more diverse and richly complex than ever, and in the past decade alcohol and drug use have become a much-discussed issue in radical politics, not least due to the hard work, dedication, and commitment to social and environmental justice found among straight-edge activists.

X: Straight Edge and Radical Sobriety is Gabriel Kuhn’s highly anticipated follow-up to his critically acclaimed Sober Living for the Revolution. In this impressive volume, Kuhn continues his reconnaissance of straight-edge culture and how it overlaps with radical politics. Extensively illustrated and combining original interviews and essays with manifestos and reprints from zines and pamphlets, X is a vital portrait of the wide spectrum of people who define straight-edge culture today.

In the sprawling scope of this book, the notion of straight edge as a bastion of white, middle-class, cis males is openly confronted and boldly challenged by dozens of contributors who span five continents. X takes a piercing look at religion, identity, feminism, aesthetics, harm reduction, and much more. It is both a call to action and an elaborate redefinition of straight edge and radical sobriety.

Promising to inspire discussion, reflection, and unearth hidden chapters of hardcore punk history, X: Straight Edge and Radical Sobriety is of crucial importance to anybody interested in the politics of punk and social transformation.

Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest.

Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

San Francisco, 1916. The streets roiling: pitched battles between radical workers and the henchmen of industrial barons, and between a vibrant, largely Italian immigrant anarchist milieu and the forces of state and church. All in the looming shadow of Europe’s raging war, and of a fierce struggle over whether the U.S. should commit its might, and human fodder, to the slaughter in the trenches.

Into this maelstrom arrives Kate Jameson, a novice envoy from Washington tasked to secretly investigate the tenor of support for war entry among San Francisco’s business elite. She’s also hoping to glimpse her wayward daughter, Maggie, whose last message to Kate had come from there. And, too, she’s seeking the ghost of her husband Jamey, who fifteen years earlier had landed there upon his return, shattered, from his part in the U.S. occupation of the Philippines.

Arriving back in the city at the same moment is Baldo Cavanaugh, a Sicilian-Irish son of San Francisco whose militant beliefs and special skills have led him time and again to the violent extremes of the city’s turbulent history. And who now must confront the doubts and demons of his own character, which he’d sought to escape by fleeing the city three years before.

This stunning tale explores how these two seemingly disparate characters become engaged with the city’s and nation’s turmoil, and with the complexities of their related pasts in Boston, Dublin, London, Cuba, and the Philippines. A vivid picture of a city and a moment, the novel brilliantly reveals the explosive admixture of the deeply personal and the deeply political.

Wobblies and Zapatistas offers the reader an encounter between two generations and two traditions. Andrej Grubačić is an anarchist from the Balkans. Staughton Lynd is a lifelong pacifist, influenced by Marxism. They meet in dialogue in an effort to bring together the anarchist and Marxist traditions, to discuss the writing of history by those who make it, and to remind us of the idea that “my country is the world.” Encompassing a Left-libertarian perspective and an emphatically activist standpoint, these conversations are meant to be read in the clubs and affinity groups of the new Movement.

The authors accompany us on a journey through modern revolutions, direct actions, antiglobalist counter-summits, Freedom Schools, Zapatista cooperatives, Haymarket and Petrograd, Hanoi and Belgrade, “intentional” communities, wildcat strikes, early Protestant communities, Native American democratic practices, the Workers’ Solidarity Club of Youngstown, occupied factories, self-organized councils and soviets, the lives of forgotten revolutionaries, Quaker meetings, antiwar movements, and prison rebellions. Neglected and forgotten moments of interracial self-activity are brought to light. The book invites the attention of readers who believe that a better world, on the other side of capitalism and state bureaucracy, may indeed be possible.

Working-Class Heroes is an organic melding of history, music, and politics that demonstrates with remarkably colorful evidence that workers everywhere will struggle to improve their conditions of life. And among them will be workers who share an insight: in order to better our lot, we must act collectively to change the world. This profusely illustrated treasury of song sheets, lyrics, photographs, histories, and biographical sketches explores the notion that our best hope lies in the capacity of ordinary working people to awaken to the need to emancipate ourselves and all of humanity.

Featuring over a dozen songwriters, from Joe Hill to Aunt Molly Jackson,Working-Class Heroes delivers a lyrical death blow to the falsehood that so-called political songs of the twentieth century were all written by intellectuals in New York. Many, like Ella May Wiggins, were murdered by the bosses. Others, like Sarah Ogan Gunning, watched their children starve to death and their husbands die of black lung, only to rise up singing against the system that caused so much misery.

