Scribe Publications Pty Ltd

A hybrid of memoir and essay from award-winning writer and critic Alison Croggon.

“I was born as part of a monstrous structure—the grotesque, hideous, ugly, ghastly, gruesome, horrible relations of power that constituted colonial Britain. A structure that shaped me, that shapes the very language that I speak and use and love. I am the daughter of an empire that declared itself the natural order of the world.”

From award-winning writer and critic Alison Croggon, Monsters is a hybrid of memoir and essay that takes as its point of departure the painful breakdown of a relationship between two sisters.

It explores how our attitudes are shaped by the persisting myths that underpin colonialism and patriarchy, how the structures we are raised within splinter and distort the possibilities of our lives and the lives of others.

Monsters asks how we maintain the fictions that we create about ourselves, what we will sacrifice to maintain these fictions—and what we have to gain by confronting them.

A Paris police force as you’ve never seen it

Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van.

Well, not always. Not this time.

What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected.

Within three months of training to become an officer, he was given a permit to carry a weapon in public. And although he lived in daily fear of being discovered, in his book Gendrot hides nothing.

Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and mourned the tragic suicide of a colleague.

Asking important questions about who holds institutional power and how we can hold them to account, Cop is a gripping exposé of a world never before seen by outsiders.

From the author of the multi-award-winning bestseller Between a Wolf and a Dog, a powerful collection of previously unpublished stories.

A sister is haunted by the consequences of a simple mistake. A daughter searches for certainty as her mother’s memory degrades. An encounter at a house party changes the course of a life.

In Far From Home, beloved Australian author Georgia Blain returns to her resonant themes of relationships and family, illness and health, love and death. Composed in Blain’s final years, these nine stories grapple with large questions on a human scale, brimming with her trademark acuity, nuance, and warmth.

The sweeping debut novel set in bohemian Paris, by the author of international bestseller The Eighth Life.

In 1953, a teenage girl, Jeanne Saré, jumps in front of a train at the Gare du Nord station. She leaves behind writings that to some are unreadable, but to others tell universal, unspoken truths about the lives and struggles of women. When published in the 1970s, her work triggers a rash of copycat suicides. It is hastily withdrawn from sale and eventually forgotten about.

Then, in 2004, two women from opposite corners of the globe—Amsterdam and Sydney—rediscover Jeanne Saré’s book and set out to discover who the author was and what happened to her.

Women across the ages have attached their own stories to Saré’s, often with devastating results, but the truth about her may be even stranger than the fictions they have invented.

WINNER OF THE 2023 ABIA GENERAL NONFICTION BOOK OF THE YEAR AWARD

“The gripping inside story of how Scott Morrison went from miracle man to roadkill. Savva portrays a fatally flawed leader who trashed his government, his party, and his legacy.”
—Laurie Oakes

Between 2013 and 2022, Tony Abbott begat Malcolm Turnbull, who begat Scott Morrison. For nine long years, Australia was governed by a succession of Coalition governments rocked by instability and bloodletting, and consumed with prosecuting climate and culture wars while neglecting policy.

By the end, among his detractors—and there were plenty—Morrison was seen as the worst prime minister since Billy McMahon. Worse even than Tony Abbott, who lasted a scant two years in the job, whose main legacy was that he destroyed Julia Gillard, then himself, and then Turnbull.

Morrison failed to accept the mantle of national leadership, or to deal adequately with the challenges of natural disasters and the COVID-19 pandemic. He thought reform was a vanity project. He said he never wanted to leave a legacy. He got his wish.

Niki Savva, Australia’s renowned political commentator, author, and columnist, was there for all of it. In The Road to Ruin, she revealed the ruinous behavior of former prime minister Abbott and his chief of staff, Peta Credlin, that led to the ascension of Turnbull. In Plots and Prayers, she told the inside story of the coup that overthrew Turnbull and installed his conniving successor, Morrison.

Now she lays out the final unravelling of the Coalition at the hands of a resurgent Labor and the so-called teal independents that culminated in the historic 2022 election. With her typical access to key players, and her riveting accounts of what went on behind the scenes, Bulldozed is the unique final volume of an unputdownable and impeccably sourced political trilogy.

‘I don’t hold a hose, mate.’ Scott Morrison, 20 December 2019, on the Black Summer bushfires
‘It’s not a race.’ Scott Morrison, 11 March 2021, on the COVID-19 vaccine rollout

“From schoolboy socialist to boy publisher to mogul on the make: Young Rupert offers a revelatory glimpse of Murdoch becoming Murdoch."—Jeff Sparrow, author of No Way But This: in search of Paul Robeson

For half a century, the Murdoch media empire and its polarizing patriarch have swept across the globe, shaking up markets and democracies in their wake. But how did it all start?

In September 1953, 22-year-old Rupert Murdoch landed in Adelaide, South Australia. Fresh from Oxford with a radical reputation, the young and brash son of Sir Keith Murdoch had arrived to fulfill his father’s dying wish: for Rupert to live a “useful altruistic and full life” in the media.

For decades, Sir Keith had been a giant of the Australian press, but his final years were spent bitterly fending off rivals and would-be successors. When the dust settled on his father’s estate, Rupert was left with the Adelaide-based News Ltd and its afternoon paper The News—a minor player in a small, parochial city.

But even this inheritance was soon under siege, as the left-wing “Boy Publisher” stared down his father’s old colleagues at the city’s paper of record, The Advertiser, and a conservative establishment kept in power by a decades-old gerrymander.

Led by Rupert’s friend, ally, and editor-in-chief Rohan Rivett, the fledgling Murdoch press began a seven-year campaign of circulation wars, expansion, and courtroom battles that divided the city and would lay the foundations for a global empire—if Rupert and Rohan didn’t end up in custody first.

Drawing on unpublished archival material and new reportage, Young Rupert pieces together a paper trail of succession, sedition, and power—and a fascinating time capsule of Australian media on the cusp of an extraordinary ascension.

The gripping history of Taiwan, from the flood myths of indigenous legend to its Asian Tiger economic miracle—and the renewed threat of invasion by China.

Once dismissed by the Kangxi Emperor as nothing but a ‘ball of mud’, Taiwan has a modern GDP larger than that of Sweden, in a land area smaller than Indiana. It is the last surviving enclave of the Republic of China, a lost colony of Japan, and claimed by Beijing as a rogue province—merely the latest chapters in its long history as a refuge for pirates, rebels, settlers, and outcasts.

Jonathan Clements examines the unique conditions of Taiwan’s archaeology and indigenous history, and its days as a Dutch and Spanish trading post. He delves into its periods as an independent kingdom, Chinese province, and short-lived republic, and the transformations wrought by 50 years as part of the Japanese Empire. He examines the traumatic effects of its role as a lifeboat in 1949 for two million refugees from Communism, and the conflicts emerging after the suspension of four decades of martial law, as its people debate issues of self-determination, independence, and home rule.

The second novel by Booker Prize-longlisted author Anna Smaill. A lyrical and ambitious exploration of madness and what it is like to experience the world differently.

In Ueno Park, Tokyo, as workers and tourists gather for lunch, the pollen blows, a fountain erupts, pigeons scatter, and two women meet, changing the course of one another’s lives.

Dinah has come to Japan from New Zealand to teach English and grieve the death of her brother, Michael, a troubled genius who was able to channel his problems into music as a classical pianist—until he wasn’t. In the seemingly empty, eerie apartment block where Dinah has been housed, she sees Michael everywhere, even as she feels his absence sharply.

Yasuko is polished, precise, and keenly observant—of her students and colleagues at the language school, and of the natural world. When she was thirteen, animals began to speak to her, to tell her things she did not always want to hear. She has suppressed these powers for many years, but sometimes she allows them to resurface, to the dismay of her adult son, Jun. One day, she returns home, and Jun has gone. Even her special gifts cannot bring him back.

As these two women deal with their individual traumas, they form an unlikely friendship in which each will help the other to see a different possible world, as Smaill teases out the tension between our internal and external lives and asks what we lose by having to choose between them.

WINNER OF THE 2022 AGE BOOK OF THE YEAR FOR FICTION
HIGHLY COMMENDED IN THE 2022 VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION

‘A parent’s love for a child, you probably know this yourself, it’s pretty bottomless. It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’

In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.

In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

Can knowledge heal chronic pain? The ultimate, science-driven guide to understanding chronic pain.

Paul Biegler—a science journalist and former doctor—has interviewed the world’s leading pain experts, along with people who have weathered their own chronic pain battles.

Chronic pain is the single biggest cause of suffering. And yet, pain that persists for more than three months is often unrelated to any physical injury. So why does it still hurt?

From neuroplasticity, to sensitized nervous systems, and associative learning—Dr. Biegler’s journey through pain clinics and studies debunks common myths about pain treatments and explores the pivotal recent brain science that explains why a nervous system holds on to pain pathways, and how to retrain the brain and the body.

Discover what we can learn from the leading pain doctors and the pain clinics that offer no pain medications but still have excellent (and fast) results.

Why Does It Still Hurt? is a must-read for anyone with chronic pain who wants cutting-edge knowledge and help to live pain-free.

Spring and summer are my mother’s time, autumn and winter are my husband’s. What is left for me?

Persephone spends six months of the year under the ground with her husband, king of the dead, and six months on earth with her mother, goddess of the harvest. It has been this way for nine thousand years, since the deal was struck. But when she resurfaces this spring, something is different. Rains lash the land, crops grow out of season or not at all, there are people trying to build a road through the woods, and her mother does not seem able to stop them. The natural world is changing rapidly and even the gods have lost control.

While Demeter tries to regain her powers and fend off her daughter’s husband, who wants to drag his queen back underground for good, Persephone finally gets a taste of freedom, joining a group of protestors. Used to blinking up at the world from below, as she looks down on the earth for the very first time from the treetops with activist Snow, Persephone realizes that there are choices she can make for herself. But what will these choices mean for her mother, her husband, and for the new shoots of life inside her?

No Season but the Summer takes a classic myth and turns it on its head, asking what will happen when our oldest stories fail us, when all the rules have changed. It is, above all, a book about choice.

A compelling and persuasive look at the social transformations needed to cope with our environmental crises.

As this major German bestseller reports, our world is at a tipping point, and we feel it every day. On the one hand, we have never been so well off; on the other hand, we find destruction and crisis everywhere we look. Whether throughout the environment or within society, our systems are under stress.

In this book, Maja Göpel, co-founder of the Scientists for Future initiative and a former secretary-general of the German Advisory Council on Global Change, explains that this new reality didn’t just happen overnight, but rather is a result of our continuous actions—actions propelled by principles and beliefs, which have shaped us as a society over generations. We do not solely face an environmental crisis, but also a social one. It’s time to question our principles, set new goals, and re-evaluate our priorities. It’s time to rethink our world, because if we want to keep our livelihoods, we need to find a way of living without draining our planet any further. We need a fair distribution of wealth and a way to reconcile the social with the ecological.

Critical, yet full of encouragement, Maja Göpel chooses surprising and enlightening examples to illustrate how we can leave behind our familiar ways of living to achieve a better future. With that, she invites us to look at this future we are shaping every day in a new and completely different way.

The deeply moving memoir of an award-winning war correspondent turned activist—and her rousing defense of human rights in times of resurgent authoritarianism.

As a broadcast journalist for Sky News and Al Jazeera, Sherine Tadros was trained to tell only the facts, as dispassionately as possible. But how can you remain neutral when reporting from war zones, or witnessing brutal state repression?

For twenty-six years, Tadros grew up in the quiet surroundings of her family’s London home, and yet injustice was something her Egyptian immigrant parents could never shelter her from. From her first journalistic assignment trapped inside a war zone in the Gaza Strip, to covering the Arab uprisings that changed the course of history, Tadros searched for ways to make a difference in people’s lives. But it wasn’t until her fiancé left her on their wedding day, and her life fell apart, that she found the courage to find her true purpose. It was the beginning of a journey leading to her current work for Amnesty International at the United Nations, where she lobbies governments to ensure that human rights are protected around the world.

With the compassion and verve of a clear-sighted campaigner and a natural storyteller, Tadros shares her remarkable journey from witnessing injustice to fighting it head-on in the corridors of power.

A dazzling follow-up to Life As Told by a Sapiens to a Neanderthal.

‘We would love to discover that each species has a biological clock in its cells, because, if that clock existed and if we were able to find it, perhaps we could stop it and thus become eternal,’ Arsuaga tells Millás in this book, in which science is intertwined with literature. The paleontologist reveals essential aspects of our existence to the writer, and debates the advisability of transmitting his random vision of life to a dieting Millás, who discovers that old age is a country in which he still feels like a foreigner.

After the extraordinary international reception of Life As Told by a Sapiens to a Neanderthal, the most brilliant double act in Spanish literature once again dazzle the reader by addressing topics such as death and eternity, longevity, disease, aging, natural selection, programmed death, and survival.

Here you will find humor, biology, nature, life, a lot of life … and two fascinating characters, the Sapiens and the Neanderthal, who surprise us on every page with their sharp reflections on how evolution has treated us as a species. And also as individuals.

LONGLISTED FOR THE 2024 BOOKER AWARD

International Booker–nominated virtuoso Hwang Sok-yong is back with another powerful story—an epic tale that threads together a century of Korean history.

In contemporary Seoul, a laid-off worker stages a months-long sit-in atop a sixteen-story factory chimney. During the long and lonely nights, he talks to his ancestors, chewing on the meaning of life, on wisdom passed down the generations.

Through the lives of those ancestors, three generations of railroad workers, Mater 2-10 vividly portrays the struggles of ordinary Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. It is at once a gripping account of a nation’s longing to be free from oppression, a lyrical folktale that reflects the blood, sweat, and tears shed by modern industrial laborers, and a culmination of Hwang’s career—a masterpiece thirty years in the making.

A true voice of a generation, Hwang shows again why he is unmatched when it comes to depicting the roots and reality of a divided nation and bringing to life the trials and tribulations of the Korean people.

The Last Yakuza tells the history of the yakuza like it’s never been told before in this gripping, true crime story by the author of Tokyo Vice.

Makoto Saigo is half-American and half-Japanese, living in small-town Japan. He has two talents: playing guitar and picking fights. When his dream of being a rock star fails to materialize, he turns to the only place where you can start from the bottom and move up through sheer performance, loyalty, and brute force—the yakuza.

Saigo, nicknamed Tsunami, quickly realizes that even within the organization, opinions are as varied as they come, and a clash of philosophies can quickly become deadly. One screw-up can cost you your life, or at least a finger.

The internal politics of the yakuza are dizzyingly complex, and between the ever-shifting web of alliances and the encroaching hand of the law that pushes them further and further underground, Saigo finds himself in the middle of a defining decades-long battle that will determine the future of the yakuza.

Written with the insight of an expert on Japanese organized crime and the compassion of a longtime friend, investigative journalist Jake Adelstein presents a sprawling biography of a yakuza, through postwar desperation, to bubble-era optimism, to the present. Including a cast of memorable yakuza bosses—Coach, the Buddha, and more—this is a story about the rise and fall of a man, a country, and a dishonest but sometimes honorable way of life on the brink of being lost.

‘Are you going into town today?’ she says, which annoys me because it’s something she says all the time, having forgotten she said it before, and I say, ‘Jesus, Mum, not this again,’ and she says, ‘What again?’ and I say, ‘Town is shut down,’ and while she can see I am upset and wants not to upset me like this, she is also wounded by my tone, and I am ashamed then and can only look at my plate, and I decide not to bring up what I intended to bring up, about the past, and about my need for her to apologise for it.

Gavin is spending the quarantine in a small flat in south Dublin with his eighty-year-old mother, whose mind is slowly slipping away. He has lived most of his adult life abroad and has returned home to care for her and to write a novel. But he finds that all he can write about is her.

Moving through a sequence of remembered rooms—the ‘cells’—Gavin unspools an intimate story of his upbringing and early adulthood: feeling out of place in the insular suburb in which he grew up, the homophobic bullying he suffered at school, his brother’s mental illness and drug addiction, his father’s sudden death, his own devastating diagnosis, his struggles and triumphs as a writer, and above all, always, his relationship with his mother. Her brightness shines a light over his childhood, but her betrayal of his teenage self leads to years of resentment and disconnection. Now, he must find a way to reconcile with her, before it is too late.

Written with unusual frankness and urgency, Cells is at once an uncovering of filial love and its limits, and a coming to terms with separation and loss.

An explosive feminist and anti-racist novel about the importance of friendship.

“We don’t exist in this world. Here, we are neither Germans nor refugees, we don’t report the news and we aren’t the experts. We’re some sort of wildcard.”

Hani, Kasih, and Saya have shared a deep friendship ever since they were kids. After years apart, the three young women meet again for a few days, to pick up where they left off. But regardless of what they have achieved, it becomes clear, again and again, that they can’t escape the racism that accompanies their daily lives: the glances, the chatter, the hatred, and the outright rightwing terror. But their friendship gives them stability. Until one dramatic night shakes everything up.

Sisters in Arms is a provocative, uncompromising, and moving novel about the extraordinary alliance between three young women and the only thing that makes a self-determined life possible in a society that doesn’t tolerate otherness: unconditional friendship.

An incisive and deeply candid account that explores autistic women in culture, myth, and society through the prism of the author’s own diagnosis.

Until the 1980s, autism was regarded as a condition found mostly in boys. Even in our time, autistic girls and women have largely remained undiagnosed. When portrayed in popular culture, women on the spectrum often appear simply as copies of their male counterparts — talented and socially awkward.

Yet autistic women exist, and always have. They are varied in their interests and in their experiences. Autism may be relatively new as a term and a diagnosis, but not as a way of being and functioning in the world. It has always been part of the human condition. So who are these women, and what does it mean to see the world through their eyes?

In The Autists, Clara Törnvall reclaims the language to describe autism and explores the autistic experience in arts and culture throughout history. From popular culture, films, and photography to literature, opera, and ballet, she dares to ask what it might mean to re-read these works through an autistic lens — what we might discover if we allow perspectives beyond the neurotypical to take centre stage.

The startling and highly anticipated new short story collection from Arthur C. Clarke Award–winning author of The Animals in That Country.

A family of cat farmers gets the chance to set the felines free. A group of chickens tells it like it is. A female-crewed ship plows through the patriarchy. A support group finds solace in a world without men.

With her trademark humor, energy, and flair, McKay offers glimpses of places where dreams subsume reality, where childhood restarts, where humans embrace their animal selves and animals talk like humans.

The stories in Gunflower explode and bloom in mesmerizing ways, showing the world both as it is and as it could be.

What happens when the person you’ve built your entire life on is suddenly gone?

This question lies at the heart of Jente Posthuma’s deceptively simple What I’d Rather Not Think About. The narrator is a twin whose brother has recently taken his own life. She looks back on their childhood, and tells of their adult lives: how her brother tried to find happiness, but lost himself in various men and the Bhagwan movement, though never completely.

In brief, precise vignettes, full of gentle melancholy and surprising humor, Posthuma tells the story of a depressive brother, viewed from the perspective of the sister who both loves and resents her twin, struggles to understand him, and misses him terribly.

From award-winning writer Anjali Joseph, a compelling new novel about a dysfunctional love affair.

Meet Ved, a British investor heading back to his Indian roots with a business proposition: a lightbulb called the Everlasting Lucifer.

Meet Keteki, an art curator with a nomadic lifestyle, on her way home to Assam.

In Heathrow airport, on the way to Mumbai, their paths cross, sparking an affair that soon turns into an intricate power game—and a complicated journey towards intimacy.

A groundbreaking book that will broaden and expand your thinking, whether you are a trauma survivor, a clinician, someone who loves a survivor, or someone seeking to understand abuse.

The relationship between trauma and mental health is becoming better recognized, but survivors and professionals alike remain confused about how best to understand and treat it. In Reclaim, through a series of case studies and expert analysis, Dr Ahona Guha explores complex traumas, how survivors can recover and heal, and the nature of those who abuse. She shines a light on the ‘difficult’ trauma victims that society often ignores, and tackles vital questions such as, ‘Why are we failing the victims of intimate partner violence?, ‘What kinds of behaviors should we see as red flags?’, and ‘Why do some people harm others, and how do we protect ourselves from them?’

As a clinical and forensic psychologist, Dr Guha has had extensive experience in working with those who perpetrate harm—including stalkers, sex offenders, violent offenders, and those who threaten, bully and harass—and she has a deep understanding of the psychological and social factors that cause people to abuse others. In turn, her clinical work in the trauma treatment field has led her to recognize the enormous impacts of complex trauma, and the failures of systems when working with those who have been victimized.

By emphasizing compassion above all, Dr Guha calls for us to become better informed about perpetrators and the needs of victims, so we might reclaim a safer, healthier society for everyone. 

A timely and inspiring work of comics journalism—the history of unions and why we need them (and a first-hand account of working in an Amazon warehouse).

Workers of the world, unite! From comics journalist Sam Wallman comes a thoughtful plunge into the history of unions. Through distinctive art and sharp-eyed reporting, Wallman ushers us into the hidden aisles of 21st-century labor conditions, and shows us recent labor movements and union triumphs—all while framing current conditions against the history of unions and the earliest rallying cries for worker rights.

It’s an entry point for younger generations, and a reminder for workers who have had their livelihood reduced by capitalist pressures. It’s also a primer for those new to the power of collective action.

From an Amazon warehouse in Melbourne (where Sam worked for a year), to Britain and Bangladesh, to Walmart in China and the New York Taxi Workers Alliance strike against the Trump-era refugee ban of 2017, this book is a highly original and visual exploration of the power of unions.

An authoritative resource for understanding the nature of mental illnesses and for pointing the way to treatment, written by two eminent mental health professionals with almost a century of academic achievement and clinical experience between them.

Many of us take our mental health for granted. But we can feel overwhelmed when confronted by mental illness in ourselves, a family member, or a friend. Troubled Minds is an invaluable guide for anyone whose life has been touched by mental ill-health and who wants to understand and deal effectively with it.

It serves as an ideal introduction to common mental illnesses, developmental disorders, and neurological variations that can lead to distress such as autism, anorexia nervosa, anxiety, depression, alcoholism, post-traumatic stress disorder, and dementia. Innovative chapters cover mental health problems of children and adolescents, and how we have the potential to promote our own mental health and wellbeing.

Bloch and Haslam tell illuminating stories of people they have treated, discuss public figures who have wrestled with mental ill-health, and share their personal experiences. Their book is informed by the latest research, warmed by lived experience and empathy, and seasoned by the insights of philosophers, writers, and artists.

Troubled Minds is essential reading for anyone who seeks deeper psychological insights to help deal with the challenges of contemporary life. It is a balanced and accessible account of a subject that is of profound significance in everyone’s life.

The first major anthology by parents with disabilities.

How does a father who is blind take his child to the park? How is a mother with dwarfism treated when she walks her child down the street? How do Deaf parents know when their baby cries in the night?

When writer and musician Eliza Hull was pregnant with her first child, like most parents-to-be she was a mix of excited and nervous. But as a person with a disability, there were added complexities. She wondered: Will the pregnancy be too hard? Will people judge me? Will I cope with the demands of parenting? More than 15 percent of people worldwide live with a disability, and many of them are also parents. And yet their stories are rarely shared, their experiences almost never reflected in parenting literature.

In We’ve Got This, parents around the world who identify as Deaf, disabled, or chronically ill discuss the highs and lows of their parenting journeys and reveal that the greatest obstacles lie in other people’s attitudes. The result is a moving, revelatory, and empowering anthology that tackles ableism head-on. As Rebekah Taussig writes, ‘Parenthood can tangle with grief and loss. Disability can include joy and abundance. And goddammit — disabled parents exist.’