Most of the songs collected here are from the early twentieth century, yet their striking relevance to current affairs invites us to explore the historical conditions that inspired their creation: systemic crisis, advancing fascism, and the threat of world war. In the face of violent terror, these working-class songwriters bravely stood up to fight oppression. Such courage is immortal, and the songs of such heroes can still lift our spirits, if we sing them today.

Featured in this twenty-song collection are Sarah Ogan Gunning, Ralph Chaplin, Woody Guthrie, Ella May Wiggins, Joe Hill, Paul Robeson, John Handcox, Aunt Molly Jackson, Jim Garland, Alfred Hayes, Joseph Brandon, and several anonymous proletarian songwriters whose names have been long forgotten, though their words will never die.

History is not made by kings, politicians, or a few rich individuals—it is made by all of us. From the temples of ancient Egypt to spacecraft orbiting Earth, workers and ordinary people everywhere have walked out, sat down, risen up, and fought back against exploitation, discrimination, colonization, and oppression.

Working Class History presents a distinct selection of people’s history through hundreds of “on this day in history” anniversaries that are as diverse and international as the working class itself. Women, young people, people of color, workers, migrants, Indigenous people, LGBT+ people, disabled people, older people, the unemployed, home workers, and every other part of the working class have organized and taken action that has shaped our world, and improvements in living and working conditions have been won only by years of violent conflict and sacrifice. These everyday acts of resistance and rebellion highlight just some of those who have struggled for a better world and provide lessons and inspiration for those of us fighting in the present. Going day by day, this book paints a picture of how and why the world came to be as it is, how some have tried to change it, and the lengths to which the rich and powerful have gone to maintain and increase their wealth and influence.

This handbook of grassroots movements, curated by the popular Working Class History project, features many hidden histories and untold stories, reinforced with inspiring images, further reading, and a foreword from legendary author and dissident Noam Chomsky.

Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.

The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed nuns, anarchist bats, and an itinerant camel. They attempt to end the reign of the dictator who rules over Balaal. Their attempt involves pitched battles, farcical trials, rooftop escapes, and sun-parched wanderings in the wilderness. Looming over the disparate cast of characters is the legend of the giant wave—Nazaré—that will one day annihilate everyone and everything in the city.

Nazaré is an adventure and a parable that pits the oppressed against the oppressor. The work has been likened to that of Gabriel García Márquez and Mario Vargas Llosa in its use of language, its inventiveness, its humor, and its examination of issues of justice.

Jewish Noir II is unique collection of twenty-three all-new stories (and one reprint) by Jewish and non-Jewish literary and genre writers, including numerous award-winning authors such as Gabriela Alemán, Doug Allyn, Rita Lakin, Rabbi Ilene Schneider, E.J. Wagner, and Kenneth Wishnia, with a foreword by MWA Grand Master Lawrence Block. The stories explore such issues as the perpetual challenge of confronting resurgent anti-Semitism in the US, the enduring legacy of regional warfare in the land of Israel since biblical times, how the “entitled” behavior of certain ultra-Orthodox communities can fuel anti-Semitic attitudes, Jewish support of the civil rights movement, greedy Jewish businessmen who reinforce negative ethnic stereotypes, the excesses of “golden ghetto” American Jews, the appeal of “tough” Israeli-Jewish soldiers and mercenaries, how real estate fortunes are made, and the consequences of political corruption that feed into an exploitive system, how obsession can lead “good” people to do “bad” things. The stories in this collection include many “teachable moments” about the history of prejudice, and the contradictions of ethnic identity and assimilation into American society.

William Morris—the great 19th-century craftsman, designer, poet and writer—remains a monumental figure whose influence resonates powerfully today. As an intellectual (and author of the seminal utopian News from Nowhere), his concern with artistic and human values led him to cross what he called the “river of fire” and become a committed socialist—committed not to some theoretical formula but to the day by day struggle of working women and men in Britain and to the evolution of his ideas about art, about work and about how life should be lived.

Many of his ideas accorded none too well with the reforming tendencies dominant in the labour movement, nor with those of “orthodox” Marxism, which has looked elsewhere for inspiration. Both sides have been inclined to venerate Morris rather than to pay attention to what he said.

In this biography, written less than a decade before his groundbreaking The Making of the English Working Class, E.P. Thompson brought his now trademark historical mastery, passion, wit, and essential sympathy. It remains unsurpassed as the definitive work on this remarkable figure, by the major British historian of the 20th century.

A fascinating dramatized fiction of the life and times of Jules Bonnot, his “gang,” and associates, the individualist anarchists of the time, including the young Victor Serge. An affectionate, fast-paced, but historically accurate account of the life of the extraordinary Bonnot—worker, soldier, auto-mechanic, driver to Sir Arthur Conan Doyle—a man with a long-cherished dream of absolute freedom, and the first bank-robber to use a getaway car; an anarchist who felt it his duty to lash out at bourgeois society, staking his all. A tragically romantic hero, Jules Bonnot emerges from these pages as a wounded dreamer who was to deeply affect the lives of so many other unforgettable characters. Beautifully illustrated by Flavio Costantini.

The year is 1923. The Ku Klux Klan is at the height of its power in the US as membership swells into the millions and they expand beyond their original southern borders. As they grow, so do their targets. As they continue their campaigns of terror against African Americans, their list now includes Catholics and Jews, southern and eastern Europeans, all in the name of “white supremacy.” But they are no longer considered a terrorist organization. By adding the messages of moral decency, family values, and temperance, the Klan has slapped on a thin veneer of respectability and has become a “civic organization,” attracting ordinary citizens, law enforcement, and politicians to their particular brand of white, Anglo-Saxon, and Protestant “Americanism.”

Pennsylvania enthusiastically joined that wave. That was when the Grand Dragon of Pennsylvania decided to display the Klan’s newfound power in a show of force. He chose a small town outside of Pittsburgh named after Andrew Carnegie; a small, unassuming borough full of “Catholics and Jews,” the perfect place to teach these immigrants “a lesson.” Some thirty thousand members of the Klan gathered from as far as Kentucky for “Karnegie Day.” After initiating new members, they armed themselves with torches and guns to descend upon the town to show them exactly what Americanism was all about.

The Day the Klan Came to Town is a fictionalized retelling of the riot, focusing on a Sicilian immigrant, Primo Salerno. He is not a leader; he’s a man with a troubled past. He was pulled from the sulfur mines of Sicily as a teen to fight in the First World War. Afterward, he became the focus of a local fascist and was forced to emigrate to the United States. He doesn’t want to fight but feels that he may have no choice. The entire town needs him—and indeed everybody—to make a stand.

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the “New World,” this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity.

As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici’s work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.

Nazaré tells the story of a peasants’ revolt in the polyglot city of Balaal. The story begins with a miracle. A homeless boy sees a whale washed up on the beach. He alerts the local fishermen, and soon the whole town is trying and failing to push it back into the ocean. With just the boy left to accompany the whale now in its dying throes, a freak wave pulls the creature back into the sea. This is an omen. Change is coming.

The boy and the washerwoman who adopts him cobble together a ramshackle army of fishermen, shopkeepers, lapsed nuns, anarchist bats, and an itinerant camel. They attempt to end the reign of the dictator who rules over Balaal. Their attempt involves pitched battles, farcical trials, rooftop escapes, and sun-parched wanderings in the wilderness. Looming over the disparate cast of characters is the legend of the giant wave—Nazaré—that will one day annihilate everyone and everything in the city.

Nazaré is an adventure and a parable that pits the oppressed against the oppressor. The work has been likened to that of Gabriel García Márquez and Mario Vargas Llosa in its use of language, its inventiveness, its humor, and its examination of issues of justice.

January 1, 1994. The day the North American Free Trade Agreement (NAFTA) comes into effect. A few minutes after midnight in Southeastern Mexico, several thousand Mayan soldiers take over half the state of Chiapas, declaring a war against the global corporate power they say rules Mexico. They call themselves the Zapatista National Liberation Army (EZLN).

Zapatista is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.

Narration by: Mumia Abu-Jamal, Darryl Hannah, Edward James Olmos and Geronimo Pratt.

Featuring interviews with: Subcomandante Marcos, Noam Chomsky, Comandante Tacho, David and Zebedeo, Mayor Insurgente Ana Maria, Javier Elorriaga, Zach de la Rocha and more.

Music by Rage Against the Machine.

Special features include complete interviews with Subcomandante Marcos and Noam Chomsky, additional video shorts, action guide and photo slideshow.