From the author of Baby, a slow-burning psychological novel about a young wife dangerously obsessed with her husband’s criminal nephew.

Marrying Wayne is the radical act of Eve’s life. Rejecting her city upbringing, she quits her job and moves to his farm in the remote New Zealand countryside. Wayne’s success and social standing means she can have anything she wants—but what does Eve want? She isn’t sure. Embracing her role as a farmer’s wife, she tends the garden, cooks for her husband, arranges their social life, and judges the local future-homemaker awards, but something is missing. She craves excitement. Be careful what you wish for, Eve …

When Wayne’s nephew Luke gets out of prison and comes to work on the farm, Eve’s seemingly idyllic life is upended, and she finds herself drawn into a dangerous psychological game that will force her to decide who she really is and what she really wants.

A multi-award-winning journalist and former editor-in-chief of a major Australian newspaper searingly explores his Jewish identity at a time when a substantial—and growing—part of the left is opposed to the very existence of Israel as a Jewish state.

Born in a displaced persons’ camp two years after the end of the Holocaust, Michael Gawenda spent his childhood and teenage years in a left-wing non-Zionist Jewish youth group in Melbourne. This shaped the sort of Jew he became—a secular Jew who loved the Yiddish language and Yiddish culture.

Gawenda went on to become a public figure during his 40 years as a journalist, including his role as editor-in-chief of The Age—the only Jewish editor-in-chief in the newspaper’s history. Throughout this time, and since, he became dismayed and pained by the growing hostility of the left to Israel and to Jews like him who were not prepared to declare themselves as anti-Zionists. This has also forced him to examine his own Jewish identity and his relationships with his Jewish friends, and to forensically examine the basis of the critiques of Israel.

At a time of rising anti-Semitism and anti-Zionism, My Life as a Jew is a controversial book. It is also a vital book. It should be read by activists for Israel and Zionism, as well as for the Palestinians. It should be read by readers of all political stripes. It should be read by journalists, as it is in part about journalism and its failings. And it should also be read by people interested in the remarkable life and career of its author, Michael Gawenda.

“Raphaela Edelbauer’s impressive debut novel is a subtle allegory of historical memory and collective guilt, combining a dreamy, gothic strangeness …”—The Guardian

“A village that officially does not exist and that seems to be disappearing more and more … Anyone who embarks on this trip is safely guided by Edelbauer—on a fine line between madness and adventure.”—Christina Risken, Buchhandlung Krüger

A town that doesn’t want to be found. A countess who rules over the memories of an entire community. A hole in the earth that threatens to drag them all into its depths.

When her parents die in a car accident, the highly talented physicist Ruth Schwarz is confronted with an almost intractable problem. Her parents’ will calls for them to be buried in their childhood home—but for strangers, Gross-Einland is a village that remains stubbornly hidden from view.

When Ruth finally finds her way there, she makes a disturbing discovery: beneath the town lies a vast cavern that seems to exert a strange control over the lives of the villagers. There are hidden clues about the hole everywhere, but nobody wants to talk about it—not even when it becomes clear that the stability of the entire town is in jeopardy. Is this silence controlled by the charming countess who rules the community? And what role does Ruth’s family history, a history she is only just beginning to uncover, have to play?

The more questions Ruth asks, the more vehement the resistance she encounters from the residents. But as she continues to dig deeper, she comes to realize that the key to deciphering the mysterious codes of the people of Gross-Einland can only lie in the history of the hole.

In the literary tradition of Thomas Bernhard and Elfriede Jelinek, Raphaela Edelbauer weaves the complexities of small-town social structures into an opaque dream fabric that is frighteningly true to life, and in the process she turns us towards the abject horror that lies beneath repressed memory. The Liquid Land is a dangerous novel, at once glittering nightmare and dark reality, from an extraordinary new literary voice.

This is a handbook for change. Because we all know ways in which life could be better. And it can be better. We can make it better.

We don’t need to wait for a leader or savior. We don’t need to limit ourselves to comments and clicks. In this stunningly original comic-book tour of a serious topic, Jeff Sparrow and Sam Wallman explore 12 powerful ideas distilled from the history of struggle for better lives, better working conditions, and a better world. They show how solidarity can be built across growing divisions—without compromising our values.

‘Strife’ is just another word for making yourself heard. In fun, short, shareable chapters, 12 Rules for Strife shows how together we can change everything.

An extraordinary Holocaust survival story about an Orthodox Jewish woman who managed to survive in wartime Poland by pretending to be a Catholic.

Polish Catholics believed she was one of them. A devoted Nazi family took her in as if she was their own daughter. She fell in love with a German engineer who built aeroplanes for the Luftwaffe. What none of these people knew was that Mala Rivka Kizel had been born into a large Orthodox Jewish family in Warsaw, Poland, in 1926. By using her charm, intelligence, blonde hair, and blue eyes to assume different identities, she was the only member of her family to survive World War II.

When Dutch journalist Pieter van Os stumbled upon Mala’s story, he set out to revive the world through which she had made her way from war-ravaged middle Europe to the nascent state of Israel before finally settling in the Netherlands. With her memoir and their interviews as guide, van Os physically retraced Mala’s steps, stopping in at local archives and remote villages, searching for anyone who might have known or helped her seventy-five years before.

At times reading like an erudite detective story, this poignant, rich book is an engrossing meditation on what drives us to fear the “other”, and what in turn might allow us to feel compassion for them.

Booze had dominated Jill Stark’s social life ever since she had her first sip of beer, at 13. She thought nothing could curb her love of big nights. And then came the hangover that changed everything. In the shadow of her 35th year, Jill made a decision: she would give up alcohol. But what would it mean to stop drinking in a world awash with booze?

This lively memoir charts Jill’s tumultuous year on the wagon, as she copes with the stress of the newsroom sober, tackles the dating scene on soda water, learns to watch the footy minus beer, and deals with censure from friends and colleagues, who tell her that a year without booze is “a year with no friends.”

Now ten years later, Jill looks at how a global pandemic tested her sobriety and shone a spotlight on the way alcohol has been sold as the panacea for all our troubles. At the same time, it helped accelerate a seismic change in our drinking habits, with the rise of the sober-curious movement and a booming non-alcoholic drinks trend.

Now she feels prompted to ask the question, has sobriety become cool?

“It’s hard not to recommend this book: from teenagers experimenting with their first taste to those who’ve been imbibing for decades, many will find Stark’s story illuminating, touching, and memorable.”—The Australian

“High Sobriety is an entertaining and informative read about one woman’s year of online dating, family reunions, and beer gardens without a drink, and her account of the nation’s attitude towards the thing she denies herself.”— The Sydney Morning Herald

The West has fatally overestimated itself. What does this mean for the world?

Over the past thirty years, through a mixture of naivety and arrogance, the West has lost its global advantage. The challenges are profound: the rise of China, climate change, and the polarization of society. The triumph of the West had seemed unstoppable not that long ago. After the end of the Cold War, the democratic market economy took hold in the former Eastern Bloc, Russia went from being an enemy to a partner, and even China turned to capitalism. Then came the terrorist attacks of 9/11 that shook the world. The War on Terror destabilized an entire region; the Arab Spring only brought forth new autocracies; and, following the annexation of Crimea, the confrontation with Russia intensified. Instead of a liberal world order, a new world disorder has emerged.

Peter R. Neumann is an internationally acclaimed expert on terrorism and geopolitics. In this astute, burning analysis of global politics, he lays out the dangers the world will face if the West fails to reinvent itself.

“You’re a politician, a public figure. What on earth were you thinking?”

Up-and-coming junior minister Gregory Buchanan has had a portrait painted of himself by the acclaimed artist Sophie White—a painting she intends to enter in this year’s Archibald Prize. Until then, Gregory has hung it in pride of place on his dining-room wall. It’s a life-sized standing portrait, practically photographic in nature. And it’s a nude.

His wife will be home soon and he thinks the painting will be a pleasant surprise. Even more surprising will be an unexpected accumulation of guests: his sardonic mother, his fundamentalist mother-in-law, his lesbian sister, and the state governor, Louisa Wetherly—a senior government member has just resigned in scandalous circumstances, and she needs Gregory to step into the spotlight ahead of the coming election.

It’s going to be a wild afternoon, and an even wilder campaign—to do something about Gregory’s naked ambition.

Sometimes I think that carrying—other people, the continuity of history, generational identity, the emotional load of the everyday—is the main thing that women do.

In Marina Benjamin’s new set of interlinked essays, she turns her astute eye to the tasks once termed “women’s work”. From cooking and cleaning to caring for an aging relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through.

Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candor of the struggle to overwrite the gender conditioning that pulls her back into “the mud-world of pre-feminism” even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with with family, community, her body, even language itself. Ultimately, she shows that a woman’s true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.

Out on the road, no one speaks, everything talks.

Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.

As disturbing news arrives of a pandemic sweeping the country, Jean realizes this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals—first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin.

Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen, for better or worse, if we finally understood what animals were saying.

“After a couple of weeks, I found myself standing outside the voids in the middle of the night listening for human activity, for any sign of life at all. Voids are flats that have been vacated, that will never be lived in again. But there never were any signs of life. Only the wind whistling through vacant interiors.”

In a condemned tower block in Glasgow, residents slowly trickle away until a young man is left alone with only the angels and devils in his mind for company. Stumbling from one surreal situation to the next, he encounters others on the margins of society, finding friendship and camaraderie wherever it is offered, grappling with who he is and what shape his future might take.

The Voids is an unsparing story of modern-day Britain, told with brilliant flashes of humor and humanity.

“Reading The Voids is a sensory experience. There is never a word too much, it never lingers. There is tragedy but no melodrama. O’Connor’s lightness of touch, the pace, economy, characters… are all perfect, all harmonious, poetic, but unadorned, even in the blackest of moments. Part of me is still in that high rise or watching the sunlight through the fire exit door at The Satellite. It is beautiful and perfect. I want to say this is a book God would like.” —Paul Buchanan, The Blue Nile

Almost 100 years after Hans Fallada committed himself to prison, previously unpublished and rewritten stories by the bestselling mid-century German author have been discovered.

It was the turning point before he became a bestselling author: Hans Fallada handed himself in to the police in September 1925, following repeated cases of embezzlement to finance his alcohol and morphine addiction.

At the time, a court-appointed doctor was assigned to assess the extent to which Fallada could be made accountable. This expert opinion, thought to have been lost, was only recently rediscovered. It is an extraordinary find, because it includes unpublished and rewritten stories by Fallada that reveal his early, unparalleled insight into the female psyche, and that focus on hitherto taboo topics such as rape and abortion.

The title character, Lilly, is a young, untamed, headstrong girl. She sets out to “play” with a young man, but ends up losing control of the situation. Barely able to hide her questionable actions, she ends up in a sanatorium, where she engages in a bizarre duel of reciprocal manipulation with another patient. In the end, it is impossible to tell who is victorious.

Marie and Thilde, the protagonists of two other stories, are strong women who rebel against the pre-established patterns imposed on them by society, while two male outsiders, Pogg and Robinson, seek refuge and hope in a prison cell.

These stories—written while the author was relishing the opportunity in prison to free himself of his addictions—reveal to a new generation of readers Fallada’s immense gifts and his intense battles with the dynamics of human relationships.

This dazzling novella from a rising star of Indonesian literature explores generational legacies, lost loves, the damage that war does to men, and the damage that men do to women.

In today’s Jakarta, an unnamed man tells the story of his lifelong friend Nastiti, and what happened on the day she vanished. In the Dutch East Indies’ Semarang, a young Indo-Dutch girl, Rukmini, is captured by the Japanese military and is forced into prostitution. Years later, Arini travels to the Netherlands to share her mother’s dark past with a researcher.

After the American occupation of Japan in WWII ends, a former war photographer revisits his memories of Hanako, the wife of a traumatised ex-Imperial soldier, but can’t escape his own darkness. And in present-day Osaka, a young Indonesian woman, Dara, haunted by her past and struggling to conceive, becomes obsessed with a Japanese porn star.

Full of surprising turns, and in stunning prose, Birth Canal tells the interwoven stories of women that span time and history.

"More than a memoir, Farm is a call to arms for farmers to do better, for people to understand food systems better, and for all of us to join together and help heal the planet."
Matthew Evans

Is it possible to survive as a new farmer and change the future of farming at the same time?

For years we’ve been told that the food system is destroying the planet. That there are too many cows and tractors, too much fertilizer, too much waste, and that farmers and food manufacturers are polluting our atmosphere. But we’ve also been told that food can help save us from the worst of global warming. How can it be both destroyer and savior?

In 2018, Nicola Harvey and her husband, Pat, left their careers and inner-city Sydney life to farm cattle in rural New Zealand. They thought it would be exciting, even relaxing, but soon found themselves in the middle of heated arguments and deep divisions about food, farming, and climate change.

In this profoundly personal story, Harvey takes readers into the heart of the industrialized global food system to share what life on the land is like when you’re a new farmer just trying to survive—and change the status quo.

At odds with her family and struggling to find a place within her new community, Nicola is at first outraged at the lack of action to curb global warming. When she realizes, though, that we're all being sold a false fix, she begins to transform the farm into a site of activism. In the kitchen and on the land, Nicola finds hope and a path towards a cooler future.

Something’s up down below...

Urinary tract infections result in 8.1 million visits to a doctor every year, and between 50% and 60% of adult women will have at least one UTI in their lifetime. Meanwhile, overactive bladder affects nearly 1 in 5 of the over-40 population, yet many people wait up to 15 years before seeking treatment.

Maybe it’s time we started taking pee a bit more seriously… Home and Dry is the ultimate guide to the bladder; not only will it help you to overcome problems such as recurrent infections or needing the bathroom all the time, it will also inspire wonder for a fascinating part of the body that we usually try to ignore. Using the latest research, Birgit Bulla explores the biggest problem area for women's health, and shows how taking care of your bladder will make you feel a whole lot better.

The compelling story of South Australia’s disgraced former chief forensic pathologist and the legal scandals in which he became implicated.

For nearly three decades, Dr Colin Manock was in charge of South Australia’s forensic pathology services, and played a vital role within the state’s criminal justice system: in cases of unexpected or unexplained death, it was his job to determine when a person took their final breath and whether they had died naturally or as a result of something more sinister. Throughout his long career, he performed more than 10,000 autopsies and gave expert scientific evidence in court that helped secure approximately 400 criminal convictions.

But, remarkably, Manock, a self-described “witness of fact”, did not have the necessary training for such a senior, specialist role, and he made serious errors in several major cases—with tragic consequences, including the apparently wrongful imprisonment of innocent people. The full extent of his wrongdoing and the exact number of cases impacted by it remains a mystery more than twenty-five years after he retired, due to the continuing refusal of those in power to heed calls to launch a formal inquiry into his career.

In this book, Rooke examines several of Manock’s most controversial cases, and speaks with many of his former colleagues, people directly impacted by his flawed work, and legal experts. At its heart, A Witness of Fact is about how an entire legal system has failed badly, how unsafe verdicts have been swept under the carpet—and how forensic evidence that is admitted in courts of law in Australia and across the world is dubious more often than we would like to think.

A Paris police force as you’ve never seen it

Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van.

Well, not always. Not this time.

What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected.

Within three months of training to become an officer, he was given a permit to carry a weapon in public. And although he lived in daily fear of being discovered, in his book Gendrot hides nothing.

Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and experienced the tragic suicide of a colleague.

Asking important questions about who holds institutional power and how we can hold them to account, Cop is a gripping exposé of a world never before seen by outsiders.

A timely and arresting collection of essays about the body, climate change, privilege, and environmental neurosis.

In this urgent collection that moves from the personal to the political and back again, writer, activist, and migrant Jessica Gaitán Johannesson explores how we respond to crises.

She draws parallels between an eating disorder and environmental neurosis, examines the perils of an activist movement built on non-parenthood, dissects the privilege of how we talk about hope, and more.

The synapses that spark between these essays connect essential narratives of response and responsibility, community and choice, belonging and bodies. They carry vital signals.

WINNER OF THE 2023 AGE BOOK OF THE YEAR AWARD FOR NONFICTION

To essay means to try, to endeavor, to attempt—and to risk failure. For Kim Mahood, it is both a form of writing and an approach to life.

In these finely observed and probing essays, award-winning artist and writer Kim Mahood invites us to accompany her on the road and into the remote places of Australia where she is engaged in long-established collaborations of mapping, storytelling, and placemaking. Celebrated as one of the few Australian writers who both lives within and can articulate the complexities and tensions that arise in the spaces between Aboriginal and settler Australia, Mahood writes passionately and eloquently about the things that capture her senses and demand her attention—art, country, people, and writing. Her compelling evocation of desert landscapes and tender, wry observations of cross-cultural relationships describe people, places, and ways of living that are familiar to her but still strange to most non-Indigenous Australians.

At once a testament to personal freedom and a powerful argument for Indigenous self-determination, Wandering with Intent demonstrates, with candor, humor, and hope, how necessary and precious it is for each of us to choose how to live.

Inspired by a real event, this is the story of a woman and a city that were violated.

It is 2014. There is euphoria in Brazil, especially in the city of Rio de Janeiro. The World Cup is about to take place, and the 2016 Olympics are in sight. It is a time of hope and of frenzied construction.

Júlia is a partner with an architecture firm that is planning projects for the future Vila Olímpica. During a break from one of these meetings at the town hall, Júlia goes for a run in Alto da Boa Vista. Suddenly, someone puts a revolver to her head, takes her to a secluded spot, and rapes her. Left abandoned in the woods, she drags herself home, where her boyfriend and some family members wait for her.

Vista Chinesa brings light and shadow to a city whose stunning beauty cannot conceal the most serious human and political problems. This is a novel that turns a tragic, real chapter in the story of a woman into great literature.

A novel about revenge, obsession, and the dangerous gullibility of religious fanatics.

In 1944, in the outer-Melbourne suburb of Nunawading, a brutal triple murder heralds the return of a long-forgotten cult. A man named Anthony Prescott has declared himself the Messiah and has promised his followers immortality. There are those who believe him and who are ready to kill in his name. Inspector Titus Lambert of the Melbourne Homicide unit, whose detectives are over-stretched, requests the discreet assistance of Helen Lord and Joe Sable, once members of his unit, now private inquiry agents. The investigation is more perilous than any of them realize, and will have tragic consequences.

The Orchard Murders is the fourth novel in Robert Gott’s acclaimed series, set in Melbourne during the dark days of the Second World War.

An updated edition of the classic study of capital punishment originally published 50 years ago, with a new introduction by Barry Jones.

The Penalty Is Death was first published in 1968, in the aftermath of the hanging of Ronald Ryan in Victoria—the last man executed in Australia. At the time, capital punishment had been abolished as the penalty for murder in only 30 nations, although there was a moratorium on its use in many more. In 2022, the number of abolitionist nations has risen to 108, and 54 more have longstanding moratoriums. The World Coalition against the Death Penalty reported the number of recorded executions in 2021 at 2,397, with about 2,000 in China.

Drawing on a wide range of historical and contemporary sources, The Penalty Is Death includes some of the most significant voices in the international history of debates about capital punishment from the eighteenth century to the present day. It contains a historical overview of the arguments for and against capital punishment; legal, political, and philosophical analysis and commentary; and firsthand accounts of the reality of executions and their aftermaths.

It features the views of great novelists such as Charles Dickens, Albert Camus, Arthur Koestler, and George Orwell; philosophers such as Max Charlesworth; legal scholars such as Cesare Beccaria; and rigid enforcers such as J. Edgar Hoover. Barry Jones’s important new introduction brings the story up to date, including the continuing use of the death penalty in the US.

Prehistory is all around us. We just need to know where to look.

Juan José Millás has always felt like he doesn’t quite fit into human society. Sometimes he wonders if he is even a Homo sapiens at all, or something simpler. Perhaps he is a Neanderthal who somehow survived? So he turns to Juan Luis Arsuaga, one of the world’s leading palaeontologists and a super-smart sapiens, to explain why we are the way we are and where we come from.

Over the course of many months, the two visit different places, many of them common scenes of our daily lives, and others unique archaeological sites. Arsuaga tries to teach the Neanderthal how to think like a sapiens and, above all, that prehistory is not a thing of the past: that traces of humanity through the millennia can be found anywhere, from a cave or a landscape to a children’s playground or a toy shop.

Millás and Arsuaga invite you on a journey of wonder that unites scientific discovery with the greatest human invention of all: the art of storytelling.

A fly-on-the-wall account of the herd-immunity strategy that Sweden adopted during the first year of the Covid-19 pandemic.

In the spring of 2020, as a new and deadly virus spread across the globe rapidly, the world shut down. But a small country in Northern Europe remained open. The Swedish Covid-19 strategy was alternately lauded and held up as a cautionary tale by international governments and journalists alike—with all eyes on what has been dubbed “The Swedish Experiment”. But what made Sweden take such a different path?

In The Herd, journalist Johan Anderberg narrates the improbable story of a small nation that took a startlingly different approach to fighting the greatest global pandemic in over one hundred years. First, the government instituted no restrictions. Then, it declined to order the wearing of face masks. While the rest of the world looked on with incredulity, condemnation, admiration, and even envy, Sweden stood alone.

But The Herd is more than just a look at the evolution of the singular Swedish Covid-19 strategy. With remarkable ease, Anderberg guides the reader through the history of epidemiology, R0-rates, inoculation, and international organizations and collaborations. He also presents a colorful cast of characters and the ticking-clock decisions they were faced with on a daily basis.

“The Herd is a thrilling read about tight-knit groups of microbiologists and epidemiologists, old grudges, new alliances, and fiery emails… Anderberg is ambitious, knowledgeable, and fearless.”
—Dagens Nyheter

“The Herd is exemplary journalism of the kind that comes close to the truth through skilled craftsmanship. Anderberg portrays the events in the right order. He relies on relevant facts. He puts the last year in a historical context. He examines without preconceived opinions… Anderberg’s book is like a Corona commission in its own right and a beautiful example of the important role journalism plays in the service of the truth.”
—Barometern

“Reading Johan Anderberg’s book is not just a way to get perspective and background, detailed descriptions of how the Swedish strategy was formed and what it led to. It is also a way to be released from the debate, both in social and other media. It is extremely cooling. The Herd is no debate book; it is a nuanced report from an incredibly strange time. So strange you need help finding the words to talk about it.”
—Aftonbladet

“Journalist Johan Anderberg makes a brave effort to tell the story about how Sweden chose its path through the pandemic … Anderberg’s narrative has an effortless ease that manifests itself once the writer has a clear overview, and truly masters his subject without getting sidetracked and stuck on details.”
—Sydsvenskan

“Anderberg masters to perfection the societal reportage that closely examines the authorities, effortlessly taking us into the meeting rooms and email inboxes where the Swedish Corona strategy took shape. With efficiency and humor, he visualizes his protagonists … In a climate where media personalities—myself included—often acted as supporters, critics, and hobby epidemiologists, Anderberg has instead buried himself in facts and tried to paint the overall picture… Questions remain after having finished reading The Herd, but this in no way takes away the honor of having accomplished this impressive pioneering work with such energy and wit from Johan Anderberg. The Herd is sure to greatly impact the debate that we’ve only seen the nascent beginnings of so far.”
—Expressen

A dramatic, multi-vocal account of the personal agonies and ecstasies that played out within the walls of Ellis Island, as told by Poland’s greatest living journalist.

This is the people’s history of Ellis Island—the people who passed through it, and the people who were turned away from it.

From Annie Moore, the Irishwoman who was the first to be processed there, to Arne Peterssen, the Norwegian who was the last to be taken away from the island via the official ferry boat in 1954, Ellis Island weaves together the personal experiences of forgotten individuals with those who live on in history: Fiorello La Guardia, Lee Iacocca, and other American leaders whose paths led them to the Island for various reasons through the years.

Award-winning journalist Małgorzata Szejnert draws on unpublished testimonies, memoirs, archival photographs, and correspondence from many internees and immigrants, including Russians, Italians, Jews, Japanese, Germans, and Poles. At the book’s core is a trove of personal letters from immigrants to their loved ones back home—letters which were confiscated and never delivered, finally discovered in a basement in Warsaw.

But also brought to life are the Ellis Island employees: the doctors, nurses, commissioners, interpreters, social care workers, and even chaperones, who controlled the fates of these émigrés—often basing their decisions on pseudo-scientific ideas about race, gender, and disability. Sometimes families were broken up, and new arrivals were detained and quarantined for days, weeks, or even months.

All told, the island compound spent longer as an internment camp than as a migration way-point—in addition to filling other roles through the years, including that of rescue station in the immediate aftermath of the 9/11 attacks.

Now brought back to life by a master storyteller, this is a story of a place and its people, steeped in politics and history, that reshaped the United States.

“What happens within a police force? In his intimate and revealing inside look at France's police culture, journalist Valentin Gendrot depicts his two year undercover investigation. Juxtaposed with playful feline illustrations, this shocking exposé is as relevant as ever.”
—New York Public Library, ‘NYPL Recommends: Best New Comics for Adults’

The story of a French journalist who infiltrated the country's police force, revealing a culture of racism and violence in which officers act with impunity.

What happens behind the walls of a police station? In order to answer this question, undercover journalist Valentin Gendrot puts his life on hold for two years. He decides to undertake training and become a police officer. Several months later, Gendrot is working in a police station in one of the tough northern arrondissements of Paris, where relations between the law and locals are strained.

Gendrot hides nothing. He witnesses police brutality, racism, blunders, and cover-ups. But he also sees the oppressive working conditions that officers endure, and mourns the tragic suicide of a colleague.

Asking important questions about who holds institutional power and how we can hold them to account, Flic is a gripping exposé of a world never before seen by outsiders.

Traditional media is over. The internet reigns. And in the attention economy, influencers are royalty. But who are they… and how do you become one?

Break the Internet takes a deep dive into the influencer industry, tracing its evolution from blogging and legacy social media such as Tumblr to today’s world in which YouTube, Instagram, and TikTok dominate. Surveying the new media landscape that the rise of online celebrity has created, it is an insider account of a trend which is set to dominate our future—the economy of influence will be valued at $15bn globally by 2022.

Olivia Yallop enrols in an influencer bootcamp, goes undercover at fan meetups, and shadows online celebrities to understand how digital personas are built, uncovering what it is really like to live a branded life and trade in a “social stock market”. From mumfluencers and activists to governments and investors, everyone wants to build their online influence. But how do you stay authentic in a system designed to commodify identity? Break the Internet examines both the dangers and the transformative potential of digital culture.

If you feel like you’ve got the wrong tone of voice, don’t understand the ins-and-outs of grammar, or just don’t feel confident writing about yourself without sounding like an idiot, read this book.

Copywriter Tait Ischia is brief and to the point in an interesting and engaging way. Which is exactly what you want the words on your website/marketing stuff/professional bio to be too, right? Feel confident in what you say and how you say it when you put fingers to the keyboard. Waffling on should really be reserved for weekend breakfast.

In the twentieth century, many European monarchies collapsed, but others are still going strong today—including the British Royal Family, who have weathered their fair share of scandals.

When he was deposed in Egypt in 1952, King Farouk predicted that there would be five monarchs left at the end of the century: the kings of hearts, diamonds, clubs, spades, and England. To date, his prediction has proved wrong, and while the twentieth century saw the collapse of monarchies across Europe, many democratic societies have retained them.

God Save the Queen is the first book to look at constitutional monarchies globally. Is monarchy merely a feudal relic that should be abolished, or does the division between ceremonial and actual power act as a brake on authoritarian politicians? Is a President Boris Johnson potentially more dangerous than a Prime Minister Boris Johnson? And what is the role of monarchy in the independent countries of the Commonwealth that have retained the Queen as head of state?

Monarchy deserves neither the adulation of the right nor the dismissal of the left. In an era of autocratic populism, does constitutional monarchy provide some safeguards against the megalomania of political leaders? A fascinating read through the unexpected durability and potential benefits of constitutional monarchies.

The US created the world’s first national park and is home to stunning natural beauty, yet 83 percent of Americans live in urban areas. Amid the concrete and the busyness, how can we also answer the call of the wild?

Once upon a time, a burned-out Claire Dunn spent a year living off the grid in a wilderness survival program. Yet love and the possibilities of human connection drew her back to the city, where she soon found herself as overscheduled, addicted to her phone, and lost in IKEA as the rest of us. Given all the city offers—comfort, convenience, community, and opportunity—she wants to stay. But to do so, she’ll have to learn how to rewild her own urban soul.

Claire swims in city rivers, forages in the suburbs, and explores many other practices to connect to the world around her. Rewilding the Urban Soul is a field guide to being at one with nature, wherever you are.

LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE

Are we free to create our own destinies or are we just part of a system beyond our control?

A joyful family saga about free will, forgiveness, and how we are all interconnected.

In October 1989, a set of triplets is born, and it is this moment their father chooses to reveal his affair. Pandemonium ensues.

Over two decades later, Sebastian is recruited to join a mysterious organization, the London Institute of Cognitive Science, where he meets Laura Kadinsky, a patient whose inability to see the world in three dimensions is not the only thing about her that intrigues him. Meanwhile, Clara has traveled to Easter Island to join a doomsday cult, and the third triplet, Matilda, is in Sweden, trying to escape from the color blue.

Then something happens that forces the triplets to reunite. Their mother calls with worrying news: their father has gone missing and she has something to tell them, a twenty-five-year secret that will change all their lives …

“This is a prismatic, hilarious, and deeply intelligent novel overflowing with wisdom about the complexities of being alive—I read it ravenously, and with pen in hand.”

—Claire Lombardo, author of The Most Fun We Ever Had

When do you become an adult? What does it mean to grow up? And what are the experiences that propel us forward—or keep us stuck?

As we get older, we pass many milestones, but for some of us it can feel as if adulthood is always just out of reach.

Journalist and psychotherapist-in-training Moya Sarner goes on a journey into what growing up really involves, and how we do it again and again throughout our lives. She draws on case studies, as well as her training, and theories of child psychology, psychoanalysis, neuroscience, and more, to explore what it means to be a “grown up” and how we can meet the challenges and opportunities of every stage of our lives.

Has COVID-19 ushered in the end of the office? Or is it the office’s final triumph?

For decades, futurologists have prophesied a boundaryless working world, freed from the cramped confines of the office. During the COVID-19 crisis, employees around the globe got a taste of it. Confined by lockdown to their homes, they met, mingled, collaborated, and created electronically. At length, they returned to something approaching normality. Or had they glimpsed the normal to come?

In The Momentous, Uneventful Day, Gideon Haigh reflects on our ambivalent relationship to office work and office life, how we ended up with the offices we have, how they have reflected our best and worst instincts, and how these might be affected by a world in a time of contagion. Like the factory in the nineteenth century, the office was the characteristic building form of the twentieth, reshaping our cities, redirecting our lives. We all have a stake in how it will change in the twenty-first.

Enlivened by copious citations from literature, film, memoir, and corporate history, and interspersed with relevant images, The Momentous, Uneventful Day is the ideal companion for a lively current debate about the role offices will play in the future.

A multi-award winning Italian debut, from a bold new voice in contemporary queer literature.

Jonathan is 31 years old, living in Milan with his boyfriend of three years and their two Devon Rex cats when, on a day like any other, he gets a fever. But unlike most, this fever doesn’t go away; it's constant, low-level, and exhausting. After spending weeks Googling his symptoms and documenting his illness, he finally sees a doctor. A series of blood tests, anxious visits to hospitals, and repeated misdiagnoses ensue, until his doctor suggests an HIV test, and the truth is finally revealed: Jonathan is HIV-positive.

As Jonathan comes to terms with what this diagnosis will mean for him, his future, and his relationships, he also takes the reader back in time, in search of his history, to the suburbs where he grew up, and from which he feels he has escaped: Rozzano, the ghetto of Milan, and of Italy’s north. In the vein of Edouard Louis and Virginie Despentes, Fever is at once a deeply personal story and a searing examination of class, poverty, prejudice, and opportunity in modern Europe.

It’s okay for men to make bad art. There’s no price on their head for doing it … Nothing for men is pre-determined, except their chance at great success.

Los Angeles, 1978.

When Romy, a gifted young artist in the male-dominated art scene of 1970s California, dies in suspicious circumstances, it is not long before her art-star husband Billy finds a replacement.

Paz, fresh out of art school in New York, returns to California to take her place. But she is haunted by Romy, who is everywhere: in the photos and notebooks and art strewn around the house, and in the eyes of the baby she left behind.

As Paz attempts to claim her creative life, strange things begin to happen. Photographs move, noises reverberate through the house, people start to question what really happened the night Romy died, and then a postcard in her handwriting arrives. As Paz becomes increasingly obsessed with the woman she has replaced, a disturbing picture begins to emerge, driving her deep into the desert—the site of Romy’s final artwork—to uncover the truth.

At once an exquisite exploration of creativity and an atmospheric page-turner, Utopia is a book that takes hold of you and will leave you altered.

A modern-day Wuthering Heights from the author of international bestseller The Eighth Life.

Two families, one devastating secret, and an epic story of forbidden love.

Eight years have passed since Stella last saw Ivo, but when he returns, the reunion of their unconventional family will change the course of her ordinary life. As children, Stella and Ivo grew close as their parents embarked on an affair that would shatter both families. Later, as teenagers, their own relationship would be the cause of further scandal. Now, as adults, they set out on an odyssey to uncover the truth about another family’s past, and to understand their own.

My Soul Twin is an intense love story about forbidden desire, the ties that bind us, and whether we can ever truly forget what we leave behind.

Longlisted for the Booker International.

Two women on a journey through the land of their fathers and mothers. A wrong turn. A bad decision.

They had no idea, when they arrived in Morocco, that their usual freedoms as young European women would not be available. So, when the spry Saleh presents himself as their guide and savior, they embrace his offer. He extracts them from a tight space, only to lead them inexorably into an even tighter one: and from this far darker space there is no exit.

Their tale of confinement and escape is as old as the landscapes and cultures so vividly depicted in this story of where Europe and Africa come closest to meeting, even if they never quite touch.

WINNER OF THE JANN MEDLICOTT ACORN PRIZE FOR FICTION
WINNER OF THE MITOQ BEST FIRST BOOK OF FICTION
WINNER OF THE NGAIO MARSH AWARD FOR BEST CRIME NOVEL

auē

1. (verb) to cry, howl, groan, wail, bawl.
2. (interjection) expression of astonishment or distress.

Taukiri was born into sorrow. Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.

But Taukiri’s brother, Ārama, is braver than he looks, and he has a friend, and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sadness.

This bestselling multi-award-winning novel is both raw and sublime, introducing a compelling new voice in New Zealand fiction.

The stunning new novel from the author of Ironbark.

It's the 1950s in conservative Australia, and Christopher, a young gay man, moves to “the City” to escape the repressive atmosphere of his tiny hometown. Once there, however, he finds that it is just as censorial and punitive, in its own way.

Then Christopher meets Morgan, and the two fall in love—a love that breathes truth back into Christopher’s stifled life. But the society around them remains rigid and unchanging, and what begins as a refuge for both men inevitably buckles under the intensity of navigating a world that wants them to refuse what they are. Will their devotion be enough to keep them together?

In reviving a time that is still so recent yet so vastly different from now, Jay Carmichael has drawn on archival material, snippets of newspaper articles, and photos to create the claustrophobic environment in which these two men lived and loved. Told with Carmichael’s ear for sparse, poetic beauty, Marlo takes us into the landscape of a relationship defined as much by what is said and shared as by what has to remain unsaid.

“If I had known Jan Zwartendijk’s story before, I would have had filmed that.”
—Steven Spielberg

“Brokken brings these largely unknown men to vivid life, and few readers will come away from the book untouched by their stories. A deeply moving account of a few brave men who worked against the Nazi horror in the early days of World War II.”
—Kirkus Reviews, starred review

The remarkable story of how a consul and his allies helped save thousands of Jews from the Holocaust in one of the greatest rescue operations of the twentieth century.

Jan Zwartendijk was just a businessman who worked for Philips, a manufacturer of lightbulbs and radios—until he became Dutch consul and concocted a secret plan that would ultimately save over 2,000 Jews from the Holocaust. An unsung hero, those he saved knew him only as “Mr. Philips Radio.” This is his story.

In the capital of Lithuania, desperate Jewish refugees faced annihilation in the Holocaust. That was when Zwartendijk—with the help of Chiune Sugihara, the consul for Japan—chose to break his country’s diplomatic rules. Together, the two officials opened a route to freedom. Zwartendijk issued thousands of visas to the Dutch colony of Curaçao on the other side of the world, and Sugihara ensured a clear path, allowing refugees to travel on the Trans-Siberian Express all through Soviet Russia to Vladivostok, further to Japan, and onwards to China.

Many of these Jewish refugees survived, but Zwartendijk and Sugihara were both shunned by their own countries after the war, their courageous actions left unheralded.

In The Just, renowned author Jan Brokken wrests this story from oblivion and traces the journeys of a number of the rescued Jews. This epic narrative shows how, even in life-threatening circumstances, some people make the right choice at the right time.

“He [Zwartendijk] filled desperate lives with hope during a period of great darkness, and his actions will remain a beacon of decency and righteousness for generations to come.”
—Former President Bill Clinton

This is a book about three things:
1. A room called the Comedy Cellar.
2. Who gets to speak in that room.
3. What they get to say.

The Comedy Cellar is a tiny basement club in New York’s Greenwich Village. Run according to the principles of its owners, the Dworman family, it became a safe place for stand-ups to take risks and experiment. Superstar comedians such as Amy Schumer, Dave Chappelle, Jon Stewart, and Louis CK became regulars, celebrities started to hang out, the club hosted debates, and everyone was encouraged to argue at its back table. Then the Comedy Cellar ended up on the frontline of the global culture war.

Andrew Hankinson speaks to the Cellar’s owner, comedians, and audience members, using interviews, emails, podcasts, letters, text messages, and previously private documents to create a conversation about who gets to speak and what they get to say, and why. Moving backwards in time from Louis CK’s downfall to when Manny Dworman used to host folk singers including Bob Dylan, this is about a comedy club, but it’s also about the widening cultural chasm.

Why was my beloved God male?
Why were Bible stories mostly about men?
Why was Eve responsible for the Fall of Man?
Why were there abusers in the Church?

Louise Omer was a Pentecostal preacher and faithful wife. But when her marriage crumbled, so did her beliefs.

Haunted by questions about what it means to be female in a religion that worships a male God, she left behind a church and home to ask women around the world: how can we exist in patriarchal religion? And can a woman be holy?

With $500 in her pocket and the conviction that she was following a divine path, Louise began a pilgrimage that has taken her to Mexican basilicas, Swedish cathedrals, Bulgarian mountains, and Moroccan mosques. Holy Woman combines travel writing, feminist theology, and confessional memoir to interrogate modern religion and give a raw and personal exploration of spiritual life under patriarchy.

An engaging travel memoir about one woman’s search for the divine.

A gripping new investigation into the underbelly of digital technology, which reveals not only how costly the virtual world is, but how damaging it is to the environment.

The Dark Cloud is the searing exposé of the immense toll the “cloud” takes on our environment. A simple “like” sent from our smartphones mobilizes a cascade of invisible consequences. This small notification, crossing the seven operating layers of the internet, travels around the world, using submarine cables, telephone antennas, and data centers, going as far as the Arctic Circle in what will soon constitute the largest infrastructure built by man.

It turns out that the digital world, essential for communicating, working, and consuming, is much more tangible than we would like to believe. Today, it absorbs 10 percent of the world’s electricity and represents nearly 4 percent of the planet’s carbon dioxide emissions. We are struggling to understand these impacts, as they are obscured to us in the mirage of “the cloud.”

In this follow-up to his global bestselling book, The Rare Metals War, Pitron, a journalist, researched the dark truth behind the easy mirage of our digital world, in an investigation carried out over two years, across four continents. The result shows the anatomy of a technology virtual only in name. Pitron argues that the cloud needs to be exposed and understood—because our future is implicated.

Praise for The Rare Metals War:

“Pitron weighs the awful price of refining the materials, ably blending investigative journalism with insights from science, politics and business.”
Simon Ings, New Scientist

“[E]xposes the dirty underpinnings of clean technologies in a debut that raises valid questions about energy extraction.”
Publishers Weekly

“An expert account of a poorly understood but critical element in our economy … Pitron delivers a gripping, detailed, and discouraging explanation.”
Kirkus Reviews

‘But then we all love this place, don’t we, in our different ways?’

It’s the summer of 1976, and the winds of change are blowing through the small town of Repentance on the edge of the Great Dividing Range. The old families farmed cattle and cut timber, but the new settlers, the hippies, have a different perspective on the natural order and humankind’s place in the scheme of things. Soon everything will be disturbed. Either the old growth is coming down or the loggers have to be stopped. And although not everyone agrees on tactics, noone will escape being drawn into the coming confrontation.

A tale of a country town and its rhythms, Repentance is also the story of modern Australia at one of its flashpoints, told tenderly and beautifully through the eyes of characters you won’t forget.

Each morning, the last humans start their day with graphic footage from the front. This is what sustains them—literally.

For fans of George Saunders, Claire Vaye Watkins, Michel Faber, and anyone hungry for the next page-turning book of cli-fi and speculative fiction.

In a world where eight billion souls have perished in the wake of an ecological catastrophe, the survivors huddle together apart, perpetually at war, in the city-states of Rise and Shine. Yet this war, far from representing their doom, is their means of survival. For their leaders have found the key to life when crops, livestock, and the very future have been blighted—a key that turns on each citizen being moved by human suffering. Yet is this small hope, this compassion, enough to sustain them against the despair born of all the friends they’ve lost, all the experience they’ll never know? Or must they succumb to, or even embrace, darker desires?

A Kafkaesque fable of hope.

What is humor? Why do we laugh? And why is the root of a good joke almost always error?

Good jokes, bad jokes, clever jokes, dad jokes—the desire to laugh is universal. But why do we find some gags hilarious, whilst others fall flat? Why does explaining a joke make it less amusing rather than more so? Why is laughter contagious, and why did it evolve in the first place?

Using the oldest jokes and the latest science, in The Comedy of Error, Professor Jonathan Silvertown investigates why we laugh: from laughter’s evolutionary origins, to similarities and differences in humor across cultures, and even why being funny makes us sexier.

As this unique book demonstrates, understanding how humor really works can provide endless entertainment.

This is a landmark in science writing that resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the sixteenth century.

Who is Jerome Cardano? A gambler and blasphemer, inventor and schemer, plagued by demons and anxieties, astrologer to kings, emperors, and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper, but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

The Quantum Astrologer's Handbook, like Jerome, has multiple occupations: it is at once a biography, a history of science, an explanation of quantum theory, and an engrossing story which is truly original in its style and, in the manner of the modernists, embodies in its very form its theories about the world.

The Quantum Astrologer’s Handbook is a science book with the panache of a novel, a work of and about genius.

A mesmerizing novel by the author of Rainbirds and The Perfect World of Miwako Sumida about a young man trying to escape his past in Japan.

When Shouji Arai crosses one of his company’s most powerful clients, he must leave Akakawa immediately or risk his life. But his girlfriend Youko is nowhere to be found.

Haunted by dreams of drowning and the words of a fortune teller who warned him away from three women with water in their names, he travels to Tokyo, where he tries in vain to track Youko down. But Shouji soon realises that not everything Youko told him about herself was true. Who is the real woman he once lived with and loved, and where could she be hiding?

Watersong is a spellbinding novel of loves lost and recovered, of secrets never spoken, and of how our pasts shape our futures.

Marie Younan was born in 1952 into a family of Assyrian refugees living in north-eastern Syria. Accidentally blinded by her grandmother as a baby, Marie was the quiet, ever-present listener within her large extended family. Locked out of school, play, and social gatherings, she lived a brave inner life of reflection and acceptance.

The family migrated to Beirut, and then, in the mid-seventies, to Melbourne, Australia to escape the Lebanese civil war. Being blind, Marie was denied a visa, and was forced to wait in Syria and Athens for three years before the family could sponsor her to Australia. Unable to speak English, dependent for everything on her family, Marie, in her words, was ‘only half alive’. Then, in 1985, aged 33, she attended the Royal Victorian Institute for the Blind. There she became fluent in English, literate in braille, and physically mobile with the help of a cane. Educated, independent, and professionally qualified at last, her life began to take off.

A prize-winning novel about class, money, creativity, and motherhood, that ultimately reveals what happens when the hypocrisies we live by are exposed...

Resi is a writer in her mid-forties, married to Sven, a painter. They live, with their four children, in an apartment building in Berlin, where their lease is controlled by some of their closest friends. Those same friends live communally nearby, in a house they co-own and have built together. Only Resi and Sven, the token artists of their social circle, are renting. As the years have passed, Resi has watched her once-dear friends become more and more ensconced in the comforts and compromises of money, success, and the nuclear family.

After Resi’s latest book openly criticizes stereotypical family life and values, she receives a letter of eviction. Incensed by the true natures and hard realities she now sees so clearly, Resi sets out to describe the world as it really is for her fourteen-year-old daughter, Bea. As Berlin, that creative mecca, crumbles under the inexorable march of privatization and commodification, taking relationships with it, Resi is determined to warn Bea about the lures, traps, and ugly truths that await her.

Written with dark humor and clarifying rage, Anke Stelling’s prize-winning novel is a ferocious and funny account of motherhood, parenthood, family, and friendship thrust into battle. Lively, rude, and wise, it throws down the gauntlet to those who fail to interrogate who they have become.

People say ‘I’m sorry’ all the time when it can mean both ‘I’m sorry I hurt you’ and ‘I’m sorry someone else did something I have nothing to do with’. It’s like the English language gave up on trying to find a word for sympathy which wasn’t also the word for guilt.

Swedish immigrant Kristin won’t talk about the Project growing inside her. Her Brazilian-born Scottish boyfriend Ciaran won’t speak English at all; he is trying to immerse himself in a Swedish
språkbad language bath,
to prepare for their future, whatever the fick that means. Their Edinburgh flat is starting to feel very small.

As this young couple is forced to confront the thing that they are both avoiding, they must reckon with the bigger questions of the world outside, and their places in it.

There’s no shortage of tips for boosting the immune system. Everyone has an opinion, but who can tell fact from fiction?

Sports Physician Servaas Bingé takes us on a fascinating journey through the immune system and explains just how we become ill. He translates the latest scientific findings on immunity into clear advice with which you can optimize your lifestyle.

After reading this book, you will know exactly how you can strengthen your immune system through diet, stress reduction, sleep, and exercise. Using no-nonsense language with a touch of humor and lots of creative thinking, Dr Bingé provides superb guidance to the most important thing you can do—stay healthy.

An unputdownable look at class and national identity today.

Alberto Prunetti arrives in England, the twenty-something year old son of a Tuscan factory worker who has never left home before. With only broken English, his wits, and an obsession with the work of George Orwell to guide him, he sets about looking for a job and navigating his new home.

In between laboring in pizzerias and cleaning toilets up and down the country, he finds his place among the British precariat. His comrades form a polyglot underclass, among them an ex-addict cook, a cleaner in love with opera, an elderly Shakespearean actor, Turks impersonating Neapolitans to serve pizzas, and a cast of petty criminals “resting” between bigger jobs.

Stuck between a past haunted by Thatcher and a future dominated by Brexit, Down and Out in England and Italy is a hilarious and poignant snapshot of life on the margins in modern day Britain.

“A hallucinatory and savage account of modern working life. Both surreal and instantly recognizable.”— Jeff Sparrow, author of No Way But This

Long a fire continent, Australia now finds itself at the leading edge of a fire epoch.

Australia is one of the world’s fire powers. It not only has regular bushfires, but in no other country has fire made such an impact on the national culture.

Over the past two decades, bushfires have reasserted themselves as an environmental, social, and political presence.

The Still-Burning Bush traces the ecological and social significance of the use of fire to shape the environment through Australian history, beginning with Aboriginal usage, and the subsequent passing of the firestick to rural colonists and then to foresters, to ecologists, and back to Indigenes.

Each transfer kindled public debate not only over suitable fire practices but also about how Australians should live on the land. In Australia, the 2019–2020 season have heightened the sense of urgency behind this discussion, as the megafires of recent decades and the serial conflagrations in California have for Americans.

The Still-Burning Bush examines the global changes that are affecting Australia (and the world). Especially pertinent is the concept of a Pyrocene—the idea that humanity’s cumulative fire practices are fashioning the fire equivalent of an ice age.

The story of an Aboriginal woman who worked as a police officer and fought for justice both within and beyond the Australian police force.

Black and Blue is a memoir of remarkable fortitude and resilience, told with wit, wisdom, and great heart.

A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of pride and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia.

In her ten years in the force, she witnessed appalling institutional racism and sexism, and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.

With a great gift for storytelling and a wicked sense of humor, Gorrie frankly and movingly explores the impact of racism on her family and her life, the impact of intergenerational trauma resulting from cultural dispossession, and the inevitable difficulties of making her way as an Aboriginal woman in the white-and-male-dominated workplace of the police force.

A polemic about global warming and the environmental crisis, which argues that ordinary people have consistently opposed the destruction of nature and so provide an untapped constituency for climate action.

Crimes Against Nature uses fresh material to offer a very different take on the most important issue of our times. It takes the familiar narrative about global warming—the one in which we are all to blame—and inverts it, to show how, again and again, pollution and ecological devastation have been imposed on the population without our consent and (often) against our will. From histories of destruction, it distils stories of hope, highlighting the repeated yearning for a more sustainable world.

In the era of climate strikes, viral outbreaks, and Extinction Rebellion, Crimes Against Nature moves from ancient Australia to the ‘corpse economy’ of Georgian Britain to the ‘Kitchen Debate’ of the Cold War, to present an unexpected and optimistic environmental history—one that identifies ordinary people not as a collective problem but as a powerful force for change.

Winner of the 2020 National Biography Award and the 2020 NSW Premier’s Non-Fiction Award.

The oddly compelling story of a man regarded as Australia’s worst prime minister.

William McMahon was a significant, if widely derided and disliked, figure in Australian politics in the second half of the twentieth century. This biography tells the story of his life, his career, and his doomed attempts to recast views of his much-maligned time as Australia’s prime minister.

After a long ministerial career under Menzies, McMahon became treasurer under Harold Holt, and fought a fierce, bitter war over protectionism with John McEwen. Following Holt’s death in 1967, McEwen had his revenge by vetoing McMahon’s candidature for the Liberal Party’s leadership, and thus paved the way for John Gorton to become prime minister. But almost three years later, amid acrimony and division, McMahon would topple Gorton and fulfill his life’s ambition to become Australia’s prime minister.

In office, McMahon worked furiously to enact an agenda that grappled with the profound changes reshaping Australia. He withdrew combat forces from Vietnam, legislated for Commonwealth government involvement in childcare, established the National Urban and Regional Development Authority and the first Department of the Environment, began phasing out the means test on pensions, sought to control foreign investments, and accelerated the timetable for the independence of Papua New Guinea. But his failures would overshadow his successes, and by the time of the 1972 election McMahon would lead a divided, tired, and rancorous party to defeat. 

A man whose life was coloured by tragedy, comedy, persistence, courage, farce, and failure, McMahon’s story has never been told at length. Tiberius with a Telephone fills that gap, using deep archival research and extensive interviews with McMahon’s contemporaries and colleagues. It is a tour de force — an authoritative and colourful account of a unique politician and a vital period in Australia’s history.

A long-term resident and expert observer of dissent in Hong Kong takes readers to the frontlines of Hong Kong’s revolution.

Through the long, hot summer of 2019, Hong Kong burned. Anti-government protests, sparked by a government proposal to introduce a controversial extradition law, grew into a pro-democracy movement that engulfed the city for months. Protesters fought street battles with police, and the unrest brought the People’s Liberation Army to the doorstep of Hong Kong. Driven primarily by youth protesters with their ‘Be water!’ philosophy, borrowed from hometown hero Bruce Lee, this leaderless, technology-driven protest movement defied a global superpower and changed Hong Kong, perhaps forever.

In City on Fire, Antony Dapiran provides the first detailed analysis of the protests, and reveals the protesters’ unique tactics. He explains how the movement fits into the city’s long history of dissent, examines the cultural aspects of the movement, and looks at what the protests will mean for the future of Hong Kong, China, and China’s place in the world.

City on Fire will be seen as the definitive account of an historic upheaval.

A riveting biography that shines a shaft of light on a hidden but captivating life, told with the pace, depth, and psychological richness of a great novel.

Julia Sorell was an original. A colonial belle from Tasmania, vivacious and warm-hearted, Julia’s marriage to Tom Arnold in 1850 propelled her into one of the most renowned families in England and into a circle that included Lewis Carroll and George Eliot. Her eldest daughter became a bestselling novelist, while her grandchildren included the writer Aldous Huxley, author of Brave New World, and the evolutionary biologist Julian Huxley.

With these family connections, Julia is a presence in many documented and famous lives, but she is a mostly silent presence. When extracted from her background of colonial life, extracted from the covers of marriage and family life, her story reveals an extraordinary woman, a paradox who defied convention as much as she embraced it.

What began as a marriage born of desire soon turned into a relationship riven by discord. Tom’s sudden decision to become a Catholic and Julia’s refusal to convert with him plunged their lives into a crisis wherein their great love for each other would be pitted against their profoundly different understandings of marriage and religion. It was a conflict that would play out over three decades in a time when science challenged religion, when industrialization challenged agrarian forms, when democracy challenged aristocracy, when women began to challenge men. It was a conflict that would shape not only their own lives and that of their children, but also touch the lives of all those who came into contact with them.

A handbook for women who want to understand their hormones and transform their lives.

Joint pain, weight gain, migraines, acne, sleepless nights, loss of libido—hormones can cause all of this, and much more. Luckily, medical science has come a long way in recent years,and there are many treatment options available, including HRT, diet, and exercise.

Hormones affect our health throughout our lives. So why do we so often assume they are mainly “a menopause thing” and leave it until hot flashes arrive to start taking them seriously?

The truth is that before the age of 50, many women find that their hormone-related symptoms just aren’t acknowledged, despite the impact they can have on almost every aspect of their lives.

Many women are plagued with symptoms years before menopause hits.

Written by two doctors from their experience as practitioners and as women, and full of cutting edge knowledge from epigenetics, stress medicine, nutritional medicine, and modern hormone replacement therapy, Our Hormones, Our Health shows women how to live with good health, good humor, happiness—no matter what their stage of life.

• The authors are doctors—who have experienced hormonal issues themselves: Outlines the personal experiences of the authors, who are practicing doctors
• What does the science say about hormones: This book looks at all solutions, surveying the available science for what does or doesn’t work.
• The only book you’ll need to read: this book is a single-source resource for women who want to understand their hormones and how to treat them.
• For women over 30: Countless women complain of symptoms, without realizing that they are caused by hormones, starting around age 30
• Cutting edge information about the microbiome: The authors give tips related to the microbiome and fasting

The story of a federal minister’s remarkable reunion with his birth parents.

Robert Tickner had always known he was adopted, but had rarely felt much curiosity about his origins. Born in 1951, he had a happy childhood—raised by his loving adoptive parents, Bert and Gwen Tickner, in the small seaside town of Forster, New South Wales. He grew up to be a cheerful and confident young man with a fierce sense of social justice, and the desire and stamina to make political change. Serving in the Hawke and Keating governments, he held the portfolio of minister for Aboriginal and Torres Strait Islander affairs. Among other achievements while in government, he was responsible for initiating the reconciliation process with Indigenous Australians, and he was instrumental in instigating the national inquiry into the stolen generations.

During his time on the front bench, Robert’s son was born, and it was his deep sense of connection to this child that moved him at last to turn his attention to the question of his own birth. Although he had some sense of the potentially life-changing course that lay ahead of him, he could not have anticipated learning of the exceptional nature of the woman who had brought him into the world, the deep scars that his forced adoption had left on her, and the astonishing series of coincidences that had already linked their lives. And this was only the first half of a story that was to lead to a reunion with his birth father and siblings.

This deeply moving memoir is a testament to the significance of all forms of family in shaping us—and to the potential for love to heal great harm.

For fans of Banned Book Week and champions of freedom of speech, a riveting read about the way a publisher changed censorship laws in Australia with Portnoy’s Complaint.

Until fifty years ago, books that might damage the morals of the Australian public were banned, seized, and burned. Bookstores were raided. Publishers were fined. Writers were charged, even jailed.

In 1970, in great secrecy and at considerable risk, Penguin Books Australia resolved to publish Portnoy’s Complaint—Philip Roth’s frank, funny, and profane bestseller.

The Trials of Portnoy draws on archival records and interviews to show how Penguin and a band of writers, booksellers, academics, and lawyers sought for the freedom to read what they wished, even through criminal charges, police raids, and trials.

A follow-up to the author's prescient bestseller, first published in 1982, that alerted the public to the likely impacts of information technologies and the emergence of a post-industrial society.

When Sleepers, Wake! was released in Australia, it immediately became influential around the world: it was read by Deng Xiaoping and Bill Gates; was published in China, Japan, South Korea, and Sweden; and led to the author being the first Australian minister invited to address a G-7 summit meeting, held in Canada in 1985

Now its author, the polymath and former politician Barry Jones, turns his attention to what has happened since—especially to politics, health, and our climate in the digital age—and to the challenges faced by increasingly fragile democracies and public institutions.

Jones sees climate change as the greatest problem of our time, but political leaders have proved incapable of dealing with complex, long-term issues of such magnitude. The Trump phenomenon overturns the whole concept of critical thinking and analysis. Meanwhile, technologies such as the smartphone and the ubiquity of social media have reinforced the realm of the personal. This has weakened our sense of, or empathy with, ‘the other’, the remote, and the unfamiliar, and all but destroyed our sense of community, of being members of broad, inclusive groups. The COVID-19 threat, which was immediate, and personal, showed that some leaders could respond courageously, while others denied the evidence.

In the post-truth era, politicians invent ‘facts’ and ignore or deny the obvious, while business and the media are obsessed with marketing and consumption for the short term. What Is to Be Done is a long-awaited work from Jones on the challenges of modernity and what must be done to meet them.

A shocking depiction of one of the world’s most ruthless regimes—and the story of one woman’s fight to survive.

I will never forget the camp. I cannot forget the eyes of the prisoners, expecting me to do something for them. They are innocent. I have to tell their story, to tell about the darkness they are in. It is so easy to suffocate us with the demons of powerlessness, shame, and guilt. But we aren’t the ones who should feel ashamed.

Born in China’s north-western province, Sayragul Sauytbay trained as a doctor before being appointed a senior civil servant. But her life was upended when the Chinese authorities incarcerated her. Her crime: being Kazakh, one of the China’s ethnic minorities.

The north-western province borders the largest number of foreign nations and is the point in China that is the closest to Europe. In recent years it has become home to over 1,200 penal camps—modern-day gulags that are estimated to house three million members of the Kazakh and Uyghur minorities. Imprisoned solely due to their ethnicity, inmates are subjected to relentless punishment and torture, including being beaten, raped, and used as subjects for medical experiments. The camps represent the greatest systematic incarceration of an entire people since the Third Reich.

In prison, Sauytbay was put to work teaching Chinese language, culture, and politics, in the course of which she gained access to secret information that revealed Beijing’s long-term plans to undermine not only its minorities, but democracies around the world. Upon her escape to Europe she was reunited with her family, but still lives under constant threat of reprisal. This rare testimony from the biggest surveillance state in the world reveals not only the full, frightening scope of China’s tyrannical ambitions, but also the resilience and courage of its author.

A sly and playful novel about the many faces we all have.

Fifteen-year-old Berta says that beautiful things aren’t made for her, or that she isn’t destined to have them, or that the only things she deserves are ugly. It’s why her main activity, when she’s not at school, is playing the “prosopagnosia game”—standing in front of the mirror and holding her breath until she can no longer recognise her own face. An ibis is the only animal she wants for a pet.

Berta’s mother is in her forties. By her own estimation, she is at least twenty kilos overweight, and her husband has just left her. Her whole life, she has felt a keen sense of being very near to the end of things. She used to be a cultural critic for a regional newspaper. Now she feels it is her responsibility to make her and her daughter’s lives as happy as possible.

A man who claims to be the famous Mexican artist Vicente Rojo becomes entangled in their lives when he sees Berta faint at school and offers her the gift of a painting. This sets in motion an uncanny game of assumed and ignored identities, where the limits of what one wants and what one can achieve become blurred. Art, culture, motherhood, and the search for meaning all have a part to play in whether Sònia Hernàndez’ characters recognise what they see within.

A TLS BOOK OF THE YEAR

What every lover of George Eliot’s work wants: a new novel made from her life and mind

Marian Evans is a scandalous figure, living in sin with a married man, George Henry Lewes. She has shocked polite society. In secret, though, she has begun writing fiction under the pseudonym George Eliot. As Adam Bede’s fame grows, curiosity rises. Gradually it becomes apparent that the moral genius Eliot is none other than the disgraced woman.

Now celebrity begins. The world falls in love with her. She is the wise and great writer, sent to guide people through the increasingly secular, rudderless century. Public opinion shifts. Her scandals, forgiven. But this idyll is not secure and cannot last. When Lewes dies, Evans finds herself in danger of shocking the world all over again.

Meanwhile, in another century, two women compete to arrive at an interpretation of Eliot as writer and as woman…

What role did the queen play in the governor-general Sir John Kerr’s plans to dismiss prime minister Gough Whitlam in 1975, which unleashed one of the most divisive episodes in Australia’s political history? And why weren’t we told?

Under the cover of being designated as private correspondence, the letters between the queen and the governor-general about the dismissal have been locked away for decades in the National Archives of Australia, and embargoed by the queen potentially forever. This ruse has furthered the fiction that the queen and the Palace had no warning of or role in Kerr’s actions.

In the face of this, Professor Jenny Hocking embarked on a four-year legal battle to force the Archives to release the letters. In 2015, she mounted a crowd-funded campaign, securing a stellar pro bono team that took her case all the way to the High Court of Australia.

Now, drawing on never-before-published material from Kerr’s archives and her submissions to the court, Hocking traces the collusion and deception behind the dismissal, and charts the private role of High Court judges, the queen’s private secretary, and the leader of the opposition, Malcolm Fraser, in Kerr’s actions, and the prior knowledge of the queen and Prince Charles.

Hocking also reveals the obstruction, intrigue, and duplicity she faced, raising disturbing questions about the role of the National Archives in preventing access to its own historical material and in enforcing royal secrecy over its documents.

An original graphic novel based on the IVF stories of its husband-and-wife authors and the 1-in-50 couples around the world like them.

Conrad and Joanne met in their final year of university and have been virtually inseparable since then. For a while, it felt like they had all the time in the world. Yet now, when they are finally ready to have kids, they find that getting pregnant isn’t always so easy.

Ahead of them lies a difficult, expensive, and emotional journey into the world of assisted fertility, where each “successful” implantation is followed by a two-week wait to see if the pregnancy takes. Join Joanne and Conrad, their friends, their family, their coworkers, and a stream of expert medical practitioners as they experience the highs and the lows, the tears and the laughter in this sensitive but unflinching portrayal of the hope and heartbreak offered to so many by modern medicine.

Full of beautiful and heartfelt artwork, this book will be a hit in any graphic health collection.

A geneticist tells the stories of men, women, and children whose genes have shaped their lives in unexpected ways.

It was while listening to a colleague tell the parents of a newborn girl that their daughter was going to die that a lifelong interest in genetic medicine was sparked in Dr. Edwin Kirk. Warmth and gentleness tempered a direct, sure manner—this was the medicine he wanted to practice, where the most advanced science and the most deeply humane care meet and merge. Twenty-five years later, Kirk works both with patients and in the lab, meanwhile spearheading a campaign that will change the way we think about having babies.

Written with insight and gentle humor, The Boy Who Wasn’t Short tells tales about his work, such as the moment the realization that a young boy wasn’t short ended up saving the life of his mother—and how Angelina Jolie has saved the lives of many more. Sit in the room with Kirk and his patients as they navigate the world of heartbreaking uncertainties, tantalizing possibilities, and thorny questions of morality. In genetics, it is the particularities of an individual’s history that matter, and here, in clear and considerate writing, those individual stories are given voice.

“Please. I’m in hell!” The truth of that was in his face. The rims of his eyes were red-raw, his hair was matted, he hadn’t shaved since knocking at her door, when he’d been clean-shaven—one of the few details she remembered of that blurred encounter. “I know why you’re avoiding me. Whoever told the cops told you, too.”

It’s 1970, and young Annette Cooley is part of a small team working on an archaeological dig on the New South Wales south coast—a site that appears to prove that Aboriginal societies in the late Holocene were becoming less nomadic, even sedentary. The discovery is thrilling in its significance, and the atmosphere in the group is one of charged excitement. The team is led by a husband-and-wife pair, stars in their field, Aled Wray and Marilyn Herr, and working on their sites promises to be the making of Annette as an archaeologist.

On a new site, linked to the first, Annette starts to fall for a fellow student, Brian Harpur. But there are strange tensions and a hidden darkness within the group. Then one of their party mysteriously disappears. When police arrive, Annette makes a decision that will irrevocably mark her life, and Brian Harpur’s.

Written in clear, beautiful prose, and with great depth and moral complexity, The Beach Caves is a powerful story about jealousy, guilt, the choices we make, and the different paths our lives could have taken—shadow paths, which nevertheless leave a trace.

It was a complicated, galling, and gasp-inducing year at the Royal Commission into Misconduct in the Banking, Superannuation and Financial Services Industry.

It wasn’t just the long list of scandals exposed to a horrified nation—charging fees to dead people, ignoring blatant conflicts of interest, and taking $1 billion from customers in fees that banks were never entitled to.

What made it so fascinating, so heart-breaking, and so enraging was the procession of faces through the witness box, and the team of counsel gazing into the dark heart of banking.

Tearful victims, blank-faced executives, hapless regulators, and a couple of utter charlatans all had their day in court, watched by an audience of millions, and revealing—in their stories—the material to justify re-shaping the multi-trillion dollar financial-services industry that forms a pillar of Australian life.

A Wunch of Bankers covers not just the big shocks, but the small moments—lost in the flurry of daily reporting—that reveal how companies have used the law, limp enforcement, and basic human behavior to take advantage of customers.

Is there a phrase that allows life-insurance spruikers in call centers to terrify you about your impending death—and the grief-stricken ruins of an estate you’ll leave for your bereaved family—while still being legal? Yes, there is.

Was there a meeting in which a bank’s executives ignored a warning of ‘Extreme’ from its chief risk officer, to embark on a dodgy scheme that accrued $3.6 billion in funds? There was.

In A Wunch of Bankers, the World’s Oldest Debuting TV Reporter brings out the color and grit of the royal commission’s proceedings, and explores broader issues raised by the testimony. A compelling mixture of analysis, reportage, and observation, it is a revelatory work.

The Peaceful Home approach to parenting during a pandemic.

We are living through an unprecedented and stressful time, and many parents around the world have been asked to care for and educate their children at home. This presents unique challenges, especially for parents trying to work and oversee their children during long days at home.

Extraordinary Parenting offers authoritative, calm, credible advice that is easy to digest and put into practise straight away, as parents learn to navigate unthinkable circumstances. Central to this quick, informative read is a guide to building strong, flexible family rhythms.

Written by a homeschooling expert with the current Covid-19 crisis in mind, Extraordinary Parenting will have lasting appeal for any family dealing with a sudden change in circumstances—or even just those families who want to rethink the way their household and parenting is structured. What emerges, through Rickman’s Montessori- and Waldorf-influenced approach, is a peaceful parenting style that fosters a slow childhood and a holistic family way of being in the world.

A remarkable memoir detailing a heroic and unswerving commitment to renew the severely degraded land on Wooleen, a massive pastoral property in Western Australia’s southern rangelands.

The outback conjures many images that the Australian psyche is built upon. Its grand vistas of sweeping dusty plains and its evocation of a tough pioneering spirit form the foundation of our prosperous culture. But these romantic visions often hide the stark environmental, economic, and social problems that have inadvertently been left in the wake of our collective past.

Through retelling the struggle of his family amid droughts, financial ruin, depression, and death, David Pollock exposes the modern-day realities of managing a remote outback station. Forced by a sense of moral responsibility, he set out on an uncharted course to restore the 153,000 hectares of degraded leasehold land that he felt he was obliged to manage on behalf of the Australian people. Then, just at the point when that course seemed certain to fail, the project was saved by the generosity and faith of everyday Australians.

This is an urgent story of political irresponsibility, bureaucratic obstinacy, industrial monopolization, and, above all, ecological illiteracy in a vast segment of the Australian continent. It is a familiar story of overexploitation. Yet it is also a story of the extraordinary ability of the natural environment to repair itself, given the chance.

After over a decade of his hard-won insights, Pollock outlines in The Wooleen Way a specific and comprehensive plan to reverse the ecological damage done to the pastoral resource since European colonization. He also emphasizes the economic and social necessity of carrying it out, and of curbing the conquering human spirit so that it aligns with the subtle power of the natural landscape.

Traces the global spread of white nationalist and far-right terrorism, from the US to New Zealand to Norway.

The massacre of more than fifty worshippers at mosques in Christchurch, New Zealand, shocked the world. The alleged perpetrator expressed a particular ideology described as “fascism,” but what does fascism mean today—and what kind of threat does it pose? Jeff Sparrow traces the history of the far right around the world, showing how fascists have adapted to the new politics of the twenty-first century. He argues that the mosque killer represents a frightening new phenomenon—decentralized right-wing terrorism that recruits by committing atrocities, feeding on itself and spreading from country to country.

Burgeoning in dark places online, contemporary fascism exults in violence and picks its targets strategically. Even the widespread despair generated by climate change is being harvested to weaponize young men with the politics of hate. With imitative massacres proliferating, this book makes a compelling, urgent case for a new response to an old menace.